Signature and Name of Invigilator OMR Sheet No. : ......................................................

(To be filled by the Candidate)

1. (Signature)
Roll No.
(Name)
(In figures as per admission card)
2. (Signature) Roll No.
(In words)
(Name)
Test Booklet No.
D—6 5 0 8 PAPER—II

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Time : 1¼ hours] PERFORMING ART [Maximum Marks : 100
Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 50
Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ

 

  



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D—6508 1 P.T.O.
 DANCE / DRAMA / THEATRE
PAPER—II
SPECIAL INSTRUCTIONS
1. Candidates are required to answer all the 25 questions in Part-I, which are
compulsory. They should also select any one from Part-II and Part-III and
answer all the 25 questions of that Part only. Each question carries two
marks.
2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part

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Number which they have selected.

PART—I

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Common to Dance and Drama / Thea re

1. Match List – I with List – II :

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List – I List – II
(a) Vijay Tendulker (i) Evam Indrajit
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(b) Badal Sarkar (ii) Kamala
(c) Shrimati Rukminidevi Arundel (iii) Ramayan
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(d) Chandralekha (iv) Leelavati

Code :
(a) (b) (c) (d)
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(A) (ii) (i) (iii) (iv)

(B) (iv) (iii) (i) (ii)
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(C) (iii) (ii) (iv) (i)

(D) (i) (iv) (ii) (iii)
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2. The dance was ancillary to drama in :

(A) Manasallas
(B) Sahitya Darpan.
(C) Natyashastra
(D) Abhinaya chandrika

D—6508 2

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(D) (i) (iv) (ii) (iii)
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D—6508 3 P.T.O.
3. Match the List – I with List – II :
List – I List – II
(a) Japan (i) Raslila
(b) Maharashtra (ii) Jatra
(c) Vrindavan (iii) Noh
(d) Bengal (iv) Bharud
Code :

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(a) (b) (c) (d)
(A) (iii) (iv) (i) (ii)
(B) (ii) (i) (iv) (iii)
(C) (i) (iii) (ii) (iv)

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(D) (iv) (ii) (iii) (i)

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4. Assertion (A) : An actor must know music, dance and theatre arts to be whole.
Reason (R) : An actor must learn the dance of Bharata, Bharatanatyam.
(A) (A) is true (R) is false
(B) (A) is true (R) is true
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(C) (A) is false (R) is true
(D) (A) is false (R) is false
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5. Grish Karnad has got Gyanpeeth Award as a.

(A) Singer
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(B) Play write

(C) Actor
(D) None of the above
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6. The popular and long running plays are :

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(A) Ghasiram Kotwal

(B) Charandas Chor
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(C) Haya Vadana

(D) All of above
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7. Which one is not correctly matched :

(A) ICCR – Dr. Karan Singh
(B) Kalakshetra – Smt. Rukmini Devi
(C) SNA – Shri R. N. Mirdha
(D) Sopanam – Kovalan Panikar Narayan

D—6508 4
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(B) (ii) (i) (iv) (iii)

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(D) (iv) (ii) (iii) (i)

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D—6508 5 P.T.O.
8. Match List – I with List – II :
List – I List – II
(a) France (i) Opera
(b) Italy (ii) Wayang
(c) Java (iii) Odori
(d) Japan (iv) Comedy–la–arte
Code :

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(a) (b) (c) (d)
(A) (iv) (i) (ii) (iii)
(B) (i) (iv) (ii) (iii)
(C) (iv) (ii) (i) (iii)

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(D) (iv) (ii) (iii) (i)

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9. ‘Kittappa Pillai’ is an exponent of :
(A) Kuchipudi
(B) Manipuri
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(C) Bharatha Natyam
(D) Kathakali
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10. Which one is not correctly matched

(A) Pravir Guha – Theatre
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(B) Vallathole – Kalamandalam

(C) Birju Maharaj – Kathak
(D) Mani Rathnam – Sculpture
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11. West Zone cultural centre is sitiuated at :

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(A) Bangalore
(B) Mumbai
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(C) Ahmedabad
(D) Udaipur
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12. The latest style where both dance and drama come together is called :
(A) Ballet
(B) Dance – Drama
(C) Opera
(D) Dance – Theatre

D—6508 6
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D—6508 7 P.T.O.
13. Assertion (A) : Kathakali and Kabuki are both spectacular extrovert theatrical forms.
Reason (R) : Both have their origin and development in Kerala.
(A) (A) and (R) are true
(B) (A) is true (R) is false
(C) (A) and (R) are false
(D) (A) is false (R) is true

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14. Indicate the odd one out :
(A) Giddha
(B) Rasia

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(C) Ghoomar

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(D) Lavani

15. Assertion (A) : Movement of the Actors leads to composition.

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Reason (R) : Stage composition is very important to understand visual meaning of
the scene
(A) Both (A) and (R) are true
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(B) (A) is false and (R) is true

(C) (A) is true and (R) is false
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(D) Both (A) and (R) are false

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16. Bhrama played :

(A) Mridangam
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(B) Talam
(C) Thappu
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(D) Khanjeera
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17. Bhagavatha Mela is performed in :

(A) Chidhambaram
(B) Thanjavur
(C) Thirvvayaru
(D) Melattul

D—6508 8
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D—6508 9 P.T.O.
18. Match items in List – I with items in List – II :
List – I List – II
(a) Aditi Mangaldas (i) Critic
(b) Vaman Kendre (ii) Narthaki.com
(c) Anita Ratnam (iii) Soofi Kathak
(d) Kavita Nagpal (iv) Director

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Code :
(a) (b) (c) (d)
(A) (iii) (iv) (i) (ii)

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(B) (iii) (iv) (ii) (i)
(C) (ii) (iii) (iv) (i)

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(D) (ii) (iv) (iii) (i)
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19. Pick the odd one out :
(A) Shovana Narayan
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(B) Sanjana Kapoor
(C) Jayant Kastuvar
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(D) Rajendra Gangani

20. Which one is not correctly matched ?

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(A) Body balance Sculpture

(B) Mind balance – Harmony
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(C) Creativity – Artistry

(D) Performance – Attitude
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21. Which one is correct sequence ?

(A) Kudiattam, Kathakali, Krishnattam, Ottan thullal
(B) Ottan thullal, Kathakali, Krishnattam, Kudiattam
(C) Krishnattam, Kudiattam, Ottan thullal, Kathakali
(D) Krishnattam, Ottan thullal, Kudiattam, Kathakali

D—6508 10
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D—6508 11 P.T.O.
22. Indicate the odd one out :
The Components of Bharatha Nayam is :
(A) Natuvangam
(B) Mrudangam
(C) Temple jewellary
(D) Thappu

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23. Pick the odd one out :
The technical aspects of theatre is :
(A) Set and Property
(B) Costume and Make–up
(C) Lighting

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(D) Building construction

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24. Match the List – I with List – II :
List – I List – II
(a) Maharashtra (i) Burra Katha
ra
(b) Kerala (ii) Tamasha
(c) Andhra Pradesh (iii) Chau
(d) Orrissa (iv) Chavittu Natakam
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Code :
(a) (b) (c) (d)
(A) (ii) (iv) (i) (iii)
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(B) (iii) (i) (iv) (ii)

(C) (i) (iii) (ii) (iv)
(D) (iv) (ii) (iii) (i)
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25. Match List – I with List – II :

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List – I List – II
(a) Pina Bausch (i) USA
(b) Alwin Nicolai (ii) Germany
w

(c) Anton Chekhov (iii) France

(d) Marcel Marsau (iv) Russia
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Code :
(a) (b) (c) (d)
(A) (i) (iii) (iv) (ii)
(B) (i) (ii) (iii) (iv)
(C) (ii) (i) (iii) (iv)
(D) (ii) (i) (iv) (iii)

D—6508 12
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(A) (ii) (iv) (i) (iii)
(B) (iii) (i) (iv) (ii)
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(C) (i) (iii) (ii) (iv)

(D) (iv) (ii) (iii) (i)
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(C) (ii) (i) (iii) (iv)
(D) (ii) (i) (iv) (iii)

D—6508 13 P.T.O.
 PART - II
DANCE

NOTE : Read the following passage and tick the correct answer of question numbers 26,
27, 28.
Shiva’s Tandava is energetic and virile. It symbolically represents his panchakriyas
Shiva is thus Nataraja. Krishna is Natavara. His dance is the mystic rasa. He gracefully

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moves his delicate body interweaving himself between the 16,000 Gopis, on the banks
of yamuna in the moonlight night.

26. It was found that :

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(A) Shiva and Krishna dance the tandava.
(B) Shiva’s dance is Tandava and Krishna dances lasya.

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(C) Shiva performs rasa.
(D) Krishna’s dance represents creation and distruction
ra
27. It is understood that :
(A) Tandav and Lasya are contemporary dance forms.
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(B) Both Shiva and Krishna danced with the Gopis.

(C) Tandav is energetic and lasya is graceful dancing.
xa

(D) Both are danced on the banks of Yamuna.

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28. It can be concluded that :

(A) All dance styles have Tandav and Lasya.
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(B) Manipuri does not have Tandav.

(C) Only Bharatanatyam has both Tandav and Lasya.
w

(D) Only Kathak depicts Maharasa.

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29. The scheme of basic 35 talas is used in :

(A) Odissi
(B) Bharatanatyam
(C) Kathak
(D) Manipuri

D—6508 14
 PART - II
DANCE

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D—6508 15 P.T.O.
30. Put in correct chronology :
(A) Valmiki, Bhasa, Kalidasa, Harsha.
(B) Bhasa, Kalidasa, Valmiki, Harsha.
(C) Kalidasa, Harsha, Valmiki, Bhasa.
(D) Valmiki, Bhasa, Harsha, Kalidasa.

31. Assertion (A) : It is very easy to learn and dance Manipuri.

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Reason (R) : It has economy of movement.
(A) Both (A) and (R) are true
(B) (A) is true (R) is false

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(C) (A) is false (R) is true
(D) Both (A) and (R) are false

32. Match the items in List – I with items in List – II :

(a)
List – I
Kalanidhi (i) ce
List – II
Dance Festival
ra
(b) Astad Daboo (ii) Abhinaya
(c) Ashish Khokar (iii) Special Children
m
(d) Bruhad Natyanjali (i ) Attendance
Code :
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(a) (b) (c) (d)

(A) (ii) (iii) (iv) (i)
(B) (ii) (iv) (iii) (i)
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(C) (iv) (i) (iii) (ii)

(D) (ii) (iv) (i) (iii)
w

33. Hasya rasa has how many types ?

(A) 4 (B) 6 (C) 8 (D) 2
w
w

34. Assertion (A) : Vibhavas and Anubhavas creats Rasa.

Reason (R) : The Rasasutras mention so.
(A) Both (A) and (R) are true
(B) (A) is false (R) is true
(C) Both (A) and (R) are false
(D) (A) is true (R) is false

D—6508 16
30. 
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D—6508 17 P.T.O.
35. Vasanta rasa is danced on the poornima of :
(A) Holi
(B) Diwali
(C) Raksha Bandhan
(D) Dassehra

36. Select the correct pair :

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(A) Jyeshta Nayiaka and Kanishta Nayika.
(B) Balaramabharatam and Kathak
(C) KaishiKivritti and Chari.
(D) Kapittha and Kampita.

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37. Match the items in List – I with items in List – II :

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List – I List – II
(a) Alapadma (i) Padabheda
(b) Bherunda (ii) Asamyukta Hasta
(c) Lutthita (iii) Dashavatar
ra
(d) Varah (iv) Samyukta Hasta
Code :
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(A) (ii) (i) (iii) (iv)
(B) (iv) (ii) (i) (iii)
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(C) (ii) (iv) (iii) (i)

(D) (ii) (iv) (i) (iii)
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38. Indicate the odd one out :

(A) Studies in Nayaka – Nayika bheda by Rakes Gupta.
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(B) Number of Rasas by Dr. V. Raghavan.

(C) Natyadarpanam by Ramchandra and Gunachandra.
w

(D) The Square and Circle of the Arts by Dr. Kapila Vatsyayan.
w

39. Indicate the odd one :

The Prominent dance libaries are
(A) The Adyar Library.
(B) NCPA Library.
(C) Asiatic Society Library.
(D) Saraswati Mahal Library.

D—6508 18
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D—6508 19 P.T.O.
40. Pick the odd one out :
Indian Painting inspiring dance are
(A) Ragaragini Painting
(B) Baramasa Painting
(C) Paintings depicting social life
(D) Portraiture

41. Which of the following pairs is correctly matched ?

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(A) Dhiraudaata nayaka and chala
(B) Mrugagati and Harinapluta Chari
(C) Shurpanakha and Sundari
(D) Shirobheda and Vibhava

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42. Which of the following is not correctly matched :
(A) Vasantasena and Sadharani nayika

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(B) Jugupsabhava and bibhatsarasa
(C) Natyadharmi and Nayika alankara
(D) Sthanakas and charis
ra
43. Which is the correct chronology :
(A) Samhita, Aranyaka, Brahmana, Upanishad
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(B) Aranyaka, Upanishad, Samhita, Brahmana

(C) Samhita, Brahmana, Aranyaka, Upanishad
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(D) Brahmana, Samhita, Upanishad, Aranyaka

44. Orchestra of Cambodian dances is called :

(A) Saing
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(B) Pwe
(C) Lakon
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(D) Gammelan

45. The Sculptures taken out on procession are :

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(A) Chala murtis

(B) Utsava murtis
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(C) Chitra murtis

(D) Bali murtis

46. Which of the following pairs is not correctly matched :

(A) Valana and Tara Karma (B) Vivartana and UruKarma
(C) Vrishcika and Padabheda (D) Malina and Drishti bheda

D—6508 20
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D—6508 21 P.T.O.
47. Assertion (A) : The Classical Dances depend a lot on Lokadharmi in their presentation.

Reason (R) : Bharata discusses Lokadharmi.

(A) Both (A) and (R) are false

(B) (A) is true (R) is false

(C) (A) is false (R) is true

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(D) Both (A) and (R) are true

48. The acharya chudamani award for 2007 was conferred on :

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(A) Alarmel Valli

(B) Danseuse Rhadha

(C)

(D)
Padma Subrahmanyam

Kamala Laxman
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ra
49. Assertion (A) : Odissi is performed to lyrics in Oriya only.
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Reason (R) : All Classical Dance Styles use regional lyrics.

Code
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(A) (A) is true (R) is false

(B) (A) and (R) are true

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(C) (A) and (R) are false

(D) (A) is false (R) is true

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50. Assertion (A) : Indian Modern Dance depicts only contemporary themes

Reason (R) : The traditional themes cannot be choreographed in Modern Dance.

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(A) (A) and (R) are true

(B) (A) is true (R) is false

(C) (A) is false (R) is true

(D) (A) and (R) are false

D—6508 22
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D—6508 23 P.T.O.
 PART - III
DRAMA / THEATRE

26. Of the following playwrights who is known for writing political plays :
(A) Dharamvir Bharathi
(B) Badal sarcar
(C) Girish Karnad

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(D) Vijay Tendulkar

27. Which of the following is a Malayalam play ?

(A) Lanka Lakshmi

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(B) Aurangazeb
(C) Evam Indrajit
(D) Santhatha court chaluv ahai

28.
List – I
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Match the items in List – I with thas of items in List – II :
List – II
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(a) My life in Art (i) Adhya Ranga charya
(b) Environmental Theatre (ii) Evic Bently
(c) Indian Theatre (iii) Stanislousky
m

(d) Modern Theatre practice (iv) Richard Schechner

Code :
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(a) (b) (c) (d)

(A) (iii) (iv) (i) (ii)
(B) (iii) (ii) (iv) (i)
(C) (ii) (i) (iii) (iv
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(D) (iv) (iii) (ii) (i)

w

29. Play ‘Tughlak’ is written by :

(A) Indira Parthasarathy
w

(B) G Sangara Pillai

(C) Dharmaveer Bharathi
(D) Girish Karnad
w

30. Which is the correct sequeance ?

(A) E. Alkazi; B. V. Karanath; B. M. Shah; Mohan Maharishi
(B) B. M. Shah; B. V. Karanath; E. Alkazi; Mohan Maharishi
(C) Mohan Maharishi; B. M. Shah; B. V. Karanath; E. Alkazi
(D) B. V. Karanath; E. Alkazi; B. M. Shah; Mohan Maharishi

D—6508 24
 PART - III
DRAMA / THEATRE

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D—6508 25 P.T.O.
31. Indicate the odd one out :
(A) Adhe Adhure (B) Leharon ki Raja
(C) Ashad Ka Ek Din (D) Baki Ithihas

32. Assertion (A) : Theatre brings out the human truth.

Reason (R) : Theatre is a preaching Institution.
Code :

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(A) Both (A) and (R) are false (B) Both (A) and (R) are true
(C) (A) is true (R) is false (D) (A) is false (R) is true

33. Which classical form is performed in a play house where Natayasastra con entions are
followed :

.c
(A) Kuchippudi (B) Bhagavatha Mela
(C) Kudiattam (D) Kathak

34. Square and circles is a book written by :

(A) Amal Alana (B)
ce
Adhya Rengacharya
ra
(C) Kapila Vatsyan (D) Sivaram Karanth

35. Indicate odd one out :

m
(A) Lakshmi Narayanlal (B) Kambar
(C) B. V. Karanth (D) N. Muttuswamy
xa

36. Which one of the following is not correctly matched ?

(A) G. Sankara Pillai – Karutha Deivam
(B) Sivarama Karanth – Yeksa Ganam
.e

(C) Nasrudin Shah – N. S. D

(D) Devaraj Ankur – Kathakali
w

37. Modern theatre of India should have the strong base on our culture and values. But
most of the modern plays and productions are being designed from the traditional
w

forms which has definite form and content. Does this mean that modern theatre does
not have any definite idea ?
modern theatre Can be evolved
w

(A) By strong understanding of our culture and values.

(B) Instead of taking elements directly from traditional forms, new methods can be
evolved.
(C) Folkloric aspects have to be incorporated
(D) New theatrical idom has to be evolved by understanding the ‘present tense’ of
the theatre

D—6508 26
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D—6508 27 P.T.O.
38. Urban theatre and rural theatre has the long gap as far as modern theatre is concerned.
(A) The Environment of urban and rural life is entirely different.
(B) Electronic media has not reached the rural areas completly.
(C) Urban man is machine oriented and rural man is nature oriented.
(D) Time and place elements diffar from urban and rural.

39. What are the qualities of folk theatre ?

(A) Should have the ethnic values.

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(B) Improvisation spontanity in performance.
(C) Technical devices are simple.
(D) Music and Dance have its flavour.

.c
40. NSD has got its National reputation.
(A) Unique methods are applied in treatre.
(B) Every year theatre festivals are organised.

ce
(C) Human Resource ministry is funding directly.
(D) Maintains its standared in play productions.
ra
41. Which of the following is not correctly matched ?
(A) Habib Tanvir Tribal Theatre.
(B) Song and Drama division – Govt. of India.
m
(C) E. Alkazi – Theatre education.
(D) National Centre for Performing Arts – Chennai
xa

42. Adhe Adhure was directed by :

(A) K. N. Pannickar
(B) Prof. S. Ramanujam
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(C) Ratan Tiyam

(D) Amal Allana
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43. Which of the following is an eminent theatre designer ?

(A) Bansi Kaul
w

(B) Prasanna
(C) Robindass
(D) Ramamurthy
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44. ‘Chorus’ is the :

(A) Singing group
(B) Repertory Company
(C) Group of Activists
(D) Dance troup

D—6508 28
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D—6508 29 P.T.O.
45. Which one of the following is the symbolic play ?
(A) Ghost
(B) Rhino souries
(C) Media
(D) Ashad Ka Ek Din

46. Invisible theatre is the concept of :

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(A) Artand
(B) Augusto Boll
(C) Mayor Hold
(D) Eugne Barba

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47. Which one of the following is an eminant lighting designer for the theatre ?

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(A) Dr. Ravindran
(B) Ram Gopal Bajaj
(C) Ramamurthy
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(D) Indira Parthasarathy

48. G. Sankara Pillai is a modern playwright from :

m

(A) Tamil Nadu

(B) Andhra Pradesh
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(C) Kerala
(D) Karnataka
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49. Teruk – K – Kouthu is the traditional form from :

(A) Kerala (B) Manipur
(C) Gujarat (D) Tamil Nadu
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50. Of the following which Institute is organising theatre festivals ?

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(A) Nehru Centre for Performing Arts

(B) Song and Drama Division
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(C) National School of Drama

(D) Sangeeth Natak Academy

-oOo-

D—6508 30
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D—6508 31 P.T.O.
 Space For Rough Work

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D—6508 32