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Canon's Image Stabilisation (IS) is controlled by a group of elements inside the lens
which moves at right-angles to the lens axis. The movement of this special lens group is
controlled by an on-board microcomputer and it works by counteracting the shaking of the
camera.
When IS is switched on and the shutter button is partially depressed, the stabiliser lens group,
which is locked in a central position when not active, is released. Then two gyro sensors start up
and detect the speed and angle of any camera movement. The detection data is passed to a
microcomputer which analyses it and prepares an instruction for the special stabiliser lens group.
This instruction is transmitted to the stabiliser lens group which moves at an appropriate speed
and angle to counteract the camera movement.
This complete sequence is repeated continuously so that there is an instant reaction to any
change in the amount or direction of the camera shake. It takes about one second from the
moment you partially depress the shutter button for the stabilisation to become really effective.
The stabilisation action continues for about a second after you take your finger off the shutter
release.
Fig. 3 Canon IS system
The 5-axis VCM image stabilisation, which powerfully compensates any type of shaking,
has improved, achieving the world's highest compensation performance of 5 steps[1]. It also
provides powerful compensation for camera roll which cannot be corrected with an in-lens IS,
and horizontal/vertical shift which tends to occur during macro shooting. With this feature, you
can enjoy hand-held shooting in dark locations and during telephoto photography without
worrying about camera shake. It also prevents image shake in the viewfinder for stable framing.
2. Objectives of my project
Being a content creator and especially a videographer of festive events (weddings,
christening,birthday parties and other events), I need to get filming as smooth and stable as
possible. This is quite difficult when you have to film by hand in order to get the most dynamic
shots possible. A gimbal is ideal for these situations, as it is a stabilizer designed especially for
dslr and mirrorless devices.
A camera stabilizer is designed to hold a camera in a way that prevents or compensates
for unwanted camera shake, such as "shaking the camera."
The main source of inspiration for this work was the 5D2 Tarot image stabilization
system, a system that was designed to attach to large drones and stabilize DSLR cameras in Full
Frame format.
Fig. 5 Tarrot Gimbal 5D2
The goal of this project is to build an active stabilizer suited for controlling a GoPro
action camera. The system should be able to compensate for unintended motions in the pitch and
roll axes to keep the camera level to a set reference plane. The finished product should be
handheld in the sense that it is relatively lightweight and easy to handle with one or two hands.
3. Achievement of objectives
There are two major types of camera stabilizers available today, the passive and the
active stabilizer. While the passive stabilizer relies on remaining balanced with counterweights,
the active stabilizer uses motors to keep the camera in the correct orientation. To be able to
counteract unwanted movements the system needs to know if the camera is rotated out of its
reference plane. This is most often done with an inertial measurement unit (IMU) that senses
acceleration and angular velocity to determine the angle of the camera in the three dimensional
space.
An intuitive way of presenting the angle is to separate it into three different axes, namely
pitch, yaw, and roll. This definition is often used to describe rotation of aircraft but it translates
well to the cameras movements as well. The orientation of the axes are shown in Fig. 6. All three
axes are perpendicular to each other and therefore all possible rotations can be decomposed to its
yaw, pitch and roll components.
For a camera stabilization system, the pitch and roll axes are most important because
unintentional movements around these axes make the recorded video seem shaky. Stabilization
in the yaw axis can also be desirable in cases where the movement should be smooth and
consistent, for example in panoramic shots. Most camera stabilizers consist of three motors
positioned along the yaw, pitch and roll axes, see Figure 7.