Misa Immaculada Concepcion

NIHIL OBSTAT: Rev. Fr. Leo Nilo C.
Mangussad
Minister of Liturgical Music
IMPRIMATUR: + Gaudencio B. Cardinal Rosales, D.D.

Archbishop of Manila
DATE: 30th October, 2007

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Alejandro D. Consolacion II
Misa
Inmaculada
Concepcion
for cantor, congregation and mixed voices;

with brass, percussions and organ
VOCAL SCORE
Copyright © August 2007 by Alejandro D. Consolacion II

Published and Owned by the Manila Cathedral-Basilica.
All Rights Reserved
It is illegal to photocopy music.
PUBLISHED BY :
Cathedral-Basilica of the Immaculate Conception
MANILA METROPOLITAN CATHEDRAL-BASILICA
Cabildo cor. Beaterio, Intramuros, Manila
Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192
Mobile: 0917.400.9131, 0928.743.0067
E-mail: mlacathedral@yahoo.com, mlacathedral@hotmail.com
www.manilacathedral.org
© Alejandro D. Consolacion II 2007

Published and Owned by the Manila Cathedral-Basilica
All rights reserved. No part of this publication may be reproduced, stored in a

retrieval system, or transmitted, in any form or by any means, without the prior
permission in writing from the publisher/owner or as expressingly permitted by
law. Inquiries concerning reproductions outside the scope of the above should be
sent to the publisher/owner .
Permission to perform or to record the works (except in the course of divine

worship) should be obtained from the Manila Cathedral-Basilica.
First published 2007

Cover design by Matthew Niel Hebrona
Cover is a detail of 6W$QQHRIWKH,PPDFXODWH&RQFHSWLRQcirca 1627
Composer’s photo by Ferdie Espeleta
Music originated on Sibelius
INSTRUMENTATION
(a) Large Ensemble:
3 Trumpets in Bb
2 Tenor trombones
Bass trombone
Tuba
Timpani and Percussion (2 players)
Organ
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2 Trumpets in Bb
Timpani and Percussion (1 players)
Organ
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CONTENTS
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MISA INMACULADA CONCEPCION
Panginoon, Maawa Ka 1 55
Papuri sa Diyos 4 57
Alleluia 22 64
Santo 27 66
Misteryo ng Pananampalataya 29 68
Dakilang Amen 30 68
Ama Namin 30 69
Aklamasyon sa Ama Namin 34 71
Kordero ng Diyos 35 71
MARIAN HYMNS
Mary Crowned with Living Light (QWUDQFH+\PQ 38 73
Remember, O Mary Immaculate 2IIHUWRU\+\PQ 41 74
Holy Mother of our Savior &RPPXQLRQ+\PQ 44 76
Holy Mary, Now We Crown You )LQDO+\PQ 48 78

FOREWORD
Minor Basilica of the Immaculate Conception
CABILDO cor. BEATERIO, INTRAMUROS, MANILA, PHILIPPINES
Tels. 527-1796, 527-3093, 527-3889, 528-3876 Fax: 536-0192
Alejandro D. Consolacion II‘s new composition, entitled 0LVD,QPDFXODGD&RQFHSFLRQ, launched at the 2nd
0DQLOD&DWKHGUDO%DVLOLFD3LSH2UJDQ)HVWLYDOLVDIUXLWRIDQLQVSLUHGHIIRUW,QDZD\LWLVWKH¿UVWE\SURGXFW
RIWKHQHZO\UHVWRUHG3LSH2UJDQRIWKH0DQLOD&DWKHGUDO%DVLOLFD0&%DQGD¿WWLQJUHYHODWLRQRIKRZ0&%¶V
acknowledged role as the launching venue of new liturgical compositions in the Archdiocese of Manila becomes
a functional reality.
Indeed, in restoring the historic, half-a-century-old MCB Pipe Organ to its original form and function
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which in the 1960s and ‘70s was home to big concerts, generally featuring popular liturgical songs. Central to
our objectives is to make the pipe organ an instrument of inspiration, its wonderful sounds a compelling invitation
to talented local musicians, especially conductors and composers, to come up with more songs that are best sung
with the pipe organ accompaniment. It is important to note that the MCB Pipe Organ is the biggest in Southeast
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Our decision to make the Manila Cathedral-Basilica Pipe Organ Festival an annual event emphasizes MCB’s
desire to echo resoundingly the continuing call for greater support to the MCB Pipe Organ and the challenge for
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come up with a new song and launch it at the 2nd MCB Pipe Organ Festival came at a time when the Cathedral-
Basilica was conceiving the plan of commissioning someone to compose a Marian liturgical song that would
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Immaculate Conception. In a way, he came as a handy catch, and we commissioned him to the projects thereby.
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through the marvel of music and the magical melody of the soul.
Through the annual MCB Pipe Organ Festival, we hope to offer a continuing venue for the launching and popu-
lar propagation of more compositions of this kind in the future and from different composers.
Our invitation continues and we await more responses.
(SGD.) MSGR. NESTOR CERBO

Rector
PREFACE
The Manila Cathedral-Basilica is not only the seat of the bishop; it is also the center and the inspiration for the
liturgical life in the diocese. “Liturgical services are not private functions, but are celebrations of the Church,
which is the sacrament of unity, namely the holy people united and arranged under their bishop.” (Constitution on
the Sacred Liturgy, Sacrocantum Concilium n. 26)
Bearing this in mind and the organ being the perfect instrument to be used in the liturgy, the Cathedral had its
pipe organ restored in 2006 and organized a yearly festival wherein the focus is the liturgy. Special attention is
given to the music performed during the celebration of the Eucharist on December 8, this being the feast day of its
patron saint, Mary the Immaculate Conception, and December 10, the anniversary of the dedication of the Post-
War Manila Cathedral - Basilica.
For a long time, the singing of a choir during the liturgy eliminated the participation of the assembly; the people
were simply to listen. With the initiation of the 2nd Vatican Council, the possibility for the community to partici-
pate became evident. The advent of contemporary/new music eventually eliminated the art-music of the choir.
The highlight of the Second Manila Cathedral-Basilica Pipe Organ Festival (2007) is the newly composed
Mass in Tagalog together with a set of Four Marian Hymns by Alejandro D. Consolacion II. The Mass is written
for congregation, cantor and choir with organ and brass. The diversity of talents present in the Church is recog-
nized resulting in a festive and rich harmonious accord.
In most parishes, the Ordinary of the Mass is entirely sung by the congregation. In this composition, however,
the community, cantor and choir alternate, accompanied by the organ. A healthy balance between listening and
participating is explored in this composition, adding a rich polyphonic music to and thus enriching the simple
congregational singing. The alternate singing becomes the outward evidence of a church, working as the Body of
Christ, with its many parts making up a single unit.
May this 0LVD,QPDFXODGD&RQFHSFLRQ encourage the many choirs in our parishes to sing in Four Parts (Mixed
Voices), challenge the quality of playing among our organists, and enjoin the congregation to participate and be
one in worship.
(SGD.) LEO RENIER
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It was March 2007 that I received an invitation from Msgr. Nestor Cerbo, rector of the Manila Cathedral-
Basilica (MCB), to compose a congregational mass for the use of the Cathedral. It was also during this time that
I received my new appointments as Titular Organist of the Union Church of Manila and as sub-organist at the
MCB. Being offered this chance to write works that will highlight the glorious Cathedral organ was also a good
opportunity for my dream of composing works for choir and organ to come into fruition. I am deeply humbled
and honored for this possibility.
Since this is a congregational mass, writing simple melodies that will be easily remembered by the community
was my goal, melodies that will stimulate the senses and uplift the congregation to join in singing with one accord
in the worship of God.
The 0LVD,QPDFXODGD&RQFHSFLRQ is written in two versions. The original is for Cantor, Choir and Organ with
RSWLRQDOEUDVVHQVHPEOHDQGSHUFXVVLRQV7KHVHFRQGLVZULWWHQLQDVLPSOL¿HGIRUP±IRUFDQWRUFRQJUHJDWLRQ
and keyboard. This may be used in small churches that do not have choirs to tackle singing in voices. I wrote
the accompaniment for organ, later on transcribing the original organ part for a keyboard instrument to give
consideration to churches that use the keyboard or piano. The inclusion of chords above the piano accompaniment
will be useful for amateur organists and will encourage other instrumentalists to join in worship.
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feelings in the celebration. The cantor leads the community. The choir parts were written in simple harmonization
encouraging both amateur and professional choirs to showcase their God-given talents.
The last section of this book includes four hymns for Mary, the Immaculate Conception. I wrote these to
preserve hymn singing during the liturgy. I personally believe that the teachings of the church and its theology
are located in hymns. Hymnody has been my mission for the past year after being made aware of the weakening
of hymn singing in churches not only in the Philippines but also worldwide. Most of the Marian text was drawn
from the Liturgy of the Hours.
It is my fervent hope that parishes will be able to utilize all these works, the 0LVD,QPDFXODGD&RQFHSFLRQ and
the Marian Hymns, to enrich their church worship and for the community to be able to participate more in the
liturgy.
My deepest gratitude I give to the people who have contributed wholeheartedly to this mission, namely;
Msgr. Nestor Cerbo, for his dedication and enthusiasm in propagating the liturgy through music; Leo and Donna
Renier, for their perpetual support and guidance; Cealwyn Tagle, for his continuous and enduring encouragement
especially in organ music; Ferdinand Bautista, Holland Buela and Jonathan Ayson, for their constructive listening
and editing of the initial music score; Matthew Niel Hebrona, for his creative graphic designs; Ferdi Espeleta,
for sharing his talents in photography; Jean Arevalo, for her uplifting lyrics and for patiently and meticulously
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God, the source of all wisdom.
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ALEJANDRO D. CONSOLACION II
commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival

for cantor, congregation and mixed voices; with brass, percussions and organ
Panginoon, Maawa Ka
CANTOR SOLO
Moderato ( q = c.105 )

p legato
Voices

Pa - ngi - no - on, ma - a - wa
Ch. 8' and 2'

p espress.

Organ

Sw.

Ped.

8 mp

cresc.

Ka. Pa - ngi - no - on, ma - a - wa Ka. Pa - ngi -

14

with CONGREGATION

no - on, ma - a - wa Ka. Ma - a - wa Ka sa a - -

mp cresc. poco dim.

SOPRANO

ALTO

Ma - a - wa Ka sa a - -

TENOR

BASS
mp cresc.

poco dim.

© Copyright 2007 Alejandro D. Consolacion II
Published/owned by the Manila Cathedral-Basilica
Photocopying this copyright material is ILLEGAL.
2 CHOIR only

23 mf espress. cresc.

min. Kris - to, ma - a - wa Ka. Kris - to, ma -

mf espress. cresc.

Solo
Sw.

3

mf

Man.

31

dim.

a - wa Ka. Kris - to, ma - a - wa Ka. Ma - a - wa

dim.

Ped.

39

p

Ka sa a - - min.

p

Ch. 8' and 2'

p

Sw.

3
DESCANT SOPRANOS
47
mp espress.

ALL VOICES Pa - ngi - no - on, ma - a - wa Ka. Pa - ngi -
and CANTOR unis.

mp espress.

Pa - ngi - no - on, ma - a - wa Ka. Pa - ngi - no - on, ma - a - wa

with CONGREGATION
54

unis. poco cresc.

no - on, ma - a - wa Ka, ma - a - wa Ka. Ma - a - wa

poco cresc.

Ka. Pa - ngi - no - on, ma - a - wa Ka. Ma - a - wa

Sw.

61

p

Ka, sa a - - min.

p

4
Papuri Sa Diyos
CANTOR

Jubilant ( q. = c.70 )

mf
1. 2.

Voices

Pa -

1. 2.

with reeds.

Organ mf sempre marcato

Gt.

Pedal

6

pu - ri sa Diyos sa Ka - i - ta - a - san, at sa lu - pa'y ka - pa - ya - pa - an.

Sw.
mp

13

cresc.

Pa - pu - ri sa Diyos sa Ka - i - ta - a - san at sa lu - pa'y ka -

cresc.

5
20

pa - ya - pa - an.

Gt.

f sempre marcato

CHOIR and ANTIPHON

27 CONGREGATION mf unis.

Pa - pu - ri sa Diyos sa Ka - i - ta - a - san at sa

Gt.

brightly

Sw.

34

lu - pa'y ka - pa - ya - pa - an. Pa - pu - ri sa Diyos sa Ka - i - ta -

6

ff

41

div.

a - san at sa lu - pa'y ka - pa - ya - pa - an.

div. ff

ff sempre marcato

48

CANTOR mf

1. At sa

7

54

lu - pa'y ka - pa - ya - pa - an sa ma - nga ta - ong may ma - bu - ting ka - lo - o - ban.
Sw.

trmpt.

mf

Ped.
61

cresc.

Pi - nu - pu - ri Ka na - min, Di - na - ra - ngal Ka na - min,

69

f with CONGREGATION

Si - na - sam - ba Ka na - min, Ni - lu - lu - wal - ha - ti Ka na - min,

f

Si - na - sam - ba Ka na - min, Ni - lu - lu - wal - ha - ti Ka na - min,

f

Gt.

Sw.

8

77

cresc.

Pi - na - sa - sa - la - ma - tan Ka na - min da - hil sa da - ki - la

cresc.

Pi - na - sa - sa - la - ma - tan Ka na - min da - hil sa da - ki - la

cresc.

84

ff

Mong kal - wal - ha - ti - an.

ff

Mong kal - wal - ha - ti - an.

ff

ff marcato

9
ANTIPHON

90

mf unis.

Pa - pu - ri sa Diyos sa ka - i - ta -

mf brightly

97
div.

a - san at sa lu - pa'y ka - pa - ya - pa - an. Pa - pu - ri sa Diyos sa

div.

104

ka - i - ta - a - san at sa lu - pa'y ka - pa - ya - pa -

10
110

CANTOR mf

2. Pa - ngi-
ff

an.

ff

ff marcato

118

no - ong Diyos, Ha - ri ng La - ngit, Diyos A-mang Ma - ka - pang - ya - ri - han sa la - hat. Pa - ngi-
Sw.

mf

Ped.

126

poco cresc.

no - ong He - su - kris - to, Bug - tong na A - nak,

11
134

f with CONGREGATION

Pa - ngi - no - ong Diyos, Kor - de - ro ng Diyos, A-

f

Pa - ngi - no - ong Diyos, Kor - de - ro ng Diyos, A-

f

f

142

nak ng A - ma, A - nak ng A -

f

nak ng A - ma, A - nak ng A -

f

12
150

ff

ma.

ff

ma.

ff

ff marcato

ANTIPHON

157 mf unis.

Pa - pu - ri sa Diyos sa ka - i - ta - a - san at sa lu - pa'y ka - pa - ya - pa - an.

mf unis.

13

165
div.

Pa - pu - ri sa Diyos sa ka - i - ta - a - san at sa lu - pa'y ka -

div.

172 ff

pa - ya - pa - an.

ff

ff marcato

178

poco rit.

poco dim.

14
182 Andantino ( q. = c.52 )

p

CANTOR

I - kaw na nag - a - a - lis ng ma - nga ka - sa - la - nan ng

Andantino ( q. = c.52 )

Sw.

p legato

189

mp moving

san - li - bu - tan, I - kaw na nag - a - a - lis ng ma-

mp unis.

CHOIR and
Ma - a - wa Ka sa a - min, ma - a - wa Ka sa a - min.
CONGREGATION

mp unis.

15
196

nga ka - sa - la - nan ng san - li - bu - tan,

mp unis.

Tang - ga - pin Mo ang a - ming ka - hi - li - ngan, tang - ga - pin Mo ang a - ming ka - hi-

mp unis.

201

mf

Ma-

ff with conviction

CHOIR
li - ngan. I - kaw na na - lu - luk - lok sa ka - nan ng A - ma,

ONLY

ff with conviction

ff

16
rit.

207

mp

a - wa Ka sa a - min.___ Ma - a - wa Ka sa a - min.

mf

Ma - a - wa Ka sa a - min.

mf

rit.

Sw.

mf

mp

Man.

Ped.
214 Jubilant ( q. = c. 70 ) TENORS
and BASS mf

3. Sa - pag-

Gt.

f marcato

222
mf

cresc.

I - kaw

kat I - kaw la - mang ang ba- nal, I - kaw la - mang ang Pa - ngi - no - on.

Sw.

mf Gt. f

17

sop div.
230

la - mang, O He - su - kris - to, ang Ka - ta - as - ta - a - san.

Trmpt.
Sw.

Gt.

237

f with CONGREGATION

Ka - sa - ma ng Es - pi - ri - tu San - to, sa Ka - lu - wal - ha -
f

Ka - sa - ma ng Es - pi - ri - tu San - to, sa Ka - lu - wal - ha -

f

Gt.

f

Sw.

Ped.

244

ti - an ng Diyos A - ma, A - men, ng Diyos A-

ti - an ng Diyos A - ma, A - men, ng Diyos A-

18
252

ma, A - men.

ma, A - men.

ff

SOPRANOS DESCANT
259

f

Pa - pu - ri sa Diyos, Pa - pu - ri.
FINAL ANTIPHON
CHOIR, CANTOR
f unis.

and CONGREGATION

Pa - pu - ri sa Diyos sa ka - i - ta - a - san at sa

f sempre staccato

19
266

At sa lu - pa'y ka - pa - ya - pa - an. Pa - pu - ri sa

div.

lu - pa'y ka - pa - ya - pa - an. Pa - pu - ri sa Diyos sa

div.

272

Diyos, Pa - pu - ri. Lu - pa'y ka - pa - ya - pa -

cresc.

ka - i - ta - a - san at sa Lu - pa'y ka - pa - ya - pa -

cresc.

20

278

an.

an.

ff

285 poco a poco cresc.

A - men. A- men.

ff poco a poco cresc.

A - men. A- men.

ff poco a poco cresc.

ff

21

292

A - men.

men.

A -

non rit.

297

A - men!

fff

A - men!

fff

non rit.

fff

sfz

22
Alleluia
CANTOR

Jubilant ( q. = c.70 )

1. 2. mf

Voices
Al - le -

1. 2.

Organ f sempre marcato

Gt.

Pedal

6

lu - ia, al - le - lu - ia, al - le - lu - ia.

Sw.

mf

13

Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia.

23
21

With CONGREGATION

Al - le - lu - ia, al - le - lu - ia, al - le - -
mf

Al - le - lu - ia, al - le - lu - ia, al - - le -

mf


mf

Al - le - lu - ia, al - le - lu, al - le - lu - ia, al - le - -

mf


27

lu - - ia. Al - le - lu - ia, al - le - lu - ia.

lu - - ia, al - le - lu - ia. Al - le - lu - ia, al - le - -

lu - - ia, al - le - lu - ia. Al - le - lu - ia,

lu - - ia, al - le - lu - ia. Al - le - lu - ia, al - le -

lu - - ia, al - le - lu - ia. Al - - - le - lu - ia,

24
33

CANTOR

al - le - - - lu - ia. Nag -

ia, al - le - - - lu - ia.

al - - - le - - - lu - ia.

lu - ia, al - le - - - lu - ia.

al - le lu - ia.

38

wi - ka ang Pa - ngi - no - on, "Ma - pa - lad ang ma - nga ta - ong nag -

Sw.

mp legato

25
42

cresc.

ti - ti - pon sa A - king Nga - lan." Al - le - lu - ia.

45

With CONGREGATION

Al - le - lu - ia, al - le - lu - ia, al - le - lu -

mf


mf

mf

Al - le - lu - ia, al - le - lu, al - le - lu - ia, al - le - lu -

mf


Gt.

mf

Sw.

26

52

ia. Al - le - lu - ia, al - le - lu - ia, al -

ia, al - le - lu - ia. Al - le - lu - ia, al - le - lu - - ia, al -

ia, al - le - lu - ia. Al - le - lu - ia, al - -

ia, al - le - lu - ia. Al - le - lu - ia, al - le - lu - ia, al -

ia, al - le - lu - ia. Al - - le - lu - ia. al -

Ped.
58

poco rit.

le - - lu - - ia.

le - - lu - - ia.

le - - lu - - ia.

le - - lu - ia.

le - - lu - - ia.

poco

rit.

ff

2 2

27
Santo
CHOIR and CANTOR

Triumphantly ( q = c. 115 )

f proclaiming

Voices
San - to, San - to, San - to, Pan - gi - no - ong Diyos na ma- ka -pang - ya-

Trmpt.

Gt.

f

Organ

Ped.

10

ri - han, Na - pu - pu - no ang la - ngit at lu - pa ng ka - lu- wal - ha - ti - an Mo.

cresc.

18

mf

f with CONGREGATION

Ho - sa - na, ho - sa - na sa ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa ka - i - ta - a - san. Pi -
f
mf

CHOIR Ho - sa - na, ho - sa - na sa ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa ka - i - ta - a - san. Pi -

f mf

28

CANTOR and
27

poco cresc.

CHOIR

nag - pa - la ang na - pa - ri - ri - to sa Nga - lan ng Pa - ngi - no - on.

poco cresc.

34

ff with CONGREGATION

Ho - sa - na, ho - sa - na sa ka - i - ta - a - san. Ho - sa - na, ho -

ff


ff

ff

40

rall.

sa - na sa ka - i - ta - a - - - san.


rall.

29
Misteryo ng Pananampalataya
with CONGREGATION
Moderato maestoso ( q = c.90 )

f
Cantor

Si Kris - to ay na - ma - tay.
f

Soprano
Alto

CANTOR with
BASSES Si Kris - to ay na - ma - tay.

f

Tenor
Bass
Si Kris - to ay na - ma- tay. f Si
Trmpt.

Gt.

Organ f Man. Man.

Ped.

Si Kris - to'y na - bu - hay.

Si Kris - to'y na - bu - hay.

Kris - to'y na - bu - hay. Si Kris - to ay ba - ba - lik sa wa -

Man.

Ped.
30
12

ff

rit.

Si Kris - to ay ba - ba - lik sa wa - kas ng pa - na - hon.
ff

Si Kris - to ay ba - ba - lik sa wa - kas ng pa - na - hon.

kas ng pa - na - hon. ff
rit.

ff

Ped.
Dakilang Amen
with CONGREGATION
Moderato maestoso ( q = c.90 )

f

Cantor
A - men, a - men.
f

Soprano
Alto

A - men, a - men.

Tenor
Bass
A - men, a - men. f A -

Trmpt.

Organ f Man. Man.

Ped.
31

A - men, a - men.

A - men, a - men.

- men, a - men. A - men, a - men, a -

Man.

Ped.

12 rit.

ff

A - men, a - men. A - men, a - men.

ff

A - men, a - men. A - men, a - men.

- men, a - men. ff
rit.

ff

Ped.
32
Ama Namin
CANTOR. CHOIR and

Andante ( q = c.67 ) CONGREGATION

mf espress.

Voices
A - ma na - min, su - ma - sa - la - ngit Ka,

Ch. Sw.

Organ mf

Sw.

Ped.

7

Sam- ba - hin ang Nga - lan Mo, Ma - pa - sa - a-min ang ka - ha - ri - an Mo, Sun - din ang lo - ob

12

Mo, di - to sa lu - pa pa-ra ng sa la - ngit. Big - yan Mo po ka - mi nga - yon ng a- ming ka-

17

ka - nin sa a - raw - a - raw. At pa - ta - wa - rin Mo ka - mi sa a- ming ma- nga sa - la, pa - ra

33

22 poco cresc.
f

nang pag - pa - pa - ta - wad na - min sa nag - ka - ka - sa - la sa a - min. At h'wag Mo po ka -

poco cresc. f

f

27

dim. mf unis.

ming i - pa - hin - tu - lot sa tuk - so, at i - ad - ya Mo ka - mi sa la - hat ng ma- sa - sa-

dim. mf unis.

mf

cresc.

33 f

ma, sa la - hat ng ma - sa - sa - ma.

f

cresc.

ff

cresc.

34
Aklamasyon sa Ama Namin
Andante ( q = c. 67 )

f with CONGREGATION

Cantor
Sa - pag - kat sa 'yo nag - mu - mu - la ang ka -pang -ya - ri - han at kal - wal - ha -

f

Soprano
Alto

Sa - pag - kat sa 'yo nag - mu - mu - la ang ka -pang -ya - ri - han at kal - wal - ha -

Tenor
Bass
f

Organ f

Ped.

5

ff

ti - an, mag - pa - sa - wa-lang hang - gan. A - men. A - men.

ff

ti - an, mag - pa - sa - wa-lang hang - gan. A - men. A - men.

ff

ff

35
Kordero Ng Diyos
CANTOR
Andante religioso ( q. = ca. 42 )

mp espress.

Voices
Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa - la -nan ng

Sw.

Organ mp legato espress.

Pedal

with CONGREGATION CANTOR

6

mp

mf legato

san li - bu- tan, Ma - a - wa Ka, ma - a - wa Ka sa a - min. Kor - de -ro ng Diyos na nag-

mf legato

Ma - a - wa Ka, ma - a - wa Ka sa a - min.

mf legato

Sw.

mp

36
With CONGREGATION

12 mf legato

a - a - lis ng ma - nga ka-sa - la- nan ng san-li-bu - tan, Ma - a - wa Ka, ma - a - wa Ka sa a -

mf legato

Ma - a - wa Ka, ma - a - wa Ka sa a -

mf legato

CANTOR
18

cresc.

mf

min. Kor - de - ro ngDiyos na nag - a - a - lis ng ma - nga ka - sa - la - nan ng san - li - bu - tan, I-

min. I-

37

23 poco rall.

ang ka - pa - ya - pa - an.

pag - ka - lo - ob Nin - yo sa a - min

pag - ka - lo - ob Nin - yo sa a - min ang ka - pa - ya - pa - an.

poco rall.

mp

28

p

That in all things, God may be glorified!!!
August 28, 2007
38 Mary Crowned With Living Light
ENTRANCE HYMN

Words from the Stanbrook Abbey
Additional words by Jean C. Arevalo Alejandro D. Consolacion II

Moderato semplice ( q = ca.100 )

f

Organ

Man.
Ped.

(Choir and Congregation)

7 ALL
mf

VOICES

1. Ma - ry, crowned with li - ving light, Tem - ple of the Lord,

2. Vir - gin Mo - ther of our God, Lift us when we fall,

13

Place of peace and ho - li - ness, Shel - ter of the Word. Mys - te - ry of sin - less life,

Who were named, u - pon the Cross Mo - ther of us all. Fa - ther, Son and Ho - ly Ghost,

19

In our fal - len race, Free from sha - dow, you ref - lect ple - ni - tude of grace.
Hea- ven sings your praise, Ma - ry mag - ni - fies your name through e - ter - nal days.

© Copyright 2007 by Alejandro D. Consolacion II
Published/Owned by the Manila Cathedral-Basilica

f broaden 39
25

Ma - ry crowned with li - ving light, Hand - maid of the Lord, Cho - sen Mo - ther

li - ving light,

f broaden

30

of His Son, Sa - viour of us all. Ma - ry, Mo - ther of His Son, Cho - sen from us

36 1.

all.

1.

man.

40
2.
41

all.

2.

45

rit.

48

Remember, O Mary Immaculate 41
OFFERTORY HYMN

Text based on St. Bernard's Memorare
Paraphrased by Msgr. Nestor Cerbo Alejandro D. Consolacion II
Allegro e legato semplice ( q = ca.130 )

Organ mf

Ped.

CANTOR or MALE VOICES

7

mf fluidly

1. Re - mem - ber, O Ma - ry Im - ma - cu - late Vir - gin, that

such great con - fi - dence, Im - ma - cu - late Mo - ther to

13

ne - ver was it known, that a - ny - one who comes to

you we humb - ly come, Im - ma - cu - late Vir - gin, be -

42

19

With Choir

your pro - tec - tion was left un - as - sis - ted. O

fore you we stand, sin - ful yet sor- row- ful.

cresc.

25

Ma - ry con - ceived with - out sin, pray for us who have re -

cresc.
pray for us who have re -

32

course to you. O Ma - ry con - ceived with - out sin, pray for us,

43

39

pray for us.

pray

44

1.
48 2.

2. With

1.
2.

44 Holy Mother Of Our Savior
COMMUNION HYMN
Words by Jean C. Arevalo Alejandro D. Consolacion II

Moderato e dolce ( q = ca. 85 ) SOPRANOS

mf dolce

and ALTOS
Voices

Ho - ly

Organ mf sempre legato

5

Mo - ther of our Sa - vior, the Spi - rit dwells in you, Oh how great is your

10

beau - ty and the grace bes - towed on you. Ho - ly Mo - ther of our Sa - viour,

15

Bles - sed are you, From a - mong all wo - men, God had cho- sen you.

45

21

O Bles - sed Ma - ry, your faith is e - ver - las - ting, re - mai - ning e - ver

Im - ma -cu - late

26

vir - gin, your heart Im - ma - cu - late. O Bles - sed Ma - ry,

Ma - ry,

31

2nd time to

Mo - ther of God, Lead us with your gen - tle hand to Christ, His On - ly

46

SOPRANOS

36 and ALTOS mf

2. Ho - ly Mo - ther of our

Son.

41

Sa - vior, we ask your in - ter - ces - sion, Come and help your chil - dren, who

46

ALL VOICES

seek to rise from shame. Ho - ly Mo - ther of our Sa - viour, Bles - sed are

Ped.

51

you, From a - mong all wo - men, God had cho - sen you.

47

56

Christ, His On - ly Son.

rall.

60

48 Holy Mary, Now We Crown You
FINAL HYMN
Text by Melvin Farrell, S.S.

FANFARE
Stately ( q = ca. 80 )

Organ Solo Tpt. f

Ped.
4

7

11

mf cresc.

15

ff

19 OPTIONAL INTRO

fff

49
VERSE 1 (Choir and congregation)
f
Andante ( q = 90 )
23

ALL VOICES

1. Glo - rious Queen, look down in kind - ness, while be - fore your throne we stand, Bring God's bles- sing to your chil - dren,

29

Watch our homes and guard our land. Ho - ly Ma ry, now we crown you, Ho - nored Queen of all our race;

35

No - ble Vir - gin, may our tri - bute win your love and gain us grace.

mf

f
VERSE 2 (Choir only, in harmony)
41 dim.

2. Gate of Hea - ven, you were Mo - ther to the King of heav'n and earth;

f
(Organ doubles voices)
dim.
50

45 mf poco cresc.

Now, be Mo - ther to your sub - jects, In our souls, give Je - sus birth.

to your

mf poco cresc.

49 cresc.

Ho - ly Ma - ry, now we crown you, Ho - nored Queen of all our race;

cresc.

53 f


f

FANFARE 2

57

f

61

51

VERSE 3 (Choir and Congregation)
66 f ALL VOICES

3. Queen of Man - kind, while cre - a - tion speaks the gran - deur of God's love,

f

Ped.

70

Mold our hearts to seek His glo - ry Till we reach our homes a - bove.

74

CHOIR SOPRANOS


ALL OTHER VOICES


Largamente
78

ff

No - ble Vir - gin, may our tri - bute win your love and gain us grace. A - men.

ff

No - ble Vir - gin, may our tri - bute win your love and gain us grace. A - men.

ff

that in all things God may be glorified!!!
October 2007
commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival

version for Cantor, Congregation (Unison) and Keyboard
Panginoon, Maawa Ka

CANTOR
Moderato ( q = c. 108 ) p legato

Voices
Pa - ngi - no - on, ma - a - wa
Cm

Cm

Cm/Bb

Keyboard

cresc.

8 mp

Ka. Pa - ngi - no - on, ma - a - wa Ka. Pa - ngi - no - on, ma -
Fm Eb9 Fm9/D G

15

with CONGREGATION 2nd time to

a - wa Ka, Ma - a - wa Ka sa a - -

Ab

Ab/G Fm7 Gsus G Fm7 G

CANTOR
23 cresc.

mf espress.

Kris - to, ma - a - wa Ka.

min.

Cm Cm/Bb 3 Ab Eb/G

mf

© Copyright 2007 Alejandro D. Consolacion II
Published/owned by the Manila Cathedral-Basilica
56

29

Kris - to, ma - a - wa Ka. Kris - to, ma -

Fm G/F Eb9 Fm/D G

35

dim.

with CONGREGATION

a - wa Ka. Ma - a - wa Ka sa a - - -

Ab Ab9 Fm7 Gsus4 G7 Fm7 G

p
43

min.

Cm

47

min.

Cm9

Cm

57
Papuri Sa Diyos CANTOR AND
CONGREGATION

Jubilant ( q. = c. 70 )

1. 2. mf

Voices
Pa -

Eb Bb/Eb Ab/Eb Eb Eb

Keyboard mf marcato

6

ANTIPHON

pu - ri sa Diyos sa ka - i - ta - a - san, at sa lu - pa'y ka - pa - ya - pa - an. Pa -

Eb

Eb/d Cm7

Cm/Bb
Ab

Eb/G Db/F

Ab/Eb
Bb7

mp

14

cresc.

pu - ri sa Diyos sa Ka - i - ta - a - san at sa lu - pa'y ka - pa - ya - pa -
Ab

Eb Eb/d Cm7 Eb/Bb Fm Gm7 Eb9/Bb Fm/Bb Bb4

cresc.

22

CANTOR

an. 1. At sa

CANTOR

2. Pa - ngi -
Eb

Bb/Eb
Eb Bb Eb Bb/D
Ab/Eb
Eb
Ab/C

mf marcato

58 30

lu - pa'y ka - pa - ya - pa - an sa ma - nga ta - ong may ma - bu - ting ka - lo - o - ban.

no - ong Diyos, Ha - ri ng La - ngit, Diyos A - mang Ma - ka - pang - ya - ri - han sa la - hat.

Eb Ab/Eb Eb Ab/C Bb Eb

mf

37

Pi - nu - pu - ri Ka na - min, Di - na - ra - ngal Ka

Pa - ngi - no - ong He - su - kris - to, bug - tong na A -

Ab/Eb Bb7 Eb Ab/C Eb/Bb Db/F

44

f with CONGREGATION

na - min, Si - na - sam - ba Ka na - min, Ni - lu - lu - wal -

f with CONGREGATION

nak. Pa - ngi - no - ong Diyos, Kor - de -
Gm Ab Cm

Bb Cm

f

59

51

cresc.

ha - ti Ka na - min, Pi - na - sa - sa- la - ma - tan Ka na - min da - hil

f

ro ng Diyos, A - nak ng A - ma, A -
Gm

Ab

Fm7
Ab/G Eb/G

58

ff

sa da - ki - la Mong kal - wal - ha - ti - an.

ff

nak ng A - ma.
Ab

Fm7 Bb Eb
Ab/G
Bb/D

mf marcato

64

to ANTIPHON

to ANTIPHON

Ab/C
Eb Bb
Eb Bb/D Ab/C Eb

60

Andantino ( q. = c. 52 )

70 CANTOR p

I - kaw na nag - a - a - lis ng ma -

Ebm Bbm/Eb Ebm Db/Eb Ebm Bbm/Eb Ebm Db7/Eb Ebm Db/Eb Ebm

p legato

76

with CONGREGATION CANTOR

nga ka - sa - la - nan ng san - li - bu - tan, Ma - a - wa Ka sa a - min, ma - a - wa Ka sa a - min. I-

Ebm Abm/Eb Ebm Ebm/Db Cb Ebm/Bb Abm Ebm

with CONGREGATION
82

mf

kaw na nag - a - a - lis ng ma - nga ka - sa - la - nan ng san - li - bu- tan. Tang - ga - pin mo ang a - ming ka - hi - li ngan, tang - ga -

Ebm Db/Eb Ebm Ebm Db/Eb Ebm Abm Ebm/Bb

88 mf

CANTOR

pin mo ang a - ming ka - hi - li - ngan. I - kaw na na - lu - luk - lok sa ka - nan ng A - ma, ma -

Ebm

Abm Ebm/Gb Cb/Gb
Db/Eb Ebm Ebm Db/Eb Ebm

cresc. ff

61

CANTOR

95 with CONGREGATION mp rall.

a - wa Ka sa a - min, ma - a - wa Ka sa a - min. Ma - a - wa Ka sa a - min.

Cb/F Ebm Cb/F Ebm Cb/F Bbmsus4 Bb

mf

mp

CANTOR


102

1. 2. mf cresc.

3. Sa - pag - kat I - kaw la - mang ang ba - nal,

Eb Bb/Eb
Eb
Ab/Eb

Eb Eb Eb/Bb

Cm7

mf

mf marcato

110
mf

I - kaw la - mang ang Pa - ngi - no - on. I - kaw la - mang, O He - su - kris - to

Cm/Bb Fm7 Bb7 Eb Db Bb7 Eb Eb/D Cm7

f

f with CONGREGATION

118

ang ka - ta - as - ta - a - san. Ka - sa - ma ng Es - pi - ri - tu San - to,
Gm Ab
Eb/Bb Fm7 Bbsus4 Bb7 Cm

f

62

sa Ka - lu - wal - ha - ti - an ng Diyos A - ma, A -

Cm Gm Ab
Fm7

men, ng Diyos A - ma, A - men.
Eb/G

Ab
Fm7 Bb7 Eb
Ab/G

mf marcato

FINAL ANTIPHON
140 CANTOR and

CONGREGATION mf

Pa -

Bb/D Ab/C Eb Bb7 Eb Bb/D Ab/C Eb

147

pu - ri sa Diyos sa ka - i - ta - a - san, at sa lu - pa'y ka - pa - ya -
Eb/D Ab/C Eb/Bb Fm7
Db/Ab

Eb

63

153

cresc.

pa - an. Pa - pu - ri sa Diyos sa Ka - i - ta - a - san at sa
Eb/Bb

Db7 Ab Bb Eb Eb/D Ab/C

159

lu - pa'y ka - pa - ya - pa - an.
Eb/G Ab Eb/Bb Ab/Bb

Eb
Fm7

Bb/D Eb
Ab/C

mf marcato

167

A- men,

Eb Bb/D Ab/C Eb Ab Eb4/G

174

a - men, a - men,

Fm7 Fm/Eb Db7

64

180

A - men!

Eb

Cb Eb9

sfz

ff

Alleluia


1. 2. CANTOR

Voices

Al - le -
Eb/Bb

Eb Bb/Eb Ab/C Eb

Keyboard

mf marcato

6

lu - ia, al - le - lu - ia, al - le - lu - ia.

Eb

Eb/D

Cm7 Eb/Bb Db

Ab/C Bb7 Eb

13

Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia.
Eb/D

Db Bb7 Eb Cm7 Eb/Bb Eb/G Ab Bb7 Eb

65

CANTOR and
21

CONGREGATION

Fm7 Eb/Bb Ab
Eb/G

Db/Eb Db/Bb Eb

27 to 2nd ending

lu - ia. Al - le - lu - ia, al - le - lu - ia, al -
Eb
Fm7 Gm7

Eb/G

Ab Bb7

Eb

Bb7

34

CANTOR

Cm7

le - lu - ia. Nag - wi - ka ang Pa - ngi - no - on, "Ma -

Fm7

Bb7

Eb Eb/D

Gm7 Ab

40

pa - lad ang ma - nga ta - ong nag - ti - ti - pon sa A - king Nga - lan." Al - le -

Eb/G

Cm7 Gm Ab Fm7

66
2nd ending

44

lu - ia. Al - le le - lu - ia.

Absus4 Eb/G Fm7 Bb7 Fm7 Bb7 Eb

Santo

Triumphantly ( q = c. 115 )

CANTOR

Voices
San - to, San - to, San - to. Pa -ngi -

Db Gb Db

Keyboard

7

no - ong Diyos na ma - ka -pang - ya - ri - han, Na - pu - pu - no ang la - ngit at lu - pa

Gb Db Db/C Bbm Fm7

CANTOR and
14

CONGREGATION

ng ka - lu - wal - ha - ti - an Mo. Ho - sa - na, ho - sa - na sa

C# E/G# Absus4 Ab7 Db

67

21 CANTOR

ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa ka - i - ta - a - san. Pi - nag - pa - la
Ab

Gbm Db Gbm Gb Ab Bbm

28

ang na - pa - ri - ri - to sa Nga - lan ng Pa - ngi - no - on.

Fm7 E/G# C# Absus4

CANTOR and
34

CONGREGATION


Ab7 Db Ab/Db Gbm Ab Db

40


Ab Gbm Db

68
Misteryo ng Pananampalataya / Dakilang Amen

CANTOR CONGREGATION CANTOR

Voices

Si Kris - to ay na - ma- tay. Si Kris - to ay na - ma- tay. Si Kris - to'y na -
A - men, a - men. A - men, a - men. A - men, a -

Keyboard

7

CANTOR

CONGREGATION

bu - hay. Si Kris - to'y na - bu - hay. Si Kris - to ay ba - ba - lik sa wa -
men. A - - men, a - men. A - men, a - men. A -

12 CONGREGATION

kas ng pa - na - hon. Si Kris - to ay ba - ba - lik sa wa - kas ng pa - na - hon.
- men, a - men. A - men, a - men, a - men, a - men.

69
Ama Namin

CANTOR and
Andante ( q = c.67 ) CONGREGATION

Voices
A - ma na - min, su - ma - sa -
Bbm9 Bbm Ebm7/Bb Bbm9 Bbm Ebm7Bb Bbm9 Bbm

Keyboard

6

la - ngit Ka, Sam - ba - hin ang Nga - lan Mo. Ma - pa - sa - a - min ang ka - ha - ri - an Mo,
Fsus4/Bb F/Bb F/Bb Bb Bb/D Ebmsus4 Ebm

11

Sun - din ang lo - ob Mo, di - to sa lu - pa pa - ra ng sa la - ngit. Big - yan Mo po ka - mi nga -
Ab7 DbM7 EbM7 Fmsus4 F Bb

16

yon ng a - ming ka - ka - nin sa a - raw - a - raw. At pa - ta wa - rin Mo ka -
Bb/D Eb Cm Ebm/C Bb/D Asus4 A7

70

20

mi sa a - ming ma - nga sa - la, pa - ra nang pag - pa - pa -ta - wad na-min sa nag - ka - ka - sa - la sa a - min. At

Dm

C
F Bb9 Bb#4

Eb/Bb

Ebm/Bb

26

h'wag Mo po ka - ming i - pa - hin - tu - lot sa tuk - so, at i - ad -
Bb/F Eb/G Bb/D Eb/G

30

ya Mo ka - mi sa la - hat ng ma - sa - sa - ma, sa la -

Dm7 Gm Dm7 Gm

34

hat ng ma - sa - sa - ma.
Eb9 Ebm9 Bb

F/A
Eb/G
Ebm/Gb

Bb

Aklamasyon sa Ama Namin 71

CANTOR and
Andante ( q = c.67 )

CONGREGATION

Voices
Sa - pag - kat sa 'yo nag - mu -mu - la ang ka - pang - ya - ri - han at kal - wal - ha - ti - an, mag -
Eb/F F7 Bb9 Bbaug Eb/Bb Eb/Bb

Keyboard

6

pa - sa - wa - lang hang - gan. A - men, A - men.

Bb

Bb/A

Eb/G
Ebm7

Bb

Bb/F Eb F7

Kordero Ng Diyos

Andante religioso ( q. = ca. 42 )

CANTOR

Voices

Kor - de - ro ng Diyos na nag - a - a - lis ng ma -

Ebm Abm/Eb Ebm Abm Eb Db/Eb Eb Db/Eb

Keyboard

72

CONGREGATION

5

nga ka - sa - la - nan ng san - li - bu - tan, Ma - a - wa Ka, ma - a - wa Ka sa a - -

Eb Db Gb Bb Abm Eb/Gb Ab/Eb Cb Bb7

1.
CANTOR

10 2.

min. Kor - min. Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa - la- nan ng

Ebm Ab7 Eb Ab/Eb Eb9 Fm Eb/G Ab Eb/Bb Fm7

CONGREGATION

15

san - li - bu - tan, I - pag - ka - lo - ob Nin - yo sa a - min ang ka - pa - ya - pa -

Eb/G Bb Fm7
Eb/G

Ab Abm Eb/Bb Ab/Bb

20

an.

Eb Ab/Eb Eb Ab Ebm Cb Eb2

That in all things, God may be glorified!!!
August 28, 2007
73
Mary Crowned with Living Light
ENTRANCE HYMN
Words
Wordsfrom
from Stanbrook
Stanbrook Abbey
Abbey
Additional words by
additional words byJean
JeanC.
C.Arevalo
Arrevalo Alejandro D. Consolacion II
Moderato semplice ( q = 100 )

Bb F/A Gm Gm/F Eb F Bb D D/F#

Voice
1. Ma - ry crowned with li - ving light, Tem - ple of the Lord, Place of peace and
2. Vir - gin Mo - ther of our God, Lift us when we fall, Who were named, u -

Keyboard

6 Gm Gm/F C/E F Db Gb/Bb Ab Ebm7 Ab

ho - li - ness, Shel - ter of the Word. Mys - te - ry of sin - less life, In our fal - len

pon the Cross, Mo - ther of us all. Fa - ther, Son and Ho - ly Ghost, Hea - ven sings your

12 Db F/C Dm Gm C7 F9 F7

race, Free from sha - dow, you ref - lect ple - ni - tude of grace.
praise, Ma - ry mag - ni - fies Your name through e - ter - nal days.

17 Bb Bbaug Eb Cm7 F7 Bb9/D Bb/D Eb F/Eb Bb/D Eb

Ma - ry crowned with li - ving light, Hand - maid of the Lord, Cho - sen Mo - ther of His Son,

© Copyright 2007 by Alejandro D. Consolacion II
Published/owned by Manila Cathedral-Basilica
74

23 Bb/F F7 Bb Eb F/Eb Bb/D Eb Bb/F F7 Bb

Sa - viour of us all. Ma - ry, Mo - ther of His Son, Cho - sen from us all.

Remember O Mary, Immaculate

OFFERTORY HYMN
Text
Textbased
based on
on St.
St. Bernard’s “Memorare”
Bernad's "Memorare"
Paraphased
ParaphrasedbybyMsgr.
Msgr.Nestor
NestorCerbo
Cerbo Alejandro D. Consolacion II

Allgro e legato semplice ( q = 130 )
1. 2. D

Verse 1

Re - mem -ber O

1. 2.

7 G/B A/C# D G/B A D G/B

Ma - ry Im - ma - cu - late Vir - gin, that ne - ver was it known, that

14 D G/B A/C# D G/B A7 D D7

a - ny - one who comes to your pro - tec - tion was left un - as - sis - ted. O

75

22 G A/G F#m7 Bm7 C G/B Em7

Ma - ry con - ceived with - out sin, pray for us who have re -

29 A7 D7 G A/G F#m7 Bm7 C

course to you. O Ma - ry con - ceived with - out sin, pray for

35 G/B Em7 A7 D Verse 2

us, us.

pray for With

42 D G/B A D G/B A

such great con - fi - dence, Im - ma - cu - late Mo - ther, to you we humb - ly

48 D G/B D G A D

come. Im - ma - cu - late Vir - gin, be - fore you we stand,

76

54 G A7 D D7 Refrain D

sin - ful yet sor - row - ful. O us.

Holy Mother of our Saviour

COMMUNION HYMN
Words by Jean C. Arevalo
Moderato e dolce = ( q = 85 )
Eb Bb/D Cm Cm/Bb Ab C/G Fm7 Bb7

Verse 1

Ho - ly Mo - ther of our Sa - viour, the Spi - rit dwells in you, Oh,how

6 Eb/G Ab Gm7 Cm Db Ab/C Bbsus7 Bb7 Eb Bb/D

great is your beau - ty and the grace be -stowed on you. Ho - ly Mo - ther of our

11 Cm Fm Bb Eb/G Ab Gm7 Cm

Sa - viour, Bles - sed are you, from a - mong all wo - men,

Refrain 77

16 Fm Bb7 Eb Ab Eb/G Ab Eb/G

God had cho - sen you. O Bles - sed Ma - ry, your faith is e - ver - las - ting, re -

22 Gsus4 G7 Cm F Bb Bb7/Ab Gb

mai - ning e - ver vir - gin, your heart im - ma - cu - late. O Bles - sed

2nd time to

27 Ebm Abm Abdim Db7 Eb/G Ab Gm7 Cm

Ma - ry, Mo - ther of God, Lead us with your gen - tle hand to

32 Fm Bb7 Eb Verse 2 Eb Bb/D Cm Cm/Bb

Christ, His On - ly Son. Ho - ly Mo - ther of our Sa - viour, we

37 Fm Bb Eb/G Ab Eb/G Cm Db

ask your in - ter - ces - sion, Come and help your chil - dren, who seek to rise from

78
42 Bb Eb Bb/D Cm Fm Faug

shame. Ho - ly Mo - ther of our Sa - viour, Bles - sed are

46 Bb Eb/G Ab Eb/Bb Cm7 Fm7 Bb

you, from a - mong all wo - men, God had cho - sen

50
Coda
Eb Fm Eb/G Ab Abdim Eb

you. Christ, His On - ly Son.

Holy Mary, Now We Crown You

FINAL HYMN
Words by Melvin Farell, S.S. Alejandro D. Consolacion II
Andante ( q = 90 )
F Bb/D C F F/A Bb G/B C

1. Glo - rious Queen, look down in kind - ness, while be - fore your throne we stand,
2. Gate of Hea - ven you were Mo - ther, to the King of heav'n and earth.
3. Queen of Man - kind, while cre - a - tion speaks the gran - deur of God's love.

79
5 A/C# Dm C/E F Bb F/A Bb F/C C7 F F/Eb

Bring God's bles - sing to your chil - dren, Watch our homes and guard our land.
Now be Mo - ther to your sub - jects, In our souls give Je - sus birth.

Mold our hearts to seek His glo - ry 'til we reach our home a - bove.

Refrain
9 Bb/D Eb F7 Bb Gm Dm7 Gm7 C7 F


13 Bb/D Eb Cm7 F D Eb F Bb


that in all things God may be glorified!!!
October 2007
SELECTED SACRED WORKS OF ALEJANDRO D. CONSOLACION II
CHURCH ANTHEMS May God Guide Each Step

IRU0L[HGYRLFHVRUJDQ
Aba Ginoong Maria
IRU0L[HGYRLFHVXQDFFRPSDQLHG O Salutaris Hostia
IRU0L[HGYRLFHVXQDFFRPSDQLHG
Alleluia IRU66$RUJDQ
Pater Noster
Ave Regina Coelorum IRU0L[HGYRLFHVXQDFFRPSDQLHG
IRU7UHEOHYRLFHVVWULQJV IRU66$$XQDFFRPSDQLHG
Version for mixed voices is different for treble voices
Behold the Wood of the Cross
IRU0L[HGYRLFHVNH\ERDUG Pange Lingua
Dona Nobis Pacem IRU66$XQDFFRPSDQLHG
IRUSDUWFKRLUSLDQRRURUFKHVWUD
Regina Coeli
Cantate Domino IRU7UHEOHYRLFHVVWULQJV
IRU6$7%NH\ERDUGRURUFKHVWUD
IRU66$NH\ERDUGRURUFKHVWUD Salve Regina
Materials for orchestra is suitable for both versions IRU66$$XQDFFRPSDQLHG
Christ our Light Sing to the Lord

IRU7UHEOHYRLFHV IRU6$NH\ERDUG
Child’s Prayer Tantum Ergo

IRU6$7%XQDFFRPSDQLHG IRU6$7%XQDFFRPSDQLHG
IRU66$RUJDQ
*RGRI,Q¿QLWH&RPSDVVLRQ
IRU6$7%RUJDQRUVWULQJVDQGKDUS Veni Creator Spiritus
IRU66$RUJDQ IRU6$7%XQDFFRPSDQLHG
I Will Magnify Thee, O God and my King Worship the Lord in Beauty of Holiness
IRU6$7%RUJDQRURUFKHVWUD IRU0L[HGYRLFHVRUJDQ
IRU66$RUJDQRURUFKHVWUD
Materials for orchestra is suitable for both versions MUSIC FOR THE EUCHARIST AND SERVICES
Kyrie Mass of St. Scholastica
IRU66$SLDQRRURUFKHVWUD IRU6$7%RU66$SLDQRRURUFKHVWUD
IRU6$7%SLDQRRURUFKHVWUD
Misa ng Pagbabalik-loob
Let Christ Into Your Life IRU8SSHUYRLFHVSLDQR
IRU6$NH\ERDUGRURUFKHVWUD
Music for the Holy Eucharist, No. 1
Lord God, our Father IRU&RQJUHJDWLRQRUJDQ
IRU6$7%RUJDQRURUFKHVWUD
IRU66$RUJDQRURUFKHVWUD Music for the Holy Eucharist, No. 2
Materials for orchestra is suitable for both versions IRU&RQJUHJDWLRQRUJDQ
Lord Jesus, Sun of Righteousness Nuct Dimitiis

IRU0L[HGYRLFHVRUJDQ IRU6ROR%DULWRQHDQG&KRLURUJDQ
Mary’s Lullay Te Deum

IRU0L[HGYRLFHVRUJDQRUVWULQJV IRU0L[HGYRLFHVZLWKEUDVVSHUFXVVLRQVDQGRUJDQRURUFKHVWUD
For Inquiries:
(+63915) 861-8013 / (+63920) 920-2289
(+63922) 825-5326 / (+63922) 837-5326
adconz@yahoo.com
ALEJANDRO D. CONSOLACION II enjoys his dual career
as Organist and Composer. He studied piano under the tutelage of
J. Greg Zuniega. Professor Armando Salarza also contributed to
his musicianship as his pipe organ teacher. He studied composition
under Manuel Maramba, OSB and Dr. Jonas Baes at the St.
Scholastica’s College, where he was a recipient of the Sister Baptista
Battig Music Scholarship.
AJ, as Consolacion is fondly called, is regularly invited to
write music for the International Bamboo Organ Festival, the San
Agustin Music Festival and the National Music Competition for
<RXQJ $UWLVWV 1$0&<$ +LV SUROL¿F FRPSRVLWLRQV YDU\ IURP
small to large-scale chorale works, music for solo instrument,
chamber music to orchestral and full length musicals. His chorale
works are widely performed not only in the Philippines but also
in the whole of Asia. His Alleluia (2002) was premiered by the
Asian Youth Choir at the Pablo Casals Hall in Tokyo, Japan and
was performed in and won Second Prize at the Sacred Polyphonic
Category by the University of the East Chorale at the 2003 Guido
d’ Arrezo Choir Competition held in Italy. Consolacion’s Child’s
Prayer (2006), Four Marian Antiphons (2005), Ave Verum
(2004), Dona Nobis Pacem (2004), Pater Noster (2002) and Three
Eucharistic Prayers of St. Thomas Aquinas (2001) are among the
chorale works well-loved and popularly included in the repertoires
of Filipino choirs. Harmonia Ltd. in Japan did publications of his
music. His music for Violin and Piano Nocturne (2005) and Tanz
(2005) were commissioned competition pieces for the NAMCYA.
AJ has been the composer-in-residence for and accompanist of the
Mandaluyong Children’s Choir since 2004. The Las Piñas Boys
Choir, who regularly commissions him, premiered most of his
works for treble voices during the yearly International Bamboo
Organ Festival.
As an Organist, he was invited to perform for her Royal Highness
4XHHQ6R¿DRI6SDLQGXULQJKHUYLVLWWR0DQLODLQ+HUHJXODUO\
performs as a pianist, organist, accompanist and conductor for small
and large crowds here and abroad. He held the position as Organist
for the Spanish Baroque Organ at the San Agustin Church (1999-
2001) in Manila and the Church of the Holy Trinity in Forbes Park,
Makati (2001-2007). Presently, he is the Titular Organist of the
Union Church of Manila and Sub-Organist at the Sanctuario de San
Antonio Church in Forbes Park, Makati and the Manila Cathedral in
Intramuros where he also teaches and trains organists.
AJ is widely known and respected for his gift of
improvisation attributed to his lush harmonies,
chant-like melodies and witty syncopated
rhythms, which give his works a
unique spiritual language.
Cathedral-Basilica of the Immaculate Conception

Cabildo cor. Beaterio, Intramuros, Manila
Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192
Mobile: 0917.400.9131, 0928.743.0067
E-mail: mlacathedral@yahoo.com, mlacathedral@hotmail.com
www.manilacathedral.org

Misa Immaculada Concepcion

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NIHIL OBSTAT: Rev. Fr. Leo Nilo C.

IMPRIMATUR: + Gaudencio B. Cardinal Rosales, D.D.

DATE: 30th October, 2007

for cantor, congregation and mixed voices;

Copyright © August 2007 by Alejandro D. Consolacion II

© Alejandro D. Consolacion II 2007

All rights reserved. No part of this publication may be reproduced, stored in a

Permission to perform or to record the works (except in the course of divine

First published 2007

(a) Large Ensemble:

MISA INMACULADA CONCEPCION

Aklamasyon sa Ama Namin 34 71

Mary Crowned with Living Light (QWUDQFH+\PQ 38 73

Remember, O Mary Immaculate 2IIHUWRU\+\PQ 41 74

Holy Mother of our Savior &RPPXQLRQ+\PQ 44 76

Holy Mary, Now We Crown You )LQDO+\PQ 48 78

Our invitation continues and we await more responses.

(SGD.) MSGR. NESTOR CERBO

(SGD.) LEO RENIER

MISA INMACULADA CONCEPCION

         

                       

CHOIR and ANTIPHON

   

182 Andantino ( q. = c.52 )

   

                     

                        

        

                        

lu - pa'y ka - pa - ya - pa - an. Pa - pu - ri sa Diyos sa

   

      

           

              

lu - - ia. Al - le - lu - ia, al - le - lu - ia.

        

     

Si Kris - to ay ba - ba - lik sa wa - kas ng pa - na - hon.

A - ma na - min, su - ma - sa - la - ngit Ka,

ma, sa la - hat ng ma - sa - sa - ma.

Aklamasyon sa Ama Namin

Kor - de - ro ng Diyos na nag - a - a - lis ng ma - nga ka - sa - la -nan ng

with CONGREGATION CANTOR

Allegro e legato semplice ( q = ca.130 )

               

        

MISA INMACULADA CONCEPCION

           Ab   

                  

140 CANTOR and

            Eb/Bb 

Eb/G   Ab    Eb/Bb  Ab/Bb       

                

  

    

San - to, San - to, San - to. Pa -ngi -

Fsus4/Bb F/Bb F/Bb Bb Bb/D Ebmsus4 Ebm

Bb/F Eb/G Bb/D Eb/G

Eb/F F7 Bb9 Bbaug Eb/Bb Eb/Bb

Moderato semplice ( q = 100 )

Remember O Mary, Immaculate

Holy Mother of our Saviour

46 Bb Eb/G Ab Eb/Bb Cm7 Fm7 Bb

Ab

Eb/Bb

Eb/G Ab Eb/Bb Ab/Bb