Professional Documents
Culture Documents
Ariana Gutierrez
Professor Massie
ENGL 1301
02/28/2021
Have you ever listened to someone complaining or telling a story and you detect select
words or tones revealing bias that make you curious to hear the other side of the story? In
the documentary White Slums of South Africa, viewers follow Reggie Yates as he explores
poverty amongst the white population of South Africa. However, this documentary White Slums
of South Africa only tells one side of the story and contains many forms of partiality including
bias through imagery and audio, selection and omission, and word choice that exist to depict the
First, Documentarian Reggie Yates guides his audience with biased word choice to view
the white South Africans through a predisposed perspective. For instance, in the beginning when
documentarian Reggie Yates visits Coronation Park, where many homeless white people dwell,
he expresses his feelings of apprehension derived from the worry of how the white folks there
will receive and judge him being that he is a “privileged young black man”. By saying this he
builds the belief in viewers that the white homeless people are going to be racist or dislike him
because of his skin color. Nearing the end of the documentary, Reggie is on his way to see his
acquaintance Hardis, a young white man, who is going to have a job interview. According to
approximately 32.4 percent and white unemployment is estimated to be 7.6 percent in South
Africa as of 2019, however, Reggie says that he is surprised to hear about his acquaintance
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landing the interview and explains that he finds it hard to be positive about the potential good
news. This choice of words encourages viewers to believe that the chances of a white man being
hired are exceptionally low. Additionally, in the last five minutes of the documentary Reggie
Yates says, “but if there is a price to pay for decades of oppression perhaps this is the least worst
option.” This conveys his personal opinion that the difficult lives the white South Africans are
living is justifiable because of the wrongdoings of their forefathers and does not leave the
audience with an open mind to believe what they will about this critical topic.
Furthermore, on multiple occasions select images and audio are arranged to grab the
audience by the heartstrings for better control of opinions. In Coronation Park there is a
“squatter’s camp” welcoming only homeless white South Africans. During the introduction to
the squatter’s camp, clips of homeless and dirty children are presented while dreary music is
played in unison with the imagery. Because children draw out strong emotions in people this
powerful imagery can cause the audience to become narrow sighted and think from a very
subjective perspective. A little more than midway through the film, a child is recorded playing
with a balloon alone in an unclean and unlit bathroom while gloomy piano music is played in the
background. The combination of the somber imagery and music once again invokes feelings of
sorrow or misery. This makes it difficult for the viewers to think and see things objectively.
It is important to keep images and information in context, therefore leaving out certain
details and facts while inserting others can leave an audience with a biased or one-sided view.
This is called bias through selection and omission and is utilized in this documentary frequently.
Now, although the documentary was created to examine poverty amongst the white South
African population rather than black South Africans, the documentary only presents select
images and videos of white people living in poor conditions while omitting almost any images or
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videos of the impoverished black South Africans. Documentarian Reggie Yates clarified that
there is approximately 16 million black South Africans living in poverty, despite this fact white
poverty has been magnified by the selective and omissive imagery. An example of this would be
when Reggie Yates takes a tour of the portion of rundown apartment buildings where only white
people live showing some of the appalling living conditions there. He fails to tour the conditions
of the neighboring “upper handed” black South Africans living within the complex. This
omission disregards the fact that the black population lives in utter squalor along with their white
counterparts. If this was included in the documentary viewers would not be so convinced that
white South Africans are living harder lives than black South Africans as the documentarian
intends to convey. To further this narrative, the documentarian excluded the fact that
approximately 1 percent of the white South African population is in poverty in contrast to the
approximate 64.2 percent of the black South African population in poverty, according to
These cases of bias through word choice, imagery and audio, and bias through selection
and omission serve as evidence that the documentary White Slums of South Africa is a
prejudiced documentary. The word choice throughout the documentary repeatedly reveals the
documentarian’s beliefs and standpoint. The imagery and audio is designed to speak to the
viewers’ emotions and suppress rational thought. Lastly, the selection and omission of
information and images within the film further the documentary’s biased narrative. Due to the
lack of factual information and evidence, and large quantity of subjectivity within the
documentary, it is impossible for the audience to get a clear understanding of the life and causes
Works Cited
africacheck.org/fact-checks/factsheets/factsheet-south-africas-official-poverty-numbers.
23 June 2020, www.statista.com/statistics/1129481/unemployment-rate-by-population-group-in-
south-africa/.
“The White Slums Of South Africa (Poverty Documentary)” YouTube, uploaded by Real