Professional Documents
Culture Documents
My company is an illustration-based fashion brand that has a focus on storytelling and uses it to
emotionally connect with the audience through its themes and visuals inspired by the genre of Film
Noir. My plan for this company is to create pieces that merge the worlds of cinematic narrative and
still illustrations, creating pieces of clothing that represent scenes of the story the brand is based on
and demonstrating it very effectively through visual forms.
In order to understand the state of the current state of the fashion industry, I have looked at ‘The
State of Fashion 2021’ report on the Mckinsey and Company website that gives an in-depth analysis
of the current predicaments we are facing, how the industry world is changing and what to look
forward to. From this I hope to tailor some of my company’s direction to make sure it is going with
the flow of the industry and isn’t being left behind. I have bullet pointed my key findings from the
report that I feel matter the most to what I am doing along with how I will change my company
regarding it:
To abide by this, I’m going to have my brand as 1 of 1 upcycling brand (adding exclusivity to the
items which inherently drives higher price points and draws in audiences), this has put me in a
different market in terms of competition as I am not looking to mass produce like regular brands and
retailers. This does not mean however that my area isn’t as competitive, from looking at online
articles it is has been said that upcycling is the biggest trend for 2021 – meaning there are a vast
number of small designers out there also doing what I am. I have looked into a few of the ones I
have come across to see how they’re forming their brands, identify similarities and trends between
them, their audience and what platforms they use – this will help me identify where I fit in as well as
how my company aims to fill a gap in the industry.
• Brand – problem6oy/skoot
• Style and Narrative – illustrations inspired from gothic culture and
anime and this is the only thing relating the pieces, aside from this
there’s no narrative connecting the work
• Techniques – Screen-print mainly, paint/spray, patchwork (no
adjustment work to original garment aside from tears)
• Compositions – Oversized prints, repeating stacked text, layering,
hectic placements, repeating symbols, colour infused
• Platforms – Instagram and website
• Audience – Teens/Young Adults (figured through tagged pictures
showing clothing being worn)
• Marketing – Celebrity endorsement and social media features
• Brand – Plagueround
• Style and Narrative – illustrations mostly inspired from gothic culture
but there’s other styles present too, there is no narrative connecting
the pieces but there’s a common dark nature to the work
• Techniques – Paint/spray mainly and screen printing (no adjustment
work to original garment)
• Compositions – Oversized prints, repeating stacked text, layering,
repeating symbols, colour infused, based around imagery and faces, all
over prints
• Platforms – Instagram and website
• Audience – Teens/Young Adults (figured through tagged pictures
showing clothing being worn)
• Marketing – Celebrity endorsement and social media features
• Brand – Nike_Wear
• Style and Narrative – illustrations are inspired from punk/gothic style
with anime influence, there is no narrative connecting the pieces but
there’s a common dark/deathly nature to the pieces
• Techniques – Acrylic paint, screen printing, normal and advanced
patchwork, added sewn pockets/straps/chains
• Compositions – Square/rectangle shaped graphics, large back prints,
mirrored sleeve patterns, sleeve logos, hood patterns, cut out shapes,
large front centrepiece
• Platforms – Instagram and Facebook
• Audience – Teens/Young Adults (figured through tagged pictures
showing clothing being worn)
• Marketing – Celebrity endorsement and social media features
Doing this research has been extra helpful as all the brands had the same age group target audience
as mine, meaning that what I’ve learnt and apply to my brand will aid me in targeting them. Through
doing this research I have realised the following about established 1 of 1 upcycling brands:
• They all have graphics and illustrations inspired from a punk/gothic style and this
continuation through their pieces is what ties them together – My company will fit in here as
the style I choose will also stay consistent with the pieces I put out, however, none of the
brands seem to offer a deeper brand story or narrative that flows through the pieces so that
is where I hope to fill in the market in this aspect. Film noir has dark themes within it so
seeing it be common with these brands that possess the same audience as I provides me
comfort that it will attract them, this nihilistic aesthetic/style seems to be a current trend so
will help massively in the deployment of my brand. Some have also kept the original brand
logo on there and mentioned it as the base in the description to signify that the garment
being customised is already of good quality.
• Techniques used seemed very similar, mainly revolving around hand paintings, screen
printing and patchwork, with only the final brand branching out to adjusting the garment
itself by sewing extra novelties like pockets and straps. The final brand also had
experimental fabric patches which I really admire as it makes the item seem much higher
quality and worth the money – For my brand I feel as though I will implement all these
techniques sooner or later however I particularly want to focus on seeing if I can implement
this premium form of sewn patches onto the garments as it gives the brand a higher end feel
with craftsmanship rather than just an item of clothing with added paint.
• The way illustrations have been composed on the items signifies to me what layout features
I should seek to adopt as it is my target audience that is purchasing it. All of them featured
large, oversized prints, centre pieces, and stacked layered texts/symbols – I admire this take
on presentation so will see how I could implement this although I need to make sure I
balance it with symbolising enough information on the piece, so it still signifies the brand
story. A lot of the compositions aren’t experimental with layers so I hope to fill this gap
through stylised applique.
• For the platforms being used, Instagram was the main ones present for the brand and one of
them also using Facebook. Instagram being the most present shows the importance of this
platform in developing an audience, especially looking at the follower engagement of all the
accounts and them using it to announce new drops, clothes, products etc. This platform will
likely be the key focus for me as it also has an inbuilt market option, negating the need for a
website for me as I am only selling one product at a time and don’t have the financial
stability at the moment to be able to support an online shop.
• For marketing the companies have stuck to using Instagram and its specialised features to
advertise itself, such as stories, reels and promoting notification alert features. They have
also used celebrity/influencer endorsements in order to spread their presence, and it also
being the reason as to why some designers have blown up, so, this is an important
advertisement tool for me to look into.
The audience of people that I am creating this production for are teenagers and young adults, as this
is who my brand will be targeted at as they are the main group that consume fashion and are up to
date with the latest releases. It is also my age bracket so I feel I have quality personal input that I can
utilise for the brand. The secondary audience that I am creating this item for are people that are fans
of the classic film noir genre. As I am creating this product to be a promotional tool for my brands
identity and story based on the genre, I need to make sure the content produced aligns with interest
of those who already support the genre and are very fond of it as they will be wanting to see more
of the classic style and personality that it holds.
Marketing Plan - Strategize how, when and where you’ll be reaching ideal customers
After looking at the competition and seeing that Instagram is the most popular platform for
established brands like mine, I looked further into why this was so. I found an article on Social Pilot
explaining why Instagram is now the preferred medium for businesses, listing reasons
such as being the most effective for growing engagements, it is visual features and
incredibly high traffic, which are excellent for new start-up brands.
It is also the most used by my target audience so my top priority will
be creating for and pushing
content on this platform.
- Sharma, G., 2021. Why Do Brands Prefer Instagram Over Other Social Media Platforms.
[online] Socialpilot.co. Available at: <https://www.socialpilot.co/blog/instagram-over-other-
social-media-
platform#:~:text=With%20more%20than%203.5%20billion,out%20to%20its%20target%20au
dience.&text=But%20if%20we%20consider%20the,over%20other%20social%20media%20pl
atforms.> [Accessed 25 January 2021].
- www.mckinsey.com. (n.d.). The State of Fashion 2021: In search of promise in perilous times
| McKinsey. [online] Available at: https://www.mckinsey.com/industries/retail/our-
insights/state-of-fashion#.[Accessed 25 January 2021].
- future Net Zero. (2020). Fashion industry branded “second-largest polluter after aviation.”
[online] Available at: https://www.futurenetzero.com/2020/04/08/fashion-industry-
branded-second-largest-polluter-after-aviation/. [Accessed 26 January 2021].
- Impact Magazine. (2020). Upcycling: The Biggest Trend Of 2021? Or A Fashion And
Environmental Revolution? [online] Available at:
https://impactnottingham.com/2020/12/upcycling-the-biggest-trend-of-2021-or-a-fashion-
and-environmental-revolution/. Accessed 26 January 2021].
- Radin, S. (2019). What’s Behind the Rise of Upcycled Garments? [online] Fashionista.
Available at: https://fashionista.com/2019/01/upcycled-clothing-sustainable-fashion-trend
[Accessed 26 January 2021].
- Mohsin, M. (2019). 10 TikTok Statistics That You Need to Know in 2019 [Infographic].
[online] Oberlo. Available at: https://www.oberlo.co.uk/blog/tiktok-statistics.
- Statista. (n.d.). Topic: TikTok. [online] Available at:
https://www.statista.com/topics/6077/tiktok/#:~:text=In%202019%2C%20TikTok%20was%2
0downloaded [Accessed 30th January 2021].