No.

70

Philip Shen:
MoreGeometric
More Geometric Folds
Paperfolds

Boaz Shuval
No. 70

©Models by Philip Shen

©Diagramss - Boaz Shuval
©Diagram

Compilation published by British Origami Society, January 2008

More Geometric Paperfolds is BOS Booklet No. 70

Printed in the United Kingdom. All rights

r ights reserved. No part of this publication may
bereproduced,storedinanyretrievalsystem,or transmitted,inanyformor byany
means, electronic, mechanical photocopying,
photocopying, recording or otherwise without
the express written permission of the author and of the British Origami Society.

 The British Origami Society

Society is a registered
registered charity. Charity Number 293039

www.britishorigami.info
More Geometric Paperfolds
Philip Shen
Compiled by Boaz Shuval
 Preface and acknowledgements

Philip Shen has always been on my list of top origami artists. My first exposure to his work
was in Paul Jackson’s excellent book (now sadly out of print), “Classic Origami”. The model
diagrammed there, Shen’s Incense Burner, was unlike anything I had ever folded before. It
seemed like I was folding aimlessly, creating a beautiful pattern of creases. Then, in a magical
move, the creases are brought together and the clean, complete, and beautiful form of the
model emerges.

I started seeking for other models by Shen. They were hard to find, and most were collected
in Paul Jackson’s BOS booklet No. 18 “Selected Geometric Paperfolds”
Paperfolds”.. I enjoyed each and every
one of these, but I was still on the lookout for more. A few more models by Shen, I found,
thanks to the Origami Database, were diagrammed in out of print publications, such as old
BOS magazines, old BOS convention books etc. Alas, these models are not easily obtainable.

In August 2004, I relocated from Israel to San Diego, California. Shortly before my move, I
learnt that Philip Shen lived close to San Diego, about 2 hours away. One of the first things
I did after I landed was to contact Mr. Shen. To my dismay, I discovered that he had passed
away only days earlier.

It was then that I decided to collect as many of Shen’s

Shen’s works as I could and to publish them
as a tribute. This collection is the first fruit of these efforts. To diagram these models, I had
to very carefully unfold models by Shen, and find a method of folding. Most Shen models
employ a similar folding process: first, the folder makes a series of folds that produce a
beautiful geometric, symmetrical, crease pattern on the paper. Then, the folder manipulates
these folds in a way that locks them in the final form. So, to diagram the models I had to find
a way to reproduce the crease pattern as easily as I could without adding extra creases, and
then to find a method of collapsing everything into place. Luckily, many of the models utilize
similar geometries (such as 30  and 60  folding), but some cases were hard nuts to crack.
˚ ˚

Discovering these models, finding folding methods for them, and diagramming them has
been a joy for me. I hope that the models collected here bring you as much joy as they have
brought me. Of course, if you know of any Shen models that are unpublished, please contact
me, as I am intereste
interestedd in finding out about them. My e-mail address is:  bshuval@gmail.com

 This collection would not have been possible without the help of several friends: first
and foremost, I would like to thank Paul Jackson, who generously provided me access to
his his private collection of models by Shen (most models diagrammed here are from his
collection). Second I would like to thank Yee-Nar Yuen, a student of Shen’s whom I met at an
origami convention. Yee-Nar has been an enormous help in providing me with information
about Shen and also some more models from her collection. Shen’s waterbomb lock has
been extremely difficult for me to obtain. I had heard about it but could not find how to
make it anywhere. Finally Joanne Ortman provide
providedd me with the information on this fold, and
I thank her for this. I would also like to thank Mrs. Sylvia Shen, who has given me permission
to publish this collection, and the British Origami Society for allowing me to publish this
collection as part of their series of booklets. Finally, I would like to thank Nick Robinson for
proof-reading the diagrams and providing valuable input.
 Table of Contents

10 Pointed Star 9
30 Degree Dish 12
Cot 13
Crown Bowl 15
Flower Basket 20
Flower Dish 22
Hexagonal Container 24
Icosahedral Bowl 26
Modification of the Chinese Vase 29
Pentagonal Flower 32
Petal Dish 34
Rose Dish 36
Shen’s Waterbomb Lock 40
Snowflower 42
Star Box 44
 Triangular
 Triangular Dish 45

BOS Publications 48

7
 Folding Tips

Most of Shen’s models were created without a preconceived model in mind. Rather
than trying to design a model with specific traits, Shen enjoyed taking a piece of
paper and folding it until a model emerged. This is a process of exploration and
discovery. The models in this booklet should be folded with that in mind. In fact,
as you fold these models, you will become familiar with some of the geometries
that Shen employed. Do not be surprised if you find yourself adding creases in an
attractive pattern to a piece of paper and trying to flex them to lock in a certain
position.

 There are several threads running through all these models. First, the models are
clean: they use the minimum number of creases and points, preferably without
any unused creases. Secondly, the final model is attractive, usually geometric and
somewhat abstract, and it is usually 3-dimensional and contains curved surfaces.

Keeping in line with the ideas above, crease sharply and cleanly throughout the
pre-creasing stage, unless instructed otherwise. Do not crease beyond what is
indicated, because you do not want any unwanted creases. Most importantly,
though, you should enjoy the folding.

What paper should you use for folding these models? Shen himself used to collect
various scrap papers and use them. Many of his models were folded from thin,
clear, vellum. In this medium every crease is clearly visible, and with Shen’s models
it provides a pretty effect. Another type of paper frequently used by Shen is soup-
packet wrapping (of Knorr brand). The wrapping has a shiny, silvery side, which
should be used as the “coloured” side of the paper. This material is generally not
very useful for folding, but with Shen’s models it works well.

Not all the models in this collection are folded from squares. Some are from triangles,
some are from hexagons, and some are from pentagons. I have deliberately not
provided instructions for making these forms. There are many methods, and you
should choose the method you are most comfortable with. I suggest you make
yourself some templates and use these in order to obtain starting forms that are
free from creases, or that have creases only along heavily utilized lines of symmetry
(such as diagonal and altitudes).

8
 10Pointed
10 pointedStar
s ta r

If you were to receive this model by mail from Philip Shen, this is what you would have found in the envelope:
If you were to receive this model by mail from Philip Shen, this is what you would
a 10 pointed star that when unfolded reveals an intricate net of creases of various colors and instructions on
how to form them to create the model yourself.
have found in the envelope: a 10 pointed star that when unfolded reveals an inticate
In the instructions for this model, we will use the same approach. The drawings that follow correspond to
the steps as appearing on the crease pattern. Collapsing instructions will appear as a sequence of images.
net of creases of various colours and instructions on how to form them to create the
model yourself.
In the instructions for this model, we will use the same approach. The drawings 7

that follow correspond to the steps as appearing on the crease pattern. Collapsing
instructions will appear as a sequence of images.

9
 1b

1a

Crease this larger star... ... and the medium pentagon.

(Do this by bringing the center of each edge to the (This pentagon is created by adding creases
height opposite. The points you should bring together   between the intersections
intersections of the creases from
are designated as black dots in the figure.) step 1a.)

3 2

B
 1/ 2
 1/ 2

 parallel

 parallel
A
Crease this smaller star.
Crease this small pentagon.
(The marked crease is created by bringing A to B.)
(It is created by bringing the center of each edge
of the medium pentagon to the center of the paper.)

4 5

Crease this larger pentagon.

(Do not crease on the dotted lines.) Crease these crossing lines.

10
 12

11

Completed 10 pointed
star.

Repeat on all points.

8

10
9

Tuck the point under the

inner pentagon.
Fold the edges of the point to the
center crease, incorporating a swivel
(the thick lines are mountain folds).
The pentagon is now flat on the
table. Now, squash one point.

6 7

Like so. Notice that the rhomboids near the inner 

The following images show the collapse. Begin by pinching  pentagon
 pentagon remai
remainn open.
open. Twist the inner penta
pentagon
gon while
while
the corners and lifting the small pentagon. (Thick lines are  pushing it down.
mountains, dashed lines are valleys.)
9

11
30 Degree
30  Dish Dish i s h
3 0 D e g re e D
˚

1
2

6
5

7 Unfold one flap.

Fold edge to crease shown.
Crease only on one half of the
square. Repeat 8 times.
Bring point to point, but fold only
where shown. Repeat 8 times.

Reverse the direction of 

creases as needed and bring
towards the diagonal.
8

Continue folding towards

diagonal, and lock by
folding flap over.
Repeat three more times,
on the three other edges. Completed 30 degree dish.

12
 Cot
Cot

Use a duo-colored square. Crease only

one diagonal. Pinch the center of the edges shown.

7 8

Fold through all layers.

Fold the corners behind, and change the

orientation of the creases shown to
mountain.

13
 15

Completed Cot.

Push down with your fingers to make

the cot round. Make light creases on the
surface of the bed following the x-ray
creases.

14

13

12
Like so. Turn over.

11
Lock the corners by folding the corner 
Fold the sides back, and incorporate
triangles in half.
reverse folds on the corners. Do not
make any creases on the top triangle.

10
9

Make the creases shown, but do not fold

on the top or bottom of the paper.
Make the creases shown, but do not
crease in the center.

14
 Crown Bowl
Cn blw
r
o
w o

1
2

5 4

Bring point to line through corner, but

fold only where shown. Repeat on
other corner and on back.
7
8 9

 4 – 6

Unfold back to step 4.

Repeat steps 4-6 on the

other two corners.

15
 18
17
16

Fold using reference pinch

as guide.

15

14

13

Pinch to mark reference

 point. Unfold back to step
12.
Pleat the corner lightly. 12

11

10

Extend the crease, but crease

lightly. Do not repeat.

Extend the crease, but only in the center 

square. Repeat 8 times.

16
 19

20
21

Unfold back to step 16.

22

24
21– 23
23
25

Unfold back to step 21.

21– 23
Repeat steps 21-23 on other 
two corners.
Unfold completely.

26

27

28

Unfold back to step 25.

17
 36
35

34
Put in folds based on creases
from steps 26-27.
Like so. View from inside Repeat steps 34-36 on all
reverse folded corner. Bring corners.
sides together.

Like so. View from the top.

Reverse fold one corner along
existing creases.
33 32

In progress. This view is from the

inside (underneath) of the
“V”.Repeat on all sides.

Like so. Close the “V” shape from step

30, and bring sides down using
 precreases.
31

25– 28 30

29

Collapse. Center point should go inwards.

Circled points should be convex (pointing
upwards)

Change orientation of creases as shown.

25– 28

18
 37

38

Done. Insert thumb into rounded

caps, and smooth out top of 
inverted “V”s. Insert finger into
“V” cups, and round bottom.
See close-ups for finished move.

Open small diamonds, and

smooth them from the inside.

39

40

Front diamond open. Continue

41 opening diamonds, and turn
over.
Push convex point inward to
lock model.

Locked. Turn over.

Completed crown bowl.

19
 Flower Basket
FB
lo ak 
w
e
r s  te
k

1
2

Mountain-fold in half.

6 5 4

 5 – 6

Tuck behind. Squash.

8
9 10

Fold two diagonal creases through

the center. It is easy to do if you This fold is similar to a
line-up creases as shown.  preliminary fold.

20
 20

19 Completed flower basket.

Open basket. Round the

handle.

Close sides again

18

17
16

Fold over twice.

15
Mountain-fold both
layers.
11 – 14

Open front flaps only.

Repeat steps 11-14 behind.

14
13
12
11

12 – 13

21
 Flower Dish
Flowe r d is h

1
2

4
4
5

Bring point to point, but fold only

where shown. Repeat 8 times.

7
8
 5 – 7
9

 5 – 7

 5 – 7 Unfold.

22
 16

Tucked. Flap is shown Completed flower dish.

darkened for clarity only.
Repeat steps 12-14 on the
15 other three corners.
When done, push bottom
up from below.

Like so. Tuck dark flap inside

 pocket to lock.

14

13

In progress. You may have to change

the direction of some creases as you
collapse.

Collapse as shown.

12

10 11

Precreasing completed

Fold between the points.

Repeat steps 9-10 on the the other 
Fold only where shown. three sides.

23
 Hx
Hexagonal
etn a
Hexagonal
g
o
ln
C
o Container
Container
iea r

1
2

3
Begin with a hexagon.

4
5
Repeat 6 times.

Only fold between the dots. Repeat

6 times.

24
 14

Completed Hexagonal Container.

Push in sides to make container 3D.
13

11–12 11–12

11–12

11–12
11–12

11

12

10  6 – 9

 6 – 9  6 – 9

 6 – 9  6 – 9

8 9

23

25
Icosahedral Bowl
Icosahedral Bowl
I ce
oo
s
a
h
d lr
a
B
w

Begin with an equilateral triangle.

Mark the center of each edge.

Fold each corner to the center crease.

Fold each edge to opposite crease from

step 2.
4

6 5

4–5 4–5 Rabbit-ear.

Repeat steps 4-5 on other two corners

Add precreases.
Fold rabbit-ear down. 8
9

Make a pleat, keeping the circled

dot convex (pointing at you).
Completed bowl. This is half of 
Tuck pleat inside rabbit-ear  Repeat on other two corners. an icosahedron.
 pocket.
 pocke t. The
The model
model becom
becomeses 3D.
3D.

26
Icosahedral
Icosahedr
Icos alBowl
ahedral Bowl- Variation
- Variat 1 1
Variation
ion
I
c
o
s
a
h
e
d
r
la
B
o
l-w
V1 a
tir
o
n

1
2

Begin with step 4 of the icosahedral

 bowl. Add the creases shown.
shown.

 Now continu
continuee folding
folding the
the icosahedra
icosahedrall
 bowl from step
step 4.

Fold along creases from step 1. You

will have to straighten some creases
to complete this step.

Completed.

27
Icosahedral Bowl - Variation
Variation 2
Icosahedral Bowl - Variation 2
Ica
oa
s hB
e
d
r l -lw
o
Vaa
r
i tn
io 2

The folding of this model is very similar to that of variation 1. The difference between the two models is that here
there is a hexagon in the center of the triangle, rather than a triangle. By now you should have enough experience with
this model to be able to construct the creases shown without further instructions. The outcome is a dish with a curved
hexagonal bottom.

28
 Mf 
ifoe
d  f 
ic
fo
n
tha 
Modification of the Chinese
C
h
i
Vase
n
s
e
V
a
s
e

1
2

Fold and unfold in half in

 both directions. Do not
crease at the cen ter. Crease thirds.

Crease the center square by

4 folding each edge to the center 
5 marks and creasing in the
center.

1/4
1/3

1/2

6 1/3

7 8

Precrease, then unfold steps 5

and 6.

29
 15
14

Precrease by folding back and

unfolding each corner of the petal
Incorporate a petal-fold in folds. (Arrows are shown only on one
each of the center pleats. corner to reduce clutter.

13
12
11

Collapse completed.
Turn over.
In progress. Persevere. Collapse using existing creases.
Mountain folds are shown
using thick black lines, and
valley folds using gray dashed
lines.

10

 5 – 9
9
1/4
1/3  5 – 9 5–9

1/2

Crease where shown, and

change crease genders as
indicated.

30
 16

17

Tuck the right and left flaps under the

 pleat.

18

19

20 Tuck the corners under using the pre-

creases from step 15. Note that there
are two pockets you can tuck the
Puff up the octagon at the
corners into; tuck it into the top pocket.
 bottom
 bottom of the vase
vase.. See
See next
next
step for details.

Puff up the octagon at the

 bottom of the vase
vase using
existing creases.

21

Like so. Pinch the corners slightly

(insert fingers into pockets from
other side if necessary) to shape Completed modification of the
the vase. Chinese Vase.

31
Pentagonal Flower
Pentagonal Flower
Pe e
t
g
o
n
la
F
rw

Use a pentagon, colored differently

on each side. Add folds as shown.

Bring each edge to the

center to fold the inner 
 pentagon.

3
4

Fold each edge of the

inner pentagon to the
center and unfold.

Fold the inner pentagon.

 Note reference points.

Crease lightly.

6
7 8

32
 15

Completed pentagonal flower.

14 Reform the squashes to lock 

flower.

13

Collapse. The light creases are 10–12

valleys and the dark ones are
mountains.
10–12 10–12

Repeat steps 10-12 three more

times. You will have to unfold
some of the squashes.
Unfold completely. 12

11
10
9
Squash along hidden
crease.

33
Petal Dish
a
lDP
e
t
is
h

Use a duo-colored square. Divide into

thirds, but do not crease the center.

5
6

7
5–6

4–7

8 9

34
 15

Completed petal dish.

Like so. If you like, you may pre-crease the

mountain folds before making the model three
dimensional, but I find it easier to approximate
them at this stage. Repeat on all three corners.

14
13

Indent petal with your finger. Make two mountain

creases on the inner side of the petal. The
mountain creases should be approximately at a
90 degree angle to the edge. Make a curved
crease on the outer side of the petal. See next
step for details. 12

11
10 3D view. With the flap lifted,
strengthen the existing
mountain folds.

Insert your finger into the pocket, and

lift the flap.

33

35
Rose Dish
e
R oh
is
d

1
2

Unfold one of the flaps of 

the blintz.

Bring point to point, but fold

only where shown.
6
7  4 – 6

 4 – 6

 4 – 6

Repeat steps 4-6 three more

times and unfold.

36
 13

 9 – 12
 9 – 12
12  9 – 12

Repeat steps 9-12 on other 

three flaps.
Page turn.

11

10

As you bring point to point, the mountain

fold will form naturally. Unfold back to
step 9.

Bringing the corner of the front flap to the

intersection between the crease of step 9 and
the diagonal. Crease halfway
halfway..

Bring the corner of the front

flap to the point shown and
crease.
Fold into a preliminary fold
using existing creases.

37
 14 15

Fold and unfold on the top

Fold and unfold on the top
layer only.  14–15
layer only.
16

 14–15  14–15

17

Repeat steps 14-15 on the

other faces.

18
Start to fold

In progress. Wrap lower  19  17–18

layer behind.
20
 17–18

 17–18

Like so. Repeat steps 17-18 on

the other flaps. Fold and unfold. Repeat on the
other flaps.

38
 26

Completed Rose dish.

Push the bottom inwards, lift the

flaps, and push the petals inwards
slightly.. Curl the petals.
slightly

25

24

Open and fold behind the rest of 

the flaps in the same manner.

23
Keep opening and fold behind.

Insert your finger into flap and

22 open it.
21

Open into a cup.

Curl each of the flaps lightly

lightly..

37

39
Shen’s Waterbomb Lock 
Shen’s
s a
’W
n
e
Sh b
rmb
o
te L k 
k 
c
o

1
2

4
5

6 Fold a waterbomb base.

Pinch. Fold both flaps to center crease. Repeat

 behind.
Bring front corners to crease
mark.

7
8
9
10
Fold back flaps behind,
along the folded edge.

Fold flap over 

folded triangle.
Like so. Unfold. Up to here, this is just like the regular 
waterbomb. The following sequence of 
steps is Shen’s improved lock.

40
 18

17

Blow into the hole and Completed waterbomb.

shape into a waterbomb.

16

15

 8 – 15  8––15
 8 15 14
Repeat steps 8-15 on the
rest of the flaps.

Like so. Fold flap back 

down.

Fold the little triangle

 behind the flap, using
existing crease. Bring
flap back to unlifted
 position.
13

11 12

Fold over triangle (over 

existing crease)

Lift flap.
Insert finger under flap,
and “yank it open”.

41
 w
e
rfS
n 
f 
lo
Snowflower

1
2

3
Begin with a hexagon.

Repeat 6 times.

Bring the hollow dots together

together.. Only
fold between the black dots. Repeat
6 times.

Fold angle bisectors in each little

triangle of the innermost hexagon.
Do not fold beyond the diagonal.

42
 11

Completed snowflower
s nowflower..

The model is called snowflower because it

resembles a snowflake. In Chinese, the word
for snowflake is written using two characters,
the character for “snow” and the character 
for “flower”.

Insert your fingers into each of the petals, and

open them.

10

Pinch each ridge, and collapse center along Fold edges of outer hexagon in, along
existing creases. Push center upwards from below existing creases. Do not add any new
(center should point up). creases.
2

Collapse according to indicated

creases. Arrows are shown for one
Like so.  portion only.
only.

43
Star Box
Sb
ta
rxo

1
2

5
4

11

Completed Star box.

Fold one corner at a time, working in a
clockwise order to make the star box.

44
 Triangular
h
s
i Dish
u
g
n
Tria D
r
a
l

Begin with an equilateral triangle.

Mark the center of each edge lightly.

Fold each corner to the center crease.

Fold each edge to opposite crease from

step 2.
4

6 5

Only fold where shown.

7

8
9

Petal fold.

45
 16

15

Fold on existing creases from step 6.

Fold along existing creases. Marked

dots will become concave.

14

13

Precreasing is finally done. Turn over.

Bring point to point, but crease only

12
where shown. Repeat 5 more times.

11
10 Bring point to point, but crease only
where shown. Repeat 5 more times.

5 –10  5 –10

Repeat steps 5-10 on other two corners. For 

Like so. Unfold back to step 5. clarity, not all creases will be shown in the
following steps.

46
 17

18

Insert your finger inside the pocket,

and bring corner down using existing
creases (light crease is a mountain).
Curve edges of bowl as you do this.
 Next step
step will show the view from
from the View of step 17, from the pocket.
 pocket.

19

20

Like so. The next step will view the

model from above.

Petal fold flap on existing creases from

step 10.

21

Like so. The edges of the dish curve

naturally. Repeat steps 17-20 on the
other corners. Completed triangular bowl.

47
 BOS Publications
1 History of Origami John Smith
2 Origami and Mathematics John S Smith
3 History of Origami in Britain David Lister
4 Origami Instruction Language John S Smith
5  Teaching
 Teaching Origami
Origami John S Smith
6 Geometric Division Mick Guy
7 Chess Se
Setts of Ma
Mart
rtiin Wall, Ma
Max Hume & Neal Elias Mick Guy & Dave Venables
8 Napkin Folds John Cunliffe
9 Origami and Magic Ray Bolt
10 Neal Elias: Selected Works 1964-1973 Dave Venables
11 Flexagons Paul Jackson
12 Martin Wall: Early Works 1970-1979 Martin Wall
13 Orikata John S Smith
14 Pureland Origami 1 John S Smith
15 Max Hume: Selected Works 1973- 1982 Dave Venables
16 18 of My Paper folds Paul Jackson
17 Origami Games Mick Guy & Paul Jackson
18 Philip Shen: Selected Geometric Paperfolds Paul Jackson
19  Tony
 Tony O’Hare:
O’Hare: Selected Work
Workss 1973:1982 Daniel Mason
20 Origami Christmas Tree Decorations Paul Jackson
21  The Silver
Silver Rectangle John Cunliffe
Cunliffe
22 In Praise of the Bird Base John S Smith
23 Index: BOS Magazine 1-100 John Cunliffe
24 Index: BOS Magazine 101-120 John Cunliffe
25 Envelope and Letter Folds John Cunliffe
26 Animal Origami Edwin Corrie
27 Origami Jeff Benyon
28 Structural Reconstruction Ricky Wong
29 Pureland Origami 2 John S Smith
30 Paper People and Other Pointers David Petty
31 Mor ’igami Jeff Benyon
32 Patterns in Paper John S Smith
33 Animal Origami 2 Edwin Corrie
34 Neal Elias: Miscellaneous Folds I Dave Venables
35 Neal Elias: Miscellaneous Folds II Dave Venables
36 Neal Elias: Faces and Busts Dave Venables
37 Jeffori 3 Jeff Benyon
38 Four ‘igami Jeff Benyon
39 Animal Origami 3 Edwin Corrie
40 Genius of Jan Willem Derksen David Petty
41 Index: BOS Convention Packs David Petty
42 Larry Hart: Selected Works (1971-1991) Larry Hart
43 Pureland 3: Smith John S Smith
44 Multi’plication Jeff Benyon
45  The Origami
Origami of Stephen Palmer David Petty
Petty
46 Modular Construction and Twists David Petty
47 ABC of Origami Eric Kenneway
48 Making Faces David Petty
49 World of Fred Rohm I Pete Ford
50 World of Fred Rohm II Pete Ford
51 World of Fred Rohm III Pete Ford
52 Origami Models Folded from Rectangles John Morgam
53 Origami Models Folded from Silver Rectangles John Morgan
54 More Origami Models Folded from John Morgan
Silver Rectangles
55 Sink or Swim with Ted Normington Ted Normington
56 Petal Folds and More Ted Normington
57 Pureland 4 John S Smith
58 Owrigami Francis Ow
59 10 Pop-Ups John S Smith
60 A Medieval Court in Origami Julia Pálffy
61 Decorative Boxes from Single Squares Arnold Tubis & Leon Brown
62 Animals and Birds Tony O’Hare
63 Ship-shape and Bristol Fashion Tony O’Hare
64 Faces’n’Fings Tony O’Hare
65 Planar Modulars (CDRom) David Petty
66  The Nativity
Nativity - An Origami Scene
Scene Lore Schirokauer
Schirokauer
67 Quentin Trollip - Selected Works Quentin Trollip
68 Which Came First Bob Neale
69 3D Masks and Busts Eric Joisel
70 Phillip Shen: More Geometric Paper folds Boaz Shuval
92 My Fundamentals Kuni Kasahara
Occasional Booklets

Paperplay John S Smith

Bibliography: Origami in
Bibliography: John S Smith
Education and Therapy
COET Editor: John S Smith

Other Booklets

Fold with Feeling Nick Robinson

Hearts 3D David Petty
Origami Favourites Edwin Corrie

For information about;

Buying BOS Publications e-mail  supplies@britishorigami.info
Joining BOS e-mail  membership@britishorigami.info
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Submitting material for e-mail  publications@britishorigami.info
publication
Origami Teachers or e-mail  teachers@britishorigami.info
Commissions

Please visit our website www.britishorigami.info

 10 point Star
10 pointed star  30 Degree
30 degreeDish
dish CotCot Crown
CrownBowl
bowl
 page 79
Page  page12
Page 10  page
Page 1311  page 15
Page 13

Flower Basket
Flower basket Flower
FlowerDish
dish Hexagonal Container
Hexagonal Container  Icosahedral Bowl
Icosahedral bowl
Page1820
 page Page
 page22
20 Page 2422
 page Page
 page 26
24

Modification of the
Modification of Pentagonal Flower Petal Dish Rose Dish
Chinese vase Pentagonal flower  Petal dish Rose dish
Chinese Vase Page 32 Page 34 Page 36
 page 27  page 30  page 32  page 34
Page 29

Waterbomb
Shen’s Waterbomb Lock 
Lock  Snowflower
Snowflower  Star
Star Box
Box Triangular Dish
Triangular dish
 page 40
Page 38  page 42
Page 40  page 44
Page 42  page
Page4345

47