Oasis-Standing On The Shoulder of Giants (2000)

Fuckin' In The Bushes
Words & Music by Noel Gallagher
q = 100 Intro

    
    
                  
Drums cont. sim.
ff


   
 
Spoken: We put this festival on, you bastards, with all our love. We worked for one year for you pigs,
    
     
Gtr. 1 (elec.)
 
w/dist.

 
X
 X

 
 
  
and you wanna break our walls down, and you wanna destroy us, well, you go to Hell!
   
 

 
X

© Copyright 2000 Creation Songs Limited/Oasis Music (GB).
Sony/ATV Music Publishing (UK) Limited.
All Rights Reserved. International Copyright Secured.
  
Gtr. 2 (elec.)
μ
             
         
Fig. 1 
w/clean tone

Gtr. 1 tacet

 2
2
0
2
2 2
2
0
2
2
0 0 3 0 0 0 0 3 0 0
 
Play 3 times
 
           
         


2
2
0
2
2 2
2
0
2
2 
0 0 3 0 0 0 0 3 0 0
 
1-3.
  
[Em] [F#m/E] [F/E] μ [Em]
 
 
   
Organ arr. for Gtr. Harm.
Gtr. 2 w/Fig. 1 w/volume swell fx.
 

3 5 5 12
 
5 7 6
4 6 5
  Gtr. 3 (elec.)
4.
μ [Em]
 
   
              
p f
w/dist. full full

2 2 2 0 2 2 0
2 2 2 2 2 0 2 2 2
    
Gtr. 1 (elec.) w/dist.
  
   
  
                       
full
 full full

7 2 2 0 2 2 0
2 2 2 2 2 0 2 2 2 2 2 2 2 2 0 2 2 2
2
*[A5] [A5/G] [A5/F#]
   

Kydb. vox
 

        
Ah, ah, ah,
Spoken: Kids are running around naked, fuckin’ in the bushes. Kids are running around naked, fuckin’ in the
                     
Gtr. 1
   
 
  
Gtr. 2 cont. w/Fig. 1 (pp)
Gtr. 3 tacet
full full full

5 5 5
8 5 8 5 8 5
7 8 7 5 7 8 7 5 7 8 7 5 4
7 5 7 5 5
* Implied chords.
[A5/F] [A5] [A5/G]

 
 
 


ah. Ah, ah,
                

bushes. Kids are running around naked, fuckin’ in the bushes.
            

 
 5   5 8
full 1/4
full full full

8 5
8 5 8 5 8
7 8 7 5 4 7 7
5
   
[A5/F#] [A5/F]
  BV’s tacet
 
  
ah, ah.

Kids are running around naked, fuckin’ in the bushes. I love it.
 
Gtr. 3
         
         
              


 5  full
(Gtr. 1)
full full

8
8 8 5 5 8 8 5
8 8 7 5 7 5 2 2 0 2 2 0
7 7 7 5 2 2 2 0 2 2 2
7 5
 
                            
  
Gtr. 1 cont. w/feedback fx full full full

2 2 0 2 2 0 2 2 0
2 2 0 2 2 2 2 2 0 2 2 2 2 2 2
3
Bridge
[Em] [F#/E] [Fm/E] [Em]
 

 
 

 

 
   
 
Ah.
                        

  
  full full full

2 2 0 2 2 0 2 2 0
2 2 0 2 2 2 2 2 0 2 2 2
0
[Em] [F#/E] [Fm/E] [Em]
 

 
 

 

 
   
 
Ah.
      

Gtr. 5
 

    


Fig. 2  Gtr.

5 w/thick dist.
full full full
Gtr. 3 cont. w/Fig. 2 (x3)

2 2 0 2 2 0 2 2 0
2 2 2 2 0 2 2 2
0
Solo/Chorus
[A5]
 

  

Ah,
       
Spoken: Kids are running around naked, fuckin’ in the
     
Gtr. 5
      
 

w/bar
Gtr. 1 Gtr. 5 tacet
full full full

5
8 5 8 5
7 7 7 7 8 7 5
7 5
    
[A5/G] [A5/F#] [A5/F]
  

        

ah, ah, ah.
      
bushes. Kids are running around naked, fuckin’ in the bushes
                    
 
full
 full
 full


5 5 5
8 5 8 5 8 5
7 8 7 5 7 8 7 5 4 7 8 7 5 4
7 5 7 7
4
[A5] [A5/G] [A5/F#]
  
 
 

 
Ah, ah, ah,
1. Kids are running around naked, fuckin’ in the bushes. Kids are running around naked, fuckin’ in the
       

2. I love it, room for everybody here, yes all are welcome, yes indeed I love them
                       
3. Life, youth beautiful I’m all for it.
    
 
full
 full
 full



5 5 5

8 5 8 5 8 5
7 8 7 5 7 8 7 5 7 8 7 5 4
7 5 7 5 7
1, 2. 3.
[A5/F] [A5/F] [E5]
 
 
  
 
      

ah. ah. I love it, room for everybody here.
bushes
                         
nice.
  

full
 full
 full full



5 5

8 5 8 5 8
7 8 7 5 4 7 8 7 5 4 7 7
7 7

   
 
Yes, all are welcome, yes indeed I love them, mud,
Gtr. 3
                                 

  
Fig. 3 
fade
full full full
Gtr. 1 tacet

2 2 0 2 2 0 2 2 0
2 2 0 2 2 2 2 2 0 2 2 2 2 2 0 2 2 2
 

  
nice, life, youth, beautiful I’m all for it.



5
Gas Panic!
Db6 Ab'9 Bbm Eb5 F Db Eb Bb Db5 Ab5 Bb5 F5

[C6] [G'9] [Am] [D5] [E] [C] [D] [A] [C5] [G5] [A5] [E5]
5fr 3fr 5fr 5fr 3fr 3fr 5fr 7fr
Intro
Db6 Ab'9 Bbm
[C6] [G'9] [Am]
                 
q = 76

Gtr. 1 (acous. 12 str.)
All gtrs. capo 1st fret.*

                     
    



          
      
        
(Drum loop)  mf
     

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 0 1 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 0 2 0 0 0 0 2 2 2 2 2 2
3 3 2 3 2 2 2 2 0 0 0 0 0 0
3 3 3 3
* Symbols in parentheses represent chord names with respect to capoed gtr. (Tab 0 = capo 1st fret)
Symbols above represent actual sounding chords.
Db6 Ab'9 Bbm
[C6] [G'9] [Am]
 
    

   
1. What
                    
                        
              
    

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2
3 3 3 3 2 2 2 2 2 0 0 0 0 0 0
3 3 3 3 3
Db6 Ab'9 Bbm

Verse [C6] [G'9] [Am]
             
   
   
tongue - less ghost of sin crept through my cur - tains? Sail
                    
                        
              
    

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2
3 3 3 3 2 2 2 2 2 0 0 0 0 0 0

3 3 3 3 3

Gtr. 2 (elec.)
   
   
Fig. 1
w/baclwards effects + reverb.

3 1
5 3

Db6 Ab'9 Bbm
[C6] [G'9] [Am]
               
   

- ing on a sea of sweat on a stor - my night. I
    







  
  


            
            
                
      

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2
3 3 3 3 2 2 2 2 2 0 0 0 0 0 0
3 3 3 3 3
  
     


3 5
2
Db6 Ab'9 Bbm

[C6] [G'9] [Am]
               
   
   
think he don’t got a name but I can’t be cer - tain, and in
                    
                        
              
    
Gtr. 2 w/Fig. 1 (x3)

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2
3 3 3 3 2 2 2 2 2 0 0 0 0 0 0
3 3 3 3 3
Db6 Ab'9 Bbm

[C6] [G'9] [Am]
Gtr. 1           
         
    


me he starts to con - fide. That my fam -
                  
Gtr. 3 (elec.)
       


       
     
  
    
Gtr. 1 cont. in slashes w/clean tone + tremolo effect
let ring

0 0 0 0 0 0 0 0 0 0 0 5 5
1 1 1 1 0 0 0 0 0 0 0 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 0 0
3 3 3 3 2 2 2 2 2
3 3 3 3 3
2
Chorus Db6 Ab'9 Bbm
[C6] [G'9] [Am] sim.
                     
           
    

        
- ’ly don’t seem so fam - il - iar, and my en -
     
        

5 5 5 5
5 5 5 5 5
2 2 5 2 5 2
Db6 Ab'9 Bbm

[C6] [G'9] [Am]
           
  

        
- em - ies all know my name. And if you
    
          

5 5 5 5
5 5 5 5
5 2 2 2 5 2 5 2
Db6 Ab'9 Bbm

[C6] [G'9] [Am]
         
       

hear me tap on your win - dow, you bet - ter
           
   
     

5 5 0 0 0
5 5 5 3 3 3
5 2 2 2
Eb5 F
[D5] [E]
          
    
          
get on your knees and pray, pa - nic is on the way.
    
      

5 5 5 5 5
5 5 5 5 5 5 5
2 5 2 2 4 2
3
Db Eb Bb
[C] [D] [A]
Gtr. 4 (elec.)
  



 
   
             
  
 



 
Gtr. 4 w/clean tone + reverb.
Gtr. 2 cont. w/ad lib. effects

5 5 5
5 5 5 5 5 5 5 5
2 2 2 2
Db Eb Bb
[C] [D] [A]
  



      


2. My
             
         

5 5 5
5 5 5 5 5 5 5 5
2 2 2 2
Db5 Eb5 Bb5

[C5] [D5] [A5]
           
     

pulse pumps out a beat to the ghost dan - cer, my
   
Gtr. 3
                          
               
w/distortion + wah
     
ff Gtr. 2 tacet

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5

Gtr. 4 (elec.)
     
      
w/clean tone + reverb.
Fig. 2 

0 2 2
0 2 0 0 2
4
Db5 Eb5 Bb5
[C5] [D5] [A5]
              
  

    
eyes are dead and my throat’s like a black hole. And
                         
               
     

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Eb5 Bb5

[C5] [D5] [A5]
                
  
    
if there’s a God, would he give an - oth - er chan - cer? An hour
                 
      
       
        

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Eb5 Bb5

[C5] [D5] [A5]
         
    

       
to sing for his soul? ’Cos my fam
                              
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Chorus Db5 Eb5 Bb5

[C5] [D5] [A5]
         

 
   


- ily don’t seem so fam - il - iar, and my en -
     
                               
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
5
Db5 Eb5 Bb5
[C5] [D5] [A5]
           
  


- em - ies all know my name. And when you
     
                               
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Eb5 Bb5

[C5] [D5] [A5]
         
    
  
       
                              
                 

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
  
Gtr. 4 (elec.)
    
     
w/clean tone + reverb.
Fig. 3

0 2 2
0 2 0 0 2
Eb5 F5
[D5] [E5]
          
    
                                
          

7 7 7 X 7 X 7 7 7 7 X 7 7 7 9 9 9 X 9 X 9 9 9 9 X 9 9 9
7 7 7 X 7 X 7 7 7 7 X 7 7 7 9 9 9 X 9 X 9 9 9 9 X 9 9 9
5 5 5 X 5 X 5 5 5 5 X 5 5 5 7 7 7 X 7 X 7 7 7 7 X 7 7 7

           

cont. in slashes

2 2 2 2 2 2 2 2
2 2 2 2 2 2 2
6
Db Eb Bb
Gtrs. 2+4 [C] [D] [A]
  



 
   
                        
                        

5 5 5 5 X 7 7 7 7 7 X
5 5 5 5 X 7 7 7 7 7 X 7 7 7 7 X X 7 7 7 7 X
3 3 3 3 X 5 5 5 5 5 X 7 7 7 7 X X 7 7 7 7 X
5 5 5 5 X X 5 5 5 5 X
Db Eb Bb Bb5
[C] [D] [A] [A5]
Gtrs.3+4 cont. sim. ad lib.
             



                          
 

Gtrs. 5+6
                         
       
Gtr. 5 w/sustain + delay 1/2
Gtr. 3 cont. in slashesGtr. 5 w/wah wah + effects

7
5 5 5 5 X 7 7 7 7 7 X
5 5 5 5 X 7 7 7 7 7 X 7 7 7 7 X X 7 7 7 7 X
3 3 3 3 X 5 5 5 5 5 X 7 7 7 7 X X 7 7 7 7 X
5 5 5 5 X X 5 5 5 5 X

Instrumental
Ab5 Eb5 Bb5
              
[G5] [D5] [A5]

       
  

1/2 1/2

7 5 7 7 5 7 7 5
Ab5 Eb5
   
             
[G5] [D5]

       
 
1/2 1/2 1/2

7 7 5 7 7 5 7
7
 
 
Db5 Eb5
[C] [D5]
    




  
 



7 5 5 17
D5 E5 Bb5 Db5 Eb5
      
[C5] [D5] [A5] [C5] [D5]
       
      
  
  
Gtr. 5 w/synth. harmonica FX
3
Gtr. 6 ad lib.
1/2 full

5 5
8 6 6 6 8 6 8 8
7 7 7 5
Bb5 Db5 Eb5 Bb5
                                
[A5] [C5] [D5] [A5]
 
9 
full full

5 5 5 5 5 5 5 5 5 5 5 5
8 8 8 8 8 8 8 8 8 8
7 7
Eb5 F
[D5] [E]
  
     

 
’Cos my fam
   

                    
 
 
    
3 3 3 3 3 3
 
full w/ad lib. effects
 

17

8 8 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

8
Chorus Db5 Ab5 Bb5
[C5] [G5] [A5]
Gtrs. 1+2             sim.
       
Gtrs. 3
    
   

      
Gtr. 3
                               
                      
Gtrs. 5+6 tacet Gtr. 4 w/Fig. 2 (x6)

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Ab5 Bb5

[C5] [G5] [A5]
           
  

       
                              
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Ab5 Bb5

[C5] [G5] [A5]
         

 
   

hear me tap on your win - dow, then you get
       
                              
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
9
Db5 Ab5 Bb5
[C5] [G5] [A5]
             
  

on your knees and you bet - ter pray. ’Cos my fam
      
                               
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Ab5 Bb5

[C5] [G5] [A5]
         

 
   

      
                               
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Ab5 Bb5

[C5] [G5] [A5]
           
  

       
                              
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
10
Db5 Ab5 Bb5
[C5] [G5] [A5]
         
    
  
       
                              
                 
Gtr. 4 w/Fig. 3

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Eb5 F5
[D5] [E5]
          
    
                            
               

7 7 7 X 7 X 7 7 7 7 X 7 7 7 9 9 9 X 9 X 9 9 9 9 X 9 9 9
7 7 7 X 7 X 7 7 7 7 X 7 7 7 9 9 9 X 9 X 9 9 9 9 X 9 9 9
5 5 5 X 5 X 5 5 5 5 X 5 5 5 7 7 7 X 7 X 7 7 7 7 X 7 7 7
Db5 Ab5 Bb5

[C5] [G5] [A5]
  
  
      
                               
                      
Gtr. 4 cont. sim. ad lib.

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
11
Db5 Ab5 Bb5
[C5] [G5] [A5]
      
  
       
Pa - nic is on the way.
                              
          

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Ab5 Bb5

[C5] [G5] [A5]
  
  
      
                               
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Db5 Ab5 Bb5

[C5] [G5] [A5]
     
                               
                      

5 5 5 X X
5 5 5 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 3 X X 5 5 X X 5 5 X X 5 7 7 X 7 X X 5 7 X X 7 7 7
3 3 X X 3 3 X X 3 5 5 X 5 X X 3 5 X X 5 5 5
Outro
Bb5 Bb5
[A5] [A5]
 
Repeat to fade
                         
      
                  
 

2
2
0
 2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0

12
Go Let It Out
A7 D5 F'9 G A7sus4 F C'9
q = 85
Intro
 
     
   
Spoken: two, a-three, a-four.

   
Gtrs. 1+2 (acous.)
   

Drum cue
 

         
sim.


0
2
0

   
               cont. sim.
    
                         
                            
          
   

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
*Gtr. 1 plays jjjq throughout with accents as above.
Verse

                 
  
1. Paint no il - lu - sion, try to click with what - cha got,
                       
                          
       

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0


                       
  
taste ev - ’ry po - tion, ’cause it yer like yer - self a lot. Go let it out,
                       
                          
       

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0

D5 F'9 G
               
go let in in, an’ go let it out.
                           

      
                        
    

3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 0 1 1 1 0 3 3 3 3 3 3 0
2 2 2 2 2 2 2 2 2 0 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 3 3 0 0 0 0 0 0 0 0
0 0 0 0 2 2 2
3

A7
   
                       

Spoken: Pick up the bass.
                          
          

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
$
Verse

A7
                 
  
2. Life is pre - co - cious in the most pe - cu - li - ar way,
(3.) leav - in’ this ci - ty, I’m go - in’ dri - ven’ out - ta town and
                       
                          
        

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
2
A7sus4 cont. sim. ad lib.
          
 
Gtr. 1
                     
sis - ter psy - cho - sis don’t got a lot to ay. She go let it out,
            
you’re com - ing with me, (the) right time is al - ways say. To go let it out,

* Gtr. 2 (elec.)
                
      
Gtr. 1 cont. in slashes
w/dist.+wah 

0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 0
0 0 0 0 0
0
* Gtr. 2 tune 6th string to D.
Chorus

D5 F G A7
                  
  
she go let it in, she go it out.
and go let it in, and go it out.
                 

     
   

0 0 0 0 0 0 3 3 3 5 5 5 7
0 0 0 0 0 0 3 3 3 5 5 5 7
0 0 0 0 3 3 5 5 7

D5
                
  
She go let it out, she go let it in,
To go let it out, so go let it in,
 
       
   

0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0

F G A7
           

  
an’ go let it out.
an’ go let it out.
         
  


 

3 3 3 5 5 5 7
3 3 3 5 5 5 7
3 3 5 5 7
3
Bridge
D5 F A7 C'9 D5 F
          
                  
cont. sim.
     
      
Is it a - ny won - der why prin - ces and kings are clowns that ca - per in their
                

Mellotron arr. for gtr.

5 5 5 5 5 5 5 5 5 5 5
7 7 8 7 5 5 8 7 7 8 7
To Coda Ø
 
A7 C'9 D5 F A7 C'9
                     

      
saw - dust rings, or - di - na - ry peo - ple that are like you and me, we’re the
            


5 5 5 5 5 5 5 5 5 5
5 5 8 7 7 8 7 5 5 8
 
G D5 G
                 
 
          
keep - ers of their des - ti - ny, we’re the keep - ers of their des - ti - ny.
    
    


7 7 7 7 7 7 7 7
10
7 7 7 7 7 7 7 7D.S. al Coda 7
D5 A7
          
 
cont. sim.
          

   
Uh! 3. I’m go -ing

 
                   
Bass arr. for gtr.

10
7
3 5 3 3 5 7
5 3 5 5 5 5 5 3 5 5 3 5 5 5 5
4
ØCoda G D5
         
      
cont. sim. ad lib.

Gtr. 1
     
Play 3 times
  
         - 
build - ers of their des - ti ny. We’re the
    

Mellotron arr. for gtr.
 

7 7 7 7
 
10
7 7 7 7 7
Instrumental
 
G D5
        
 
  
build - ers of their des - ti - ny.
     
          

Gtr. 4 (elec.)

Gtr. 3 (elec.)
   
 
w/dist.
let ring…
Gtr. 4 w/slight dist.
Gtrs. 1+2 tacet


2 2 3 3

3 3 3 3 3 3 3
2 2 2 2 2
0

Play 3 times
   
                        
         
Fig. 1 
Gtr. 3 tacet


4 4 3 3 2 2 3 3

3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
D5
       
    
  
Gtrs. 1+2 cont. sim. ad lib.
  
  
So go let it out,
Gtr. 3
                       



7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5
Outro
 
Chorus D5 C'9 G
            

go let it in, go let it out,
   
Gtrs. 1+2+4
                   
                   
    

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0
3 3 2 2
3 3
 
D5 C'9 G
            

   
don’t let it in, go let it out,
                   
                   
    

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0
3 3 2 2
3 3
 
D5 C'9 G
            

   
go let in in, go let it out,
                   
                   
    

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0
3 3 2 2
3 3
 
D5 C'9 G
                

   
don’t let it in, don’t let it in, don’t let it in.
                   
                   
    
Gtrs. 1+2+4 cont. in slashes

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0
3 3 2 2
3 3
6
1-3.
Outro D5 C'9 G
               
       
Gtrs. 1+2+4 cont. sim.

4° only
                
Gtr. 3
  
         
1/2 1/2
 

 0
11
0
12 12
0 0
12 12 14 14 14
0 0 0 0 0
14
0
11 17 11 17
0 0
11
0 0
9 9
0
9
0
7
0
7
0
7
0
7
0
7
0 
4.
C'9 G D5

  
            
  
            

17 19 19 19 19 19 19 19 19 19 19 19
0 0 0 0 0 0 0 0 0 0 0 0
D5
               
                          
Gtrs. 1+2 cont. sim.
Gtr. 4
        
Gtr. 3 tacet

4 4 2 2 4 4 2 2
3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
                   
        Repeat to fade
  
    
 
full
1/4 1/4 1/4 1/4 1/4 full
 

8 8 5
 
6 6 6 6 8 6 6 8 6
6 7 7 7 6 7 7 7 5 7 7 7
7
I Can See A Liar
D5 Csus2 G D5* D5/C# C6 G/B Bb5

3fr
5fr 4fr 2fr
Bb6 Csus2* C5 D5** A5 Asus2 C'9 Bb F

3fr 3fr 5fr
Intro q = 130
Gtrs. 1+2 (elec.)
   
D5 Csus2 D5
    
      
        
 
f w/distortion



3 3 3 3 3
2 2 2 0 2
0 0 0 0
3
1. 2.
Csus2 D5 G

            
         


       
    

       
       
let ring



3 3 3 3 3 0 0 0 0 0
2 2 2 0 2 0 0 0 0 0
0 0 0 0 0 0 0 0 0
3 0
3 3 1 0 1 3 3
            
  
















              

0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0
0 0
3 1 0 1 3 3 3 1 0 1 3 3

Verse
D5* D5/C#
        
    

1. Ba - by the time is right to
       etc.
  







 
  
      
     
w/P.M.

7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 4 4 4 4 4 4 4 4
C6 G/B
      
 

tell it all like it is,
              
             

7 7 7 7 7 7 5 5 5 5 5 5 5
3 3 3 3 3 3 2 2 2 2 2 2 2

D5* D5/C# C6 G/B
    
         
  

   

And now that I feel God - like there’s no - thing that can’t be kissed.
          
      
          
          

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5
5 5 5 5 5 5 4 4 4 4 4 4 4 4 3 3 3 3 3 3 2
D5* D5/C#
          
    
   

The name of a lone - ly soul, is
                     
                    

5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7
2 2 2 2 2 2 5 5 5 5 5 5 4 4 4 4 4 4 4
2
C6 G/B D5* D5/C#
          
      

scratched in - to my brain, he thought he was King
              



   
   
            

7 7 7 7 7 5 5 5 5 5 5 5 7 7 7 7 7 7
3 3 3 3 3 2 2 2 2 2 2 2 5 5 5 5 5 4
C6 G/B Bb5
              
   

Cre - ole un - til he found out, un - til he found out.
                    
                   

7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 3
4 4 4 4 4 4 3 3 3 3 3 2 2 2 2 2 2 1
Pre-Chorus
Bb6
      
   

He sits up - on a throne,
            etc.


             
             

   31
0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1
Csus2* C5 D5** C5 Bb5 Bb6

             
   

he lives a slea - zy lie, but he’s
             
           
                    


3 3 3 3 3
5 5 5 5 5 5 5 5 7 7 7 5 5 0 0 0
5 5 5 5 5 5 5 5 7 7 7 5 5 3 3 3 3 3
3 3 3 3 3 3 3 3 5 5 5 3 3 1 1 1 1 1
3
A5 Asus2 Cadd9
         
  


all a - lone a - gain, a - gain.
             
             
       
                  

0 0 0
0 0 0 0 3 3 3 3 3 3 3
0 0 0 0 0 0 0 2 2 2 2 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 2 2 2 2 0 2 2 2 2 2 2 2
1 1 1 1 1 1 1 0 0 0 0 0 3 3 3 3 3 3 3
Chorus
D5 Csus2 D5 G D5
      
     

I can see a li - ar sit -
 
         
          
     
  

3 3 3 3 3 0 0 3
2 2 2 0 2 0 0 2
0 0 0 0 0 0 0
3 0
3 3 1 0 1 3
Csus2 D5 G D5 Csus2 D5 G
           
    

- ting by the fire, trou - ble in his heart,
   
                
                 
         

3 3 3 3 3 0 0 3 3 3 3 3 3 0
2 2 2 0 2 0 0 2 2 2 2 0 2 0
0 0 0 0 0 0 0 0 0 0 0 0
3 0 3
3 3 1 0 1 3 3
D5 Csus2 D5 G
            
       

laugh - ing at the thought, com - ing as he goes in -
 
      
  
        







              

0 3 3 3 3 3 3 0 0 0
0 2 2 2 2 0 2 0 0 0
0 0 0 0 0 0 0 0 0
0 3 0
3 1 0 1 3 3 3 1 0 1 3 3
4
             
 


- to ov - er - dose. I won - der what he thinks of me?
  












              

0 0 0 0
0 0 0 0
0 0 0 0
0 0
3 1 0 1 3 3 3 1 0 1 3 3
Verse
1.
D5* D5/C#
        
     

2. Ba - by the time is right to
  







 
 
      
      

7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 4 4 4 4 4 4 4 4

C6 G/B D5* D5/C#
   

          

tell it all like it is. And now that I feel
                  
  
   
   
              

7 7 7 7 7 7 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7
3 3 3 3 3 3 2 2 2 2 2 2 2 2 5 5 5 5 5 5 4
C6 G/B
      
          

God - like, there’s no - thing that can’t be kissed.
                       
                     


7
4
7
4
7
4
7
4
7
4
7
4
7
4
7
3
7
3
7
3
7
3
7
3
7
3
5
2
5
2
5
2
5
2
5
2
5
2
5
2
5
2

5
2.
Instrumental
Bb F
       

Gtr. 2 cont. sim.

    
     

Gtr. 1
   

w/wah wah
full full full

12 10 12 12 12 10 12 12
12 12

G Bb F
           
         

 

full full

10 12 12 10 12 12
12 10 10 12 12 12
            
 
Gtr. 3
  

 
w/dist. full full

13
12 12 10 12 10 12
 
A5 Cadd9
   
                  



10 12
12 10 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

      
 

full
w/feedback

10
12 12
6
Chorus
Csus2 D5 G D5
   
D5
  
      
Ba - by you’re a li - ar, sit -
  
Gtrs. 1+2
      
       





 
     
  

 
3 3 3 3 3 0 0 3
2 2 2 0 2 0 0 2
0 0 0 0 0 0 0
3 0
3 3 1 0 1 3

    
     
 
Gtr. 3
2° sim. ad lib.
full


 10 12
12
12 10 12
Csus2 D5 G D5
      
     
- ting by the fire, trou -
     

  
      
        
      

3 3 3 3 3 0 0 3
2 2 2 0 2 0 0 2
0 0 0 0 0 0 0
3 0
3 3 1 0 1 3

    
     

full

12 10 12
12 10 12
7
Csus2 D5 G D5
      
   
- ble in your heart, you’re laugh
     

  
      
        
      

3 3 3 3 3 0 0 3
2 2 2 0 2 0 0 2
0 0 0 0 0 0 0
3 0
3 3 1 0 1 3

    
     

full

12 10 12
12 10 12
1.

Csus2 D5 G D5
     
   
- ing at the thought. Yeah
     

   
      
        
      

 
3 3 3 3 3 0 0 3
2 2 2 0 2 0 0 2
0 0 0 0 0 0 0
3 0
3 3 1 0 1 3

    
      

full


10 12

12
12 10 12
8
2.
   
D5 Csus2 D5 G
             
     

- ing at the thought, com - ing as you go, in - to ov - er - dose, I
    

  
             
        
              

3 3 3 3 3 0 0 0 0 0 0
2 2 2 0 2 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
3 0 0
3 3 1 0 1 3 3 3 3 1 0 1 3 3
  


    
 


    
 



full full full

12 10 12 12 10 12 12
12 12 12
D5 Csus2 D5
        
  
won - der what you think of me.
       
 
  





       
       
w/pitch shift

0 0 0 3 3 3 3 3
0 0 0 2 2 2 0 2
0 0 0 0 0 0 0
0 3
3 3 1 0 1 3 3
      
  


10 12 10
12 12
9
Little James
Words & Music by Liam Gallagher
F6 C G G* F'9 C*
q = 83
   
Intro F6
         
Synth. arr. for Gtr. Piano arr. for Gtr.
         
   
mf


3 3 3 3 3 3
3 3 3 3 3 3
0 0 0 0 2 2 2 2
0 0 0 0
3 3 3 3
1
 
C G
             
         


0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
2 2 2 0 0 0 0 0 0 0 0
3 3
3
Verse
 
F6
                
     

 
1. Lit - tle James, we’re all the same, al - ways seem to look to us
  













   
   


0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
3
1
C
         
              
 
we weren’t meant to be grown - ups. Thank you for your smile you make it all worth - while to us.
  




        
  
Piano cont. sim.

2 2 2 2 0 0 0 0 0 0 0 0
0 0 0 0 2 2 2 2 2 2 2 2
3 3 3
© Copyright 2000 Sony/ATV Music Publishing (UK) Limited.

G*

    
           
                 
Gtr. 1 (acous.)
             
                   
          
fade in Gtr. 1 cont. in slashes

3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3
$
Gtr. 1          

cont. ad lib. sim. throughout
             
  
2. Live for your toys, ev - en though they make noise have you
 
3. Sail’d out to sea, your mum, you and me, you
      
 
Gtr. 2 (elec.)
 
let ring…
w/chorus + vib.

10 10
10 12 10 12
12 12
Fadd9
                  
  
 

ev - er played with plas - ti - cine, (or) ev - en tried a tram - po - line,
  
swam the o - cean like a child, life a - round us was so wild,
 



10 10
10 10
C* G*
 
                      
 
thank you for your smile, you make it all worth - while to us. I’m
   
  

13 12 13 13 12
12 12 12 12
2
Chorus
Fadd9 C* G*
  
       


         
 
   
sing - ing this song for you and your mum and that’s all.
      



12
13 12 13 15 13 12
12 12 12
Fadd9 C*
           
     

It won’t be long be - fore ev - ’ry - one is gone.
         
 
  

12
13 12 13 15 13 12
12 12 12
G* Fadd9

      
 
 
Mellotron arr. for Gtr.
  
   
     
Gtr. 2 tacet

10 7 3 7 10 7
12 9 5 9 12 9
 
 
To Coda Ø
  
D.S. al Coda
   
C* G*
           
    

3 7 8 12 10 8 3 7
5 9 10 14 12 10 5 9
3
Ø Coda
Solo
G* Fadd9

 
Gtr. 3 (elec.)

      
          
        
full full

13
13 11
12 12 10 10 12 10 10 12 12 10
  
C* G*
         
     
      
   
3
full full

13 13
13 13 11
10 12 12 10 10 12 12 12 10 10 12 12 10 12 12
Outro
          
 
Na na na na na, na na na na,
                       
    
1/2

11
10 12 10 12 10 12 10 12 12 12 10 10 12 10
Fadd9 C*

               
na na na na, na na na na, na na na na,
  
           
       
   
3
full full

13
13 11
10 12 10 10 12 12 12 10 10 12 12
4
G*
     
       
  
             
na na na na. Na na na na na,
                  
 
3
full Start fade
1/2 full 1/2 1/2

13
11 13 11 11 11
10 12 12 10 12 10 10 12 12 12 12 10 12 12
Fadd9
    
           
                                      
na na na na, na na na na, na na na na,

1/2 1/2 1/2 1/2

11 11 11 11 11 11 13
10 12 12 10 12 12 10 12 12 10 12 12 10 12 12 10 12
C*
 
         
       
na na na na, na na na na.
 
                       

full full full full full full full full

15 15 15 15 15 15 15 15
13 13 13 13 13 13 13 13
G*

  
         
 
                           

full full full full full full full full full full

15 15 15 15 15 15 15 15 15 15
13 13 13 13 13 13 13 13 13 13
5
Put Yer Money Where Yer Mouth Is
Tune all guitars down a semitone
Intro

q = 90
 [E5] [G5] [A5]
     
Electric piano arr. for gtr.
       piano cont. sim. throughout

      
Gtr. 1 (elec.)
   
       

 
  Gtr. 2
(elec.) Fig. 1
w/dist. + feedback + ‘leslie’ fx w/bar w/dist.


12 12 12 12

12 12 12 12
2 5 7 5 2
2 2 2 5 7 5 2
0 2
Verse
         
[E5] [G5] [A5] [E5] [G5] [A5]
       
Play 4 times
    
 
Put yer mo - ney where yer mouth is yer mam - ma sez that you was real.

        

        
(last time only)
            



5
5
7
7
5
5
2
2
 5
5
7
7
5
5
2
2
[E5] [G5] [A5] [E5] [G5] [A5]

                   
    
 
Put yer mon - ey where yer mouth is yer mam - ma sez that you was real.
 
                   
           

5 7 5 2 5 7 5 2
5 7 5 2 5 7 5 2
© Copyright 2000 Oasis Music/Creation Songs Limited.

Sony/ATV Music Publishing(UK) Limited.
[E5] [G5] [A5] [E5] [G5] [A5]
             
        

 
Rea - dy or not an’ come what may, the
 
                   
           

5 7 5 2 5 7 5 2
5 7 5 2 5 7 5 2
[E5] [G5] [A5] [E5] [G5]

                     
  
 
bets are go - ing down for judge - ment - day. So put yer mo - ney in yer mouth and your
   
        

      
   

5 7 5 2 5 7
5 7 5 2 5 7
[A5] [E5] [G5] [A5]

         
   
 
hands right up - on the wheel.
       
    
       
 
Gtr. 2 w/Fig. 1

5 2 5 7 5 2
5 2 5 7 5 2
Bridge

[E5] [G5] [A5] [E5] [G5] [A5]
      

 
2. Put yer
Gtr. 3 (elec.)
      
                         

1/2 1/2
w/dist.
 0 3 0 5 5 3 5 3 0 3 0 5 5 3 5 3
2
Verse
$ [E5] [G5] [A5] [E5] [G5] [A5]
                
       
mo - ney where yer mouth is yer pap - pa sez that you was real. Put yer
      
() mo - ney where yer mouth is yer mam - ma sez that you was real. Put yer
  
 
Gtr. 4 (elec.)

    
    
 
Gtr. 3 only on D.S. (tacet 1°)
Gtr. 5 tacet on D.S.
 w/bottleneck+dist.
1/2

10
10 12 12
9 7 7 7 9 7 9 9
0 3 0 5 5 3 5 3
[E5] [G5] [A5] [E5] [G5] [A5]

                 
   

mo - ney where yer mouth is yer pap - pa sez that you was real.
    
mo - ney where yer mouth is yer mam - ma sez that you was real.
  
     

10
10 12 12
9 7 7 7 9 7 9 9
             
[E5] [G5] [A5] [E5] [G5] [A5]
       
  
      

 
Gtr. 3 Rea - dy or not an’ come what may you bet - cha go - ing down on judge - ment - day. So put yer
      
                     

 
1/2 1/2
(only on D.S.)
 0 3 0 5 5 3 5 3 0 3 0 5 5 3 5 3
[E5] [G5] [A5] [E5] [G5] [A5]

                
   
    
mo - ney in yer mouth and your hands right up - on the wheel.
Gtr. 4
         
   
    
    
  Gtr. 3 cont. sim.
1/2

10
10 12 12 10
9 7 7 7 9 7 9 9
0 3 0 5 5 3 5 3
3
Chorus
     
[Em]

 
 
 
 



Ah, ah.
     
        
Gtr. 4 cont. sim.
      
Gtr. 3    
Gtr. 2 tacet

10
12 12 10
9 7 7 7 9 7 9
3 3 12 12 10 10 12 12 3 3

[A9/C#]
      To Coda Ø

 
 
 
 
 

 
(on D.S. only)Watch out,
       
 12 12 10 10 9
Bridge
 
[E5] [G5] [A5] [E5] [G5] [A5] D.S. al Coda
         
  
  
Gtr. 3 (last time only)Put yer
     
Gtr. 5 (elec.)
                
           
 
 
Gtr. 2 w/Fig.1 Gtr. 3 cont. sim. w/dist.
1/2 1/2
Gtr. 4 tacet
   

   5 5 4 4 2 4 2

0 3 0 5 5 3 5 3 0
Ø Coda
 
Outro

[E5] [G5] [A5] [E5] [G5]
     
      
 
Gtr. 3 hey watch out,
     
        

     
1/2
Gtr. 2 w/Fig. 1 cont. sim.
 0 3 0 5 5 3 5 3 0 3 0 5
4
 
[A5] [E5] [G5] [A5]
         
     
 
ooh watch out, hey watch out,
    
              
 
  
1/2 1/2
 5 3 5 3 0 3 0 5 5 3 5 3
[E5] [G5] [A5] [E5] [G5] [A5]

  
 

      

 
hey. Ah,
      
                     
 
 1/2
 1/2
 0 3 0 5 5 3 5 3 0 3 0 5 5 3 5 3
[E5] [G5] [A5] [E5] [G5] [A5]

 












 
ah,
     
Gtr. 5


           

   
     
 
1/2 Gtr. 3 cont. sim. 1/2
 0 3 0 5 5 3 5 3 0
5 5 4 4 2 4 2
[E5] [G5] [A5] [Em]


 







 
 
 
ah.
  
All Gtrs.
           

 
 

1/2 long tremolo dive
w/dist. until slack
 0
5 5 4 4 2 4 2
0 0
5
Roll It Over
C#m7 Amaj9 Bsus4 Asus2/6 E'9/G# F#7sus4 E F#'11 Asus2/6

4fr
G E5 F#m Em^ F#m11 C D Dsus2
q = 67 (iq = eK x)
  
C#m7
μ
       
Gtr. 1 (elec.) +2

Gtr. 2 (elec.)
    




Drums
mf w/reverb.
let ring

0 0

0 0
6 6 6
6 6 6
4
  
Amaj9 C#m7 Amaj9
 
 
 
 

 
 

  

0 0 0
0 0 0

6 6 6
6 6 6
0 4 0
   
Verse
    
C#m7 Amaj9


                 
1. I can give a hun - dred mil - lion rea - sons to build a bar - ri - cade
   
2. Look a round at all the plas - tic peo - ple that live with - out a care
 

  







0 0
0 0


6 6
6 6
4 0
Copyright © 2000 Oasis Music, Creation Songs Limited & Sony/ATV Music
Publishing (UK) Limited. 10 Great Marlborough Street, London W1.
All Rights Reserved. International Copyright Secured
 
C#m7 Amaj9
    
   
 
 

 
 


0 0
0 0
6 6
6 6
4 0
      
C#m7 Amaj9
           
        
  
Blame it on the chang - ing of the seas - ons, the thoughts that I've con - veyed

Try to sit with me a round my ta - ble but nev - er bring a chair
 
 


 
 

0 0
0 0
6 6
6 6
4 0
 
C#m7 Amaj9

    
   
 
   

   
 
 


 

0 0 0
0 0
6 6
6 6 6 9 9 9
4 0
  
Fill 1
Gtr.2 (elec.) C#m7 Amaj9
    
     
 

0 0
0 0 0 0
6 6 6 6 6 6 6
6 6 6 6 6 6 6 7
4 0
                  
Fill 2
 
Gtr.2 (elec.)


let ring
Harm.

12 12 12 12 12 12 12
12 12 12 12 12 12
2
Pre-Chorus
Bsus4 Asus2/6 Eadd9/G# F#sus4
               
      

   
 
Does it make it al - right?
            
          
Gtr.2
Gtr.2 w/heavy dist.
Gtr.3 w/rhy Fig.1 (x4)
Gtr.4 w/light dist.

9 9 9 7 7 6 6 6 4 4 4 4
7 7 5 5 4 4 4 2 2 2 2
  
Bsus4 Asus2/6 Eadd9/G# F#sus4
  
   

  
 
it does - n't make it al - right
   
3
          
          
full

9 9 9 7 7 6 6 6 4 4 4 2
7 7 5 5 4 4 4 2 2 2 2
   
             
                


         
To roll it o - ver my soul, leave me here
 
         
  

      

   
    

0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 3 3 2 2
2 2 2 2 2 4 4 4 2
2 2 4 4 4 0
0 0 2 2 2
  
Rhy. Fig.1
Gtr.3
      


8 9 9 9 8 9 9 9
3
  
Asus2 E

 
          
              
     

0 0 0
3 3 2 2 0 0 0
2 2 2 1 1 4 2 1 1 1 1
2 2 4 4 4 4 2 2 2 2 2 2 2
0 2 2 2 4 2
0 0
 
F#add11
               


 
Roll it o - ver my soul (and) leave me here
       
 
         
   

     

     
 

0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 3 3 3 2
2 2 2 2 2 2 4 4 4 2
2 2 2 4 4 4 0
0 0 0 2 2 2
  
G F#sus2
1. E5


Asus2
 

  

        
  
 
B
  
Gtr.1
          


1/2 w/bar (detune)
 
12
3 2 2 12 14 14 12
2 2 2 2 4 1 13 13
2 2 4 4 4 2 2 2 2
0


           
Gtr.2

1/2 w/bar (detune)


0
0 2 2 0 0
6
4
Instrumental
  
2.

Gtr.1
E
                
Gtr.4
mf
   
w/bar (detune)
Gtr.4 w/light dist.+tremolo
Gtr.3 tacet

4 4
2 2 2 0 2 2 2 2 0 2
0 2 0 2
0 0
 
 
w/bar (detune)

6
 
G F#m
 
Gtr.1
Gtr.4
                
   
Gtr.2 tacet

2 2 2 0 2 2 2 2 0 2
0 2 0 2
0 0
Pre
 
E
   
  
 
Gtr.3
     
    
Gtr.4 w/Fig.1 ad lib. Full
.....Fig.1 ends
Fig.1

17 15 12
2 2 2 0 2
0 2
0
G F#m E
  
  
 
Pre
       
B
  
 
B
  
full full 1/4

15
12 14 (14) 12 14 14 12
14
12 14 10
5
  

G F#m
   B   
Pre
 
Pre
    B      

   
full
 B
full

17 15 12 15
12 14 (14) 12 14 14 12
12

      
E G
Gtrs.1&4
  
Pre
   
Pre
            
B
 

Gtr.4 cont in slashes Pre
1/4
full

B 0 0 4 5 5 3 0
15 15 15 12 3
14
12 14 10
12
F#m11 C D
                       
sim.

  
Pre
 
  B 
    
Pre
 

     
B
    
B B
 
 
 
full full
full
full full full

17 17 15 15
15 17 15 15 15 12 15 15 12
          

B E
   
B
    
3
full 1/2


14 14 12 12
14 14 12 14 14 12
14 12 10
12
6
   
                  
1/4 1/4


12
10 10 12 14 14 12 12 11
10 12 12 12 10 7 5 3 0
E F#sus2
             
Gtr.4 sim.
   
Chorus
   

           

 
 
To roll it o - ver my soul leave me here
     
Gtrs.1+2*
           

    
  

Gtr.3 tacet


0 0 0
0 0 0 0 0 0 0 0
1 1 1 1 1 3 3 3 3 2
2 2 2 2 4 4 4 2
2 4 0
0 2
composite part
  
Asus2 E

 
                         

       
   

0 0 0 0
0 3 3 3 3 2 2 2 0 0 0 0 0
2 4 2 2 2 2 2 2 2 2 0 1 1 1 1
2 2 2 4 4 4 4 4 2 2 0 2
0 0 0 2
0
 
F#add11
              

 
 
Roll it o - ver my soul leave me here
             

       
    


0 0 0 0 0
0 0 0 0 0 0 0 0 0
1 1 1 1 1 3 3 3 3 2
2 2 2 4 4 4 2
2 2 2 4 0
0 0 0 2
7
  
1.

Asus2 E

 
         
            
      
   









 

Gtrs.1+2 cont. in slashes


0 0 0 0 0 0 0
0 3 3 3 3 2 2 2 0 0 0 0 0 0 0
2 4 2 2 2 2 2 2 2 2 0 1 1 1 1 1 1
2 2 2 4 4 4 4 4 2 2 0 2 2 2 2 2 2 2 2
0 0 0 2 2 2 2 2 2 2 2
0 0
2.
G F#m11
                 
 
Gtrs.1+2+4 sim.
   
Gtr.3
           
     

8
9 7
5 7 9 9 7 6 6 7 6
5 7 7 7 7 7 7 7
    
   
C D

      
   
   
1/4

8 8
7 9 9 7
5 7 9 9 7 6 6 7 6
7 7 7 7 7 7
 
Dsus2
E
  
Gtrs.2+4
  
     
Gtr.1
      
     


Gtr.3
 2 22
Gtr.1 ad lib.sim.on repeats

0 0
0 0 3 3
1 1 2 2
2 0 0 0
0
 
  
Repeat to fade
        
       
   



0 0
0 0 3 3
1 1 1 2 2 2
2 0 0 0 0
8
Sunday Morning Call
Bb Dm Dsus2 D G D* Em C F
6fr 5fr 5fr 5fr
D5 C'9 G/B Bb5 G5 F5 C5 B5 C#5 Dsus4

3fr 3fr 4fr
q = 80
Intro
Bb
            etc.

   
Gtr. 1 (acous.)
            

         
     
 
mf let ring throughout

6 6 6 6
6 6 6 6
7 7 7 7 7 6 6 7 7 7 7 7 7 6
8 8 8 8 8 8 6 6 8 8 8 8 8 8 8 6
8 8 8 8 8 6 6 8 8 8 8 8 8 6
6 6
Verse Bb Dm Dsus2
    
                
1. Here’s a - no - ther Sun - day morn - ing call, yer hear yer head

2. When yer lone - ly and you start to hear the lit - tle voi -
           
            
               

2° Gtr. 1 tacet


6 6 5 5 5 5 5

6 6 6 6 6 6 6 5 5 5
6 7 7 7 7 7 7 7 7 7 7 7 7
6 8 8 8 8 8 8 8 8 7 7 7 7 7
6 8 8 8 8 8 8 8 5 5
6
     
Gtr. 2 (elec.)
         
          




      
1° Gtr. 2 tacet
w/distortion


1 1 1 0 1

3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 2 2 2
3 3 3 3 3 3 3 0 0
1 1 1 1 1 1 1

Bb Dm Dsus2
  
     
   
a - bang - ing on the door,

- ces in your head at night,
   
               
        





6 6 5 5
6 6 6 6 6 6 5 6 5 5 6 5
7 7 7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 7 7 7
8 8 8 8 8 8 5 5
6
               
        


  
    

1 1 0 1
3 3 3 3 3 3 3 3 1 1 0 0
3 3 3 3 3 3 0 2 2 0 0
3 3 3 3 3 0 0 0 0 0
1 1 1 1 1
Bb Dm Dsus2
    
              
slip your shoes on and then out you crawl in - to a day
you will on - ly sniff a - way the tears and you can dance
    
  






 


     
   
      
     

6 6 5 5
6 6 6 6 6 6 6 6 5 6 6 6
7 7 7 7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 7 7 7 7 7
8 8 8 8 8 8 5 5 5 5 5
6
                 
           






  
        

1 1 1 0 1
3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 0 2 2 2 2 0
3 3 3 3 3 3 3 3 0 0 0 0 0 0
1 1 1 1 1 1 1 1 0
2
Bb Dm Dsus2 Dm
     
     

    
that could - n’t give you more, but what for?
  
un - til the morn - ing light, at what price?
    
  


     
 
    
      

6 6 6 5 5 5 5
6 6 6 6 6 6 6 6 5 5 6
7 7 7 7 7 7 7 7 7
8 8 8 8 7 7 7 7 7
8 8 8 5 5 5 5 5
6 6
                
          
  
     

1 1 0 1
3 3 3 3 3 3 3 3 3 1 1 0 0
3 3 3 3 3 3 3 0 2 0 0
3 3 3 3 3 3 3 0 0 0 0
1 1 1 1 1 1
D

       
   

 And in your head
  
                 
 
                
                

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
                 


  






























2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
Chorus
G D*
      
     

      
do you feel what you’re not
         etc.
                  
Gtrs. 1+2
                 
              
1° Gtr. 1, 2° Gtrs. 1+2

3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2
3 3 3 3 3 3
Em C
     
        
  
sup - posed to feel? And you take
              
                 
           
     

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0 0 0 2 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 3 3 3 3 3 3 3
0 0 0 0 0 0

G D*
      
      

 won’t 
what you want but you don’t
                  
                 
              

3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2
3 3 3 3 3 3
F Em D*
    
   


    
get it for free. You need
                  
               







          
           

1 1 1 1 1 1 1 1 1 0 0 0 0 2 2 2 2
1 1 1 1 1 1 1 1 1 0 0 0 0 3 3 3 3
2 2 2 2 2 2 2 2 2 0 0 0 0 2 2 2 2
3 3 3 3 3 3 3 3 2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3 2 2 2 2
1 1 1 1 1 1 1 1 0 0 0 0
4
G D*
      
      

  
more time ’cos your thoughts
               
                 
              

3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2
3 3 3 3 3 3
Em C
             
    
 
and words won’t last for - ev - - er more.
                
                 
            
     

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 0
0 0 0 0 0 0 0 0 0 0 0 2 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 3 3 3 3 3 3 3
0 0 0 0 0 0
G D*
       
        
  
And I’m not sure if it - ’ll ev -
               
                 
              

3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2
3 3 3 3 3 3
Em C
  
     
       

but it’s O. K.
 
- er work out right,
it’s O. K.
            
             
       
     

0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 1 1 1
0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 3 3
0 0 0 0 0 0
5
  
D5 Cadd9 G/B Cadd9 D5 Cadd9
           
It’s al - right.
 
It’s al - right.
Gtr. 1
     
   
Gtrs. 1+2
           
   
let ring
Gtr. 2 w/distortion Gtr. 2
2° Gtr. 1 cont. in slashes

0
3 3 3 3 3 3 3
2 2 0 0 0 0 0 0 2 2 0 0
0 0
3 2 3 3
1. 2.
G/B G/B Bb5 G5
Gtr. 1     
        Gtr. 3
 
  
   
    
    
 
f
Gtr. 2 Gtr. 2 cont. in slashes
Gtr. 3 w/distortion
1/2 full full


0

3 3 6 6
0 0 5 5
0
2 2
f
Instrumental
F5 G5 G5 Bb5 C5

           
  
Gtrs. 1+2
   
              


1/2 full full


6
3 3 3 0 5 5
5 5 3 5 5 5
3 5
Bb5 C5 Bb5 F5 G5
   

             
     
        
 full
 full full

6 6 6
5 7 5 5 5
6
F5 G5 G5 Bb5 C5
           
      
              
  
1/2 full full

6
3 3 3 0 5 5
5 3 5 5 5 3 5
3 5
Bb5 C5 C5 B5 C5 C#5
   
             
   
        
 full


6 1 2
5 5 7 5 5 4
D* Dsus4 D*
               
                  
                
           
3

2 2 2 2 3 3 3 2 2 2 2 2 0 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0
C D*
 

   
   
         
    
     

And in your head
       3
        
  





    
     
    

2 2 2 2
3 3 3 3
2 0 2 2 2 2 0 2 0
2 2 3 2 0 0 0 0 0 2 0 2 0
3 3 3 3 2 0
7
Chorus
G D*
       

sim.
       
    
 
do you feel what you’re not
       
                 
       

mf full

3 3 3 3 3 2 2
3 3 3 3 3 3 3
0 0 0 0 0 0 0 2 2 2 2 0 2 0
0 0 0 0 0 0 2 0
2 2 2 2
3 3 3 3 3
Em C
     
        
 
sup - posed to feel? And you take
    
             
  
 

0 0 0
0 0 1
0 0 0 0 2 0
2 2 2 0 2 0 2 0 2
2 2 3
0 0

G D*
      
      

what you want but you won’t
         
       

          
     
full

3 3 3 3 3 2 2
3 3 3 3 3 3 3
0 0 0 0 0 0 2 2 2 2 0 2
0 0 0 0 0 0 2 0 0
2 2 2 2 2
3 3 3 3 3
F Em D*
    
   


    
 
get hope for free. You need

         

    
full

0
0
2 2 2 0 0 0 2 4 2 0
2 0
8
G D*
      
      

 
more time ’cos your thoughts
  
    

         
   
full

3 2 2
3 3 3
0 0 0 2 2 2 2 0
0 0 0 2 0 0 0
2 2 0 2
3 3
Em C
             
    
 
and words won’t last for - ev - - er more.
     
              
 
1/2 1/2

0 0 0 0
0 0 1 1
0 2 0 0 2 2 0 2 2 0
2 2 2 2
3 3
G D*
       
        
 
And I’m not sure if it - ’ll ev -
                
                 
        

3 3 3 3 3 3 3 3 3 3 2 2 3 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2
3 3 3 3
F C
       
        
   
  
- er, ev - er, ev - - er work out right.
          
                
             
       

1 1 1 1 1 1 1 1 3 3 3 3
1 1 1 1 1 1 1 1 0 1 1 1 1 1
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 0 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1
9
G D*
   
    
             
If it - ’ll ev -
                  
           
        full

3 3 3 3 3 3 3 3 0 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 2 2 2 2 2 0 2 0
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3
F C
       
        
 
  
- er, ev - er, ev - - er work out right.
      
               

      
          
        1/2 1/2

1 1 0 0 0 0
1 1 0 1 1 1 1
2 2 2 2 2 2 2 2 0 0 0 0 0 2 2 0 2 2 0
3 3 3 3 3 3 3 3 0 2 2 2 2
3 3 3 3 3 3 3 3 0 3 3 3 3
1 1 1 1 1 1 1 1

G D*
   
   

  
Will it ev -
               
                
              


3 3 3 3 3 3 3 3 3 2 2 2 2 2 3 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3
F C G
    
        
     
    
- er, ev - er, ev - er work out right?


         
            
  
       


1/2 1/2

1 1 1 3
1 1 1 1 1 3
2 2 2 2 2 0 0 0 2 2 0 0
3 3 3 2 0 2 2 0 0
3 3 3 2 0 3 3 2 0 2
1 1 1 3 3
10
Where Did It All Go Wrong?
Em7 Dsus2 D C'9 Em A7sus4 Asus4 C G B
Em7 Dsus2
q = 78           
            sim.
Intro

Gtr. 3 (acous.)
       
Two, three, four.
 
                  
Gtr. 2 (elec.)
  
      



0 0
3 3 0 3 3 3 3 3
0 0 2 2 2 2 0 2 4 4
0 0 0 0 0
2

0
w/bar
          
Gtr. 1 (elec.)
         
    
  

Fig. 1
w/distrortion
let ring full

0 0
3 3 3
0 0 0 0 2 2 2 0
0 0 0 0 0 2 0
2 2 2
0 0 0
 
Em7 Dsus2
                
       


Fig. 1 ends 

0 0
3 3 0 3 3 3 3 3
0 2 2 2 2 0 2 4 4
0 0 0 0 0
2
0

Verse
Em7 Dsus2
            
              sim.
       
       
 
1. You know that feel - ing you get,
                      
Gtr. 2
         
 
(Gtr. 1)  
let ring throughout
Gtr. 1 sustains note w/feedback
Gtr. 2 w/distortion

0 0
0 0 0 3 3 3 0 3 3 3 3 3 3 3
0 0 0 0 0 2 2 2 2 2 0 2 4 4
2 2 2 0 0 0 0
2 2
0 0

Em7 D Dsus2
   
      
 
you feel you’re old - er than time.
      
                   
     
 

0 0 2 0
0 0 0 3 3 3 3 3 3 3 3 3 3
0 0 0 0 2 2 2 2 2 4 2 0
2 2 0 0 0 0
2 2
0 0
  
Cadd9 Dsus2 Em7
 
                    
You ain’t ex - act - ly sure if you’ve been a - way a while.
                   

                    
   


0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 0 2
2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 2 2

3 3 3 3 2 2
0
     
Gtr. 1
    
 
w/feedback 

0
3 3 0 0
0 0
2 2 0 0
X 2
X 0
2
D Dsus2 Em7 D Dsus2

          
 
       
Do you keep the re - ceipts
                          
                       
 

2 0 0 0 0 0 0 0 0 2 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 0 0 0 0 0 3 3 3 0 3 3 3 3 3 3 3 3 3 0 0
2 2 2 2 2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2 2 2 0 0
0 0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0 0 0 0 0
2 2
0 0
   
   
  

w/feedback

3 3
2 2
0 0 0 0 2 2
0 2
Em7 D Dsus2
    
     
for the friends that you buy?
                    

                
 
 

0 2 0 0 0 0 0 0 0
0 0 0 0 3 3 3 0 3 3 3 3 3 3 3 3 3 0 0
0 0 0 0 0 2 2 2 2 2 2 2 2 0 0
2 2 0 0 0 0 0 0 0 0 0 0
2 2
0 0
 
Cadd9 Dsus2
  
         
 
    
And ain’t it bit - ter - sweet, you were on - ly just get - ting
                       
                  
     

0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3
3
A7sus4 Cadd9
  
   

by. But I
                       
       
     
Gtr. 2 cont. in slashes

3 3 3 3 3 3 3 3 3 3 0
3 3 3 3 3 3 3 3 3 3 3 3 3 0
2 0 0 0 0 0 0
2 2 2 2 2 2 0
0 3 3 3 3 3
      
   
Gtr. 1
     


5 5 5 5
3 3 3 3 3 3
4 4
Chorus
Em7 Dsus2
      
Gtrs. 2+3 sim.
          
             
hope you know that it won’t let go, it sticks a - round with you un - til the day you
               etc.                       

Gtr. 1

3 5 5 5 5 5 5 5 5 5 5 5 5 3 3 5 5 5 5 5 5 5 5 5 5 5 5 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
  
Asus4 Em7
         
  
die. And I hope you know that it’s
                                    

1/4 1/4 1/4 1/2 1/2 full full full

0
10 10 10 10 10 10 10 10 10 10 10 10 10 3 5 5 5 5 5 5 5 5 5 5 5 5 3
4
  
Dsus2
   
              
  
touch and go, I hope the tears don’t stain the world that waits out - side.
  


3 5 5 5 5 5 5 5 5 5 5 5 5 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
 
Asus4 C
 
               
   
Where did it all go wrong?
               
         
       
1/4 1/4 1/4 1/2 1/2 full full full

0 3
10 10 10 10 10 10 10 10 10 10 10 10 10 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0
2 2 2 2 2 2 2
3 3 3 3 3 3
  
Em7 Dsus2
  
           
Gtr. 2
              

 
   let ring

0 0
0 0 3 3 3 3 3 3 3 10 10
0 0 0 0 0 0 2 2 2 2 2 11 11

2 2 2 2 0 0 0 0 0 0
2 2 2
0 0 0
w/bar
       
Gtr. 1
            
    
  

Fig. 1
w/distrortion w/bar full
let ring

0 0
3 3 3
0 0 0 0 2 2 2 0
0 0 0 0 0 2 0
2 2 2
0 0 0
  
Em7 Dsus2
  
           
  

            
 
   
let ring
Fig. 1 ends

0 0
0 0 3 3 3 3 3 3 3 3 10 10
0 0 0 0 0 0 0 2 2 2 2 2 11 11
2 2 2 2 2 0 0 0 0 0 0
2 2 2
0 0 0
5
Verse
Em7 Dsus2
       
    
And un - til you’ve re - paid
      
  
    
      
          
  
(Gtr. 2)
   let ring 
Gtr. 1 sustains w/feedback
 

0 0
0 0 3 3 3 3 3 3 3 10 10
0 0 0 0 0 0 2 2 2 2 2 11 11
0 2 2 2 2 2 0 0 0 0 0 0
2 2 2
0 0 0

Em7 Dsus2
   
      
the dreams you bought for your lies,
              
  
              
 
   let ring 

0 0
0 0 3 3 3 3 3 3 3 10 10
0 0 0 0 0 0 2 2 2 2 2 11 11
2 2 2 2 0 0 0 0 0 0
2 2 2
0 0 0
Cadd9
  
Dsus2

                

you’ll be cast a - way a - lone un - der storm - y
                       
                  
     

0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3
6
Asus4 Cadd9
   
       
  
 
skies, a - lone un - der storm - y
3
        
               
          

3 3 3 3 3 3
2 2 2 2 2 2 2 0 0 4 2 0 0 0 0
2 2 2 2 2 2 2 2 0 2 2 2 2 2
0 0 0 0 0 0 0 3 3 3 3
      
  
 
Gtr. 1
    

Fig. 1

5 5 5 5
3 3 3 3 3 3
4 4
Asus4 Cadd9
   
   
 
skies. But I
               
               
   

        
Fig. 1 ends

3 3
3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 3 3 3 3
Chorus
Em7
Gtrs. 2+3             cont. sim.
         
      
               
hope you know that it won’t let go, it sticks a -
             
Gtr. 1

3 5 5 5 5 5 5 5 5 5 5 5 5 3 3 5 5 5 5 5 5 5 5 5 5 5 5 3
7
 
Dsus2 Asus4
  
          
                              
- round with you un - til the day you die. And I
  

1/4 1/4 1/2 1/2 full full full

0
3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10
   
Em7
         
    
      
hope you know that it’s touch and go, I hope the tears
             


3 5 5 5 5 5 5 5 5 5 5 5 5 3 3 5 5 5 5 5 5 5 5 5 5 5 5 3

Dsus2 Asus4
 
                    
        

don’t stain the world that waits out - side. Where did it all go
              
 


1/4 1/41/2 1/2 full full full full full

0
3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10
Instrumental
Cadd9 G D Em
                       sim.
  
Gtrs. 2+3

    

wrong?
 
 
      
    


full

15 12 12 13 12 0 0
14 12
14 14
8


Cadd9 G D Em

 
 
        
  
 
full
full

15 12 12
15 12 12 X 0 X
 
Cadd9 G D Em
 
 
         
     
 
full 

15 12 12 X X 7 8 7
9 7 7 9
9
0
Cadd9 B
  
   
 
But I

Gtr. 4
3
  
              

  
     

full full full
Gtr. 1 tacet

1/4
0
0
0 0 2 2 0 0 2 0 2 2 2 0
0 0 2 2 0
2 2 2 0
3
Chorus
Em7
Gtrs. 2+3             sim.
          
       
                            
hope you know that it won’t let go, it sticks a -
Gtr. 1
 
(Gtr. 4)  2° Gtr. 4 ad lib.


0 0 0 0 0 0 0 0 0 0

3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7
9
 
Dsus2 Asus4
  
          
            
- round with you un - til the day you die. And I
           



1/4 1/41/2 1/2 full full full full full

0 0 0 0 0 0 0 0 0 0 0
7 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 10 10
   
    
Gtr. 4
         
 

7 7 7 9 9 9 7
7 9 9 9 7
   
Em7
         
    
                           
hope you know that it’s touch and go, I hope the tears

0 0 0 0 0 0 0 0 0 0
3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7
1.

Dsus2 Asus4
  
               
            
don’t stain the world that waits out - side. And I
          
  
 
 
1/4 1/41/2 1/2 full full full


0 0 0 0 0 0 0 0 0 0 0

7 8 8 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10
 
           
Gtr. 4
     


7 7 9
7
9
7
9
7 7 7
9
7 9

10
2.
 
 
Asus4 Cadd9

           
Where did it all go wrong?
    
             

  
 

full full full full full full


10 10 10 10
10 10 10 10 10 10 10 8
9
           
  

        
full
1/4 1/4 1/2 1/2 full full full full

0
10 10 10 10 10 10 10 10 0
2 2 2 0
2

Em

  
    
     
   

w/feedback

7 9
7 9 7 5
2 0
3 2 0
   

            




full full

0 0
0 0 0
0 2 2 2 0 0 0
0 2 2
2
0
11
All Gtrs. Who Feels Love?
6=E 3=G Words & Music by Noel Gallagher
5=A 2=B
4=D 1=D
K
G Gm/Bb A7sus4 C'9 G/B G* G/F G/E G/D G/Eb Gsus2
10fr 8fr 7fr 5fr 6fr 7fr
G         
Gtr. 1         
q = 78 jq = e x
            Gtr. 2 (elec.)
Gtr. 1 (acous.)
 
Intro
          
                 
     

Backwards effect Percussion w/dist. + backwards effects
Gtr. 1 cont. in slashes tacet 2°
 

0 0 0 0 0 0 0 0 0
 
3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 3
2 2 2 2 2
3 3 3 3 3
G
        
        
Verse


cont. ad lib. sim.
   K 
               
    

 
1. Found what I’d lost in - side,
                           
     
Bass arr. for Gtr.

5 3 5 3 5 5 3 5 5 3 5 3 5 5 3 5 5 3 5 3 5 5 3 5
3 3 3 3 3 3
   
             
  


 
 
my spi - - rit has been pu - ri - fied.
                           
     

5 3 5 3 5 5 3 5 5 3 5 3 5 5 3 5 5 3 5 3 5 5 3 5
3 3 3 3 3 3

 
$
 
 
    
 
  
    
 
2. Take a thorn
 
(3.) leav - ing all
Gtr. 3 (elec.) (tacet 1°)
      
                   
    
w/slight dist.

0
3 0 1 0 1
0 0 0 0 2
5 3 5 3 5 5 3 5 5 3 5 3 5 5 3 5 0 0 2 0 2
2
3 3 3 3 3
(optional open top string)
            
 


        
    
  
 
 
from my pride, and hand
that I see, now all
                   
          
  

3 0 1 0 1 3 0 1 0 1 3 0 1 0 1
0 0 0 0 2 0 0 0 0 2 0 0 0 0 2
0 0 2 0 2 0 0 2 0 2 0 0 2 0 2
2 2 2
3 3 3
              


  

    
       

   
in hand we’ll take a walk out - side.
 
my e - mo tions fill the air I breathe.
 

Gtr. 2
              
           
 Fig. 1
2° Gtr. 3 cont. sim.

3 0 1 0 1 3 0 1 0 1 8
0 0 0 0 2 0 0 0 0 2 7
0 0 2 0 2 0 0 2 0 2
2 2
3 3
Gm/Bb cont. ad lib. sim.
Gtr. 1         
   
          
  
Thank - yo for the sun the one that
Now you un - der - stand that this is
     
           
Gtr. 3
          
 
    
full full

0
6 6 3 3 3 3 3 3 3 3 3
5 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
2 2 2 2 2
(optional open top string throughout)
2

A7sus4 C'9
    
        

shines on ev - ry - one who feels love.
  
not the pro - mised land they spoke of.
                 
                   
         
Gtr. 2 w/Fig. 1

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 3 3 3 3 3
   
G/B Gm/Bb
   
          
Now there’s a mil - lion years be - tween my fan
 
There’s no - thing more to be if you can be
                  
                    
         

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 1 1 1 1 1
To Coda Ø

A7sus4 G
    
         

- ta sies and fears I feel love.
 
the re - me dy who heals love.
  
         
Gtrs. 1+3
            
      
     

Gtr. 2 w/Fig. 1

7 7 7
3 3 3 3 3 3 3 3 3 3 7 7 7 X 0 0
0 0 0 0 0 0 0 0 0 0 7 7 7 X 0 0
2 2 2 2 2 2 2 2 2 0 0 0 0 0 X 0 0
0 0 0 0 0 2
3
Bridge
G
Gtr. 1          cont. ad lib. sim.

 
D.S. al Coda
     
 
 


3. I’m
Gtr. 3
    
Gtr. 2
     
 
 Gtr. 3 cont. ad lib. sim. full full full

10 10
3 0 1 0 3 8
0 0 2 0 2
0 0 2 0 2
2
3
3
ØCoda
    
Instrumental Play 3 times
Gtrs. 1+3+4 G* G/F G/E G/D G* G/F G/E
                       
   
Gtr. 2 w/ad lib. effects
Gtr. 4 w/clean tone
 

0 0 0 0 0 0 0 0
 10 
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
8 7 5 10 8 7 7
G/Eb G
Gtr. 1         
 
cont. ad lib. sim.
  

Gtr. 3
               
     
 

Gtr. 1+3 cont. sim.
  
Fig. 2
let ring…
Gtr. 4 w/Fig. 3

0 0 0 10 9
0 0 0 0 0 0 3 0 1 0 8 6
0 0 0 0 0
0 0 0
6 6 6
 
3 3 3
     
 
Gtr. 4
     
  
Fig. 3 
Gtr. 3 w/Fig. 2 (2½ times)

10 10
0 3 8 12 0 3 8 12
0 5 10 0 5 10
Gm/Bb A7sus4
*Gtrs. 1+3+4  
      
                     
 
cont. ad lib. sim.
 
   


Fig. 4


15 15

0 3 13 13 13 13
7 5
*Gtr. 4 plays Gsus2 throughout progression.

C'9 G/B
 
(vocal tacet 1°)
      

                   
I thank

 
  

 
Gtr. 2 cont. ad lib. sim.


15 15

13 13 13 13
4
Gm/Bb A7sus4 C'9
        
Gtrs. 1+4

cont. ad lib. sim.
  
Chorus
        
         
 
   
you for the sun the one that shines on ev -’ry - one who feels love.
             
Gtr. 3
        
                               
              
Gtr. 4 w/Fig. 4 ad lib.


0

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 0 0 0 0 0 3 3 3 3 3
(optional open top string throughout)

G/B
  
Gm/Bb A7sus4
     
               
 
       
Now there’s a mil - lion years be - tween my fan - ta sies and fears I feel
                   
                              
              

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2
2 2 2 2 2 1 1 1 1 1 0 0 0 0 0
1. 2.
C'9 G/B G


       
     
          
love. I thank love.
  
                
Gtrs. 1+3
                     
     
         



0 7 7 7

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 7 7 7 X 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 X 0 0
2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 X 0 0
3 3 3 3 3 2 2 2 2 2 2
3
     
G* G/F G/E G/D G* G/F G/E Repeat to fade

Gtrs. 3+4
    
                   
Gtr. 4
let ring…
Gtrs. 1+3 cont sim.
   

0 0 0 0 10
 10   
0 0 0 0 0 0 0 0 0 3 8 12
0 5 10
8 7 5

Oasis-Standing On The Shoulder of Giants (2000)

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Oasis-Standing On The Shoulder of Giants (2000)

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Fuckin' In The Bushes

Words & Music by Noel Gallagher

[A5/F] [A5] [A5/G]

                

Gtr. 1 cont. w/feedback fx full full full

      

        

       

      

                                 

Db6 Ab'9 Bbm Eb5 F Db Eb Bb Db5 Ab5 Bb5 F5

Db6 Ab'9 Bbm

© Copyright 2000 Creation Songs Limited/Oasis Music (GB).

Db6 Ab'9 Bbm

Db6 Ab'9 Bbm

       

Db6 Ab'9 Bbm

Db6 Ab'9 Bbm

Db5 Eb5 Bb5

Db5 Eb5 Bb5

Db5 Eb5 Bb5

Chorus Db5 Eb5 Bb5

Db5 Eb5 Bb5

          

D5 E5 Bb5 Db5 Eb5

Bb5 Db5 Eb5 Bb5

Gtrs. 1+2             sim.

Db5 Ab5 Bb5

Db5 Ab5 Bb5

Db5 Ab5 Bb5

Db5 Ab5 Bb5

Db5 Ab5 Bb5

Db5 Ab5 Bb5

Db5 Ab5 Bb5

*Gtr. 1 plays jjjq throughout with accents as above.

© Copyright 2000 Creation Songs Limited/Oasis Music (GB).

                           

                       

D5 Csus2 G D5* D5/C# C6 G/B Bb5

Bb6 Csus2* C5 D5** A5 Asus2 C'9 Bb F

© Copyright 2000 Creation Songs Limited/Oasis Music (GB).

Csus2* C5 D5** C5 Bb5 Bb6

full full full

© Copyright 2000 Sony/ATV Music Publishing (UK) Limited.

Tune all guitars down a semitone

       piano cont. sim. throughout

[E5] [G5] [A5] [E5] [G5] [A5]

© Copyright 2000 Oasis Music/Creation Songs Limited.

[E5] [G5] [A5] [E5] [G5]

[A5] [E5] [G5] [A5]

[E5] [G5] [A5] [E5] [G5] [A5]

[E5] [G5] [A5] [E5] [G5] [A5]

[E5] [G5] [A5] [E5] [G5] [A5]

[E5] [G5] [A5] [E5] [G5] [A5]

[E5] [G5] [A5] [Em]

C#m7 Amaj9 Bsus4 Asus2/6 E'9/G# F#7sus4 E F#'11 Asus2/6

G E5 F#m Em^ F#m11 C D Dsus2

          

           

                         

             

D5 C'9 G/B Bb5 G5 F5 C5 B5 C#5 Dsus4

            etc.