Professional Documents
Culture Documents
Olympic Weightlifting (Fleming)
Olympic Weightlifting (Fleming)
www.nitrohype.com
www.CompleteOlympicLifting.com
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TABLE of CONTENTS
Introduction...........................................7
Power Clean...........................................12
Jerk...................................................42
Snatch..................................................63
Sample Programs...................................92
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“ My attitude is that if you push me
towards something that you think
is a weakness, then I will turn that
perceived weakness into a strength.
-Michael Jordan
INTRO
1
7
Intro
I
have been completing, competing, and coaching the
Olympic lifts for over half of my life. I am 30 and I started
lifting seriously 15 years ago. The actual date was
November 20th, 1997. I recall it vividly enough to know
the exact date. Obviously it was an impactful time in my life.
I can recall being a total newbie on the platform just as
vividly as I can recall winning a national title in the sport and
just as vividly as I can recall the first meet that I ever coached.
I remember the athlete that I was before learning Olympic
lifting: 5.2 second 40 yd dash, 155 lbs. 165 lb power clean
max. I also remember the athlete I became after learning to
Olympic lift: 4.5 second 40 yd dash, 215 lbs, 402 lb power
clean max.
The point is not to brag, but to relate to you that you do
not have to spend half of your life in the weight room or
on the platform to learn what I have learned. You can take
athletes from no knowledge in the sport and the lifts to
absolute beasts. The point is that I can relate to the place you
or your athletes are in. My half lifetime of experience has
been poured into this manual and the accompanying DVD,
Complete Olympic Lifting.
The Olympic lifts The Olympic lifts are some of the most explosive and
are some of the dynamic demonstrations of power in any form of athletics.
most explosive Contrary to popular opinion, athletes at nearly all levels can
and dynamic be taught the basics, the groundwork for dynamic athletic
demonstrations of development, the Olympic lifts, and their derivatives. This
power in any form manual and DVD represent a proven and efficient approach to
of athletics. do so.
Olympic weightlifting, the sport, has been practiced
since the first modern Olympic games in 1896. Weightlifting
events (with some changes) have been contested at every
Olympic Summer Games since 1920. Originally there were
only five weight classes in competition; however, today’s
lifters compete in eight weight classes for men and seven for
women.
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The standard competition lifts in today’s competitive
weightlifting include the clean and jerk and the snatch.
Contemporary training includes the clean and its variations
(clean pull, hang clean, power clean, etc), the snatch and its
variations (hang snatch, muscle snatch, clean grip snatch,
snatch pull), and the jerk and its variations (power jerk, split
jerk) as well as progressions and regressions of starting
positions and ending positions for each movement.
The sport of competitive weightlifting has been around
for over more than 100 years ,but it is only within the last half
century that general athletes have included weightlifting
in their training programming. Most sources suggest that
collegiate strength coach and competitive Olympic lifter Alvin
Roy of Louisiana State University first introduced Olympic
weightlifting movements to the Tiger football team in the
1950’s. The team went on to win the 1958 NCAA football
national championship.
Since that time, the popularity of Olympic lifting in the
training of athletes has only grown. Today, thousands of high
school, college, and professional teams use the Olympic lifts to
help their athletes become faster and more explosive on the
field and court.
Teaching Order
The associated DVD is arranged into the following
chapters:
• Assessment and Pre-Requisite Movements
• The Clean
• The Snatch
• The Jerk
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All athletes should go through the steps outlined in the
assessment and the pre-requisite movements. This video
chapter will demonstrate which athletes are prepared for
Olympic lifting and the movements necessary to move them
onto the platform. Start here.
Each chapter on a lift (clean, snatch, and jerk) contains a Each chapter
specific sequence to teach the individual lift. For athletes who on a lift (clean,
are prepared to lift, following this order of progressions will snatch and jerk)
prepare them well. contains a specific
The lifts themselves may also be prioritized by which sequence to teach
should be taught first and which has the highest priority. The the individual lift.
following represents the appropriate order in which the lifts
should be taught.
Enjoy!
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POWER
CLEAN 2
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Power Clean
T
raining for power is undoubtedly one of the most
important aspects of becoming a better athlete.
Athletes who want to get faster, stronger, and bigger
need to train to improve power. Fortunately, many
programs include the power clean for just that purpose.
Rather unfortunately, though, many athletes perform this
movement incorrectly, get injured, or never become proficient
at the lift and, as a result, fail to reap the benefits. I have taken
everything that I know about the power clean and put it to
paper (or cyberspace) for your enjoyment and education.
This is a step-by-step guide to help you get better, stop
missing lifts, and see all the benefits of one of my favorite lifts.
Before I get to all the technical stuff, why should you power
clean in the first place?
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Figure 2.2: Hinge position
Squat to the Bar
To finish the descent to the bar, the athlete will need to
cease moving the hips back in space. The athlete will now
need to move toward the bar by squatting or moving the hips
down in space. The athlete will be able to maintain the same
relationship to the bar on the X axis but will gain the knee
flexion necessary to start the bar off the ground. Depending
on the athlete’s height, the knees may be slightly over the bar
but should not glide forward more than a couple inches. Using
the cue “squat to the bar” is a great way to relate this novel Using the cue
position to something that is familiar to most athletes. “squat to the
Eyes Forward, Neck Straight bar” is a great
Once the hands meet the bar, a neutral spine posture must way to relate this
be assumed. Oftentimes, I see cervical hyperextension which novel position to
will likely contribute to greater lumbar hyperextension. With something that is
greater lumbar hyperextension, the athlete will likely put familiar to most
more strain on the low back.
athletes.
There is much contention to the idea that a neutral neck be
used. Many elite weightlifters use a head position that would
be considered cervical hyperextension. This technique has
even been described in a few published sources that have
suggested such posture may help generate greater tension in
the spinal erectors that may actually be of benefit the lifter.
However, realistically we are not likely coaching elite
weightlifters destined for Olympic greatness. In the interest of
preventing unnecessary lumbar spine strain, positioning the
neck in a neutral is the right call for most athletes.
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Width
The width of the grip in the power clean should be shoulder
width or slightly wider. While many athletes use certain lines on
the bar to determine where to place the hands, not all athletes
are able to use high-end bars for training. As a result, it is
necessary to have a way to make sure athletes are able to grasp
any bar with the correct grip.
From a standing position, the athlete should be able to
grip the bar in a position that allows for the thumbs to be fully
extended and to be in contact with the hips/upper thigh. This
width is sufficiently wide enough to achieve a strong racked
position, allows for the possibility of a jerk later on, and is not
dependent on markings or knurlings on the a bar.
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At the Knees
Once the bar is at the knees, several things should be
occurring. However, this is a difficult place to coach or cue the
athlete because the system is already in motion. It is, however,
a great place to break down video and make adjustments to
later lifts.
The feet should be flat so the athlete can transition
correctly for the second pull. The hips should still be higher
than the knees and very little hip extension should have
occurred up to this point with the majority of movement
stemming from knee extension. The torso should still be
roughly 30 degrees above horizontal. Additionally, the arms
should also remain straight at this point, as an athlete who has
flexed the arms will have difficulty completing the second
pull.
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How to Power Clean: The Performance
of the Second Pull
Creating the Triangle
A really important concept that I like to teach my athletes
is that once in the above knee position, they have created a
“power triangle.” This triangle consists of the entire arm, the
torso, and the angle of the hips. From this point on, the only
goal and the only way to make a successful second pull is to
“flatten,” or “close” the triangle. This is a vivid image that can
help any athlete hit the correct positions.
Close the Triangle
Once above the knees, it is important that the athlete does
not rush the bar just yet. Rushing the bar at this point will be
apparent when the knees begin to migrate anteriorly (“slide
forward”) under the bar immediately after the bar passes
the knees. This movement does not “close the triangle.” The
only way to close the triangle is to begin driving the hips
forward into hip extension. The speed of the bar has started
to increase at this point, but is not at its maximum just yet. The
bar will be in a mid-thigh position by this point.
Knees Forward (Scoop/Double Knee Bend)
Much is made about knee flexion during the second pull. In
fact, numerous articles and opinion pieces have been written
The fact is, in a about the double knee bend. The fact is, in a good power
good power clean, clean, knee flexion will occur to align the body in a position to
knee flexion will create vertical movement. Pure hip extension from the above
occur to align the knee position will create too much horizontal projection and
body in a position the athlete will jump forward. To counteract this, it is necessary
to create vertical to perform the double knee bend (or scoop, or transition) for
movement. vertical projection. It is highly debatable as to whether this
fact should be coached, or even mentioned to a novice lifter.
This movement is a natural phenomenon that is easily seen in
typical jumping mechanics.
Finish the Hips and Knees
Once the bar has reached a high thigh position and the
torso has come to nearly vertical, the hips and knees will both
be near full extension. At this point, the athlete should finish
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driving the hips and knees into extension. Athletes will often
drive up through the toes in this phase and will achieve full
extension. This is the highest speed portion of the entire lift.
It is worth mentioning one quick note on the finish for the
pull. As I have lifted more and more and trained higher level
athletes, it has become apparent that plantarflexion of the
ankle (sometimes improperly referred to as ankle extension)
is not a part of the pull. This is NOT something to be coached.
At best, ankle plantarflexion is a result of a powerful second
pull or a mechanism of pulling under the bar. At worst, ankle
extension makes it difficult for the athlete to get back under
the bar as it increases the distance that an athlete must
travel to get the heels to the ground and the hips in the right
position.
When observing elite lifters, such athletes will often
demonstrate what amounts to a flat-footed pull. This flat
foot position is a trained efficiency. To coach this position
encourages the athlete to complete as much of the lift as
possible without extending to the toes. “Heels, heels, heels,
toes!” is the common cue used in my gym to coach athletes in
the right position and tempo.
Relaxed Arms,
Elbows High
After the power spike
of the second pull, the
bar will have significant
momentum and it
is important to take
advantage of it. Just as
a boxer keeps the arms
relaxed before throwing
a punch, maintaining a
relaxed arm is important
for maximal speed later.
The elbows should
remain out and above
the bar to guide the bar
in a path that is tight to
the body. Figure 2.9:
High pull
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Punch the Elbows
The athlete’s arms have stayed relaxed to a great degree
up to this point, but once the athlete hits the “high pull”
position it is time to use the arms forcefully. The action of the
arms at this phase is best described as punching the elbows
up. The elbow punch will result in a receiving position that
is high on the shoulders, meaning that the weight will not be
resting on the wrists (generally a weak point) but instead will
be in line with the center of gravity. An effort to flip the wrists
will usually lead to a low catch on the chest and a need for the
athlete to “roll” the bar up the chest.
Hips Back, Feet Flat
This step should occur simultaneously with the elbow
punch. The athlete should aim to receive the bar in an athletic
position just as if landing from a jump. A cue that is very useful
is to instruct the athlete to think “toe, heel, hip,” meaning toes
to the ground, heels follow, and hips go down and away from
the bar. The athlete should widen the feet slightly from a hip
width/jump width stance to a shoulder width/squat width
stance while receiving the bar. The athlete should also have
very little forward or backward travel when receiving the bar.
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clean position
Figure 2.11: Receiving
clean position
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Figure 2.14: Clean from
blocks start
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Variations in Receiving Position
Split Clean
The split clean is a veritable blast from the past, as it was
employed by many athletes as the primary way to complete
the movement in competition for a number of years. For
athletes, the split clean should be used as a way to provide
variation to the program and to help the athlete become
accustomed to absorbing force in a single leg stance. After
full extension is reached, the athlete punches the lead knee up
and drives the trailing foot back and into the platform. Ideally,
the athlete will land with a vertical shin on the lead leg, similar
to the 90-90 position employed in a split squat.
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Accessory Lifts to Fix a Faulty Power
Clean
Clean Pull
The clean pull is a partial lift that involves a finish in
complete hip and elbow extension without racking the bar.
The clean pull can be performed from any start position (floor,
hang, blocks) and is a great tool to develop positional power
for the power clean. For increasing power as it pertains to the
power clean only, the clean pull should be performed at 110%
of the (X)RM where X is the number of reps the athlete is doing
in that particular set.
For example, if an athlete can clean 100 kg for three reps,
clean pulls for the same athlete should be loaded at 110 kg
for three reps. Similarly, if an athlete can clean 120 kg for five
reps, clean pulls should be loaded at 132 kg for five reps.
The starting position that is used in the clean pull should
be determined by the weakest aspect of the athlete’s clean
movement. For instance, if the pull off the floor is weakest,
then pulls from the floor should be used. Alternatively, if most
issues are related to the second pull, then clean pulls from a
hang or block should be incorporated.
A number of excellent investigations have been published
recently to show that the clean pull (sometimes called a “jump
shrug”) can actually produce higher levels of power output
than the traditional Olympic lifts. As a result, these findings
coupled with the lack of impact on the body (no receiving
position) make the clean pull a great lift to use for in-season
training.
Front Squat
Although the emphasis for this portion of the movement
is on the power clean rather than the full clean, the front
squat is an absolute must to improve power clean ability. At
the moment of impact (the catch), the athlete encounters
significant downward force. As a result, standing up under
control without getting buried requires a strong front squat.
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Figure 2.25: Clean pull
start
RDL
If the front squat helps the ability to receive a power clean,
the RDL assists the athlete’s ability to make an efficient pull on
the bar. Greater hamstring and glute strength is critical during
the sticking point of the lift around the knee and before the
second pull kicks off.
Clean Lift Off
For athletes who struggle off the floor but not many other
places, the clean lift off is a great tool to use. Such athletes
should set up in the start position at the floor level and begin
to extend the knees until the bar is elevated to knee height.
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Figure 2.29: RDL start
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Figure 2.31: Clean
lift off start
T
he jerk (of “clean and jerk” fame) is one of the most
underutilized lifts available in the Olympic lifting
arsenal. At some point, nearly all overhead lifts seem
to have become vilified by concerned therapists and
physicians. Sadly, the jerk seems to have suffered a serious
popularity blow as a result.
Using the jerk is a must in any complete program, as the
movement balances much of the work performed in the clean
and snatch and is an explosive upper body movement.
Jerk Technique
The Set Up: Bar Position
The bar position on the athlete’s body is one of the most
important aspects of the jerk. The bar should rest high on the
chest and across the front of the athlete’s upper shoulders. To
keep the bar off of the neck, the scapulae should be protracted
and elevated.
The Set Up: Feet
The width of the feet is highly individualized, but should
be at or around hip width to shoulder width regardless of the
athlete. The athlete should have the toes angled outward up to
30 degrees to facilitate the “dip” portion of the lift. The most
important thing to remember is that the feet must remain flat
while the bar is racked at the chest. The feet should remain flat
The grip position through most of the movement.
for the jerk can
be just as wide The Set Up: Grip
as for the clean, The grip position for the jerk can be just as wide as for
but most athletes the clean, but most athletes find it beneficial to utilize a grip
find it beneficial slightly wider than a clean grip. As the athlete dips, the bar
to utilize a grip will flex slightly and gravity will assist downward momentum.
slightly wider than A wider grip will increase the base of support through the dip
a clean grip. phase and allow for a faster recovery.
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The actual arm position for the jerk can vary depending
upon the athlete. Some athletes feel most comfortable with the
upper arms parallel to the floor in much the same position as
the clean catch. However, most athletes will need to adjust the
grip so that the forearms and upper arms remain positioned
beneath the bar. It should be noted that the weight of the bar
will still be resting on the shoulders and chest rather than on
the wrists.
The Set Up: Posture and Core
Posture should be tight and braced throughout the jerk. The
athlete should remember that the lower body is the primary
force generator and the core is functioning to stabilize and
redirect force. The most typical error demonstrated by novice
athletes is a flexed thoracic spine. Athletes should be cued to
extend the thoracic spine to keep a neutral position.
The Execution: Dip
Once the athlete is set up in the proper position, the next
step is to begin harnessing the power of the stretch shortening
cycle to complete the lift. The athlete should dip with the
knees “out,” meaning the hips must be externally rotated and
the knees allowed to track out over the toes. The upper body
should remain almost completely vertical to reduce forward
movement of the bar. This position is in contrast to the hip-
dominant position of the clean and snatch and is what ultimately
makes the jerk my preferred quad-dominant movement of
choice.
It is critically important that the athlete maintain flat feet
throughout the dip portion of the jerk. Commonly, the athlete
may shift the weight toward the toes. The depth of the dip
before the drive phase should be roughly a quarter squat
level, but to specify a certain distance is not appropriate. Most
athletes will typically develop a feel for their own preferred
or most appropriate depth, and movement through the wrong
depth are often revealed when change of direction proves
difficult.
This minimal depth will allow for the greatest power during
the drive and should be executed quickly. The bottom of the dip
is the braking portion where downward momentum is stopped.
Fundamentally, the goal of the dip should be to complete the
movement quickly and on balance.
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Elite lifters often use the dip and the subsequent oscillation
of the bar during change of direction to assist in the execution
of the lift. A great technical “feel” for the lift is necessary to do
this, but a $1500 bar doesn’t hurt either.
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Figure 3.2: Dip finish
The Execution: Drive
Once the dip is completed to the quarter squat level,
explosive extension of the knee and hip should immediately
follow. The torso should remain vertical or even extended in
the sagittal plane so that the bar follows a linear vertical path.
Athletes who pause at the bottom of the dip before the
drive phase compromise energy transfer through the dip. The
drive phase should create space between the lifter and the
barbell. The goal of this phase for the novice lifter is to create
enough drive to move the bar to forehead level.
The Split
The split of the feet is ultimately the portion of the lift
that gives most athletes difficulty. There are many successful
approaches to the split, but each should ultimately finish in a
similar position.
Selection of the Lead Foot
To select the lead foot, the coach can stand behind the
athlete and provide a slight push. The foot with which the
athlete steps forward to regain balance should serve as the
lead foot in the split jerk.
For most right-handed athletes, that is the left foot.
Alternatively, for most left-handed athletes, that is the right
foot. However, there are exceptions to this standard, as I am
right-handed but prefer to execute the jerk with my right foot
forward.
In training athletes, it is important to alternate jerks with
each foot forward. Only the competitive Olympic lifter should
work primarily with one foot forward of the other.
The Goal
The ultimate goal of the split jerk is to expand the base of
support in the sagittal plane in order to hold weight overhead.
It really is that simple. It is for this reason that most athletes
choose to do a split jerk over a squat jerk or power jerk. An
expanded base of support provides more stability overhead.
The Position
There are a number of variations in positions for the split
jerk; however, all variations still require the athlete to produce
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a stabilizing force in the sagittal plane to prevent a fall.
Despite the number of available variations, the ideal position
for most athletes is the 90/90 split squat extended.
To assume this position, the athlete begins in a half
kneeling stance with both the lead and trail legs flexed at the
knee to 90 degrees. This position allows the athlete to maintain
flexion in the trail leg, but perhaps more importantly, hold an
extremely stable vertical shin position with the lead leg.
The toes of the lead foot should point forward while the
trail foot should be plantarflexed or even slightly internally
rotated. The width of the stance should be consistent with the
width of the athlete’s hips or slightly wider.
Getting Into Position
There are two
common techniques
used to cue the athlete
to assume the correct
position. Essentially both
methods accomplish
the same end, but some
athletes may prefer one
strategy over another.
Punching the Lead
Foot Forward
This method for
Figure 3.3: Receiving
teaching the jerk is
position excellent for some lifters,
as it encourages the
athlete to think about driving the lead foot forward and keep
both feet low to the ground. The drawback to this method is
that some athletes translate this cue to mean that body weight
should shift forward. Oftentimes this will result in catching the
jerk with some amount of anterior knee glide in the lead leg.
Jump and Split
This is a method that I have been working with more
recently. In this cue, the athlete is encouraged to focus
on the aggressive drive phase until platform separation
occurs. At separation, rather than being cued to drive the
lead foot forward, the athlete is instructed to drive the lead
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knee up. This method helps position the athlete into a more
advantageous receiving position more often than not; however,
it can sometimes lead to passivity in the drive portion of the
jerk.
Recovery From the Split
Recovering from the split position can cause a number of
problems for many athletes. Quite simply, the athlete should
recover with the lead foot posterior toward the center first
followed by the trail foot anterior toward center second.
Moving the rear foot first usually causes an anterior weight
shift that will increase the likelihood of a missed lift.
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Figure 3.7: Behind
the neck power jerk
start
Footwork Drills
Footwork drills for the jerk are done to establish a pattern
of receiving the bar in the correct position. The athlete should
strive for motor mastery with the goal being to land in the split
position. To begin, the athlete should set up in the bottom of
a 90/90 split squat as the coach marks the position of the feet
with chalk or tape. The goal of each rep is to land with the feet
in the same position as the chalk marks.
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With no weight, the athlete should set up in the dip and
drive position. Once the athlete has completed the dip and
drive, an explosive split to the marked position using either
the jump and split or the foot punch strategy should follow.
Half Jerks
Half jerks require just a barbell to complete and closely
mimic the timing of the traditional jerk. The athlete will start
in the full 90/90 position extended with the bar overhead.
The athlete should then bring the lead foot back 8-12 inches
toward the body and bring the bar to forehead level. From
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this closer position, the athlete should then drive the lead
foot up and forward and the bar overhead. The big key to
this movement is that there is no movement of the hips in
the sagittal plane. The hips should only rise and fall without
moving forward and back.
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finish
Jerk Variations
Power Jerk
The power jerk from the front-racked position is an
excellent tool to use while training athletes. It is a great power
producing movement and allows the athlete to maintain a
familiar athletic base. This is an excellent training tool for
general athletes.
Figure 3.15:
Power jerk start
Figure 3.16:
Power jerk finish
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Several of the world’s best Olympic lifters have employed
this technique in competition. Typically, those athletes are
extremely strong overhead and are capable of moving the
barbell much higher than typical athletes during the drive
phase.
Squat Jerk
Very few lifters and even fewer athletes in training employ
the squat jerk. This style requires great stability overhead,
extreme mobility, and allows for very little technical variation.
In truth, I am amazed by any lifter that is able to squat jerk
any amount of weight!
57
jerk finish
Common Jerk Errors
Bar Forward at Receiving Position
A lot of errors in the jerk occur when the athlete initiates
the dip portion of the lift.
Potential Cause: Dipping to the Toes
Dipping to the toes or the heels coming off the ground will
lead to a forward shift of the weight and a likely missed lift
forward or a need to recover forward and under the bar.
Figure 3.19:
Dipping on toes
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SNATCH 4
63
The Snatch
T
he wide grip to the snatch requires a much greater
demand than does the clean. This demand creates
greater grip strength that can carry over to sports
and even other lifts.
Back Strength
Again, the wide position of the hands also puts a greater
demand on the back (particularly the upper back) to maintain
proper posture. The snatch is all about isometric thoracic
spine extension. This is an area in which most athletes can use
some serious help.
Intrinsic Shoulder Strength
The overhead The overhead position is certainly difficult, but the stability
position is required to hold weight overhead can be carried over to the
certainly difficult, field for any athlete that finds it necessary to push on another
but the stability object, ball, or person.
required to hold
weight overhead
can be carried
over to the field
Snatch Technique
for any athlete
that finds it Set Up Tight to the Bar
necessary to push Successful Olympic lifts are the result of a lifter and the
on another object, barbell moving in one efficient “system.” The lifter-barbell
ball, or person. system, as it is called, must share one center of mass. Ideally,
this center of mass lies within the framework of the lifter’s
body. Setting up close to the barbell helps ensure that this will
occur regularly.
64
Setting up too far from the barbell will move the center of
mass forward of the athlete’s toes and will lead to difficulty in
achieving the lift later on. The proper distance away from the
bar is different for athletes based on body dimensions but
can be summed up closely for most athletes. As discussed
previously, when standing over the bar, the athlete should see
the shoelaces covered by the bar. This means that from the
coach’s perspective, the bar should be over the midfoot (a
much more solid base than the toes) and will be far enough
away from the body to get in the start position.
Flat Feet
While the athletic benefits of the clean and snatch have
been extensively discussed previously in this resource, the
snatch should also not be completed on the ball of the foot
like many other athletic movements (“athletic stance”). Again
utilizing the tripod foot position, the athlete should remain
stable and balanced with the weight distributed between the
forefoot and the heel.
Jump Width or Slightly Wider Than Jump Width
The short answer as to how wide the feet should be placed
when performing the snatch is around jump width; however,
the nature of the lift modification can certainly influence
this standard. The toes should be pointed out slightly and
In the power
the athlete’s feet should be directly below the hips. Foot
snatch and the
placement directly below the hips assists in force application
full snatch, jump
of the posterior chain straight into the ground, minimizing width may serve
leakage of power in other directions. Utilizing these large as a reasonable
posterior prime movers ensures maximal power output. place to start, but
In the power snatch and the full snatch, jump width may trial and error may
serve as a reasonable place to start, but trial and error may deem this to be
deem this to be less than optimal for some athletes. The less than optimal
wider grip of the snatch requires a lower starting posture for some athletes.
in order to grip the bar. An athlete who lacks hip mobility
will often achieve this lower position through compensation
by exaggerating lumbar flexion. This can lead to additional
spinal stress, fatigue, and risk of injury.
65
A simple correction is to work on hip mobility and raise
the start position on blocks for a period of time. For some
athletes it may be necessary to make a modification to the
start position on a more permanent basis. For such athletes, a
starting position slightly wider than jump width is preferred.
In this position, the importance of hip mobility in the starting
position is decreased and the athlete may assume a solid start
position despite a slight energy leak to lateral forces.
Lock the Lats Down
As with previous lifts, the cue to “lock the lats down” when
the hands are on the barbell should be used. Some other
strategies include the visualization of “pinching a roll of
quarters in the armpits” or to simply squeeze the arms toward
the body. Locking the lats down will help pack the shoulders
into a strong position, lend more stability to the back, and
facilitate a tight lifter-barbell system.
First, packing the shoulders down helps minimize
unwanted upper trapezius involvement. Upper trap activity
can lead to shoulder fatigue, discomfort, and pain. Overuse
of the upper traps will lead to fatigue in the lifts early and can
ultimately undermine the effectiveness of the lift due to an
inability to forcefully shrug.
Locking the lats also lends greater stability to the lower
back. The origin of the lats is spread vertically down the lower
back. When activating this muscle, it synergistically assists
the lumbar extensors in keeping the lumbar spine stable in
extension.
It is critical for any coach to appreciate the importance
It is critical for of the tight lifter-barbell system. Failure to maintain this
any coach to relationship is at the root of many problems that athletes have
appreciate the in completing the Olympic lifts. The lats being tight assists in
importance of the the maintenance of a close relationship within the system and
tight lifter-barbell a better execution of the snatch or the clean.
system. It is worth mentioning a final note on this point. The lats
should remain tight until the second pull is initiated. Once the
arms become involved, it is necessary to forget the idea of
latissimus tightness and focus on the fast, relaxed movement
of the elbows above the bar. The lats are powerful. If held tight
throughout the lift, they will inhibit the motion of the arms
up and under the bar. That being said, even in a hang snatch
“lock the lats in” is one of the first cues we use.
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Hip Hinge to Above the Knee
Regardless of whether one is starting in the hang snatch
position or the floor start (like in the power or full snatch), a
hinge is the first part of the movement that should occur. The
athlete should start each movement by unlocking the knees
then hinging until the hands are at knee level. If moving to a bar
on the ground, the hands will be free at this point. If moving to
a hang snatch, the bar will be in the athlete’s hands and tight
to the body. Both the hang and power snatch require the exact
same hip hinge position when the bar or the body is above the
knee.
Squat to the Bar
To continue moving to the bar, the next step is to squat to the
bar. The Olympic lifts are a combination of deep hip angles and
deep knee angles when the bar is resting on the floor; however,
when it is above the knee, the movement is primarily a hip hinge
with slight knee movement. To combine the deep knee and hip
angles, the athlete can begin by performing a RDL/hinging
to knee level then squatting vertically to the bar. When in the
RDL position at the knee level, the torso should be roughly 30
degrees above horizontal. Ideally, the athlete will again start at
about 30 degrees above horizontal to begin the lift-off from the
floor. Squatting involves the vertical displacement of the hips
and will facilitate this angle to be maintained throughout the
movement.
Snatch Grip
Width
As discussed with previous lifts, one of the biggest
problems with most guidelines regarding snatch grip is the
dependence on various markings and lines on a bar. These
recommendations usually center around where the knurling
ends and markings are on the bar. If always training on the
same bar, this poses no issue. However, in cases in which one
must train with a different bar or in a different gym, the athlete
can have difficulty determining where to grip the bar.
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To alleviate this problem, there is a simpler solution
to always find a consistent grip width for the snatch. The
athlete should stand tall with the arms extended and the bar
gripped in the hands. The grip should be widened until the
bar is resting across the crease in the hip. To ensure that the
athlete’s grip width is appropriate, one hip should be flexed
to 90 degrees. If the athlete cannot flex to 90 degrees, the
grip width should be further widened. A wider grip facilitates
squatting under the bar in the receiving position and requires
less mobility in the thoracic spine than a narrow grip might
require.
into the body. The goal remains the same, but the athlete will
most likely not be able to reproduce this typical backward
trajectory of the bar.
Slow Off the Floor
As discussed previously, a big mistake many athletes
make is to jerk the bar forcefully from the ground. The first
pull should not be a violent movement. Instead, it should be
a smooth and possibly even slow-appearing motion. A goal
of the first pull is to set up the second, more violent, pull and
a fast first pull will likely inhibit the athlete’s ability to be
efficient in the second pull.
Imagine a car moving past the athlete at 60 miles per hour.
If the athlete were to stand to the side and try to shove this car
to make it move faster, it would be difficult to deliver force to
the back bumper long enough to make the car go any faster.
On the other hand, imagine the same car moving past the
athlete at 10 miles per hour. As this car rolls by, the athlete
would have plenty of time to really put some serious force
into the car and make it accelerate. A bar moving quickly as it
passes the knees is like the first car. The athlete will have no
ability to accelerate it to speed in the second pull.
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At the Knees
Once the bar is at the knees, several things should be
occurring. This is a difficult portion of the lift to meaningfully
coach the athlete because the system is in motion. However,
this may be a great place to break down video and make
adjustments to later lifts.
The feet should be flat so the athlete can transition
correctly for the second pull. The hips should still be higher
than the knees. Very little hip extension has occurred up to this
point with most movement stemming from knee extension. The
torso should still be roughly 30 degrees above the horizontal.
The arms should also remain straight at this point, as flexed
elbows will make it highly difficult to effectively complete the
second pull.
The Second Pull
Creating the Triangle
As described previously, proper alignment should create a
“power triangle.” This concept can help guide positioning in
the lift moving forward.
Close the Triangle
Once above Once above the knees, it is important to not rush the bar
the knees, it is just yet. Rushing the bar at this point becomes apparent when
important to not the knees migrate anteriorly under the bar immediately after
rush the bar just the bar passes the knees. This movement does not “close the
yet. triangle.” The only way to close the triangle is to begin driving
the hips forward into extension. The speed of the bar should
increase at this point, but is not at its maximum just yet. The
bar will be at or around mid-thigh.
Knees Forward (Scoop/Double Knee Bend)
Pure hip extension from the above knee position will
create too much horizontal projection and the athlete will
jump forward. To counteract this, it is necessary to perform the
double knee bend (or scoop/transition) for vertical projection.
It is highly debatable as to whether this fact should be
coached or even mentioned to a novice lifter, as it is typically
a natural component of movement that is easily seen in typical
jumping mechanics.
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Finish the Hips and Knees
Once the bar has reached a high thigh position and the
torso has come to nearly vertical, the hips and knees will both
be near full extension. At this point, the athlete should finish
driving the hips and knees to terminal extension. This is the
highest speed portion of the entire lift.
Relaxed Arms, Elbows High
After the power spike of the second pull, the bar will have
significant momentum and it is important to take advantage
of it. Just as a boxer keeps the arms relaxed before throwing
a punch, maintaining a relaxed arm is important for maximal
speed later. The elbows should remain out and above the bar
to guide the bar in a path that is tight to the body.
Punch the Hands
The arms should have remained relatively relaxed up
to this point; however, once the athlete hits the “high pull”
position, it is time to use the arms forcefully. The action of
the arms at this phase is best described as “punching the
hands overhead.” The resultant hand punch should facilitate
a receiving position that is in line with the spine and over the
ears.
Figure 4.7:
Profile of snatch
overhead
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When the load is When the load is punched overhead, the athlete should
punched overhead, actively press up using primarily the upper traps while trying
the athlete should to “spread the bar apart.” There is nothing passive about
actively press up holding weights overhead and this is the most active and
using primarily the “strong” position possible. Rather than worrying much about
upper traps while packed shoulders, the athlete should worry most about not
trying to “spread letting the bar land on top of his or her head. Protect the dome.
the bar apart.” One common mistake is receiving the bar too far back or
There is nothing too far forward. Lifts received forward are typically missed,
passive about but it is lifts that are received too far back that are the real
holding weights problem. When received behind the body, great stress placed
overhead and this on the shoulders. The athlete should be cued to “punch up, not
is the most active back.”
and “strong”
position possible. Hips Back, Feet Flat
This step will occur simultaneously to punching the hands.
The athlete should aim to receive the load in an athletic
position as if landing from a jump. One cue that is very useful
is to tell the athlete to think “toe, heel, hip.” This means toes
to the ground, heels follow, and hips go down and away from
the bar. The athlete should widen the stance slightly from
hip width/jump width to shoulder width/squat width stance
to receive the bar. The athlete should also have very little
forward or backward travel when receiving the bar.
To get a good handle on the width the athlete will
display at the feet at landing, it may be helpful to have the
athlete perform three consecutive vertical jumps, sticking
the last jump. The resultant position of the landing is most
likely reflective of the body posture, stance width, and knee
positioning that should occur in a good power snatch finish.
Snatch Variations
Hang Snatch
The power snatch from the hang position is a great
teaching tool to use with athletes and can even be used as a
primary way to train athletes with the snatch. The snatch from
the hang position will help the athlete develop improved
ability to use the stretch shortening cycle.
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The hang snatch can be performed from the above knee
position or a mid thigh position (other positions are possible,
as well, but these are used most frequently). In each of these
positions, the athlete will just need to employ the same
strategy of closing the triangle as the bar passes the knees in
the power snatch.
The accompanying DVD includes examples of the hang
snatch from above knee to teach most athletes. This has been
a highly effective way to teach thousands of athletes how to
Olympic lift properly in the FORCE Fitness facility.
Figure 4.10:
Snatch from
blocks start
Figure 4.11:
Snatch from
blocks finish
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Split Snatch
The split snatch should be used as a means of providing
variation to the training program and to help the athlete
become familiar with absorbing force in a single leg stance.
After full extension is reached, the athlete should punch the
lead knee up and drive the trail foot back and into the ground.
Ideally, the athlete will land with a vertical shin on the lead leg
similar to the 90-90 position employed in split squats.
Figure 4.15:
Squat snatch
middle
Figure 4.16:
Squat snatch
finish
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There are a couple common causes of a bar swing. The first
is when the athlete goes to the toes too early in the second
pull. Secondly, elbow drift behind the bar at the completion of
the second pull can also contribute to bar swing.
When the athlete gets to the toes too early in the second
pull, the knees and hips must be driven forward to complete
the movement rather than the optimal technique of knee
extension triggering upward hip movement. This forward
movement typically manifests itself in forward bar swing.
The second cause The second cause of bar swing is elbow drift behind the
of bar swing is bar. When this happens it is nearly impossible for the athlete
elbow drift behind to keep the bar close. Reminding the athlete to keep the
the bar. When elbows above the bar in the snatch until the overhead punch
this happens it is can help minimize or alleviate this error.
nearly impossible Accessory Lifts to Fix Your Snatch
for the athlete
to keep the bar Snatch Pull
close. The snatch pull is a partial lift that ends in complete hip
extension and elbow extension without the need to catch the
bar. The snatch pull can be performed from any of the start
positions (floor, hang, blocks) and is a great tool to develop
positional power for the snatch. Like the clean, for increasing
power as it pertains to the power snatch only, the snatch pull
should be done at 110% of the (X)RM where X is the number
of reps the athlete is doing in that particular set. The snatch
pull is a great lift to use for in-season training.
Figure 4.17:
Snatch pull start
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Figure 4.18:
Snatch pull finish
Overhead Squat
The overhead squat is an absolute must to improve snatch
ability. Athletes who do not possess a comfort level in the
overhead position will struggle to handle weights overhead.
Work on this comfort and strength level through overhead
squats.
Figure 4.19:
Overhead squat
start
83
Figure 4.20:
Overhead squat
finish
84
Figure 4.21:
Snatch deadlift
start
Figure 4.22:
Snatch deadlift
finish
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Snatch Gear and Accessories
Straps
Repetitive snatches will seriously tax the athlete’s ability
to hold the bar. While not highly recommended for the clean
unless going from the hang position, straps for all sets of
snatches over two repetitions are highly recommended.
Weightlifting Belts
Like the clean, wearing a weightlifting belt in the snatch is
not absolutely necessary. Unless maxing out, there is greater
value in challenging, rather than assisting, the core. The one
exception may be when an athlete knows how to effectively
breathe into the belt to create even greater stiffness in the
core. If an athlete has proper control of the diaphragm and can
utilize the belt in this way, it is best to avoid maxes that might
need a belt.
Chalk
Use it. Lots of it. Use it. Lots of it. Try to emerge from a cloud of it every time
Try to emerge the athlete lifts.
from a cloud of Footwear for Power Snatches
it every time the As discussed previously, proper weightlifting shoes
athlete lifts. are critical to balance and stability. All things considered,
minimalist and running shoes most often simply cannot
provide the stability preferred when performing any Olympic
lift, including the snatch.
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5
LOADING the
OLYMPIC LIFTS
87
Loading the
Olympic Lifts
T
here are three primary patterns for loading that
I use with the Olympic lifts. Each has value for
lifters of different experience levels. The first is
the bodyweight method, the second is the work up
method, and the third is the percentage method.
40 kg x 3
50 kg x 3
60 kg x 3
70 kg x 3
80 kg x 3
85 kg x 3 92%
85 kg x 3
90 kg x 3
92 kg x 3 100%
40 kg x 3
60 kg x 3
70 kg x 3
80 kg x 3 86% (do not count)
90 kg x 3
92 kg x 3 100%
Because only two sets were within ten percent of the best
on that day, the athlete would need to complete the following
in order to complete the appropriate number of work sets:
85 kg x 3
85 kg x 3
The work up The work up method allows for high intensity training
method allows at the best level an athlete can reach on any given day. For
for high intensity large groups of athletes with varying levels of confidence
training at the best and competence in the Olympic lifts this may be the most
level an athlete appropriate method to use.
can reach on any At the collegiate level, I used this method for nearly every
given day. repetition I completed. I trained in a group of other throwers
and our strength coach rarely prescribed intensities. It was
expected that each day’s workout was to be performed at the
highest intensity possible. I used this method on my way to
the best lifts I ever completed: a 320 lbs. snatch and a 402 lbs.
clean and jerk. Big weights can be had using this method for
motivated athletes.
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In a given training period, the goals for the completion
of the training cycle should be known. That is, what numbers
would the coach and athlete like to hit by the end of the cycle?
All load values will be based upon these numbers.
The 100% snatch number is the first number to be used.
This number is for the full snatch, started from the ground and
received in the low squat position. All snatch exercises will
be based off of this number, including snatch pulls, power
snatches, hang snatches and block snatches. Each will come
back to the 100% snatch number.
Power snatches from any start position should be about
80% of the full snatch number. Snatch pulls and snatch
deadlifts will be performed at somewhere around the 90-
110% level. Weights at 60-80% of the snatch maximum will be
used to enhance speed with higher repetition sets.
The 100% clean and jerk will be the second number that
must be known, and is typically around 120% of the snatch
maximum. Again, clean and jerks, power cleans, power jerks,
push presses, split jerks, and clean pulls will be based off of
this number.
Prilepin’s table, designed by former Soviet weightlifting
coach A.S. Prilepin can be used to closely predict the sets and
reps used at any level of intensity.
Prilepin’s Table
Percent Zone Rep range per set Total reps
70-75% 3 to 6 18
80-85% 2 to 4 15
90% + 1 to 2 10
Summary
There is a lot of information here that can seem
overwhelming. My best advice to the committed coach is to
digest it, watch the DVD, and read it again. Above all else,
never stop learning, practicing, implementing, and changing.
It is unquestionably the pathway to meaningful change and
long-term success.
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SAMPLE
PROGRAMS
6
92
Olympic Lifting Warm-Up
Range of Motion/Activation
Ankle mobility on wall x 10 ea side
Kneeling rockback x 10
Glute bridge with 3” hold x 10
Contralateral superman x 10 ea side
Y, T, I, W shoulder raise on incline bench x 10 ea
Groiner x 10
Cradle walk x 10
Goblet squat with knee pry (vertical torso) x 10
Overhead squat with dowel and 3” hold at bottom x 10
Imitation Complexes
Snatch imitation Clean imitation
First set First set
Snatch grip deadlift x6 Clean pull from floor x6
Snatch pull from below knee x6 Power clean + front squat x6
Power snatch + overhead squat x6 Full clean x6
Full snatch x6 Split jerk x6
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Novice Program
Monday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Snatch 3x2 4x2 1 x 2, 2, 1, 1 4 x 1 Exp
2A: Snatch pull 3x3 4x3 4x3 3x3 Exp
3A: Front squat 3x3 4x3 4x3 3x3 Mod
Wednesday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Clean and jerk 3x2 4x2 4x2+1 Exp
2A: Clean pull 3x2 4x2 4x3 Exp
3A: Back squat 3x5 4x5 5x3 Mod
Friday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Power snatch 3x2 4x2 4x2 4x1 Exp
2A: Power clean and power jerk 3x2+1 4x2+1 4x2 4x1 Exp
3A: Romanian deadlift 3x5 4x5 4x5 4x5 Mod
94
Six Week Beginner Program
Block 1
Monday
Order & Exercise Week 1 Week 2 Week 3 Tempo
1A: Pull up 3 x 5 ea 3 x 5 ea 4 x 5 ea Mod
2A: Scarecrow snatch drill 3x5 3x5 4x5 Exp
3A: Overhead squat 3x5 3x5 4x5 Mod
3B: Plank 3 x 30” 3 x 30+” 4 x 30+” Mod
Wednesday
Order & Exercise Week 1 Week 2 Week 3 Tempo
1A: Goblet squat 3 x 5-8 3 x 5-8 4 x 5-8 Mod
2A: Romanian deadlift 3x5 3x5 4x5 Mod
3A: Standing dumbbell press 3x5 3x5 4x5 Mod
3B: Goblet farmer’s walk 3 x 40 yds 3 x 40 yds 3 x 40 yds Mod
Friday
Order & Exercise Week 1 Week 2 Week 3 Tempo
1A: Vertical jump 3 x 3 x3 3x3x3 4x3x3 Exp
2A: Hang clean/high pull 3 3x5 4x5 Exp
3A: Hang snatch/high pull 3x5 3x5 4x5 Mod
4A: Farmer’s walk, unilateral 3 x 40 yds 3 x 40 yds 3 x 40 yds Mod
4B: Turkish get up 3 x 2 ea 3 x 2 ea 3 x 2 ea Mod
95
Six Week Beginner Program
Block 2
Monday
Order & Exercise Week 1 Week 2 Week 3 Tempo
1A: Hang snatch pull 3x5 3x5 4x5 Exp
2A: Hang snatch 3x5 3x3 4x3 Exp
3A: Overhead squat 3x3 3x3 4x3 Mod
3B: Plank 3 x 30” 3 x 30+” 4 x 30+” Mod
Wednesday
Order & Exercise Week 1 Week 2 Week 3 Tempo
1A: Hang clean pull 3x5 3x5 4x5 Exp
2A: Hang clean + push press 3x3 3x3 4x3 Exp
3A: Goblet squat 3x5 3x5 4x5 Mod
3B: Waiter’s walk 3 x 40 yds 3 x 40 yds 3 x 40 yds Mod
Friday
Order & Exercise Week 1 Week 2 Week 3 Tempo
1A: Vertical jump 3x3x3 3x3x3 4x3x3 Exp
2A: Clean grip deadlift 3 3x5 4x5 Mod
3A: Power jerk 3x5 3x5 4x5 Exp
4A: Farmer’s walk unilateral 3 x 40 yds 3 x 40 yds 3 x 40 yds Mod
4B: Turkish get up 3 x 2 ea 3 x 2 ea 3 x 2 ea Mod
96
Eight Week Advanced Program
Week 1
Day 3
Order & Exercise Sets Reps Notes
Warm-up: SMR/mobility & snatch initiation 1-2 30-40
1A Assistive: Snatch from hang above knee 3 2 Get knees out of the way
2A Combo: Klokov complex: CG DL + full clean + front 4 1
squat + push press + jerk
3A Assistive: Flat foot hang snatch pull 3 3
4A Lower body: Split squat 4 5
4B Corrective: Ankle mobilizations 4 12 Each side
5A Core: Turkish get up 3 2 ea
5B Core: Bilateral heavy farmer’s walk 3 40-60 yds
Technique: Snatch grip deadlift 1 20 Dip and drive up, ride bar
Day 3
Order & Exercise Sets Reps Notes
Warm-up: SMR/mobility & snatch initiation 1-2 30-40
1A Assistive: Power clean from blocks 3 2 Get knees out of the way
2A Combo: Klokov complex: CG DL + full clean + front 4 1
squat + push press + jerk
3A Assistive: Flat foot clean high pull 3 3 Don’t finish on toes
4A Lower body: Split squat 4 5
4B Corrective: Ankle mobilizations 4 12 Each side
5A Core: Turkish get up 3 2 ea
5B Core: Bilateral heavy farmer’s walk 3 40-60 yds
Technique: Snatch grip deadlift 1 20 Dip and drive up, ride bar
Day 3
Order & Exercise Sets Reps Notes
Warm-up: SMR/mobility & snatch initiation 1-2 30-40
1A Assistive: Snatch from blocks at mid-shins 3 2 Get knees out of the way
2A Combo: Klokov complex: CG DL + full clean + front 4 1
squat + push press + jerk
3A Assistive: Flat foot high pull 3 3 Don’t finish on toes
4A Lower body: Split squat 4 5
4B Corrective: Ankle mobilizations 4 12 Each side
5A Core: Turkish get up 3-4 2 ea
5B Core: Bilateral heavy farmer’s walk 3-4 40-60 yds
103
Eight Week Advanced Program
Week 8
Day 3
Order & Exercise Sets Reps Notes
OFF
104
Combo Program
Combos for technique
Monday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Power snatch + OH squat + Snatch 3 x 1 ea x 2 3 x 1 ea x 2 4 x 1 ea x 2 4 x 1 ea x 2 Exp
w/ pause at bottom
2A: Snatch 4x2 4x2 1 x 2, 2, 2, 1 4 x 1 Exp
3A: Snatch pull 3x3 3x3 4x3 4x3 Mod
4A: Front squat 3x5 3x3 1 x 5, 3, 1 3x5 Mod
Tuesday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Power clean + front squat + clean + 3 x 1 ea 3 x 1 ea 4 x 1 ea 4 x 1 ea Exp
jerk (pause in split position on jerk)
2A: Clean and jerk 4x2+1 4x2+1 4x2+1 4x1+1 Exp
3A: Push press 3x5 3x3 1 x 5, 3, 1 3x5 Mod
4A: Clean pull 3x3 3x3 3x3 3x3 Exp
Thursday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Clean grip deadlift + clean grip hang 3x3 3x3 3x4 4x3 Exp
snatch
2A: Power snatch 3x3 3x3 3x4 3x4 Exp
3A: Snatch balance 3x5 3x5 4x5 4x5 Exp
3B: Romanian deadlift 3 x 6 ea 3 x 6 ea 4 x 6 ea 4 x 6 ea Exp
4A: Farmer’s walk unilateral 3 x 60 yds 3 x 60 yds 4 x 60 yds 4 x 60 yds Mod
Friday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Hang clean pull + hang power clean + 3 x 2 ea 3 x 2 ea 4 x 2 ea 4 x 2 ea Exp
power jerk
2A: Clean 4x2 4x2 4x2 4x1 Mod
3A: Back squat 3x5 3x5 1 x 5, 3, 1 3x5 Mod
4A: Press 3x5 3x5 4x5 4x5 Mod
105
General Sport & Athlete Program
Monday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Hang snatch 3x3 3x3 4x3 4x3 Exp
2A: Front squat 3x8 3x8 4x8 4x8 Mod
3A: Bench press 3x5 3x5 4x5 4x5 Mod
4A: Goblet split squat 3 x 8 ea 3 x 8 ea 4 x 8 ea 4 x 8 ea Mod
4B: Turkish get up 3x2 3x2 4x2 4x2
Tuesday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Hang clean 3x4 3x4 4x4 4x4 Exp
2A: Trap bar deadlift 3x8 3x8 4x8 4x8 Mod
3A: Chin up 3x5 3x5 4x5 4x5 Mod
4A: Straight leg Romanian deadlift 3x8 3x8 3x8 3x8 Mod
4B: Double farmer’s walk 3 x 40 yds 3 x 40 yds 4 x 40 yds 4 40 yds Mod
Thursday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Clean grip snatch 3x3 3x3 4x3 4x3 Exp
2A: Back squat 3x5 3x5 4x5 4x5 Exp
3A: Push press 3x5 3x5 4x5 4x5 Mod
4A: Walking lunge 3 x 40 yds 3 x 40 yds 4 x 40 yds 4 x 40 yds Mod
4B: Farmer’s walk unilateral 3 x 40 yds 3 x 40 yds 4 x 40 yds 4 x 40 yds Mod
Friday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Power clean pull 3x3 3x3 4x3 4x3 Exp
2A: Romanian deadlift 3x5 3x5 4x5 4x5 Mod
3A: Inverted row 3x8 3x8 4x8 4x8 Mod
4A: Lateral goblet lunge 3 x 40 yds 3 x 40 yds 4 x 40 yds 4 x 40 yds Mod
4B: Plank (all ways) 3 x 30” 3 x 30” 4 x 30” 4 x 30” Mod
106
Speed & Explosive Program
Monday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Hang snatch 3x2 3x2 4x2 4x2 Exp
2A: Barbell back squat 3x5 3x5 4x5 4x5 3:0:0:0
2B: Box jump 3x5 3x5 4x5 4x5 Exp
2C: Barbell jump squat 3x8 3x8 4x8 4x8 Exp
3A: Dumbbell bench press 3x5 3x5 4x5 4x5 Mod
3B: Band pull apart 3 x 15-20 3 x 15-20 4 x 15-20 4 x 15-20 Mod
Tuesday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Split clean 3 x 2 ea 3 x 2 ea 4 x 2 ea 4 x 2 ea Exp
2A: Power jerk 3x4 3x4 4x4 4x4 Exp
3A: Chin up 3x5 3x5 4x5 4x5 Mod
4A: Face pull 3x8 3x8 3x8 3x8 Mod
4B: Double farmer’s walk 3 x 40 yds 3 x 40 yds 4 x 40 yds 4 40 yds Mod
Thursday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Clean grip snatch 3x3 3x3 4x3 4x3 Exp
2A: Romanian deadlift 3x5 3x5 4x5 4x5 3:0:0:0
3A: Distance jump 3x5 3x5 4x5 4x5 Mod
4A: Weighted split lunge 3 x 6 ea 3 x 6 ea 4 x 6 ea 4 x 6 ea Exp
4B: Farmer’s walk unilateral 3 x 60 yds 3 x 60 yds 4 x 60 yds 4 x 60 yds Mod
Friday
Order & Exercise Week 1 Week 2 Week 3 Week 4 Tempo
1A: Hang clean pull + hang power clean 3 x 2 ea 3 x 2 ea 4 x 2 ea 4 x 2 ea Exp
2A: Split jerk 3 x 2 ea 3 x 2 ea 4 x 2 ea 4 x 2 ea Mod
3A: Inverted row 3x8 3x8 4x8 4x8 Mod
4A: Lateral goblet lunge 3 x 40 yds 3 x 40 yds 4 x 40 yds 4 x 40 yds Mod
4B: Plank (all ways) 3 x 30” 3 x 30” 4 x 30” 4 x 30” Mod
107
ABOUT THE AUTHOR
W
il Fleming is the Owner of Force
Fitness and Performance and
Athletic Revolution Bloomington, in
Bloomington, Indiana. Force Fitness
opened just over two years ago and is already
one of the most successfultraining facilities in the
Midwest. With business partner Ryan Ketchum,
Wil has established the business as one of the most
sought-after facilities in the region, serving nearly
400 fitness and performance clients. In just 24
months, Fleming has been instrumental
in helping 15 athletes earn Division
I scholarships and 35 others earn
collegiate athletic scholarships at other
levels of participation.
In addition to being a business
owner, Fleming is an accompliched
author. He wrote the International
Conditioning Association’s Olympic Lifts
Instructor Course manual as well as the
the Speed and Agility chapter in IYCA
Essentials of High School Strength and
Conditioning text. He also authored and
filmed the Core Lifts program intended
to help Athletic Revolution franchisees
lean and refine their coaching technique
regarding fundamental weight lifting
skills and his work also appears on
WIL FLEMING T-Nation, STACK, and a number of other
media outlets.
Prior to being a business owner, Fleming was an
Olympic Trials participant, an all-American athlete,
and the school record holder at Indiana University
as a hammer thrower. Wil was a resident athlete at
the Olympic Training Center in Colorado Springs
for Olympic weightlifting after winning a Jr. National
Championship in the same sport.
You can always catch his latest work on his
website, www.wilfleming.com.
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ABOUT THE EDITOR
T
oby Brooks currently serves as the Director of Research
and Education for the International Youth Conditioning
Association.
The Golconda, Illinois native completed his
undergraduate studies in Athletic Training and was named one of the
Top 25 Graduating Seniors at Southern Illinois University
Carbondale (SIUC) in 1998. He then accepted a graduate
assistant athletic trainer position at the University of
Arizona. At the U of A, he completed both his Master’s and
Doctoral degrees in Physical Education while working with
the Wildcat women’s gymnastics, football, and baseball
programs.
Dr. Brooks has worked as a certified athletic
trainer and/or strength coach with numerous professional,
collegiate, and high school athletics programs, including
the Oakland Raiders, USA Baseball, the University of Texas
El Paso, Liberty University, the Florida Firecats, Shawnee
Community College, the Southern Illinois Miners, and seven
high schools across three states. He has also has published
multiple books, articles, and studies and is a regular
presenter at national and international conferences.
Dr. Brooks currently serves as an Assistant Professor in the
Master of Athletic Training Program at Texas Tech University Health
Sciences Center in Lubbock, Texas. Toby is also co-founder and
creative director for NiTROhype Creative (nitrohype.com), a graphic
design firm specializing in web and print-based media production
primarily for athletic, fitness, and motorsports-based businesses.
www.CompleteOlympicLifting.com
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