Professional Documents
Culture Documents
Module 1
Introduction to Media and Information Literacy
I. INTRODUCTION:
Knowledge is created and disseminated in all forms and formats. Media and
information increase every day and it becomes so abundant that it can be
found anywhere, anytime especially in the booming era of data and
information explosion. Becoming media and information literate individuals
will test our patience on how we deal with information and misinformation. It
includes a certain level of respect towards those who need and request it.
Respect for information need means we allow each and every one to express
their ideas, opinions, and expressions fully without any judgment or
prejudice. MIL teaches us to use information and media content in an
ethical, efficient, and effective manner.
STATEMENT YES NO
Realization Question:
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GREAT!!!
LET’S BEGIN!
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CONGRATULATIONS!
You may now proceed to the lesson.
In this media turmoil which threatens our ability to oversee the people who
act on our behalf, digital citizens of today’s world need a media environment
that serves us both as individuals and as a society; and acquire media and
information literacy skills to enable us not just keep politicians in check but
also to balance the power of the many other people and institutions we rely
on, e.g. the police, doctors, technocrats, researchers, bankers, etc., and all
other people who make decisions that affect us without requiring or allowing
our direct input. (ibid)
MEDIA LITERACY
The word "literacy" usually describes the ability to read and write. Reading
literacy and media literacy have a lot in common. Reading starts with
recognizing letters. Pretty soon, readers can identify words -- and, most
importantly, understand what those words mean. Readers then become
writers.
The digital age has made it easy for anyone to create media. We don't always
know who created something, why they made it, and whether it's credible.
This makes media literacy tricky to learn and teach. Nonetheless, media
literacy is an essential skill in the digital age.
∙ Understand the author's goal. What does the author want you to take
away from a piece of media? Is it purely informative, is it trying to
change your mind, or is it introducing you to new ideas you've never
heard of? When kids understand what type of influence something
has, they can make informed choices.
∙ When teaching your kids media literacy, it's not so important for parents
to tell kids whether something is "right." In fact, the process is more of
an exchange of ideas. You'll probably end up learning as much from
your kids as they learn from you.
∙ With little kids, you can discuss things they're familiar with but may not
pay much attention to. Examples include cereal commercials, food
wrappers, and toy packages.
Here are the key questions to ask when teaching kids media literacy:
Douglas Kellner and Jeff Share have categorized four different approaches to
media education: the protectionist approach, media arts education, media
literacy movement, and critical media literacy. The protectionist approach
views audiences of mass media as vulnerable to cultural, ideological or moral
influences, and needing protection by means of education. The media arts
education approach focuses on creative production of different media forms
by learners. The media literacy movement is an attempt to bring traditional
aspects of literacy from the educational sphere and apply it to media. Critical
media literacy aims to analyze and understand the power structures that
shape media representations and the ways in which audiences work to make
meaning through dominant, oppositional and negotiated readings of media.
The results of the survey indicated that media education had been making
very uneven progress. In countries where media education existed at all, it
was offered as an elective, and many countries believed that media education
should not be a separate part of the curriculum but rather should be
integrated into existing subject areas. However, respondents across
boundaries all realized the importance of media education, as well as the
need for formal recognition from their government and policymakers.
North America
Europe
France has taught film from the inception of the medium, but it has only
been recently that conferences and media courses for teachers have been
organized with the inclusion of media production.
In the Netherlands media literacy was placed in the agenda by the Dutch
government in 2006 as an important subject for the Dutch society. In April,
2008, an official center has been created (mediawijsheid expertisecentrum =
medialiteracy expertisecenter) by the Dutch government. This center is a
network organization consisting of different stakeholders with expertise on
the subject.
In Russia, the history of media education goes back to the 1920s, but these
first attempts were stopped by Joseph Stalin. The 1970s-1990s brought
about the first official programs of film and media education, increasing
interest in doctoral studies focused on media education, as well as
theoretical and empirical work on media education by O.Baranov (Tver),
S.Penzin (Voronezh), G.Polichko, U.Rabinovich (Kurgan), Y.Usov (Moscow),
Alexander Fedorov (Taganrog), A.Sharikov (Moscow) and others. Recent
developments in media education in Russia are the 2002 registration of a
new ‘Media Education’ (No. 03.13.30) specialization for the pedagogical
universities, and the 2005 launch of the Media Education academic journal,
partly sponsored by the ICOS UNESCO ‘Information for All’.
Asia
In India, the Cybermohalla program started in 2001 with the aim to bring
access to technology to youths.
Middle East
Australia
Media are powerful forces in the lives of youth. Music, TV, video games,
magazines and other media all have a strong influence on how we see the
world, an influence that often begins in infancy. To be engaged and critical
media consumers, kids need to develop skills and habits of media literacy.
These skills include being able to access media on a basic level, to analyze it
in a critical way based on certain key concepts, to evaluate it based on that
analysis and, finally, to produce media oneself. This process of learning
media literacy skills is media education.
This section has been created to clarify what media literacy is all about, and
to offer practical suggestions to help you make media education happen
USE OF POPULAR MEDIA IN EDUCATION Page 21 of 80 What is
Media Education?
For example:
Today, the chief challenges are to locate and evaluate the right information
for one’s needs and to synthesize what one finds into useful knowledge or
communication. Media literacy – with critical thinking, reflection and ethical
behavior at its core – is a key part of what it means to be educated in today’s
world.
Media educators base their teaching on key concepts for media literacy,
which provide an effective foundation for examining mass media and
popular culture. These key concepts act as filters that any media text has to
go through in order for us to critically respond. To teach the key concepts to
students see the resources in our Media Minutes program.
The meaning of any media product is not created solely by its producers but
is, instead, a collaboration between them and the audience – which means
that different audiences can take away different meanings from the same
product. Media literacy encourages us to understand how individual factors,
such as age, gender, race and social status affect our interpretations of
media.
Ask:
∙ How might different people see this media product differently? ∙ How does
this make you feel, based on how similar or different you are from the
people portrayed in the media product?
Ask:
commercial purpose can be found, what other purposes might the media
product have (for instance, to get attention for its creator or to convince
audiences of a particular point of view).
∙ How do those purposes influence the content and how it’s
communicated?
Ask:
∙ What techniques does the media product use to get your attention and
to communicate its message?
∙ In what ways are the images in the media product manipulated through
various techniques (for example: lighting, makeup, camera angle,
photo manipulation)?
∙ What are the expectations of the genre (for example: print advertising,
TV drama, music video) towards its subject?
Here is some advice for making media education a meaningful and integrated
part of your classroom practice:
Media education has a place in nearly every course and subject. You can see
our Curriculum Charts to get specific information on how each of our lessons
and resources meets the curriculum of different courses in your province or
territory. Here are some ideas just to get you started:
Social Science: In History classes, students can look at how their views of
history and historical events have been shaped by media. Studying films,
newspapers and even their own textbooks can help students see how the
nature of each medium shapes how history is told. In Geography and World
Issues classes, students can analyze how news coverage influences how we
view different parts of the world – and the people who live there.
Science: How are students’ views of science, and what scientists do, shaped
by media? Where does the idea of a “mad scientist” come from, and where do
we see this trope today? How do the commercial demands of newspapers and
TV news influence reporting of science stories?
Music: How do the commercial pressures of the music industry affect the
creation of music? How are things like gender, class, relationships, or alcohol
and drug use depicted in music (and music videos), and how do youth
interpret these messages? How do different musical genres and styles (pop,
rock, hip hop, R&B, etc.) influence the content of music and music videos?
How are musicians portrayed in media, and how does that influence how
youth see them?
Law: How do media products popular with youth portray crime and the
criminal justice system? How are these portrayals influenced by the values or
assumptions of the media creators, by commercial considerations, or by the
influence of different genres (cop shows, action games, etc.)? How are digital
media affecting our views on issues such as intellectual property, hate
speech, harassment and defamation of character?
Visual and Fine Arts: How do artists use, appropriate and deconstruct media
products to create new art? What rights and responsibilities do artists have
towards the original media creators or owners?
As with any subject, it’s important that work students do in developing their
media literacy is assessed and evaluated. Students need regular feedback to
be able to reflect on their progress and develop mastery, and this also tells
them that the work they’re doing is an important part of the course.
However, teachers sometimes find it more difficult to create assessment and
evaluation tools for media education than for other subjects. This may be
because they feel they lack the technical knowledge to evaluate work in the
medium in question; it may also be that since media education is all about
finding the right questions to ask, rather than learning previously
determined answers.
1. Based on how well the student understands the key concepts of media
literacy and the specific concepts and ideas being explored in the
lesson or assignment.
2. Based on the depth and quality of the student’s inquiry and analysis
of the questions raised in the lesson or assignment, as well as the
student’s thoughtfulness in identifying issues and questions to
examine.
3. Based on how well the student applies specific technical skills
associated with either the medium being studied (movies, TV, video
games, etc.), the medium used in the evaluation tool, or both.
Within each of those four areas, you can create expectations using questions
based on the key concepts:
How well does the student analyze how the creators’ beliefs or assumptions
are reflected in the content?
How well does the student identify and analyze the ways that different
audiences might view the media product differently?
How well does the student analyze how the content of the media product
was influenced either by commercial factors or by who created and/or
owned it?
Does the student show an understanding of this key concept? Does the
student show a knowledge and understanding of how this medium
communicates ideas and values? (For example, what kinds of characters are
present and which kinds are absent? Who is shown in a positive light, and
who is shown in a negative light? Who is shown as having control over their
lives, and who is not?
How well does the student analyze the significance of the conscious or
unconscious, explicit or implicit messages identified in a media product?
How well does the student analyze how the use of these technical elements
and genre tropes influence the conscious or unconscious, explicit or implicit
messages identified in media product? (How are elements such as music,
costuming, and shot composition used to influence our opinion of a
character in a movie? How are characters given or deprived of agency,
control and power in a video game?)
For all of the key concepts, you can evaluate any work according to the
following terms:
How well does the student apply knowledge of the key concepts and of the
medium being studied? How well does the student apply knowledge of the
medium of the evaluation tool? For instance, if the student is writing an
essay about a TV show, he or she would be expected to apply an
understanding of how TV shows are created and how they convey meaning,
both explicitly and implicitly, and also to apply their knowledge of how to
write a successful essay by using an effective structure, well-developed and
supported arguments, correct spelling and grammar, and so on. (Successful
use of process steps such as editing, checklists and pre-evaluation
assessment can be included here as well.) If the product being studied and
the evaluation use the same medium – a mock print ad being used to
deconstruct magazine advertising, for instance – the student would still be
evaluated separately on how they apply their knowledge to analyze
magazine ads and how they apply their knowledge to create the mock ad.
Each of the approaches has its own strengths and weaknesses: quantitative
expectations are generally better because there is little or no ambiguity, but
using them too much can change the emphasis from thinking and analysis
to following procedure and “checking all the boxes.” Most often you’ll use a
mixture of the two, using quantitative expectations to evaluate knowledge
and application of specific skills and using qualitative expectations to
evaluate inquiry and analysis.
For example, a rubric for the “Design a Video Game” assignment in the
lesson First Person might look like this:
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Canada is considered a world leader in this field. But there’s still a long way
to go before the subject is integrated fully into Canadian classrooms.
Media education is “on the books” with outcomes for media education
included across the curriculum and media education programs being
implemented in pockets and districts throughout the country. Still, the
quality and practice are uneven and media education is not yet widely taught
in all provinces and territories or at all levels.
Research findings support the notion that media literacy needs to start at the
very early stages of learning. At the elementary level, media literacy
education is often “hidden” in the Language Arts strand. It may be referred
to as “viewing and representing” or “oral and visual communication”.
Although it is a mandated curriculum area, teachers at the elementary level
have very few resources available to them and very little in the way of
professional development to support them. With the disappearance of the
school librarian and other specialists in most elementary schools, classroom
teachers have become “generalized specialists” in many areas, one of which
is media education. Teachers and parents are eager to help their children
become media wise, and they are open to new ideas, skills and strategies
that will help them in this regard.
INFORMATION LITERACY
A number of other efforts have been made to better define the concept and its
relationship to other skills and forms of literacy. Other pedagogical outcomes
related to information literacy include traditional literacy, computer literacy,
research skills and critical thinking skills. Information literacy as a sub
discipline is an emerging topic of interest and counter measure among
educators and librarians with the advent of misinformation, fake news, and
disinformation.
In the updated report, the committee ended with an invitation, asking the
National Forum and regular citizens to recognize that "the result of these
combined efforts will be a citizenry which is made up of effective lifelong
learners who can always find the information needed for the issue or decision
at hand. This new generation of information literate citizens will truly be
America's most valuable resource", and to continue working toward an
information literate world.
One of the most important things to come out of the Presidential Committee
on Information Literacy was the creation of the National Forum on
Information Literacy.
In 1983, United States published "A Nation at Risk: The Imperative for
Educational Reform", a report declaring that a "rising tide of mediocrity" was
eroding the foundation of the American educational system. It has been
regarded as the genesis of the current educational reform movement within
the United States.
Global
This alliance was created from the recommendation of the Prague Conference
of Information Literacy Experts in 2003. One of its goals is to allow for the
sharing of information literacy research and knowledge between nations. The
IAIL also sees "lifelong learning" as a basic human right, and their ultimate
goal is to use information literacy as a way to allow everyone to participate in
According to the UNESCO website, this is their "action to provide people with
the skills and abilities for critical reception, assessment and use of
information and media in their professional and personal lives". Their goal is
to create information literate societies by creating and maintaining
educational policies for information literacy. They work with teachers around
the world, training them in the importance of information literacy and
providing resources for them to use in their classrooms.
∙ Tool literacy, or the ability to understand and use the practical and
conceptual tools of current information technology relevant to
education and the areas of work and professional life that the
individual expects to inhabit.
∙ Resource literacy, or the ability to understand the form, format,
location and access methods of information resources, especially
daily expanding networked information resources.
∙ Social-structural literacy, or understanding how information is
socially situated and produced.
∙ Research literacy, or the ability to understand and use the IT-based
tools relevant to the work of today's researcher and scholar.
USE OF POPULAR MEDIA IN EDUCATION Page 47 of 80
Big6 skills
The Big6 skills have been used in a variety of settings to help those with a
variety of needs. For example, the library of Dubai Women's College, in
Dubai, United Arab Emirates which is an English as a second language
institution, uses the Big6 model for its information literacy workshops.
According to Story-Huffman (2009), using Big6 at the college "has
transcended cultural and physical boundaries to provide a knowledge base
to help students become information literate" (para. 8). In primary grades,
Big6 has been found to work well with variety of cognitive and language
levels found in the classroom.
USE OF POPULAR MEDIA IN EDUCATION Page 48 of 80 Differentiated
instruction and the Big6 appear to be made for each other. While it seems as
though all children will be on the same Big6 step at the same time during a unit
of instruction, there is no reason students cannot work through steps at an
individual pace. In addition, the Big 6 process allows for seamless differentiation
by interest.
Issues to consider in the Big6 approach have been highlighted by Philip Doty:
Another conception
This conception, used primarily in the library and information studies field,
and rooted in the concepts of library instruction and bibliographic
instruction, is the ability "to recognize when information is needed and have
the ability to locate, evaluate and use effectively the needed information". In
this view, information literacy is the basis for lifelong learning. It is also the
basis for evaluating contemporary sources of information.
Effects on education
Standards
These standards were meant to span from the simple to more complicated, or
in terms of Bloom's Taxonomy of Educational Objectives, from the "lower
order" to the "higher order". Lower order skills would involve for instance
being able to use an online catalog to find a book relevant to an information
need in an academic library. Higher order skills would involve critically
evaluating and synthesizing information from multiple sources into a
coherent interpretation or argument.
Today instruction methods have changed drastically from the mostly one
directional teacher-student model, to a more collaborative approach where
the students themselves feel empowered. Much of this challenge is now being
informed by the American Association of School Librarians that published
new standards for student learning in 2007.
Many states have either fully adopted AASL information literacy standards or
have adapted them to suit their needs. States such as Oregon (OSLIS, 2009)
increasing rely on these guidelines for curriculum development and setting
information literacy goals. Virginia, on the other hand, chose to undertake a
comprehensive review, involving all relevant stakeholders and formulate its
own guidelines and standards for information literacy.
The six regional accreditation boards have added information literacy to their
standards. Librarians often are required to teach the concepts of information
literacy during "one shot" classroom lectures. There are also credit courses
offered by academic librarians to prepare college students to become
information literate.
This draws from the concept of metaliteracy, which offers a renewed vision of
information literacy as an overarching set of abilities in which students are
consumers and creators of information who can participate successfully in
collaborative spaces (Association of College, p. 2) There is a growing body of
scholarly research describing faculty-librarian collaboration to bring
information literacy skills practice into higher education curriculum, moving
beyond "one shot" lectures to an integrated model in which librarians help
design assignments, create guides to useful course resources, and provide
direct support to students throughout courses.
Distance education
Now that information literacy has become a part of the core curriculum at
many post-secondary institutions, it is incumbent upon the library
community to be able to provide information literacy instruction in a variety
of formats, including online learning and distance education. The Association
of College and Research Libraries (ACRL) addresses this need in its
Guidelines for Distance Education Services (2000):
Education in Singapore
Public education
Public events furthering the S.U.R.E. campaigns were organized 2015. This
was called the "Super S.U.R.E. Show" involving speakers to engage the public
with their anecdotes and other learning points, for example the ability to
separate fact from opinion.
Higher Education
Assessment
Information Literacy
What to Know
Too often, students who are looking for information online— particularly for
their schoolwork — conduct an oversimplified search that leads to millions of
results. With a sea of information at their fingertips, it is crucial for young
people to think about how they search and what they find online. As a
teacher, you can help your students develop strategies for uncovering
accurate, relevant, and quality information — whether conducting online
research for school projects or exploring their personal interests.
Key Vocabulary
result keywords: the words you use to search for information about a topic
plagiarism: using some or all of somebody’s work or idea and saying that you
created it
citation: a formal note of credit to an author that includes their name, date
published, and where you found the information
banner ad: an online ad that looks like a bar or button on the website
pop-up ad: an online ad that “pops up” over the content of the website
sponsorship
In the below diagram, you will notice that to be truly 'information literate'
requires that you simultaneously develop:
To make matters worse, just because you know how to use a particular
information technology today does not mean that there is not another one
right behind it that you will have to learn how to use tomorrow! Once
seemingly exotic technologies like "word processing" and "electronic mail" are
now commonplace, but at one time, they were amazing and revolutionary.
(To some of us, they still are).
Today's employers are looking for people who understand and can adapt to
the characteristics of the Information Age. If a student has "learned how to
learn," upon graduation, they are a much more attractive job candidate. An
information literate individual--with their strong analytical, critical thinking
and problem-solving skills--can be expected to be an adaptable, capable and
valuable employee, with much to contribute.
Technology Literacy
describe the Internet and the World Wide Web, elaborate on their
uses, and describe how a browser works and use URL to access a
website, use a search engine.
∙ create an email account and use it for a sustained series of email
correspondence, use common communication and collaboration
technologies, such as (email), text messaging, video conferencing,
and web-based collaboration and social environments.
∙ use networked record keeping software to take attendance, submit
grades, and maintain student records.
∙ locate off-the-shelf packages, tutorial, drill and practice software and
Web resources for their accuracy and alignment with Curriculum
Standards and match them to the needs of specific students.
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KUDOS!
Here it is….
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5. The word "literacy" usually describes the ability to read and write.
A. Education
B. Comprehension
C. Literacy
D. Competency
12. In which country the Cybermohalla program started in 2001 with the
aim to bring access to technology to youths?
A. Vietnam
B. India
C. Singapore
D. Jordan
13. Beginning in the 2017 school year, In which country where children
studied a new curriculum designed to teach critical reading of propaganda
and the evaluation of sources called "media literacy," the course provides
training in journalism in the new information society.
A. Iran
B. Singapore
C. Taiwan
D. China
14. Who were these key theorists who influenced Australian media
education who helped develop Australian media and cultural studies? A.
Robyn Quin and Barrie MacMahon
B. Andrew Hoffmann and Malou Barry
C. Marlowe Steifaner and Roger Kruss
D. Graeme Turner and John Hartley
19. The ability to understand and use the practical and conceptual tools of
current information technology relevant to education and the areas of work
and professional life that the individual expects to inhabit.
A. Resource literacy
B. Tool literacy
C. Social – structural literacy
D. Research literacy
20. The ability to continuously adapt to, understand, evaluate and make use
of the continually emerging innovations in information technology so as not
to be a prisoner of prior tools and resources, and to make intelligent
decisions about the adoption of new ones.
A. Publishing literacy
B. Critical literacy
C. Research literacy
D. Emerging technology literacy
Well Done!!!
Preliminary Activity:
1. Yes
2. No
3. No
EVALUATION:
REFERENCES:
https://nu.kz.libguides.com/MIL
http://medialiteracy-kenya.info/introduction-to-media-information
literacy/
https://www.commonsensemedia.org/news-and-media-literacy/what-is
media-literacy-and-why-is-it-important
https://en.wikipedia.org/wiki/Media_literacy
https://en.wikipedia.org/wiki/Information_literacy
https://libguides.madisoncollege.edu/InfoLitStudents