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52 Peças Fáceis: Paulo Porto Alegre
52 Peças Fáceis: Paulo Porto Alegre
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52 Peças Fáceis: Paulo Porto Alegre
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Beatriz SantosCopyright:
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52 Peças Fáceis
Para Violão
Paulo Porto Alegre
1
52 Peças Fáceis ParaViolão
Dedo 1 (movimento transversal) I Paulo Porto Alegre
i m
::
1
:
:
:
:
: ::
::
:
:
:
:
Dedos 1 e 2 (movimento transversal) II Variação
::
i m a
2 1
:
:
: :
:
7
:
1.
::
:
:
:
:
:
13
2.
Dedos 1 e 2 III m i m i m
::
::
i 2 1
m
2 1. 2.
:
:
::
7
1. 2. i m i
:
:: ::
i m
:
:
:
2
Dedos 1,2 e 3 IV Paulo Porto Alegre
m m i
i 3
m
i i m
0
2 3 2 2 i
0i m
3 3 1
1 1 1
p2
p
2
p m
1
i m i m a m m m
5 1 1 1. i
2
i
3 0 3
2
0 1 1 0 1 0 1 0
1
0
p p
2 0 0 2 3
3 3 p
p p p
2. m m
9
i
0 1
1
2 3 2
3 0 p
p p p p
p
13
m
0 3
2
1 i
0 3
2
m
1
Dedos 1,2,3 e 4 (14-23)
i m i V
m
2 3 m a
m i4
1
3
6
4
11
3
16
4
21
3
4 dedos (13,24) VI Paulo Porto Alegre
i
m
m i
m i
6 m i
m i
i
m m i m i a
12 i i m
m
i m
m i
m i
i
p
VII p i a m
4 dedos (12,34) m i
p i
a p i
m i
i p i m
3
p
i p i
p
p i m p a m
p i m p a m i i
5
i
i
i p i p
i p i p
m i
p i m
m a
9 i
p i
p
4
Polegar VIII Paulo Porto Alegre
i
p p p
a
5 i
i i
m m m m
i i i i
p
9
m 0
13 i i a
p
Acordes 1 (sem arpejar) IX
m a
1
00 2
i m
1
3
3 i 2
p p
23
3
3
2 2 2 2
2
1 1
17
25
2 2 2 2
3
2
1 1
5
X Paulo Porto Alegre
Notas Repetidas 1
2 0 1 2 4 1 0 2
i m i i m i m
5
i m
2
1 2 1 1 1
3 3
0
13
i
i m
1 3 2 0
Ligados ascendentes XI
m
i m i a
0 2 0
m
0 0 0 2
m i 4 i
2
1 4 4 1 1
0
1
3 0
1
3
p p
i a m i a
4
4
a
m
i i
0 3
0 2 .
1
4 2
0
1 3
7
.
10
0 1
13
0 2 4
3
6
Ligados descendentes (variação) XII Paulo Porto Alegre
m i a
m
i
i i
m
m
1 4
2
4 2 1
4
4
a i
4 3
.
7
.
10
13
XIII
Ligados ascendentes 2
a a
m i m i
simile
5
p
9
13
7
Ligados descendentes 2 (variação) XIV Paulo Porto Alegre
a
m i m i
simile
5
0
p
9
13
XV
2 0 4
Acordes 2
0
13
4
1 2
3
3
6
Contração do dedo 4 XVI a
i m 4
4 4
3
i m a
1 4
1
2 0 4 4 4
2
4 4
3 2
3
2. 4
1.
4 4
6 4 4
Notas repetidas e arpejos em
compasso composto 8
i m i m i m XVII Paulo Porto Alegre
m i m i m i
7
p i m
13
i m a i m a
i m a i m a
19
Melodia no baixo
(acordes sempre arpejados) XVIII
00 4
3 3
3 4 3 1 4 2
1 2 4 2 1 4 1 0
2 4
1
5
3
0
2 0
3
1 1 0 2 1 4 2
2 0 2 1 1
00 4
9
3
2
1 4 2 1 1 0
4
13
4
3
2
3
4 1 2 1 1
0 1 2 2 1 2 1
9
Arpejos e Ligados XIX m a 4 Paulo Porto Alegre
p
4 2
p a m i
p a 3 i
m 2
p i a m i p i 3
2 1
p
2
1
i
i m a 4
a
p
2 a m
5 m i p 4
3
3 1 i i
a m i 2 p
p 1 p p i 3
0 0
2
9
13 a m i p
i
a m i p i
m
K
XX
Blues iq=qe a 4 1
1 3 0 2
m 2
2
3
1
1
3 2 3
1
4 4
3
2
2 3
4 1
7 3
2
2
3 2 31
0
1
10
4 2 0
2
0 4
0
2
0
2
13
4
0 2 1 4 3 1 3 4
0
2
4
2
1
3 1
3 1 2 1 2 3
10
Arpejos 2 XXI Paulo Porto Alegre
a
i m 0
i m p m
p i m p
2
3
1
3 0
1
p
5
m
9 a p
m
i
p
Arpejos 2 (Variação) XXII
p a m i
pm i p m i p m
0
0
1
0
0
m
9 p p
a m i
Ostinato 1 XXIII
2 1
0 0
4 3 4 4
2 2
1 3 0 1 2
5 1
2
0
3 4 3 3
2 2 4
2
9
11
Ostinato 2 XXIV Paulo Porto Alegre
4 1
0 0 2 1
0 0 2
3 3
0 0 3 0
5
3 2
3 0
0
2 0 3
3 0 0
9
Ostinato 3 XXV a m
0 0
0 3 2
2 1
0
i m
5 a 0
2
i m i m i
i m i m
9
0 0 0 2 4 0
0 0 2
13
17
4
. 2
3
12
Ostinato 4 XXVI Paulo Porto Alegre
m i m i m a
2 4 1 0
0 0 0 2 3
3 3 3
6
3 0 2 3
11
3 0 2 3 0 3 2
ma
16
4
.
3
Ostinato 5 XXVII
a
2 3
p i m
a
4
i m a
p
p
i m i m
7 a a a a
p i m p i m
10 p p
i m a
p
13
p i m
a
p i m
16
13
Notas repetidas 2 XXVIII Paulo Porto Alegre
1
0 0 1
mi 3 3 0 3
1 1 a
22 0 0
0 0
3
p i 0 3 0
6 m
0 2 0 2 3 2 0
2 3 2 3
4 1
11 a a
0
p i 2 0 3 0 4
0 3
16
pi
Notas repetidas 2 (Variação) XXIX
i m i m i m
m i m i m i
4 a
p i p
7 m
10
13
a
16
14
A duas vozes
m
XXX Paulo Porto Alegre
m i m
0 0 1 4 2 a 0 1 4 2
2 2 2
1
3 3
p p 3 p i p p p
a m
8 m
m i 0 0 1 4 2 0 a
2 2 2 2
2 1
3 p
1
1
p i p p
15 a
2 0
30
p i p
Cânone XXXI a
4 4 4 1 4 a
0 1 1 1 i
2 2 2
0 m 0
20
1
2 3 2 3
p
3
3 3 p i
p
7
4
2
2
3 3
3
Arpejo 3 p m i a XXXII
3 0 0
0
2 4 0
p i 3
5 m
p i a
p 3
1 i
9
13
15
Arpejo 3 (Variação) XXXIII Paulo Porto Alegre
p a p i
i m
5 p a p i
i m
9
13
Blues (Com notas repetidas no meio) XXXIV
a a
m
m
i m 1 i m 4 1.
2 3
3
p
3
4
2.
1
3
3
5
3 4
7
4
1
0 3
9
1
4
3 1
11
2. Poco meno
1.
2 4
1
4
16
Melodia no polegar 2 XXXV
m Paulo Porto Alegre
1
i
1
2
3
p
1
5
p
2 3 2 2
3
1
9
2 3 0
2
13
17
Notas repetidas 3 XXXVI
m
a
4
4 1 4 1 4
2 a 2 2
1 4
3
p i
6 simile
3 3 3 3 3 3 3 3
1
p i m
10
13
m i p
16
17
Arpejo 4 XXXVII Paulo Porto Alegre
m
4
p i
4
4 1
2
1 3 3 3
2
4 0 4
4
3
2
2
3 1
4
1
7
Acordes repetidos
XXXVIII
4 20 4
1
2
3 1 3
4 1 4
5
3 3
3
4
0
1 1
9
4 12
2 4
3
3 1
13
4 412 1 2 2
0 0
1 4
1
1
17
1 2 2 4 2
0
1 3 1
21
12 4
3
25
18
XXXIX
Tons e semitons Paulo Porto Alegre
0 2 4
1 0 4
3 4 2 4
1 0 0
3 4 2 1 2
0 3 0
2 4
0 2 4 1 3
3 2 3 1 3
4
1
3 2
6 3 4 1 0
2
1 3
1 4 3
0 2
3 4 3
4
1 0 3
1 4 2 2 1 0 4
3 4 0 1
3 2
4 2
4 2 3 2 0
11 1 4 0 3 4 1
4
0 3 1 0
2 0 4 2 4
3 1 3 1 0 2
3 3 3 4
4 2
16
4
1
3 2 4 3 0
21
4
1
3
XL
4
Tercinhas 4
1 1
4 0
1
2 0 3 2
3 1 0 3
0 0 1
6
4 0 4
1 1 4 1
0 2
0 2 0 4 2 0 0 3 1
3 2
11
1 2
3
1 3
1 3 3
16
,
22
19
XLI
Paulo Porto Alegre
Quartas
3 4 3 4
2 3 4 3 3 4
1 2 0 0 2
3 4
0 4
0 0 3
2
0
5 2
00 4
2 3
4 2 2 3 1
4 0
3
2 1 43
9
2
1
3 0
4
3
3 2
XLII
Quintas
2 4 3
0
1 3
0
3
4
2
0
3 1 4
4 4
6
1
3
2
11
20
Sextas picantes (revisitando Carcassi)
XLIII Paulo Porto Alegre
1
4
m 0 1
2 3 4 2 3 0
2 2 2
1
4 -4
3
p 3
1. 4
a
2 2.
m
3 13 0
8 i 1 2
3
-4 0 0
1 4 4
2 3 2 3 1 4 4 0
0
p 1
4 2 3 4 4
5 3 i 4 4
0 1 3 0 1
3 0
1 2 2
2
1 1 0
3 1 2
4 2 4 2
p p 2
p i
10
4 1 1 4 4
4
2 4 3 4 2 3 4 4
2 2
1 3 3
3
2
XLIV
Sétimas simile
i m
0
4 1. 2.
m i 1 1 0 2
2 3 1
3 4 1
6
4
1
2 0 2 1. 2 2. 2 2
0 0
1 3 1 1 1 1
1 0 0
11 1. 2. 0
0 1
4
4 0
16
0
3
0
2
21
Oitavas XLV Paulo Porto Alegre
a
4 1 0
1
m i
0 3 2
3
p
5 1 0
4 4 4
1 1 1
2 3
3
3
2
3 2
3
1
3
9 4 a a a
2
4 m m
m
4
2
3 1
p i
1
13
m a m i
p 0
17
22
Canção em trêmolo XLVI
ami Paulo Porto Alegre
0
4
1 4
2 2 3 2
0
p
4
1 4
4
0 3
2 2 2
7
4
4
1 1
3
0 2
3 3
1 1
10
2
1
13
4
1
3
1
16
2
0 3 2 0
2
1
19
23
Bossa Nova XLVII Paulo Porto Alegre
0 000 42
4
2
4 3 3
3
3 1
5
10 3
1.
1
2
1
0
4
2.
1 4 0
9
0
4
2 4 3
3
13 1.
0 1 2 1 2 0
4 1
3
2.
1
4
17 0
4
3 1
21
3
25
1.
29
2 3
0
2.
1
10 2
2
24
Prelúdio em arpejos e ligados 1
XLVIII Paulo Porto Alegre
3
1 3
0
2
2
5 0 2 4 0 3 4 2 0 0
4 2 0
3 0 3 0
0 0
1
1 1
9
13
Baião XLIX
0 0
0 2
4
3
4
4 4 4
7 4
1 1 1 1. 2. 0 1 0 1
4 4
3 3 2
3 3 0
3 2
4
13
4 41 1 0 4
0 3 0 1 3
0 0 3 0 0 4
2 0
2
3 0 3 3
2 2 2 0 3 1
19
4
3
25
25
Valsinha L
Paulo Porto Alegre
1
4 -4 4 3
4 4 3 3
2
0 3 0 0
2
1
3
4
3 4 2 3
5
1 0 3 4 2 4
2
-4
3
1
1 3
9
1
4 4 4 3 4
4
3
2
3 0 0
2 1
0 4
13
1 4 3
2 4
4
13
1.
2
4
1
1
1 3 2
17
2. 0
3
2 2
0
4 4 4 4
3 1 2 1
21
01
3
26
LI Paulo Porto Alegre
Choro
0 0 0
0 0 0
0
0 4 0
3 1 3 2 0
3 4
2
4
43
3 1 1.
2 1
3 1 1 4 1
3 0
1 0
2 3 2 4 -2
2
7 0 0 0 0
3 1 0 3 0 1 0 0 0 0
1 0 4 0
3 2
4 2 2
2 2 0 4 3 2
4
0 0 4 3 2
10 1 0 3
1
2.
0 0 1
2 2
2
13 2
0 0 4 2 0
1 0 4 2
2 3
1 0 3 2 0
3 1
4
0 1. 0 1 0 4
16 2 0 1 0 2 1 0 1
0
3 2 3
4 3 4 2 0 3 0 2 3 0 2 0 4
19
4 0 0 0
2 1
1
4 0 4 3
22 1
2. 0 2 1 0 1 4 4
0
2
1
3
3 2 0 2 3 2 3 0
27
0
0
25
1 1
1 0 2 0
0 3 0 3
1
2 3 2
2 0 3 3
1
28
31
1.
34
2.
2
37
3
0
2 0 0
0 1 2
3 1
28
LII
Variações Paulo Porto Alegre
4
1 1
2 4
0 0 3
3
3
4 0
0 0 4
3 2
0
1
3
2
4
1
7
0 1 4 2
3 3
0 2
1 3
3 0
3
1
12 4
10
0
4
3
3
3
1
4
13 tamb.
2
poco meno
0
0
cav
40 2 0
3
cav
1
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