NAME __________

THEORY 3 TEST 3(18)

Motivic transformations

No.:· :�t� its

The motives below are from the first movement of Clementi'� Sonatin� in F M�jor, Op. 36,
t attempt to mate t em erval
inversion. For the inversion, invert the contour and retain themterval size (don
quality). A first note is suggested.

u
p\\'

II

The opening phrase of both the minuet and the trio are shown for comparison. On the score, mark one motive in each
passage. Then mark a repetition or transformation (transposition, inversion, etc.) of each. Then answer the questions
that follow
Violin l
. ..,...-;--,._ ,,......----.
-
.. . ,.. - � .... . ..
·1-.

Violin 2
-· -
-
----- � -
I
f

-·-
�
Viola
-._,.,
..
I I

,., ,.. ....

--
Cello
ff. (2.- �-� 1!£. 67.

I\ -· - - . �
�
� ' ....__

- -
-
� I

----- JI

- -
-
I -

.... . �..::. il;'-..

-• -. - .
I