This document is a book evaluation form for the multicultural book Shanghai Sukkah. The summary provides details about the main character Marcus, who is a curious and friendly boy adjusting to his new home in Shanghai in the 1930s. He meets other immigrant boys and a new Chinese friend named Liang. They celebrate the Moon Festival together and build lanterns for the sukkah. The theme is friendship and diversity. The illustrations use a realistic style to depict the story and setting of Shanghai in that time period. The book fits Piaget's concrete operational stage of cognitive development as Marcus becomes more aware of external events, and also fits the industry versus inferiority stage of social development as Marcus works with others to build the
This document is a book evaluation form for the multicultural book Shanghai Sukkah. The summary provides details about the main character Marcus, who is a curious and friendly boy adjusting to his new home in Shanghai in the 1930s. He meets other immigrant boys and a new Chinese friend named Liang. They celebrate the Moon Festival together and build lanterns for the sukkah. The theme is friendship and diversity. The illustrations use a realistic style to depict the story and setting of Shanghai in that time period. The book fits Piaget's concrete operational stage of cognitive development as Marcus becomes more aware of external events, and also fits the industry versus inferiority stage of social development as Marcus works with others to build the
This document is a book evaluation form for the multicultural book Shanghai Sukkah. The summary provides details about the main character Marcus, who is a curious and friendly boy adjusting to his new home in Shanghai in the 1930s. He meets other immigrant boys and a new Chinese friend named Liang. They celebrate the Moon Festival together and build lanterns for the sukkah. The theme is friendship and diversity. The illustrations use a realistic style to depict the story and setting of Shanghai in that time period. The book fits Piaget's concrete operational stage of cognitive development as Marcus becomes more aware of external events, and also fits the industry versus inferiority stage of social development as Marcus works with others to build the
STYLE and Language: Explain the language used – word choices, sentence length, dialogue, rhythm, rhyme. Explain unexpected insights or interesting information the reader learns from the story. Give examples form the book for each one: Word choice: The word choice that was used was a little more difficult. There are some foreign words Sentence length: The sentences are medium Dialogue: There is dialogue between Marcus and his family; Although they couldn’t understand each other, Liang and Marcus found a way to communicate. Rhythm: N/A Rhyme: N/A Insights/interesting information: CHARACTER – Who is the main character? Explain the character’s personality traits. How can the reader relate to the character, become involved in the story? Who are the supporting characters? Give examples of each from the book. Main character: Marcus Personality traits: Friendly, Curious, Creative, Homesick How reader can relate to main character: The reader can relate because of how someone can miss home Supporting characters: Marcus’ family, Liang, Marcus’ Rabbi 1. PLOT: (Explains the major events in the story.) Summarize the plot Marcus slowly adjusts to his new home, meeting other immigrant boys, and a new Chinese friend, Liang. Liang points out that the approaching Moon Festival celebrates the harvest like the Jewish holiday of Sukkot. During the festival Liang tells Marcus about the riddles inside the lanterns and his was “ what adds light and warmth even though you can’t see it”. Liang decorates the rooftop sukkah with the lanterns that Marcus and his friends build from bamboo. Marcus then realizes the answer to the riddle was friendship. 2. SETTING – Explain the place and time of the book. THEME- What is the story’s theme or lesson? Setting: Shanghai in the 1930s Theme: Friendship; diversity ILLUSTRATION –Analyze the illustrations in the book (see Chapter 4 for details on the categories below.) Choose a 2-page spread in the book to answer the following: What Style (realism, surrealism, expressionism, impressionism, naïve, cartoon art)? Realism Illustration and Text: explain how illustration and text combined to tell the story. Then, explain what illustrations show that text does not explain? The illustrations help the reader understand the story Page design --Describe: The Borders: The rights side of the books comes into the left page; There is a subtle outline around the illustration Use of white/dark space: There is a lot of white space on the left side Text placement: Centered underneath the illustration Font size: Medium Placement of illustrations: The illustration is centered and close to the top of the page 3. CHILD DEVELOPMENT THEORIES – CHOOSE 2 of theories below and evaluate the book according to the developmental theories. (How the book fits the developmental stage and age?) PIAGET-COGNITIVE-INTELLECTUAL DEVELOPMENT Name the stage: Concrete Operational and the age: 7-11 Explain ONE cognitive development trait from the stage: They're increasingly aware of external events Give examples from the book show how the book fits that trait and cognitive stage: In the beginning of the book, Marcus’ mom explains that their home is no longer safe Name the stage: Industry v. inferiority and the age: 5-12 Explain ONE social development trait for this stage: Children develop initiative by planning and achieving goals while interacting with others. Give examples from the book that support that social development trait and of this stage: In the story, Marcus asks his parents if he can use the roof so he and his friends can build a sukkah. EMOTIONAL DEVELOPMENT Identify the Age __________________________________ Explain ONE emotional development trait for this age:
Give examples from the book to illustrate that emotional development trait and this age:
Rythmic Patterns of The Baroque - Part I Author(s) : Walter Schenkman Source: Bach, Vol. 5, No. 3 (JULY, 1974), Pp. 21-28 Published By: Stable URL: Accessed: 21/06/2014 21:55