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Republic of the Philippines

UNIVERSITY OF EASTERN PHILIPPINES


Pedro Rebadulla Memorial Campus
Catubig, Northern Samar
uepprmcampus@gmail.com
Mobile Numbers: Globe:0927-508-5408 Smart: 0908-236-1226

COLLEGE OF HRM
Name: _______________________________ Time: __________________________
Course & Year: _______________________ Semester: ______________________
Subject Code: ________________________ Units: _________________________
Description: _________________________ Class ID. _______________________

LEARNING MODULES
IN
P.E 2 Rhythmic Activities

MARIO B. ADAJAR
Course Facilitator

Contact Number: 09753492339


E-mail Address: adajarmario45@gmail.com

Mario B. Adajar (Course Facilitator)


GENERAL INSTRUCTION:

Before anything else, after reading this general instruction please go directly to the
module pre-test without reading first the whole content of the modules, and most
importantly, don’t you ever forget to write your name in the module’s first page.

This module is pedagogically made with employed deductive approach intended for the whole
semester (5 months) of answering its contents, every lesson has the following content: Discussion about
the topic, the topic activity/exercises, Feedback (is also to be answered in every lesson) and the Lesson
summary. In order to gain ideas on what are asked in every lesson’s exercises, you have to engage
yourself in the readings under the lesson’s discussion and carefully analyze what are asked in the
exercises so that you could come up with a satisfying answer

Right after accomplishing all the readings and exercises of the whole modules which has 4 chunks,
please do not forget to answer the course posttest, and review all your entries so that there’s no
unanswered questions in every lesson.

GOODLUCK & GODBLESS

STAY HOME STAY SAFE

Mario B. Adajar (Course Facilitator)


PRE-TEST
Encircle the letter of the best answer. Any forms of alteration will be considered incorrect.
Multiple choice Test.
1. It aims to develop students' physical competence and knowledge of movement and safety, and their ability
to use these to perform in a wide range of activities associated with the development of an active and
healthy lifestyle. –
a. Physical Fitness b. skills-related Fitness c. Physical Education d. Physical Health
2. Is a state of health and well-being and, more specifically, the ability to perform aspects of sports,
occupations and daily activities?
a. Physical Education b. Health-Related Fitness c. Skills-related fitness d. Physical Fitness
3. When the body systems work together smoothly to carry out your daily life activities, you are said to have:
a. Strength b. Physical Fitness c. Full of Energy d. Healthy lifestyle
4. How would you classify Zipper test in Health-related Fitness?
a. Power b. Flexibility c. Reaction Time d. Agility e. Speed
5. The lasting power of the heart, lungs and skeletal muscle as a result of regular exercise such as walking,
jogging, swimming and aerobic dancing is referred to as:
a. Flexibility b. Strength c. Power d. Stamina e. Agility
6. Supposed you are going to exemplify Agility in skills-related fitness, what would be the activity you are
going to do?
a. 100 m dash b. Hexagon Jump c. Jogging d. Sit & Reach
7. What would be the certain exercise or activity for coordination?
a. 3-minute step test b. Standing long jump c. Sit & Reach d. Curl-up e. Paper Juggling
8. Ability to move quickly from one place to another.
a. Agility b. Coordinationc. Speed d. Flexibility e. Balance
9. The amount of time that a body can take in a certain activity in one pattern.
a. Balance b. Coordination c. Speed d. Flexibility e. Agility
10. Ability to move in a full range of motion.
a. Balance b. Coordination c. Speed d. Flexibility e. Agility
11. Constant practice of sit and reach provides training on flexibility of the legs. These result to ability of the
muscles’ extreme reach.
a. Power b. Flexibility c. Reaction Time d. Agility
12. This refers to the matching of lean mass and fat mass as components of the body. It develops proportion
of the body.
a. Endurance b. Agility c. Power d. Body composition
13. It is about the intellectual capabilities of the persons; particularly physical education which develops the
students’ knowledge to solve problems; it provides understanding of the rules.
a. Cognitive b. Knowledge c. Affective d. Psychomotor
14. Generally, it is the aim of education to develop the emotional skills of the students. Specifically, this aim is
fulfilled in the physical education course.
a. Cognitive b. Knowledge c. Affective d. Psychomotor
15. It is the basic function of physical education, to build up physical strength of the person. It develops organic
system of the human body whose outcomes is power to resist fatigue.
a. Cognitive b. Knowledge c. Affective d. Psychomotor
16. Physical education can counteract major risk factors of coronary heart disease: obesity, inactivity and high
blood pressure.
a. Improve Physical Fitness c. Health promotion
b. Reduced Risk of heart disease d. Self-discipline
17. Appropriate physical activity prevents the onset of some diseases and postpones the debilitating effects
of the aging process.
a. Improve Physical Fitness c. Health promotion
Mario B. Adajar (Course Facilitator)
b. Reduced Risk of heart disease d. Self-discipline
18. A good program teaches children to follow rules and established procedures and to be responsible for the
own health-related fitness.
a. Improve Physical Fitness c. Health promotion
b. Reduced Risk of heart disease d. Self-discipline
19. Physical activity is an outlet for releasing tension and anxiety.
a. Active lifestyle c. Reduced risk of depression
b. Health promotion d. setting goal
20. They are referred to as the first settlers in nomadic society with highly vested on physical stamina, men
engaged in killing other men to protect themselves from enemies or rough environment.
a. Homo sapiens b. Primitive men c. Modern men d. Homo Habilis
21. What do you called the first gymnastic which the basic purpose was to keep the body in good condition
and to ward off diseases caused by immobility?
a. Yoga b. Con fu c. Arnis d. Taekwondo
22. In what country does “Yoga” developed?
a. India b. China c. Taiwan d. Korea
23. He is the person who said that physical education was part of the basic hygiene and very important in
support to medicine.
a. Plato b. Aristotle c. Herodutos d. Galen
24. He suggested music and gymnastic to be part of the curriculum.
a. Plato b. Aristotle c. Herodutos d. Galen
25. Refers to a term which denotes an aspect of a quality of movement that is sometimes thought of as dance.
a. Tempo b. Beat c. Dynamics d. Rhythm
26. Refers to the regular recurrence of accented and unaccented beats.
a. Tempo b. Beat c. Dynamics d. Rhythm
27. Are the physical manifestations of the mental and emotional response of the individual to rhythm. They
are activities which a child responds to physically, socially, and mentally to regular patterns of sound.
a. Physical activities b. Motor skills activity c. Rhythmic activities d. Dance activities
28. Served as source of enjoyment for people of all ages. Through these activities, skills and the sense of
rhythm are acquired and developed, feelings are expressed, basic principles of time, space and force can
be experienced.
a. Physical activities b. Motor skills activity c. Rhythmic activities d. Dance activities
29. Refers to movement set to music where there emerges organization, structure and pattern. It is a
composition that implies arrangement of parts into a form.
a. Physical activities b. Dance activities c. Dance d. Dancing
30. Serve as a means of expressing one’s emotions through movement disciplined by rhythm. It is an act of
moving rhythmically and expressively to an accompaniment.
a. Physical activities b. Dance activities c. Dance d. Dancing
31. Refers to the line of movement taken which maybe forward, backward, sideward, diagonal, upward, or a
combination of those mentioned.
a. Direction b. Level c. Range d. Pattern
32. Is a cultural art form handed down from generation to generations. It communicates the customs, beliefs,
rituals, and occupations of the people of a region or country. Folk dancing belongs to the people. It
emanates from them. Ethnic tribes have their specific tribal art forms originated and danced by the people
of the tribe.
a. Creative dance b. Folk/Ethnic dance c. Social dance d. Creative dance
33. What arm position does this step or statement suggests “Both arms raised in a circle in front of chest
with the finger tips about an inch apart.”
a. First position b. Second Position c. Third Position d. Fourth position
Mario B. Adajar (Course Facilitator)
34. What arm position does this step or statement suggests “One arm raised in front as in 1st position; other
arm raised overhead.”
a. First position b. Second Position c. Third Position d. Fourth position
35. This refers to those movements in which various parts of the body move in space with a fixed base. The
base may be standing, kneeling, sitting or lying.
a. Flexion b. Non-locomotor c. Pendular d. Locomotor
36. Refers to movement of Bending or shortening of a body part occurring at a joint.
a. Extension b. Pendular c. Flexion d. Vibratory
37. Are traditional dances of a country which were evolved naturally and spontaneously in connection with
everyday activities and experiences of the people who developed them.
a. Social Dance b. Folk dance c. Creative dance d. Modern dance
38. A step which partners advance forward, pass each other’s right (left) side, step across to the right move
backwards without turning around, pass each other left side to proper places.
a. Brush b. Cut c. Do-si-do d. Hop
39. A way of courtship in which partners bow to each other, to the audience, opposite dancers, or to the
neighbors with feet together. This is of Spanish origin and is used in almost all Philippine dances.
a. Sarok b. Panadyak c. Salok d. Saludo
40. A type of dance where in Art experts consider this type of dance the highest; it is the sum up of every
human undertaking to produce a well-defined dance. basic movements and physical actions could be
considered dance, more particularly, if accompanied by music.
a. Social Dance b. Folk dance c. Creative dance d. Modern dance
41. A dance which demands vigorous movements including some stunts so that it is more popular among boys.
It looks both a dance and form of exercise. Its effect to the performers is so great and satisfactory.
a. Social dance b. Gymnastics c. Recreational dance d. Ethnic dance
42. A dance which has a Spanish word which English equivalent could be lovable, affectionate, amorous or
other word that refers to a description of a loving person.
a. Agalalukan b. Alitaptap c. Cariῆosa d. Subli
43. The word refers to the people of the tagalog regions. The same refers to the dance developed by these
people.
a. Tinikling b. Tagala c. Rigodon d. Salakot
44. This dance started in Germany; it comes from the word “walzen”, means to revolve.
a. Waltz b. Tango c. Cha-cha d. Samba
45. A dance originally came from Cuba is considered the descent of Mambo. It is easy to perform because the
music has a definite beat. Although it is easy to learn, it is still an art which requires the dancers to master
it before they achieve the best and most attractive performance.
a. Waltz b. Tango c. Cha-cha d. Samba

Mario B. Adajar (Course Facilitator)


1
THE CONCEPT OF PHYSICAL EDUCATION

Overview:
A student has lost interest to go to school “Why?” a friend asked him; the student replied “it’s a boring
place.” The friend said. “there are many beautiful things in school; if you have no inclination to the academic, there
is art. If you do not like art there is sport. You can choose from any of these to make your life in school meaningful.

Every academic discipline has its own area of concern. Language is concerned on communication;
mathematics is concerned on numbers and so-on. Physical Education encompasses all these things. A poor physical
condition could never absorb math, language and so on. It is always the physical condition of the person that
matters.

The first module will be focusing on the foundation of physical education, this will serve as the primary
chapter in order to go on the next chapters of the subject, and here you will encounter the following sub-topics:
the concept of Physical Fitness; the nature of P.E; The benefits of Physical Education; and the Historical foundation
of P.E together with the history of the Olympic games. Every end of the chapter’s sub-topic you are required to
answer its learning task that would serve as the key to continue with the other sub-topic, make sure to understand
an be able to follow what are being asked most specially in the instruction sections of every learning task.

Learning Outcomes: upon the completion of this module, you will be able to:

✓ Discuss the concept of Physical Fitness and the nature of Physical Education
✓ Appreciate the importance of the three aims of Physical education in learning
✓ Value the significance of the Benefits of Physical Education in the development of Holistic aspect of life
✓ Discuss the Historical foundation of Physical Education.
✓ Identify and trace history of Olympic games

1.1 The concept of Physical Education and The Nature of Physical Education

The Concept of Physical Education

Success is your desire. It all depends on your physical condition and your activities to maintain physical
conditioning. Physical Education or Physical fitness, whatever term it may apply, it all relates to the total well-being
of a person, and this total well-being is the most basic requirement to reach success, the objective of your desire.
It is success in your education, your career and of course your life as a whole.

The first thing to do is ensure a sound physical condition. We know of men who failed to perfect their
dreams because of physical misfortunes. Although Mozart was at all times successful in his career, but he could
have composed more if he did not die at the age of 35. He was brilliant, yet his physical condition was weak. He
died of tuberculosis

The internet lists known artists, particularly writers who died young and if they are still alive, they are
suffering from physical sickness. Guy de Maupassant lived suffering from syphilis. Lord Byroon looked like a god,
yet he suffered from deformed feet. Alain-Fourneir died at the age of 27; Thomas Chatterton died at 17; Anne
Bronte died at 29; Stephen Crane, an American novelist known for his Red Badge of Courage died at the age of 29

Mario B. Adajar (Course Facilitator)


due to Tuberculosis. There are still hundreds who could not pursue their dreams because of poor physical
condition.

Today even workers in a white-collar job are still required to undergo yearly physical check-up. White collar
job though does not demand an extreme physical force yet workers need to be physically fit. In fact, Physical
Fitness is one of the most basic criteria for job application. Many had been denied of job because of physical
unfitness although their academic preparations are well fit to the job. Permanent appointments are not given to
employees found to be physically unfit. If Physical condition is the reason, no labor law can stop the company from
firing any of its employees.

It is a reality that your physical condition as student shall be the anchor of your future, and the future of
the people you love, your family, the people who depend on you. Now it is the right time to prepare for the future.
The future is rough and whether you will like it or not, you will face it. Denzel Washington said, “The world is rough
and you have to square it roughly.” You cannot face the rough world in the rough future with your poor physical
condition. The world is like Goliath, big, daring and cruel. To conquer it, you have to be David, strong, brave and
wise.

Poor health is not just simple outward expression. It is also meant a weak personality, and a weak personality is
always synonymous with the so-called “born loser.” Now is the right time to fix it. Michael Jordan said, “Don’t be
stupid; stay in school.”

Learning Task:

How important is Physical Fitness to the success of a person?

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Mario B. Adajar (Course Facilitator)


The Nature of Physical Education

This course exists in the elementary, secondary and tertiary levels. Most often in the tertiary it is taken as
part of the General Education program. Taken by first year college students. Regardless of the chosen discipline
all students in college are required to take it. its content may vary according to the program; the maritime students
for instance have their own physical education activities, yet the idea is that all students must take P.E to compete
their academic prerequisites. In similar manner, the criminology students have their own version of Physical
education activities, they call it defense tactic or shortly DEFTAC which by its content is a martial art, yet again the
idea is that all students must have activities under the physical education course.

Basically, physical education guides students to acquire growth in their motor skill; it is highly physical so
that in teaching, it is the most students-centered type of all course in college. It transfers knowledge on physical
growth by way of students’ total participation. Indeed, it is student-centered.

Its nature, although, physical, cannot set aside from its task of developing other facets of the students.
Along with its basic components of developing the motor skills of students, it also has a part of developing the
students’ talent. The course physical education this time, also includes art appreciation particularly dancing. There
is no wonder why many times professors of physical education are called to judge dancing contest. A story
circulated that legendary action star Jean Claude Van Dame first mastered the art of ballet dancing before he
became expert in the tactics of self defense.

Physical education could also be looked at as extra-curricular activities which include sports, games, dance,
gymnastics and recreational activities. Some schools of the country involve in their physical education some locally
developed sports, martial arts like karate, taekwondo and others.

The aims of Physical Education

In doing the most basic function of physical education is to ensure physical fitness. Three important aspects of the
person are also developed and these are psychomotor, cognitive and affective.

Psychomotor

It is the basic function of physical education, to build up physical strength of the person. It develops
organic system of the human body whose outcomes is power to resist fatigue. It trains the body to sustain
hardship. Particularly, physical fitness offers the following development in the human psychomotor.

1. Cardio-respiratory Endurance. Swimming, running and other forms of exercise are the basic
components of physical education. These physical activities freely allow the oxygen and nutrients to
travel into the tissues thus remove the waste in the body. Constant performance of the exercises
washes away the toxins.

2. Muscular strength and Endurance. Physical fitness provides ability of the muscles to exert and sustain
force against weight or other forms of resistance. It is well demonstrated in the muscular strength of
a person who used weight lifting. Aside from the strength, muscles could sustain heavy objects in a
long period of time.

3. Flexibility. Constant practice of sit and reach provides training on flexibility of the legs. These result to
ability of the muscles’ extreme reach.

4. Body Composition. This refers to the matching of lean mass and fat mass as components of the body.
It develops proportion of the body.

Along with these enumerated improvements of the body, physical fitness also assumes
development in speed, the component of physical fitness that means the capability to hold a continuous

Mario B. Adajar (Course Facilitator)


movement in a short period of time. The short period of time may be explained in 100-m sprint finished in
a short period of time. Agility, the ability to change position in a flash of a second; balance, a skill under
physical fitness that refers to the maintenance of stability while in static or stationary coordinated
movements, the skill to see and hear at the same time while the body is moving or performing a task;
power, the combination of speed and strength to perform challenging activity as in punch of a boxer, and
reaction time, a response to the stimulus to move, from beginning of the movement up to the end.

Cognitive

It is about the intellectual capabilities of the persons; particularly physical education which
develops the students’ knowledge to solve problems; it provides understanding of the rules. As students,
they learn how to follow the basic standard in sports. Strategies to outdo opponents are also training to
solve problem in life. It is about physical movements so that students could practice to analyze the
underlying movements in a movement.

Affective

Generally, it is the aim of education to develop the emotional skills of the students. Specifically,
this aim is fulfilled in the physical education course. It involves games usually played in a team which
eventually develops the students’ sportsmanship. Since students play as a team, this develops the sense
of belonging, cognition of the strength of others; it develops respect and finally love. Physical education
develops leadership, cooperation, discipline, self-control and honesty.

Learning Task:

What is/are the contribution of Physical Education to a person’s Psychomotor, Affective, and Cognitive.

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Mario B. Adajar (Course Facilitator)


1.2 The Benefits of Physical education
We know that physical activity can benefit participants in many ways. These benefits are not however,
natural by-products of random participation. Physical education programs must be designed specifically to reach
selected objectives. Some of the beneficial outcomes which can be achieved though participation in the
appropriate kinds and amounts of physical activity are:
1. Reduced risk of heart disease:
Physical education can counteract major risk factors of coronary heart disease: obesity, inactivity and high
blood pressure.
2. Improved physical fitness:
A good program improves children's muscular strength, flexibility, muscular endurance, body composition
(fat-to-muscle ratio) and cardiovascular endurance.
3. Stronger bones:
Regular physical activity increases bone density to create a sturdy skeleton.
4. Weight regulation:
A good program can help children regulate their weight by burning calories, toning their bodies and
improving their overall body composition.
5. Health promotion:
Appropriate physical activity prevents the onset of some diseases and postpones the debilitating effects
of the aging process.
6. Improved judgment:
Quality physical education can influence moral development. Students have the opportunity to assume
leadership, cooperate with others and accept responsibility for their own behavior.
7. Self-discipline:
A good program teaches children to follow rules and established procedures and to be responsible for the
own health-related fitness.
8. Skill development:
Physical education develops skills which allow enjoyable and rewarding participation in physical activities.
New skills become easier to learn.
9. Experience setting goals:
Physical education gives children the time and encouragement they need to set and strive for personal,
achievable goals.
10. Improved self-confidence and self-esteem:
Physical education instills a strong sense of self-worth in children. They can become more confident,
assertive, emotionally stable, independent and self-controlled.
11. Stress reduction:
Physical activity is an outlet for releasing tension and anxiety.
12. Strengthened peer relationships:
Physical education can be a major force in helping children socialize with others more successfully. Being
able to participate in games and sports is an important part of fitting in, especially for those in late
childhood and early adolescence.
13. Reduced risk of depression:
Physical education is effective in the promotion of mental health.
14. More active lifestyles:
Physical education promotes a more positive attitude towards physical activity.

(Mendez Fundamental Intermediate School/ https://www.sausd.us/Page/14836)

Mario B. Adajar (Course Facilitator)


Other Benefits of Physical Education

1. Technologically driven games make the young people physically inactive. This situation makes physical
education every important in school. One could notice that indigenous games that require physical agility
and mental alertness are gone. Children now congregate in the internet cafes playing video games.

2. For people growth and development, exercises required in the physical education classes are necessary. It
is the basic purpose in including P.E as a required course even in the basic education namely; elementary
and secondary.

3. For good health and physical fitness, physical education is still very important. There is no doctor who
would not prescribe regular exercise to patient with advanced or developing physical problem.

4. Physical education helps person prevent from acquiring various sickness and diseases.

5. Physical education provides information about the person’s physical condition.

6. Physical education does not only train the students in sports. It teaches them internalize the value of sports
and its related benefits. Even outside school, in the students’ later life, they could do physical exercises by
themselves.

7. Aside from physical development, it teaches the students the value sportsmanship, behavior and
emotional related controls.

8. Physical education basically aims to develop physical fitness and to maintain it.

9. Physical education provides students’ avenue to develop aesthetic inclination like dancing. It teaches
students to be graceful in movements which after all, the basic requirement to illustrate beauty of dance.

10. Physical education is also a form of releasing anger, tension or frustration. In psychology there is a term
“defense mechanism.” An angry man punches any object rather than the person who is the source of his
anger. In such a case punching bag and other item in the gymnasium could be a good form of defense
mechanism.

11.

12. Learning Task:

In your own words, how beneficial does Physical Education to you? Are you aware of setting goals when it comes to
health and physical-related activities?

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Mario B. Adajar (Course Facilitator)
1.3 Historical Foundation of Physical Education and The History of Olympic
games
Historical Foundation of P.E

By the nature of their society primitive men had to move from one settlement to another. It was nomadic
society, and the members were gregarious. There were long rivers to fish and wide forest to hunt. It was a life
highly vested on the physical stamina of the persons. Primitive men engaged in killing another man to protect
themselves from enemies or rough environments.

One could surmise that the early men’s physical activities were not entirely of their own disposition. The
physical world they lived in demands them to be physical fit. It even looked like that their sole survival in the early
time depended mainly on physical strength.

But it was not like that way in the certain part of the orient, particularly china. There was a time when the
Chinese people were chiefly concerned on their intellectual well-being. They almost forgot the physical side of
man. There were dancing, singing and other forms of relaxation but these were only allowed to the rich families.

Sickness and diseases of all types came which affected much of their economy. The Chinese learned it
came from sedentary lives. A common presumption was that, the dead produced nothing; the weak produced
little and the healthy produced more. Learning more about these the Chinese came up of the idea of morning of
what they called then as medical gymnasium. There was con fu gymnastic which basic purpose was to keep the
body in good condition and to ward off diseases caused by immobility.

A similar situation happened in India. Too absorbed on intellectual excellence they neglected physical
fitness. To restore balance between mind and body, the Indian people came up with their “yoga” composed of
exercises in a posture that regulated breath.

In Greece, some known men proposed physical fitness as prevention for any form of diseases. Plato
suggested music and gymnastic to be included in the curriculum. He found these two courses very important in
developing both the body and mind of the students. Herodotus considered physical education as aid to medicine.
Galen said that physical education was part of the basic hygiene and a very important aspect of the military; it was
essential to victory.

In the middle age in Europe (5th to 15 century A.D.), the period known today as the dark ages; dark because
it was period of ignorance, as illustrated on the people’s submission to superstitions. Physical education in this
period was also dark. The people’s chief concern was perfection of life for the next world. The successful life
depended on the mental and intellectual development which caused the neglect of worldly pleasures including
physical fitness.

The fate of physical education in Europe was partly restored in the age of feudalism and renaissance. It
was these two periods when physical activities were taken as part of military nature. The body should be hardened
to finish whatever task. A good physical condition promoted learning. Health of the body was preparation for a
social and moral life. Still in Europe, the development of physical education and its acceptability to the people and
in academe were still explained in the publications of some books on physical education and other works.

In the Philippines, during the early times, physical fitness was also a mode of survival, for the defense of
their villages and for the survival against the rough environment. The Filipinos are basically farmers and fishermen,
the systems of living that demanded extreme physical fitness. On matter of sport development no one in the world
could deny the greatest contribution of the Filipinos to it. The world’s number boxer as of this writing is a Filipino,
and the third after this greatest boxer in the world is also a Filipino. Likewise, the number one billiard player in the
world is a Filipino.

Mario B. Adajar (Course Facilitator)


Historically, the formal inclusion of the physical education in the curriculum was made during the American
period. A series of orders and government mandates all related to physical education came about up to the present
time. Sports activities in the country were only interrupted by the Japanese occupation. After that short break, of
physical activities went on again because sports stream down in to the Filipino blood.

Today, physical education is an integral part of elementary, secondary and tertiary level of education. No
one can graduate without finishing the required number of units in physical education. Year after year, new kind
of games locally developed by Filipinos comes in and finds a place in the sport department of the schools of the
country.

Learning Task:
Identify:

1. They are referred to as the first settlers in nomadic society with highly vested on physical stamina, men
engaged in killing other men to protect themselves from enemies or rough environment.
_______________________.
2. _______________________ in the early times depends mainly on physical strength.
3. _______________________. They are the first one came up with the idea of forming of what they called
then as medical gymnasium.
4. What do you called the first gymnastic which the basic purpose was to keep the body in good condition
and to ward off diseases caused by immobility? ________________.
5. In what country does “Yoga” developed? ___________________.
6. What is the primary aim of Yoga exercise/s? ___________________________________________________.
7. Refers to the country where some men proposed physical fitness as prevention for any form of diseases.
______________________.
8. He is the person who said that physical education was part of the basic hygiene and very important in
support to medicine. ____________________
9. He suggested music and gymnastic to be part of the curriculum. ______________________
10. He considered physical education as an aid to medicine. _____________________________

What is the development of Physical Education in the Philippines?

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Mario B. Adajar (Course Facilitator)


History of the Olympic Games

Year Olympiad Event


st
776 BC 1 Olympiad Stadium race
724 BC 14th Olympiad Double-stadium race
720 BC 15th Olympiad Long-distance race
708 BC 18th Olympiad Pentathlon
708 BC 18th Olympiad Wrestling
688 BC 23rd Olympiad Boxing
680 BC 25th Olympiad 4-Horse chariot race
648 BC 33rd Olympiad Horse race
648 BC 33rd Olympiad Pankration
520 BC 65th Olympiad Race in armor
408 BC 93rd Olympiad 2-Horse chariot race

Host Cities of Olympic Games

Since their resumption in their modern form in 1896 in Athens, the Olympic Games took place in the following
cities

Year City
1896 Athens
1900 Paris
1904 Saint Louis
1908 London
1912 Stockholm
1916 Cancelled (was due in Berlin)
1920 Antwerp (Belgium)
1924 Paris
1928 Amsterdam
1932 Los Angeles
1936 Berlin
1940 Cancelled (was due in Tokyo)
1944 Cancelled (was due in Helsinki)
1948 London
1952 Helsinki
1956 Melbourne
1960 Rome
1964 Tokyo
1968 Mexico city
1972 Munich
1976 Montreal
1980 Moscow
1984 Los Angeles
1988 Seoul
1992 Barcelona
1996 Atlanta
2000 Sydney
2002 Salt Lake, USA
2004 Athens, Greece
2006 Turin, Italy
2008 Beijing, China
Mario B. Adajar (Course Facilitator)
2010 Vancouver, Canada
2012 London, Great Britain
(https://www.nostos.com/olympics/)

(https://en.wikipedia.org/wiki/Olympic_symbols)

Learning Task:
Research and paste below!

The Five Olympic Rings (Search the picture)

What is/are the contribution of Olympic game to the historical development of Physical Education?

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Mario B. Adajar (Course Facilitator)
Based on the information you had in the first module, what
do you think is the nature of Physical Education?

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Summary
Success is your desire. It all depends on your physical condition and your activities to maintain physical
conditioning. Physical Education or Physical fitness, whatever term it may apply, it all relates to the total well-being
of a person, and this total well-being is the most basic requirement to reach success, the objective of your desire.
It is success in your education, your career and of course your life as a whole.

This course exists in the elementary, secondary and tertiary levels. Most often in the tertiary it is taken as
part of the General Education program. Taken by first year college students. Regardless of the chosen discipline
all students in college are required to take it. its content may vary according to the program; the maritime students
for instance have their own physical education activities, yet the idea is that all students must take P.E to compete
their academic prerequisites. In similar manner, the criminology students have their own version of Physical
education activities, they call it defense tactic or shortly DEFTAC which by its content is a martial art, yet again the
idea is that all students must have activities under the physical education course.

Today, physical education is an integral part of elementary, secondary and tertiary level of education. No
one can graduate without finishing the required number of units in physical education. Year after year, new kind
of games locally developed by Filipinos comes in and finds a place in the sport department of the schools of the
country.

REFERENCES/WEBSITES/LINKS:

Essentials of Physical Education 1 and 2Mendez Fundamental Intermediate School/


https://www.sausd.us/Page/14836
https://www.nostos.com/olympics/
https://en.wikipedia.org/wiki/Olympic_symbols

Mario B. Adajar (Course Facilitator)


2
THE CONCEPT OF RHYTHMIC ACTIVITIES

Overview:
The module two contains the following sub-topics: What is Rhythm; Concept of movements; Objectives of
Rhythmic activities; and the Objectives of teaching Philippine Folk dance which you will learn along deep reading
and understanding its contents. Just like the module one, in this part you will still encounter learning task/learning
activities every end of each sub-topic either it is under cognitive or practically done since your subject is physical
education. Make sure that you will be serious enough dealing with its discussion; key terms and some of its basic
descriptions.

Learning Outcomes: upon the completion of this module, you will be able to:

✓ Discuss what is Rhythm and its underlying terminologies


✓ Value the significance of movements.
✓ Execute some of the basic in Rhythmic activities movements
✓ Explain the significance of the objectives of rhythmic activities.
✓ Execute the following: Fundamental dance position; Selected basic natural movements
✓ Explain the Objectives of Teaching Philippine Folk Dances

2.1 Concept of Rhythm


Every individual has rhythm. It is found in all of nature and is natural to every individual. Rhythm is most
clearly seen through dance- the art of movement.

What is Rhythm? ---- Is the regular recurrence of accented and unaccented beats.

Rhythms
Is a term which denotes an aspect of a quality of movement that is sometimes thought of as dance. When
an individual move in response to a particular rhythm or music we call the movements as rhythmic movements or
rhythms. Structured forms which start creative rhythmic movements are called rhythms.

Rhythmic activities
Are the physical manifestations of the mental and emotional response of the individual to rhythm. They
are activities which a child responds to physically, socially, and mentally to regular patterns of sound.

They are also a source of enjoyment for people of all ages. Through these activities, skills and the sense of
rhythm are acquired and developed, feelings are expressed, basic principles of time, space and force can be
experienced.

Everyone reacts to music or rhythm in one form or another. A head swaying, a foot tapping, fingers
snapping, shoulders and body moving while a musical piece is played are physical reactions.

Dance

Refers to movement set to music where there emerges organization, structure and pattern. It is a
composition that implies arrangement of parts into a form.

Mario B. Adajar (Course Facilitator)


Dancing

Is a means of expressing one’s emotions through movement disciplined by rhythm. It is an act of moving
rhythmically and expressively to an accompaniment. The word dancing came from an old German word “Danson”
which means to “stretch”. Essentially, all dancing is made up of stretching and relaxing.

Rhythmic fundamentals
In the field of dance, there are certain fundamental knowledge and rhythmic skills considered important
for proficiency and efficiency in bodily movements.

Elements of Rhythm:

1. Beat—the underlying pulse of a rhythm.


2. Tempo—rate of speed of a movement.
3. Intensity—variation of stress of movement.
4. Pitch—lowness or highness of a tone.
5. Accent—emphasis on certain beats.
6. Meter—the regular recurrence of beats which divides a musical design into measure.
7. Phrase—measures grouped together.
8. Bar—in music a vertical line across a staff dividing it into equal measures of time.
9. Count—a pulse beat, a time limit.
10. Note—a printed symbol of a musical tone.
11. Measure—a group of pulse beats.
12. Note pattern—refers to a note or set of notes with or without rest used for a certain dance step.
13. Step pattern—refers to the movement or movements done for each of the dance steps.
(Holy Name University-Physical Education College of Education)
(http://hnupe.weebly.com/pe-2.html)
Learning Task:
How does Rhythm significant in the Development of the so-called “Dance/Dancing?”

Mario B. Adajar (Course Facilitator)


2.2 Concept of Movement/s

Elements of Movements Space

1. Direction—is the line of movement taken which maybe forward, backward, sideward, diagonal, upward,
or a combination of those mentioned.
2. Level—is movement through space that maybe done at a high, low, or medium level.
3. Range—refers to the area covered as the body moves. It may be small as when the movement is done in
one’s place; or large when movement covers a wide area as when getting away from one’s place.
4. Floor Pattern—the path or design that is made while moving in space is what is termed as floor pattern. It
may take a form of a circle, square, straight line or zigzag.

Movement Qualities:
Movement expression is attained through the elements of time, force and space

Time qualities:

1. Movements which is fast


Examples: Galloping horse

Jet plane

2. Movement which is slow


Examples: Turtle

Flower growing

Force Qualities:

1. Soft light movement


Examples: Fairies

Birds and butterflies

2. Strong, heavy movement


Examples: Elephant

Bulldozer

3. Strong, jerky movement


Examples: Frog

A jumping jack

4. Smooth, sustained movement

Examples: Airplane

Fish swimming

Space Qualities:

1. Movement up and down


Examples: Bouncing ball

Yo-yo
Mario B. Adajar (Course Facilitator)
2. Movement across, back and forth or around
Examples: Rowing boat

A merry-go-round

3. Movement which is low

Examples: Ants

Turtles

4. Movement which is high


Examples: Kites

Clouds

PHASES OF THE DANCE PROGRAM

1. Creative Rhythms
Are sometimes called fundamental rhythms or natural dances. A creative rhythm is an end product
of exploration and improvisation of movements as children learn to move the parts of their body and
to use them as instruments of expression.

2. Folk/ Ethnic dance


Is a cultural art form handed down from generation to generations. It communicates the customs,
beliefs, rituals, and occupations of the people of a region or country. Folk dancing belongs to the
people. It emanates from them. Ethnic tribes have their specific tribal art forms originated and danced
by the people of the tribe.

Examples of folk dances are the rural and country dances, jotas, mazurkas, pandanggos, among
others with foreign influence.

Examples of ethnic dances are the dances of the mountain peoples of the Cordilleras, dances of
the ethnic groups in the Cagayan Valley Region and the ethnic dances in the Mindanao Regions.

3. Social and Ballroom Dance


The setting of the social and ballroom dance is a social gathering with the more formal atmosphere
than the simple and informal parties in which the recreational dances are the usual forms. Social and
ballroom dancing are generally held in the evenings. The participants are usually in formal attire.

4. Recreational Dance
Includes dance mixers, square dance round and couple dances. Many of these dances have simple
patterns and combinations of walking steps, polka step and the waltz step. The setting is usually
informal gatherings and parties, reunions etc.

5. Creative Dance
Is the highest form of dance. It is the end-product of exploration and improvisation of movements
as the dancer or the choreographer expresses his feelings or emotions, ideas, and interpretations. This
is a dance with a definite form, a beginning and an ending. The principles of art form are all observed
in the composition of the dance.

Examples of creative dance are ballet, jazz, and modern or contemporary dance.

Mario B. Adajar (Course Facilitator)


FORMATIONS commonly Used in RHYTHMIC ACTIVITIES:

1. Single circle, facing clockwise


2. Single circle partners facing
3. Single circle, facing counterclockwise
4. Single circle, facing center
5. Double circle, partners facing
6. Double circle, facing clockwise
7. Double circle, couples facing
8. Square or quadrille formation
9. Semi-circle or half moon
10. Double lines, facing front
11. Double lines, partners facing
12. Long open formation
(Holy Name University-Physical Education College of Education)
(http://hnupe.weebly.com/pe-2.html)

13. Learning Task:

Research and Paste me below!

Surf the internet and try to Search the pictures of the following, and paste it in the space provided:

Single Circle, facing Clockwise

Single Circle, facing center

Mario B. Adajar (Course Facilitator)


Double Circle, patterns facing

Zigzag Floor Pattern

Long Open formation

Mario B. Adajar (Course Facilitator)


2.3 Objectives of Rhythmic Activities

1. Develop skills necessary for recreational enjoyment.


2. Maintain good posture and physical efficiency.
3. Promote emotional freedom.
4. Develop a balanced and well-coordinated body.

Fundamental dance positions

There are five fundamental or basic positions in dance that are commonly termed as 1 st position, 2nd
position, 3rd position, 4th position, and 5th position of the feet and arms.

The Basic Arms Position

Preparatory (Arm Akimbo)


o At chest level bend elbow rounded while fingers are partly pointing downward.

1. First Position (Arms Raise to a Circle at Chest Level)


o This is also known as the first arm position
o Both arms raised in a circle in front of chest with the
finger tips about an inch apart.

2. Second Position (Open Arms Sideward)


o Elbow slightly pointing down to the ground; it is also
known as the second arm position.
o Both raised sideward with a graceful curve at shoulder
level.

Mario B. Adajar (Course Facilitator)


3. Third Position (Raise arm Sideward)
o While the other arm stays in the second position the
other is raised overhead. This is the third position.
o One arm raised in front as in 2nd position; another arm
raised upward.

4. Fourth Position
o In front of the chest raise one arm while the other
remains overhead. This is the fourth position of the arm.
o One arm raised in front as in 1st position; other arm
raised overhead.

5. Fifth Position
o Raise both arms overhead forming a graceful Curve.
o Both arms raised overhead.

The Basic Feet Position

1. First Position
o Toes of both feet are turned out while the heels of both
feet are placed together. This referred to as the first
position
o Heels close together, toes apart with an angle of about
45 degrees.

2. Second Position
o From the first position, the right foot is placed sideward
with heels apart from the line. This is referred to as the
second feet position.
o Feet apart sideward of about a pace distance.

Mario B. Adajar (Course Facilitator)


3. Third Position
o Pull the heel of the right foot to the instep of the left foot.
This is the third position
o Heel of one foot close to in-step of other foot.

4. Fourth Position
o From the third position, obliquely bring the right forward;
the right toe points outward. This is the fourth position of
the feet.
o One foot in front of other foot of a pace distance

5. Fifth Position
o Place the heel of the right foot to the toe of the left. This
is the fifth and last feet position.
o Heel of front foot close to big toe of rear foot.

Mastering the basic arms and feet position is just easy, you just need to familiarize the literature or the
instruction in every position.
The Basic Natural Movements:

1. Locomotor movements
Are those that move the body in space in any direction with the feet as the moving base.

Examples: walking, running, jumping, hopping, skipping, leaping, galloping and sliding

2. Non-locomotor
Are those in which various parts of the body move in space with a fixed base. The base may be
standing, kneeling, sitting or lying.

Non-locomotor movements:

1. Flexion--- Bending or shortening of a body part occurring at a joint.


2. Extension—Turning, twisting or circling
3. Pendular---- Swinging/ swaying arms forward, backward or sideward.
4. Percussive—Striking and hitting: pushing and pulling.
5. Vibratory----- Shaking and beating.
6. Sustained---- A slow, smooth flowing movement with a balance of movement throughout the
entire series.

Mario B. Adajar (Course Facilitator)


7. Suspended--- A sharp movement followed by a series of slow or prolonged movements until a
peak is reached.

Learning Task:

Execute and attached the Photo documentation in separate sheet of A4 Bond paper
1. Combine the basic Fundamental dance position (The basic arms and feet position). Make sure to
wear appropriate dress code during your application to the said basic fundamental positions
(P.E Shirt and pants/any comfortable physical education outfit)

In combining the arms and feet basic fundamental positions it simply means that if you are executing
arm’s first position, make sure that your feet is in first position. As simple as that.

Mario B. Adajar (Course Facilitator)


2.4 Objectives of Teaching Philippine Folk dances
1. To foster patriotism and nationalism through the study of our dance.
2. To arouse better appreciation of Philippine music and folk dances.
3. To provide through dancing, a healthful form of relaxation and recreation.
4. To develop a graceful and rhythmic coordination of body movements that will improve posture.
5. To preserve for posterity, folk dances and music indigenous to the different regions of the Philippines.
6. To demonstrate the growth of Filipino culture through the evolution of Philippine dances.

Values of dancing

1. Physical fitness
2. Cultural
3. Social
4. Recreational

FOLK DANCES

Are traditional dances of a country which were evolved naturally and spontaneously in connection with
everyday activities and experiences of the people who developed them.

Folk dancing is the heartbeat of the people.

Types of Folk dances:

1. National – traditional dances of a given country.


2. Regional – local.
3. Character – created by individual or group.

Characteristics of Philippine Folk dances:

1. In general, dancers stand apart.


2. There is little, if any, bodily contact.
3. Most of the dances are done by pairs or couples.
4. Hand movements play an important part.
5. Most dances are in long formation.
6. Most dances begin and end with “saludo.”
7. Dances from the lowlands have more foreign elements those found in the uplands.
8. War dances are found among non-Christian tribes.

Classification of Philippine Dances


I. General Classification
A. Geographical extent of origin
1. National dances-found throughout the islands with little or no
modification.
Examples: Rigodon, Carinosa, Jota, Balitaw, Pandanggo.
2. Local dances-found in a certain locality.
Examples: Tinikling-Leyte
Maglalatik-Binyang
Esperanza-Nabua
Mario B. Adajar (Course Facilitator)
Subli-Batangas
Biniganbigat-Abra

B. Nature
1. Occupational-depicting action of certain occupation, industry, or human
labor.
Examples: Planting, Harvesting, Pounding, Winnowing, Pabirik,
Mananguete, etc.
2. Religious or Ceremonial – performed in connection with religious
vows and ceremonies.
Examples: Dugsu, Sua – sua, Putong, Sta. Clarang Pinong-pino, etc.
3. Comic dances – depicting funny movements for entertainment.
Examples: Kimbo – kimbo Makonggo, Kinoton
4. Game dances – with play elements (dance mixers)
Examples: Lubi – lubi, Pavo
5. Wedding dances – performed during wedding feast.
Panasahan, etc.
6. Courtship dances – depicting love making.
Examples: Hele – hele, Bago Quiere
Maramion
Tadek
Daling – daling
7. Festival dances – suitable for special occasion or any social
gathering.
Examples: Pandanggo, Habanera, Jota, Surtido.
8. War dances: showing imaginary combat or duel.
Examples: Sagayan, Palu-palo, etc.
C. Movements
1. Active – with fast energetic movements.
Examples: Tinikling, Maglalatik
Sakuting, Polkabal, etc.
2. Moderate -
Examples: Cariñosa, Tagala
Habanera, Purpuri, etc.
3. Slow -
Examples: Pasakat, Amorosa
Tiliday, Kundiman, etc.
4. Slow and Fast –
Examples: Putritos, Ba-Ingles
Habanera Botoleña
Alcamfor, etc.
D. Formation
1. Square or Quadrille
Examples: Rigodon, Los Bailes de Ayer, etc.
2. Long formation (two or more parallel lines)
Examples: Lulay, Sakuting
3. Set – consisting of two or more pairs as a unit, partners facing each other or standing side by side.
Examples: Binadyong, Haplik, Kakawati, etc.

Mario B. Adajar (Course Facilitator)


II. Special Classification-Group dances having special distinctive features.
A. Dances with Songs
Examples: Aburaray, Manang Biday, Lulay, Rogelia, Lawiswis Kawayan, etc.

B. Old Ballroom Dances


Examples: Polka, Mazurka Chotis, Valse, etc.

C. Dances with Implements


Examples: Maglalatik

Sakuting

Jota Moncadena

Tinikling

Salakot,

D. Dances of Combined Rhythm


Examples: Surtido, Pantomina, Los Bailes de Ayer

Factors Affecting Folk Dances


1. Geographical location
2. Economic conditions
3. Climatic conditions
4. Customs and traditions.

Do’s in Folk Dancing


1. Dance in a natural, simple and direct manner.
2. Dance with ease and smoothness.
3. Use the proper costume for the dance.
4. Follow directions and dance instructions as closely as possible.
5. Dance with feeling and expression.

Don’ts in Folk Dancing


1. Do not exaggerate the dance steps.
2. Do not make the dances too dainty and graceful like ballet.
3. Don’t make entrance and exit long.
4. Don’t make steps too elaborate and complicated.
5. Don’t call a dance a folk dance unless steps come from traditional dances.

COMMON DANCE TERMS


1. Arms in lateral position – Both arms are at one side either right or left, at shoulder, chest or waist level.
2. Brush – Weight on one foot, hit the floor with the ball or heel of the other foot and lift that foot from
the floor to any direction.
3. Crossed Arms – Partners facing each other or standing side by side join their left hands together and
the right hands together; either right over left- or left-over right hands.
4. Cut – To displace quickly one foot with the other.
5. Do-si-do – Partners advance forward, pass each other’s right (left) side, step across to the right move
backwards without turning around, pass each other left side to proper places.
6. Hayon-hayon – To place one forearm in front and the other at the back of the waist.
7. Hop – A spring from one-foot landing on the same foot in place or in any direction.

Mario B. Adajar (Course Facilitator)


8. Jaleo – Partners turn around clockwise (with right elbows almost touching) or counterclockwise (with
left elbows almost touching) using walking or any kind of dance step.
9. Jump – A spring on one foot or both feet landing on both feet in any direction.
10. Kumintang – moving the hand from the wrist either in a clockwise or counterclockwise direction.
11. Leap – A spring from one-foot landing on the other foot in any direction.
12. Place – To put foot in a certain position without putting weight on it.
13. Pivot – To turn with the ball, heel or whole foot on a fixed place or point.
14. Point – Touch the floor lightly with the toes of one foot, weight of the body on the other foot.
15. Masiwak – To turn the hand from the wrist half-way clockwise then raise and lower wrist once or twice.
This is an Ibanag term.
16. Panadyak – To stamp in front or at the side with the right foot and tap with same foot close to the left
foot. This is a Tagalog term.

17. Patay – To bend the head downward and to support the forehead with the R forearm or with the crook
of the R elbow while the left hand supports lightly the palm of the right hand. This is usually done with the
left foot pointing in rear and knees slightly bent. This is an Ilocano term and the movement is commonly
found in Ilocano dances.

18. Salok – T o swing the arm downward-upward passing in front of the body as if scooping, the trunk is
bent following the movement of the arm doing the salok. This is a Tagalog term.

19. Saludo – Partners bow to each other, to the audience, opposite dancers, or to the neighbors with feet
together. This is of Spanish origin and is used in almost all Philippine dances.

20. Sarok – Cross the R foot in front of the L, bend the body slightly forward and cross the hands down in
front of the R hand over the L. This is a Visayan term.

21. Slide – To glide foot smoothly along the floor. The movement may be finished with or without transfer
of weight.

22. Stamp – To bring the foot forcibly and noisily on the floor with or without transfer of weight.

23. Tap – To rap slightly with the ball or toe of the free foot, flexing the ankle joint keeping weight of the
body on the other foot. There is no change or transfer of weight.

24. Whirl – To make fast turns by executing small steps in place to right or left.

Mario B. Adajar (Course Facilitator)


Learning Task: #1

Word Hunt! (Critical Thinking)

Instructions: Find from the untangled letters that would refer of terms related to Folk dance or Philippine Folk
dance. The words could be in any direction, as long as the letters are all inter-connected. Encircle and write the
words and try to define each word identified

F Z D I O L S A L O K Q B P V T UBRUSH S T E P A X S
O Q N TM I A B H L A
L T BXA CKC I I L
K S NH OG U J Y D U
D Q AJ DK T T K E D
A VMU X E I D A O
N PX R YZN E C T
C E K J G VG F T O
EB LH DX C OS P
JA L E OK O TG S
G E OG R A P H I C L O C A T I O N N K V T A VQ X C B M

#2:
Research on the different description of Philippine Folk dance

Write it below

Mario B. Adajar (Course Facilitator)


Briefly explain what does objectives of Philippine folk dance
all about.

___________________________________________________________
_________________________________________________________________
_________________________________________________________________
_________________________________________________________________
_________________________________________________________________
_________________________________________________________________
_________________________________________________________________
_________________________________________________________________
__________________.

Express your feeling!

You can see there are variety of facial reaction/emoji below,


now put check on the facial reaction which describes you
during your experience answering the module 2

Mario B. Adajar (Course Facilitator)


Summary
Rhythmic activities
Are the physical manifestations of the mental and emotional response of the individual to rhythm. They
are activities which a child responds to physically, socially, and mentally to regular patterns of sound.

They are also a source of enjoyment for people of all ages. Through these activities, skills and the sense of
rhythm are acquired and developed, feelings are expressed, basic principles of time, space and force can be
experienced.

Dancing

Is a means of expressing one’s emotions through movement disciplined by rhythm. It is an act of moving
rhythmically and expressively to an accompaniment. The word dancing came from an old German word “Danson”
which means to “stretch”. Essentially, all dancing is made up of stretching and relaxing.

PHASES OF THE DANCE PROGRAM

1. Creative Rhythms
2. Folk/ Ethnic dance
3. Social and Ballroom Dance
4. Recreational Dance
5. Creative Dance

Fundamental dance positions

Mastering the basic arms and feet position is just easy, you just need to familiarize the literature or the
instruction in every position.
In combining the arms and feet basic fundamental positions it simply means that if you are
executing arm’s first position, make sure that your feet are in first position. As simple as that.
Do’s in Folk Dancing
Dance in a natural, simple and direct manner.
Dance with ease and smoothness.
Use the proper costume for the dance.
Follow directions and dance instructions as closely as possible.
Dance with feeling and expression.

Don’ts in Folk Dancing


Do not exaggerate the dance steps.
Do not make the dances too dainty and graceful like ballet.
Don’t make entrance and exit long.
Don’t make steps too elaborate and complicated.
Don’t call a dance a folk dance unless steps come from traditional dances.

Mario B. Adajar (Course Facilitator)


REFERENCES/WEBSITES/LINKS:

Essentials of Physical Education 1 and 2 Mendez Fundamental Intermediate School/


De Dios, Concordia et al. Physical Education 2 Rhythmic and Dance Modules, Far Eastern University 2006
Holy Name University-Physical Education College of Education
http://hnupe.weebly.com/pe-2.html

Mario B. Adajar (Course Facilitator)


3
CONCEPTS OF DANCE

Overview:
In this module 3 you will encounter the following lessons that has got to do with the so-called concepts
of dance or folk dance and these are: Types of dance and the nature of Philippine folk dance; Special features of
Philippine folk dance and some basic dance terms; and lastly the Basic arms and feet position. The module has the
same feature with the given module 1 and 2 which you had already took up, it also has learning task every end of
sub-topic or lesson that of course will require you supply or answer what is/are being asked whether written or
you will do it practically with application provided with documentation but in order to do so of course you need to
have some readings on the module content and if needed, you are also required to go further research or reading
in order to gain the needed ideas. Always remember that the pre-requisite of module 3 are the modules 1 and 2
which means you are required to accomplish first the modules 1 and 2 before having this one the module 3.

Learning Outcomes: upon the completion of this module, you will be able to:

✓ Discuss the Types of Dance and the nature of Philippine Folk Dance
✓ Value the Nature of Philippine Folk Dance
✓ Explain the Special Features of Philippine Folk dance
✓ Discuss some common dance/folk dance terminologies.
✓ Execute the basic Fundamental Dance Positions.

3.1 Types of Dance and the Nature of Philippine Folk Dance

Concept
There was a hospital that prescribed dancing to its patients. The patients responded and there was dancing
in the hospital. It was found effective; the patients sweated out and there was a feeling of fulfillment. Dance has
a therapeutic effect to the dancers. It is only hard to explain why it gives such effect to the performers when the
pure acts of stamping, jerking, jumping and tumbling are tedious and tiresome. Yet, if the same acts are performed
as accompaniment to music, they do not simply heal some pain; they give satisfaction and success.

The therapeutic effect of dancing may reside on the movements like turning, jerking, stepping in and out
and so on. Its delightful quality is brought about by the music accompanying the movements or movements
accompanying the music or its aspect maybe brought about through the simple fact that dancers are dancing. The
iteral meaning, “sayaw”, one will discover its roots saya – happy. Saya or happy plus the word “damson” means
stretching results to dance.

Happiness in doing it and its healthy effect to the performers made dancing surpass the ages. Before men
learned to write, before they learned to manufacture any rudiment of their hunting tool, they worshipped their
gods and, in the worships, dance was the center. Technology changed very rapidly, but man’s passion to dance did
not change. It went well with time. It came into existence at the time man inhabited the planet although this claim
was almost discarded as studies hypothesized that other forms of higher animals were seen to be dancing.

Mario B. Adajar (Course Facilitator)


Men dance as a form of religious ceremony. They also dance to express a feeling usually happiness. They
dance as an instinctive response to music played nearby. A girl could not hold herself from dancing on hearing any
danceable tune. An old man peering down at his coffee cup could not hold himself from tapping his fingers on the
table or his feet on the floor. Dancing is anywhere and anytime. As long as there is life, there is dancing.

Types

1. Folk Dance. It usually deals with traditional representation belonging to the past. Its cultural
characteristics are specific to the people of a given time and place. The people and the place may not be
exact but its origin could be assumed. For instance, if dance says something about rice planting, then its
origin could be deduced to be a rice planting place. Folk dance also has national items particularly the
costume. It is universal.

2. Ethnic Dance. It is a kind of folk dance where the theme reflects on a very specific people or ethnic. It is
specific so that viewers could immediately perceive the particular ethnic or tribe it implies. For instance, in
watching the Singkil dance, audience could immediately classify it as originally developed in Mindanao
because of the observable traditional practices or some item of sovereign authority are portrayed.

3. Creative Dance. Art experts consider this type of dance the highest; it is the sum up of every human
undertaking to produce a well-defined dance. basic movements and physical actions could be considered
dance, more particularly, if accompanied by music. But it is not as simple as dance and music. In a creative
dance, there is a well-defined opening and well-defined ending. The actions are expressions of the dancers’
grace and refinement. Movements are counted and measured so as to meet the expected results. In the
creative dance, for example, that picture out troubles of the Philippines as caused by factions between
rebels and military, Christian and non-Christian, the dance starts with Inang Bayan collecting flowers in an
atmosphere of extreme peace and richness of the country. Then a roaring helicopter is heard that startles
Inang Bayan; then there come the soldiers, and rebels firing at her. Next there came the Muslim and
Christian priests pulling Inang Bayan to take her. She sis tired, distorted, abused and dreadful. Slowly she
gropes herself and begins to stand up languid and feeble yet she succeeds. At first, she fails then she stands
again. Those men, the soldiers, rebels and priests come to unite guiding Inang Bayan to start again. The
dance ends Inang Bayan retrieving her beauty and peace.

4. Gymnastic Dance. It demands vigorous movements including some stunts so that it is more popular
among boys. It looks both a dance and form of exercise. Its effect to the performers is so great and
satisfactory.

5. Social Dance. It is basically intended for socialization and recreation purposes. There are fundamental
steps to be followed. Its beauty is well-demonstrated by the gracefulness of the performers. Example are
Waltz, Cha-cha, paso-doble and others.

6. Modern Dance. Isadora Duncan started some dance movements that deviated from the old ballet. Her
style was well-emphasized on the movements that began from the center of the body.

7. Recreational Dance. An informal type usually performed in a party when dance is performed for the
sake of dancing. It is mixed of various patterns and combinations.

8. Singing Dance. It is performed in accordance with the rhythm of the music. Its steps are simple yet it
requires skills and enough training to develop the meaning of the rhythm into dance.

Mario B. Adajar (Course Facilitator)


Learning Task # 1
How would you explain “Saya” as ‘Sayaw” in connection to the history of dance?

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# 2 Explore
Research or draw the following Dances’ most basic costume (GENERAL)

Surf the internet for the picture but if internet connection is not available, try to draw and paste it below
Gymnastic Dance
Folk Dance

Mario B. Adajar (Course Facilitator)


Nature of Philippine Folk Dance

Disco in a party, dance contest usually interpretative and other type of popular dance which is either a
form of exercise because of some stunts yet cannot be classified as gymnastic dance now zest of the
contemporary dance performance. Along with this modern feature of dance, there is what is called nobility songs
where the existence is very short.

Generally belonging to this type of dance performance could only see Philippine folk dance during national
celebration of culture particularly the “Lingo ng Wika.” Here young Filipinos see the distant difference between
the dance they usually do and the dance that embodies their national identities.

Identity is the core feature of the Philippine folk dances. Performed in regular rhythmic movements, they
portray certain item of the people’s lives, animals and resources, the everyday sight of the country. Philippine folk
dances are tapestry of Filipino sentiments, creativeness and feelings. A scholar who wants to go deeper into the
culture of the Filipinos could study the folk dances. The body movements in dances tell the nation’s ideals,
thoughts, feelings and mores. These dances adhere to the famous Reader’s Digest line which says “if you want to
understand the culture of the people, then listen to their folk songs and look at their dances and don’t pay
attention to their politicians.”

To make this more concrete and particular, listed below are facts why folk dances are included in the
Physical Education Curriculum in the tertiary education in the Philippines.

• Dances belonging to the people embody culture; they are studied so that today’s generation or the future
could see their identity and eventually develop nationalism.

• Children would appreciate the folk dances more if these are available to them.

• For posterity, as a form of assessment concerning the growth of Filipino culture; it tells which one is
discarded or preserved, which one could be considered naturally developed or adopted from other people.

Learning Task #1
What makes dance an Art?

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Mario B. Adajar (Course Facilitator)
What is the nature of Philippine Folk dances?

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#2 LOOKING BACK TO YOUR LESSON

Picture Identification
Instructions. Identify the Types of Dance each picture represents. Write your answer on the space provided
adjacent to the picture.

1. ________________________ 2. _________________________ 3. _________________________

4. ________________________ 5. ________________________ 6. _________________________

7. ___________________________

Mario B. Adajar (Course Facilitator)


3.2 Special Features of Philippine Folk dance and some basic Dance terms

Special Feature

✓ Generally Philippine folk dances are performed in pairs, although they are also performed in a troupe.
✓ Most of the times movements are supported by the hands.
✓ Like most national dances of other countries, the Philippines folk dance/s start and end with bow.
✓ Some folk dances of the Philippines embody foreign influences of the Filipino people notably those
produced in the urban or lowland areas.
✓ There are dances that picture out tribal war. These types are mostly produced in the non-Christian areas
of the Philippines.

(For the Basic Dance terms, please refer on your Module 2 lesson/sub-topic 2.4)

Learning Task #1:


Why do you think elements of war are most likely found in the non-Christian dances?

Mario B. Adajar (Course Facilitator)


#2: CROSSWORD PUZZLE
Instructions. Using the Crossword Puzzle, identify the dance terms being described.

4
1
2
1
51

11

3
1

ACROSS: DOWN:
1. A spring from one-foot landing 2. To bring the foot forcibly and
on the other foot in any noisily on the floor with or
direction. without transfer of weight.
3. To turn with the ball, heel or 4. Moving the hand from the wrist
whole foot on a fixed place or either in a clockwise or
point. counterclockwise direction.
5. An act of sweeping the foot
against the floor

Mario B. Adajar (Course Facilitator)


3.3 Basic Arms and Feet positions

The basic information intended for this lesson or subtopic is already given in your module 2 subtopic 2.3.

This will now serve as a review and in order to fully master and memorize the basics when it come to the
movements in rhythmic activities, you are advice to go back in your module 2 lesson 2.3.

Learning Task

LOOKING BACK TO YOUR LESSON

Arrange Accordingly
Instructions. Arrange the following arms and feet position accordingly, use only numbers in determining the
sequence. Write your answer on the space provided adjacent to the picture.

ARMS

1. _____ 2. _____ 3. ______ 4. _____

5. ______

FEET

1. ______ 2. ______ 3. ______ 4. ______

Mario B. Adajar (Course Facilitator)


Why do you think dance persisted through time/s?

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Good job! You are done with the module 3.

How was it? Did you gain something from the module?

What was you ultimate gained idea reading and answering the
module?

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Mario B. Adajar (Course Facilitator)


Summary
In this modern generation, dancing is not simply performed for its qualifying effect to the performers.
Large presentations in prestigious venues are conducted and attended by dignitaries. Ballet topped in this
classification. It survived through the ages, and it is preserved through the millennium. It survived through time
not simply of its effect to the ballet dancers. It gives impact to the audience. When the dancer moves following
the graceful walking of an animal like deer, when he dramatizes the pain of Juliet before the dying Romeo, the
audience is drawn in and shared in the feeling expressed by the dancer. Dance gives contact both to the dancers
and onlookers.

To be more particular in this short explanation on the meaning of dance, it is an art with these features:
first, it is a physical expression of feeling usually accompanied with music. Second, it is a movement in unison with
the rhythm. Third, it is unison of mind and body with a subtle expression of the subtle. Finally, it is a natural human
way of expression.

REFERENCES/WEBSITES/LINKS:

Essentials of Physical Education 1 and 2 Mendez Fundamental Intermediate School/


De Dios, Concordia et al. Physical Education 2 Rhythmic and Dance Modules, Far Eastern University 2006
Mike, Kurt and Brett Brungardt. “The complete book of shoulders and Arms”, New York; Harper Perennial 1997
www.Sites.google.com.ph (characteristics of Philippine folk dances)

SUGGESTED READING/S:

www.britannica.com.ph

Folkdance by: Joann W. Kaliinohomoku

Mario B. Adajar (Course Facilitator)


4
SELECTED DANCES AND THEIR MOVES FOR PERFORMANCE

Overview:
The module 4 shall introduce you with the following sub-topics and or lessons and these are: Basic
information of some Philippine dances (folk dances) from regions; Selected Ballroom dances; and History of
dances in the three well known countries. Just like the three previous modules which you had encountered, this
module will also require you to answer and or supply each of the subtopic learning task whether it will be on
written task and or performance task supported with pictures and videos for documentation. It is a must to follow
every instruction given so that you and the module will go hand in hand in a smooth relationship.

Learning Outcomes: upon the completion of this module, you will be able to:

✓ Discuss the basic information of the given selected folk dances particular in some selected regions.
✓ Value the importance of folk dance in the development of the Philippine dances’ history.
✓ Discuss the basics in studying Waltz and Cha-cha
✓ Appreciate the beauty of Waltz and Cha-cha
✓ Execute some basic steps of Waltz and Cha-cha
✓ Explain the History of dance particular in the three selected countries
- Thailand
- China
- Korea
✓ Appreciate the history of dance/s with the tree selected countries.

4.1 Basic information of some Philippine Folk dances from regions

CARIῆOSA
It is a Spanish word which English equivalent could be lovable,
affectionate, amorous or other word that refers to a description of a loving
person. It is one of the known dances of the Philippines. It has a number of
variations but, the flirting acts are universal. The hide and seek is an
Picture of carinos important flirting move of this dance.

They say this is a courtship dance, but watching at its performance one could
not simply see courtship. One could see an item of flirtation. Carinosa which
is usually performed in some social gatherings originated in Albay specifically
in Rapu-rapu

Apparel

Boys: Barong Tagalog and any color pants, handkershief hanging on the packet.

Girls: Balintawak dress or patadyong and camisa, a fan hanging at the right side of the waits.

Mario B. Adajar (Course Facilitator)


Music: It has two parts A and B

Counting: One, two, three to a measure

Arrangement: At about six feet apart partners stand opposite each other. Girls stand at the right side of the boys
while facing the audience. Any number of pairs could participate in this dance.

For viewing: https://www.youtube.com/watch?v=Sy18EXrue0

TAGALA
The word refers to the people of the tagalog regions. The same refers
to the dance developed by these people’

Apparel
Picture of tagala Boys: Barong Tagalog and white pants

Girls: Balintawak dress

Music: Grouped into three parts: A, B and C

Counting: In measure one, two and three.

Arrangement: At a distance of six feet partners stand opposite each other. When facing the audience, the girl
stands at the right side of the boy.

PARUPARONG -BUKID
In English it is Mountain butterfly; the dance is notable like the song
of the same title. As a song, it describes a rural lady a metaphor of
paruparo.
Picture of paruparong-bukid Apparel: An overwhelming decorated Balintawak dress, tapis, a long skirt,
a waistband and a comb put on the hair.

Music: It has two parts A and B

Counting: To a measure: one, two and three.

Arrangement: Facing the audience the dancers stand about four feet between each other forming a circle.

For viewing: https://www.youtube.com/watch?v=SeEhIS0zQNW

SAKUTING
This is another dance from the Ilocano areas believed to be
originated from the non-Christian Filipinos. There are indications of the
particular place of the Ilocano area where the dance is performed. The
short description below is found in Abra.
Picture of sakuting
Apparel

Boys: Barong tagalog and black pants, each has a one and a half
feet long taper to produce sound which
end appears like candle.

Mario B. Adajar (Course Facilitator)


Girls: Balintawak dress

Music: It is divided into nine parts A,B,C,D,E,F,G,H and I

Counting: In a measure of 2/4 count – one, two or one and two.

Arrangement: Dancers are arranged according to their hight. The smallest are placed in front. Partners satnd
opposite each other. Four couples would do but additional number is still allowed.

For viewing: https://www.youtube.com/watch?v=cIL5XuLXIu0

Learning Task

Give the effect of “Colonization” to the dance stocks and style of the Philippines.

Mario B. Adajar (Course Facilitator)


4.2 Ballroom Dances (Selected)

WALTZ
This dance started in Germany; it comes from the word “walzen”,
means to revolve. Its beauty comes from the grace of dancers making the
turning evolving; there is a swift gliding turn. In Austria it is termed drecher,
Picture of waltz lauder and detsher. Involvement of the close embrace is another important
feature of this dance. the Viennese waltz became more popular in 1819, by
Carl Maria Von Webers, he loved classical music.

Formation

Facing each other, the partners stand with shoulders parallel and toes pointed forward. This is a close
position known as “waltz position.” Man’s left hand clasped with the lady’s right. The right hand is around the
lady’s waist, while her right is rested shoulder.

Basic Waltz Steps

Steps Man Lady Counts


1 Left foot steps forward Right foot steps backward 1
2 Right foot close to the left Left foot closes to the right 2
3 Left foot steps in place Right foot steps in place 3

Square Waltz (Box step)

Steps Man Lady Counts


1 Left foot steps forward Right foot steps backward 1
2 Right foot steps sideward right Left foot steps sideward left 2
3 With weight on left, left foot closes With weight on the right, right foot closes 3
to the right to left
4 Right foot steps backward Left foot steps forward 1
5 Left foot steps sideward Right foot steps sideward right 2
6 With weight on the right, right foot With weight on the left, left foot closes to 3
closes the left the right

Half Square Waltz (Progressive Forward Waltz)

Steps Man Lady Counts


1 Left foot steps forward Right foot steps backward 1
2 Right foot steps sideward, 2nd Left foot steps sideward, 2nd position 2
position
3 Right foot closes to the left, weight Left foot closes to the right, weight on 3
on the left the right
4 Right foot steps forward Left foot steps forward 1

Mario B. Adajar (Course Facilitator)


5 Left foot steps sideward, 2nd Right foot steps sideward, 2nd position 2
position
6 Right foot closes to the left, weight Left foot closes to the right, weight on 3
on the right the left

Progressive Backward Waltz

Steps Man Lady Counts


1 Left foot steps backward Right foot steps forward 1
2 Right foot steps sideward, 2nd Left foot steps sideward, 2nd position 2
position
3 Left foot moves right, weight on Right foot moves to the left, weight on 3
the left the right
4 Right foot steps backward Left foot steps forward 1
5 Left foot steps sideward, 2nd Right foot steps sideward, 2nd position 2
position
6 Right foot close to the left, weight Left foot close to the right, weight on left 3
on right

Box Waltz Turn

Steps Man Lady Counts


1 Half square left diagonally forward Half square right diagonally backward; 1
left; quarter turn left quarter turn left
2 Half square right diagonally Half square left diagonally forward; 2
backward; quarter turn left quarter turn left
3 Half square left diagonally forward; Half square right diagonally backward; 3
quarter turn left quarter turn left
4 Half square right diagonally Half square left diagonally forward; 1 and 2, 3
backward; quarter turn left quarter turn left

CHA-CHA
Another Latin America’s contribution dance, cha-cha originally came
from Cuba is considered the descent of Mambo. It is easy to perform
because the music has a definite beat. Although it is easy to learn, it is still
an art which requires the dancers to master it before they achieve the best
Picture of cha-cha and most attractive performance.

Cha-cha has two ways to count rhythm such as; one, two, three and
four or, one, two one and two. It has these positions: closed, open
promenade and arch turn. The close position in cha-cha is not different
from the other dances. While facing approximately close to each other,
partners hold each other’s hand. Man holds the right hand of the lady while the lady’s left hand particularly her
palm is placed on the man’s shoulder. The promenade is also known as “V” shape position. This big “V” position
is achieved with the right hip of the man and the lady’s left hip in contact at the point of “V.” The left side of the
man and the lady’s right side. The arch – Turn position is done with the lady turning right the man to the left
individually of together. The arch is formed by joining left hand of the man, and right of the lady.

Mario B. Adajar (Course Facilitator)


Basic Cha-cha

Steps Man Lady Counts


1 Left foot steps forward Right foot steps backward 1
2 Right foot steps in place Left foot steps in place 2
3 Three steps moving forward, left, Three steps moving backward, right, left, 1 and 2
right, left right
4 Right foot steps backward Left foot steps forward 1
5 Left foot steps in place Right foot steps in place 2
6 Three steps moving forward Three steps moving backward, left, right, 1 and 2
left

Chasse

Steps Man Lady Counts


1 Left foot steps forward Right foot steps backward 1
2 Right foot steps in place Left foot steps in place 2
3 Chasse to the left Chasse to the right 1 and 2
4 Do all starting with right foot Do all starting with left foot forward
backward

Cross Rock

Steps Man Lady Counts


1 Cross left foot to the right arm is Cross right foot to left arm in a swing out 1 and 2
swing out position from closed position from closed position
position
2 Cha-cha dance to he left Cha-cha dance to the right 1 and 2
3 In swing out position cross right In swing out position cross left in front of 1, 2
foot in front of left right
4 Dance cha-cha to the right Dance cha-cha to the left 1 and 2
5 Do again all Do again all

For better understanding of the given dances above, you are advised to watched each of the dance basic steps
on YouTube together with the following dances:

Samba
Swing
Jazz
Tango

Mario B. Adajar (Course Facilitator)


Learning Task
Let’s Think and Act!

REFLECTIVE LEARNING SHEET

Directions. What’s your thoughts and perceptions after you have watched to the basic steps’ videos on the given
dances. Which dance did you enjoy the most? Write it on the given boxes below.

Thoughts and Perceptions

Favorit edance

Mario B. Adajar (Course Facilitator)


4.3 History of Dance (Selected)

It is indeed a very sad party if it goes on without a dance. At the same time, it would be an ostracized man
if he lives unable to make a very simple dance step. Anywhere in the world as long as the place is inhabited with
human, there are always dances. In fact, without human among the animals’ dance is a form of communication. A
rooster dances to attract the hen; a peacock dances to say his liking to the peahen.

Dance is among the early things’ humanity learned. It is well explained in the early development of child.
A child dances even to the sound of clapping hands. As early argued anthropological investigations could never be
complete without looking at the dances of the subject. It is theorized that dances were present during the early
hominid.

Modern period dance is performed as a medical technique of healing. In the past it was used by the shaman
of India and of the Pacific islanders to drive away evils that caused the sickness of the person hence it was a
technique of healing.

More on the modern times dance now is considered as one of the branches of art. In the course physical
education, dance is taken because of its rhythmic characteristics and not exactly its artistic value. Courses of the
humanities consider dance in the curriculum because of the beauty it exemplifies when performed. Art
appreciation could never be complete without dance. Students in the course have to perform two tasks, to watch
a great performance and themselves to perform a dance number. It looks like knowledge of the students in art is
half baked if they could not watch classical dance, the ballet. Exponents in the development of dance anchored
the art of dance to the words like; baroque and to the popular ones like salsa, disco, hip-hop, break dance, twist,
waltz, tango and many other.

Learning Task #1:


Why do you think a party is cheerless if there is no Dance in it?

Mario B. Adajar (Course Facilitator)


Thailand
The Thai dance is related to their dramatic art form, the Ram Thai or Rabam. It can be categorized into two,
namely; high art, the classical and low art, the folk dance. Khon, Lakhon ai lawa Thai are Thailand’s classical dance
drama. Ram is folk dance from the regions. Particularly Tram Murdy, a ritual dance is example of Thailand regional
dance that gained national reputation. Wai an annual dance ceremony performed in honor of Thailand’s artistic
ancestors. It is performed by the classical dance group.

China

This is one of the oldest countries in the world. Being old it has a traditional that dates back to time when
shores of her neighboring countries has not been stepped by a human foot. It is an old country with an old
tradition. Dance is one of the old traditions. The Chinese people had practiced opera long before other people of
the world see an act performed on stage.

Chinese dances are classified into four. This include agricultural ceremonial, dramatic and martial. In
ancient china, dancing is a form of duty conducted in the courts of the royal families. Being a duty, it belonged to
the slaves.

One source of scholarly work about the history of Chinese dance is the remaining ceramic artifacts. Several
studies had been using these artifacts and one common finding is that people of the Neolithic Yangshao had a
dance culture. Researchers saw fighters in the artifacts. The figurines present a choreographed group in the dance.
There are figures of locked arms and stamped feet. There is a singer accompanying the dancers and instrument
accompanying the singers.

It was said and recorded that during the Shang and Chou periods, dances in china were divided into two.
One division belonged to the civilian group while the other belonged to the military. The civilian group of dancers
is identified by the feather banners in the dancers’ head. These banners as the tradition says are symbols of the
day’s hunting and fishing. They the banners signify distribution of the catch of the day.

There is another group, a large one. The dances are carrying weapons. They are in the posture to move
forward and backward. These movements in the latter part of china’s history were carried on by the military, but
this time it is no longer a simple dance form. The movements are choreographed as a form of exercise. These are
dances which are also used as expression to their veneration of the spirits, a thanks giving for the goodness the
people received.

Unlike other country particularly japan, chin did not close her door to the foreigners. Other people from
various countries came to china. There was an endless intercultural borrowing. The Chinese merged with the non-
Chinese culture. Dance in china developed weather it is pure Chinese or not. In the Tang Dynasty a culture took its
height until the Pear Garden Academy was founded. It emerged during the dynasty along with the imperial
Academy and the T’ ai-ch’ang Temple that attracted high caliber dancers from entire china go there to perform
dancing.

In china, there are also folk dances that developed in the various regions. The Miao or Hmong was
developed in southern china. It is a kind of antiphonal singing and dancing. As influenced by their environment
particularly Taiwan which also has its own thanks giving dance, the hand holding dance performance.

The present periods of china’s dance history still see growing dance styles. Young generation of Chinese
dancers allowed themselves to experiment their own style yet they always look back at the traditional Chinese
dances they believed their root origin. It is a modern time with modern type of dancing. Under the Martha Graham
School, the Cloud Gate Dance Troupe experiments Chinese dance that absorbed the traditional style. This dance
troupe had performed in many parts of the world. It is china’s dance representative to the international setting.
Mario B. Adajar (Course Facilitator)
Korea
Art could hardly develop in a country permanently ravaged by war. Up to this writing the political line
between the north and the south is still so strong. This political division some experts say was caused by the cold
war. There was a culture sired by the educated class yet, war suspended its perfection. There was a Japanese
colonization in Korea, student demonstration and coup de Itat. It was only in the late 80’s when freedom of
expression saw a glimmer of hope after the long captivity by authoritarian rule. There was a pro-democracy
movement that finally put a period to the military ruling.

A summary of the modern dance of Korea could be divided into three phases namely: period of confusion.
This was the time when cultural activities were put into inaction due to the Korean war. Second is period of
Exploration; this was the time when performing artists, particularly the dances attempted to put dance companies.
Third is the period of Stylization, the period when professional Korean dancers began to carve identities through
theater.

Learning Task #2:

Briefly narrate the dance development of China

Mario B. Adajar (Course Facilitator)


Learning Task #3:

LOOKING BACK TO YOUR LESSON

Video Clip
Instructions. For your final task in your module 4. Look for the tutorial video clip on YouTube on the basic steps of
“Sakuting dance”.

After watching the video clip, it is now your turn to follow the basic steps you have watched. Document the said
activity by having a video clip of yourself doing the task, make sure to wear appropriate dress code for Physical
education (Use white T-shirt and any stretchable pants)

Down load the clip on basic steps of “Sakuting dance” and have it in a CD Born together with your own video clip
doing the task.

The Disk which contains those video clips mentioned must attached in your module for you and your teacher’s
reference.

The Scoring Rubric below will serve as your Reference in doing the task

Learners wear clothes that are comfortable and easy to move around in and a pair of rubber shoes

RUBRIC FOR EVALUATION

Description Points
Participation- Did the student give 100% effort in 10
creating the dance video clip
Accuracy- How well did the students perform in the 10
basic steps of the dance
Dramatic Value- Does the student adopt his/her role as 10
a dancer/performer in the video clip
TOTAL 30

Mario B. Adajar (Course Facilitator)


Why do you think are the factors that provided the
Philippines with so many types of dances?
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How was it? how’s module 4?


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Mario B. Adajar (Course Facilitator)


Summary
Dance is for healing, entertainment and recreation. It is wise to mention that dance is also a means to
improve self-defense. In martial art there is what they call kata. Its execution is exactly a dance. Martial artist
notably the actor Jean Van Calude Damme combined his knowledge in ballet dance to his execution of kata. Almost
90 percent of the criteria in making judgement of a dance presentation are applied to kata presentation.

Whatever purpose the performance of dance may have, the world had seen several reasons why men
dance. One of which is for recreation. Dance is a of relaxation, a rewinding from the day’s hard work. Second, men
dance for health purposes. In olden times it was used to drive away evils. In the modern times, it may not be
performed to drive away evils, but it is proven to have therapeutic effect to the performers. Third, human dance
to express sexual desire, or dance is used to provoke sex. The dance movie Lambada epitomizes this claim.

REFERENCES/WEBSITES/LINKS:

Essentials of Physical Education 1 and 2 Mendez Fundamental Intermediate School/


De Dios, Concordia et al. Physical Education 2 Rhythmic and Dance Modules, Far Eastern University 2006
Tulio, Dores D. Physical Education 1 For College National Bookstore Mandaluyong City 2008

SUGGESTED LINKS FOR VIDEO CLIPS:

https://www.youtube.com/watch?v=Sy18EXrue0

https://www.youtube.com/watch?v=SeEhIS0zQNW

https://www.youtube.com/watch?v=cIL5XuLXIu0

Mario B. Adajar (Course Facilitator)


POST-TEST
Encircle the letter of the best answer. Any forms of alteration will be considered incorrect.
Multiple choice Test.
1. Are the physical manifestations of the mental and emotional response of the individual to rhythm. They
are activities which a child responds to physically, socially, and mentally to regular patterns of sound.
a. Physical activities b. Motor skills activity c. Rhythmic activities d. Dance activities
2. Refers to the regular recurrence of accented and unaccented beats.
a. Tempo b. Beat c. Dynamics d. Rhythm
3. He is the person who said that physical education was part of the basic hygiene and very important in
support to medicine.
a. Plato b. Aristotle c. Herodutos d. Galen
4. In what country does “Yoga” developed?
a. India b. China c. Taiwan d. Korea
5. Appropriate physical activity prevents the onset of some diseases and postpones the debilitating effects
of the aging process.
c. Improve Physical Fitness c. Health promotion
d. Reduced Risk of heart disease d. Self-discipline
6. A dance which has a Spanish word which English equivalent could be lovable, affectionate, amorous or
other word that refers to a description of a loving person.
a. Agalalukan b. Alitaptap c. Cariῆosa d. Subli
7. A dance originally came from Cuba is considered the descent of Mambo. It is easy to perform because the
music has a definite beat. Although it is easy to learn, it is still an art which requires the dancers to master
it before they achieve the best and most attractive performance.
a. Waltz b. Tango c. Cha-cha d. Samba
8. How would you classify Zipper test in Health-related Fitness?
a. Power b. Flexibility c. Reaction Time d. Agility e. Speed
9. It aims to develop students' physical competence and knowledge of movement and safety, and their ability
to use these to perform in a wide range of activities associated with the development of an active and
healthy lifestyle. –
a. Physical Fitness b. skills-related Fitness c. Physical Education d. Physical Health
10. Physical education can counteract major risk factors of coronary heart disease: obesity, inactivity and high
blood pressure.
c. Improve Physical Fitness c. Health promotion
d. Reduced Risk of heart disease d. Self-discipline
11. Refers to a term which denotes an aspect of a quality of movement that is sometimes thought of as dance.
a. Tempo b. Beat c. Dynamics d. Rhythm
12. Refers to movement of Bending or shortening of a body part occurring at a joint.
a. Extension b. Pendular c. Flexion d. Vibratory
13. A way of courtship in which partners bow to each other, to the audience, opposite dancers, or to the
neighbors with feet together. This is of Spanish origin and is used in almost all Philippine dances.
a. Sarok b. Panadyak c. Salok d. Saludo
14. Supposed you are going to exemplify Agility in skills-related fitness, what would be the activity you are
going to do?
a. 100 m dash b. Hexagon Jump c. Jogging d. Sit & Reach
15. A step which partners advance forward, pass each other’s right (left) side, step across to the right move
backwards without turning around, pass each other left side to proper places.
a. Brush b. Cut c. Do-si-do d. Hop
16. This dance started in Germany; it comes from the word “walzen”, means to revolve.
a. Waltz b. Tango c. Cha-cha d. Samba

Mario B. Adajar (Course Facilitator)


17. Ability to move in a full range of motion.
a. Balance b. Coordination c. Speed d. Flexibility e. Agility
18. Is a state of health and well-being and, more specifically, the ability to perform aspects of sports,
occupations and daily activities?
a. Physical Education b. Health-Related Fitness c. Skills-related fitness d. Physical Fitness
19. This refers to the matching of lean mass and fat mass as components of the body. It develops proportion
of the body.
a. Endurance b. Agility c. Power d. Body composition
20. A good program teaches children to follow rules and established procedures and to be responsible for the
own health-related fitness.
c. Improve Physical Fitness c. Health promotion
d. Reduced Risk of heart disease d. Self-discipline
21. Physical activity is an outlet for releasing tension and anxiety.
c. Active lifestyle c. Reduced risk of depression
d. Health promotion d. setting goal
22. What do you called the first gymnastic which the basic purpose was to keep the body in good condition
and to ward off diseases caused by immobility?
a. Yoga b. Con fu c. Arnis d. Taekwondo
23. Serve as a means of expressing one’s emotions through movement disciplined by rhythm. It is an act of
moving rhythmically and expressively to an accompaniment.
a. Physical activities b. Dance activities c. Dance d. Dancing
24. A type of dance where in Art experts consider this type of dance the highest; it is the sum up of every
human undertaking to produce a well-defined dance. basic movements and physical actions could be
considered dance, more particularly, if accompanied by music.
a. Social Dance b. Folk dance c. Creative dance d. Modern dance
25. The word refers to the people of the tagalog regions. The same refers to the dance developed by these
people.
a. Tinikling b. Tagala c. Rigodon d. Salakot
26. What would be the certain exercise or activity for coordination?
a. 3-minute step test b. Standing long jump c. Sit & Reach d. Curl-up e. Paper Juggling
27. He suggested music and gymnastic to be part of the curriculum.
a. Plato b. Aristotle c. Herodutos d. Galen
28. What arm position does this step or statement suggests “Both arms raised in a circle in front of chest
with the finger tips about an inch apart.”
a. First position b. Second Position c. Third Position d. Fourth position
29. Is a cultural art form handed down from generation to generations. It communicates the customs, beliefs,
rituals, and occupations of the people of a region or country. Folk dancing belongs to the people. It
emanates from them. Ethnic tribes have their specific tribal art forms originated and danced by the people
of the tribe.
a. Creative dance b. Folk/Ethnic dance c. Social dance d. Creative dance
30. When the body systems work together smoothly to carry out your daily life activities, you are said to have:
a. Strength b. Physical Fitness c. Full of Energy d. Healthy lifestyle
31. Constant practice of sit and reach provides training on flexibility of the legs. These result to ability of the
muscles’ extreme reach.
a. Power b. Flexibility c. Reaction Time d. Agility
32. Generally, it is the aim of education to develop the emotional skills of the students. Specifically, this aim is
fulfilled in the physical education course.
a. Cognitive b. Knowledge c. Affective d. Psychomotor

Mario B. Adajar (Course Facilitator)


33. Served as source of enjoyment for people of all ages. Through these activities, skills and the sense of
rhythm are acquired and developed, feelings are expressed, basic principles of time, space and force can
be experienced.
a. Physical activities b. Motor skills activity c. Rhythmic activities d. Dance activities
34. Refers to the line of movement taken which maybe forward, backward, sideward, diagonal, upward, or a
combination of those mentioned.
a. Direction b. Level c. Range d. Pattern
35. Refers to movement set to music where there emerges organization, structure and pattern. It is a
composition that implies arrangement of parts into a form.
a. Physical activities b. Dance activities c. Dance d. Dancing
36. This refers to those movements in which various parts of the body move in space with a fixed base. The
base may be standing, kneeling, sitting or lying.
a. Flexion b. Non-locomotor c. Pendular d. Locomotor
37. It is the basic function of physical education, to build up physical strength of the person. It develops organic
system of the human body whose outcomes is power to resist fatigue.
a. Cognitive b. Knowledge c. Affective d. Psychomotor
38. The lasting power of the heart, lungs and skeletal muscle as a result of regular exercise such as walking,
jogging, swimming and aerobic dancing is referred to as:
a. Flexibility b. Strength c. Power d. Stamina e. Agility
39. A dance which demands vigorous movements including some stunts so that it is more popular among boys.
It looks both a dance and form of exercise. Its effect to the performers is so great and satisfactory.
a. Social dance b. Gymnastics c. Recreational dance d. Ethnic dance
40. Are traditional dances of a country which were evolved naturally and spontaneously in connection with
everyday activities and experiences of the people who developed them.
a. Social Dance b. Folk dance c. Creative dance d. Modern dance
41. Ability to move quickly from one place to another.
a. Agility b. Coordinationc. Speed d. Flexibility e. Balance
42. What arm position does this step or statement suggests “One arm raised in front as in 1st position; other
arm raised overhead.”
a. First position b. Second Position c. Third Position d. Fourth position
43. It is about the intellectual capabilities of the persons; particularly physical education which develops the
students’ knowledge to solve problems; it provides understanding of the rules.
a. Cognitive b. Knowledge c. Affective d. Psychomotor
44. They are referred to as the first settlers in nomadic society with highly vested on physical stamina, men
engaged in killing other men to protect themselves from enemies or rough environment.
a. Homo sapiens b. Primitive men c. Modern men d. Homo Habilis
45. The amount of time that a body can take in a certain activity in one pattern.
a. Balance b. Coordination c. Speed d. Flexibility e. Agility

Mario B. Adajar (Course Facilitator)

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