At Kami’y Aawit…

Karaniwang Panahon (ika-10 hanggang ika-33 Linggo)

Kinalap at Tinipon ni:

Presbitero Don Ral Jaden C. Paguergan
 DIOCESE OF ANTIPOLO
Diocesan Committee on Liturgical Music
National Shrine of Our Lady of Peace & Good Voyage
dela Paz St., Antipolo City 1870
Tel. No. 697-0274

REPERTOIRE Karaniwang Panahon [Linggo]

Introit Tayo na’t Magdiwang (Salmo 121-123) – Arnel dC. Aquino, SJ

Kyrie Panginoon, Kaawaan Mo Kami – Fr. Lordencio Honrada
Gloria Luwalhati sa Diyos – Nicolas Matias V. Sengson, SVD
Alleluia Aleluya (Wikain Mo) – Manuel V. Francisco, SJ
Offertorio Paghahandog (Misa ng Kapayapaan) – Lucio D. San Pedro
Sanctus Santo (Misa ng Bayan sa Awit) – Eduardo P. Hontiveros, SJ
Anamnesis Si Kristo ay Gunitain – Felipe Fruto Ll. Ramirez, SJ
Amen Amen (O Bayan ng Diyos) – Arnel dC. Aquino, SJ
Pater Noster Ama Namin (Misang Pilipino) – Eduardo P. Hontiveros, SJ
Embolismo Sapagkat (Misang Pilipino) – Eduardo P. Hontiveros, SJ
Agnus Dei Kordero ng Diyos (Misa Kaharian ng Diyos) – Victor Eclar Romero
Communio Tema ng Ebanghelyo
Extroit Hunyo Awitin ng Diyosesis ng Antipolo – Lucio D. San Pedro
Extroit 1 Linggo * Birhen ng Antipolo – Eduardo P. Hontiveros, SJ
2 Linggo * Ina ng Kapayapaan at Mabuting Paglalakbay – Serving de Leon
3 Linggo * Pasalamat sa Mahal na Birhen ng Antipolo – Emil Feliciano
4 Linggo * Awitan si Maria – Sr. Ma. Anunciata Sta. Ana, SPC
5 Linggo * Patron ng Antipolo – Ferdie V. Catolico

____________________________________________________________________________________________________________
FB Group: Diocesan Committee on Liturgical Music – Antipolo
E-mail Address: dclma.1870@gmail.com
 DIOCESE OF ANTIPOLO
Diocesan Committee on Liturgical Music
National Shrine of Our Lady of Peace & Good Voyage
dela Paz St., Antipolo City 1870
Tel. No. 697-0274

REPERTOIRE Ordinary Time [Sunday]

Introit Come to the Table – Barbie Dumlao
Kyrie Prayer for Mercy (Lord, Have Mercy) – Ray Repp
Gloria Glory to God (Mass of Christ the Savior) – Daniel L. Schutte
Alleluia Alleluia (Mass of Christ the Savior) – Daniel L. Schutte
Offertorio Our Offering (Misa Figuracion) – Fr. Randy A. Figuracion, SDB
Sanctus Holy (Light from Light) – Manuel V. Francisco, SJ
Anamnesis When We Eat this Bread (Light from Light) – Manuel V. Francisco, SJ
Amen Amen (O Bayan ng Diyos) – Arnel dC. Aquino, SJ
Pater Noster Our Father (San Carlos Seminary)
Embolismo For the Kingdom – Lucien Deiss, CSSp
Agnus Dei Lamb of God (San Carlos Seminary) – Jamieson R. Casacop
Communio Gospel Theme
Extroit Hunyo Awitin ng Diyosesis ng Antipolo – Lucio D. San Pedro
Extroit 1st Sunday * Birhen ng Antipolo – Eduardo P. Hontiveros, SJ
2nd Sunday * Ina ng Kapayapaan at Mabuting Paglalakbay – Serving de Leon
3rd Sunday * Pasalamat sa Mahal na Birhen ng Antipolo – Emil Feliciano
4th Sunday * Awitan si Maria – Sr. Ma. Anunciata Sta. Ana, SPC
5th Sunday * Patron ng Antipolo – Ferdie V. Catolico

____________________________________________________________________________________________________________
FB Group: Diocesan Committee on Liturgical Music – Antipolo
E-mail Address: dclma.1870@gmail.com
 DIOCESE OF ANTIPOLO
Diocesan Committee on Liturgical Music
National Shrine of Our Lady of Peace & Good Voyage
dela Paz St., Antipolo City 1870
Tel. No. 697-0274

REPERTOIRE Communio B
10th Sunday Hesus ng Aking Buhay – Arnel dC. Aquino, SJ
June 10, 2018 In Him Alone – Manuel V. Francisco, SJ
11th Sunday Pananampalataya – Vicente de la Rosa
June 17, 2018 Holy Darkness – Daniel L. Schutte
12th Sunday Hayaan (Hayaan, Mo Panginoon) – GEN, Philippines
June 24, 2018 Pastoral – Manuel V. Francisco, SJ
13th Sunday Awit ng Paghilom – Arnel dC. Aquino, SJ
July 1, 2018 If I Could Touch You – Manuel V. Francisco, SJ
14th Sunday Liwanagan Mo Hesus – Arnel dC. Aquino, SJ
July 8, 2018 Christ, Be Our Light – Bernadette Farrell
15th Sunday Pagtawag at Pagtugon – Fr. Lordencio D. Honrada
July 15, 2018 Here I Am, Lord – Daniel L. Schutte
16th Sunday Salmo 23 – Arnel dC. Aquino, SJ
July 22, 2018 You Are My Shepherd – David Haas
17th Sunday Tinapay ng Buhay – Manuel V. Francisco, SJ
July 29, 2018 Anima Christi – Jandi Arboleda
18th Sunday Tinapay na Handog – Lucio D. San Pedro
August 5, 2018 Hidden God Devoutly I Adore You – Ferdinand M. Bautista
19th Sunday Iesu, Panis Vitae – Manuel V. Francisco, SJ
August 12, 2018 I Am the Bread of Life – Sr. M. Suzanne Toolan, SM
20th Sunday Isang Bansa – Eduardo P. Hontiveros, SJ
August 19, 2018 One Bread, One Body – John B. Foley, SJ
21st Sunday Sa ‘Yong Piling – Marius C. Villaroman
August 26, 2018 Lead Me, Lord – Nathanael Arnel de Pano
22nd Sunday Dunong ng Puso – Marius C. Villaroman
Sept. 2, 2018 O God, You Search Me – Bernadette Farrell
23rd Sunday Awit ng Paghilom – Arnel dC. Aquino, SJ
Sept. 9, 2018 If I Could Touch You – Manuel V. Francisco, SJ
24th Sunday Kung ‘Yong Nanaisin – Manuel V. Francisco, SJ
Sept. 16, 2018 Gathered In the Love of Christ – Marty Haugen

____________________________________________________________________________________________________________
FB Group: Diocesan Committee on Liturgical Music – Antipolo
E-mail Address: dclma.1870@gmail.com
 DIOCESE OF ANTIPOLO
Diocesan Committee on Liturgical Music
National Shrine of Our Lady of Peace & Good Voyage
dela Paz St., Antipolo City 1870
Tel. No. 697-0274

25th Sunday Ang Lahat Para sa Ati’y Likha ng Diyos

Sept. 23, 2018 Pilgrim’s Theme – Manuel V. Francisco, SJ
26th Sunday Pag-aalay ng Sarili – Lionel Z. Valddellon
Sept. 30, 2018 How Beautiful – Twila Paris
27th Sunday Panunumpa – Jboy Gonzales, SJ
October 7, 2018 Love Never Fails – David Haas
28th Sunday Naririto – Steven C. Zabala
Oct. 14, 2018 Love and Sacrifice – Fr. Carlo Magno S. Marcelo
29th Sunday Napakadakilang Pag-ibig – Fr. Bienvenido Guevara
Oct. 21, 2018 Your Heart Today – Manuel V. Francisco, SJ
30th Sunday Buksan – Mimo Perez
Oct. 28, 2018 Are You There, Dear Lord – Jamieson R. Casacop
31st Sunday Diyos ay Pag-ibig – D. Magalon, Jr.
Nov. 4, 2018 Love is the Answer – Raymond R. Hannisia
32nd Sunday Ang Mabuhay sa Pag-ibig – Eduardo P. Hontiveros, SJ
Nov. 11, 2018 I Love the Lord – Arnel dC. Aquino, SJ
33rd Sunday Sa Diyos Lamang Mapapanatag – Nemesio S. Que, SJ
Nov. 18, 2018 My Soul Finds Rest – Arnel dC. Aquino, SJ

____________________________________________________________________________________________________________
FB Group: Diocesan Committee on Liturgical Music – Antipolo
E-mail Address: dclma.1870@gmail.com
Tayo na't Magdiwang (Salmo 121-123)
Musika:
Arnel dC. Aquino, SJ

                

 
C G/C F/C C F C /E D m7 G

    
9 C G/C F/C C F C/E

         

      
  
Ta - yo na't mag - di - wang! Ma - li - ga - yang tu - ngu - hin dam -

9

Ta - yo na't mag - di - wang! Pu - -

       
15 D m7 G C G/C F/C G/C F

      

      
ba - na ng D'yos! Sa Kan - yang ta - ha - nan la- hat ta - yo'y tang -
         
15


ri - hin ang D'yos! Sa Kan - yang ta - ha - nan la- hat ta - yo'y tang -

         
C /E Dm G C F/C G/C F/C F/C C

  
22

  

gap at pa - wang mi - na - ma -hal Niya.

      
22

     
gap at pa - wang mi - na - ma -hal Niya.



         
F G/F C/E G m7 C7 F B

    
29

  
    
1.Ta - yo na at mag-da - sal na mag- ha - ri sa ta - nan ang ka - ta -ta -
D /F  B

               
E7 Am A m7/G F/A F/G G


38


gan, ka - pa - ya - pa - an sa hi-rang N'yang sam - ba - ya - nan!
 Tayo na't Magdiwang (Salmo 121-123)

     
F G/F C/E G m7 C7 F B

      
47

   
     
2.Diyos na-ti'y la-ging tang - law Sa a-raw Siya'y li - wa - nag. Si -nag na -
D/F  B
              
 
56 E7 Am A m7/G F/A F/G G

 
man ng buwan mag-da - mag at I- law mag - pa-kai-lan - man!


    
F G/F C/E G m7 C7 F B

       
65

   
    
3.'Di Niya pa - ba - ba - ya - an i- rog Niyang sam - ba - ya - nan. Tu-long Niya'y
D /F  B
              
   
74 E 7 Am A m7/G F/A F/G G

 
la- ging ma - a - a- sa - han, pag - i - big Niya'y la - ging ta - pat!


 
    
F G/F C /E G m7 C7 F B

     
83

    
    
4.I- big po na - mi'y ha - bag. At ang In - yong pa -ta - wad. Pag - ka - ka -
D /F  B
          
   
92 E 7 Am A m7/G F/A F/G G

   
ti - la'y li - mu - tin, at bu -hay na - mi'y tu - bu - sin!


F G/F C/E G m7
    C7 F B

         
101

   
     
5.A- ting i - pa - na - la - ngin sa t'wi-na'y ma - na - ti - li, pag - i - big
D/F  B
          
     
E7 Am A m7/G F/A F/G G

 
110


Niya sa pu -so na - tin. Kan - ya na - wa'y pag - a- la - bin.
 Tayo na't Magdiwang (Salmo 121-123) 3

F G/F
 
C /E G m7
    C7 F B

      
119

      
    
6.Bi- lin ni Kris - to He - sus Ta - yo ay mag - ma -ha - lan, Ta-yo'y Kan -
D/F  B
                   
   
128 E7 Am A m7/G F/A F/G G

yang ma-nga ka - i - bi - gan at su-go Niya sa ka - ha -ri - an!

E B /E  A /E  E A E /G

    
           
137

   Ma
          
137 Ta - yo na't mag - di - wang! - li - ga - yang tu - ngu - hin dam -

Ta - yo na't mag - di - wang! Pu -

B E B /E  A /E  B /E  A
        
      
143 F m7

 
                 
ba -na ng D'yos! Sa Kan - yang ta - ha - nan la - hat ta- yo'y tang -

 
143

ri - hin ang D'yos! Sa Kan - yang ta - ha - nan la - hat ta- yo'y tang -
E /G B E A /E  B /E  A /E  A /E  E 
             
  
150 Fm

      
gap at pa - wang mi - na - ma - hal Niya.

   
150

   
gap at pa - wang mi - na - ma - hal Niya.


          
Maaaring gamitin sa berso

  
 
157


           
Ooh... Ooh...
 
 
165


Ooh... Ooh...
Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Panginoon, Kaawaan Mo Kami
Musika at Areglo:
Rdo. P. Lordencio Honrada

F m
  D A
  
Bm
   
G

A A7

      

F m
 D

A

Bm G

A


9

              
Pa - ngi - no - on, Ka - a - wa - an Mo ka - mi. Pa - ngi - no - on,

   
D Bm G A D


15

              
Pa - ngi - no - on, Pa - ngi - no - on, Ka- a - wa - an Mo ka - mi.

F m

      
D A Bm G A

  
21

  
 
Kris - to, Ka - a - wa - an Mo ka - mi. Kris -

to,


21

           
 Kris - to, Ka - a - wa - an Mo

ka - mi. Kris

-

to,
 
 
21

      
     
Kris - to. Kris
 
- - to,
 
Kris - to,
 
Kris -
  
21

Kris - to. Kris - - to, Kris - to, Kris -

  D           
Bm G A D


28

 
 Kris -

- to, Kris - - to, Ka - a - wa - an Mo ka - mi.

28

           
 Kris - - to,
  
Kris

- -

to,
    
Ka - a - wa - an Mo ka - mi.
  
28


               
28 to Kris - to, Ka - a - wa - an Mo ka - mi.

to Kris - to, Ka - a - wa - an Mo ka - mi.

 Panginoon, Kaawaan Mo Kami

F m
       
D A Bm G

 
34

   
   
Pa - ngi - no - on, Pa - ngi - no - - - on, hah

              
34


 Pa -
 
ngi - no - on, Ka - a - wa - an Mo ka - mi. Pa -

ngi -


34

             
         
  
Pa - ngi - no - on, Ka - a - wa - an Mo ka - mi. Pa - ngi -
  
34

  
              
Pa - ngi - no - on, Ka - a - wa - an Mo ka - mi. Pa - ngi -

34

  
Pa - ngi - no - on, Ka - a - wa - an Mo ka - mi. Pa - ngi -

        
    
A D Bm G A D D sus D


40

  
            
Pa - ngi - no - on, hah hah Ka - a - wa - an Mo ka - mi.

      
40

  
 no - on,

Pa - ngi - no - on,

Pa - ngi - no - on, Ka - a - wa - an Mo ka - mi.
            
40

      
  no - on, 
               
Pa - ngi - no - on, Pa - ngi - no - on, Ka - a - wa - an Mo ka - mi.

40

  
       
       
no - on, Pa - ngi - no - on, Pa - ngi - no - on, Ka - a - wa - an Mo ka - mi.

      
40


no - on, Pa - ngi - no - on, Pa - ngi - no - on, Ka - a - wa - an Mo ka - mi.

Tanza, Cavite
Ika-24 ng Abril, 1986

Unang inawit ng Holy Cross Male Choir

Holy Cross Parish
Tanza, Cavite

Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Panginoon, Kaawaan Mo Kami
Musika: Rdo. P. Lordencio Honrada
Areglo: Notre Dame Music Ministry

F m
   D   A   
G

A7
   
D

A

Bm

    

            
Pa - ngi - no - on, Ka-a - wa - an Mo ka-mi.

 G

A D

Bm G

A D

 
5

                 
Pa - ngi-no - on, Pa - ngi-no - on, Pa - ngi - no - on, Ka-a - wa - an Mo ka-mi.
F m
  D 
   
A Bm G A D Bm G

 
9

           

   
Kris - to, Ka-a-wa - an Mo ka - mi. Kris - to, Kris - to, Kris -
   
9

            
 Kris - to, Ka-a-wa - an Mo ka - mi. Kris - to,

Kris - to, Kris -
            
9


 
                
9 Kris - to, Kris - to, Kris - to, Kris - to, Kris -

Kris - to, Kris - to, Kris - to, Kris - to, Kris-to,

F m
     
A D D D A Bm

  
14

          
14
 to, Ka-a-wa - an Mo ka - mi. Pa-ngi-no - on,

Pa - ngi

- no - - - -
                   
 to, Ka-a-wa - an Mo ka - mi. Pa -

ngi-no -

on, Ka-a - wa - an Mo ka-mi.
                  
14

      
to, Ka-a-wa - an Mo ka - mi. Pa - ngi-no - on, Ka-a - wa - an Mo ka-mi.
              
14

 
Ka-a-wa - an Mo ka - mi. Pa - ngi-no - on, Ka-a - wa - an Mo ka-mi.

  G  
           
A D Bm G A D


18

  
 on,

Pa - ngi - no -

- - - -

- on, Ka-a - wa - an Mo ka-mi. 
   
18

                 
  Pa - ngi-no - on,
   
Pa - ngi-no - on,
 
Pa - ngi-no -

on, Ka-a - wa - an Mo ka-mi.

              
18

  
   
Pa - ngi-no - on,

Pa - ngi-no - on, Pa - ngi-no - on, Ka-a - wa - an Mo ka-mi.

                 
18

   
Pa - ngi-no - on, Pa - ngi-no - on, Pa - ngi-no - on, Ka-a - wa - an Mo ka-mi.
Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Luwalhati sa Diyos
Musika:
Nicolas Matias Sengson, SVD
C 7/B 
    /G A m/F 
                  
C A D m D m7/C G/B Am

  

     
   
C/G G C C


         
5


Lu- wal - ha - ti sa Diyos sa ka - i - ta -

    
Em Gm A Dm G7

      
8

          

a - san! Ka - lo - ob sa lu - pa ay ka - pa - ya - pa - an. Pi- nu - pu - ri Ka't i - pi-nag -


                     
12 C D Am G G 7 C G

 
da - ra-ngal Si - na-sam - ba Ka da - hil sa da- ki - la Mong kal' - wal - ha - ti - an. Pa-ngi -

        
C Em Dm G C

  
16

           
no-on na-ming Diyos, Ha - ri ng la-ngit, A - mang ma-ka-pang - ya - ri - han. Pa-ngi-no -


                   
16

              
 

                       
20 Am F C Am D7 G9 G

ong He-su - Kris - to. Bug-tong na A - nak ng Diyos Kor-de-ro ng A - ma. I-


          
20

          
                

 
                     
24 F Em Dm G C 3

    
kaw na nag - a - a - lis ng ma-nga ka - sa - la - nan ng san - li - bu - tan. Tang - ga-pin

              
Am F C Am D7


27

     
Mo ang a - ming ka - hi - li - ngan. I - kaw na na - lu - luk - lok sa ka - nan


                  
27

     
 
A

               
30 G9 G Dm G C

        
ng A - ma, ma - a - wa Ka sa a - min. I - kaw la- mang ang ba-nal, Pa -

 
                        
30

     
  
B E A B

                 

34

 
ngi - no-ong He - su - Kris - to ka - sa - ma ng Es - pi - ri - tu sa l'wal -

                            
34


   
B
  
           
C F E Am D m7 G7 C C


38

ha - ti ng A - ma. A - men, A - men, A - men, A - men.

             
38

       
  

Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Luwalhati sa Diyos
Musika: Nicolas Matias V. Sengson, SVD
Re-arranged with permission: Elliot Jerome T. Eustacio

       A    
C 7/B 
   
  D  /C G/B
  
C Dm m7

A m /G A m/F 
       G     C
  

C/G C


       
4


Lu-wal - ha - ti sa Diyos sa ka - i - ta -

    
8 Em Gm A Dm D m/C

          

a - san at sa lu - pa ay ka - pa - ya - pa - an sa ma - nga

F G G7 C G7

 
11

            
3

    
ta - ong ki - na - lu - lug - dan Ni - ya. Pi - nu - pu - ri Ka na - min, i - pi-nag -

    
14 C C/B Am G7

          
3

 
da - ra-ngal Ka na - min, si - na - sam - ba Ka na - min, i - pi - nag -


       
C C /B Am D D7

    
16

     
bu - bun - yi Ka na - min, pi - na - sa - sa - la - ma - tan Ka na - min da - hil

   
G G7 G

 
18

       
sa da - ki - la Mong ang - king ka - pu - ri - han. Pa - ngi -


C Em Am Dm G

  
20

           

no - ong Diyos Ha - ri ng la - ngit, Diyos A - mang ma - ka-pang - ya -
 Luwalhati sa Diyos


                
23 C Am F C Dm C G


      
ri - han sa la-hat. Pa-ngi-no - ong He -su- kris - to, Bug - tong na A - nak, Pa-ngi-no -

             
Am D7 G F Em


28

        
ong Di -yos, Kor - de - ro ng A-ma. I - kaw na nag-a - a - lis ng ma-nga ka-sa -

   C      G  
     
31 D m G D

      
la - nan ng san - li - bu - tan, ma - a - wa Ka sa a - min. I-

          
F Em Dm G C

        
35 3

      
kaw na nag-a - a - lis ng ma-nga ka-sa - la-nan ng san - li - bu - tan. Tang ga-pin

                
38 Am F C Am D7

  
 
Mo ang a - ming ka - hi - li - ngan. I-kaw na na - lu - luk - lok sa ka - nan

A
 
                            
41 G Dm G C

  
3

ng A-ma, ma - a - wa Ka sa a-min. Sa-pag-kat I - kaw la -mang ang ba - nal I-

B E
  
        
45

    
3

 
kaw la - mang ang Pa - ngi - no - on, I - kaw la - mang,

A B E A
     
                
47

      
3

O He - su - kris -to, ang Ka - ta-as - ta - a - san, ka-sa-ma ng Es - pi - ri - tu

B B
            
          
51 C F E A m D m7 G7 C C


San- to sa ka - da - ki - la -an ng Diyos A -ma, A -men, a - men. A - men.
Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Aleluya (Wikain Mo)
Musika:
Manuel V. Francisco, SJ
G  m7
 
     
E A B7 E

     
  
A - le -
 C m F G  m7
   G 
   
m7 A B7 B7

  
6

             
 
lu - ya, A - le - lu - ya. Wi - ka-in Mo, Po - on, na -ki - ki - nig a - ko sa I-

            
6

 
A - le - lu - ya. A - le - lu - ya, ang I-
C  m7 F  m7 G  m7 C m F  m7
  
      
B B7 E

       
14

    
   
yong ma - nga Sa - li - ta. A - le - lu - ya, A - le - lu, a - le - lu - ya.
            
14

    
yong ma - nga Sa - li - ta. A - le - lu - ya, a - le - lu - ya.

B B

        
C F A m7 C7 Dm G C7

           
22

 
A - le - lu - ya, A - le-lu - ya. Wi - ka - in Mo, Po - on, na-ki-ki - nig a - ko
          
   
22

A - le - lu - ya. A - le - lu - ya,

 
            
       
31 A m7 D m7 G m7 C A m7 Dm G m7 C7 F

  
        
sa I - yong ma - nga Sa - li - ta. A - le - lu - ya, A - le - lu, a - le - lu - ya.

         
31

 
ang I - yong ma - nga Sa - li - ta. A - le - lu - ya, a - le - lu - ya.
B

         
F A m7 C7 F

  
40

  
Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Paghahandog (Misa ng Kapayapaan)
Batay sa Salmo 116:16, 17 Musika: Maestro Lucio D. San Pedro
Karagdagang Berso: P. Ral Jaden C. Paguergan
 A  B E
                      
Andante

    
E E

              

 1.Pa - ngi-no - on,

            
Pa - ngi-no - on, na - ri - ri - to a - kong in - yong a - bang ling - kod;
        
                       
   
A E A   
                       E   B   E
         
           
5

     
 Pa - ngi-no - on,  Pa - ngi-no - on,  ya-mang a - ko'y i - ni - lig - tas,
       
ki - na - li - nga't ti - nu - bos.
        
                        
     
5

    
     
 E A B
  A  
                    
10

  
      
                
A - ko nga - yo'y mag-ha - han - dog ng ha - ing pa - sa - sa - la -

             
10

     
E B B 7 E A   7 E

         
E B B

    
14

             
D.S. al Fine

 

      
mat. Ang han - dog kong pa - na - la - ngi'y sa I - yo ko i - la - la - gak

            
   
14

       

E A E  
                  
      

B E

             
19



 2.Pa - ngi-no - on,

    
                 
a - lay na - min, ti - na - pay na i - to'y ha - in sa 'Yong Al - tar;

                     
19

   
A E A E B E
                
                           
23

                    
 nag - mu - la  sa tri - go,  bu-nga i - to ng pag-ga - wa, tang - ga-pin Mo't bas - ba - san.
      
po
    
                             
23

    
     
 Paghahandog (Misa Kapayapaan)
 A E  
                     B  E
              
E

 
28

 
 3.Pa - ngi-no - on,
   
  

                 
a - lay na - min, ang A - lak na i - to'y ha - in sa 'Yong Al - tar;

                     
28

   
 E A   
         
                E  B  E 
A

              
32

           
 nag - mu - la po  sa u - bas,  ka - tas i - to na pi - ni - ga,
      
tang - ga-pin Mo't bas - ba - san.
        
                       
 
32

       
     
E A E  
             B  E
                         
37

           
 4.Pa - ngi-no - on,
          
han - dog na - min, ka - lo - ob na tu-lu - tan Mo u - pang ma - ging:

                       
              
37

   
 E A   
                E B  E 
             
A

           
41

  

 ang Ti-na - pay  ng  A - lak na 'toy nag-du - du - lot
      
bu - hay, ng I - yong Es - pi - ri - tu.
               
                      
41

         
 
E  E  
   A       B  E

                
              
46

  
 5.Pa
           
- ngi - no - on, la - an na - min, sa bu-hay na i - to lo - ob Mo ay sun - din.

            
                      
46

     
 E    
                A  E  B  E
                     
A

      
50

                  
 Pa - ngi - no - on, lu - god
       
na - min, pag-ling-ku-ran ang la-yu - nin na I - ka'y pag- ha - ri - in.
    
                               
50

      
     
 Paghahandog (Misa Kapayapaan) 3
    
                        
E A E B E

             
55

      
 6.Pa - ngi - no - on, da - la - ngin na - min, ya - ring

                   
pag - sa - mo't pag - hi - ling ay 'Yong ding - gin;

                         
55

     
A E  A E B E
              
                                 
59


 at ka - mi'y 'Yong  pag - pa - la - in,  ka - mi ay kup - ku- pin O Diyos A - ma na - ming bu - ti - hin.
         
                               
59

      
     
E  E B E
   A   

                        
     
64

      
 7.Pa
           
- ngi - no - on, tag - lay na - min, ma - nga a - lay u - pang a - ming guni - ta - in;

                     
                
64

     
A E  A E B E
         
                             
68

                  
 ang 'Yong bu - hay  na 'hi - na - in  u - pang la - hat pa - ta - wa - rin, sa - gi - pin at tu - bu - sin.
               
                             
68

    
     
E A E B E
      

                          
73


 8.Pa - ngi - no - on,
          
tang - ga - pin Mo na - ka - ya - nan ng I - yo pong sam -ba - ya - nan;

                    
              
73

   
A E A   
         E  B  E
  
      

 
    
                       
77

  
 ang ma - nga pi - nag - pa - gu - ran,  da - la sa I - yong ha - ra - pan,
       
sa - na po ay ka - lug - dan.
    
                        
 
 
77

        
     
Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Santo (Misa ng Bayan sa Awit)
Musika: Eduardo P. Hontiveros, SJ

  C 7  F B
    C7
               
F Dm F F

  
San - to, San - to, San - tong Pa-ngi-no-ong Diyos ng ma - nga huk - bo.
B

       
C7 F Gm C7

          
10

 
Na-pu-pu - no ang la - ngit at lu - pa ng ka - da - ki - la - an Mo.

B
  C7        
            
F F F


19

  
O - sa - na sa ka - i - ta - a - san. Pi-nag - pa - la ang na-pa-ri -

  Dm B
 
                    
27 Am Gm C F Dm C F

 
ri - to sa nga-lan ng Pa - ngi - no - on, O - sa - na sa ka - i - ta - a - san.

Kordero ng Diyos (Misa "Kaharian ng Diyos")

Musika: Victor Eclar Romero

 
              
C G/B A C/G m F C/E Dm G

    
38

      
Kor - de-ro ng D'yos na nag - a - a - lis ng ma - nga ka-sa - la-nan ng san- li - bu - tan, ma -

 
                              
47 F C/G G C
C/G F C/E C G/B Am

a - wa Ka sa a - min. Kor - de-ro ng D'yos na nag-a - a - lis ng ma - nga ka-sa - la-nan ng

 
                              
58 Dm G F G/B AC/G C/G G C C m

san-li - bu - tan, ma - a - wa Ka sa a - min. Kor - de-ro ng D'yos na nag- a - a - lis ng ma -

F C/E Dm G F C/G F C/G F G C

                               
69

nga ka-sa - la-nan ng san-li-bu - tan, i - pag-ka-lo - ob Mo sa a - min ang ka - pa - ya - pa - an.

Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Si Kristo ay Gunitain
Musika: Felipe Fruto Ll. Ramirez, SJ
Areglo: C. M. Zablan

  
         
G A D

   
E 7/G 
           
D G D G D A E m7

     
4

       
 Si Kris-to ay gu - ni - ta - in Sa - ri - li ay i - ni - ha - in bi-lang pag-
    
4

               

4
  Si Kris-to ay gu - ni - ta - in
            
Sa - ri -

li
   
ay i - ni - ha - in

bi - lang


   
      
Si Kris-to ay gu - ni - ta - in Sa - ri - li ay i - ni - ha - in bi - lang
      
4

    
Si Kris-to ay gu - ni - ta - in Sa - ri - li ay i - ni - ha - in bi - lang

F  m7
   
 
A B m7 E m7 A sus A7 G A

              
14

 
 
  
14 ka - i't i - nu - ming pi - nag-sa-sa - lu-han na - tin. Hang - gang sa S'ya'y du-ma-

              

 pag - ka - i't i - nu - ming pi - nag - sa - sa - lu-han na - tin. Hang - gang sa S'ya'y du-ma-
                
14

 
 
             
pag - ka - i't i - nu - ming pi - nag-sa - sa - lu-han na - tin. Hang - gang sa

 
14

   
pag - ka - i't i - nu - ming pi - nag - sa - sa - lu-han na - tin. Hang-gang sa S'ya ay

F  m7
 
                 
B m7 E m7 A7 D G A D

  
23

    
23
 ting, hang - gang sa S'ya'y du-ma - ting.
    
           


ting, hang - gang sa S'ya'y du-ma - ting.
          
23

    
         
S'ya'y du-ma - ting, hang - gang sa S'ya'y du-ma - ting.

   
23

   
du - ma - ting, hang-gang sa S'ya ay du - ma - ting.

Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Amen (O, Bayan ng Diyos!)
Musika:
Arnel dC. Aquino, SJ

             
  
C G/B Am E m/G F F/G G C

         
         
A - men. A - A - men. A - men. men.

 

 
A - men. A - men. A - men. A - men. A - men.
      
    
        
 
A - men. A - men. A - men.

A - men.
  
   A - men.
  
        
A - men. A - men. A - men.

   
A - men. A - men. A - men. A - men. A - men.

     
A - men. A - men. A - - - - men.

Dakilang Amen
Musika:
Teddy P. Magpayo, SVD

           
F G E Am F G7 C C7 F G E Am F G7 C

 
5


   -  - men.
     

A - men, A - men, A - A - men, A - men, A - men.

    
5

           
A - men, A - men, A - - - men. A - men, A - men, A - men.

    
5

A - men, A - men, A - - - men. A - men, A - men, A - men.

     
5

       
A - men, A - men, A - men. A - men, A - men, A - men.
Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Ama Namin (Misang Pilipino)
Musika at Areglo:
Eduardo P. Hontiveros, SJ

 
G C A7 D B7

               
       
     

 
Em Am C G/D D7 G

    
5

            
      

      
D7 D7

                          
C G
8


  
Ama na-min su-ma-sa - la-ngit Ka sam-ba - hin ang nga - lan Mo ma - pa - sa - a-min ang ka-ha-

         
8

             
         
   
Ama na-min su-ma-sa - la-ngit Ka sam-ba - hin ang nga - lan Mo ma - pa - sa - a-min ang ka-ha-

                           
8


Ama na-min su-ma-sa - la-ngit Ka sam-ba - hin ang nga - lan Mo ma - pa - sa - a-min ang ka-ha-

   
           
Em A7 D D7 G D7

            
14

     
 
              
ri - an Mo sun - din ang lo - ob Mo di - to sa lu - pa pa - ra ng sa la -
    
14

             
 
     
ri - an Mo sun - din ang lo - ob Mo di - to sa lu - pa pa - ra ng sa la -
            
14

           
ri - an Mo sun - din ang lo - ob Mo di - to sa lu - pa pa - ra ng sa la -

  
          
G C G C G

        
19

               
  
   
ngit. Big - yan Mo ka-mi nga - yon ng a-ming ka - ka-nin sa a - raw a - raw at pa - ta -
          
19

      
               
    
        
ngit. Big - yan Mo ka-mi nga - yon ng a-ming ka - ka-nin sa a - raw-a - raw at pa - ta -

             
19

         
ngit. Big - yan Mo ka-mi nga - yon ng a-ming ka - ka-nin sa a - raw-a - raw at pa - ta -
 Ama Namin (Misang Pilipino)

     
                      
D7 Em Am E7 Am D7 Em
24


           
wa - rin Mo ang a - ming ma - nga sa - la pa - ra ng pag - pa - pa - ta - wad na - min

24

                    
      
           
24 wa - rin Mo ang a - ming ma - nga sa - la pa - ra ng pag - pa - pa - ta - wad na - min

          
wa - rin Mo ang a - ming ma - nga sa - la pa - ra ng pag - pa - pa - ta - wad na - min

               
C


G C


G

   
28

                       


             
sa nag-ka - ka-sa - la sa a - min at h'wag Mo ka-ming i - pa-hin - tu-lot sa tuk-so at iad -

           
28

           

                   
sa nag-ka - ka-sa - la sa a - min at h'wag Mo ka-ming i - pa-hin - tu-lot sa tuk-so at iad -

    
28

           
sa nag-ka - ka-sa - la sa a - min at h'wag Mo ka-ming i - pa-hin - tu-lot sa tuk-so at iad -

       G 
             
C G/D D7 G D7

           
32

     

         
ya Mo ka-mi sa la - hat ng ma- sa - ma. Sa - pag - kat sa 'Yo nag-mu- mu - la ang ka - ha -
     
32

   
            

     
ya Mo ka-mi sa la - hat ng ma- sa - ma. Sa - pag - kat sa 'Yo nag-mu- mu - la ang ka - ha -

                           
32

ya Mo ka-mi sa la - hat ng ma- sa - ma. Sa - pag - kat sa 'Yo nag-mu- mu - la ang ka - ha -

               
         
D7 G C Am D7


G G

      
37

        

                   
ri-an at ka-pang-ya - ri - han at ang ka-lu - wal-ha - ti-an mag - pa-sa-wa-lang hang - gan.
    
37

        
          
ri-an at ka-pang-ya - ri - han at ang ka-lu - wal-ha - ti-an mag - pa-sa-wa-lang hang - gan.

                        
37

  
ri-an at ka-pang-ya - ri - han at ang ka-lu - wal-ha - ti-an mag - pa-sa-wa-lang hang - gan.

Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Ama Namin (Misa ng Sambayanan)
Musika:
Eduardo P. Hontiveros, SJ

        
  
G/B C Am D7 G

       

        
                   
C G E7 Am


5

 

A - ma na-min, su-ma-sa - la-ngit Ka, sam-ba - hin ang nga-lan Mo. Ma-pa-sa -

                    
5

   
    
       
A - ma na-min, su - ma-sa - la-ngit Ka,
 
sam-ba - hin ang nga-lan Mo.
   
Ma-pa-sa -

                
5


             
A - ma na-min, su-ma-sa - la-ngit Ka, sam-ba - hin ang nga-lan Mo. Ma-pa-sa -
       
5

  
A - ma na-min, su - ma-sa - la-ngit Ka, sam-ba - hin ang nga-lan Mo. Ma-pa - sa -

    
                   
E7 Am D7 G D7 G/B C

      
10

  
 a- min ang ka- ha - ri- an Mo, sun - din ang lo- ob Mo
   
di-to sa lu-pa pa-ra nang sa

           
10

                
 a- min ang ka- ha - ri- an Mo,      
      
sun - din ang lo- ob Mo di - to sa lu-pa pa-ra nang sa

              
10

   
   

               
a- min ang ka - ha - ri - an Mo, sun - din ang lo- ob Mo di - to sa lu-pa pa-ra nang sa -
     

10

 
a- min ang ka - ha - ri - an Mo, sun - din ang lo- ob Mo di-to sa lu-pa pa-ra nang sa

        
      
Am D7 G C G E7


15

             
 la - - - ngit. Big - yan Mo ka - mi
    
nga - yon ng a - ming ka - ka - nin

sa a - raw

15

                      
 la - -   - ngit.

Big -
       
yan Mo ka - mi nga - yon ng a - ming ka - ka - nin sa a - raw -

                 
15


                
la ngit. Big - yan Mo ka - mi nga - yon ng a - ming ka - ka - nin sa a - raw -
   
15

     
la - - - ngit. Big - yan Mo ka - mi nga - yon ng a - ming ka - ka - nin sa a - raw -
2 Ama Namin (Misa ng Sambayanan)

             
      
Am E7 Am D7 G D7 G D7

  
20

            
 a-raw. At pa-ta - wa-rin Mo ka - mi sa a-ming ma-nga sa-la, pa-ra nang pag-pa-pa-ta-wad

                 
      
20

       
 a-raw. Atpa-ta
 - wa-rin Mo ka - mi 
              
sa a-ming ma-nga sa-la, pa-ra nang pag-pa-pa-ta-wad

          
20

       
a-raw. At pa-ta - wa-rin Mo ka - mi
  
sa a-ming ma-nga sa-la, pa-ra
    
nang pag-pa-pa-ta-wad
        
20

      
a-raw. At pa-ta - wa-rin Mo ka - mi, ka-mi sa a-ming ma-nga sa-la, pa-ra nang pag-pa-pa-ta-wad

                  
 
G E7 Am Cm

 
26

     
 na - min sa nag - ka - ka - sa - la sa a - min. At
     
h'wag Mo ka - ming i - pa - hin -

            
26

         
  
            
     
26 na - min sa nag - ka - ka - sa - la sa a - min. At h'wag Mo ka - ming i - pa - hin -

          
                
      
na - min sa nag - ka - ka - sa - la sa a - min. At h'wag Mo ka - ming i - pa - hin -

26

 
na - min sa nag - ka - ka - sa - la sa a - min. At h'wag Mo ka - ming i - pa - hin -

     
                          
30 G/B Em Am C G/D D7 G G D7

  
    
                   
tu-lot sa tuk-so. At iad - ya Mo ka -mi sa la - hat ng ma - sa - ma. Sa - pag - kat sa 'Yo ang ka - ha -

30

  
 tu-lot
        
          
sa tuk-so. At iad - ya Mo ka -mi sa la - hat ng ma - sa - ma.
    
30

    
            
    
tu-lot sa tuk-so. At iad - ya Mo ka -mi sa la - hat ng ma - sa - ma.
  
30

      
tu-lot sa tuk-so. At iad - ya Mo ka -mi sa la - hat ng ma - sa - ma.

  
                       
G E7 Am Cm G Em Am D7 G

  
35

ri - an at ang ka-pang-ya - ri-han at ang ka-pu-ri - han mag-pa - kai-lan-man. A-men.

Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Awitin ng Diyosesis ng Antipolo
Titik: Serving de Leon Musika: Lucio D. San Pedro
Parokya ni San Juan Bautista, Taytay, Rizal Parokya ni San Clemente, Angono, Rizal
Moderato e Maestoso B  C 7 B /D C 7/E C/G F/A B   F
           
     
F F/C C7 F F/C F F/E

             
     
Ha - li - na't ta -
B  9/D B F B /D B  C
                 
 

F F Dm

 
7

    
yo'y u - ma - wit sa Diyos ng pag - i - big Pa-ngi - no - on ang Siyang may na - is ma- buk -

 C/E D m/F G  C7
                          
12 G7 C F/C C C 7/E F

         
lod sa pag - i - big. Ka - lo - ob sa a - ting bi - ya - ya Bir - hen I - na ng

 F/A  B  allargando 
          C
                  
17 C F cresc. C 7/G F/C F F/C F

     
A-wa. Li - ga-ya, pag-a - sa't kan - lu-ngan, da-an sa bu - hay na wa-lang hang - gan.

  
 C
 
  
                

  
22 C/EF F/A B F/C C F 7 F/C F F/C

       
Diyo -se sis ng An - ti - po - lo Sam-ba-ya-

  C
                      
28 C7 F F


cresc.

      
nang i - ti - na-tag ni Kris - to sa pat - nu - bay ng Es - pi - ri - tung Ba-nal sa da -

 B   B E /G B E
Maestoso

                    
            
32 F/C C C7 F F/C F F/A

       
la - ngin ng I - nang Bir - hen Ma - hal. Pu - ri - hin at pa- sa - la - ma - tan sa Kan -
  B  F/A  C7/G    F/D B 
          
          
B /D E F sus F 7 F F C7

  
36

   
yang ka - bu - ti - han. Big - yan bu - hay at ka - ra - nga- lan kap - wa ay pag - ling -ku -

 F7 B  F 7  B
  
          
   
41 F

        
ran. Pa - nga - rap na ka - luwal -ha - ti - an ay a-ting ma-ka-kam - tan. I-
 E /G B F 7/C B /D E  B  B /F B 
           B/F poco rall.
  
               
46 cresc. E F7 F 7/A F7

  
la - pit na - tin si He - su - kris - to sa ma - nga duk - ha't a-bang ta - o.
Setyembre 21, 1992 * Deo Gratias! 1:30 P.M.
Transkripsiyon: Ral Paguergan * Pandiyosesanong Lupon ng Musika sa Liturhiya * Diyosesis ng Antipolo (Itinatag: Hunyo 25, 1983)
 Come to the Table Words: Moses Catan
Music : Barbie Dumlao


   
D E m7 G/A D B m7

            

      
         
Come to the ta - ble, En - ter His pres - ence Feast with thanks -

F sus F /A 

         
E m7 G/A D E m7

    
6

    
  

      
giv - ing and ce - leb - rate His love Come to the ta - ble, En - ter His

          
6

D/F 
  
      
B m7 G E m7 G/A D

  
12

    
 
     
pres - ence Feast with thanks - giv - ing and ce - leb - rate His love.

         
12


      
D E m7 A sus A D E m7 A sus A

     
17

    

1.This is the house of the Lord. The gates are o - pen wide.
F sus F

 
B m7 D/E E7 A sus A

 
25

           
   
Sin-ner and saint, strong and faint, All wel-come to come in - side.


      
D E m7 A sus A D E m7 A sus A

     
33

     

2.This is the ta-ble of the Lord. His ban - quet sa - tis - fies.
F sus F
 
B m7 D/E E7 A sus A

 
41

            
   
Bread for the soul He makes us whole one bod - y we now a - rise.

Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Prayer for Mercy (Lord, Have Mercy)
Music: Ray Repp

   
C F G C Em Am F D m7 G G7

                    

    
C Am Dm G C Am F G C Am

 
11

      
  
       
Lord, have mer - cy, Lord, have mer - cy, Lord, have

  
11

        
    
Lord, have mer - cy, Lord, have mer - cy, Lord, have
   
11

        
Lord, have mer - cy, Lord, have mer - cy, Lord, have

    
Dm G G7 C Am F G C Am F G


21

            
  
mer - - - cy. Christ, have mer - cy, Christ, have

     
21

    
      
mer - - - cy. Christ, have mer - cy, Christ, have
     
21

   
mer - - - cy. Christ, have mer - cy, Christ, have

  
C Am F G C Am D7 G G7 C Am

   
31

      
  

mer - cy, Christ, have mer - - - - cy. Lord, have
  
31

          
    
mer - cy, Christ, have mer - - - - cy. Lord, have
    
31

       
mer - cy, Christ, have mer - - - - cy. Lord, have

         
Dm G C Am F G C Am Dm G G7 C

 
42

      
        
mer - cy, Lord, have mer - cy, Lord, have mer - - - cy.

    
42

     
                
mer - cy, Lord, have mer - cy, Lord, have mer - - - cy.
 
42

   
mer - cy, Lord, have mer - cy, Lord, have mer - - - cy.

Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
Glory to God (Mass of Christ the Savior)
Music:
Daniel L. Schutte

A/C  F  m/A
   D
        
Bm G E m7 A sus4 A

 
           

A/C  F  m/A D/F 

  
                
D Bm G Em A

  
9

    
  
Glo - ry to God. Glo - ry to God. Glo - ry to God in the high - est,

          
9

    
          
               
     
Glo - ry to God. Glo - ry to God. Glo - ry to God in the high - est,
 
9

  
Glo - ry to God. Glo - ry to God. Glo - ry to God in the high - est,
A/C  F  m/A D/F 
 D Bm G A sus4 A

D sus4 D

   
17

          

 
and on earth, peace on earth, peace to peo - ple of good will. 1.We

17

       
      
   
17 and on
 
earth,
  
peace on earth,
          
peace to peo - ple of good will.

 
and on earth, peace on earth, peace to peo - ple of good will.

D/F  D/F 
 
         
Em A D E m/G A D

  
25

       
praise you, we bless you, we a - dore you, we glo - ri - fy you, we

D/F  F
     
    
G A A/G B m7 Em


29

      
give you thanks for your great glo - ry, Lord God, heav'n - ly

 Bm

B m/A G

Em

A sus4 A

  
33

  
       
King, O God, al - might - y Fa - ther.
 Glory to God (Mass of Christ the Savior)
D /F  D/F  D/F 

        
E m A sus4 A D E m/G A sus4 A D E m A sus4 A Bm

  
36

        

2.Lord Je-sus Christ, On- ly Be-got-ten Son, Lord God, Lamb of God,
 
36


               
            

     
36 2.Lord Je-sus Christ, On- ly Be-got-ten Son, Lord God, Lamb of God,

2.Lord Je-sus Christ, On- ly Be-got-ten Son, Lord God, Lamb of God,

  
  G D/F G
                
A G A A D/F B sus4 E D/F A m m E m/G


42

  
  

Son of the Fa-ther, You take a- way the sins of theworld, have mer-cy on us; You
   
42

                      
   
        
             
Son of the Fa-ther, You take a- way the sins of theworld, have mer-cy on us; You

42

Son of the Fa-ther, You take a- way the sins of theworld, have mer-cy on us; You
D/F  E m D/F  G
       
 
G A sus4 A Bm A sus4 A G A

    
48

     
  
 

take a - way the sins of the world, re - ceive our prayer; You are seat-ed at the
   
        
48

        
   
                        
take a - way the sins of the world, re - ceive our prayer; You are seat-ed at the


48


take a - way the sins of the world, re - ceive our prayer; You are seat-ed at the
 F
  D/F
           
Bm Em Bm B m/A G Em A sus4 A

 
53

     
poco a poco accel.

 

right hand, the right hand of the Fa - ther, have mer - cy on us. 3.For
   
53

          
     
 
                   
right hand, the right hand of the Fa - ther, have mer - cy on us.

53

right hand, the right hand of the Fa - ther, have mer - cy on us.
Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Glory to God (Mass of Christ the Savior) 3
D/F  D/F 
  
      
Em A D E m/G A D

  
58

        
you a - lone are the Ho - ly One, you a - lone are the Lord, you a -
D/F  D/F  F 7
   
      
G A B m7 Em E m/G A D

  
62

   
lone are the Most High, Je - sus Christ, with the Ho - ly
D/F 

Bm B m/A G Em A

          
67

  
3

         
Spir - it, in the glo - ry of God the Fa - ther.

D/F 
 
   
Em Em A sus4 A D sus4 D

 
70

  
Fine

   
 
  
70 A - - - - men. A - men.

        
          

A - - - - men. A - men.

70

A - - - - men. A - men. A - men.

 Alleluia (Mass of Christ the Savior)
Music:
Daniel L. Schutte

E m D/F  G A/C  F  m/A

  
                   
A sus4 A D Bm G A sus4 A

   
Al - le - lu - ia. Al - le - lu - ia. Al - le - lu -

A/C  F  m/A
7
 D

A sus4 A D

Bm
   
G A sus4 A D D sus4 D

      
Fine

      
ia. Al - le - lu - ia. Al - le - lu - ia. Al - le - lu - ia. ia.

D /F 
 
 
Em A sus4 A/G Bm B m/A

  
13

     
3

  
1.Your words, O Lord, are Spir - it and life.
D /F  D /F 

     
G Em G A sus4 A

 
16

  
rit.


D.S. al Fine

 
You have the words of ev - er - last - ing life.

D/F 
  
Em

A sus4 A/G Bm
 
  
19

    
3

   
2.Your words, O Lord, give joy to my heart, your
D /F 

   
E m7 G A sus4 A


22

    
rit. D.S. al Fine

 
teach - ing is light to my eyes.

D /F  B m D /F  G
  
Em A A/G
 
E m7 A sus4 A


24

         
rit. D.S. al Fine

 
3.I wait for the Lord; my soul waits for his word.

D/F  B m E m7 D/F  G
   Em A sus4 A/G
 
A sus4 A

  
29

       
rit. D.S. al Fine

  
4.Your word is a lamp for my feet, and a light on my path.
Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Our Offering (Misa Figuracion)
Lyrics and Music: Rev. Fr. Randy A. Figuracion, SDB
Choral Arrangement: Niño James Bañares

  D M7   E7
Soulful

   A E 7sus
  E7
     
A A M7

    
     
1.We bring to You the work of our

     
    
D D M7 Bm E A A 7sus A 7 D

 

8

           
hands, this bread we give fruit of our toil, make of it

 D       B/A G
                
m A F m7 D B7


15

 
the bread of sal - va - tion, to change our hearts our ve - ry lives.

A M7/C 
  E       
7sus4 E 7 A D E7 A


21

    
 Re - ceive, we pray, Oh Lord. Our gift, our
       
21

     

           
Re - ceive, we pray, Oh Lord (Oh, Lord). Our gift, our
  
21

     
Re - ceive, we pray, Oh Lord (Oh, Lord). Our gift, our
      
21

 
Re - ceive, we pray, Oh Lord (Oh, Lord). Our gift, our

   A  /C      
M7 D E7 D E7 D E7


27

  
 of - fer - ring.
 
Take our

hearts.
  

27

      
   of  -

fer - ring (our of - fer - ring). Take our hearts.
 
        
27


  
    
of - fer - ring (our of - fer - ring). Take our love
       
27

of - fer - ring (our of - fer - ring). Take our love

 Our Offering (Songs of Praise/Misa Figuracion)

F  m/C 
   D         
E7 D E7 A A M7

  
34

 
   All we
  
have is Yours, now we give to You our all.
    
34

     
   All we
  
have

is

Yours, now we give to You our all.
      
34

 
  we have
      
      
34 All is Yours, now we give to You our all.

All we have is Yours, now we give to You our all.

  E 7sus
 E        
7 A A M7 D D M7

      
38

        
2.We bring to You the work of our hands, this

    

           
Bm E A A 7sus A 7 D Dm

 

43

     
wine we give fruit of the vine, make of it the cup of sal -

F  m7
   A     B/A G
 
D B7

     
49

   
va - - - tion to change our ways, our ve - ry selves.

A M7/C 
  E     
  
7sus4 E 7 A D E7 A


54

   
     Re - ceive, we pray, Oh Lord. Our gift, our
    
54

      
     Re 
- ceive,

we

pray,

Oh Lord
   
(Oh, Lord). Our gift,

our

 
54

     
Re - ceive, we pray, Oh Lord (Oh, Lord). Our gift, our
      
54

 
Re - ceive, we pray, Oh Lord (Oh, Lord). Our gift, our

Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Our Offering (Songs of Praise/Misa Figuracion) 3

   A  /C      
M7 D E7 D E7 D E7


60

  
 of - fer - ring.
 
Take our

hearts.
  

60

      
   of  -

fer - ring (our of - fer - ring). Take our hearts.
 
        
60


  
    
of - fer - ring (our of - fer - ring). Take our love
       
60

of - fer - ring (our of - fer - ring). Take our love

F  m/C 
   D      

  
E7 D E7 A9

  
67

 
   All  
we have

is Yours, now we give to You our

all.
   
67

      
   All  
we have
 
is

Yours, now we give to You our all.
     
67

   
        
     
All we have is Yours, now we give to You our all.

67


All we have is Yours, now we give to You our all.
 Holy (Light from Light)
Music: Manuel V. Francisco, SJ

  G D/F 
     C  A/C  D sus4
  
     
Em G/D G/B D C/E D

    
D/F 
   
G Em G/D C A D sus4 D G

  
9

          
Ho - ly, Ho - ly, Ho - ly Lord God of hosts. Hea - ven and
D/F 
 Em G
 
C A D sus4 D
  G/B C 
         
18

     
earth are full of Your glo - ry, full of Your glo - ry. Ho - sa -

 
      
26 G/B D G C D/C G/B C D G sus4 G

            
na in the high - est. Ho - sa - na in the high - est.
D/F 
 G Em G/D

C

A D sus4 D
  G/B C 
        
34

       
Bles - sed is he who comes in the name of the Lord. Ho - sa -

  
              
43 G/B D G C D/C G/B C D G/B C D/C

        
na in the high - est. Ho - sa - na in the high - est. Ho - sa -

 
           
51 G/B D G C D/C G/B C G sus4 G

        
na in the high - est. Ho - sa - na in the high - est.

New English Translation of the Roman Missal

E B B E B E B
Music: Rev. Fr. Leo Nilo C. Mangussad

  
           
61 Cm Cm

  
Ho - ly, Ho - ly, Ho - ly Lord God of hosts. Heav'n and earth are
B E B B B

        
Cm Cm Fm Fm

        
66

  
full of Your glo - ry. Ho - san- na in the high - est. Bles - sed is he who
B B E
  
Cm Fm

   
72

          
comes in the name of the Lord. Ho - san - na in the high - est.
Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
Anamnesis (Light from Light) Manuel V.Music:
Francisco, SJ

We Proclaim Your Death


 
C D Em

           
We proc - laim your Death, O Lord, and pro -

 C D

G
    
Am
  
D7

 
6

    
fess your Re - sur - rec - tion un - til You come a -
F

11
 G    
B7 Em C D C/G G

            
gain, un - til You come a - gain, we pro - fess your Re - sur - rec - tion.

When We Eat this Bread

 C    
  
18 G/B Am D G G/B C D/C G/B Am D

         
When we eat this Bread and drink this
D 
   
   
25 G G/B C D Em G/B C

          

Cup, we proc - laim your Death, O Lord, un - til You come a -
D/F 
      
 
31 G/B C/E G G/B C D C/G G

          

gain, un - til You come a - gain, we proc - laim your Death, O Lord.

Save Us, Savior of the World

    
    
G C/G G C/G G C/G D m7

 
38

       
Save us, Sa - vior of the world, save us, Sa - vior of the world,

G        
7 C9 G/B

  
45


for by Your Cross and Re - sur - rec - tion
F


B7 Em C9 D G


48

           
You have set us free. Save us, Sa - vior of the world.
Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Amen (O, Bayan ng Diyos!)
Musika:
Arnel dC. Aquino, SJ

             
  
C G/B Am E m/G F F/G G C

         
         
A - men. A - A - men. A - men. men.

 

 
A - men. A - men. A - men. A - men. A - men.
      
    
        
 
A - men. A - men. A - men.

A - men.
  
   A - men.
  
        
A - men. A - men. A - men.

   
A - men. A - men. A - men. A - men. A - men.

     
A - men. A - men. A - - - - men.

Dakilang Amen
Musika:
Teddy P. Magpayo, SVD

           
F G E Am F G7 C C7 F G E Am F G7 C

 
5


   -  - men.
     

A - men, A - men, A - A - men, A - men, A - men.

    
5

           
A - men, A - men, A - - - men. A - men, A - men, A - men.

    
5

A - men, A - men, A - - - men. A - men, A - men, A - men.

     
5

       
A - men, A - men, A - men. A - men, A - men, A - men.
Transkripsiyon: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Our Father (San Carlos Seminary)


C Em F

        
  
Our Fa - ther, who art in hea - ven, hal - lowed be Thy

 
 
C Am Em F Am

      
5

  
name; Thy king- dom come, Thy will be done on earth

 
F C D G C Em

  
10

     
as it is in hea - ven. Give us this day

F C F C

 
16

        
3

    
our dai - ly bread, and for - give us our tres - pass - es, as we for -

Am
 G

C Em

         
20

   
give those who tres - pass a-gainst us and lead us not in -

F G C F G C Dm G C

  
25

           
to temp-ta - tion but de - li - ver us from e - - - vil.

Embolism
Music: Lucien Deiss, CSSp
B/D 

  
G Em

 
31

      
For the king - dom the po - wer and the

B/D 
 A     
m D Em Am D7 G

   
33

   
glo - ry are Yours now and for - e - - - ver.

Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City
 Lamb of God (San Carlos Seminary)
Music: Jamieson R. Casacop
Descant: Rev. Fr. Joselito Buenafe
Very Slowly

                
Am A m/G F G C C C /D E m F G

   
Lamb of God You take a-way the sins of the

   
        
 
 
Lamb of God You take a-way the

                   
6 C F G sus G C C/D E m F G

   
 
world have mer-cy on us. Lamb of God You take a-way the sins of the
              
6

      
sins have mer-cy on us O Lamb of God Lamb of God You take a-way the

B  M7
  
     
C G sus G F G


10

         

world have mer - cy on us. Lamb of God You
       

10

     
sins have mer - cy on us O Lamb of God You

       
    
Am G F G F C /E D m C C

 
13

  

  
take a- way the sins of the world Grant us peace.

      
13

    
take a - way the sins

Transcription: Ral Paguergan * SAN CARLOS SEMINARY, Epifanio de los Santos Avenue, Guadalupe Viejo, Makati City