You are on page 1of 11

Individual Differences in Musical Taste

Author(s): ADRIAN C. NORTH


Source: The American Journal of Psychology, Vol. 123, No. 2 (Summer 2010), pp. 199-208
Published by: University of Illinois Press
Stable URL: http://www.jstor.org/stable/10.5406/amerjpsyc.123.2.0199
Accessed: 23-10-2016 15:55 UTC

REFERENCES
Linked references are available on JSTOR for this article:
http://www.jstor.org/stable/10.5406/amerjpsyc.123.2.0199?seq=1&cid=pdf-
reference#references_tab_contents
You may need to log in to JSTOR to access the linked references.

JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted
digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about
JSTOR, please contact support@jstor.org.

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at
http://about.jstor.org/terms

University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to The
American Journal of Psychology

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
Individual Differences in Musical Taste
ADRIAN C. NORTH
Heriot Watt University

Several studies have investigated the relationship between (usually a narrow set of) personality
dimensions and liking for a small number of individual musical styles. To date there has been
no attempt to investigate, within a single methodology, the extent to which personality factors
correlate with liking for a very wide range of musical styles. To address this, 36,518 partici-
pants rated their liking for 104 musical styles, completed a short form of the Big 5 personality
inventory, and provided other data about their favorite musical styles. Personality factors were
related to both liking for the musical styles and participants’ reasons for listening to this music.
However, on the whole these latter variables were related more closely to participants’ age,
sex, and income than to Big 5 scores. Thus, personality is related to musical taste, but other
individual differences are arguably related more closely.

3FTFBSDIIBTDIBSBDUFSJ[FEBFTUIFUJDSFTQPOTFTUP 0/FJMM *WBMEJ öôôõ


3FTFBSDIPOUIFUIJSEGBDUPS 
NVTJDBTNFEJBUFECZBTQFDUTPGUIFNVTJDJUTFMG  UIFMJTUFOFS JTTDBSDF IPXFWFS"SHVBCMZUIFNPTU
UIFMJTUFOJOHTJUVBUJPO BOEUIFMJTUFOFS FH /PSUI GSFRVFOUMZTUVEJFEJOEJWJEVBMEJďFSFODFGBDUPSJONV-
)BSHSFBWFT öôôü
4UVEJFTPGUIFBTQFDUTPGUIF TJDBMUBTUFJTQFSTPOBMJUZ BOESFTFBSDIIBTGPDVTFE
NVTJDJUTFMGUIBUJOëVFODFNVTJDBMQSFGFSFODFIBWF TUSPOHMZPOGBDUPSTUIBUEJTUJOHVJTIGBOTPGCPUISBQ
GPDVTFEPOUIFDPNQMFYJUZBOEGBNJMJBSJUZPGUIFNV- BOESPDLGSPNUIFSFTUPGUIFQPQVMBUJPO TVDIBT
TJDPSUIFFYUFOUUPXIJDIJUJTUZQJDBMPGUIBUUPXIJDI ;VDLFSNBOT õýûý
TFOTBUJPOTFFLJOHTDBMF "SOFUU 
QBSUJDJQBOUTBSFVTVBMMZFYQPTFE FH .BSUJOEBMF õýýõ õýýö)BMM öôôù
DPOTFSWBUJTNWBSJBCMFT (MBT-
.PPSF õýüý
3FTFBSDIPOUIFMJTUFOJOHTJUVBUJPO HPX$BSUJFS õýüù-ZOYXJMFS(BZ öôôô
BOE
IBTJOWFTUJHBUFEIPXMJTUFOFSTVTFNVTJDUPNFEJBUF BOUJBVUIPSJUBSJBOJTN /PSUI)BSHSFBWFT öôôú
BSPVTBMJOUIFBVUPOPNJDOFSWPVTTZTUFNDBVTFECZ 8JOHPPEFUBM öôô÷

UIPTFTJUVBUJPOT ,POFD†OJ õýüö/PSUI)BSHSFBWFT   /PUF IPXFWFS UIBUUIFSFCFMMJPVTOBUVSFPGSPDL
öôôô
PSUPNFFUBTFSJFTPGNVOEBOF FWFSZEBZHPBMT GBOTJTOPUGPVOEVOJWFSTBMMZ ;XFJHFOIBGU öôôü
BOE
/PSUI )BSHSFBWFT )BSHSFBWFT öôôø4MPCPEB  UIBU(FPSHF 4UJDLMF 3BDIJE BOE8PQOGPSE öôôû


American Journal of Psychology


4VNNFSöôõô 7PMõö÷ /PöQQõýýmöôür¥öôõôCZUIF#PBSEPG5SVTUFFTPGUIF6OJWFSTJUZPG*MMJOPJT

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
BOE3FOUGSPXBOE(PTMJOH öôô÷
GPVOEUIBUSBQBOE  4FDPOE BOPUIFSDPOTFRVFODFPGUIFGPDVTPO
SPDLMPBEPOUPEJďFSJOHHSPVQJOHTPGNVTJDBMUBTUF BOUJBVUIPSJUBSJBOJTNBNPOHGBOTPGSBQBOESPDLJT
BOETPNVTUCFUSFBUFETFQBSBUFMZ.PSFPWFS UIJT UIBUMJUUMFJTLOPXOBCPVUUIFFYUFOUUPXIJDINPSF
GPDVTPOBOUJBVUIPSJUBSJBOJTNBNPOHSBQBOESPDL HFOFSBMBTQFDUTPGQFSTPOBMJUZBSFSFMBUFEUPMJLJOHGPS
GBOTIBTUXPJNQMJDBUJPOT'JSTU MJUUMFJTLOPXOBCPVU BSBOHFPGNVTJDBMTUZMFT5IFDPSSFMBUJPOTCFUXFFO
XIFUIFSQFSTPOBMJUZJOHFOFSBMJTSFMBUFEUPNVTJDBM MJLJOHGPSNFUBTUZMFTBOETDPSFTPOUIF#JH'JWFEJ-
UBTUFJOHFOFSBM XJUIQFSIBQTPOMZUXPBUUFNQUTUP NFOTJPOTJEFOUJêFECZ3FOUGSPXBOE(PTMJOH öôô÷

JOWFTUJHBUFUIJTRVFTUJPOUPEBUF3FOUGSPXBOE(PT- XFSFUZQJDBMMZCFUXFFOõôBOEöù JOEJDBUJOHUIBU
MJOH öôô÷
êSTUJEFOUJêFEGPVSNVTJDBMNFUBTUZMFT UIFZFYQMBJOFEGBSMFTTUIBOõôPGUIFWBSJBODFJO
SFëFDUJWFBOEDPNQMFY JOUFOTFBOESFCFMMJPVT VQ- QBSUJDJQBOUTEBUB5IFQPTTJCJMJUZFYJTUTUIBUBMUIPVHI
CFBUBOEDPOWFOUJPOBM BOEFOFSHFUJDBOESIZUINJD  BHFOFSBMNFBTVSFPGQFSTPOBMJUZJTSFMBUFEUPMJLJOHGPS
XIJDIXFSFBTTPDJBUFEXJUITDPSFTPOUIF#JH'JWF BXJEFSBOHFPGNVTJDBMTUZMFT BOZTVDISFMBUJPOTIJQT
QFSTPOBMJUZJOWFOUPSZ TFF-BOHGPSE öôô÷
XIJDI NJHIUCFTNBMM
QSPEVDFTBTDPSFGPSBOJOEJWJEVBMPOFBDIPGêWF  5PBEESFTTUIFTFUXPJTTVFT UIJTBSUJDMFQSFTFOUT
EJNFOTJPOTUIBUUPHFUIFSBSFDMBJNFEUPQSPWJEFB SFHSFTTJPOEBUBCBTFEPOBO*OUFSOFUTVSWFZPGNPSF
DPNQSFIFOTJWFPWFSWJFXPGQFSTPOBMJUZ5IF#JH'JWF UIBO÷ú ôôôQFPQMFDPODFSOJOHUIFFYUFOUUPXIJDI
EJNFOTJPOTBSFPQFOOFTT DPOTDJFOUJPVTOFTT FYUSP- UIFJSEFHSFFPGMJLJOHGPSõôøEJďFSFOUNVTJDBMTUZMFT
WFSTJPO BHSFFBCMFOFTT BOEOFVSPUJDJTN0QFOOFTTJT DPVMECFQSFEJDUFECZUIFJSTDPSFTPOBTIPSUNFBTVSF
BOBQQSFDJBUJPOPGBEWFOUVSPVTOFTTBOEBSU DVSJPT- PGUIF#JH'JWFQFSTPOBMJUZJOWFOUPSZ5IFNBJOIZ-
JUZ BOEFOKPZNFOUPGUIFVOVTVBMDPOTDJFOUJPVTOFTT QPUIFTJTPGUIFQSFTFOUSFTFBSDIXBTUIBUQBSUJDJQBOUT
DPOTJTUTPGTFMGEJTDJQMJOF GFFMJOHTPGEVUZ QMBOOJOH  MJLJOHGPSUIFTFNVTJDBMTUZMFTTIPVMECFSFMBUFEUP
BOEBDIJFWFNFOUPSJFOUBUJPOFYUSPWFSTJPODPOTJTUT UIFJSQFSTPOBMJUZ
PGTFFLJOHTUJNVMBUJPOBOEDPNQBOZ FOFSHZ BOETVS-
HFODZBHSFFBCMFOFTTDPOTJTUTPGCFJOHDPNQBTTJPO- Other Individual Difference Variables:
BUFBOEDPPQFSBUJWFBOEOFVSPUJDJTNJTFNPUJPOBM Self-Esteem, Age, Sex, and Income
JOTUBCJMJUZBOEBQSFEJTQPTJUJPOUPXBSEOFHBUJWFFNP- 3FTFBSDITVHHFTUTUIBUTFWFSBMBTQFDUTPGUIFMJTUFOFS
UJPOTTVDIBTBOYJFUZBOEEFQSFTTJPO'PSFYBNQMF  PUIFSUIBOQFSTPOBMJUZNJHIUBMTPCFSFMBUFEUPNVTJ-
3FOUGSPXBOE(PTMJOH öôô÷
GPVOEUIBUMJLJOHGPS DBMUBTUF5IFSFGPSF UIFTFDPOEBJNPGUIFQSFTFOU
CPUISFëFDUJWFBOEDPNQMFYNVTJDBOEJOUFOTFBOE SFTFBSDIXBTUPDPNQBSFUIFTUSFOHUIPGUIFSFMBUJPO-
SFCFMMJPVTNVTJDXBTSFMBUFEQPTJUJWFMZUPPQFOOFTT TIJQCFUXFFONVTJDBMUBTUFBOEQFSTPOBMJUZXJUISFMB-
UIBUMJLJOHGPSVQCFBUBOEDPOWFOUJPOBMNVTJDXBT UJPOTIJQTCFUXFFONVTJDBMUBTUFBOETFMGFTUFFN BHF 
SFMBUFEQPTJUJWFMZUPFYUSPWFSTJPO BHSFFBCMFOFTT BOE TFY BOEJODPNF
DPOTDJFOUJPVTOFTTBOEOFHBUJWFMZUPPQFOOFTTBOE  'JSTU UIFSFTFBSDIJOWFTUJHBUFEXIFUIFSTFMGFT-
UIBUMJLJOHGPSFOFSHFUJDBOESIZUINJDNVTJDXBTSF- UFFNXBTSFMBUFEUPMJLJOHGPSUIFNVTJDBMTUZMFT5IJT
MBUFEQPTJUJWFMZUPFYUSPWFSTJPOBOEBHSFFBCMFOFTT RVFTUJPOXBTDPOTJEFSFECFDBVTFPGSFTFBSDITIPXJOH
 4JNJMBSMZ (FPSHFFUBM öôôû
BTTFTTFEMJLJOHGPS FMFWBUFEMFWFMTPGTFMGIBSNJOHBOEMPXFSTFMGFTUFFN
÷ôNVTJDBMTUZMFTBNPOH÷ùüQFPQMFBOETUVEJFEIPX BNPOHSPDLGBOT FH /PSUI)BSHSFBWFT öôôú
UIJTSFMBUFEUPUIF#JH'JWFQFSTPOBMJUZEJNFOTJPOT 3VCJO 8FTU .JUDIFMM öôôõ
BOE5BSSBOU /PSUI 
QMVTTFWFSBMPUIFSJOEJWJEVBMEJďFSFODFWBSJBCMFTJO- BOE)BSHSFBWFTT öôôö
êOEJOHUIBUUIFNBJOUFOBODF
UFMMJHFODF TQJSJUVBMJUZ TFMGFTUFFN TPDJBMTLJMMT MPDVT PGTFMGFTUFFNVOEFSMJFTUIFVTFPGNVTJDBMQSFGFSFODF
PGDPOUSPM FNPUJPOBMTUBCJMJUZ IPTUJMJUZ BOEEFQSFT- JOJOUFSHSPVQEJTDSJNJOBUJPO4FDPOE UIFSPMFPGBHF
TJPO5IFZGPVOEUIBUiGBDUPSBOBMZTJTPGUIF÷ôNVTJD JONVTJDBMUBTUFTIBTCFFOTUVEJFETVSQSJTJOHMZMJUUMF 
TUZMFTSFTVMUFEJOüGBDUPST<BOEUIBUUIFSFXBT>BO CVU)BSHSFBWFTBOE$BTUFMM õýüû
SFQPSUFEFWJEFODF
BMNPTUDPNQSFIFOTJWFMZOFHBUJWFQFSTPOBMQSPêMFGPS TVQQPSUJOHUIFJSDPOUFOUJPOUIBUBHFTIPVMECFSFMBUFE
UIPTFXIPMJTUFOUPUIF3FCFMMJPVTBOE3IZUINJD QPTJUJWFMZUPMJLJOHGPSNPSFDPNQMFYNVTJDPUIFS
*OUFOTFDBUFHPSJFTPGNVTJD3FTVMUTGVSUIFSQSPEVDF TUVEJFTJNQMJDBUFBEPMFTDFODFBTBDSJUJDBMQFSJPEJO
BOBMNPTUDPNQSFIFOTJWFMZQPTJUJWFQSPêMFGPSUIPTF UIFEFWFMPQNFOUPGNVTJDBMUBTUF )PMCSPPL4DIJO-
XIPMJTUFOUP$MBTTJDBMNVTJDu Q÷ö
 EMFS õýüý/PSUI)BSHSFBWFT õýýù öôôö
5IJSE 

 t NORTH

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
GFXTUVEJFTIBWFBEESFTTFETFYBTUIFQSJNBSZTPVSDF DPNQMFUFBOPOMJOFRVFTUJPOOBJSFQSFTFOUFEUIFSF
PGWBSJBUJPOJONVTJDBMUBTUF BMUIPVHIUIFSFJTTPNF %BUBGSPNõ ÷÷úSFTQPOEFOUT ÷ùPGBMMSFTQPO-
JOEJDBUJPOUIBUXPNFOQSFGFSiTPGUFSuNVTJDBMTUZMFT EFOUT
XFSFEJTDBSEFECFDBVTFUIFQBSUJDJQBOUTEJE
TVDIBTNBJOTUSFBNQPQ XIFSFBTNFOUFOEUPQSFGFS OPUMJWFJOUIFUBSHFUBSFBT%BUBXBTEFMFUFEGSPN
iIBSEFSuTUZMFTTVDIBTSPDL TFF/PSUI )BSHSFBWFT  BOPUIFSúúSFTQPOEFOUTXIPEJEOPUTUBUFUIFJSBHF
PSDPVOUSZPGPSJHJO%BUBXFSFEFMFUFEGSPNùPUIFS
0/FJMM öôôô
'JOBMMZ UIFSFJTTPNFJOEJDBUJPO
SFTQPOEFOUTXIPGBJMFEUPTFMFDUUIFiVOLOPXOuPQ-
GSPNTPDJPMPHJDBMSFTFBSDIESBXJOHPOB.BSYJTUBQ- UJPOGPSBêDUJPOBMNVTJDBMTUZMFJODMVEFEPOUIFMJTU 
QSPBDIUIBUIJHIFSJODPNFJTBTTPDJBUFEXJUIUBTUFGPS iQBODBU uXIJDIXBTJODMVEFEUPJEFOUJGZQBSUJDJQBOUT
iIJHIBSUuNVTJDBMTUZMFT TFF4IFQIFSE öôô÷/PSUI QSPEVDJOHVOSFMJBCMFEBUB5IJTMFGUBêOBMTBNQMF
)BSHSFBWFT öôôû
 PG÷ú ùõüQBSUJDJQBOUTXJUIBNFBOBHFPGöüõ÷ZFBST
SDõôøû
DPNQSJTJOHöö õú÷NFOBOEõø ÷ùù
Reasons for Listening to Favorite Musical Style XPNFO XJUIöø ûýöGSPN&VSPQF QSJODJQBMMZ%FO-
5IFQSFTFOUSFTFBSDIBMTPBMMPXFEJOWFTUJHBUJPOPG NBSL 'JOMBOE (FSNBOZ *UBMZ /PSXBZ 1PMBOE BOE
BOJOUFSFTUJOHTVCTJEJBSZJTTVFDPODFSOJOHJOEJWJEVBM UIF6OJUFE,JOHEPN
õô öö÷GSPN/PSUI"NFSJDB 
EJďFSFODFTJONVTJDBMUBTUF"TOPUFEFBSMJFS TFWFSBM BOEõ ùô÷GSPN"VTUSBMJBBOE/FX;FBMBOE3FTQPO-
EFOUT*OUFSOFU1SPUPDPMBEESFTTFTXFSFVTFEUPWFSJGZ
TUVEJFTIBWFGPVOEUIBUQFPQMFXIPTFGBWPSJUFNVTJ-
UIBUUIFZEJEOPUDPNQMFUFUIFRVFTUJPOOBJSFUXJDF
DBMTUZMFJTSBQPSSPDLTDPSFIJHIFSUIBOPUIFSTPO "SFTFBSDIFSXBTBWBJMBCMFWJBQIPOFBOEFNBJMEVS-
WBSJPVTNFBTVSFTPGBOUJBVUIPSJUBSJBOJTN*NQMJDJUJO JOHEBUBDPMMFDUJPOUPBOTXFSQBSUJDJQBOUTRVFTUJPOT
UIFTFTUVEJFTJTUIFOPUJPOUIBUUIFTFOTBUJPOBMMZSJDT BOEQSFWFOUESPQPVUT"SFHJPO &VSPQFWT/PSUI
BOENVTJDBMDIBSBDUFSJTUJDTBTTPDJBUFEXJUIUIFNV- "NFSJDBWT"VTUSBMBTJB
rHFOEFSNVMUJWBSJBUFBOBMZ-
TJDSFëFDUUIFEJTQPTJUJPOTPGUIFMJTUFOFST.PSFGPS- TJTPGDPWBSJBODF mancova
 XIJDIUSFBUFEJODPNF
NBMMZ UIJTTVHHFTUTUIBUGBWPSJUFNVTJDBMTUZMFTNJHIU BOEBHFBTDPWBSJBUFT
XBTDBSSJFEPVUPOGBDUPSTDPSFT
SFëFDUBTQFDUTPGQFSTPOBMJUZ5IFDIBSBDUFSJTUJDTPG SFTVMUJOHGSPNUIFQSJODJQBMDPNQPOFOUBOBMZTJTPG
BQFSTPOTGBWPSJUFNVTJDBMTUZMFNJHIUDPSSFTQPOE SBUJOHTPGMJLJOHGPSUIFNVTJDBMTUZMFT 5BCMFõ
UIJT
XJUIBOFYBHHFSBUFEQFSTPOBMJUZEJTQPTJUJPOIFMECZ JOEJDBUFEOPFďFDUPGSFHJPOXIFOUIFTFPUIFSGBD-
UIBUQFSTPO)PXFWFS EBUBDPODFSOJOHBNVDIXJEFS UPSTXFSFBDDPVOUFEGPS TPEBUBGSPN&VSPQF /PSUI
SBOHFPGNVTJDBMTUZMFTBSFOFFEFECFGPSFTVDIBDPO- "NFSJDB BOE"VTUSBMBTJBXFSFQPPMFEJOUIFBOBMZTFT
SFQPSUFEIFSF
DMVTJPODBOCFTUBUFEXJUIDPOêEFODF*OQBSUJDVMBS 
BOBMUFSOBUJWFQPTTJCJMJUZJTUIBUQFPQMFNJHIUJOTUFBE Questionnaire
IBWFBTUIFJSGBWPSJUFBNVTJDBMTUZMFUIBUDPNQFOTBUFT 1BSUJDJQBOUTTUBUFEUIFJSBHFJOZFBST UIFJSTFY XJUI
GPS PSBUUFOVBUFT BOPUIFSXJTFFYBHHFSBUFEQFSTPOBM- 1 = male, 2 = female
BOEUIFJSUPUBMQFSTPOBMBOOVBM
JUZUSBJU JODPNFCFGPSFUBYBOEUIFODPNQMFUFEUIF3PTFO-
CFSHTFMGFTUFFNTDBMF 3PTFOCFSH õýüý
POXIJDI
STUDY IJHITDPSFTJOEJDBUFIJHITFMGFTUFFN $SPOCBDIT
BMQIBüû

 5IFNPTUUIPSPVHIBTTFTTNFOUPGUIF#JH'JWF
METHOD XBTQSPWJEFECZ$PTUBBOE.D$SBFT õýüù
öøô-
JUFN/&01FSTPOBMJUZ*OWFOUPSZ)PXFWFS JUTMFOHUI
Participants DMFBSMZNBLFTJUVOTVJUBCMFGPSVTFJOSFTFBSDIUIBU
%BUBXFSFDPMMFDUFEWJBBO*OUFSOFURVFTUJPOOBJSF JO BMTPSFRVJSFTEBUBDPMMFDUJPOGPSBTFDPOEGBDUPS JO
&OHMJTI
UIBUXBTQVCMJDJ[FECZUIFIPTUVOJWFSTJUZT UIJTDBTFNVTJDBMQSFGFSFODFT1BSUJDJQBOUTUIFSFGPSF
8FCTJUFBOEBQSFTTSFMFBTFUBSHFUFEBUOFXTQBQFST DPNQMFUFE-BOHGPSET öôô÷
êWFJUFNNFBTVSFPG
BOESBEJPTUBUJPOTTJUVBUFEJO&VSPQF /PSUI"NFS- UIF#JH'JWFQFSTPOBMJUZEJNFOTJPOT-BOHGPSEJOWFT-
JDB "VTUSBMJB BOE/FX;FBMBOE5IFQSFTTSFMFBTF UJHBUFEUIFWBMJEJUZBOESFMJBCJMJUZPGTFWFSBMTIPSUFS
OPUFEUIBUBOBUUFNQUXBTCFJOHNBEFiUPDBSSZPVU WFSTJPOTPG4IBGFST õýýý
÷ô-JUFNNFBTVSFPGUIF
UIFMBSHFTUFWFSBDBEFNJDTUVEZPGNVTJDBMUBTUF uUIBU #JH'JWFBOEDPODMVEFEUIBUUIFSFXBTiPOMZBTMJHIU
UIFJOUFOUJPOXBTUPDPMMFDUEBUBGSPNBMBSHFOVNCFS EFDMJOFJOQSFEJDUJWFWBMJEJUZBTUIFOVNCFSPGJUFNT
PGSFTQPOEFOUT BOEUIBUBTNBOZQFPQMFBTQPTTJCMF BOEBEKFDUJWFTJOUIF#JH'JWFNFBTVSFTEFDSFBTFE
XFSFOFFEFEUPWJTJUUIFQSPKFDU8FCTJUFJOPSEFSUP 5IFSFTVMUTTVQQPSUUIFVTFPGUIFBCSJEHFENFBTVSFT

INDIVIDUAL DIFFERENCES IN MUSICAL TASTE t 

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
5"#-&Rotated component matrix

Component
1 2 3 4 5 6 7 8 9 10

Classical .832
Baroque .790
20th century .749
Opera .747
Choral .705
Cool jazz .809
Jazz .785
Free jazz .773
Smooth jazz .722
Funk .558
Soundtracks and theme songs .739
Musicals .666
Showtunes .651
Easy listening .647
Film scores .608
Pop .573
Romantic .520
American folk .794
Folk rock .708
Country and Western .694
Bluegrass .676
Folk music .640
Punk .784
Alternative rock .757
Indie .727
Garage .627
Ska .570
Samba .671
Rumba .665
Latino .570
Swing .538
Rap .845
Hip-hop .840
R&B .674
Reggae .536
Dance and electronica .877
Techno .864
House .772
Disco .544
Rock and roll .657
Rock and heavy metal .641
Marching and military .582
Religious and praise .550
Eigenvalue 5.25 4.99 4.41 4.31 4.15 3.65 3.52 3.12 1.80 1.63
Percentage of variance 9.90 9.41 8.31 8.14 7.84 6.89 6.64 5.89 3.39 3.07

 t NORTH

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
VOEFSDPOEJUJPOTXIFOBENJOJTUSBUJPOUJNFJTTIPSU  FNPUJPO1BSUJDJQBOUTBMTPSBUFEGPVSSFBTPOT GSPN
SBUFSGBUJHVFJTMJLFMZPSXIFONVMUJQMFNFBTVSFTBSF /PSUI0JTIJ öôôú
XIZUIFZNJHIUCVZNVTJD
CFJOHBENJOJTUFSFE uTVDIBTJOUIFQSFTFOUTUVEZ XJUIJOUIFJSGBWPSJUFNVTJDBMTUZMF ôdefinitely not
-BOHGPSE öôô÷ Qõõöû
5IFSFTVMUJOHêWFJUFN a reason, 10 = definitely is a reason

NFBTVSFQSPEVDFECZ-BOHGPSESFRVJSFTQBSUJDJQBOUT
UPSBUFUIFNTFMWFTPOû-QPJOUQSPYZTDBMFTGPSUIF RESULTS AND DISCUSSION
#JH'JWFEJNFOTJPOTPGPQFOOFTT DPOTDJFOUJPVTOFTT 
FYUSPWFSTJPO BHSFFBCMFOFTT BOEOFVSPUJDJTN XIJDI .BOZPGUIFOPO8FTUFSONVTJDBMTUZMFTXFSFOPUSFD-
BSFSFTQFDUJWFMZiVODSFBUJWFmDSFBUJWF uiMB[ZmIBSE- PHOJ[FECZBMBSHFQPSUJPOPGUIFQBSUJDJQBOUT XJUI
XPSLJOH uiTIZmPVUHPJOH uiIFBETUSPOHmHFOUMF uBOE JNQMJDBUJPOTGPSUIFTUBUJTUJDBMQPXFSBOEEFHSFFTPG
iOFSWPVTmBUFBTFu5IFJUFNTTFMFDUFECZ-BOHGPSE GSFFEPNPGGVSUIFSBOBMZTFT TPùõNVTJDBMTUZMFTUIBU
GPSUIJTêWFJUFNNFBTVSFXFSFUIPTFUIBUTIPXFE XFSFOPUSFDPHOJ[FECZBUMFBTUúôUIFQBSUJDJQBOUT
UIFIJHIFTUXFJHIUFEBWFSBHFGBDUPSMPBEJOHTBDSPTT XFSFEFMFUFEGSPNUIFEBUBTFU"MJTUPGUIFTFDBOCF
4IBGFSTQVCMJTIFETUVEJFT BOETDPSFTPOUIFTFêWF EPXOMPBEFEGSPNUIFBVUIPST8FCQBHF IUUQ
JUFNTQSPEVDFEDPSSFMBUJPOTXJUITDPSFTPOB÷ô-JUFN XXXQTZDIPMPHZIXBDVLTUBďQIQ

NFBTVSFPGUIF#JH'JWFEJNFOTJPOTCFUXFFOúýBOE
üö NFBOûú
/PUFUIBUBMUIPVHIUIFêWFJUFNT
Metastyles
VTFEIFSFBSFBQQSPQSJBUFQSPYJFTGPSUIF#JH'JWF
EJNFOTJPOT UIFNBOVTDSJQUIFSFBGUFSSFGFSTPOMZUP "QSJODJQBMDPNQPOFOUBOBMZTJTXBTDBSSJFEPVUPO
UIFêWFJUFNTUIFNTFMWFT GPSUIFTBLFPGBDDVSBDZ SBUJOHTPGMJLJOHGPSUIFSFNBJOJOHNVTJDBMTUZMFT7BSJ-
4JNJMBSMZ OPUFUIBUUIFDPODMVTJPOTSFBDIFENVTUCF NBYSPUBUJPOZJFMEFEõôDPNQPOFOUTXJUIFJHFOWBMVFT
UBLFOBTCFJOHJOSFMBUJPOUPUIFêWFJUFNTUIFNTFMWFT HSFBUFSUIBOPOF TFF5BCMFõ
XJUIUIFTFNFUBTUZMFT
BOEUIBUUIFSFMBUJPOTIJQCFUXFFOUIFTFDPODMVTJPOT CFJOH MBCFMFE classical music, jazz, mainstream,
BOEUIF#JH'JWFEJNFOTJPOTQFSTFJTQPUFOUJBMMZ folk, alternative rock, Latino, music of black origin
NPSFPQFOUPEFCBUF (MOBO), dance, rock,BOEfunctional.
 1BSUJDJQBOUTUIFOSBUFEUIFJSMJLJOHGPSõôøNVTJ-
DBMTUZMFT QSFTFOUFEBMQIBCFUJDBMMZ GSPNô dislike a Musical Taste and Individual Differences
lot
UPõô like a lot
1BSUJDJQBOUTXFSFBMTPUPME i*G .VMUJQMFSFHSFTTJPOTJOWFTUJHBUFEUIFFYUFOUUPXIJDI
ZPVIBWFOFWFSIFBSEPGBNVTJDBMTUZMF PSZPVEPOU
QFSTPOBMJUZ TFMGFTUFFN BHF TFY BOEJODPNFDPVME
SFDPHOJTFJU UIFOQMFBTFTFMFDUAVOLOPXOuJOTUFBEPG
QSFEJDUMJLJOHGPSFBDITFQBSBUFNVTJDBMTUZMF5IF
HJWJOHBSBUJOH*OBOBUUFNQUUPJOWFTUJHBUFUIFXJEFTU
QPTTJCMFSBOHFPGNVTJDBMTUZMFT UIFõôøTUZMFTXFSF GVMMSFTVMUTGPSFBDIVOJRVFNVTJDBMTUZMFBSFBWBJMBCMF
GSPNBMMHMPCBMSFHJPOT TFMFDUFEJODPOTVMUBUJPOXJUI GSPNUIFBVUIPST8FCTJUF XIJDITIPXTUIBUMJLJOH
BOFUIOPNVTJDPMPHJTUBOEDIFDLFEXJUIUIFSFMFWBOU GPSFBDIXBTQSFEJDUFETJHOJêDBOUMZCZUIFJOEJWJEVBM
DVMUVSBMHSPVQT FH WJBDVMUVSBMDFOUFST *OUFSOFU EJďFSFODFWBSJBCMFTBOECZBUMFBTUPOFPGUIFQFSTPO-
DIBUSPPNT BOETUVEFOUTPDJFUJFT
UPFOTVSFUIBUUIFZ BMJUZWBSJBCMFT)PXFWFS JOBEBUBTFUBTMBSHFBTUIBU
XFSFXFMMLOPXO IFSF JOEJDBUPSTPGUIFBDUVBMTUSFOHUIPGBTTPDJBUJPO
 1BSUJDJQBOUTXFSFOFYUQSFTFOUFEXJUIUIFGVMMMJTU PUIFSUIBOTUBUJTUJDBMTJHOJêDBODFBSFBSHVBCMZNPSF
PGNVTJDBMTUZMFTBOEBTLFEUPOPNJOBUFPOFBTUIFJS JOTJHIUGVM"DDPSEJOHMZ 5BCMFöQSFTFOUTUXPWFS-
GBWPSJUFõôTUBUFNFOUTGSPN/PSUI )BSHSFBWFT BOE TJPOTPGUIFNFBOTUBOEBSEJ[FECFUBWBMVFTGPSFBDI
0/FJMM öôôô
BOEBTLFEUPSBUFUIFFYUFOUUPXIJDI NFUBTUZMF*OUIFDBMDVMBUJPOPGUIFêSTUTFUPGNFBO
FBDIXBTBSFBTPOXIZUIFZMJTUFOFEUPUIFJSGBWPSJUF
CFUBWBMVFT EFTJHOBUFEi4USFOHUIu
UIFEJSFDUJPO
TUZMFPGNVTJD ôdefinitely not a reason, 10 = defi-
PGUIFJOEJWJEVBMWBMVFTXBTJHOPSFE JOEJDBUJOHUIF
nitely a reason
 BOE OJOF FNPUJPOBM UFSNT GSPN
/PSUIBOE)BSHSFBWFT õýýû
POXIJDIUIFZSBUFE PWFSBMMTUSFOHUIPGBTTPDJBUJPO5IFTFDPOETFUPG
IPXUIFJSGBWPSJUFTUZMFPGNVTJDVTVBMMZNBLFTUIFN NFBOCFUBWBMVFT EFTJHOBUFEi%JSFDUJPOu
JODMVEFE
GFFM ônot at all true for me, 10 = really true for me
 UIFEJSFDUJPOPGUIFWBMVFTJODBMDVMBUJOHUIFNFBO
*OBEEJUJPOUPUIFSBUJOHPGIPXBSPVTJOHUIFNVTJD 5BCMFöTIPXTUIBUUIFQSFEJDUPSWBSJBCMFTFYQMBJOFE
XBT TFF#FSMZOF õýûõ3VTTFMM õýûü
UIFSFNBJOJOH POMZBTNBMMQSPQPSUJPO UZQJDBMMZCFUXFFOöBOE
FJHIUFNPUJPOBMUFSNTSFQSFTFOUFEUXPGSPNFBDIPG ù
PGUIFWBSJBODFJONVTJDBMUBTUF*OEJWJEVBMEJG-
UIFGPVSRVBESBOUTPGUIFDJSDVNQMFYBQQSPBDIUP GFSFODFTXFSFSFMBUFEPOMZXFBLMZUPNVTJDBMQSFGFS-

INDIVIDUAL DIFFERENCES IN MUSICAL TASTE t 

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
FODF BOEBHFBMPOFFYQMBJOFEUIFHSFBUFTUQPSUJPO UJWFBUUJUVEFT5IFi%JSFDUJPOuSPXTPG5BCMFöJOEJ-
PGUIFSFMBUJPOTIJQ DBUFUIBUXIFOVTFEUPQSFEJDUMJLJOHGPSUIF.0#0
 *OEFFE UIFHSBOENFBOSPXJO5BCMFöGPSTUSFOHUI NFUBTUZMF iHFOUMFu UIFQSPYZGPSUIFBHSFFBCMFOFTT
JOEJDBUFTUIBUUIFWBSJBCMFTNPTUDMPTFMZSFMBUFEUPNV- EJNFOTJPO
HBWFSJTFUPBNFBOTUBOEBSEJ[FECFUB
TJDBMUBTUFXFSF JOEFTDFOEJOHPSEFS BHF HFOEFS JO- WBMVFPGKVTUôôõUIJTGBJMTUPTVQQPSUUIFêOEJOHTPG
DPNF iDSFBUJWF uiPVUHPJOH uiTFMGFTUFFN uiHFOUMF u QSFWJPVTTUVEJFTTVHHFTUJOHBSFBTPOBCMZTUSPOHQPTJ-
iIBSEXPSLJOH uBOEiBUFBTFu0GUIFêWFQFSTPOBMJUZ UJWFSFMBUJPOTIJQCFUXFFOBOUJBVUIPSJUBSJBOJTNBOE
EJNFOTJPOT TDPSFTGPSiDSFBUJWFuXFSFSFMBUFENPTU MJLJOHGPSTVDINVTJD4JNJMBSMZ UIFSPDLNFUBTUZMF
DMPTFMZUPNVTJDBMUBTUFCreativeXBTUIFQSPYZUFSN XBTBTTPDJBUFEXJUIBNFBOTUBOEBSEJ[FECFUBWBMVF
GPSUIFPQFOOFTTEJNFOTJPOPGUIF#JH'JWF5IFMBUUFS PGôôúGPSiHFOUMF uXIJDIJTBMTPBSHVBCMZJODPO-
TVCTVNFTDPODFQUTTVDIBTCFJOHDSFBUJWF JNBHJOB- TJTUFOUXJUIBSFCFMMJPVTXPSMEWJFX BOEDPOTJTUFOU
UJWF BOEBSUJTUJD BOETPJUJTVOTVSQSJTJOHUIBUUIFUFSN XJUI;XFJHFOIBGUT öôôü DPODMVTJPOUIBUSPDLGBOT
SFQSFTFOUJOHUIJTTDBMFJOUIFQSFTFOUSFTFBSDIJTNPSF BSFOPUOFDFTTBSJMZSFCFMMJPVT
4JNJMBSMZ UIFDMBTTJ-
DMPTFMZSFMBUFEUPNVTJDBMUBTUFUIBOPUIFST DBMNVTJDNFUBTUZMFXBTBTTPDJBUFEXJUIUIFIJHIFTU
 "MUIPVHIUIFCFUBWBMVFTJO5BCMFöBSFTNBMM  TDPSFGPSiDSFBUJWFu UIFQSPYZGPSUIFiPQFOOFTTu
XIJDI VOEPVCUFEMZ UFNQFST UIF TUSFOHUI PG BOZ EJNFOTJPO
XIJDIJTBSHVBCMZJODPOTJTUFOUXJUIB
CSPBEFSDPODMVTJPOTBCPVUUIFTQFDJêDEJSFDUJPO DPOTFSWBUJWFXPSMEWJFXBOENPSFDPOTJTUFOUXJUI
PGUIFêOEJOHT JUJTBMTPJOUFSFTUJOHUPDPNQBSFUIF BMJCFSBMPOFNBOZNFBTVSFTPGDPOTFSWBUJTN FH 
QSFTFOUEBUBXJUIUIPTFGSPNFBSMJFSTUVEJFTUIBU 8JMTPO õýûù
IBWFJOUFSFTUJOUIFBSUTDPOUSJCVUJOH
IBWFDPODMVEFEUIBUQFPQMFXIPMJLFCPUISBQBOE OFHBUJWFMZ
SPDLNVTJDIPMEBOUJBVUIPSJUBSJBOBUUJUVEFTBOEUIBU  *UJTBMTPJOUFSFTUJOHUIBUUIFTUSFOHUIPGUIFQSFT-
QFPQMFXIPMJLFDMBTTJDBMNVTJDIPMENPSFDPOTFSWB- FOUSFMBUJPOTIJQTXBTMPXFSUIBOJEFOUJêFECZ(FPSHF

5"#-&Mean standardized beta weights for each component

R2 Self-esteem Creative Hardworking Outgoing Gentle At ease Age Gender Income

Classical music Strength .055 .037 .123 .009 .034 .018 .013 .192 .045 .050
(Component 1) Direction .037 .123 .003 –.034 .008 .013 .192 .045 –.050
Jazz Strength .028 .039 .096 .007 .037 .021 .021 .066 .056 .061
(Component 2) Direction .039 .096 –.005 .037 .021 .021 .034 –.056 –.044
Mainstream Strength .045 .019 .049 .018 .022 .036 .010 .067 .149 .061
(Component 3) Direction .017 .025 .018 .019 .036 .003 .024 .149 –.032
Folk (component 4) Strength .030 .018 .067 .018 .018 .010 .005 .150 .005 .028
Direction –.001 .063 .006 –.010 .001 .005 .150 .001 –.013
Alternative rock Strength .029 .023 .052 .022 .018 .022 .008 .144 .027 .053
(Component 5) Direction –.021 .052 –.019 .005 –.022 .003 –.144 .008 .052
Latino Strength .043 .045 .062 .011 .038 .023 .017 .121 .121 .035
(Component 6) Duration .045 .062 .011 .038 .018 .017 .121 .121 –.035
Music of Black Strength .044 .030 .015 .021 .090 .010 .015 .142 .058 .056
origin Direction .030 .003 .000 .090 .001 .015 –.082 .046 .206
(Component 7)
Dance Strength .025 .016 .035 .007 .068 .020 .005 .102 .069 .092
(Component 8) Direction .016 .027 .005 .068 –.012 –.004 –.102 –.024 .092
Rock Strength .035 .032 .028 .016 .015 .031 .018 .126 .082 .052
(Component 9) Direction .002 .028 –.004 .010 .006 .018 –.126 –.061 .052
Functional Strength .020 .030 .017 .021 .015 .027 .012 .102 .087 .074
(Component 10) Direction .030 .017 .021 –.007 .012 .012 .102 –.011 –.074
Grand mean Strength .035 .029 .054 .015 .036 .022 .012 .121 .070 .056
Direction .019 .050 .004 .022 .007 .010 .017 .022 .015

 t NORTH

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
FUBM öôôû
XIPSFQPSUFEr2WBMVFTSBOHJOHCFUXFFO  5IF EJGGFSFODFT CFUXFFO UIF QSFTFOU SFTVMUT
ôýöBOE÷õõ BMUIPVHI3FOUGSPXBOE(PTMJOH öôô÷
 BOEUIPTFPGCPUI(FPSHFFUBMBOEBMTP3FOUGSPX
SFQPSUFEDPSSFMBUJPOTPGTJNJMBSNBHOJUVEFUPUIPTF BOE(PTMJOHDPVMECFBUUSJCVUBCMFUPEJďFSFODFTJO
JEFOUJêFEIFSF.PSFPWFS QSPWJEJOHXFNBLFBGFX NFUIPET NPTUOPUBCMZUIFVTFPGBTIPSUFSNFBTVSF
BTTVNQUJPOTBCPVUUIFTJNJMBSJUZPGUIFNFUBTUZMFT PGQFSTPOBMJUZIFSF"OPUIFSQPTTJCJMJUZNBZCFEJG-
JEFOUJêFEJOUIFTFEBUBTFUT TPNFJOUFSFTUJOHTJNJ- GFSFODFTCFUXFFOUIFSFTQFDUJWFTBNQMFTBDDPSEJOH
MBSJUJFTBOEEJTTJNJMBSJUJFTFNFSHFJOUFSNTPGUIFJS UPGPVSPUIFSGBDUPSTUIBUUIFQSFTFOUSFTFBSDIJEFOUJ-
SFMBUJPOTIJQTXJUIQFSTPOBMJUZEJNFOTJPOT'PSJO- êFEBTBMTPSFMBUFEUPNVTJDBMUBTUF OBNFMZBHF TFY 
TUBODF 3FOUGSPXBOE(PTMJOHTiSFëFDUJWFBOEDPN- JODPNF BOETFMGFTUFFN#FDBVTFBHFBOEHFOEFS JO
QMFYuNFUBTUZMFNBQTPOUPUIFNFUBTUZMFTIFSFGPS QBSUJDVMBS FYQMBJOFEBHSFBUFSQPSUJPOPGUIFWBSJBODF
KB[[ DMBTTJDBMNVTJD BOEGPML*OBQQBSFOUTVQQPSU JONVTJDBMUBTUFXJUIJOUIFDVSSFOUEBUBTFUUIBOEJE
PG 3FOUGSPX BOE (PTMJOHT GJOEJOHT  UIFTF TUZMFT QFSTPOBMJUZ JUJTXPSUIXIJMFDPOTJEFSJOHUIFTFiOPO-
XFSFBNPOHUIPTFNPTUDMPTFMZSFMBUFEUPiDSFBUJWFu QFSTPOBMJUZuJOEJWJEVBMEJďFSFODFTJONPSFEFUBJM
TDPSFT)PXFWFS 3FOUGSPXBOE(PTMJOHBMTPGPVOE  5BCMFöTIPXTUIBUOFHBUJWFSFMBUJPOTIJQTFYJTUFE
UIBUPQFOOFTTXBTSFMBUFEUPMJLJOHGPSUIFJSiJOUFOTF CFUXFFOBHFBOEMJLJOHGPSUIF.0#0 EBODF BMUFS-
BOESFCFMMJPVTuNFUBTUZMF*ODPOUSBTU 5BCMFöTIPXT OBUJWFSPDL BOESPDLNFUBTUZMFT XIFSFBTQPTJUJWF
UIBUiDSFBUJWFuTDPSFT UIFQSPYZIFSFGPSPQFOOFTT
 SFMBUJPOTIJQTXFSFGPVOEGPSUIFDMBTTJDBM KB[[ NBJO-
XFSFOPUDMPTFMZSFMBUFEUPMJLJOHGPSUIFSPDL BOE TUSFBN GPML -BUJOP BOEGVODUJPOBMNFUBTUZMFT5IJT
EBODF
NFUBTUZMFT4JNJMBSMZ 3FOUGSPXBOE(PTMJOH JTCSPBEMZDPOTJTUFOUXJUIQSFWJPVTSFTFBSDITVHHFTU-
GPVOEUIBUMJLJOHGPSUIFJSiVQCFBUBOEDPOWFOUJPO- JOHUIBUBHFJTBTTPDJBUFEQPTJUJWFMZXJUIMJLJOHGPS
BMuNFUBTUZMFXBTSFMBUFEQPTJUJWFMZUPFYUSPWFSTJPO  NPSFNVTJDBMMZDPNQMFYTUZMFT5BCMFöTIPXTUIBU
BHSFFBCMFOFTT BOEDPOTDJFOUJPVTOFTT4PNFBTQFDUT NFOEFNPOTUSBUFEIJHIFSEFHSFFTPGMJLJOHGPSUIF
PG5BCMFöTVQQPSUUIJT TVDIBTUIFTUSPOHSFMBUJPO- KB[[ EBODF SPDL BOEGVODUJPOBMNFUBTUZMFT XIFSFBT
TIJQCFUXFFOiHFOUMFu UIFQSPYZIFSFGPSBHSFFBCMF- XPNFOEFNPOTUSBUFEIJHIFSMJLJOHGPSUIFDMBTTJ-
OFTT
BOEMJLJOHGPSNBJOTUSFBNNVTJD)PXFWFS UIF DBM NBJOTUSFBN GPML BMUFSOBUJWFSPDL -BUJOP BOE
NBJOTUSFBNNFUBTUZMFXBTBMTPBNPOHUIPTFSFMBUFE .0#0NFUBTUZMFT5IJTQSPWJEFTTPNFTVQQPSUGPS
NPTUXFBLMZUPUIFNFBTVSFPGiPVUHPJOHu JF UIF UIFQSFEJDUJPOUIBUXPNFOTIPVMEQSFGFSiTPGUFSu
QSPYZGPSFYUSPWFSTJPO
.PSFPWFS BSHVBCMZUIFNPTU NVTJDBMTUZMFT BMUIPVHIXPNFOTMJLJOHGPSBMUFSOB-
DPOWFOUJPOBMNFUBTUZMFPGBMMUIPTFJEFOUJêFEJO5BCMF UJWFSPDLBOE.0#0JTNPSFEJĐDVMUUPSFDPODJMF
ö GVODUJPOBMNVTJD XBTOPNPSFDMPTFMZSFMBUFEUP XJUITVDIBDPODMVTJPO"MUIPVHIJODPNFXBTSFMBUFE
iHFOUMFu JF UIFQSPYZGPSBHSFFBCMFOFTT
TDPSFTUIBO UPMJLJOHGPSUIFNBKPSJUZPGUIFNVTJDBMTUZMFTDPOTJE-
XFSFNBOZPUIFSNFUBTUZMFT FSFE UIJTXBTOPUJOUIFQSFEJDUFEEJSFDUJPO5BCMF
 (FPSHFFUBMT öôôû
EBUBTFUZJFMEFENFUBTUZMFT öJOEJDBUFTUIBUUIFSFXFSFOFHBUJWFSFMBUJPOTIJQT
RVJUFEJďFSFOUGSPNUIPTFJEFOUJêFEIFSF XIJDIIBN- CFUXFFOJODPNFBOEMJLJOHGPSUIFDMBTTJDBMBOEKB[[
QFSTDPNQBSJTPO BMUIPVHIUIFSFJTDMFBSPWFSMBQCF- NFUBTUZMFT BNPOHTFWFSBMPUIFST FWFOUIPVHIUIFTF
UXFFO(FPSHFFUBMTiSFCFMMJPVTuNFUBTUZMFBOEUIF SFQSFTFOUUIFNPTUiIJHIBSUuPGUIFTUZMFTDPOTJE-
BMUFSOBUJWFSPDLBOESPDLNFUBTUZMFTIFSF BOEBMTP FSFE XIFSFBTUIFNFUBTUZMFHJWJOHSJTFUPUIFTUSPO-
CFUXFFOUIFDMBTTJDBMBOEKB[[ PSiKB[[BOECMVFT uBT HFTUQPTJUJWFSFMBUJPOTIJQXJUIJODPNFXBTEBODF
(FPSHFFUBMDBMMFEJU
NFUBTUZMFTJEFOUJêFECZCPUI *UJTEJĐDVMUUPFYQMBJOTVDIBQBUUFSOPGêOEJOHT
TUVEJFT*UJTJOUFSFTUJOHUIBU(FPSHFFUBMGPVOEB JOUFSNTPGQSFWJPVTSFTFBSDI'JOBMMZ 5BCMFöJOEJ-
TJNJMBSQBUUFSOGPSDMBTTJDBMNVTJDUPUIBUJEFOUJêFE DBUFTUIBUTFMGFTUFFNXBTSFMBUFEOFHBUJWFMZUPMJLJOH
IFSFBOEBTJNJMBSQBUUFSOGPSSFCFMMJPVTNVTJDUPUIBU GPSUIFBMUFSOBUJWFSPDLNFUBTUZMF DPOTJTUFOUXJUI
IFSFGPSBMUFSOBUJWFSPDLBOESPDL8JUISFHBSEUPKB[[ QSFWJPVTSFTFBSDI"MTPJOUFSFTUJOHJOUIJTDPOUFYU 
BOECMVFT (FPSHFFUBMGPVOEBQPTJUJWFSFMBUJPOTIJQ IPXFWFS JTUIBUTFMGFTUFFNXBTSFMBUFEQPTJUJWFMZ
XJUIPQFOOFTT XIJDINJSSPSTUIFêOEJOHIFSFGPS UPMJLJOHGPSUIF.0#0BOESPDLNFUBTUZMFT FWFO
iDSFBUJWFuTDPSFT CVUBOFHBUJWFSFMBUJPOTIJQXJUI UIPVHIUIFTFTUZMFTIBWFCFFODSJUJDJ[FESFHVMBSMZCZ
BHSFFBCMFOFTTUIBUEPFTOPUNJSSPSUIBUGPVOEIFSF WBSJPVTQSPUFTUHSPVQTBOEMFHJTMBUPSTGPSIBWJOHB
GPSiHFOUMFuTDPSFT TVQQPTFEMZOFHBUJWFJOëVFODFPOZPVOHQFPQMF

INDIVIDUAL DIFFERENCES IN MUSICAL TASTE t 

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
Reasons for Listening to Favorite Musical Style TPDJBUJPOTUIBUQSPWJEFTPNFTVQQPSUGPSUIFOPUJPO
"OPUIFSTFUPGNVMUJQMFSFHSFTTJPOTJOWFTUJHBUFEUIF UIBUSFBTPOTGPSMJTUFOJOHSFQSFTFOUBSFëFDUJPOSBUI-
FYUFOUUPXIJDIUIFQSFEJDUPSWBSJBCMFTDPVMEFYQMBJO FSUIBOBDPNQFOTBUJPOGPSQFSTPOBMJUZi$SFBUJWFu
QBSUJDJQBOUTSBUJOHTPGõôSFBTPOTXIZUIFZMJTUFOUP TDPSFT UIFQSPYZGPSPQFOOFTT
XFSFSFMBUFEQPTJ-
UIFJSGBWPSJUFTUZMFPGNVTJD5IFSFTVMUTPGUIFTFõôSF- UJWFMZUPMJTUFOJOHUPNVTJDJOPSEFSUPFOKPZUIFNVTJD 
HSFTTJPOTBSFSFQPSUFEJO5BCMF÷5IFTFEBUBJOEJDBUF UPCFDSFBUJWFBOEVTFJNBHJOBUJPO BOEUPFYQSFTT
UIBUNFOXFSFNPSFMJLFMZUPSFQPSUMJTUFOJOHUPUIFJS GFFMJOHTBOEFNPUJPOTi0VUHPJOHuTDPSFT UIFQSPYZ
GBWPSJUFNVTJDBMTUZMFJOPSEFSUPCFDSFBUJWFBOEVTF GPSFYUSPWFSTJPO
XFSFSFMBUFEQPTJUJWFMZUPMJTUFOJOH
JNBHJOBUJPO UPDSFBUFBOJNBHFGPSUIFNTFMWFT BOEUP UPNVTJDJOPSEFSUPCFUSFOEZ UPDSFBUFBOJNBHF BOE
QMFBTFGSJFOET*ODPOUSBTU XPNFOXFSFNPSFMJLFMZUP UPQMFBTFGSJFOET BOEUIFZXFSFSFMBUFEOFHBUJWFMZ
SFQPSUMJTUFOJOHUPUIFJSGBWPSJUFNVTJDBMTUZMFCFDBVTF UPMJTUFOJOHUPNVTJDJOPSEFSUPSFEVDFMPOFMJOFTT
PGFOKPZNFOU UPSFMJFWFCPSFEPN UPIFMQHFUUISPVHI i(FOUMFuTDPSFT UIFQSPYZGPSBHSFFBCMFOFTT
XFSF
EJĐDVMUUJNFT UPSFMJFWFUFOTJPO UPFYQSFTTGFFMJOHT SFMBUFEQPTJUJWFMZUPMJTUFOJOHUPNVTJDJOPSEFSUPCF
BOEFNPUJPOT BOEUPSFEVDFMPOFMJOFTT5IFTFTFY DSFBUJWFBOEVTFJNBHJOBUJPO UPNBOBHFFNPUJPOT 
EJďFSFODFTBSFDPOTJTUFOUXJUIQSFEJDUJPOTBOETVQ- BOEUPQMFBTFGSJFOETi"UFBTFuTDPSFT UIFQSPYZGPS
QPSUUIFêOEJOHTPG/PSUIFUBM öôôô
 OFVSPUJDJTN
XFSFSFMBUFEOFHBUJWFMZUPMJTUFOJOHUP
 5BCMF÷BMTPJOEJDBUFTOVNFSPVTBTTPDJBUJPOT NVTJDJOPSEFSUPHFUUISPVHIEJĐDVMUUJNFT SFMJFWF
CFUXFFOSBUJOHTPGUIFSFBTPOTGPSMJTUFOJOHUPUIF UFOTJPO BOESFEVDFMPOFMJOFTT
QBSUJDJQBOUTGBWPSJUFNVTJDBMTUZMFBOETDPSFTPOUIF  8JUISFHBSEUPUIFSFMBUJPOTIJQTCFUXFFOSFB-
QFSTPOBMJUZEJNFOTJPOT8JUIJOUIFTFBSFTFWFSBMBT- TPOTGPSMJTUFOJOHUPUIFGBWPSJUFNVTJDBMTUZMFBOE

5"#-&Standardized beta weights concerning reasons for listening to favorite musical style

Reason F R2 Constant Self-esteem Creative Hardworking Outgoing Gentle At ease Age Gender Income

Enjoy 51.26 .012 8.23 .069 .061 .001ns –.006ns .004ns .013* –.012 .046 –.017**
(t = 144.45) (t = 11.66) (t = 11.58) (t = .14) (t = 1.03) (t = .71) (t = 2.32) (t = 1.99) (t = 8.76) (t = 2.62)
Creative 656.06 .135 3.942 –.062 .355 .003ns .027 .036 –.018** –.077 –.012* –.034
(t = 33.77) (t = 11.31) (t = 71.56) (t = .63) (t = 5.03) (t = 7.32) (t = 3.37) (t = 13.15) (t = 2.51) (t = 5.70)
Boredom 193.23 .044 7.704 –.050 .023 –.007ns .002ns –.030 –.016** –.186 .077 .028
(t = 58.25) (t = 8.66) (t = 4.38) (t = 1.29) (t = .36) (t = 5.80) (t = 2.83) (t = 30.27) (t = 14.97) (t = 4.43)
Difficulties 413.03 .089 7.940 –.160 .058 .036 .037 .005ns –.042 –.112 .184 –.021
(t = 60.72) (t = 28.29) (t = 11.34) (t = 6.66) (t = 6.64) (t = .97) (t = 7.77) (t = 18.69) (t = 36.62) (t = 3.50)
Trendy 99.95 .023 3.159 –.054 –.035 .006ns .087 .021 –.037 –.137 .009ns .068
(t = 28.96) (t = 9.26) (t = 6.62) (t = 1.16) (t = 15.25) (t = 4.08) (t = 6.55) (t = 21.98) (t = 1.69) (t = 10.67)
Tension 195.67 .044 6.947 –.040 .031 .044 .025 –.004ns –.034 –.132 .151 .032
(t = 62.52) (t = 6.95) (t = 5.94) (t = 8.02) (t = 4.43) (t = .77) (t = 6.12) (t = 21.46) (t = 29.28) (t = 5.15)
Image 225.46 .051 6.064 –.104 .038 –.019** .059 .050 –.028 –.148 –.021 –.027
(t = 44.21) (t = 18.09) (t = 7.39) (t = 3.39) (t = 10.46) (t = 9.73) (t = 5.02) (t = 24.15) (t = 4.04) (t = 4.36)
Emotions 275.95 .061 5.873 –.105 .096 .007ns .069 .033 –.048 –.051 .162 –.040
(t = 44.25) (t = 18.42) (t = 18.55) (t = 1.32) (t = 12.40) (t = 6.53) (t = 8.71) (t = 8.28) (t = 31.78) (t = 6.36)
Friends 103.07 .024 2.491 –.083 –.020 –.019** .056 .031 –.014* –.084 –.054 –.009ns
(t = 30.62) (t = 14.23) (t = 3.81) (t = 3.36) (t = 9.91) (t = 6.09) (t = 2.41) (t = 13.44) (t = 10.43) (t = 1.46)
Loneliness 489.98 .104 8.283 –.248 .025 .008ns –.026 .020 –.049 –.034 .114 –.045
(t = 59.74) (t = 44.33) (t = 4.90) (t = 1.51) (t = 4.70) (t = 4.07) (t = 9.02) (t = 5.78) (t = 22.76) (t = 7.32)
Note. Reasons are “To enjoy the music,” “To be creative and use my imagination,” “To relieve boredom,” “To help me get through difficult times,” “To be trendy or cool,”
“To relieve tension and stress,” “To create an image for myself,” “To express my feelings and emotions,” “To please my friends,” and “To reduce loneliness.”
p < .001 in all cases, except ns = not significant. *p < .05. **p < .01. df = 9,37791 in all cases.

 t NORTH

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
TFMGFTUFFN UIFCVMLPGUIFEBUBQSFTFOUFEJO5BCMF DBUFTUIBUUIFJNQPSUBODFPGJOEJWJEVBMEJďFSFODFT
÷JOEJDBUFTUIBUMPXTFMGFTUFFNJTSFMBUFEUPBUUFNQUT WBSJFTXJEFMZCFUXFFONVTJDBMTUZMFTJUJTNPSFBQ-
UPVTFNVTJDUPIFMQEFBMXJUIFNPUJPOBMQSPCMFNT QSPQSJBUFUPDPOTJEFSUIFGPSNFSPOBTUZMFCZTUZMF
3BUJOHTPGTFMGFTUFFNXFSFSFMBUFEQPTJUJWFMZUPMJT- BOEWBSJBCMFCZWBSJBCMFCBTJT.PSFHFOFSBMMZ UIF
UFOJOHUPNVTJDJOPSEFSUPFOKPZUIFNVTJD XIFSFBT XJEFSBOHJOHQBUUFSOPGSFMBUJPOTIJQTJEFOUJêFEIFSF
SBUJOHTPGTFMGFTUFFNXFSFSFMBUFEOFHBUJWFMZUPMJTUFO- TVHHFTUTUIBUUIFZEFTFSWFNPSFBUUFOUJPOUIBOIBT
JOHUPNVTJDJOPSEFSUPSFMJFWFCPSFEPN HFUUISPVHI IJUIFSUPCFFOBďPSEFEUIFN
EJĐDVMUUJNFT CFUSFOEZ SFMJFWFUFOTJPO DSFBUFBO
JNBHF FYQSFTTGFFMJOHBOEFNPUJPOT QMFBTFGSJFOET  NOTES
BOESFEVDFMPOFMJOFTT 'JOBODJBMTVQQPSUGPSUIJTSFTFBSDIXBTQSPWJEFECZBXBSE
 /PIZQPUIFTFTXFSFNBEFBCPVUSFMBUJPOTIJQT 4(øõý÷öGSPNUIF#SJUJTI"DBEFNZ4NBMM(SBOUTDIFNF
5IFBTTJTUBODFPG/JDPMF+PSEBOBOE5POZ"OESFXTJOEBUB
CFUXFFOSFBTPOTGPSMJTUFOJOHUPUIFGBWPSJUFNVTJDBM
DPMMFDUJPOJTBMTPBDLOPXMFEHFEXJUIHSBUJUVEF
TUZMFBOECPUIBHFBOEJODPNF)PXFWFS JUJTJOUFSFTU-  "EESFTTDPSSFTQPOEFODFBCPVUUIJTBSUJDMFUP"ESJBO$
JOHUIBU5BCMF÷TIPXTUIBUBHFXBTSFMBUFEOFHBUJWFMZ /PSUI 4DIPPMPG-JGF4DJFODFT )FSJPU8BUU6OJWFSTJUZ 
UPBMMUIFSFBTPOTGPSMJTUFOJOH"MBDLPGQSJPSSFTFBSDI &EJOCVSHI&)õøø"4 6OJUFE,JOHEPN FNBJMBOPSUI!
NBLFTJUEJĐDVMUUPJOUFSQSFUUIJT CVUPOFJOUFSFTUJOH IXBDVL

QPTTJCJMJUZJTTJNQMZUIBU XJUIBHF QFPQMFCFDPNF
MFTTQSPOFUPVTJOHNVTJDUPBDIJFWFHPBMTBOEBEESFTT REFERENCES
QSPCMFNTUIBUUIFZGBDF1FSIBQTJOTUFBEPMEFSQFPQMF "SOFUU + õýýõ
)FBWZNFUBMNVTJDBOESFDLMFTTCFIBWJPS
VTFPUIFSTPVSDFTPGTVQQPSU TVDIBTSFMBUJPOTIJQT BNPOHBEPMFTDFOUTJournal of Youth and Adolescence, 20,
ùû÷mùýö
XJUIPUIFSQFPQMF
"SOFUU + õýýö
5IFTPVOEUSBDLPGSFDLMFTTOFTT.VTJDBM
 'JOBMMZ JUTIPVMECFOPUFEUIBUUISFFPUIFSTFUTPG QSFGFSFODFTBOESFDLMFTTCFIBWJPVSBNPOHBEPMFTDFOUT
TVCTJEJBSZBOBMZTFTBSFBWBJMBCMFPOUIFBVUIPST8FC Journal of Adolescent Research, 7, 313–331.
TJUF5IFTFSFQPSUUIFFNPUJPOBMSFBDUJPOTUZQJDBMMZ #FSMZOF %& õýûõ
Aesthetics and psychobiology/FX:PSL
JOEVDFECZUIFQBSUJDJQBOUTGBWPSJUFNVTJDBMTUZMF  "QQMFUPO$FOUVSZ$SPGUT
UIFSFBTPOTXIZQBSUJDJQBOUTUZQJDBMMZCPVHIUNVTJD  $PTUB 15 +S .D$SBF 33 õýüù
The NEO Personal-
BOEUIFNFBOTCZXIJDIQBSUJDJQBOUTUZQJDBMMZCPVHIU ity Inventory manual0EFTTB '-1TZDIPMPHJDBM"TTFTT-
NVTJD"MUIPVHIUIFTFZJFMEFETUBUJTUJDBMMZTJHOJêDBOU NFOU3FTPVSDFT
(FPSHF %. 4UJDLMF , 3BDIJE ' 8PQOGPSE "
EBUB UIFQPSUJPOPGUIFWBSJBODFFYQMBJOFEXBTTNBMM 
öôôû
5IFBTTPDJBUJPOCFUXFFOUZQFTPGNVTJDFOKPZFE
BOETPUIFTFBOBMZTFTBSFOPUSFQPSUFEIFSF BOEDPHOJUJWF CFIBWJPSBM BOEQFSTPOBMJUZGBDUPSTPGUIPTF
XIPMJTUFOPsychomusicology, 19,÷ömùú
Conclusion (MBTHPX .3 $BSUJFS ". õýüù
$POTFSWBUJTN 
5IJTTUVEZGPVOEUIBUMJLJOHGPSBXJEFSBOHFPGNVTJ- TFOTBUJPOTFFLJOHBOENVTJDQSFGFSFODFTPersonality and
DBMTUZMFTDPVMECFHSPVQFEJOUPõôNFUBTUZMFT UIBU Individual Differences, 6,÷ý÷m÷ýù
MJLJOHGPSUIFNVTJDBMTUZMFTXBTSFMBUFEUPBTIPSU )BMM " öôôù
4FOTBUJPOTFFLJOHBOEUIFVTFBOETFMFDUJPO
PGNFEJBNBUFSJBMTPsychological Reports, 97,ö÷úmöøø
GPSNPGBHFOFSBMNFBTVSFPGQFSTPOBMJUZ UIBUPUIFS
)BSHSFBWFT %+ $BTUFMM ,$ õýüû
%FWFMPQNFOUPG
JOEJWJEVBMEJďFSFODFT QBSUJDVMBSMZBHF
BQQFBSUPCF MJLJOHGPSGBNJMJBSBOEVOGBNJMJBSNFMPEJFTCouncil for
SFMBUFEUPNVTJDBMUBTUFNPSFDMPTFMZUIBOXFSFEBUB Research in Music Education Bulletin, 91,úúùmúúý
PCUBJOFEGSPNUIFTIPSUQFSTPOBMJUZNFBTVSF BOEUIBU )PMCSPPL .# 4DIJOEMFS 3. õýüý
4PNFFYQMPSBUP-
QBSUJDJQBOUTSFBTPOTGPSMJTUFOJOHUPUIFJSGBWPSJUFNV- SZêOEJOHTPOUIFEFWFMPQNFOUPGNVTJDBMUBTUFTJournal
TJDUZQJDBMMZSFëFDUFE SBUIFSUIBODPNQFOTBUFEGPS
 of Consumer Research, 16,õõýmõöø
BTQFDUTPGUIFJSQFSTPOBMJUZ)PXFWFS FWFOUIPVHI ,POFD†OJ 7+ õýüö
4PDJBMJOUFSBDUJPOBOENVTJDBMQSFGFS-
JOEJWJEVBMEJďFSFODFWBSJBCMFTUZQJDBMMZFYQMBJOFE FODF*O%%FVUTDI &E
The psychology of music QQ
øýûmùõú
/FX:PSL"DBEFNJD1SFTT
POMZBTNBMMQPSUJPOPGUIFWBSJBODFJONVTJDBMUBTUF 
-BOHGPSE 1) öôô÷
"POFNJOVUFNFBTVSFPGUIF#JH
UIJTEPFTOPUNFBOUIBUJOEJWJEVBMEJďFSFODFTBSFVO- 'JWF &WBMVBUJOHBOEBCSJEHJOH4IBGFST õýýýB
#JH
JNQPSUBOUPSVOJOUFSFTUJOH8JUIPVUDPOTJEFSBUJPO 'JWFNBSLFSTPersonality and Individual Differences, 35,
PGUIFN JUXPVMECFEJĐDVMUUPFYQMBJOUIFEJWFSTJUZ õõöûmõõøô
PGNVTJDBMUBTUFTUIBUFYJTU.PSFPWFS 5BCMFöJOEJ- -ZOYXJMFS + (BZ % öôôô
.PSBMCPVOEBSJFTBOEEFWJ-

INDIVIDUAL DIFFERENCES IN MUSICAL TASTE t 

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms
BOUNVTJD1VCMJDBUUJUVEFTUPXBSEIFBWZNFUBMBOESBQ PGNVTJDBMQSFGFSFODFJournal of Personality and Social
Deviant Behavior, 21,ú÷müù Psychology, 84,õö÷úmõöùú
.BSUJOEBMF $ .PPSF , õýüý
3FMBUJPOTIJQPGNVTJDBM 3PTFOCFSH . õýüý
Society and the adolescent self-image
QSFGFSFODFUPDPMMBUJWF FDPMPHJDBM BOEQTZDIPQIZTJDBM SFWFE
.JEEMFUPXO $58FTMFZBO6OJWFSTJUZ1SFTT
WBSJBCMFTMusic Perception, 6,ø÷õmøùù 3VCJO ". 8FTU %7 .JUDIFMM 84 öôôõ
%JďFS-
/PSUI "$ )BSHSFBWFT %+ õýýù
&NJOFODFJOQPQ FODFTJOBHHSFTTJPO BUUJUVEFTUPXBSEXPNFO BOEEJTUSVTU
NVTJDPopular Music and Society, 19,øõmúú BTSFëFDUFEJOQPQVMBSNVTJDQSFGFSFODFTMedia Psychol-
/PSUI "$ )BSHSFBWFT %+ õýýû
-JLJOH BSPVTBM ogy, 3,öùmøö
QPUFOUJBM BOEUIFFNPUJPOTFYQSFTTFECZNVTJDScandi- 3VTTFMM +" õýûü
&WJEFODFPGDPOWFSHFOUWBMJEJUZPOUIF
navian Journal of Psychology, 38,øùmù÷ EJNFOTJPOTPGBďFDUJournal of Personality and Social
/PSUI "$ )BSHSFBWFT %+ öôôô
.VTJDBMQSFGFSFODF Psychology, 36,õõùömõõúü
EVSJOHBOEBGUFSSFMBYBUJPOBOEFYFSDJTFAmerican Jour- 4IBGFS "# õýýý
#SJFGCJQPMBSNBSLFSTGPSUIFêWFGBDUPS
nal of Psychology, 113,ø÷múû NPEFMPGQFSTPOBMJUZPsychological Reports, 84,õõû÷mõõûý
/PSUI "$ )BSHSFBWFT %+ öôôö
"HFWBSJBUJPOTJO 4IFQIFSE + öôô÷
.VTJDBOETPDJBMDBUFHPSJFT*O.
KVEHFNFOUTPGiHSFBUuBSUXPSLTBritish Journal of Psy- $MBZUPO 5)FSCFSU 3.JEEMFUPO &ET
The cultural
chology, 93,÷ýûmøôù study of music: A critical introduction QQúýmûý
-PO-
/PSUI "$ )BSHSFBWFT %+ öôôú
1SPCMFNNVTJDBOE EPO3PVUMFEHF
TFMGIBSNJOHSuicide and Life-Threatening Behavior, 36, 4MPCPEB +" 0/FJMM 4" *WBMEJ " öôôõ
'VODUJPOT
ùüömùýô PGNVTJDJOFWFSZEBZMJGF"OFYQMPSBUPSZTUVEZVTJOHUIF
/PSUI "$ )BSHSFBWFT %+ öôôû
-JGFTUZMFDPSSFMBUFT FYQFSJFODFTBNQMJOHNFUIPEMusicae Scientiae, 5, 9–32.
PGNVTJDBMQSFGFSFODF÷5SBWFM NPOFZ FEVDBUJPO FN- 5BSSBOU . /PSUI "$ )BSHSFBWFT %+ öôôö
:PVUI
QMPZNFOU BOEIFBMUIPsychology of Music, 35,øû÷møýû JEFOUJUZBOENVTJD*O3"3.BD%POBME %+)BS-
/PSUI "$ )BSHSFBWFT %+ öôôü
The social and HSFBWFT %&.JFMM &ET
Musical identities QQ
applied psychology of music0YGPSE0YGPSE6OJWFSTJUZ õ÷ømõùô
0YGPSE0YGPSE6OJWFSTJUZ1SFTT
1SFTT 8JMTPO (% õýûù
Manual for the Wilson–Patterson At-
/PSUI "$ )BSHSFBWFT %+ )BSHSFBWFT ++ öôôø
 titude Inventory8JOETPS/'&3
5IFVTFTPGNVTJDJOFWFSZEBZMJGFMusic Perception, 22, 8JOHPPE (. %J$MFNFOUF 3+ #FSOIBSEU +. )BS-
ú÷mýý SJOHUPO , %BWJFT 4- 3PCJMMBSE " FUBM öôô÷
"
/PSUI "$ )BSHSFBWFT %+ 0/FJMM 4" öôôô
5IF QSPTQFDUJWFTUVEZPGFYQPTVSFUPSBQNVTJDWJEFPTBOE
JNQPSUBODFPGNVTJDUPBEPMFTDFOUTBritish Journal of "GSJDBO"NFSJDBOGFNBMFBEPMFTDFOUTIFBMUIAmerican
Educational Psychology, 70,öùùmöûö Journal of Public Health, 93,ø÷ûmø÷ý
/PSUI "$ 0JTIJ " öôôú
.VTJD$%QVSDIBTF ;VDLFSNBO . õýûý
Sensation seeking: Beyond the optimal
EFDJTJPOTJournal of Applied Social Psychology, 36, level of arousal.BIXBI /+&SMCBVN
÷ôø÷m÷ôüø ;XFJHFOIBGU 3- öôôü
"EPSFNJFODPSF"DMPTFSMPPLBU
3FOUGSPX 1+ (PTMJOH 4% öôô÷
5IFEPSFNJTPG UIFQFSTPOBMJUZDPSSFMBUFTPGNVTJDQSFGFSFODFTJournal of
FWFSZEBZMJGF5IFTUSVDUVSFBOEQFSTPOBMJUZDPSSFMBUFT Individual Differences, 29,øùmùù

 t NORTH

This content downloaded from 193.62.97.110 on Sun, 23 Oct 2016 15:55:45 UTC
All use subject to http://about.jstor.org/terms

You might also like