BUBNUA BAUTMEMKEPA Nepesen SpartaN (Rap Olympics) spartanianbo@gmail.com Copepaanne Kak ncnonbsopar> Ty KHMTY. Beegenne, Mpouecc. Pa6ora Han 6uTamn —MlatrepH YgapHoix Tiounr. Hapesna comnnos Comma. Tlonava camnaos. Awnamnna. 10. Speen 11. Texan pacumpenia crepeo 6a3bi 12. Konicrpynposanne 6uTos. 13. Sxcnopr ayano. erpsayeswene 14, Bakniounrenbiioe cnoso. 1, Kak ucnonb3opate ay KHuTy. No xony nanoxenna, A Gyay o6paularoca K onpeneneHHbim ayano dalinam , HasBanuA KoTOpbIx 6yAYT Tonesevenb! KpacHbiM, Hyoknte ¢batinet moxHo Byer oTkonaTb 8 nankax cooTReTCTREHHBIX [a8 8 NPHIOKEHHM K KHUTE. Virax, snepea apyr! 2. Berynnenne Kax a coopyawa aror shit, Al ecera cneann 3a Tem, KakHe TeHAeHUNMH TeppopHaupyioT Hauly HH~YCTpHIO. Kak TONBKO KaKOli- HuGyap Baca (Mam Meta) Ha¥nHaeT Hcnonbs0BaTS HOBYIO HACIO, APYroli cpasy Ke HauMHaeT NpbIraTe xpactanch 3anenate, 470 e& cosqan oH. MbI HaGnlomann 3To ® paMKax TaKoro Gonbuloro KoAHYeCTBA oGnacreli Haweli uAyCTpMM, KoTOpbIe NOAREpAHEAIOT BCe 3TH MOAHEIE “BEAR, UTO OHM HaYHHaIOT NoReARTECA H pasMHoKaTbcA BHYTPH camoli MHAyCTPHM. 3nocTHol HacmeuIKoii ycrpolicrea Halulero COUMYMa ABNAETCA To, UTO Bce STH HEH OTATOUIANM MOsTH My3bIKaHTOS & TeYeHM MHOFHX /eT, HM MUL HeAABHO CTanh HacTonbKo nonynApHbIMM, YTO MM Mopa NpayMate Kpytoe HassaHne. MpesocxopHbiM npMMepom ABNAeTCA NapannenbHaA KoMNpeCcHA. 3TO‘TexHHKa, KOTOPYIO Mb, KOLIEpHble NPOAOCEpE! M MELKEHEpE! McoNsOBANIM roAaMM, M TONeKO HeAaBHO amepnkoce! nocunTanh HeOGxOAKMbIM NepeHMeHOBaTy ee 8 KOMNpeccitio No Hbio-HopKcKy. Mga _.KakMe )Ke OHM NPMAYPHH. TlocnepHee seatie, smecte c Tem say'auyee Tak npocro — sro Cosnae BuTos (Beat Production). Gbisan Ha dbopymax, nocpescrBom KoTOpbIx GeiBanbie HHDKeHEpEI H NpomIOCepb saBHCANH Ha Nalie- eGaTax ¢ MonoABIMN AANeTaHTAMH No NOBOAY Toro, YTO >Ke 3TOT TepminH OsHavaeT. MloUTH BO BCeX caysanx Ha6moganace HepasGepuxa B nnane Toro, KorAa MoHATHE «cosnaHHe GuToBD, HnK 6urmetixepcreo, camBaerca ¢ NOHATHEM KCOsAaHMe MYabIKIN. Aprymenoi ne paspewiar stix e6aT0B, 7.K. noHATHE NPOAIOCEp BoiNO paaMbITO TexHonorHYECKHN nporpeccom 8 Hawieii unaycrpin Tor dak, “To BonbUIMHcTBO KOMMepYeCKHX pennsoB celiwac coARTCA «in the box» (secs mmeerca 8 euay To, WTO cseenne nponcxoAAT nporpammHbIM nyTeM 8 npenenaX ‘oaHoro KomnbioTepa H fake 6 npenenax omHoro DAW ~ npAm. nepesomnka) & onynpoeccnonanbHeix AOMAUHHX CTYAMAX, REARETCA CEMAeTENECTEOM BAMAKIMA TexHonorMll Ha cmeny poneli nnenepa n npomiocepa. Ale pay 34/4 HM 3a OAHY CTOpOHY aTHX apryMeHTOB, HO KaK-TO A OcosHaN, 4TO BuTMeMiKePCTBO AOMKHO Gort onpesfeneno Kak OTAENbHOe HanpasneHHe MckyCcTBa SHYTPH Hawell HHAYCTPHM. He TAK aBHO ccamnnepuie netai» (cnoms08aHne roTosbx orpei2Ko8 my3biKn — “flippingy samples) cunrannce sananyiom cpemn nypHcTos 8 HalueM ene. Cefiuac He — 370 BHYLLMTeNbHBIM PeIHOK BHYTPM HaWelt MHAYCTp HN H OAHa H3 NpHHAToIK opm apaHKHpOBKH TO NOHATHAM, Tlosromy, npwiuman sTy TeHaeHunio, a npHBETCTBYIO moG0e KpeaTHBHoe cniAHHe CoBpeMeHHEIX TexHoNOrMi, Ho UTOGBI He ATS rpAse Ha NyPHCTOS, A HacTaMBalo Ha BaxHOCTH ONpepeneHHA NOHATHA «6urmeikepcT80o» M ponr, KoTOPY!O OHO MrpaeT 80 BceoGbeMNoU\eH My3bIKaNLHOM NPOAYKUMH. Bummeiixepemeo ~ amo no cymu dena amo overs npocman uden u denmentuocme. Ona oBvedunnem ucnonbsoaaHue sapaHee nodeomoeneHHbix comnnos @ myavikanbHoll Komnosuyuu (flipping) u cosdanue nonHoyerHoi Komnosuyuu, c UCTOAbsosaHUeM SmUX CSMNAOB KAK OCHOSE!. Nipnitnman 60 sHAMaHe, 470 Aonro opmuposaBuleecr HoHATHE «npOAIOCep» Ao cMX Nop paccmatpiisaerca kak HcTHHHOe onpemeneHHe CyLAMOCTH Npomlocepa i Fo paGoTbI, TaNaHTb Burmefikepa (Beat Producer) coctonr 6 yMeHnH opyjoBaTe NonHOWeHHO necHeli, ocHOBAHHOH UcknlosHTenbHo Ha COMMAX U CONETATS UX 8 MYSbIKABHOM KOHTeKcTe, NPHTOAKOM ATA KOMNOSHILAH, sanic sokana u T.a, 3To Tpebyer NoHMMaHiIA xaHpa, K KoTOpoMy NoAXOAAT «caMNNepHEle NeTAK», NOHMMAHHA Toro, Kak apaH>KMpoBaTb M KOMGMHIPOBATE KOMNOHEHTDI NecHK 8 paMkax Kapa, onpenenesHoro pbinKom, H npenoAHOGHTS MaTepnaN 8 npaBH/bHOM KOHTeKCTe. Ho, @ KoHeuHom cueTe, paGota BuTmelikepa aaKniouaeTca 8 KOHFAMpoBaHHH 6UTAMM, HC TeX Mop KaK >kaHpbl, ® KOTOpbIX KenonbayioT “CaMNMepHBIe eTAM», TpeByioT HanMMe 6uTa B KavecTBe OTMpaBHOrO yHkTa necHi, Bce NPONcXOAUT Ges NOAKONO®, MON «3TO caMaR BaXKHAA YacTb Npo\ecca npogjocuposannay, HO, uro Kacaercr, 8cex HOBHUKOS, UHTAIOLAX STY KHMTY, He CTOHT nyraTb «Beat Production» ¢ ponbio Nponwocepa, Nofimure, 470 noHATHE «6HT-nPOmOCep» NOABM/Ocb HECKOMbKO NET HaBaA, KOFAa HEKTO 6bin noarpyKen sanannem nowamaniTe c BapaGanamn uv Gacosoli ceKyneli nechu, KoTOpbIe Mbt Hmenyen Kak apalia» @ Hauleli nHaycrpHM. HenaMeHKo, ata ponb ebinagana KoMnosHTopaM 1 apal»xnposuynkam cooTBeTcTBeHHO HanpasneHHAam, MMeIoUlMM cnpoc Ha PbIHKe.Bor Kaknm o6pasom Haumnnann Dr. Dre, Kanye West, Neptunes W ap. . Kanye West moxer pacnicsi6aTe BCeM kakOi OH HEBepoATHbIi GuTMeliKep, HO KaK TOMbKO 3akaHYMBaeTCA ero UaCTb NpoLecca, chenaHHbili maTepwan HanpaBareTcA Npomjocepy, KOTOpble «nposocHpyeT» sTOT MaTepnan B Gonee TpaaHUonow cMbicne Ama KoMMepyEcKOrO pentsa. Ho He crour orpnyate dak, uo 6uTMeViKepcrso ~ aro dbopma HcKyccTBa, TpeGyiouyan TanaHT H kpeaTusuocro. Kaxkosbi ke nocneqcTsna? Aaealire nocmotpim Ha To, 470 sever 3a coBoli «6ur-npomaKuiH»? Ana eKotopelx ato npossy'HT cTpaHHoBaTo, a AA APYTHX 3TO HaCTOAUAH KOWMap 4 BOMbUIMHCTBY octaerca TonbKo GeccmibicneHHo Gnyrknate 8 GecKoHeNHbIx pasayMbAX «c ero we Haare?» Kak MB mi0G0Mm TBOpYECKOM NpoLecce, HaM HYKeH NaH paGoTol. Boi He MOMeTe MpOCTO Tak HANPAYBCA HM nonyunts pesynbrar 6e3 TuaTembHoro NnaHMpoBaHiA 4 3apaBEIx AelicraHil «Bu npogaKw» - 370 He TaHHcTBeHHOe McKyccTBO. Kak H m0GoH KoMMosHTOpCKH HWM NponocepCKHii NpoekT, 370 NOHMMAHHe 4 BONAOUIeHHe MAeH NocpesCTBOM IOGEIX HOCTYNHbIX MHCTPYMeHTOB, HTOBb Nonacts 6 Ty cpemy 4 pbIHOK, AA KOTOPbIX OHM NpeAHAsHaYeHbI. ITO He CNOrKHOE H He ryGoKoe OGbACHEHHE. 3TO MMe OUMUJeHHOe OT WenyKH ONpefeneHMe Toro, HEM AOMKEH pyKOBOACTBOBATECA npopjocep. Kax ob! Ke yenrgenn, paGora 6uTmeliKepa saKniovaercn B yMeNMH OBpawlarecn c «apaliBom» TpeKa, T.. c KomnoHenTamn 6apa6aHos M GacoBolk nmHHelt. Cerogyn 2Ta pon Gonee TouHo onpemeneHa M AononHeHa, K samaam ceronauHero GuTMeliKepa AOGABH/MCE TaKHe, KaK YMeHHe O6paulaTecA C OcHOBHbIM BOKANIOM H 63K-BOKANIOM, ¢ MeMOAHHECKMM M KOMMOSALMOHHbIM ComepanHeM Teka Ha ociiose camnvnos, KOHeNHbIM MUKCOM Tpeka, a Take Teneps H Aenars DIY-mactepitur (Do It Yourself mastering — macrepiir, KoTopbii nponSeoAutTcA apalokUpOBLIAKOM CaMocToRTenbHo Ges yuacrun mKeHepos ~ nim, nepesoaunta ) ‘31a HoBoonpesenenHan pons, Kak M onNAaNOCE, AcTpeTHNa Moro NpenaTcrBHit. Mile nonapanocy Mano cnocoBHbix H KoMneTeHTHbIx GHTMeliKepoB, HMEIOLAMX ONbIT M 3HAHHIA B MCKYCCTBe 3ByKO3anch, ostomy GoNbUIHHCTBO MMeeT TeHAeHUMHo pa6oTaTe c sapaHee sanvicaHHbim MaTepHasiom., Tak >Ke, MecTHo rosopa, He MHOrMe 3 Hux eViCTBMTeNbHO XOPOUIM 6 AEN, {lake He CMOTpA Ha TO, NTO paGoTaIoT csapahee sanvcannbim marepHasom, yike NopfoTOB/IeHHbIM Ha npeAMacrepmlrosol craqun. JoGasum Gioga eule orcyTcreKe AOCTATOUHDIX TexHONOTHUECKHX NoaHaHiit M HaBbIKOB & MckyccTBe MacTepHra, M Nonyanm, 8 uTore, cosepweHHo He cBenyulero AMAeTaHTa. Cospementinie 6ur-nponlocepet 370 Monogpie panepsl-sHTysKacrbi, KOTOPIe XOTAT GbsT> caHospemento mysbiKaHTamn, npomlocepami M MHKeHEpaMM MacrepMira. OpHaKo, npoBAEMA 8 TOM, ‘170 ob penKo AenaioT 4TO-To Goneulee, YeM chneTeHNe CaMm/o8 C GHTaMM M STeHHe parla NOBEDK HIN Takoeuim nannemen Gonbuiuncman cezodHnwnux 6um-npodioccepoe. Metibuinicteo ake pa6oraer coBcem no-apyromy. OHH B/ageior sHaHMAMM H OnbITOM, Kak 8 TexHONOFMMECKOM, TaK H B My3bIKANBHOM HanPaBNeHHMH, Ho BMECTe C Tem OCTaBAAIOT CBW Kommepyeckiii mactepHur H npomlocnpoBanue akcnepraM. fl He Xouy cka3aTb, 470 BbI He MONET BOrTH B Mx UNCNO. OzHaKo, 370 AMUIb OsHaKOMEHHE C Tem, YeMy BM ChepyeT HayMHTECA H NPHMeHHTE Ha paxTuke, 4T068I AopacTH 0 Goze BbICOKOrO ypoBHA,Cospemennoie texHoniornn orpearnposann Ha saKyym sHannii W onbrra Ha polMKe M nbirannce Geicrpo Menpasnrs oGcraHoBKy. Celivac mbi nmeem DIY macrepalrosbie nviarmie, DIY comariaepet, DIY coprosbie MHCTPYMeHTo! Aa KOMNOSHTOOS, DIY-npoAAKWH, Bce TO yromHO DIY... 3T MB06MAKE «annerHTHELO» arHHos Wi 4eM He NoMoraeT 8 OBy¥eHKH Monogoro BuT-npoglocepa. 370 ABARETcA yulepEHBIM AAA ecrectaenHoro paseiTin, noppasyMesaioujeroca NPM HOpManbHoM OByeHUH,, ByAb TO TeXHONOTHH Hn mysbikanbian KoMnoaMiynA Noaromy monogute 6uT-npopioceps! oGbi4Ho O63aB0AATCA HOBeFIWIAM CopTOM, NbITaAck AOGUTBCA BCerO BbiuleckasaHHoro 8 CBOMX cna/bHAX, HO 8 KOHLe BCe paBHo OcTaloTcA OGeckypaxKeHHEIMN, AoBeneHHLimn Ao oT¥aRHHA. Moi coner acem Gesymijam, nepesepHysuHm ace c Hor Ha ronoBy — BepHUTece k OcHOBAN, COKPATATE ‘0 muHnmyMa cnucoK pasHooBpasHoro copra m annaparypbi, M yunTece AesaTb Gite! Ha TOM, NTO octanoce. MIyswinli cnoco6 BocnpHATHA STOH KHIM — STO NpOCTO SAT GUT H PaGoTaTe Ham HMM, OT Havana mo KoHua, Kak Obi paGoTan HacroAUMii GuT-npomIoceD, o6po nomanoware & 6uGnnio 6urmelixepal 3. Mpouecc. Npouecc 6ur-npofaKuena Ha camom mene He nPeAcTaBnreT coGoii KomnneKc onpeneneHHEIX ‘elictenii, Kax KTo-To nonaraer. Boi JomKHbI NoHATS ~ 370 He NpocTo BbIGOP Cemna, NoMeUIeHHe ero B apaHHKHPOBKY M Hafe*AD! ‘cnosnTe yaauy 3a xBocT. Bce HamHoro cnoxHee, H XOPOUIO CenaHHEIli GT GyeT NpoAYMAH AO KOKA C YueTOM TaKHX BeUlel, Kak HaIOKEHHe BoKANA, KOMNOSHUMA, FAaPMOHHA M MENOAKA, KOHEYHBIM MIKC, NponaKwH H AaxKe AeMo-macTepHHr. Nowra go acex cayuanx, BbiGop ToHanbHOCTH M pasMepa ABNRETCA PeWaIOW\MM. STOT MOMEHT BbIsbIBAeT YMeHA pasgpanenne, T.K. ® cnblwan orpoMMoe KOnMYecTBO GUTOR, B KOTOPEIX OTCyTCTAyeT Mame HaMeK Ha myabikanbHocTb, Mcnonbayemble Cannbl “acto HaXoAATCA 8 HenpasH/bHoll ToHANeHOCTH No npogiocep NoTpatun HenocTaTo¥Ho BpeMeHH YTOGbI NOHATS H ONPeseNMTe Hy:KHYIO TOHANbHOCTS. (cpaBHeHWMtO C OCTANbHbIMN KOMNOHEHTAMM NeCHK H BOKa/IOM, NPOCTO NoTOMY, 4TO B aononienne, Tak Haableaembili cnpogaKUNH NecHHD» He Gys4eT CooTBercTBoBaTe 38yKOBOMY KAaNECTEY Ncnonbs0BaHHbix cemnioB. O4esKaHo, YTo McnonbayeMbili CeMn”, HenSMeHHO NpUMeHRIOUIKiICA, Hanpumep, ecni oH BsaT 43 KOMMepyecKoro pennsa, He GyseT COOTBETCTBOBaTS OCTambHEIM komnoHentam neck. MHoraa TaKoit addpexr — Kak pas To, 4TO HyMHO, Ho 8 GonbuIMHcTBe cnyHaes — 3TO penarcrayer tpakicopmausin o6LIMHOM neceHKH B BenHKyIO NecHiO. Bom mel u nodownu « eonpacy : 4mo ake eHawane, comin uau HanUCAHHaA necHA, a coMna noche? A shale moro GuT-npoplocepos, KoTOpbie HauMHalor c cemnna, BbIApaHHOrO H3 NOHpaBMBULETOCA MM ‘Tpeka, H CTPORT TpeK BOKPYT Hero. AA TakIKE 3HaIO GUT-NpomOCepOs, KoTOpbIe PaGoTaioT HaOGopoT. Cuayana on fenaioT necHio, a 3aTeM nbiTaloTcA MO6aBHTb BbIGPAHHblli CeMNA B NecHIO, He HapyUMB Menoanunocra, Yro6bi sonnotHT» sambicen sToH KHHrH, A 6yAY HcnonbsOBaTe MepBbIIi YNOMAHYToII MeTOA, T.K. NOYTA ce HaYHHaloulMe & 3TOM HcKyCCTBE BbIGHPAIOT MeTOR «HaliTH CaMN K NOCTPOHTE NecHIO BOKPyr Hero».A Gyay, onHaKo, aoGaenite menopNUHOCTS K NecHe BOKPYr CeMNMa H NOKAKY BaM MYTH BbIRBNEHHA OcHoBHBIX aneMeHTos Mica H cnocoBbI Hx NoAaYH No 2aKoHaM NpoAAKWIEHa. “4ro6b1 caenate 370, Bam HyNsio pasoBparvca C onpeslenenHbINM TepMHHAKH M NOHATD, Kak paBoTaeT onpemenenian annamnxa n adypexrel. Bam Hy2kHo 6yAeT NOHATE, TO TaKOe 38Yk, M KaKHe OM HMeeT ceotictsa, paso6pareca cTeopnel, uToGo1 cymeTe 10GasHTo B necHio KoMOsMYOHHOCTe M NocremHee — sam HypKHo Gyger noHATe, Kak AOcTHraTD cBoett YenH B onpeAeNeHHEIK paNKaX. Aine xouy eosepauaToca K Bonpocam, OBcyMAABLINMECA 8 NPEABIAYLIMK MOH KHIITaX, Ho A BYAY a0aTb OGbACHEHIA H npHMepEI HcnonbsyeMbIx MHOIO NPOYeCcOB. BMecTe C 3THM, A He MOTY NOMOND Bam paao6parecn ¢ eaunm nporpammnbim oBecnevenHiem, ech sbi Hcnonbayere Apyroli copT Hnk annaparypy. Mlostomy Mul Ha Bac /eskiTT OBAsaNHOCTS NPONWTaTe cooTBeTCTEYIOINE Manan! H Apopomars pa6orate, HesaeHcumo oF Hcnonbayemoro BaMn copra, A 6ydy oBeACHAMD ucnonbsoeaHue onpedeneHHbIx npUEMOE, U abi NeeKO CMOMeMe NOBMOpUIM UX, ucnonbaya caotl com. Npouecc, KoTopeiii a coGupaioce Ma/lOMHTS B STON KHMFe ONeHb NpocT H BKMIONAeT cneayioulee: 1. BoiGepire comnaau onpegenute ero ToHansiocte H nopayy. T.K. BonbWHHcreo M3 Bac cefiuac HOSHUKH, caMbIM TPYANBIM fA 8aC, ECM BUI HE HMeeTe MysbIKaMEHoro OBpasoBaHAR, ByAeT onpemenetne, 8 KaKoti ToHANHOCTH OH HaKOAMTCA. A noKaNKy Bam nyTH NpeomONeHHA sto npoGAeMel ccnonbaosannem npocrsix npHeMmos. KpaiiHe Banko, «TO6bI BoKa/McT Mor cneTb B TOHaMbHOCTH, nanGonee ecrecraennoii ann Hero/He8. Boi AOMKHEI acerga ONpemeNATb ToHANEHOCTE NecHH 4 COFMACOBBIBATS cemna c Heli, TonbKo Tak. Nlogava camnna AB”ReTCA ONPeAENAIOUIM MOMeHTOM, T.K. HET cMbICa MCNONbSOBaTS COMIIMbI, ECAM Hx copepikanne npotnsopest Tomy, To Bbl AenaeTe ® caoeii necHe. HanpuMmep, ecte mHoro cones, conepxauix sHyTpH ceGA JONOMHHTeNbHble sByKi, KOTOPEIe CTaHyT Nomexo! AIA Nec. 3O MoXxKeT 6biTe 4To-To npoctoe, epone s8yKa hi hat-o8, KoTopbie He cHHxXPOHMaHpyIOTeA C TeMnoM TpeKa H”M He coorsercrayior seyky ocHosHbix hi hat-os, Koropsie epi Ucronbayere 8 necue. Man GeiBaer, ro cemnn meer 6acel, HecooTseTcTByIoW\He 36yaHiNO Baules ech, KoTOpbIe Hy'KHO OGpesaTb. fl Mory NpHBECTA euje MHoeCTBO NpHMepoB, HO Hafelocb, TO BbI YOBHAN CYTE. Tawoke, ancora camnna asnaeTca BaxHOi XapakTepuctaKoli. HeT cmbicaa HcnonesoBaTe SHHMAOSEIT com C LIyMOM NoTpeckMBaHiA, ECM Balla NeCHA MsHaYa/bHo UUcTaA. To 2Ke CaMOe MOXHO ckasaTe po He6perkio sbipesaHHeiit con (WM HeakkypaTHo 3anicaHHeiii). BuHMAOBBIl Tpeck, WMneHHe, llensKn 7.2, 8 OcHOBHOM C3MINMbI N/NOXoro KaMeCTBa HENPHFOpHb ANA Bauleli necHH, ecnH O6paTHoe He sanymano usHavanbHo. 2. Cornacyiire Temn necin c cemnnom, wan HaOGopOT, H caenalire KoppeKruposky, rae HEOBXOAMMO. Mute posenoce cnbiuiars peanbHo AepbMosbIe MMKCD', CIM B KOTOPEIX aBCOMOTHO He COOTseTCTBYIOT Temny neck. 310 ocHoslian OWMBKa HauHHaIOUyAx H BepHIli NpHaHAK Toro, TO CnyUIaTeN ¢ caMOrO Havana npocnywmBanna Hanmer KHonKy «cron», ¥ MYSbIKH eCTe Temn. Zapy6ume amo ceGe Ha Hocy. 3. He HasewMsaiire Ha TpakT cHrHana HukakHXx AMHaMMYeCKHXx npolleccopos M xppekTos, NOK apatxnposka He 6yAer roroea. 3TH snoynorpeGrmior noTH ace. Hjes 0 Tom, “To Ha KaNKAOH CTaANH apatoknposkn cneayer npaMeHATe ANHaMMecKyIo OBpaGorKy M a>hekTEI, & KOpHE HeNpasHnbHan. ScheKT MOET McNONb3OBaTbCA ANIA TOF, UTOGbI NOAYEPKHYT CkpbiTbIe aCNeKTbI Tpeka MAM NOMOUS BOKANMCTY OLICHMTTS MHKC B HayUHMKaX, HO He Bo BPeMA CTanHH 3anHicH. 3anoMHHTe, TO M06OevameHenne amHannkn H no6asneHne apekTos Ha CragMn sanvcn ABAAETCA AECTPYKTHEHDIM, T.K. Bephyrs oGpatHo HHvero yKe Henb3A, Meta pasnparxaior oni, KoTopble sewiaioT KoMNPeCcOp Ha KaNAbili rpeGaHbii Karan cBoero ceksencopa, Komnpeccna ~ aro MHcTpymexT, McnombsylouniicA 2/1A KOHTPONA ALHAMMMECKHX NMKOB H MpoBasios, eMecte ¢ 3THM MoMeT HcnonbsOBATSCA MYSbIKAMbHO, HO HcrombsoBaTe eé Ha KaNisAOM KaHane, nbiTAnce BAOXHYTe 8 TPeK IKH3HH ... C¥eHE Fnyno, Bonbule Acero aTHM SAoynoTpeBAReT xHN-xoN CoAPYIKECTBO, B ‘cans c HefocTaTkoMm sHaHii Toro, Kak KoMpeccop paGoTaer M Kak ero Yue McombsOBATe. Ucnonezoeanue aqpcbexmos u Aunamureckoli o6pa6omKu — amo macmepcmeo, mpebyrouee Bonzue 20061 npaxmuku, Ho daxKe mozda ~_3mo ce paso npoyecc yreHuA, axe dna npodeccuoHanos. Ao6aenatime duramuxy u adbcbexmnes Ha cmaduu ceedenun. Imo He Becmpyxmuenei nym, nozeonnrowuil skcnepumenmupoeame c doBaaneHuem UsIOMUHKU @ necHio u Bosupoaams cocmaansiouue KoMnoHeHmbl @ (puHaneHom muKce. 4, Kak Tomko TpeK 3anvcaH, mbi cpasy MOKEM MPHCTYNIMTe K NPOUeCcy cBeAeHHA. HH NOKADKY BAM Fasible npasiina v oBvacHio, NoveMY HeKoTOPbIe MUIpbI CYLECTBYIOT TOMbKO 8 NpeAeNax opymos, HE saTparuaan npodeccnowanbible cryAMH. A noKaxky H OBWACHIO, TO NPOHCXOAHT co 3ByKOM, eCrH AMHamveckan obpaGorka npHMeHReTCA HenpaBHmbHo. Ha sTofl me craaKn mb oTKpoem McKyCcTBO ynpaBneHna crepeo Gasoli c uconbsoBaHHeM NaHopammposaHna gna ecTecTBeHHOro pacnono»keHHKA KoMNOHeHTOS B CTepeo nove. TakKe A Nosenoce napouKoli TploKos, NOMOraIOLx PacUIMpHT» 3ByKOBYIO KAPTHHKY Tpeka, Bmecte ¢ sbiweonuicannbim, 9 pacckanky © Bcex BNAaX aNHaMHUECKOli O6paBoTKH MH adpexToB H OGbACHIO, Kax Hx Mcnosbs0BaTe, NOACKAMKY NYTH peWeHitA npoGseM, BOsHMKAIOWIHX B NoYeCce paGoTE! ‘370 NOMOMeT BAM NOHRTS, TO KAK XOPOWO Gb! BbI He FOTOBMANCE K NPOEKTY, KakHe-TO BEL oGasaTenbHo Mayr He TAK. Chenya nsnoxeniio, a Byay ucnonbsoBaTe Cubase SX3, Recycle, Sound Forge 6, Battery u HaGop NnarMHos. A BosqepaKycb OT McrlonbsoBaHHA annaparypel, Tax Kak celiac MHOrHe SanHCbIBAIOTCA M aos “in the box”. Mul ckoHueHTpHpyemca Ha «apalinen, cmannepHbix neT/Ax, AOFABOYHEIx KOMNOSMUMOHHEIX AeTANAX M, 8 nrore, Ha craauax cseneHiia 4 npofaKulena. HO cHavana, mpi qetaneHo paccmorpim oG.nacTe, 6 KoTOPO! GoNbUIMHCTBO uMeeT Tak MHOrO NIpoG TEM Narrepa Yaapherx (Drum Pattern). 4, Pa6or Ha 6uTom — MatrepHbi YaapHpix. Uro6bI noHATS, Kak CKOHCTpyMpoBaTS GUT, HYIKHO NOHMMaTe, YTO TaKoe CHHXPOHMsauHA BpemeHH. Mo CYTH, CHHXPOHMaaUHA ABAAeTCA KAHOYeBbIM acneKToM MOBO KOMNOSHUMM, T.K. Ha ONpepenAeT Kak Tine, Tak Ht AMHaMMKy.robot pasobpareca ¢ cHHXPOHMsaUMel, aM ChemyeT NOHATS, Kak My3bIKa NMUIETCA, XOTA bi & BVX Hanpasnewax, KoTopbix KacaeTea ara Kura - Dance m Hip-Hop, Alne Gyay yrny6naTocA 6 HOTHBIE CTaHbI, KMIO4K, TPeMONO M T.N., HO A YAemIO BHUMAHMe TaKTY, ‘ToHanbHocta, pasMepy 1 KBaHTalfay. Noromy 4To, Kora AOXOANT AO NporpaMMuposaHuA, nM McnonbsoBaHna HoT, SapabaHHbIx 3ByKOB 8 Take, CYLECTBEHHbIM ABARETCA NOHMMAHHe TOTO, UTO TaKOe pacnpeenenne i kak pacnonaratoTcr HOTeI. PacnpemeneHne onpegenre’, Kakne 3Ha4eHHA KBaHTaii3a ‘TpeGylorca # Kak OHM NoBAMAIOT Ha OBU4ee BOCNPUATHE HaNMcAHHeIx HOT. Virak, aasalire celiac paccmorpim, To Takoe paamep (Takake HasbiBaembili «TakTOBBIM pasmepom), Taxrospii Pasmep m Taxt. Taxrossili pasmep ~ 370 cornauienne 06 oGosHa¥ennax ucnombsyeMoe 8 sanaqHoi mysbikanbHor cacteme oGosHa¥eHnii, uT06b1 onpemenaTe cKONbKO AoNeli 8 KaKOM TaKTe H KaKaA ATMTeMIbHOCT HOT cooreercrayer Kankaoi none. (O6si4Ho paamep cocrouT u3 2-x Uncen, pacnonoxeHHblx onHo HAA Apyrum., B TekcTe TakToaLIli paamep Nuwerca 8 eHze APOGH : HanpHMep 4/4, uTo KcTATH AB/AETCA HaNGoree YaCTO BCTPeVAIOWIAMCA paamepom. Ueno HaBepxy o6oaHavaer KonMMecTao Aoneli 8 TakTe, a UMcNO BHH3y OBoaHaYaeT, KaKaR EQMHKYa pwuara 3a eavHnuy orcvera, Hanetoce cneayiowjee nso6paxenne sHeceT Gonbive aicHoctu. 4 beats in a measure \ e ; 4 quarters = two halves = one whole = 2 quarters and four eighths = and so on ‘A quarter note gets one beat (4 donu e maxme; Yemeepme Hombr saHumaem odHy donio; 4 4emeepmu = 2 nonoeUHb! = odHa Yenar = dee nonosunbi u dee vemaepmu = umd.) Ha wao6paxennn eb! momeTe yangeTs, 470 8 epsom TaKTe 4 veTBepTH, BO BTOPOM 2 ONOBMHBIMT.A. Taxt aanmerca cermeHToM spemeHn, onpefeneHHbim, Kak AaHHOe KON-B0 Aoneli sapaHHolt aywTenbHocrn. Keantaii3. Keanraiis - sro npouecc sbipasnneanna HaGopa mysbikanbHbix non, cerky. Ecnn bi xoTHTe cenar kealTalis onpemenesHol rpynnii MiiaW HOT 6 necHe, nporpamma nepemBHraeT KaxKayiO HOTY K 6rwxatiuleli seprnkanbHoli mann Ha ceTKe. Bennunva KeaHTaliza onpenenner, KaKOe MeCTO CeTKH Hove! Byayr nepeqsurareca (Mh Kakosa Wacrora ropMsoHTaNbHbIK AMAMi 8 TaKTe),Tocmotpire Ha 210 # eime Hs0Gpakeniis, H Bbi cMoxKeTe WeTKO NOHATS, Kak paGoraer KBaHTais. fey? Zea xy 8 cillaelirs er 5 Ges Ce errr Kak 981 euaure, # orkpsin key editor 8 Cubase (sbi mowere ucnonbso8ar key editor un grid editor 8 ApyrHx nporpammax), sbigenmin 2 TaKTa (1-3) m BbiGpan sHaveHHe KeaHraliza 1/16 (HarnagHo BHAHO B Bepxieli cexyin penakropa Ha us06paxeHhh Hine). Trnpa wa w06paxenne key editor , angHo, ¥To Kanabili TaKT pas6uT Ha 16 cermeHTos. B eqmauuax keanralisa muy Hor no cerke, cyulecrsyer 16 gocrynHeix aeneHii, Koropsie 6yayT Mcnonbsosarbca, u7OGbI OnpemeAMTb, KyAa BHECeHHbIe HoTbI 6yayT nepemeularbca. EcnH Bbi cbirpaeTe Heckonbko HOT B CBOeM CeKBeHCOpe H OTKPOETE B PesakTOPe, Bbi YBHAHTe, F/e PacnonaraloTcA HOTBI. Ecru Horbi HeMHoro He cooTercrayior Tpe6yeMOMY PUTMY, T.€. Cbirpalibl He COBCEM PoBHO, TOMicnonbaya dyHKumio KeaHTalisa B61 MOETE BbIPOBHATS HOTHI CbirPAHHble HENPABAMLHO 8 COOTBETCTEMM co sHaveHne KeaHTaiisa, Nepea Kea) CEAPARSESESRSISNO 2. i 4 6 Nocne ml 2 4 =| = i wee sess esse eeses=Ha wao6paxennn enepeay A YMbILIAeHHO CbIrpa/ OTE! HeNPasMAbHO MH abl HAUTE, WTO CAHM 13 HX PacnosorKeHb! pakbuve, 4eMm Hao, ApyrHe noake. Tenepe nsoGpaxKenne «nocne», Al ucnonbsopan dyHKuMIO KBaHTalisa H MepeMecTHn HOTDI 8 CooTBeTCTaHK c BnimkaliLIMMn K HMM BepTHKANbHEIMA NMHHAM ceTKH. T.K. A MCnOMbsyIO sHaeHHe 1/16, Toy MeHA MOCTATONHO CerMeHTOB, 8 KOTOPDIE A MOTY NOMECTHT» HOTBI. 3TO BbIpABHABAeT MOK ryanioulme HoT. Minorna, Menonssosanne KeaHTaliza 1/16 MoKeT OcTaBHTTb «MexaHMNeckoen seyuanne (KaK ByATO lurpaet po6or) H ato MoxeT KcnOpTHT» BNevaTheHHe OT «KHBOTO AbIKAHHA CbIrPAHHbIX HOT, TO y Hac ecTo BosmonHocTe HcnlonbsoBaTe Gonee BbICoKMe sHaYeHHA KoaHTaisa, cn bl sepHenca K pacnhononeHito HOT Ha KapTHHKe «nepeny H MaMeHKM BenKunKy KBaHTalisa 10 1/32, To nonyanm Gonee neTanbHoe u yaoGHOe paspeuleHne ceTkH. Ha ppyx ns06paxerna BHi3y, 8b! yeHAuTe, “TO nPOMsOUINO. Nepea Boi6pas shaenne Keanraiisa 1/32, 0 Tenepb umelo 8 fsa pasa Gonbuve cermeHTos Ana KBaHTalisa ‘AaliHix HOT. 3T0 AaeT MHe Gone YAOGHDIE K MSbICKAHHDIe BapHaHTo! CMEWIEHHA HOT.Nocne & \e | a fi ; : A tal Vcnonsays Keanratis 1/32, 9 cmectin cnogrynreulne Hore K BninKaliwi 32-m TouKaM, AA cpantenna, 370 nossonaer enare Gone Towle HcnpaseHHA, Yew NpH 1/16 M AenaeT mysbiKy Meee Mexyecraennol. Bonbwinicrso copra nossonaer ucnonbsosars fake Gonee riyGoKne sHaveHia KeaHraitsa ( a0 1/128) Nossonmer no/bs0BaTcA BCeMM BHAaMM ONLUNii, UTOGS! ONnpeseNATE AONONHATeNbHEIe NapaMeTpet koanraiisa, Take Kak: ‘Swing: Nossonser eam cosqasare KoHTpact Ha KaxkAO! BTOPO!H NosMUMH B CeTKe, cosnaBan a>eKT packaymeanna, Swing AanReTcA XOpoUIMM opyrKveM KeaHTalisa, Yaue Bcero McnonbsByeTcA B XHN-xone, \To6b1 crnaguTs HegocraToK KHSHH B 6uTe. BenninHa cenHra HCuHcnReTCA 8 npoueHTaX. Hem Bonbule cenira, Tem Gonbuse 6yaer ero npouent. Creayet nomHMTe, 4TO YeM HinKe TeMn Tpeka, Tem Gone MexaHHeckn GyAeT sByuaTb MysbIKa, ECAH Mcnonbayiorca HHSKHe 3HaveHHA KBaHTaliza. 370 AocTaBMno Ky4Y NPOBNEM apAaHKUpOBUyAKAM H OHH 0 6bI4No pewalor ux HucnonbaoBaHneM Gonee BbIcoKHx sHaveHHit KeaHTaliaa Mnu paGoTalor & «ABotiNOM Bpemeni» (ro ecro Mcnonbayior Temn 140bpm Ana Nec, KoTOpaR Ha camom fene uMeeT Temn 7Obpm (beats per minute — Konuecmeo yaapHerx aeykoe @ mevenuu munymbi)). PaBoTa 8 «ABoliHoM Bpemeni» akenBanenTHa Hcnonbs0BaHIN & 2 pasa GonbUleli BenMuMbl KBaHTalisa, 470 Bio NOKAsaHO euiue. ‘Swing cnenyer Ucnonbs0BaTe, 4TOGbI Ns6eKaT> MexaHHYECKOrO SByHAHHA H MpHyaTD MySbIKe HEMHOTO Grid and type: Grid nossonaer eam sui6upate anutensHocta Hor (Hanp. 1/4, 1/84 T.2. ) pMMeHiTTebHO K AAHHOMY PaspeuleHMio, 8 To BpeMA Kak Type ycTaHaenMBaeT aTPHByToI AnntensHocra HoT: O6piunas (Straight), TpHone(Triplet) 1 fonyropnaa{Dotted). A He 6yay cHnbHo 8 3To YrayGnaTocr, 8am ChepyeT CaMOCTORTeNbHO PasO6paTECA C AMT NLHOCTAMM HOT, HO CKaMKY, TO Tonner KpaiiHe yaoGeH npK nporpammnposaHinn GapaGaHos M OCOGeHHO TapenowHbIx naTTepHOB, tpeGyiounx Ssicrpoi uactore1Random Quantise: AApyrar sosmoKHocre, Koropan cenaeT sByaHite Baulero McnomHeHHA Bonee PosHbim 6e3 npHgaHHA emy HeHaTypanbHocTH - 3To Random Quantise. 3mecb Bbi ycraHasnuBaeTe sHavenne 8 Knnkax (120 8 1/16 Hor) M KorAa nponcxoAMT KeaHTalis Hore K EmwKatiulemy Bury, YcTaHosneHHomy apyramn napamerpamn 8 MeHio KeaHTalisa, oa CMeU\AeTCA 8 COOTBETCTENM CO ‘cayvalinbim shaveHhem oT HYMA lo BEnMUMHD!, YcraHoBNeHHO! B HacrpoiiKax Random Quantise. O6s1uHo ato yEupaer KECTKOCT® BLIPOBHEHHEIX PHTMOB, OCOBEHHO NpH paGore c xali-xaTamn. Tlonsaietca soamorkHocTe Hcnonbsogate aneMeHT caywaliHOcTH, o¥eHb CBolicTBeHHbIM AnA HTP >knBoro BapaSaHulnka. Bombusnnctao copra HMeer B HanHuni Ky AONOMHHTENbHbIX HHCTPYMeHTOR AANA NoBBIMEHHA kavecrea H yaoScrea keanraiisa, Humanize, Iterative, Freeze 17.9, nalot 6onee peranbhble BoaMoxKHOCTH peAakTHpoBaHua. A He Byay cHAbHO PacnbIAATCA, OSTOMY 8 AaHHOli KHKTe MbI BO3bMEM Ha BOOpYKeHHe OCHOBHEIE, HYKHDIE HAM >YHKUMH, Avnamnka. Baxneliuimm ycnosvem cosmakina yaauno seyaujeli Gapa6anHol naprHn ~ 270 qniananka, T.e. To poncxoaHT ¢ HoTO! Bo BpeMeHH, Kora eé Mrpalor. Y wankaoti Hove! ecto atack, decay, sustain 4 release (araka, yracanne, sbinepikka M nocneneticrene), Tak 2ke aBecTHBIe KaK aGGpesnarypa ADSR. Korma HOTa BocnpoMaBo~MTCA, To NepsoHayambHaR PeakuVA — 310 ataka; epema KoTOpoe TpeGYeTCA sTOGbI aTaKa JaKOHUANACD H 3ahNKCHPOBALNA OCHOBY HOTDI, Hasbieaerca yracaHnem; sbiqepyka ~ 370 ocHoBa HoTHI H e€ ”MTenbHOCTE; NocnepelicTene — 3T0 ocTarounoe agneHne nocie Toro, Kak OcHoBa HoTBI Npossy4asa, Mot mone KoppeKTuposate ADSR mioGoro sByKa NOCPeACTBOM N3MeHeHHA efo AHHAMMKM, T.e. eF0 opm. Mcnonbsyr ADSR BbiGpanHoro s6yKa, Mbi MoKeM sHaHHTeNbHO MaMeHRTD eé velocity (Hackonsko Geictpo Hora AocTuraeT onpef{eneHHoro ypoBHA), Mbi MoXKeM HaMeHATE gain (fpomKOCTS) 1 Anny. KoppexTapya Taknm 06pa30M 38yK MbI MOKEM NOATOHATS ero cBoficTBa Nog CBO HY:KA. Mune vacto npuxoannoce menate araxy Manoro 6apa6ana (snare), wroGsi npHaaTb emy Gone pesKoe seyanie Han cAenate ero mare. 38yk Tapenok (hi hat) npenmyulectseHHo sasMcHT oF HaMeHeHHit AMHAMHKH, Tak KaK M3 HX OBDINHO HB/eKAIOT 3BYKM pasMMUHOH! fPOMKOCTH W AAKHHDY, B OTAMUMK OT anoro 6apaGana rpomKocTe KoToporo Np Hrpe Pe”Ko BapbupyeTcA. Ho s”4ecb HET MeTKO ycranosnenHenx npaenn. Bei perympyere ANHaMMKy 3ByKa Ha OcHOBe Toro, NTO Bam TPeBYETCA HCKOAR B pamnax mijan-nHdopmaynn, BbI He HMeeTe JAe0 CO 3ByKOM KaK TAKOBBIM, 3Ta MH>OpMauMA sanycKaeT WocranasnneaeT sayk. Bol MeHAeTe AUHAMMKY SBykKa, HcnonbayA MHA|H-KoMaHaI. Mig — 370 He 3BYK, Mugu 270 cnoco6 nepeqaun HOTHOll MHopMauIMH @ McnonbayeMbili cor, a TakKe cnoco6 cAaRaM MEKAY mugu-yerpolicreamn (MIDI : Musical Instrument Digital Interface ~ unposot untepperic MyabikanbHoro MacTpymeHTa). Hanpumep: abi ucnoneayeme mudu Ann ecmaaku Hom ¢ noMoU{bio KoHmponnepa U zamem MUBU HY>KHO dna o6pa6omu u KoppeKmupoeku Hom 8 eawem codpmosom ceKseHcope. B pamkax paGoTbl ¢ yapHbiM, KOHTponb AMHAMMKH O¥eHe BaKeH MPH bopMHPOBAHHIN NocrpOeHHA Takra 4 Hors Hem. Kak YacTo 8b1 nponrpelBann xali-xaTbI 8 NaTTepHe ¢ MaKcHMambHbIM sHa¥eHneM velocity (cKopocte araKn v rpomkocrs) H 3aTem YAMBAANHCy, NoYeMy 3TO SByNHT Tak HenoABHKHO? Kakacto 801 npomrpeisann Git, ucrionbaya 3 pashbix kick-a, TonbKo WTOBe! NOHATE, 4TO MeNKAY HHMA HET KaKoli-M60 ANHaMHUeCKoH CaRSH M OHM BCE MMeloT OAMHAKOBYIO rpOMKOCTE? Vicnonesosanie AMHaMMky noMoxeT Bam H36A6UTHCA OT BbILIECKasaHHOTO M cAlesaT> 36yK Gonee Hatypanbibim wan niasko mbioumnca. lasaiite sosbimem npocToi npumep TapenoK, cbifpaHHbrx 2 Takranpy KeaHTalise 1/16. A cbirpan menopiio c nonHbim sHaveHHeM 127 velocity (0 ~ aro nonHoe orcyrerane apyka 127 ~ makcumanbHoe sHatienne velocity) at at full velocity a (SASS) Et) ert 4) hihat 16 velocity before.wav 31H AHHH BHHaY key editor oGosHavaior BennunHy Velocity Karxnol4 HOTHI. CneBa oT caMoii NepBolt uuu velocity sHHo, ‘70 Bbi6paxo cnoso “velocity”. Hanee mb Byslem MeHiATS aToT napaMerp, Tak KaK NIpH HaKaTHH Ha cnoBo pasBopaunEaeTcA MeHIo, 8 KOTOPOM ecTe ApyrHe NonesHbie BeuIM (expression —svipasnTensHocte; pan—nanopama; pitchbend—nsmeHeHne sbicoTb! s8yKa M T.A4), HO AA sTOrO Hawero ynpaxHenna ocraHemen Ha velocity. Npomrpas npeanomennbili ayquodaiin sbi yenbiwann, 470 NaTTepH MMeeT MABHOCTH HH B KaKOM cembicie, oH He HMeeT auHamnkn velocity M nogBMKHOCTH. Hapncosas Hosyio nocneqosatenbHocre velocity fina ecex HOT, HAM Bpy¥RYiO HaCTPONE KaNKAY!O NO oTAenbHocTH, A Mory sHauHtTeNbHo AO6aBHTS AMHAMMKH. STO NosBOAReT yAEpaTe BHHMAHHE cayuratenn, noToMy 4To ero Moar He ByAAeT OTKMIOUaTECR, BOCHPHHHMAR MOHOTOHHBIe NoBTOPEHHA, Paccmorpnte ws06paxexHe BHi3y c OTpejaKTHpoBalHolMn sHaveHiAMn velocity. Hi Hat with velocity changes (pencil tool dynamic) ell? 208 xv sin) ari et} i Ne otper san Bova 7x0 meme rem X mse Yesot Naw ‘raskFlira Scxes- pan Selon Peel Open oc idan este on ContraVicnonsaya uicrpyment pencil tool (draw) 13 mento, 8 «Hapicosan» Hoable sHavenua velocity nA kaxgoit HoTeI. BbI MorkeTe nposlembiBaTe STO C KaxKOl HOTOH NoowepeAHO MAK MOxHO NpOBeCTH kapalfawom Bfonb Bcero Nona velocity, cbopmnposaB HYKHYIO BAM NOCNEAOBATeNHOCTD. Npocaywas ykasanneili sbiue ayanopaiin, abt samerure, uro sapnaunn velocity npugaior narrepHy Gonee peanuctautoe seyuanne. Vamenaa aviamnky onHoro s6yka 8 narTepHe, BI HsMeHAeTe sByuaHHe Bcero narTepHa. Jy4wHe 6urTMetixepel npHMeHAIoT akcrpemanbubie sHa¥eHna velocity ANA cosmanna Talimmira M AbIKAHHA AA kaxxnoro KoHKpeTHoro GuTa. flake ecnn a cbirpato 6uT, KoTOpbIi saTMHT Bce OcTaNbHBIe 6irroi(cosqannbie mHoii pasymeerca :-) }, A ace paBHo saligy 8 pemaKTOP H HACTPOIO AANAMUKY TAK, KaK A cUMTaIO HgeanbHO NpABHABHBIM, Ana Tex ns sac xro ucnonbayer annaparHbie ceKBeHcopsi, cxeMa pelicTBhi TakaA Ke, pasHHYa AMLLb B unrepdeiice. Hanpumep, Te, KTo ucnonbayeT MPC (nonynapHoii apam-camnnep), TakoKe BynyT HmeTb konTponnep velocity cpeay Apyrix KHicTpymeHTTos NpHGopa. BooGule, GonbulaR acre AMHaMMUeCKHX seneHnii worker BbiTb KoHTpoAMpyeMoli Pyunoe peaaktnposanne. omen eam cKasaTs, u70 Kak GapaGaHuynk, a He YacTo Mcnoneayio dyHKUWo KeaHTalisa, eaHHCTBeHHEI cayiali, Koraa f gelicreTenbHo CepbesHo yaneKaioce KBaHTalizom ~ 370 paGoTa c My3bIKOM, NMeIoUel sbiconuii bpm, Takux Kak Trance, Bepb sgecb YenoBeueckuli akTop He HacTonbKo sameTeH M peaakriposanie Heo6xoaHMo, 47O6bI yAapHule seyuann Bonee «UeNoBeYHOD. A npennounrato penaktuposate GUT BpyYHYIO, TaK Kak OGIO NepesBHraTe OHH HOTbI, OcTaBNAR ApyrMe HeTponyroimn, Sto TawKe KacaeTca HaMeHeHUii velocity, anuTenbHocTH HOT M.A, PyHHoe peaaKriposanne aaet MHe HamHoro Gonbule KoHTporA M rHEKOCTH. Hoy MeHA HeT Uemm pacckasbiBaTb 8 3TOli KHiMre, Kak A paGoTaIO, HO A XOUY NOMONb Bam paso6paTbcA KAKHe CyUleCTBYIOT MHCTPYMeHTE! H MeTogp! 6 rpoManHol MaLMHe Nom HasBaHHeM «MySbIKaNbHaA MHAYCTPHA”, PesHOCTHO OxpaHAeMaA wniayerpua. TnasHili npnem, 270 saiitm key/grid editor w sbiGpar> sHavenne KBaHTalisa 1/128 mnepensnrary HoTel npaBo Hnk Beso No AeneHMAM. eNaA 2TO, Boi HeorpaHNMeHH TAK, KaK NPM OGuleM KEAHTalise (general quantize), koropsiii sarparneaer cpasy 8ce HoTHI, NoSTOMy MoKeTE Me/aT HEIKHBIE KOPPeXTHPOBKH 8 HYIKHEIX BAM MeCTaX, He H3MeHAR OcTambHble HOTHI. CTaHAapTHan npaKTHKa sakniowaerca 6 abiGope cpenHero sHaveHnA KBaHTalisa (Hanpumep 1/32), penakTHposaHine 6 pamKax Tux sHaeHMii, a saTem BbIGop sHaveHnn 1/128 u ocyulecraneHine Gonee ToUKOro penaKTHpoBaHiA Ornmuneiit cnoco6 ws6uparensHoro KeaHraitsa, A Gypy HcnonbsoBaTe cyulecTByIOW\H NaTTepH C KBaHTali3om 1/16 1 3aTeM noKarKy Bam, KaKMM (06pasom BHOCHTe 6 Hero HaMeHeHHMA MPH KBaHTalise 1/128 nytem cMeuleHHA HOT no AeneHHAN,Manual Tick Editing Pe? z=axv eee sree ret i weet Isat Nocmorpes Ha nso6paxkenne sbiuie, abi yaHanTe, uro A cHauavta caenan KBaHTalis co sHaveHiem 1/16, gaTem MaMeHH” sHaeHHe Ha 1/128 u nepenBHHy npaBee HeckKONbKo HOT (OHK No~CBeNeHb! YepHIN) pean Bospocusero KonMuecTBa AeneHHi. 37o MaeT MHE 3HAYHTeNbHO AYUMI; KOHTPOND M NOsBONAET VaMeHATb pacnonorkeHHe onpesenehHbix HoT 6e3 3aTparneannia o6wleli crpykTypel narrepHa. Vamexenne snmtensHocteli Hor Tak Ke BaxHO Kak MaMeHeHHe pacnonoxeHnit 8 BpeMeHi, T.K. HAKE eAMMNHOE HMeHENHE MOET OWYTAMO H3MeHHT® BocnPHATHE NaTTepHa,jing Note Length GE SS ee ee ee 0 om Zoe Q nan X mre Yt Noe ewes Kak 661 siignTe, a yeennsnn afMTenbHocTe nocnegHeli HOTbI NaTTepHa. 3TO MONET OKasaTECA OTAMUHEIM pvemom ayia dopmnposaiia saulero natrepHa. Bel Take MOXeTe yKOpauMBaTb HOT, 4TO 4acTO AlanneTcA BoNbIUKM NnlOCOM NH AOGaBAeHHe AOxKHbIX HoT (ghost notes) H”m HcnoNbsoBAHIMN ABOMHEIX ‘38yKO8 TapenoK. Jlomubie Hore! JlorkHbIe HOTbI — 3TO MY3bIKaNbHbIE HOTbI, BCTPeYaloLyHecR 6 PATMUYECKOI durype, KOTOPIM HaMepeHHo He npuaaercr ocoGoro sHaeHHA, OBbINHO OHW MMelOT GnlakHe K Hy/MIO SHaNeHHA velocity. Bbi 6yeTe 4acto samevaTb, To HOTbI NPH3paKH McOMbsyiOTCA OUTH BO BCEX CTANAX, Ho OcOGeHHO 8 Tex, 8 KOTOPEIX HcTlONbayIoTCA AKYCTHUECKHE MHCTpyMEHTEI. TaKiKe, 3TO Nposepedan mM ycneuiHan TexXHMiKa ANA NPMAaHHKA KHSHM M CTPYKTYpbI NaTTepHY yAapHbIx. ToT aKT, 4TO NOMKHBIX HOTEI ONEHD THxHe OsHaYaeT, TO CAYUIaTeNb 4yBCTAYET MX, a HE CABIWAT.Tlomia 0 Tom, sro myabika nopasyMeBaer WyBcTBeHHOe BOCNPUATHE, 3Ta TEXHKA Kak pas TO, To HaM HYKHO, B pamkax nporpaMMHPoBaHna yapHbix oHa MOET BHECTH HEOBXOAHIMBIe vameHeHu Boi momeTe cosdatb omHbIe HOTbI, HapHcoBas Mx 6 key editor, Mn HaMrpaTe Mx BKHBYIO, Rpocaywiean ocHoBy. 3aTem HYIKHO MaMeHHTb sHaveHHA velocity MOKHBIX HOT AO MHHUMyMa. Vix mectopacnonoreniie o4eHb BayKHO, T.K. KaKAaR OMAR HOTA AOMKHA PasMelaTecA ViMeHHO 8 TOM Mecre, re oHa GyseT nponssoanTe Tpebyembil addbexT. Vicnonbaya Mon copeTel, noskcnepHmeHTupylite Ao Tex Nop, Noka He HaligeTe HEOBxoAMMbIe KOMEMHALIMH Kak velocity, Tak M pasMeWeHHA NOMKHBIX HOT. Ha npumepe Hike, 8 coszan /o>kKHbIe HOTBI NepeA H Noche ONPeAeNeHHbIX HOT, SHauHTENbHO vamenne ux velocity, Ghost notes Ae AX eS HU) [r3)) er | ER S Gor Ex<=a AO 4) ghost notes.wavTlokibie HoTbi TemHee m Menbue OcranbHbix, OBparHTe sHHMaHie, 4TO A caenan c ux velocity. Tocaywaiire npunaraembiii s8yKoBoH alin, Hoe, K KOTOpLIM MOGABMAM MowKHbIe WacTA, sByuaT HamHoro nonlee HM MMeIoT HeGonbwwoe 3x0, PACcTaBHB NOKHbIe HOTbI 8 NPABHAbHOIM MeCTaX NaTTepHa, 81 MoMeTe OUIYTAMO NPHAaTS NOAHOTE! H AAKE CossaTe MAMIO3KIO swing-a. Bor ewe onnk posto nartepH 4/4 c xali-xoTamn, k KOTOpbIM HO6ABMA NOKHbIE HOTKH. Hi Hat Ghost Notes a 4 A B © hihat ghost notes.wavBnpamepe Hasepxy # cosa noxkHble Hore! YTO6e! MoGasHTs NoNOTe! K 38yKY TapenOK, Ho caMan BarkHaA MOOKHAA HOTA HAXOANTCA B KOHUE Nepe CambiM HaXa/IOM BTOPOFO TaKTA, 3TO TO, TO A Ha3bI6aI0 o6poHeHHOl» NoMHOl HOTO!I. ITO AaeT BosMOHKHOCTS NPOHTPLIBATS AYN YRKAHYHO Ges OULYULeHHA McKyCCTBHHOCTH. 3aMeTbTe, HTO pacnonomeHHe 2TO HOTbI OTANHAETEA OF pacnonomeHHA OCTANbHbIX. F Takoke orpenakTuposan velocity Bcex MOMHbIX HOT, HTOBb! HX cTanO ene CnbILIHO, Tplok c Ao6aBneHHe NOKHbIx HOT Nerko AeNaTb Mcnonb3yA KBaHTalis. Ha Tpeke C BbICOKMM TeMNOM, A Gyay ncnonsaosare Keanraiis 1/16, so6t paccraBire HOTS NO MecTaM, a 3aTeM Co3p.aM ONOABI HOTS! nip Keatrralise 1/128, 310 NosBonMt CraBHTs NOKHEIE HOTE Kak 32xOUETCR M OUCH HEBaMeTHO. Mloseperece me, UMeHHO 9TO cosnaeT Te OTAMNIA 8 Gornee MySbIKANBHBIX NaTTepHaX YAApHEIX. Bano nMeTe 8 Sify, NTO HesHaNHTeNbHbIe NSMeHeHHA MOryT MMeTe OrPOMHoe BAMAKHE Ha OBUIyIO aptiio, nostomy Ha¥nvalire cnpMMeHeHiia HeGonbULMx KOppeKTHpOBOK, NPoCMywMBaliTe pesynbrar M saTeM fenaiite nononHuTembHble MaMeHeHHR, ecnH NoTpeGyeTcR. NaHopamuposanne (Pan) Cexper HarypanbHocty 4 Gonbuioro Sayaka 6u1Ta~ 3To pasmeulenHe ssyKa. MHe HHOrAa NPHXOANTCA caywiate npocro y»kacalou\He NpHMepbi Toro, Kak He Haqo NaHopamMposaTe sByk. Cefiuac xHn-xon AeMKH Cran HacTonbko BeAHbIMM 8 NAHE MHKWpOBAHIA, “TO AaXKe He AOCTOlINEI NPOcAYLIMBAHKA H NonbITOK OueHHTe Hx Kak KOMMOSHUMIO, em janbuie, Tem A sce Gonbule NPOTHE:NIOCe eMKaM, B KOTOPEIX snare naHopaMMposaH Ha OAH KS cTopon ctepeo nona. flo Konya coneli KHaHH A He Nolimy, No“eMY KTO-To NaHopamupyer snare Ao ynopa snpaso win 8 se8o, T.K. A rMy6oKo yGexys1eH, WTO ce Apaiie-sBykM NOMeU\aloTCA B WeHTpe. Bacc scerqa 6 weHTpe, kick (Gonsuioii 6apaGan) Bcerma 6 WeHTpe, To me camoe H snare. HexoTopbie HabicKaHHble NPHEMBI B NaHOpaMHPOBAHHIH MoryT HHorAa saTparHBaTb snare, B 3aBMCMMOCTH OT pumennembix ap ekros, Ho waxke Np 2ToM snare naHopamupyerca He AaeKo OT YeHTpa cTepeo noma. OcHoshbie npaeina, KoTOpbIMK CTouT pykoBOACTBORATECA NP NaHOpaMMpoRAHHAN sByKa ysAapHEIX, ‘oven npocrel. Kick u share nomewaiotes 8 UeHTpe, a hi hat 8 nlo6om mecTe, Kpome WeHTpa. 3eykH nepkyccMi MOryT pacnonaraTbcA 8 /10GOM mecTe CTepeo NOMA, ehh OHM COanaHCHpOBAHbI K He cimuiKoM cmewjeHl. Ba/ialtc QocTuraeTcA CnoMoUYbIO pas6poca HacToT 6 cTepeo none TaKMM o6pasom, \To6bI nonyunnea ectecTeeHHo say4aunii cheKTp. JIpyrumn cnosamn, Moar MoxeT cMeWIaTe oKYC HM Her Gonee nerKoro cnoco6a BHeceHHA 8 Tpek AMiCanaHc, Yem nnoxoe NaHopaMMposake wacToT, ‘ocoBenno cmenthbsx. Her cmbicna nomeujate sce tom-bi Ha oAHOH cropoHe nona, Tak xe Kak HeT cabicnia pasmevaTe Bce hi hats, crashes w pyre s8ykH c BbICOKOH YaCTOTO! Ha OAHO! cTopoHe. BaM cneayeT pacnpenennTs acroTo! B none Tak, #TOGbI Mosr HacnarKjtarica o6u\eli SByKOBOH KAPTHHON H He pasmenan s6yKH YyAapHbix «no orceKam». SxcTpemanbHoe NaHopamnposative ToxKe He BbixoA, Hi hat naHopamuposakHeiii 0 ynopa Bnpaso Gyner yponosare mHorne octanbibie s5ykH. 36yk, naHopamupyembili 8 WeHTp, sceraa Gy;er sBy4aTS ‘Mule TaKoro ike 3ByKa, oMeU\eHHoro No KpanM. Amelie 3To 8 BAY MPH NepeMeWeHHH BbICOKHX MAK HMaknx actor B crepeo none.Tpomocepes nmeior MHoro ApyrMx KnaccHBIx TpIOKOB, MTOBb clears seyYaHne Gonbule Ges HeoGxoaMMocrA novcka KoMNPoMHca 8 Hx pasMeueHH 8 Crepeo none. Mcnonesya onpepeneHibie xbberroi v guHaMMky, MbI MoxeMm paGoTaTbCA Kak C rYGMHOH, TaK HC UIMpHHOR, Delays, gated reverbs, Middle | Side, side-chained komnpeccopel # T.A,, 8ce MoryT HcrlombsoBaTecA 6 AOCTIDKEHMIt skenaemoro peayabrara, 3HaHne Toro, Kak YAapHble ycTaHasnneaiorca Ha CleHe ~ 370 Nepebiii ular 8 NOHHMAHMH Toro, Kak naHopammposare onpepenenneie sByKH Muorne He noiimaicr, Kaki o6pasom moar BOCNPMHAMaeT 3ByK H TO, TO NOcNe Toro, KaK OHH paaGpocalot HIDKHHE HaCTOTE! B OAH Gok, a BbICOKHE B Apyroli, 2To ByAeT BePHbIM NPSHAKOM Toro, ro ux abi6pocaT Bon M3 sByKosanHcblBaloWero oTAena neii6na ‘Sxcnepumentupyiite, Ho coxpaxalire Gnaropasymne. CHaviana aymalire cnosmunn Gapabanuynka, 3aTeM onelbTe Kenky HHDKeHepa M cosnabaiiTe sByk, KoTOpbIl OAHOBPEMeHHO ByAeT HaTypanbHbIM M puarHbi CeroaHa, mbi pacnonaraem oTAKYHBIMA KHCTpYMeHTaMM A/A opMnPOBaHHA sByKa M ABHOKEHHIA ero Bflonb eceii ocn. HanMune HHTeHCHBHOTO NaHopaMMpoBaHHA C NeBa Ha NPaBo — OTAKYHDIM X>>exT, npexpacio enuiceieaiouyulica 8 crepeo none. To Ke caMoe HHTeHCHBHOe NaHopammpoBaHne seyKa TonbKo cnpasa — Her. MlosToMy He AyMaiiTe, uTo A Nomasalo Baully KpeaTHBHOCTe. OTHIogb. fl oTTaNMBaI0 8, nogckasbiean, 4TO MOKHO M WTO HENb3A. Ve Kavecree ocHostoro npasnma: aceraa npocnywnealire my3biky, rloce ocywecreneHHA peaaxriposania, m ocoGeHo npu naHopammposannn. [altre mysbiKe nonrpars HeckombKo BOGpEix MunyT, 3aTem pewalire, pasnparkaeT mH OHa Bac MAK 3ByNHT HeHaTyPaNbHO HK 3ByHT BeMMKONENHO. Bam peware, Konun yaapxerx (Drum copies) Apyroii xopouii rpiox — ato Konuposanie McnoneayeMbx yAapHbIx 3ByKOB, AVIA CO3AAHUA BaWlerO nartepna, w sarem npumeHenne Mx ¢ paskbin velocityn penakruposannem aya npygann Gonvuel Autamnueckoli axmsHocta narrepHy. B Kaulectae npumepa, aMecTo Hcnonb3oBaHiA opHOrO H Toro ie kick-a B NaTTepHe, BbI NcnOnbayeTe ero kon, ¢ pasimuneimn velocity pemakTuposalem. Bb! KOHeNHO MoxkeTe npocTo HapHicoBatt AyHamnky nononHuTenbHbIx kick-08, HO 3T0 3aimeT OveH MHOFO BpeMeHHM, OcobeHHO ecnH NaTTepH Hacbiujennbiii w kick- pacnonaraiorca 6nn3Ko APYF K APYTY. JIW4Ho A NpeaNounTato Co3zfaTb Konto kick-a, NOMeCTHT ero B Apyrylo AYeMKY McOMb3yemMoro MHON comnnepa, w satem cenaTe ero THule HnK, HanpAMeP, AOBaBHTS dunbTP. YepeAOBAKNe OCHOsHOFO kick-a w ero orpenaxtuposannoii xonun nomoraer cenaTe naTrepl eulé Bone minamunoin Ha kapTaike HiDke A, ucnonbsya nporpammy Batter 3, a ckonuposan kick o6paGoran ero caenas THe ¥ Ao6asne dbunvrpaunio. 310 Molt BTopocTenenHbiit kick m A SyAy HcnombOBaTD ero AYIA MOGaBNeHHA AMHamnKH B NpocTol narrepH.Battery 3 kick drum copy and edit Nocmorpire Ha pa A 8 neBoM SepxHeM yray MarpHUbl, BI YaMATe, wo A ckonHposan Tim KO33 8 cneayiouyio auetixy (C1), Koniio 9 o6paGoran, cnenas eé tule u no6aens low pass filter, cpesae Bepxtine YacToTe. 3To ceniano s8yx Gonlee npMryweHHEIM H rnyGoKHM. Ao6apne ckonnposannbili sByk K nartepHy yAapHbix, 8 cpenan Gut Gonee KHBbIM. Ha KApTAHKe BHASY euaHo, Kya 9 nomecrin oBpa6oTannyio KoniMio kick-a (nogcseveHo YepHbiM WseTOH).Secondary kick placement — —_— — — —, _ LLL HALL ‘Warum pattern with secondary kicks.mp3 Nocmorpure, narrepH octanca TakM >Ke NpocTeIM, Ho AoGaB/eHHe BropocreneHHoro kick-a caenano S8yK HacbiluleHHee. Take oGpatiTe sHumahne Ha yposens velocity noGasnenHoro kick-a. Mue He pMwnoce Huser PUCOBaT, T.K. BCE HYMHDIe MIMeHEHHA yiKe CaevtaHb 6 Battery. Nonpo6yiire cenate moro pasniuniix sapalToe HcnonbayeMbIx sam coMnnos. 310 orKpoer nepeA, amu Gonuine BosMOMHOCTH 8 CommaHAH atMochepbi BaUlero naTTepHa. fl OBLINHO Bena 5-8 BapnakTos opHoro W Toro xe CaMnna, ¢ pasnMuHo O6paBoTKo!. OnHA nponyckaio vepes high pass filter, apyrue cranyr macucree c gobasnennem low pass filter win HeGonbuloro BMeuaTeNscTEa dkeanalisepa 47.2, HO To, WTO A Crapaioce Renars Bcer;a— 9TO CospiaTe AblKane NaTTepHa, MoHueHTpHpyace Ha Talimnnre, Hacnawsanne m auHamnueckoe HacnanBanne (Layering and Dynamic Layering) Ane Byay 3nece noppobHo ocraHasnneaTbcs, T.K. JaHHbIli Bonpoc BbIN NoAPOGHO paccmoTpeH 8 APYTHX ALXOWy /IMUb KOCHYToCA MYABTACROMHOM AUHaMMKH. 3TO sHauMTT HcTOMesOBaTe MHOTO COMNOS C pasibim velocity, uT06bi coszaTb HaTypanbiyio AMHAMAKy, MaKCHMa/bHO HanoMMHaiOUlyio 38yK HacTonuleli akycrH4eckoit ymapHOl ycTaHOBKH. BonbuIMHCTSO BaWIMx vst CKOpeli BCero MMeIOT MynstHcnofiisie npeceTal, HcnonbayeTe Hx no MaKcHMyMy. PasHnua OulyTHMa, Kora y Bac cre B03MoxKHOCTE BocnPOHSBOANTe 3Byk YAapHbIx ¢ pasHbian velocity. Mbi nbIrannce aMyaMposare ato, KoHTponnpya mMHamnny velocity 8 Cubase. Ho ecnn aro Y Bac ecTb HsHata/bHo Ha ypoBHe npeceTa, 38yK y 8ac Byer HamHoro HaTypanbHee u Bbi ByeTe UmeTe GonbUle BOaMOKHOCTel KaK B KOHTPONE ANHAMMKH Np KUBO! Hrpe, TAK H NPH NocneayIoWeM peaaKTHpoBaHHnEen y 8ac Het mynbthcnolineix npeceTos yAapHbix, TorMa cnenalite ceoli coBcTBeHHbI. 370 He ChoxKHO, Ho TpeGyer spemenn. Monennposanne velocity (Velocity curve templates) Bonbwnicteo cota # xapfa, ocoGeHHO comnmepdl, UMeIOT aTy dyHKYMIO, 3TO NpemONpeneETeHHEIE Mopenn urpet, KoTopbie Mcnonbsyior velocity A/1A BUIGOPA MeTOMa MrpbI SBYKOB. ITO O¥eHD YAOGHAA BOsMOKHOCTE, Nosso/mIOUaA BaMA HcnONbs0BATS OBIE MoAeNM UrpE! Ha MHCTpyMeHTax. HanpuMep, BbI MorKeTe sarpy3HTb NpeceT Mrpel ANA NepkYccMH MM ANA NMaHMHO v1 T.n, Kaabii wa6AoH paspaGoTak ana cosaaHna KpHBoli velocity cooTseTcTeyiowelt HrpaloUyiM 3ByKaM. BoNbUMHCTBO uiaGnonoe Gyayr AMHeliHbIMH, HO HeKoTOpEIe MoxKHO ByseT penaKTupoBare. B Cubase smecro tparb! spemeHu Ha nonbiTkH peakTHpoBaHHA Karkoli HOTHI C NOMOU\DO KOHTPonnepa velocity, nerve HaunHaTe ¢ roToBbIX Wla6NoHOB ANA CosmaHHA coOcTBeHHDIX. Ms0GpaxKeHHe BHMBY oKaabisaer Kak 3To AenaeTcA, NonpoBylire NoBTOpHTe co cBoMM com>TOM. ‘Adding velocity template No controller Lanes Veleaty ory Show Used CertNaming and saving velocity template © Type In Preset Name fie Coxpaniaiire caon wa6 noni Tak, 4rO6b! Bb Aerko CMOrnH BbIGPATs ero HW McnOmbIOBaTb B HYKHEIM momen. Cosqanue monenn keanraiisa (Quantize template save) Mol yoke pasrosapieanh c eamn 0 KeaHTalize, HO Bce me 3TO Goia He HacTONDKO MeTaNbHaA mn opmauna, uTo6b! HavaTb UcnonbsoBaTb AAHHyIO dyHKUMIO. Tenepb KpoMe BCero Npoero, A XONY pwauTb BAM NPHELIYKY CosAaBaTe H COXpaliATe CBOK COBCTAEHHbIe UAB AONB. Ha wso6paxeHnn HWOKe noKasaHo, Kak Co3paTb HM COXPaHHTS cBol0 MopeNb KBaHTaliaa 8 BAe WabOHa, Cees GI eaeicamar TE we = M1: en Presets Store Remove SuxlmportVicnonesya MIDI > Quantise setup, a ory noctoaHHo coxpaHiaTs Mon Mogenn KBaHTafisa Kak npeceTbl. Harkatem Ha oKoUIKo Presets #| OTKpbIBalO elle OfHO OKOLIKO, 8 KOTOPOM A MOry aT MMA cBOEMY npecery. Ha ws06paneHHin AaHo Hm Funky Slow. 3aren My KHONKy Store Ht Bce roToBO, wabnoH coxpanén A kak Hacuer Toro, 4T06bi H3B/eub NpeceTw! KBaHTali3a H3 APYTHX MCTOUHKKOB H 3aTeM NPAMeHHTD Hx 8 ‘Teoeli mysbiKe? Hro eCnh A ckarKy BaM, TO MOAeNb KBaHTali3a MOKHO HsBNeNb M3 ayAKO NyNa YAapHoix? 310 Bac 6AOxHOBUT? Bonbwnticteo npannuHbix nporpamm no TAny Cubase HMeloT 6 HannMil TaKyto oyHKUMIO Kak «Extract Groove or Create Groove Quantise from Hitpoints» (Maenevenne rpysa wn Cosganne Keaxraiisa rpyoa Ha ocHosaninn ormerox). Hitpoints - sT0 ToxKe camoe, “To M mapKepbi. BbI AoGasnneTe aTH OTMETKM Ha NKH 8 aygnodaiine m satem ncnonbayere «Create Groove Quantise from Hitpoints» 8 ayano mexio. Ckopell scero sau coor 6yeT comepmate APYTYKO TePMMHONOTHIO H MHCTPYMEHTEI, HO CYT OnHa M Ta we, Bul cmoxere ucnonbsoBars nonyueHHbili Wa6AOH TONHO TAK Ke, KAK H NOBOH APyroH UIaBNOH B MeHIO Cubase. 3TOT MHcTPyMeNT ONeH abdeKTHBeH MPH paGoTe c AynAMM YAapHbIX, T.K. Ha HX MerKO HAXOAMTe MMKH, 270 aHauHTenbHo o6nervaer HaeneveHHe rpyBoe H coznaHKe npeceTa, Kpome Toro, ecre pyre HCTOUHMKH OTKYAa MoMHO Ges npOBNeM MAnOpTUPOBATe roTOBbIE WA6NOH Hanpumep, celivac moro Komnanuii npesvaraljouynx rpyB-WaG OHI HAeaMbHO NOAXOAAWYME K BALAN sNOSHMbIM KeaHTaltawa6noHaM. Cefivac a npneeny npumep ussre¥eHHA rpye-ua6noxa M3 oTpeska ayo. BosbMeM ONeHb H3BeCTHDIM ‘Ayn ~ ayn yaapabix 13 Missy E. Ha wso6paxeHnn BHn3y noKasaH oTKperToil audio editor. Comin” Missy E, sesToro Ysera. Selecting hitpoints for groove extraction ST Ear eeraen peeril-l-)© Missy-05.wav A obiGpan dyrKumio Hitpoint, ycraHoena slice markers Ha 1/16 m Hakan “Calculate Hitpoints” » audio ~ hitpoints noamento, saTem Create Groove Quantise from Hitpoints . fl Hassan aToT ayn “Missy~ 05 102bpm” n to Hassanine 6yneT Haxonirreca 8 quantize setup menu. BakHO NpaBHnbHo ykazaTb xapakrepucTakn 6 HasBaHHn, ocobeHHO TeMn. Vi ecnn orxpeite renepe quantize setup menu, us rpyea cosaH npecer. Extracted Groove quantise enc) AANA Es a ae a4 a8 16 32 64 4/2 Triplet 1/4 Triplet 18 Triplet 1/46 Triplet 1/52 Triplet 1/64 Triplet 1/2 Datted 1/4 Dotted 18 Dotted 1/16 Dotted 1/82 Dotted 164 Dotted seM-18% 116 Sw24% 2% 428 vy >>>IMissy 05: 102.00 bom, 4/4 2 bsr(s) ELE HEEE EL Bea uibopmauuna npo TaliMHr Tak Ke MMeeTCA 8 3TOM MeHIO. MmnopTHposaline rpyBOB ~ aTO BennKAR SyHKuHA, KoTOpAR NOMONeET Tebe He TONDKO 3acTaBMTo NaTTepHEI YAaPHEIX sBy4aTe NPodeCcHOHANEHO,Ho M HayUUT NoHMMaTe, Kak CoagaloTcR OnpeneneHHEle anemeHTel. Ho 3To eUje He Bce. Bb TAKKE Moxere Bbi6pare oTpesox midi H umnoptmpoBars WaGMIOH M3 Hero, KaK Ha H306parkeHHH HUKe. Extracting groove from midi part Fig Edt Prob Aude [TSM Scores Pool Tanepat Devices Window (1) Hep ‘Open Key Editor Open Score Edtor Cit. ‘Open Drum Edtor (Open List Editor Edt In-lac < 1 (fot Sat at Over Quantize erative Quartize Quantize Setup, Coe ‘Quantize Lengths Quantize Ends Undo Quantize Freeze Quantze Trenspose Merge MDT in Loop Freeze Track Parameter Dissolve Part te Corwersk Repeat Lod Functions » Logical Editor. Logical Presets » Drum Map Setup. Insert Velocties. as a cn) s am cols i BeiGeprre HyKHBIe orpeaok, zaliqure @ menio MIDI -> Advanced Quantise -> Part to Groove. Hosbiii waG oH TaK Ke NoABHTCA 8 MeHIO quantize setup. 3amevarenbHbIi TpIOK! MpocTo sarpysnTe MuAH dain Baweli mo6umoli necH, cKonmpyiire c Heé rpys M HcnombayiiTe B cBoeM Teop\ectBe. Banomunre, ur0 caman Gonbuan npo6.nema npn umnoprAposannn midispaiinos wActpyMeHToS TpeTBeii naptin (third party) ws nasecrHesx neces, aro To, 4ro uMnopTupyeMan necHa no yMOrMaHHIO nometpansaetca non Hacrporikn KsaHTalisa sawiero copra, Mlostomy MaBvteKaA midi rpye M3 Heé BDI Ha ‘camom pene nasnexaere rpye # npeceT c aTHMH Ke HacTpoliKaMM. MoBnaronapHTe MeHA NosKe.5, Tionmur (Tuning) TioHnir coMno8 yAapHEIK 8 Knlove NecHH TawKe HeoTBeMeM NpH cosqaHHH 6utTOB, acto kick 6yaer Hacrpoes non Gacopbili 38yK MH Kak OcHOBHO! coMnA, BaxHO NOHMMATb, Kak STO BMiAeT Ha COMIC oulyulenne necun n nogayy. TioHHHT MoxKer 6bITe NpocTeIM, HaNnpAMep, HaMeHeHE pitch (suICoTa aByKa) BILE HAM HIDKE, HO Gynpte octopoxkHbi, T.K. 370 ckopeli Bcero saTpOHeT ANATenbHocTe CaMna, Ha ws06panennn chy noxasan conn kick-a, 8 KoTOpOM #| coBHpaIac NomeHaTe pitch. 8 Bhan ce oltiar Change pcha econ it cing leh | 1 4002/1660 [Sew | Ori Ko0.wav Hypasan yHKuuA Haxouea 8 meio Effects > Pitch ->Shift.Changing pitch menu Sterner) SI Le ee ial ce Ww spec Pro UxFavertes | Cpt DP>P>UUNW» oa a sag Const sitsicntsmnoieroo0 (OT gave a Dei rocasey mieten LE Hoh 2 [etree eer — 1 sedan — I a ( Restine: nahin ent [onconoeea — Fratine(©BC0CE03 02001267; on00005E7 Mine eat Deon th Trantor ove Pitch Shift CPU X (2é-bt process) Seles 0900000 san OnE 00090554) cs Efe: Som cs Mento pitch shift npeanaraer sbi6op yaoGHe1x napameTpos. Cambie rasHble ~ aro “semitone shift” “cent shift”. Ecnn 8am HeoGxomnmo meHaTs pitch c MHTepBaniom 8 nonyToH (semitone), To ara dyHKUMA GyaeT HMeTE ‘cAMUIKOM pesKii ad:pexr Ha KOpOTKHE COMI, PeANDHO OHA McrOMbayETCA HAM B AATMHHDIX pasax HWM B COMMAX, HYDKAAIOUIHXCA B CepbeSHOM TIOHHHTe ;ANA COsaHUA COBEPUIEHHO ;APYTOFO TOHAMbHOrO orrenka Cent shift aro Gonee aeranbHbiii # TOHKH HHCTpyMeHT. Ero ¢ BepxoM xBaTaeT AAA HaCTPOMIKM y;MapHbIx comnaos apa rapmonnn c necHeli. Npocnywiaiire cnenyiouye Aga ayavonpnmepa, o6pame BHUMaHHe Ha ApMMTeMbHocTe caMNa 8 ayAKO pemakrope. B nepsom pitch noHWKeH Ha semitone, 80 BTopom pitch TOHKO NogKoppeKTHPOBAH ¢ ucnonbsosanem cent shift. Pieces) Fle ER Vow Specs Focesr fens Tous OXFovomRes cptens Wren Hep |O|@\>> UNA» JO|su| Ti kick semitone shift down. wav LST Toi NO be ‘e001 16 | IWick semitone shift down.wav Kick cent shift up 75% Se Fle EX Vim Spscal frocss fects Too OXF cptens Whdon Heb G/a\P>> MONA OO Sug xSaarainan clear Ses ‘Gonanaée| onaensst cononano Wick cent shift up 75%.wav Ha nepsom npnmepe ovesnseH AOBONLHO pesKiii abdexr, M, KaK yNOMMHanocb paHee, AAMTeNbHOCTS comma yenmunnace. Eon Got mbi ysennuitan pitch Ha semitone, To camna cra 6b1, HaoGopor, Kopo¥e. Ha sropom npamepe apbexr HamHoro HexHee, ake NPM TOM NPM Tom, HTO McnonbayeTca cent shift Ha sennunny 75%, w ¥ro6o! samerHTe pasknuy. Bam npHAeTCA NpHCTa/bHo CpabHBaT> O6paGoraHHbiit COMNA C OPHTHHa/bHbIM, 4TOObI 3aMeTHTS pasHiy. OAHaKo ANMTeNbHOCTe CoMn/a BCE PaBHO coxparinace. lannbili onmnr Kpaline eakeH AMA cosqaHiA rapmoNHuHoro Tpeka. Nlepea Tem, Kak HavaTe sannch, GapaBaHulnKn Bceraa HacTpanealor cBoMi MHCTPYMeHT, Kak Ha TOUHOCT, Tak M Ha cnaxenHocrs c 6yayweli necHeli. [lenaiire To Ke camoe co cBoMMM camnmaMn. ALBHAEN MHOTHX HaNMHAIOU\IKX, KOTOPEIE MYaIOTCA BONPOCOM — KAKO! 38yK yAApHbiii TpeGyeT TIOHMHTA. Creer sapnci oF recht H sByKoB, KoTOpble oa comepykhT. Pitching KopoTKoro HeaKycTHNeCKOrO snare~ anpniecet eqsa sameTyio nonbsy, Ho pitching aAMHHoTo akycTHecKoro snare-a Mower 6biT> BeCbMa faxnoim. Tooke oTHOCITCA K tom-am, NepKYCCHH NO THY KONOKOABMKOB MT. Tak “To pewalite rie CTOHT, a rfle He CTONT H 3anOMHNTe, YTO BALI AYUMI! NOMOWHMK, 9TO BALM YH.6. Hapeska camnaos (Slicing Samples — Chopping) Hapeska comnnos — Hacronsko pacnpocrpaeHdeiii npouecc ceroaHa 8 GonbulmicTse xaHpos, UTO ero Haunlalor npHsHasarb HacTOALIHM Mi»KeHepHEIM Npoueccom. OH HacTONeKo pasBHT, TO GoNbUMHCTEO paspaGorunkos AoGaBii7n aTy SyHKYMIO 8 cBOH copT, Cambiii nonynapHeiii coor 8 aaHHom pene - aro Recycle, Phatmatik Pro, Guru w 7.2, aKe ayAKopenakTopei NosBonAIOT pesaTb coMNND! Ho nepeg rem Kak mo yray6umea 8 cyte aToro Mpouecca, A pacckarny, UTO BoobWye H3 cebA Npeacrasnaer Hapeska. YnpouleHHo, slicing ~ 3To npoyecc pM KoTOPOM oTpesoK sanncaHHoro sByKa paspeazerca Ha Gonee MenkHe cermeHTbl, 3TO NosBosAeT NombIOBATeNKO NPUMeHATE Hx AIA CO2zAaHKA coBcTBeHHbIX apaHKPOBOK. MsioMMHKa AaKHOTO Mpouecca —_NpucnocoGAeMocTD M rHBKOCT.. Bao6aeok, abi Moxere Hcnonbaosare REX ¢baliinl 8 CBOeM CeKAeHCOpe H Kak yroAHO MeHATe Wx TeMN 6e3 pactarmeanua 80 epemenn. Vstiavanbio Hapeska 6bi7a npH~yMaka, YTOGbI nosBONHTe josepaM Pesaro AYN! YAAPHDIX Ha MenKHe komnonentoi (kick, hi hat, snare 4.2.) 4 3aTem penakTMpoBaT HX, MeHATS MecraMM, cosqasan HoBbiti narrep# Ha opHrniianbuoro. Akai, Roland 1.2, o6asvink aTy dyHKUWO B CBOn annapaTHble ceKBeHCOpHI W OHA yoKe yenena craTe oGazaTenbHbiM HHCTpYMeHTOM, PaspaGoTunkn copra Take He oTcTaBann M Ha caMoM paHHem sane Propellerheads cosanm camyio TonynapHyto nporpammy jin Hapeskm camnnos — Recycle. Ola crana HacTonbKo nonysApHol, 470 celiac paspa6oTunkn copra Hagennior cBoK NpoAYKTb! BOsMO>KHOCTBIO HmnopTa falisioe Recycle ~ REX opmara. alin REX npeactasnnet co6oii cermeHToI cnpHBAZaHHOH K HUM midi HEdbopMayHeli. BbI MomeTe sarpyaitTe ucnonbayembiit emecte c midi idi- alin gna sanycka camnnos 8 bopmare narrepha, KoTopble sarpysarca Hapeska Recycle paGoraer Take Kak 4 ayAMOpepakTOPI, KOFA@ MEMO AOXO!MAT {0 NOKCKa K COsqaHMA OTMETOK (hitpoints). OTmeTkn ABnalorca OBbINHEIMM MapKepamn, KoTOpbIe 1o3ep paccrasnaeT B mOGoii YacTH ayano comnna. B Cubase, Kora mb H3eneKann rpys-wa6noHbl, OTMETKH CosnaBanice Npoueccom owcka M pacnoaHaHia sHa¥eHHit nuKos (peak values). He o6asatenbio nonararaca TonbKo Ha CopT, oTCnenuBaIoUIMl 3HAYEHHA NHKOB H AOBABNAIOUIT K HAM ‘oTMeTKH, Mol moneTe BpyHylo BHOCHTS OTMeTKH, TAM, rae SaxoTUTe. OAHaKo, OBbIuHO BbIFOAHO NoaBonATe Coty HaXOAMTe NHKH H craBHtTe OTMETKH. STO SKOHOMIT BpeMA, OCOBeHHO NpH paGore c 6ombwinm ayano caMnsom, HMeIOW\AM KyHy MKOB. BbI MoxeTe NPOCTO KOpPeKTHposaTs NoAyHeHHEIT pesynbrar o6aenAa Hn CTMpan OTMETKH. Floutm sect cost nossonut 8am KoHTpOnKpoBaTe MapaMerpbl NOMCKa Kt PaCcTaHOBKH OTMETOK, cnonbsya dyHkunto “Sensitivity” (syecreutensHocTe). Sensitivity nossonAeT comTy MckaTb niKH c Gonee HMaKHMM sHAvEHHAMH. Ha AENe, MOXKHO BbIRBNATE H OTMeYATS NHK ¢.MOGbIM BO3MONHIM 3HaYeHHEM, ec 8am 270 HeoBKoAHMO. Yem Gonbwwe sHa¥eHine Sensitivity, Tem Gonbwie cermeHTos SbinsHT coor.Aasalire waunem c peakn npocroro ayna yaapHbix. Al onat» socnonbaytoce 6ToM Missy, T.K. Kak OH Apoctoii H, # ayMalo, npHXoAMTEA BaM No BKYCy. Recycle main window Eee le stew Peis Souler Weds Hep =18x S| SSB) S BBO wp ta & I Bas: Boar [o =] six [are e] Oigna Tempo ComogrM R% @ F | See} 0 | SateSers oth | 20 | Ten nooo | Get IV i Hi rr |i ia nr rite Ke © Stereo, 441k? | = = HeoGxomymeie ana paccmorperina hakTopes ~ ato Bars (Takei), Beats (Burbs) H Signature (sHaK Kiowa, ykasbisatouynii pasmep Takra). Ecnw abi umnoptupyere nyn 6 Recycle M He sHaeTe Hx, TO He cToHT sonHoBaTeca. Ho OHeHb KeNaTeNbHO BBIACHATS CTONEKO MH>OpMaYNH O6 ayANO MaTepHANe, CKONEKO BOsMOKHO. Virak, ecni Boi He 3HaeTe, To MOXKHO MPOCTO MOKHO 3arpYSHTb syn B Baw CeKBeHCOD M HaliTH ‘ApabinbHbii Tem, TaKTEI H UTbI. BonbUIMHICTBO AynoB yAapHbIK OBbINHO HMeIoT 4/4 Signature, 4TO oven» OB nersnT Ban >Ki3Hb. OpHaKo, BaM NPHAETCA CTONKHYTHCA C OTPesKaMN MMEIOU\AMN pasAneHbiit Signature w nepecekatouneca bars/beats, ocoGeHHO npH paboTe c mysbiKanbHbiMK dpasaMn. MlosToMy cTapalitece nonyunTe makcnMambHo BosMOKHYIO MH*opMayiio o Aye, KoTOpEIM Bel coBMPaeTeCd pesavs. Uyre sbiuie ayo Matepiiana Bbl suanTe HHcTpyMeHT Sensitivity, o KoTOpOM Mb Ke rOBOpHAM, Apnran craiinep, sbi moneTe noGasnars ormerki (H306paxKenne cHH3y).Recycle sensitivity function eee Ex Fle eae ven Process Sampler Windows Heb SE|m SLB |B BS a ov a = i |aaifo Bea [ov] Sox[e o] Aina Tenen: ames [R28 @ G | Sene{ "os |e ate Sens (2) O01 | ich Gain (2.00¢8 | Terps <) fran000 iy r ipa me 1 il viel muah " t Stow, 44.1 HE eee, 0006/0 Kax 901 suanre, cnatinep Sensitivity cosaan ormerkn Ha nikax. [lenran ero npasee, sbi momeTe nonyanrTe Gonewe oTMeTOK, HO WeM jameule, TeM Gonewe ByAeT HeHYARHEIX HH CWMBONHEIK. TlosToMy CocTaHemicn Ha YcTaHoBeHHoM sHaYeHHH, # R AOGaBzI0 OCTanbHBIe OTMETKM BpYSHYIO. Hukorga nonHoctoio He nonaraiirect Ha corpr, T.K. OUIMGKH HenaGerKHb!, KaK BiH Ha Hs06paKeHMH eoiule. MaTbidi cermenT oTMeveH HenpaBHbHO. A NoAKOppeKTHMpyio eFo BPYUHYIO H MobaBNIO RononmurenbHble oTMeTKH. Bcerma npocnyumeaitre cermenTe1, uTO6! yEeMTECA, 4TO OHM HaYMHaIOTCA M 3aKaHNMBaIOTCA 8 HYIKHOM bam mecte. [lo ymonuaHmto, Recycle nossonmer npocnyuiMBars ayAHo CerMeHTb! C noMoUIbIO 3HaNKa rpomkorosopurena (speakerphone). OtmeTkn picyiorca ¢ noMoU\bIo MHCTpyMeHa pencil. BbI TaKKe moxere sa60Knposart (lock) cermentel, 4ro6bi Ha HHX He OkaabIBaMH BANANA MOBbIe MoBanbHEle nepemeusenina ormerok. Ha ws06paxennn BHUSY BHAHO, NTO A 3a6noKMPOBAN OANH MapKep (OH NOKaSbIBAeTCA CO 3HAYKOM samika) , apyro” nepemectun ws HenpasnnsHoro mecTa ( oH no~cBeueH YepHbiM) H AOBABHA eUKe Heckonbko Mapkepos ucnonbsya pencil tool. A TakxKe NpocryWIMBaio OAM 3 CermeHToS (noMeNeHHbIIi Genvim nynkTupons)Recycle slice editing eee! EE Fie edt view Process Sampler Wevlows Heb 2 Gi | SB | oD 1d & 1 Bae [OF +Beat: [0] Six [074 w] Cina Terps. 00008F [R98 @ G | Ser ———_}— 68 | dis GatoSens .) of | ich \!000 | Gan {2008 | Teno) FaT000 Postion: 1.236 [ChtDrag to 2oom in, CisteChok o 200m ot) Stereo, 44.1 2 ese, 0006 / Oba Cermenroi Bsepxy — 970 Bce OAMHONHbIe YAapHIe, HapesaHHbie M3 naTTepHa. fl Teneps Mory cMewIMBaT x COMeTATE HX CO CSOHMN COBCTBEHHDIMM 38yKaMM YAapHbIX, HM Nepeapar»KnposaTe Mx, HTOBbI coznaTe Hosbili naTTepH. To, wero Mo‘KHO AOGHTECA NpOCTHIM HapesaHHeM ayAW1O CerMeHTOB MOKHO nepesncnate GecKoneNno, Recycle npeanaraer mHoro ApyrHx MHcTpyMeHTOB BMeCTe Co BCeMM BHAAMH dyHKUW O6paboTKH, CoxpaHeHia 1 T.A., HO MbI He Byflem paccMaTpHBaTe HX-8 aToli KHIMTe. fl BCerO MUD XONY BBECTH Bac B kype Toro, WTO Takoe cermenTel, KaK Hx ob pa6arbiBaTe H McronbsOBATS, Tenepe Bti morkete coxpanis ceon slices B dopmare REX2 (.1x2) M 3arpyaute Hx 8 M1060H coo, NoAAepxHBaIOWMii AAHHbIH dopmar. EcnH BbI BocnoNbsyeTecb byHkyWeli SKCHOpTa, TO axcnopmuposatoca 6yAyT ace cermenrol 8 size Wav gaiina + conposopteneHsili midi~patin. Ynac Obi nerknit m yAOGHBIi npHMep, T-K. nyNb! yAapHEX HMeIOT pesko BbIPaKeHHBIE NHK, PacnoniomeHHble & COOTBETCTEKH ¢ MySbIKANDHBIM ConeprKHMbIM, Tenepb Aasalire BbIGepem caMnA Nocnoxiee. Boabmem npoctylo pasy CrpyHHoro MNCTPYMeHTa HA NOKAKY BAM HE TONBKO Kak pesaTe 8, Ho M Kak HcnombsoBaTe, 4T06b1 cosaTe HoByiO d)pasy M3 cermeHTos.Recycle string slicing By Ua Dy Fle Edt view Process Sampler Widows Help Z SEH SLB\B8 Sw od ta & dt Bae sbea [0] Sin [are =] Digna Teneo: 120031 [RW F |S ——— [diy Gesene on [rien (2.000 | Gain 90008 | Toros <) [TaTEaT be i READ A Stee, 44.1 KH 4 Sices, 22508 /13¥ Wun stR120-.mp3 Osiices: STR120-1001.mp3 STR120-1 002.mp3 STR120-1.003.mp3 STR120-1004.mp3 Al epyunyio 406asHn oTMeTKH, NoTOMY TO XOuy 4TOBbI Mapkepbl CTOANM HMeHHO 8 Tex MeCTAX, r/e A yscTayio ataky crpyHHoro sByKa. Ayano oTpe30k HMeeT croMbKO NHKOB, HTO O4eHb TKEMIO TONHO ONpeAenMTe, [Ae HYKHO pasMecTATS _Mapxeptt, 910 M3-3a Toro, To GonbuMHcrBo crpyHHeIx pas HMeIoT BHBPATO T.N., NPHMEHREMoE BO ‘epema Mrpei, KoTOpoe opmpyer coon coBcTBEHHbIE NHKM, BOT re Gam OCOBEHHO BarkeH HHCTPYMeHT ApocnywineaHnA, ATA ONPEAeNeHHA NHKOB aTaKH ANA NocnepyIOUKel Hx MapKMPOBKM. Tak xe, Kak Ha npamepe ¢ mynom yAapHbIx, # CoxpaHinn Bce HeoBxoMMble afin, 4TOBe1 McHoMs0BaTS ix 8 ce0em cekBeHcope. MpnnennenHbie ceepxy dalinsi oxaTEI 6 Mp3, AMA aKOHOMMH MeCTa.Recycle strings saves Fle Ede Vew Favorites Tools Hep Qa: © - B| Down Byraes |f srRi20- id sro mine ’ srRi20- oo. war srRiz0. ore ay idi w .rx2 cbatinsi coxpanenti c ucnonbsosanne pyHKuMi export H save. Save OU e088 Kax abi sivaure, sce Wav, ‘ps coxpanenna .rx2 alina u Export an skenopruposaniia Wave Midi. Tenepe A coGupatoce cosmaTe HoByIO pasy H3 NonWeHHbIx cerMeHToS. OpHrMHanbHbili Temn comnna Gein 120 bpm, Ho H3-3a Toro, To oH Tenepb nopesal Ha CermeHTbI, A MoTy McnlonbsoBaTb Mx ¢ MOBbIM HY HIM mH Temnom. EaKHCTBeHHaR BO3MOXHAA CNOKHOCTS BOSHUKaeT NPM UchonbsoBaHMH COMIN, KoTopbiii HeceT 8 ceGe Kakylo-To ¢ppasy, B TakoM cnywae HeOOXOAVM pacueT Temna. T.K. A HcnonbsyIO TONBKO OANHOUNDIE yAapEI M3 AAKHOrO Canna, To A OCOBO He BoNKyIoce HacueT Tema, Ho ecnH Bbl cermenroi conepkann KaKyio-To éppaay, MHe GbI nphuinoce HenerKo. Bor noveMy A peKOMeH,VIO Nomevats Kak MOKHO Gonbule HHOpMaUNIH o CaMNUIe Nepes ero pesKol. A 6yay HcnonbaoeaTe Cubase kaectee cexseHcopa mt Battery 3 8 kavecrse VSTi.Vicrtonpaya 6paysep Battery # mory saliqn 8 nanky ¢ coxpaneHHbimn cermenramn n sarpysite daiia x2 8 Battery. T.x. 8ca Hy’kHan MHopMayMA Obi/a coxpaeHa cnomouIbio Recycle, A Mory Npocro sarpyaHTb AaHioli dalin, w ece cermenTo! Gyayr pasmeuienbi c HeOGxoAHMeIm arom (cermeHT Nel B AYeviKe Ned W1.A\). Tenepb y MeHA ecTe MHHM HHCTPYMeHT 43 cerMeHTOB pacnpemeneHHeix 8 NepBbIxX HECKOMbKHX auelikax. 3to aHauTenbHo oBneruaet molo paBory, H36aBnAA OT HeOBXOAKMOCTH pasMeLlare oTAeNLHO karwapili cermenr no AueviKaM. Bor Hosan pasa. Hero ocoBeHHoro, T.K. MBI MEN sleNO AMUIe C HECKoNeKHMH oTMeTKAMH, Ho ec 8bi cosqaeTe Gonbwe pasnMunbix oTMeTOK, TO NoAyYaeTe GoAbLINE KOMNOSMUMOHHbIE BOSMOKHOCTH. string new phrase.mp3 Aor eué ona, Ho c Bonbuinm KonnYecrsom oTMeTOK. Recycle string 2 slicing eo By rie cae ven Process Seigler Wedows Heb DI Sars fe Beas [=] Sar [et =] Orona Teneo: 142569 (Stoies 441k [11 Sices, 18883 715M ‘Wistr2 original phrase.mp3 _- natavansian pasa ‘@)str2 new phrase.mp3 —- Hosan pasa Hapeaka ~ ato pennkan byHKUMA.Bol TaWke MorkeTe cMeWIMBaT> CerMeHTb! M3 pasnMuHeKX HCTOUHMKOS, CosfaBan HOBbIe KOMNOSMUIAN. A Halo HeKOTOpEIX AM-AKEeB, KOTOPLIE HE AB/MIOTCA MYabIKAHTAMM H/IM He YMeIOT Mrpar Ha MHcTpyMeHTaXx H Co9MalOT NECHH ToNbKO M3 HapesaHHbix cerMeHToB. [paHHyti TBOpYecTB aKHE orpannuenst! 7. Camna (Sample) Mol orkpeian HeckomibKo o4eHb BaxibIx Bees 8 HaUIEM nyTeweCTeHH no cosmanmio 6ura. Cneayiowlan Beulb, KoTopyio mbt pasGepen — ato canna. Vicnonbayembili camnn— sro eaxneviunii acnekr 8 saweli KoMnosMUH, T.K. OH OnpefenReT ToHanbHocTs, Abixanne M oGulyIo nofaYy AYHaMMKH Bawel NecHH. fl He roBpIo Mpo McnonbsoBAHHE comma 8 Bye CAMHOUHOTO sByKa, SbIpesaHHOFO M3 NeCHH, a 0 NOCTPOEHHIK Nec BOKpyr roToBOrO oTpeska ayANO. O6bIvHO OH GyqeT YeHTpanbHbIM OBbeKTOM NecHH. Ect mHoro xHTO8, KoTOpsie AB/AIOTCA XUTaMM H3-3a UCNONbsOBAHMA B NecHe cpasy ysHasaeMbIx camnaos. 370 crano WacTonsKo nonyAAPHO, 4ro Npoloceps BopyIoT caMNAb APYT Y APYFA H ‘AoGMBAIOTCA ycnexa Co CBOKMM NecHAMM 3a cer CTaryca yaHaBaeMoCTh 9THX cOMNMO8. Vicnonbaosanie uasecrHbix camnaoe 8 kaiecTae ocHoBbl necHH HaableaeTca «flipping». Bs! npocto Gepere comma u cosqaere M3 Hero co6crBeHHylo necHio. 370 flip. Ha MHOrHx MyabIKanbHBIX opymax. MoxkHo HaliTH Gur Garawi, B KoTOpbIx 6MTMeViKepbI CopeBHYIOTCA B CosmaHHH neceH M3 BbI6paHHOr Kak yke 2osopunoce pane, x yay ucnonsaoeamt memod cosdaHuA NecHu eoKpy2 Comnng, HO cywjecmeyrom euyé daa memoda. Hip-Hop okuser H apn camnnam, nostomy flipping - sro ycnewHili nyt AA cospaHua ssepcKoro xura. Umax, ¢ kakumu acnekmamu cmankueaemca 6ummeiixep koz0a deno doxodum do saumcmeosanua comnnoe? Tlepsoe, aro TonanbHocts (key) comma K nyTH e& COBMeUIeHIKA C TOHAMbHOCTHIO CoMNHAeMOl NeCHHK Chenytouo y Hac waer TalimnHr/remn (timing/tempo). Talimnur comnna moxeT oTAMMaTECA OT TeNArIa countemoli nec. M HakoHeU, npMeMneMoe KavecTeo 38yKa caMnia, AONYCTMM Ni Noise (wy™), rumble (rpoxor, ry), hiss (witnenHe) 1 7-2, , AAMaMMYecKaR O6pa6orKa/abbeKTe! HM NPOCTO AONYCTAN JN akT HaXOMKeHHA 8 COMME APYIMX 38YKOB, OT KOTOPEIX BbI, BOSMOMHO, SAXOTHTE MSGABHTECA. ToanbHocte camnna (Key of a sample) Cambiii vacro sanasaembili me Bonpoc, 3TO «Kak Bbl OnpeseNseTe, ® KaKOM KnlOve HaXOANTCA CoMNs»? Ancnonesyto yu. Ho pasalire npennoniomnm, UTo y Bac HeT STHX «yweli». He nosBonaiiTe sTomy Bac ocraHosnTe. Onpesenenue ToHanbHocTH comnma Ha Chyx He ABAAETCA AapoM, Ho STO yMeHHE, suipaBarbleaemoe AOnrHMn YacaMM NpAKTHKH H NPOCAYWIMBAHHIA orpoMHoro KoAKHeCTEA ayanomarepuana. Co Bpemenem BbI ToxKe HayuuTecb HAeHTHdHUMPOBAT ToHAMbHOCTD M”M BbICOTBI CoMnna Ha Chyx, Kora alli YUM H Most agANTUPyIOTCA K aCTOTAM C”bILIMMBIX HoT. EcTb HecKonbko nyTeli onpemeneHuA BbIcoTbI sByka comnna:1. Moxkio nenonssosare anannsatop cnexpra (spectrum analyzer) n saTem nepesomte Yactorel 8 HoTHIe BbipaKeHnA. 2. Boi MomeTe McnonbsoBaT> rMTapHbiliTIOHep AMA oNPeneNIeHMA BICOTHI/TOHaNbHOCTH. 3. Bel MomeTe spysnyio sayrpanTe cam 6 ceKBeHCOp H NPOHTpEIBaTe ero, cpaBHHBaA c yKe Melouynncn s8yKaM, STO Tak HasbiBaembili STaNOHHblii Mn OTHOCHTeNbHBI MeTOR, Ananusamop cnexmpa (Spectrum Analyzer) 3r0 npocrol HHcTPyMeHT ANA aHanH3a, BcTpOeHHbili 8 ConbuIMHcTBO ayAMO penakTopos. B KavecTBe anoTepHaTuabl MoMHO HenonbsoBaTe GecrinaTHeili aHannsaTop, KoMX NoMHO B MHTepHeTe. Bxavectse Tecra, a cbirpan oniy HoTy Ha Malo, Hcnonbsya Cubase m axcnopruposan ayanotbalin ‘Ana avianusa 8 ayaMopenaktope, 6 Moem cnyuae aTo Sound Forge. Mcnonsaya ero aHannzaTop cnekrpa, A Mory onpemenitTy, KaKie YacToTe! Krpaemoro Galina HOMMHMpyIOT Ham OCTaNLHIMM. Spectrum analyser piano note T= co Ta =a (SSIs ras Pls] NU pe a ee opts Depay sts Heb : ry rete i Sa eee aa Tot as ashe Seo TSN EDOM \ = Prnnen Feaunay 9) oo a 083 pom G5) FETS 308 Sem Dvcen 7 =|] Beosmen ans, Leos Lat Sanples 8.573 95721 @) piano note g.mp3