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The rhythmic density of a jazz melody refers to the relative number of rhythmic attacks
per measure in the melody and in the piece as a whole. Rhythmic density is largely a
function of style and may reflect the era in which the tune was written.
Early jazz and swing era tunes have a low to medium rhythmic density. (See “Any
Friday,” page 120.)
Medium Swing
Bebop tunes contain a high degree of rhythmic density. (See “Thad’s Pad,” page 129.)
Fast
3 3
5
JAZZ COMPOSITION THEORY AND PRACTICE
Modal tunes alternate back and forth from low to medium rhythmic density. There are
liable to be numerous notes of long duration, which are used for modal emphasis. (See
“Uno, Dos, Tres…,” page 181.)
Medium
Fusion tunes use various combinations of rhythms, including rhythms with a double-time
feel. Some melodies employ fragmentation while the rhythm section keeps a steady beat.
(See “With All Due Respect,” page 193.)
Fusion
6
CHAPTER 1 MELODIC CONSIDERATIONS
EXERCISE
1. Can you identify the well-known jazz tunes represented by the following
melodic rhythms? (Answers on page 9.)
1. Medium swing
Answer 1
2. Medium swing
etc.
Answer 2
3. Medium swing
Answer 3
4. Medium-up swing
( )
Answer 4
7
JAZZ COMPOSITION THEORY AND PRACTICE
5. Fast swing
etc.
Answer 5
etc.
Answer 6
etc.
Answer 7
8. Medium-up swing
3
Answer 8
8
9
Answer Key for page 7:
1. Killer Joe (Benny Golson)
2. Dolphin Dance (Herbie Hancock)
3. Satin Doll (Duke Ellington/Billy Strayhorn)
4. Well you Needn’t (Thelonious Monk)
5. Giant Steps (John Coltrane)
6. Speak No Evil (Wayne Shorter)
7. Up Jumped Spring (Freddie Hubbard)
8. Lady Bird (Todd Dameron)
9. Blue Bossa (Kenny Dorham)
10. Mr. P.C. (John Coltrane)
Answer 10
10. Fast swing
Answer 9
9. Medium-up bossa
MELODIC CONSIDERATIONS CHAPTER 1