BE3EHM KPCT 13 MAHACTHPA JEYAHA Hobpusa CTOJAHOBHE YY puss manactapa Jlevana Hanasut ce jenant nesenic KpoT Koji s10 cana mnje nySmHKoBaL. Kpor je aocra manmx munteisuja. JLyxuna ysayauor xpaxa je 21,5 cm., a nompesror 13 cm, Mapas 0a Kpaxa je 8 em. Y uecitpy xpera y Henpasiiiom xpyxHom Mesiamony mpencrammena je Boroponuua 31a- Mewa ca Mamine Xpucron, curumpanuna IC XC y epyomxon Mexamony Ka TpyaHMa, Kpaxopi xpcra ypalleHHt cy CTICTHSOBAHINM BxLbinE OpameNtom. Y ropibeNt seny Mompes- Hor Kpaka nagesena je rpysa curnarypa ALL-P @y (ert. 1), Marepujas Ha KoMe je eseKo Huje BiB Bor sbijetocra Sonoma, a ucnos nesa je Tapra xaprisja uM Kowa. Tlocranssex je -xYhKACTHNG mane- MIM naTHOM, a OMIEH KpAeWOM CBINeHOM TPAKOM. Onaj xper noByhyje mirrepeconarse s60r enojuX YMeTHHNKHX BpenHOETH, saTHM NO HIKOKO- rpadhexo] Tent Koja Hifje YecTa Ha caNynaHHIM PKBeHIIM BEIOBHMA, KAO It TIO CBOMe OGAHKY [HIME sitjana, 3amamzunso je Aa opaj nes AMje MOMENT s0t Y jemHON On HOcATAUMBMX, AOAYINE HeNOTHYHHX Tomica one Haine pro Oorate prsiMMe. Jesuit oj Hajpaujux NoMNCHBAKa MpeIMeTA HS MeHaN- exe pusxme, Cepagun Puctuh, y »/levaxcknns cnomenmumas xojm cy oSjasmexn 1864. ronune Hantowtibe sta CY»... NeKe Out THX cTapmsta ormate y JevaneKont npsemay,! a ateKe m cy. Crore Ca 1, Beseim sper x naacrupa flesane (Cinat0 "pr ikwaxonuh) 29hhewo sat onze pan NoTmysoctH mpercraBiirHt exe raapite cHoMetuke.? »3aTmM exenM TOME Mpes- -MeTa ca OnNCOM # HcTopijexins MoslaltiMa, KaTMHcHMa H MecTOM re ce Haviate y ManacTupy. Besea xpet HH y oBoM rlouuicy unje KoMeHyT. 3xaTHO Kacunje OOmaasch owe Kpajeae H.C. JactpeBon* Tomuibe Hexe swavajiije TpemMere 13 BOT MaHacTKpa, atK He m nescut xper. Y mMoxorpadrin Maniactupa Jlewawa’ Taxole Meby MOMeHyTIM YMeTHHKIM npeaMeTHMa HeMa BeSeHOr KpCTA. Tlo oGinnxy, an Marve 110 TeronUM aUMeHDrTjaNa 34 O88} KpeT Bi Moro Aa ce BaKMYN AA je Buo neo yxpaca rrexor omopopa. To 51 Sisto sajjentocrasuuje peuterse mpobsrenta, jep je woanaTo fra ce oMO®opH ykpamasajy KoMnosmutjaxa ykOMMoHONamM y xperose.S Mehytim Morno Ot ‘ra ce, mpernocrabi fa je cay:ki0 Kao ammxanja 3a HeKH AMTYprijcKH TlOKpWBAN, Y oBOM cayYajy oxpana 3a japose. Ha osy peiocTapky wanoal Hac SMmeMNA Aa ce Y PHSHMMK MaxacTHpa Flevana yysa jena ippenit cmxan mpockoMaAujex Taxsup mpesimixa 17,3 cm® ca cro mpen- cranom, (em. 2) 11a Huje ucKnysewa MoryhHocT za je y wean ca HM Guo w3pahert m oxrosapajyhat Toxpunat ca HCTOM HkoHorpacKoM TeMon, TIperiocrasbamo wa je Bese KpeT Morao a Oyne Antimmapant Ka jeam ox NOKPHRANA Koji CHAE MPH THTYPTHjH 3a HoxpmBame wapona.7 Tlourro je mpeser 0 Kose je onme pes ¥ OBsNKy KPeTa Mt TO MasTHX AUMeNHja, OH je BepO~ baTHo cauysanit LeTam, TAYHHje PexeHo NeHTpANHA TeMa OBAKKOr HOKPUBATA, a BuO je RepoRATHO amMnapar na Kexy TKAnHHY Koje cata weMa, Ha camxanoxe mpockostuaijekomt Tarupy Koji ce ¥yBa y pusuiNM MaxacTHpa Zevania nocrojH narnac 7, wonrnatypa. CiriaTypa ce HaiTa9H Ha saju6oj crpax rpy®or H HeweMITO HASHIBCHOr OKOBA oj Huje y ckaasty ca caHltkapcKHM KRamuTeTHMA OBO MpesIMeTa (cn. 3). Ha weMy je ypesaHo uMe Huresopa wurpononura Bysurrpaexor — unkwibopa aurgonoanr SuvTgaene. ‘0 onom MmtpomosuiTy illeMo MORK HIITA 2a cASHAMO, jep ce He HOMIE y HaBOpHMA H unreparyp Kojy cMo xoneytovann, TIpemmocrapseaMo sia je OH JoH@Top caNKaKor TaRHpa Tlo camkapcxnse xnasireruva oxaj mpockoMuanjckH Tarsup cnasia y Bpeswe YMeTHHKE NpeN- Mere ca kapakrepucruKaMa nocrsIBaNTHjeKor camkapeTma. Ox Gi ce Ha OcHORY cBO}!X CTHAICKHX ocoSua Morao la AaTApa y Apyry TloTopAMy XVI Beka HME HeuTO KacHje. 'Y Tepnosly cpeutoxexonne epricke apxasc BysuTpicka enapxija ce He miosanbe.* Tepu- opajamo oga oBact je Sriza nos JIuuaHcKoM enapxijont, Bysurpyicxa enapxnja ce xo A. Mouha XpoHOTOUIKH cTassba y Bpeme nloese oBtioxe TTehke marpujapunje a Hawowmne ce na je y XVI nexy cjeamtserta ca Hosobpnexom.9 ¥ nepnonmy kay cy one odnactit Ove non jypucanxayjont OxpHICKHX apxencxora (1463—1557), na onom reorpa(pekom woapyajy wontaibe ce Tpasannuxa Martporrozaja.!0 Tlo P. Tpyimhy Bysarpu je S10 enapxnja nox Tehxom nerpyjapumjom ox (1553—1690), no cjeammeny ca HosoSpackos enapxnjom.!? BysnTpit ¥ eTO BpeMe nocTaje H cpexKuTe HeTO- 1 Feneou fOcucha FOpmmmh, Jlewaucxn ppenaers, Hosu Cay 1852, 71. Hanoan: »One ey ermapit s6or pesiocTi fonge ontucaue. JIpyre apentocri axo aN TAKOBM MMA, 38 cax ocrajes. Besei KpCT Hike TOMHYT. * Cepadues Pictu, Hence coment, Beorpat, 39-63, SHG. AlerpeBons. Crapa Cepbin it Anbar, Cnoseutix CKA XLI, Beorpax 1908. © B, Hleroauh —B. Bounonuh, Hewamnt I, ‘Beorpax 1941, 9, 11 S pflontre je Heye Xpucroe yaeo Yonevakcey pupoay i ceamano sac ca coBOM HOAMEDIH 98 HAS KPET 1 eMPT, ‘re je macxpeanun sven H'Hac.« SaTo Mao xperope fa oMobopy (Migne, Patt. gr. T. 155, col. 449) Onl npenyer mje HyEmuosan, axa je MOMHeaH OM crpaue Sagosa sa sautrury enosremKa xyTyBe Cpowe moon euruarypy Tin 11. Boz ce xao ‘mara. Tlopen auexoca Ha mpocnoniiin ce ynorpeSaanaly jou nga rawnpa Gea woxune. Jerax wa KoMe ce mPen- ranma kper yrorpeGmnana ce npitaaletsy arseua is mpocope, & apyru ea mperterasos« Boropomme npa wabesty weeTaa So npochope y sacr Boroporanie, everaus, x20 1 38 tae Ht MpToe. (K, Huxonexit, TTocobie xb wiywernno yerase Goro ‘Eayokehoit MpapoerasHolt nepraH, Cx, 1907, 15). Tlo Moixawty Ckodomaxosuy (M. Cxoboxaxonti — Toaxonoit ‘ancowe, muyexe Il, Kiesy 1913), xo} oBjaiuisanayhi sie uayaruje xame: >... haKow noon wa nawarajapy ‘npockonmjcki Tawi) ca sankoxe Boroponie, -. upocgopy Tipexticre xaja 3a apene sucryprije CTO} 4 UHCKOCOM, ttn exiviao yerpojenone Tatsipy -. -«< DuWiRAEHeANexIN covapt, TOM XXlla, Cap 1897, 680 OX Mo}NOM >Tlaira- tinw sage ce ha ee Tako y HOWeTHY asimara wectana 74 Npocgope Koja ce BaMH Ha mpocKoNOuj y sact Boropommme. Gna ce y noceduone TareaDy Hasealion TaUArMjap, H0 HOceBHON sity mpewocia, y MaNACTHpHMA, ¥ TPHESApHy. pena yoMe ona} TABHD je usjeagasen ca nojmom manarnap. Wh, Mapxonh, Tpavocransa sarryprixa, Cp. Kapzosit, 1918, reiocroune €Cr tanome HETINE RARITH TEYE TENS. EAKAIOLIO H My-RHENOVONNEKS HW ATpA GA NAUNET yeriekuutels xepoRna iW cAakk WOW BeSgacovaAea cEparpianh KeSH Hlocrojuo jeer... Texcr HeeNe Koja ce mesa 3a Bpeme AUTyprije, upe Tpauleynerasunje, xAO wy sy mawarje mocne Yanusarsa nasarije na mowom Boropomte. ''p. Tpyiah, Enaprijexa nnacrennicrsa ¥ cpextesexonuo} CpOnin, 25, 62, ropopehit 0 repieropxji rain. sane aman rpvat ean He nae Necro Rye, a oo Bx 0 cow reoTPapSEOM TONDAaY ry curypHo Duo, PA. Month, Ppaba sa mevopnjexy reorpapily cpnexe uprse, Taacnuc reorpaperor xpyitrea, 7H 8, Beo= pan 1922,” 208, 10. Tpydim, m. ato, 200. 11 Cx, Cranojenith, Hapoxna exuacnonestja epucko-xpaarexo-cnonen, 445, 30Cu. 3. Sama erpaua upoe: ongujexor _Tamirpa ca cariarypom (Cio. P. >Xuncouh) Fig. 3. Verso. of the pros omidian plate with the inscription (Photo by Zivkovie) Ca, 2. Cauxaisn, oxopan "MpockoMMANIERH “TAR 1 saactupa Hesawa (Cu oto P. Kio) Fig. 2. Painted and metal covered. proskomidian plate from the monastery of Detani (Photo. b} Zivkovie) 31uneuor Canuaxa. Jour y XVI pery 10 Kypimeumhy Bysurpy je seamen rpr xa Kocony.1? Ox en froma Kon cy UNAM HasuB MITTPOHOMTA Y spyroj MonosuAN XVI pea Tommy ce Joacad) 1578 ix Muxanno Bes osnaxe rosunne.!3 Tocae mux GH rao Aa ce jaBlt Kao MuTpouOsIT Hirxmbop Kojit ce TOMIlibe Ha CHMKAOM MPOCKOMMTHjCKOM TaiBMpY MantacTuipa J[evana, wTo Bi Suro y cKaaay ‘ca BpeMeHicKiInt HacTaHKOM oBOT MpeAMeTa. 'Y cproxm romenunuma Crojara Hosaxositha xojn oByxsatajy nepwox ox XV—XVIII nexa, Y onesxy ie ey HOMEKYTH UPsHeHM ocTojaHerseHMMN!* He HOMME ce O30 Me. Kopunmthemt cy TOMeNMI MpHDpertexit, MehkI, ACCHOBCKH, KPYUEECKH, BONHHHNKK H KOPHIUKK, Y pervictpy Nera ove Huxnifopa !3 momenyro je saute nyra, asi Bes ApyTHMX nowaTaKa, Tia ce He SHa © KoMe je pew. Y newauexint nomena Cepadat Pactah nanonanse na je ¥ MasiacTupy Zesannna nawao jesax omelnK 1 NoHl0ck HOMHC HMeHA yegaTHTEAc. Meby HMA ce Y CTRAPH HaROHe UMEHA HeKHX ApxH emuexora H emicxona, Criicak Tosume ca CaBoM, a saspuiasa ce Teoxopom Ipouanexn. Xpowo- HOMTKH peat Huje TourToRait 1 va jemHoM Mecty je nomenyr Cansa Husxuop.!© Moxemo camo ita pernoctamiMo fia ce 13a onor HioMeHa xpuje we BywtpHcKor wurponosuta. Tput xpajy xtbure her ayrop jaje ToMMe HMeWa cpHCKHX MATpHjapaxa WerbtcKora, asTH HH OBE Hnje HOMEHYTO Hore Huxupop.!7. ¥ Conoharicxom nomenmky xojat je oOjasnen xox A. T, Tranpepamara nomewa wamer Murponomra Takole wena.!® ‘Yunseumma na ce upockosaaujckH Taxbmp Hastasi ¥ MauacTupy evaHuMa xoMe je HaMeTseH um xacinje nokTOReHt 1aBouH ac Ha MpeTHocrasKy Aa je suOCT wuporTOsTa Himxaopa a en navi paiinje Bwra Besana sa Mavactmp Jlevane. Buio Bx pasyMsbuiBo a ce UpKBeHH Best- KoNOCTO}MAK NO OIUIACKY 113 MATENHOT MaHacTHpa — yKONUKO NpeTHocTaBHMo sa je HoaKMboP mpe Hero miro je MocTao MuTponomtr xxmmeo y MaxacTMpy AevaHMMa — H Kacunje cehao cxor Mana~ nipa, ma fa y HaseceuM cirTyaujaa x napusao, Jo ovor sakuysKA AomAsMMO ako MpeTHOcTaBIMO fa ce y suilocrm sarpononmra Huxmopa moana xpnje Haixnop paxijit mrymai Manaerispa Flevane, 3uano ma je wal nosnars cmkap Toure y xpyroj nonosinm XVI vexa pazwo y atia- Crupy Jlevarnmva. Ha reronoj mont Crenania Jlevanexor noctoju sanmic m3 xora ce Bngur ma je cam Xana sa apewe narpajapxa Tepacuma (1574—1586) egepxor mryMana jevaxckor xp Hienbopa jepomouaxa.! Koa H. C. JactpeSona namasi ce TonaTax a je 1613. roa. jewanckn uryMan 610 jepomoxax ATanacnje.20 Ha ocHoay opor MoxeMo 1a npermoctasmmo aa je ¥ Repony ox xpaja XV no mpoux roxma XVIE nea ryan Hiwnbop norao ata nocrane wirrponomt By¥uTpHeKit ieyia ‘ce eros HME jaB:ea ReponATHIO Y CBOjCTAY JloHATOpA Ha NOMeHYTOM CmMKANOM HPocKOMtt- sjeKone Tanbutpy. Tloxpupa't 9a fapose 3a Koj upeTnocransbamo jla je wsweseH nau xpeT Morao je aa Syne pablen y nero ppeme rr euro Kacrmje. TIpenta Tome Bpemencku Bit MOrAO Ma ce CTaBit Hajsepo~ haranje y moxerax XVII nexa. Lena nospuiuya xpera ucnysena je ryeTHM, sOnjenmM Sonoma hia ce He BRAM TKAKUHA Ha Kojoj je veseHo. 3a Be3 cy ynOTpeSMeHH MUK-KaK, HANSEN W Aja~ Tovamut HonoxeHH BonoRM, 327 HM saHyaMH H nyHM Goi. Paljexo je nosaahewom ut epebpHOM 2ON, fa memati je yrorpeBsseN m Kouall y SojMt 3a OKBHDE WIM Y WLbY OXUBIABATKA NCTUNAHA TlOje- uwmix nerana. Bonopw xiley cpyga ripasiim, were ce jema upeTa yratia Y ApyTy, na je TeUIKO hha ce msampepemuupajy. To je Hapowro HarzamteHo Ha Ho3AWHM KPAKORA KPCTA, a jloNeKuIC W Ha fosamm Hetpamor Mejasowa, Tosanmeia ueHTpamtor Menasboua H Kpaxoua KpeTa waneaeHa je oanahevio xuNoM, OK je Mozajia Memasoxa ca Xpnctom ¥ ucHtpy paljena cpeSpHoM xNHON. 36or ynorpebe yraaswoM MeTaHUX HETH, nosnahexux m cpeGpHUx, oBa} bes semyje Kao MeTasna Toupunita, xoja camo xemmarinio zobiija onejaje y Sof, mivo je nlocnemmua aWeKpeTHe yuoTpebe Gojevor Koma 3a ompajaxce niojenmmx noppimna. Oso je crsopyiTo yrucax MracTaMrocTH WTO ce filje nocTra0 camo MIpoMeHoM npere Gonlopa, a urro je niaye vect caysaj; rpannesne utnje cy icxer HoMOA Of OCTANNX MOBPUIUHA, WOME CY OBE ToKeKTe HeTaKHyTe. Ox Boja cy ynlorpebmene ipa, mana, ea Towa 3eTeHe W j4Ba Toa UpBeHe, 12K, Koemih, Tprommncan nesrpa it ApyMonw Ho cpncxo) 2eweu, Beorpas, 1900, 371. Bysserpnoxt eanyax ‘cisopan je neuteo pe 1462. rome yall ce mpad INT HOMME y aavopNA. ByweTpI je AeduMTIMRO mo Tow TyPCKY puact 1434, Fomuse 54 Bpenme Mexmens Il ocaajasa. (E. Yenebnja, Iyronme optoMit 0 jyrocnovenckin 3eM-aNs, inpebon m xowewrap X. Ilabaonnh). 3G. Cratiojenth, Enmncionennia, 445, 1 © Honaxosuth, Cprens Honeuinin ox XV—XVII s., Tnacunx CY, XLIL 33—36. 1s Hens, m. ., 336, 36. Puerahs, m. a, 2 17 Wher x. ay Bt 15 BP. Hereoauh, JTerenna en. Cane y crapow xusomcy cpnexoxt, Mma CKA, CLIX, Beorpast 1933, 62 20 HL, C. slerpebons, Cuomenx CKA. XLI, Beorpax 1904, 32Curnarypa Boropoamue nsseseua je epeSpon xunoM, a curuarypa Xpucra nosmahenow, HMakowu ey pabenm xenpananannt TananuM GontopuMa, KOHUeM Goje wiKapyara, a upre muna ey aatiaNlene upHUIM KOHIEM, OK cy Yera upsena. Toematpajyh nea AoBnjanco yriteak a ra KapaK- ‘epmue sexeHt onejaj sbor ynoTpede sesene Soje ua rorono Neo} MOBpUNM Besa. Anasiuspajyht TexHuKy paula osor neva M Tpa2xehit 2a To anlaorHje y UpKBeHUM BesoBMNe acTANNM Y HALUHM M{ cYceaHUM OBMACTHMA HATAIUMO CAUMHOCTH y Hes WIM pewanamy moje- AUHHIX YeTasba, wapoMTO Ma BesoBMMA AATHpaHMM Kao XVIL Bex. Ocsiopxa xapaxtepucruKa opor pau je yjemtayena IMacTHMHOCT Hee nospumne, sOujeHocr Boxosa n ucnymanaibe lee HOBPULNHE ¥E3OM, LITO HaMADHMO ML Ha jemOM emierpaxIcey 3 BewaKw Myseja y Ati 15 1666, roauue.2t Ca opuM ses0o Hamia3mMo u na emmUxoCTH y pellasaiy no3sa- ZMHe, 3ATHM HHNGORA H HKOBA HojestMNX cReTHTeRa. ¥ ueroM Mysejy jou Ha jenoM Besy TaKohe ua XVIL Beka BuAHIMO Hero Kovmonosaie SonoBa y mmMBopmMa, Y DULY AYSHUX aujaronasta.22 Cpoutocr y nauumy nesema apanepiia, Maza cy one jom crmma0naHinje H BULLE HoBpLIHCKH pertieKe ero a netenioM xpory 16 Teyana, HasasuiMo H xa HaGeApEHURY Hs HcTor Myseja w3 1681. rowtne.2> Ha sesopuma Koj ce 4yBajy y Manacrapuma Crete Tope, a nopekaa cy MosmoRmamKor, Kao 1 Ha HeKHM BeaoBHMa y Manactapy Tyra y Moxzapn, TaxKohe HantaamMo Ha H3ReCHE CposIHO- cevm y exam pasa. Ha enurpaxiuey Pazy Tlajenja u3 uppe nonopime XVI vexa, Kojit ce Hanasit y Manactipy Baroneay,24 vajume eponHocTH HastasmMo y Spas Noss, Kao H peulanamy imp160va. Hi sa opaj ne3 cy KapaKTepmCTENHH KpaTKH, CHTAM GooBM rue ce TeK HASHpY MHK-AK Jum aeupexnaane aimuje Kao xPATKe sjaronaste, KAO UNTO je MpUMeHeHO Ha Kamen neay. ComHsHe apaxrepHcTHKe HaASHMO H Ha HeKUM BesoBmma paler jont cpeamiom XVI neKa, Y Texxt4KoM norsieay obpaia opHaMeHara u wuxXoBe MosanHHe BpsO je Bmuicka ono) Ha opapy — Pauumoja 1 Ase 1 1533. roauue 3 Mavacrupa Monpona.25 Mero pememe anaan ce y OmeM jeny opHa- MenraaHor yxpaca na emurpaxiey Mareja u Teosocaja na mavacrupa Tlyrie.25 Vaucax abujeumx Soxova e3 ocTanmama HeNsBeseHX NOBPLIHA, KOjMt Mpaplient snuuija uMUTHpajy KoMMAKTHY TRAY Matepujy, mpimeneHo je Ha Sopuypu osec mrywana Cumeysa ua 1545. romume y manacrapy Mesupouy.2? Camsxocri cy napouiro uspaxene y HayHHy pana wa KpaKonmMa xpcTa Wamer Be3a. Ha pyckin pesonuna XVII eka, ocoBuTo Ha Mone ca muKoM arTponlomuTa Anexceja, Tut xa caxocy flarpujapxa Huxowa x3 1655. roqutie, Hapownro je wspaxelia cammaHocr y rycro sbiljennM Soxoswa uM HospumNcKoM TpeTMANY BeIeHEX ospuNa.27 ‘Tpaxehin anasornje y normeay TexHMKe pasta ca CANYBAMUM UPKBEHIM weSOBUNA Ha Halo} ‘Tepuropar ne Gu MOrIO wa Ce 3AKBYNU sla HMA aNCOmYTHE coMMSHOCTHE ca Ma KOjuMK OM soaEX, Tho jeauiom nerany — pemanarsy HieGoxa, sesen xpcr je OmmaaK jeawon emurpaxizny a Oxpua, Koji ce aatupa y XVII Rex.28 Tipeaerasa Boropozune ca meqamouoM wa rpyzuna y Kome je XpucToe eanyuno suauajua ie vapujanza Opanrre, a mopexna je snaantujexor. Mo H. 1. Koxitaxosy ovaj uxoworpadexn Tan Sno je nosuar jour y paxoxpmmhaHckoj enox, [Ipernocransa ce 1a ce pasBHHO Ws aHTTHYKUX Mesta~ sow ca sTMKosNMa MMMMepaTopa WHT HeKHX GorsaeTana, Koj cy MoweM wa rpyquwa Kao 3HaK Pakra wan jocTojaiersa. Pata wapujauTa one mpedcrape y pavoxpmmihanicKont epHony Hanaoit ce y KaraxomOama os, Aruese y Pumy.2” Passo} opor ukoHorpaexor Tuma je TemKo mpatnTa, jep imweby Menasvouta ca aHKostIva 13 TOIKE AHTHKe M KactHjmx npencTana ocTOojM npasuuia, jep HeMa CaMyBaxnx CHOMEHHKA Ha OcHOBY Kojmx Gn ce MoraO MpaTATH weH MocTeNeHM pasaoj. Woyserax sme Sporsann xpcrosit pesixeajapu re Xpuicroe wa rpymmata Boroposwne sayaunta 31aTHo xchat npocrop. Ose npescrase ce jasmajy oner Tex on X—XII eka wa minaxrajemunt nevaraa 1 Honny.30 To cseaovancrsy Ceumme y BaaxepicKom xpauy y Kouctanruntonomy wocrojata je, cmmawa ua upsery, uxowa Boroposmue ca XpweTom y Megamony, wa rpymuna.s! KowuaKos Noctamiba Kao woryhnoct na ce y ByaXepuckoM xpamy japa7a mpencrasa Koja je cHojia Opairy—Baaxepmurucy ca suuxom Xpucta emanynsta Koji je aonyianao. OH Ke eKmyyyje 21D, HarprBnen, Brodnowarine xevenase, Ev AOHNAIE 1953, TET, ex. 2. 2 Mom, ma, TPA, cn 1. 2 Mer, w. a TUT, en. 1 24 G. Millet, Broderies religieuses de style byzantin, Paris 1947, T. LXXVIL 2: Meru, wa, T. CU. 26 Mew, a. 2 T. CVE, 27 Mens, . 3, T. CLXXI, CLXXUT, 210 Heropua pyeckoro wexyeotma IV, 589, 591 25. Crojanoauh, Yauerninor pea ¥ CpBuju On XIV—XIX sera, em, 37, 29 HTT. Konaxos, Mxonorpagux Borowatepu I, CTIB. 1915, 103. 38 Herm, w. a, 108, 106. 3) Meru, u, 108, Baaxepcxst xpan je Gxo omar H mpocnaRsvex no permKni(ia wagopuia Boropoguue i Mo yay woxposa Boropostmme xoje ce zy sorosnu0. 3 3Gopenx 9-10 33Moryhwoer xa je moperto Opanre ca EManyurom Moro a mposiereKne on eMasbHIX Hm Cm KaMUX HOptpeTa Kojit cy anatm BUCOKKM 4HHOBHAMMMA ja HX Hoce Ha YHUOPMaMa. YY suranont musy uKovorpagckux Tema Koje ce jasmajy Ha etoxy 4 Sanaay suba ce npea- crasa Boropoamue ca XpucTom enanyniont y Menazbony.*? Hexaa je ona kao Tawaruja narirepa Y Besit ca WIYCTPOBAIGEM AHTYPTHjexHX TexcTOBa Moje”MENX cBeTHX Oran. To Peo-y xojit je jedi ‘imme xa Opautty-Majxy, oa nlostceha wa Opanry 13 KaTaxoMOu, aut ce paasuuxyje no oitom wTo oc «puKeupao Ha Tpyauna y jenHoM Menasony — aux Xpucra emamynra.®3 Ha oculosy momenta xox Kujencxor mowaxa Bacumja Ipxroposiia Bapexor, pycror xaunje XVII nea, rogue 1045, nanasuza ce y Hea Mom na Xwocy jesuta Opartra ca MenastOHoM Ha Tpy- sauna Koja 51 no omicy onroxapana Tuny Boropoauite sHaMtex a, KaKo je oBaj Beh pasprijet mKoHO- rpars THM waswax y Pycuit.34 Tlocae octa wpentena anaaino ua ony mpencrasy rex y XIV exy y Boroponmmm naps ropurucn y Tecamiju a y Kaxpuje uanuju y Uapurpaay.5* Ova ce Yecro janba u wa naxarijapnMa rpwKor nope, noves o,{ XI neka, na je cana TeMa ecto osnayanaria xao Tasaruja.3§ Boropomna suanesba Kao wKotorpagera TeMa jaxsa co HeUITO KactHje, Maza 3HATHO pee i wa apyrunt noxpeTuuM cHomeHmma, Hasasumo jé na aepy #3 cs, Kammenta y Oxpuay ua XIV—XV nexa, 3a Koj Konakon aaje TYMaYeRe >... OH OBE ONCHUNO NpesIeranma JK Mua eima y cnasu. Boropostuna amxyhu pyke y orm ax c staKoM EManyitia, Koji saenmeni Arnena, Kao skit ux Aproca oBaniba oBue Ha acpy, a M Ha apTOCKEM Mawarujana YatlMeTSe japona TO putyaay — ysvlomcra nanarnje, xaxan je Oo Yerawonzen ¥ MAHACTHpHMa, a HHA BUSAHTIjcKOM aBopy jour y X nexys.36 Ha wexum mpeametuMa ca HcTOM HxoHOrpadeKoMt TeMOM, Kao Ta BHESAHTI|CKOM HeNaTy 13 XII sexa nazasnmo Oparry ca nionypurypom Xpucra eManyna ua rpymmma, a cursspania je Kao Ennerencuc.37 Tum Opanre ca Xpucrom y Meramony AoBMo je y pycxoj wxouorpadijx mae Siamensa Boro- pomune. Tio JTmxatesy »3namenie« ce Hasupa mpercrasa Boropommye opaire ca jUICKOM Ha rpy- uma y KoMe je aux Maurora Xpuera.*® Oxaj Tepstnit ce oBjaumibapa HAM >2aBAHbeM 9HAKORA MOje- HHUX HKOHA Han 5H MenabOH ca EManyitiom SHO ysKamercc (signum). Hajseposarinje je sa je ‘onaj TepMain y nesit ca naysont y Braxepin«.;® ¥ Pycuja je ona uxonorpadexa Tema spo OMHIEEHA Mt TaMo je cauysait neauxu Spoj npemMera, wapowito HKOHA ca oBOM mpestcranom.*? Hajseuha je a Toprarusiint uxoNawa u nanarHjana. Hexan ce KoMBunyje ca eyxapucritjom.st OSs Menas.ona y xojmua je Xpucroe eanynro jansajy ce y sume mapujanrs. Hajsewhe cy xpyaint, pee ovamm — jajacru ium xpyumactH, xao y Kaxpuje vai, a peTKo cy cacsun usy~ SeTHHX ob Mika, wa MpHMep XpyxHosBes/acTOr, Kao y soHapH Jonaxia Borocstona y Mucrpu.*? Jinx ENanyuaa je wajiemhe mpencranssert 0 nojaca, iam je sara camo werosa TaIaDa, 3a ouRME ‘move je Kapaxrepuicruwna papmjanta ca EMaHyuoM y GuctH Kojt ce waiasn y HaBopunta mahopuia, weurro je cnymrren 1 ma cmmGosmmo suavewe.! Ha camkavom upockommanjekom Taibupy, KAO H Ha BeseHOM Kpery 3 Mawactupa Jevana Xpuctoc ewanyiro je nocrassen y Meaamon KojH Si MoTao za ce HeiHMINe KAO CPHONUKH OBA cca uspasitTo 3aUTIUGeRIM rOprDIIN JesIOM, a smaTHO WUpHM m obs AORN Aesoprcamaja je java ua seseom xpery. Hea xommoanmuja je mocransseHa ¥ XpyxHO 3Be3dacTH Menamox. palit Kojit nomase 0X KpYAHOT Meza:boxa WapasHrajn cy, SpojAuyji M MarnaiMeMMjH Ha CHUKAHOM TArBUpY, a CTBapa HX OKOB OK HHKOR TOTEM Wa CMKAHOM TeaTy mje LOBOrTO BUALHHB. FbuxOHA TpaHebop- Manuja ce aoro ynpouthasa, vax TocTaje aedeKTHA tia neaeHOM KPCTY. 22 Hero, 3 L, Réau, Iconographie de Vart chrétien, Paris 1957, 7172. M Hi. TL Kongaxos, xoaorpadux Borowarepa I, 111 Me Tero, 55 Kowiaxos mowetonehyje Resaky nanaraiy ca npeactexow Boropoamye suamera, A, 29. 36 Mem nme 115. Herm ap Kouutaxon je objanuo y Maxezouns CIUB, 1908, 270-241," axa wa xastocr Bea Gororpagnie. Jlarapa'ra y' 1415 p, Cana ce sue ne narasmt y Oxpany. 37 Herm, n. 3, 109, ex. 38 HL Tiwxasese, Hictopuecko auavenne mraxorpevecxolt wxonomir, HaoSpaxesna Boromarepst..., 83, 3) HTL. Koumaxos, Hxonorpadua, 116. 4 Flom whemectons ocToxa, Tox I, Baazunaipe 1901, 368, no 27. uopenpon Kaxke na ce cnawuty eno3en Suemer suanea maya Mone Boropouane y Hoproposy 1170. roa. SU HTL. Kounzaxos, Mxonorpadun 119, 2 Veerw, x. i, 111. Hlanegen xa0 msyseraur oBmmx mexaxona, © Here, 34Yonompasase uene xomnosiynje Ha oBaj HAYMH YecTO ce BNJAH Ha MpencraBaMa one Teme Y SuAHOM cmKapcTay M wKoKaNa NloCTRHaaHTHjeKOr YMeTHINKOr erRaparba. Osrovapajyh nani Yoxnnpasassa xoMmosuuje Ka Ha RenewoM KpeTY MAtAaMMO HA uaNArUjapy wa wasacTupa Buc- spaue.#4 Koxmosumjy yoxbupeny xpyAum mena.noxons, Ox Kora ca YeTHDpH erpawe TIONase 3paulk 1 HTH OBaK Menaona ca npeacrasom XpucTa, naslasiMfO Ha suATHO KacHHIo) anadopHNH ¢ nO- etka XVIIT nexa y Yarersnuxont myseiy y Byrypeurty.*® ¥ nomoj Gopaypy naaurrasinte 1 s6upKe Crapuuxirx, us Tpojaye Ceprejence mappe, wamaan ce ucTa UKOHOrpApcKA TeMa YkoMMMONORAA Y xpyatin Mesassou og Kora mosa3e pani TpyIIcaKi y YeTHpH rpyne.s Meyrin, oBsue esa seoula ¥ Koj je yxommoxosa Xpncroc ewauyusno nocra je pentax. Hasasumo ra na saBenpennxy ws 1681, romine y Bonaxu mysejy.«7 Ha emepaxnmy Hoporeja emmexona, Kojit ce nanan y Mania eupy Crappowuxiru,## a uayorpyje xmmy axaructa, nojeszyje ce mpencrasa Boropoaune Koja ba rpyauna Ma neewaisoH y NCTOM OOAUKY Kao wa HaUIeN Hedy. Onaj PeTKH THN Mela.KOHA Cpe- hhewo nia nexns« (bpeckana ita Arocy. Y Xivravitapeko} tpnesapyjn 13 1621. rommue, pay wauer Majeropa Murpodanomuha, y uayerpainijn 24, erpode xunue axatucra, Xpucroc je nocranmen Y ucroneranr Meaaou.*® Y"namioj sew. y dypeckocsmxapcray Tan, Typexor nepstona oaropapajyhit ‘tun mesasbona narasmvo Ha mpesicrasn Boroposumie ananema y OsvapcKo-ra6.rapcKoM MawacTADY co. Tpojume y nau xs4a1 yuyrpauner noprasa. BpeMencen ona dypecka mpunasa paxow XVIL pexy.* Y upxan y Bypaxoniy xom Tehn, wa onrosapajyho} xommosmiaja naasmo ucrH oOtmK Nenasboua.5! Conivan Tum Menamoua HacmKaH je Hy AlcHIMH Mauacrupa Tlupe. Y xyry ancue euro xacimjer emmapersa ua 1646, ronnie y ipxaut y Tyrumy nansaasio xt eporas Tit Ment sou. Tlo cnome oSzmxy Mexa.soH y KONE je mpencrasa Xpucra estanyusia nesan je 9a nocromaK- Tujexo emukaperso, a 3a Hac je uurTepecanvan, jep ce nojanssyje a oBa mpemmera wa HeTOr Masia emupa, miro je jeaam on enewenaTa, 32 wHxon0 ToDesuBatse. OGAEK OKBHPHOT meaz0HA je TaKOHe portal, cario iro omaj na BeSY Koj je MOTAO Jia UNA 3a Y3OP, HAM eNeATyAHO MECIUIpaNy cout XaIM npockooanjexn Tarsup noxaayje werony jacay eramnaliaiy, ax ebopmanyjy, Ha W HenoT- nysocr. Lewrpasma Tema npencrasa Boroposuie ca nonurayrast pysana, na win je rpysmwa Xpu- eT0e exauyuno y meaasbouy je HxoKOrpabceH wNeTO Mpencranena Tema Boroposmite 2Hanere. Yuopebyiyh auKose ua ona pea Kovmosmuujana mt moajyhi y BuaY TexMRY paz jemor 1 ADYFOr Mpenvera — jep owo mrro je camxapy AKO HoBOAsUBO To je EKA MpeHoUTeNbEM ¥ TEXHUKY eda SHIATHO OrexaKO a NekaN s OleMoryheHO — npunehyjene ja HocTojM cposwioct. Tlocwarpa- iyhir 06m summa Boropoamye wa mpockonainujcrom rarsupy m nopea, nocrojehux skarimx omrre- hema, masimco a je ovo HeulTo umMpuX jaromua ca HSpECKIN MPOMINpeReM ¥ jOTEM eny JNA. Meru oB.1ux anya a0 je u cajctop vesa. Own Boroposumie ia Taxsupy cy omrrehene, ani je nisvsHB0 Harramanaibe nowux xanaxa noxowsanma. Onrosapaiyhy Hast peliapare ovnjy mMAMo 1 sa sexy. Morar zeo noca Boropomie Ha MpockoNaumHjcxOM TaHbupY je SaMPRAH, Ma Ce He BHM HerOB SABpUeTaK, asm MOrAeAA NTO} CeHKA IBMchy Hoca W yora, Koja je jacHo Naraamena w na vey Youasa ce pasuinka y peulabawy yeaua, jep BOK cy one Ha Tarbupy HYHHje, Ha Besy cy MpencTanmeHe jemuon. sunyjoxs. Jiux Xpucra ua mpockosmujexons tasupy je jaxo omrrehen, ant 4 nope Tora wasnpy ce cron myst oBpasit, BICOKO ucTaKHTO wes, OKPYFNe OWN, MecHAT HOC M neTypene yin. OBR Xpucronor sma na nesy je sure WanyKeH, O5M Cy jako HeTAKHYTE ca NOAONHAMMA, He:TO je BHCOKO, a ynm raxohe Harauiene. Yak m Ha OROM MAJIOM JIIKY Nocroju cuTUHOCT. VKOMKO je NajeTop nea Sw y curyanyje ma Nonpaxcasa ccNKANH TaIBUP TO My je BuLNO OTexaKO H sUMeNUjaNe LeETPastior MeugsboHA Ha BEICHOM KPCTY Koji je SHATHO Max oq MpencTape a NpocKoMmajcxom Tamupy. Comutocra nanaamwo y nosloxajy 1 oBsuxosatvy pyxy Boroposmme. Ha oBe mpescrane Maza oy +a TaIbuIpY JICNMMIIIHO iIpexPUBEHE OKOBOM ONE CY MBAYAEHE, TAHKE, cA AYOM wiaKOM Oneha Boro “4 Studii asupra tezaurului restitult de URSS, Bucuresti 1958, 67, sl. 8. 45 Catalogul expozitici de argintarii broderii si tesaturi din gara'romincasea secolele XVI—XVIII, rad Tomasa, Langa (Thomas Lang 1717—1732) iz Sibiuva WE, Harn, Eedqousrom zevinuacs, ex AOHNATE 1953, 7. 1 on. 1. 47 Heetopnm pyccxoro nexyeetsa Ill, 679. 48 G. Millet, Broderies, T. CXII, 2. # Mens, Monuments de VAthos,, T. 103, sl. 4 39 JL Higuaah — P, Huxonmh, Manacrap Cperere 1 e8, Tpojuua nom Ossaposs, Becta Myseiexor 1 x01 sepsatopekor apyurraa HIPC, Beorpaix 1960, 1—2. tog.) To Seteneawa aC. Hevrowia,aeverera Yinmepowrera y Beorpaay, secre je paswo emp Mia #2 Ha nomnyy saxsanylen ap Cperesy Terxosuhy. * 35pone je crmuno isuerena nia oe KoMTosmusje. Madopu} Boropoaute Koj ce enyurra wa ame Ko swat OBpsa u wierewma Koja ce Wamlaam McMON wera, KAO M IeTOR HANI YOXBMpABaHsa INIA uaa na Fpyan naexrunwo cy peuiexst. Yxpurraise acopija Ha rpyawna je Taxohe cpommo. Mena [now ca XpuCTOM je ma oropapajyhu HAYLE ykOMMOHORAH y HaGope MahopIja, a PYKABHL NOE Xamuve Koj cy HaBYYeHM Hcon OrpTava UpTaKH cy K 3appmer Ha NETH HANH, Tlocroje cmrsnocrH Hy citikawy Xpucrouor osesta koje je wa nesy mare BuAUbHBO, jep je Xprictoc wa npockOMAAHjcKOM ‘TawUpy Jonojacan, a wa nesy MpescTaR.beN camo xo rpyau. ¥ MormenY KoTopucruIKor Pelaparba Se Kovmtosmtje uM HeuITo 3aje-HNKHX eneMeniaTa. OcHOBKM ToMOBH Ha BESY cy SaTHH H cpeOpH ca etasunma y Sojt Kojm creapajy oAropapajyhe oncjaje, NOK je KoNOpHT Ha npockonmanjexon ‘Tamupy pasHospennju, ca nosaAMKOM y Goji. LIpaMehyjemo ua je noma xamMHA Boroposaue, Koja je na Tamupy TpKnBnoscueHa, Ha nesy oOwTA SeneNMM HarTaUianar-ent HabOpa geeHKaCTH TOU “nurer. Tapaitemim aGopi Ha rpyawoM reny madopija Ka Tamupy cy aniaria, urTo je OOparam nocry~ Max 07 onfor wa Beay, Tne cy ONH y Bojn., 3a XpHCTOBO O7e«TO Ha CIMAKAHOM NPOCKOMMAH|CKOM TAISEPY ynorpeSrreno je aro, upsetia ul upka Goja. Ha nesy je OHO 31aTHO ca 2kyTOSeNCHM H MpBEHIIM saraciuma, Tonamurer simxona Ha oe KoMMosmuje je Oxep, a TaHpy HemTo TaeujH. ToHo- pw ucre Goje Ta npockoMIzMHjcKOM TaRUPY cy HEMPTaHe UPTE IMA, LOK Cy one wa Resy pajeHe [NpHING KOHMIEM, ca IPRCHUM YeuaNa, WTO je THHHIKO 3a ResOBe XVI u AemNEIHO XVI veKa. ‘Axo yropemmro cuiikapcKe KnasllTeTe mpockonmuujexor Tarbupa M ReseOr Kpera, rae cy uw roroso orpaiitieim Ha UpTex, KOHCTaTyjemo fia je YMeTHUIKH mHRO HapasHTO BIIIE Ha cA xauow mpewety. Ha seseHoM KpCTY, YKomKo MpeTHocTapuMo 1a My je NpockoMuzjcKs TaHp Tocnyano Kao Ysop, upTex je HecHTypHNjN, Hua} M pycTHMUjy. Tamup je Pasta conKapeKt orpaljena miocr, s10K 3a MajeTopa RexeHtor KpcTa TO He Gi MOrAO ja ce KAN. ‘Axo yrropeauMmo KoMMosHuijy Ha BeseHOM KPCTY 3 Mavacrupa [evan ca UcTOM mpesicTaBOM 1a cHITHNjNE yMETHNEHKUM MpeNMETHMA, KAO H Wa MOHYMEHTAIMOM cxTIKAPCTAY, MOEMO 1a Haljemo camuocTit ea oBjexrua Kojtt ce jlatupajy moves ox apyre noopnne XVI exa 0 cpensie XVIL pexa. Causuocr noctoje ca nanarujont 13 1553. ronume xoja ce wyna y maxactupy Tyran’. Ove Cy mapaxene ¥ Boropomimutiom cTaBy, wapoviTO IeHIX PYKY, 38THM Y PelllaRarby Apanepnja Boro~ pommue. Ha UpKBeHIM BesoniIMa Tiojapa one HKOHOTpadoxe TeMe je BPO perka. Yemhe je waa BHMO Fa0 eTéub ApyrUX KoMmosuuuja. Ha wayerpaunjm xINMe aKaTHeTa oMKoK-a 4—5, Ha emeTpa- sony Jloporeja ennicxona 13 Craapousiures nojansyje ce onrosapajyha Tum Boroponmmte ca Hapo- suro tspaxeto cauwmouthy y peanamy waGopa Mabopilja Koji KAO Jla npupxanajy Menabom ca Xpuictoss, Anaztoruje cuirypito nocroje Ha ¢ppeckocmukapeTsy opor nepuoua y Hamm OBsiacrHNA, am je oxo HesHaTHo nySutikoBaHO, a eMo HOKYMIAAH Za NaleMo WIRECHE CIMSHOCTH ca CHUKAp- crmom Tora spemeria y Ppa Cpogvo pemavane xpartepnja Boropoame xarasumo Ha oxtrosapajyho| mpeactasn Boro- poame ca Xpucrom y newrpariom neny xySera Maxactupa Kyraymymna 13 1540. rose, nao my Xuutannapexo} Tpuesapnjn.s> ¥ upxaaa Kactopwje, napownro oun 13 XVI nexa, KanasMMo Ha Hore Thmoxe zika Boropoauue xao u Ha pyre cpoawe xeTane. Y Boropomuu xySeamammt sa Konmosinyajr curmmpatio} kao Tlaavirepa 49 XVI nexa®® nocroje emmsocr y mprama summa Boro- poate, kao my opsupaiy Mahopyja. V upxan cp. Hukoste wa dypeckana w2 XV—XVIL nexa, wa Kommosimuju ossiavenoj xao [LrarnTepa — Buaxepanruca,s? ia Boroposusinom smixy ce Bute uipe uctaxuyre jaronmue u Tanke yone, Kao nia Boropommut wa peseiom Kpcty. Y cp. Huwos Tocnozapnue Teostorune 1s 1663. rome a mpeacrastt Tnarwrepe — Buaxepuutrce’s KaxuTasus0 a Bpno cponax ma(opHon, pactoped ieronHix HaSopa ca KapaKTepHCTENAOIM mpeDaLlKBAReM MPEKO panena Mt TpYaH, Ka0 1 CHHSHO aaTesate mpanepHja, Mauia je TO Ma Bay wo Hlevana MeKME 193% eno. ¥ uprama Boropoauumor suka Takohe nocroje emuniocrs, Kapaxrepucravant je aocra xpa~ ‘Tar roc, ca HarstameHioo CeHKOM HeMIOM mera, KAO H Maze TaKiKe yore. Ha 3K&THO pannjHor dpeckaMa Maxacrnpa [[ewavia y Waycrponaiy akaTucTa MoxE Ma ce waspe emmumoct y saKy Boropoasue. 3uarHnje je wspaxeria camsioct y peulanary apanepuja Boroponie xa mpencrasn Boropoamue poctpantitje ot HeBeca y ucrom Manactupy.*? Habopa Boroponmunor maopuja pacttopeher cy pero pantera xao a BesevoM KpCTY, a HA Memmem Jeny j€ NoKasaHo M TamacaHse ApamepHja xoje je Ha neay TaxoDe nasHaNeHo. 9 0, Tafcali, Le trésor byzantin et rounain du monastére de Poutna, Paris 1925, 21, T. XVI 51G, Mille, Broderies, T. CXL, 2 55 Worm, Athos, T, 160, si, 2: T, 103, sl. 4. 5 3. TIEAEKANIAOY, KAZTOPIA, OHSEZAAONIKH. 1953, T. 110 8. 81 Meera, a. ay, T. 172 58 Mem, 1. my T. 2484. 59 B, Merona, B. Be sonal, Levasn II, Beorpax 1941, T. CLXVI 36Pesimmpaiyhn nxoworpadene CTHMTeke KapakTepHCTHKE GATMKaHOr MPOCKOMMAHICKOr TaRHpA 4M seseHOr KPcTa MOXKEMO sa KOHCTATYjeMO J18 3a Cula HENA CHTYDHE AHATOFHje CA MBBECHOM PasIHO- HimloM ma MajeTopom, Homto je y Manactupy Jevaiuima y apyroj noxosinaut XVI sexa 31aTHo Paspifjeka WKOHONNcaYKa AeNaTHOcT Be3aHa 3a MosHATOr cilMkapa JlOMrHMA, CMMKAKK TaHMp Bt eBeHTYAIHO MoraO jla'ce OBENE y Nesy ca AeNATHOMIRY weroDMX capatMuKa HM Hacransbaa, jep Hea enenewara Kojm Kapaxrepmury onye sor mosnaTor yMeTmKa, Konammm saKmyvax 3a cama xe Ou rpeBas1o toneTH ¢ O63u1pOM sa je YMETHMKO CTRApasTalKTBO OnOF sICTOPHIeKOr pasAoG.ma y alto} yaeruoorn jom y asm cmmTmata. Anarornje mocroje ca npenneTiMa Ha swTanoM noapysiy Banana, mito wje symHo c OBsmpoM Ha BPEMe Y KOME CY HACTANM H E3a KAKO YMETHIKHX TAKO H RePCKO-TOMMTHSKAK Koje CY ¥ TO BpEMe MOCTOjaiTe Mehy DamKaNcKHM KaposIUMA, a KO|M CY Ha H3BC- cTaH Haste Guim yjenuIbeHE TypeKHM poncTBOM, axo Ou TaxO MOTO sa ce KAXe. Komtnosimyja a comkatom mpocxomuanjcxom TaIsupY oMBHMeNa je crOReHCKHNE TexcTOM, Xojit je ucxynanan na merosom oxsipy.6 Jlexoparnenn ykpac nesenor xpeTa OKO KOMMO3rUUEje 3wamermsa Boroponute wanexex je y xpaxonmma xpcra, Ha nlonpesunm xpaxonunia yxpac Kojm je ‘BPO cxpoMant meNTIMAH je M CHMETPHYAH, a Ha YS1y2KHHM KpaxoBnMa je OoraTHim, Jexop je pase jemyjn y zomem nemy xpaka. Jexopaiuijy nompesintx jenona 1 ropiber esa Y3HYARHOF KAKA WHEE No ABe MOMynAaMeTe Koje ce OcHatbajy Ha spakAcrm ico OxBHpa ueHTpanHor MenasboHA. Y MOKEM Aeay To je Tpawimua yxpamena nomynammerana ca HeKONHKO sICTOBA Koji TONASe M3 MSsMAHAKA. Tloaynasete cy camkante npuausHo MecHrypHO M HeneMTITO ca 2eO%" Ja Y AOTwENE sesIy CTBODE H bine BapujarrrH, miro je Tocrenma MoTpede 3a HeTYHARAIBEM PacTIOMOKMBOr MpocTopa opwanten ‘Talim. yxpacon, Aexopannja tosme ca noaynammerama je yeero y ynorpeBi y ymerHocrn Bsoautite, Kao i Ha CHOMEHHMHMa NOCTBHSAHTHjcKOr YMeTHHNKOr crsapama. Ova ce {tyro KOpHCTHA ¥ XemeN- CTIIKONE H PHNCKOM epHOMTY, Ha je HopwanHo na je HacTamiuIa na ersicTupa m xaceje.S Tosa ca TOynamMeraMa He Mpestcrammba HukaKRy ocoBeHocr, jep je oOmaro KopmuiheHla Kao jeKopa- ‘TIBH eneMentaT menoxpeTax moKPeTHX croMennKa, WToromHa je KAO OxBHPHH OpHaMeHar, 18 je wecto ynorpeSzanana y nexopiicamy Tpaxa Koje cy Ompajane nojemume sone H KOMMOsMUNIe y ‘peckoornKapeTBy, a 3aTHM Y TUTACTHMH, oTeT Hajtemshe KAO OKBKPHH OpHaMeHAT OKO NOPTATa mam mposopa. Ona ce Wojammyje YecTo Kao jleKopaTHBHH cxreMeHaT Ha MUNNjaTYpaMa, MeTANN TIPEAMETHMA, UPKHEHHN BesOBEMA HM TIpH Yxpaulabatby waMeurraja. ‘Ha ockosy iprexa opaMenra Wa nexeHon xpeTy morno it ya ce KoucraTyje ma je paher Bue no cehatey, a Mare ce OcmaRA0 Ha Mpupoay. Ha teMy je oveTHO ryGmene Texie 3a HATypa- JUBMoM, miro je Zovez0 flo HYRHe CTAMTBAMHe, @ MECTHMMIHO HO MaBecHAX se hopMantria. To noxeax TanopiMa, xoje je 5a BHDAHTHcKy OpHAMeHTANHiy y WIYMMENpARY pysonnca sana A. Frantz, 1eKopatmpeit Yxpac Ha BeseHOM xpcTy cratao Ox y aricrpaxrax.6? Fourro je opia- Menar Hajpasaijennjr y NoHbeMt jleny yanyxxHOr Kpaxa KpcTa, Ha wera hemo ce noceOHO oCHpHYTH. Comsxoctit y Has KoMMoHOBAHBA ca OBAM OpHaMeHTOM HastasuMo jou Ha pykonucy W3 Jers rpaga Op, 71. us 1020. rommue.63 Ha naurent dpecrocamxaperay majSumxe nese nocroje ca eKopa- nujom Koja ce janza y Boropommnn Jbesmxo}, masta cy TaMo TeKOpaTHBHH exeMenTH Passnjent, & Ko Hac je KoMmOnOBaNe opHamenta cxobostmije. Cpouar Wax KoMBuovAa opwaMesTa Halla stor Ha neKopaTitoHo} MoacTanKt y MutcTpH Ha Hey KanuTema y Haocy TlaHTaHACK, 34THM a mera JeiIMa TUTACTHKe HB cpeTHAMITA ¥ MeTpOTONH WIE Ha HaNBpATRHKY ETO cHoMeHTAKA, ca KO}HM je cammnoct napounTo mapaxeud y HenpayMNHOcTH np upramy mucrona.S4 Onrosapajyhy ava~ “xormiy nazasimo Hy peckonexopanuju Manactupa Boponena y Mosnannjx.55 Onaj ait KoMMO- onaia opiaMerra uuje norogax 9a dopmmpame Konrunyupanior pusa, 36or vera ce yeItennto ‘ykstania Hy aexopannty neserror xpcra. LIpraise -mcTosa ta Heronoj opKaMerTTanEij H Moper HeenpeT- doctu u Tenmenunje xa crumannjn, naje yricax commocts, To oBo) KapaxTepweTmU OM ce pH Sawkana pememy onrowapajyhix TOBA MOTYMAMETa Ha eMUTpAXIEY 1 MaKacTupa JoSposua ca mpencrasom Bojsone Jnana Credawa.s Here enemenre natasumo n Ha nese¥o} AeKOpanujit xa eMmTpaxicLy W3 MaHactupa AwounaHja.6? Mopecne Hempanimocrm y uprexy menomeHe cy H Ha ‘opnawertuna enurpaxiuba Cresasa Beauxor n Mapuje 1s manacrupa Tlyrne.6 Tlysoha soterosa © Yornupanaite xosatosannje rexcron (omrehenns) no omey H. , Konstaxona natasisto cena neseno etext ea Boropoauiow swansea roja ce sypauta y os. Kaneurty y Oxpueny. HTL. Kouaxon, Maxexouus, CIB 1909, 270271. ‘01 A. Frantz, Byzantine illuminated ornament, The Art Bulleiin XVI, 1934, 60. © Vero. © Mert, m. a, T. XUIL, 6p. 9. 6 G. Millet, Monuments byzantines de Mystra, Paris 1910, 7. 43, sl. 2, T. 51; T. 52; si. 8 &G. Bats, Comisiunea monumenteloristorice, Bisercile lui Stefan cei Mare, Bucuresti 1926, s1. 445, 66 Studii Esupra tezaurului restutuit de URSS, Bucuresti 1958, 153, sl. 6 £7 G. Millet, Broderies, T. LXVI. 68 Mora, i. 2, T, LXXXVIE, 371 camaHocT y Mprexky tojesIMMX meroRa Ha Halen nesy MPUBIUKABAjy ce pemeRy oxrosapajyher ‘una sweTa Ha sHarwo palinjoj mraurannnn us Bustopnia « Axdepr myscja y JTowzony. Camsnoctit y opHaMenTits Koje cy ome HaneyteHe yrnasHoM cy HaljeHe Ha croMenMNa crapwjine of HaUler Besa, aml HaMeHe 1 ReFbopMannje 0 KO}NX je Ha WM OMT HaBONe Hac Ma Mpermocranky ja je To peayittar He camo HepeurTie MajeTopa, wero M Teron YaabeHOCTH OM abnopHOr craapaiiauiraa H eBcHTYANHe Wwexe MpesitouIKa, Ynorpeba H uptawe ovor opHaMenra Kojit ce MOKe MPATUTH BeKODINA, Ha HauleM Beay je TOAUBeNO MspasHTe Mpomenc, ersawanne, ra 1 stemmanse eopManute. ‘Bese xper 13 Maviactipa Hlevana xojt je noByaHo Maly NaxMy He cara y penpescHTa~ ‘Tusue upesicTaBHuKe pahee Y TEXHININ YMeTHHNKOr Bes, AH je HO cBojo} KoHeNKN, YMeTHUSRUM Me TeXHMCHNG OJLTUKaMA sHaajadt MIpHMepax one DpcTe YMETHITIKe HevIATHOCTH 1 BpeNeria MOCTAN- aitrujoxor yMeTHnaKor cTaapaiba. SasusbuD je mo esojo} uKoKorpaipekoj mpeseTann, Koja je perka Ha UPKBCHIM Be3OBIIMA, & ¥ OBO BPEME Ce MECTHMMIHO jaBza KAO LeHYpasHA Tema yrmaBKON. a naSenpemmuna, waa Yemhe mpexcrassa jeTass MPM HAYCTPOBABY HEXUX KOMMOHILNja, wajsemhe Boropomwunior axarvera sia Miinijarypiint cueHana one HKOHOrpapexe Tene Ma enNTpAXHDUMa dom apyxsmawa. Kosenosimja Boroposune 2uaMema je usyseTio Suma yaera 2a newTpaniy ‘remy calla uaryOsenor suryprnjcKor noxpnsava ws ca. Kamera y Oxpuay xojm je wo H. TI. Kor- AAKOBY BHATHO PAKUjM Om BPEMeHa HACTAHKA maser BereHOT KPeTa. Tlocrojane oor objekra y jenXo} om Hanmi majpehix MAHACTUPeKHX PHoHMA He SHANE a je To u mecto werosor HacTaitka, jep cy ce Y ovaj MawACTHUD Y OHIO RPEME A H Kacmje YecTO CTuMaLTH YMeTIHUKH mpeaMeTH Koje cy Kazyhep KOCHI He caMO N paswHHX OONACTH Halle SeMube, Hero It m9 tajymamennjux semana THe cy oAMaaHLNM Hajemhe Tpaxehn NatKOCTHBY wm oyTaseht y AMHR. Huje ucxnyteno 2a je ovaj yoeramKH mpenMer, ako mpernocranmmo na je paljext y pean ca ocTojaiseNt cHUKaHOT MpocKOMMKjcKOr Tampa y HCTOM Maactupy SHO HevaHUMa u KaMeRen, nna Moryhe 1 paler y memry mu wsenty OomeKM pastuounuasia. Hoerouo MecTO HacTanKa He St MorsIO ma ce Ospenit ca ciirypiiomhy, ¢ OB3mpOM Ha KapaktepuicTuKe oor OBjekTa M crete osKapatba one YMCTINNUKe HemaTHOCTH Y Wail} 2eMibu, M HaMa y Horstesly yMeTHHSKor craaparsa SuucKuM semaawa. Tlo wKoHOrpadckun, CTILICKMM M TeXHHSKINE OCOBHNAMA Ha OCHOBY JOROsHO exTeMenaTa, een kper 1 MtaHacrupa Jlevana MOxe sia ce AaTHpa y parm XVII Bex. © Mer, x. a, T, CXCVL 38AN EMBRIODED CROSS FROM THE DECANI MONASTERY, Summary In the treasury-of Degani there is an embroided cross which was not published untill now. The size of the cross is 21,513 cm, and the width is 8 cm. In the middle of the cross, in a irregular roundel, the Virgin of the so-called Znamenje type is represented. She has Christ-child on her bosom, in a heart shaped locket. The branches of the cross are decorated with stylized vegetable ornament. ‘The material on which the embroidery was done, is not visible because of the stiches too tightly made. The cross draws attention for its artistic values, iconography rarely represented on embroideries and also by its shape and its size. This piece of embroidery was never mentioned before in earlier inventories of the same monastery, More to its shape, but less to its dimensions, this cross could be considered as a part of an omophorion. It would be at the same time the easiest solution of the problem. It could be supposed that our object was applied to a liturgical covering. We ate led to this point by the fact that there is 4 painted wooden proscomidian plate in the same treasury, with the diameter of 17,5 em., with the same subject, and itis likely to be that in the connection with it there was made a liturgical covering with the same iconographical subject. The cross itself was probably a part, the central item, of such 4 covering and it was applied to a, now lost piece of textile. On the painted proscomidian plate from Degani, there are inscriptions. On the rear side of the rather primitive metal covering which is quite different from the good painting on the face of the proscomidian plate, there is a dedicatory inscription mentioning Nikifor, metropolit of Vusitrn. Tt ‘was impossible to find any news concerning this high church official. He could be considered as the donor of the painted proscomidian plate. Owing to the qualities of its painting it should be classified among the works of the post byzantine paintings and stylisticaly it should be dated in the second half of the 16th century or later. ‘The fact that the proscomidian plate is today in Deéani, to which it was ment or given later, leads to the supposal that metropolit Nikifor was in some connection with Deéani. There is not enough evidence that metropolit Nikifor was identical with Nikifor, the prior of Defani monastery, which lived in the second half of the 16th century. At the end of the same century or at the begining of the next, he could have become metropolit of Vutitrn, and as a man of such a rank comanded this pros- comidian plate. The liturgical covering for which we are supposing that the embroided cross was made, could have been created at the same time or something later. According to this, it could be placed at the begining of the 17th century. The whole surface of the cross is filled with compact stiches, which are of zig-zag, alternative, diagonal, chain and full kind. The thread is silver and silver-gilt and sometimes colored thread is used for edges, for the vividness of the composition or for the stressing of the details. The stiches are not always regular, they are mixing one with anothet and it difficult to make difference between them. This is especially emphasized on the background of the branches of the cross and partly on the background of the central locket. The essential characteristic of this work is the balanced plasticity of the whole surface. Ana- lysing the technique of this embroidery and comparing it with other pieces in our country and the near-by regions, it is possible to discover some similarities in the whole or details, on the embroideries from the 16th or 17th century. The representation of the Virgin with the locket on her bosom, with Christ Emanuel in it, is a well known variant of Oranta, byzantine by origin, known in iconography since carly Christian times. The Virgin of Znamenje, as this iconographical type was called in Russia in later times, appears very often on the icons and less on other objects. The earliest representations of this subject on religious embroideries was that on the aer from. St. Clement at Ohrid (XIV—XV century). ‘The way of the framing of this composition is often found in wall paintings and icons of the post byzantine period, but the shape of the locket with Christ Emanuel is comparatively rare. The shape of this locket is connected with postbyzantine painting and is of big interest for_us, as it appears on both objects from the same monastery, a detail that connects them. The outline of the outer locket is also similar, the one on the embroidery, which might had have as a model, or as an inspiration, the painted proscomidian plate, shows clearly stylization, deformation and even some incompletness. Comparing the characteristics of these two compositions, not forgeting the differencies of the technical nature, we may notice similarities. As for the coloristic solutions of the both compositions there are some élements that are common to both. The ground hues on the embroidery are gold and silver with details in other colors, forming corresponding reflexes, while the color scheme on the proscomidian 39plate is more varied, with the colored background. If we compare pictorial qualities on the two objects, ‘we notice that they are limited to the drawing on the cross, but the level on the proscomidian plate is much higher. The drawing on the cross is less sure, more naive and more rustical. The painted pros- comidian plate was made by a person which was complet as an artist, while as for the cross it could bbe hardly said, If we compaie composition of the cross fom Detani, with the same representations ‘on smaller objects and on mural paintings, comparisions could be made chronologicaly, with the monuments from the middle of the 16th century, till the middle of the next. On embroideries this iconographical subject is very rare, it is more often found as a detail on other scens. Resuming iconographical and stylistical characteristics of the painted proscomidian plate and of the cross, we are able to notice that there are no definite analogies with a certain workshop or with an artist. As it is known that in the second half of the 16th century, in De¥ani worked the well known painter of that time, Longin, it could be possible that this proscomidian plate might be ascribed to the group of his colaborators or followers. Final conclusions could be brought after more detailed investigations of the same period, which has been up to this day, in a state of preliminary works. Analogies are found in the whole Balkan area, the fact quite understandible if we know confessional, ‘atistic and political background of that time’in this part of Europe. ‘The composition on the painted proscomidian plate is encircled by a slavic inscription embossed at the edge. The ornaments in the branches of the cross are more developed in the Tower branch of the ‘ross. The ornament of the horizontal and upper part consists of half palmette, painted unskilfuly, ‘with the intention to fill in the rest of the space, The rinceau with half palmettes is often found in byzantine and post byzantine art. It shows no peculiarity for it is well represented as a decorative clement on many monuments, Iudging after the drawing of the ornament on the embroided cross itis noticable a certain loss of naturalism, which brought to inevitable stylisation and occasional deformations. This way of orna- ‘mental composition is not suitable for an uninterrupted band and it is the reason that it suits well to the decoration of the cross. Ornamental resemblances given here were found on older monuments, but some changes and deformations leads us to the supposal that it is not only the result of the artist’s clumsiness, but at the same time the result of the big distances and of the possible change of ‘the original model. The embroided cross from Deéani is not an excellent representative of church embroideries, but owing to its conceptions, technical and artistical characteristics, it belongs to more interesting art objects of the post byzantine period. Iconographical subject on it is rarely met on embroideries — mostly on epigonatia, although it is more often a detail on the scenes of Virgin's hymn (Acathiste), on stolas and manikia, The composition with the Virgin of Znamenje type, was the central repre- sentation of the now lost liturgical covering from the church of St. Clement at Ohtid, which is, after N. P. Kondakov much earlier in the date from the emroided cross. ‘The fact that the cross was found in one of our biggest monasteries, doesn't serve at the same time as the sure evidence of its origin. To Degani were brought art objects from far away places, donated to the monastery by the travellig monks and pilgrims. We could not neglect, if we suppose, that this cross was made in the connection with the proscomidian plate of the same monastery, that it was ment for Deéani, or possibly done in, or near by workshops. Its place of origin can't be defined with certainity, regarding its characteristics and owing to the stage of knowlege of this artistic activity in our country’and in the countries close to ours. The general remarks of its style, technique and ieono- graphy claim that this cross should be dated in the begining of the 17th century. Dobrila Stojanovié 40