Professional Documents
Culture Documents
COLLEGE OF ARTS
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DISCLAIMER
This prospectus represents the most accurate information available at the time of publication. The College
reserves the right to correct or otherwise change any information without prior notice at its sole discretion.
30 Foreign Linkages
94 Multimedia Art
34 Undergraduate Programmes
95 Interior Design
The National College of Arts, since its Students should know the importance of planning
establishment, has maintained a visionary approach and prioritizing their time and the effective use of
to the arts. From an industrial polytechnic in it. They must be aware of the importance of and
1875, to a contemporary arts college starting with ways to protect their heritage and environment,
three major departments in 1958, the college now not only for their own age but for generations
boasts of an impressive number of undergraduate, to come. They should always act as progressive
graduate, M Phil and PhD programmes. There are agents to defend and preserve their traditions
nine undergraduate, four graduate level and two and culture.
post-graduate level programmes currently offered
The National College of Arts in both of its
by the college. The NCA alumni form the pool of
campuses, Lahore and Rawalpindi, encourages
Pakistan’s best artists, architects, designers, film
the ethos of creative enrichment and critical
makers, cultural researchers and musicologists.
thinking. It has also effectively maintained
The college has evolved at par with international its inclusive approach, imparting progressive
standards and is keeping up well with pedagogical ideals and disseminating awareness of art to the
requirements of the current times. As we step public at large by participating in and initiating
into this new academic year, filled with hopes and multiple community outreach programmes
dreams of scaling new heights, I proudly affirm under the umbrella of skill development for the
that with our experienced and dedicated teachers underprivileged.
and excellent infrastructure, National College of
It is with great delight that I welcome you all to
Arts serves as a conduit to equip students with the
be part of this one-of-a kind institution, the only
ability to learn at an accelerated pace within a given
public art college of the country. I wish you all the
timeframe, simultaneously instilling the capacity to
success in your future endeavours.
balance creativity and criticism.
“…At the National College of Arts (NCA), within a critical space. The diversity of both the
we imagine a world. Not one world, faculty and the student body ensures that no
but many. One for each of us, one from particular ideological or theoretical position is
each of us, with these we write the sacrosanct. Discussion, critique and research form
autobiographies of our times, in objects, in the backbone of all the courses offered. We are
lines, in mortar, and in perishable clay. In unique as we draw both our faculty and our student
tracing ourselves, we leave traces. These body from a diverse cultural mix. This facilitates
are the traces that make our cities. Turn and allows a pluralistic culture within the College.
us inside out like pillowcases with that Students benefit from exposure to a wide range of
remembered smell, like shed skins. These ideas, sub-cultural identities and practice drawn
are the traces that populate our nights, from often conflicting and contested geographical,
and from these traces we dare to dream socio-political and historical locales.
again…”
The visual is a language that must be learnt. The
Excerpts from NCA teacher - students conversations. knowledge of technique and medium forms the
basis of personal expression, and that innovation
The NCA offers a number of professional comes through understanding and learning of
undergraduate and graduate degree courses. visual language. We believe that creative expression
Courses have been conceived in such a way in which has the power to change the world. An artist is a
the student’s unique creative and internal impetus philosopher, linguist, idealist, writer, critic, theorist
is aligned with the requirements of the job market and above all human at the same time.
in an increasingly diverse world. Tradition and
individual talent both form an integral part of the Our students have made their mark and moved on
history for a more meaningful participation in the to become pioneering professionals in a number
future. Freedom, plurality and an interdisciplinary of creative fields both locally and internationally.
approach allows ideas, histories, theoretical Professor Mark Ritter Sponenburgh, the first
positions and technical procedures to be located Principal of NCA, introduced the modern art college
curriculum, in 1958. The modern movement in
Sir JJ School of Arts, Bombay, Govt. College of Art, Following the partition of the Indian Subcontinent,
Madras, Govt. College of Art and Craft, Calcutta and the Mayo School underwent many changes. From
the Mayo School of Arts, Lahore were the four art 1956 to 1958 the Mayo School went through a
institutions established by the Crown in India. The process of restructuring by the Government of
Mayo School of Industrial Art was set up in memory Pakistan to become the National College of Arts.
of the assassinated British Viceroy of India, Lord Professor Mark Ritter Sponenburg (1916-2012), a
Mayo. John Lockwood Kipling (father of author graduate of the prestigious Cranbrook Academy
Rudyard Kipling), a teacher of painting, sculpture of Art, Michigan, and the L’ Ecole des Beaux Arts
and architectural embellishment and proponent Paris, was given charge as Principal. A celebrated
of the Arts and Crafts Movement working then at artist well versed in American and European art
the J.J. School of Art Bombay, was appointed as and design education, Sponenburgh introduced
the Mayo School of Art’s first Principal. He also the modernised curriculum which is the root of
held charge as the curator of the Central Museum today’s National College of Arts. He encouraged an
Lahore. understanding and exploration of indigenous craft
and culture. The exhibition ‘Folk Arts of Swat’ based
The Mayo School of Art was established in 1875 on
on research in Swat, in collaboration with NCA
the lines of the Kensington model, in conjunction
students, is still on display at the Lahore Museum.
with the Central Museum. The School was to
document the arts and crafts of the Punjab, with The departments of Fine Arts, Design and
the aim of training excellent craftsmen who would Architecture were established in 1958 and the Mayo
serve the demands of craft production. The Mayo School was finally transferred to the Ministry of
School became a centre of craft excellence under Education. The College was sanctioned a Board of
the direction of a line of accomplished heads, Governors as recognition of its superior quality
including J.L Kipling, Sir Percy Brown, Lionel of education. The new breed of artists, designers
Heath, Bhai Ram Singh and S. N. Gupta. The school and architects filled many professional voids. A
was also tasked with the monitoring of craft new policy introduced in 1972 recognized the
institutions of the Punjab and in such capacity, was achievements of the College and further planned
well connected with other institutions throughout its development as a centre of excellence in the arts.
the province. Over the years, inclusion of the A unique measure of autonomy, under the Federal
fine arts became part of the school’s curriculum, Government, was ensured from this point on. In
along with architectural drafting and drawing, 1985 the College was granted a degree awarding
embellishment crafts, woodwork, wood carving, status. This also empowered the NCA to institute
weaving, embroidery, blacksmith, metalwork and graduate programmes in the field of Visual Arts and
bookbinding. Interior Design (1999), Multimedia Arts (2001) and
TOP: First batch of students of Mayo School of Arts with Principal J L Kipling, 1880.
BELOW: Lord Mayo, Viceroy of India
BOTTOM: Evolution of Logos from Mayo School of Arts to National College of Arts
Prof. Sponenberg
Prof. Iqbal Hasan
The foundation stone of the Kipling Block (now the NCA is ideally located in the heart of the cultural
Administration block) was laid on January 3,1880 by capital and enjoys a historically rich neighbourhood.
Prince Albert Victor, and presents an early example The College is flanked on either side by the Lahore
of the utilization of Mughal imagery. Referred to Museum and the Town Hall respectively, with the
as ‘late Mughal’ style in contemporary accounts, its Punjab University Old Campus across the road. The
construction was supervised by a famous engineer lure of the city for students is not just limited to the
from Lahore, Khan Bahadur Ganga Ram, who later magic of history and the world heritage sites. The
became well known for his philanthropy. Initially, area between the Badshahi Mosque and the NCA is
the building consisted of six rooms. Temporary a treasure trove of materials, from the traditional
additions were made to it in 1881. In 1891, these to the contemporary. This is a city where people
temporary structures were made permanent in make things on site and a living is made from ideas;
accordance with a design prepared by the Principal. from metalwork and plastics to print workshops
Now the school had proper workshops equipped and digital art. This is an extraordinary space for
with tools and machines. In 1902 four large machine research, collaboration and innovation, one that is
workshops and photolithography studio were utilized by NCA students as a home away from home
already functioning. The fountain in the front of from the first day of their entry into the College.
the main entrance was designed by Sirdar Bahadur
Not far away is Royal Park, the iconic cinema district
Bhai Ram Singh, much admired as a designer and
where the Pakistani film industry lived and worked
craftsman when selected to decorate a section of
in an atmosphere of its own creation. Cinema
Queen Victoria’s Osborne House. Kipling utilized
hoardings with their unique style were painted and
his crafts and sculpture background to construct
repainted in its narrow lanes.
a comparatively simple but elegantly detailed
structure. The beautifully laid brick masonry of the Recently Lahore has begun to reclaim its place in
walls ends at the roof with an outer cornice of red South Asia as a cultural and intellectual hub. The
sand- stone, which, historian Latif informs, had been city is host to theatre shows, art exhibitions, music
obtained from Delhi. festivals, symposia and lectures all year round, with
local and international participation, all of which
are accessible to the students of the NCA.
Ismail Gulgee
Arif Hasan
Abdul Hafeez Pirzada Masood Ahmed Khan Ustad Bashir ud Din
Nayyar Ali Dada Adil Salahuddin Prof. M. R. Sponenburg Kh. Zaheer ud Din
Prof. Khalid Iqbal Farooq Qaiser Prof. Iqbal Hassan Prof. Shireen Pasha
Prof. Ahmed Khan Prof. Mary Lewis Prof. Colin David Prof. Tanveer Hussain
FELLOWS
1959
1976
1989
1993
ASSOCIATES
1994 Muhammad Latif Mian Mohammad Majeed Prof. Sajjad Kausar
Prof. Mary Lewis Prof. Muhammad Asif Prof. Askari Mian Irani
Ustad Muhammad Ali Prof. Dr. Ijaz Anwar
Sh. Shuja Ullah Prof. Bashir Ahmed
Ustad Bashir ud Din
Prof. M. H. Jafri
Prof. Abdul Rahman Khan
Rizwan Azeem Dabir Ahmad Khalid Anis Ahmad Ghazala Rahman Prof. Quddus Mirza
Farooq Qaiser Prof. Shahnaz Ismail Shahnaz Malhi Prof. Fauzia Qureshi Prof. Hina Tayyaba Khaleel
Prof. Iqbal Hussain Talat Ahmad Prof. Syed Maqsood Pasha Rashid Rana Prof. Dr. Farida Batool
Prof. Naazish Ata Ullah Dr. Shakeel A. Qureshi Prof. Lala Rukh Imran Qureshi Prof. Faisal Sajjad
Prof. Khalid Hussain Mohsin Banday R. M. Naeem
Asad Faruki
An integrated programme of study has been The foundation year also serves as an introduction
formulated that combines both theoretical and to the city of Lahore, where students are required
practical modules for the students of Fine Arts, to study past and present practices firsthand and
Architecture and Design. The programme considers develop an understanding of the connection between
all creative disciplines in the visual arts as having culture, visual language and creative practice.
similar perceptual, theoretical and historical
underpinnings. Beginning a course of study in any The foundation year is demanding, rigorous,
creative field through an interdisciplinary approach and challenging. Aside from the compulsory
provides a strong base for a wider understanding theory and practice components, the course also
of the subject. This is what we offer to our students includes extended visits to historical monuments,
in the foundation year; the ability to think, contemporary buildings of architectural value,
understand, connect and analyse in the context of galleries, museums, industrial and commercial units
personal and wider human experience. and various other sites where art and music are
practiced as part of a living tradition.
History and theory courses are compulsory in the
foundation year. Project based studio courses These are all studio based programmes that are
include Sculpture, Drawing, Drafting and Design. supported by a strong theoretical framework. We
The aim is to develop technical and critical skills produce professionals who have excellent command
through an introduction to essential media, basic over techniques and materials of their relevant
techniques, creative expression and the use of disciplines. They are confident and are able to
tools and equipment. Personal understanding and independently understand, develop and articulate
insight is developed through tutorials, seminars, the conceptual and theoretical framework, solve
and critiques. Musicology, Cultural Studies and Film problems and innovate. The NCA undergraduate
& Television have their own foundation year courses programmes train professionals who are ready to
that are specific to their disciplines. enter competitive arenas, and bring with them a
strong individual style, creative flair and passion.
Fine Arts
Design
Musicology
Film & Television
Cultural Studies Architecture
04 Years 05 Years
34 NCA Prospectus 2021
Foundation Semesters
Fine Arts, Design and Architecture Departments
Foundation Semesters
Film & Television Department
Faculty Faculty
Lahore Rawalpindi Campus
Khalid Ibrahim (Coordinator) Muhammed Zeeshan Younas
Associate Professor Lecturer/ Coordinator
Architecture
Prof. Dr. Murtaza Jafri Prof. Dr. Farida Batool Azam Jamal
Shehnaz Malhi Sehr Jalil Amira Ayaz
Attiya Javed Zohreen Murtaza
Rifqua Ejaz Ammara Khalid
Sehar Sohail Ghazala Raees
Sadia Amin Raja Tausif Zain Ul Abedin
Aqsa Akbar Wasim Akhtar
Awais Aqdus Muhammad Arshad Saeed
Kiran Saleem Syed Muhammad Hassan Zaidi
The Department of Fine Arts is the foremost introduced to all 4 Major subjects, before choosing
programme for artistic and intellectual discourse one to pursue in 3rd and 4th years. During this
and activity in the country. It involves leading period, Studio Drawing and Fine Art Seminar
professionals to contribute through their teaching/ contribute towards developing an individual
presence and provides freedom/venue to students approach.
for developing into successful creative individuals
The Department of Fine Arts, in accordance to
with independent aesthetic choices. It aims that
the vision of NCA, facilitates students to enrol in
students should have academic skill, analytical
Elective Courses, offered by the Department as
ability and vision to create works of art. It trains
well as from other departments of the institution.
students, at the end of their course, in becoming
Recognizing the need for a multi-disciplinary
practitioners with meaningful understanding of
pedagogy, the programme is structured to
tradition and information of contemporary.
encourage exposure and experience beyond a
To attain this, the Department of Fine Arts offers a student’s selected course of studies/Major Subject.
range of courses, which include studio and theory.
Divided into Majors of four different disciplines:
Painting, Printmaking, Sculpture and Miniature
Painting; along with Studio Drawing, Studio
Electives, and Fine Art Seminar.
Each student of Fine Arts, in the 2nd Year is
In 3rd & 4th semesters, students are introduced to Professionalism is the goal set for the students in
the responsibilities and requirements of the design the final two semesters. They are trained to answer
process. The research focuses on user analysis, questions about their design solution. Capacity to
materials, techniques, industry and the consumer observe, collect and classify relevant information
market. To broaden the students’ perspective, in writing is developed. This research information
the curriculum is supported by courses on model justifies the body of visual work produced, in the
making, CAD, sculpture, drawing and design theory. form of a report. Studio assignments are given for
the first twelve weeks of first semester followed
At the end of the semester each student has to by a mini-thesis. The form of this visual dialogue
prepare detail drawing sets of a studio project, is dependent on many factors like printing and
as design presentation of the design process. production industry, technological innovations,
In addition to the major, one studio subject is clients, manufacturers, suppliers and the public.
opted each semester from a wide range of studio Issues of ethics, professionalism, cost, viability and
electives offered jointly by the Design and Fine Art common appeal are also important in decision
Departments.The 5th & 6th semester is committed making. It leads to the final thesis project which the
to bring real market experience to the studio. students are required to submit at the end of the
Guest speakers and art directors from leading final semester. The final thesis project is examined
design houses are invited for critique and project for approval by a thesis committee. A panel of
evaluation. The enormous possibilities of ‘word and external jurors evaluates the final thesis project for
image’ are explored, debated and adapted to suit the award of the degree.
a specific need, (whether a poster or a corporate
identity). Courses in professional photography,
theory and digital tools are part of the curriculum.
Drawing and theoretical courses are compulsory
components of this course.
Textiles is an ancient craft when entering the Ecologically and environmentally sustainable design
domain of Design, touches unfathomable depths of issues are an important and inherent concern
creativity. The Bachelor Degree Programme, while of the course. The Department maintains that
incorporating the sensibilities of the traditional, fabric construction, surface treatments, colour,
the classical and the contemporary, maintains an pattern and trend forecast are the basics for a
interface between materials and making, that textile designer but an ethical and conscientious
creates a challenging and dynamic environment. design practice is also a must for a ‘thinking’ textile
Creation of patterns, weaves, embellishment and designer.
further value addition through motifs, colours and
The department maintains hand looms, printing
materials by following current fashion trends and
and dyeing facilities as well as a computer lab for
visual merchandising are some of the major areas
technological solutions.
of textile design in which the Department trains
the students. The young textile designers of the Industry-based and craft-interventionist internships
future are trained to face challenges pertaining are arranged and highly encouraged.
to industry and economy, individual and society,
techniques and technologies. The department
expects and encourages the students to bring
forth and experiment with new ideas without a
fear of unsuccessful outcomes. It firmly believes
that overcoming the fear of failure makes a good
designer.
The umbrella goal of this programme is to equip The courses are designed to meet following
future Ceramic Designers with effective strategies curricular needs.
needed to solve design problems within the
A. Understanding the nature and
discipline of Ceramic Design, with sympathetic
possibilities of material
consideration to economic, social and aesthetic
needs of the end users. The nature of material itself in many schools
of thought is considered a significant source of
Our graduates will be able to conceptual knowledge. By exploring material to
1. Apply their basic design knowledge its limits students learn material’s behavior and
and skills to problems and challenges discovers how some physical property can be used in
encountered in their professional careers. developing a personal language or can become part
of a design solution.
2. Use digital and physical tools, techniques and
methods to solve domain specific problems. B. Gradual decision-making in
3. Engage in lifelong learning in their the process of Design
profession and practice professional Our programme of study uses PBL (Project Based
and ethical responsibility. Learning) as a system to teach practical and real-life
A well-rounded design education requires a design process. Students are challenged with loosely
meaningful cluster of supportive subjects, enabling structured PBL assignments. They answer the
the students to build up their theoretical and problems by brainstorming, drawings, models and/
practical experience in a cumulative fashion. or field study to come up with a designed ceramic
Keeping this in mind, the semesters are designed object as a fit response to the given problem. The
to progressively expose the students to the tested evaluation of such assignments is based on all the
tools and systems of problem solving of varied material outcomes of each step of design as well as
natures, so that they take up self initiated probes / the final object, compiled as a portfolio uploaded on
project themselves in last year of study. the student’s personal blog.
C. Concept building
A strong component of our curricula is the theory
and seminar courses which offer theoretical
concepts, review of current practices and supporting
tools required for a sound Design practice.
Faculty
Shazia Umbreen Mirza
Assistant Professor
Head of Department
B.Des. NCA
MFA State University of New York, USA
Javaria
Lecturer
B.Des. NCA
MA Arts and Design, BNU, Lahore
The Department of Product Design, National These creative ideas become manifested in their
College of Arts, approaches further development in splendid, diverse works, which students have been
a comprehensive and systematic way, with a strong testing and validating through prototyping and
cultural attitude. Within an accelerated social and critiquing all this time, following a long process of
technical progress, products progressively evolve research, design and testing.
into complex systems that merge both tangible
Professionals with expertise in a wide range of
and intangible aspects. We are in a process of
areas have guided students in research using their
developing professionals in designing products
experience to create well-conceived and executed
and manufacturing systems that are functional,
objects, products and systems which make everyday
aesthetic, usable and sustainable; creating
tasks easier and exclusive.
leaders who can strengthen existing practice
and develop new practice in the areas of design Consequently, the boundaries of the degree show
and manufacturing; developing products and expand to integrate different facets, such as the
manufacturing systems that can significantly impact relationship between design and technology and
the society; developing knowledge, including the need for new augmented functions; strategic
methods and tools, to inform and empower practice and market-related actions; a focus on social and
and education of design and manufacturing. environmental issues; and a clear understanding of
the processes that concur in the definition of the
We fully support Industrial/Product Design
qualities of products.
students in creatively pursuing new means and
new meanings. Our students make fresh ideas
and compelling arguments that are informed by
research and evidence.
Mubashar Hasan
Lecturer
B. Des. (Product) UOG
The main objective of the Bachelor of Architecture The fifth and sixth semesters make the intermediate
program is to educate and train students to become level of the course and add layers of advanced
professionally sound and creative architects and to structures, building technology and systems.
prepare them further for higher studies. Teaching Understanding of the context of the site for master
in the department is focused on enhancing creative planning plays a vital role in developing design
abilities, critical thinking, professional competence as a catalyst towards the creation of a better
and ethical practice. environment. The students at this stage are also
introduced to the issues of sustainability and the
After the first two foundation semesters, the third
design of built environment.
and fourth semesters are focused on the basics
of architectural design with emphasis on the The seventh and eighth semesters are the start of
understanding of architecture as a combination advanced level design that broadens the horizon
of functional and aesthetic concerns. The course of study to encompass the issues of city, its built
introduces design activity through the study of environment and the urban culture. This includes
basic interrelationships of spaces and generation the role of individual buildings in their wider
of architectural form based upon function and physical and cultural context and their impact
program, building materials, technology and the on the urban built environment. Topics like
aesthetic sensibilities. Geographical and cultural regeneration of historic urban centers and housing
context of the site plays a very important role in the form the main focus at this level.
design process.
The ninth and tenth semesters are the thesis
semesters that focus on independent research on a
topic of personal interest and its articulation in the
form of a final design project.
The Department of Film & Television, NCA, is The department provides an innovative
preparing tomorrow’s filmmakers for success by curriculum that facilities experiential learning
helping them hone their skills. The combination of and opportunities for students to develop critical
information and the advancement in technology research, thinking and methodological skills as
has opened new horizons for both modern and well as creative capacities and industry-standard
traditional film and media. This incorporation has training in filmmaking. This unique combination
yielded opportunity and vocations that trains the of theory and practice equips our students with
students to become responsible professionals, these both the analytical and practical skills that are in
newly emerged experts contribute in the ongoing demand in today’s highly competitive job market.
process of development of the society by setting Unlike other film Institutions of the country, we are
new trends and standards in the field of Film and able to not only offer quality education to students
Television. but provide them chances and opportunities for
their professional enhancement. We train in both
traditional and non-traditional forms encouraging
the students to shape their own artistic vision as the
department prioritizes creative expression.
Wasim Akhtar
Assistant Professor
B (Film & TV), NCA
MA English Literature, University of Sargodha
Zafar Iqbal
Lecturer
B (Musicology) NCA
MSc Mass Communication Film &
TV, Punjab University, Lahore
M.Phil Communication Management,
Superior University, Lahore
PhD Scholar Media Studies UCP, Lahore
Ajmal Hussain
Lecturer
B (Musicology) NCA
MPhil (Art History) College of Art &
Design, Punjab University, Lahore
PhD Scholar (Art History) College of Art
& Design, Punjab University, Lahore
Welcome to the BS Cultural Studies Programme, the This programme is aimed primarily at preparing
first of its kind in Pakistan! theoretically sound professionals, and future
academicians who have a specialization in South
Cultural Studies researchers theorize the creative
Asian visual and material culture and its pertinent
forces that shape the lived reality of people in
issues and perspectives. The programme is designed
the 21st century. Drawing on a range of practices,
to develop conceptual rigor, critical-theoretical
Cultural Studies researchers investigate values,
and analytical skills, with a thorough immersion
beliefs and belongings, cultural processes and
in the analysis of development in the national and
cultural objects, economic and social relations,
regional cultural institutions and the arts; as well as
institutions and identities. Cultural Studies is an
their contemporary theoretical debates.
emphatically interdisciplinary area of inquiry that
intersects the humanities, science studies, the With this set of knowledge and skills, graduating
social sciences and the arts. The Cultural Studies students will make valuable societal contributions.
department draws on a range of methods and They will be able to (a) seek admission in any
critical theories and offers opportunities to break leading, relevant doctorate programme in the
down conventional divisions between academia world, including the NCA MPhil/PhD programme
and activism, and, between theoretical critique and and/or (b) compete in the careers of arts,
cultural production. What distinguishes Cultural humanities, print/ electronic media, social/ cultural/
Studies from other is its approach to study culture environmental development, and cultural policy.
and the arts through multiple disciplinary methods
to get at the complexity of cultural forms that are
embedded within power structures, issues of social
justice and cultural change.
02 years
MPhil
05 years
PhD
Multimedia Art
The Master of Multimedia Art Department came The Postgraduate Center of Multimedia Arts
into existence in the year 2000 with the view to (PGCMA) is offering a two years master degree.
cater the growing need of Digital Visual Arts in The programme offers an opportunity to students,
Pakistan. The programme shall benefit students enabling them to enhance their professional
to come at par with the prevailing International practice and their career prospects. The Multimedia
standards of digital visual arts education. Students programme is designed to explore skill set with
can complement their previous academic disciplines theoretical learning required to develop a Final
and work experiences with the knowledge and skill Project within their specialized medium. This Final
to design and develop Multimedia products on one project is displayed in NCA’s annual thesis show.
hand and contributing in knowledge based industry
Our graduate students have professionally excelled
on the other. This programme is designed to train
in the fields of Interaction Design, Animation, Game
graduates for multi-faceted careers in the rapidly
Design and Interactive Film Production.
growing Multimedia Arts Industry.
Master of
02 years
Multimedia Art
Masters of
02 years
Interior Design
Visual Art
Master of Visual Art Programme provides a The programme caters to individuals with a high
theoretical and visual infrastructure that discusses level of commitment towards independent art
local practice and discourse, within the broader practice. Students are expected to pursue an
contexts of South Asia and the rest of the world. individual line of research and should be able to
The programme addresses the issues of exchange articulate their concerns visually and theoretically.
of information, politico-historical realities that
have created the hierarchies currently existing in
the world with particular reference to the visual
arts. The proposed ethos of the course springs
from the necessity to understand the dynamics of
globalization that forms the basis of contemporary
discourse. The programme allows for a multi-
disciplinary approach that acknowledges the
inter-connection of disciplines and promotes a
holistic view.
Master of
02 years
Visual Art
Incharge Archives
Saamia Ahmed
Associate Professor
Archives Committee
Prof. Sarwat Ali
Prof. Majid Saeed Khan
Mr. Imran Ahmed
The NCA Design & Research Centre is a nexus for DRC NCA provides creative support and
all that is design related. This is where design and entrepreneurial services to students and graduates
business principles overlap to exchange ideas, to help realize pioneering design-led ideas through
and encourage entrepreneurship through guided the industry professional and senior faculty. A
assistance from NCA faculty as well as industry team of researchers, alumni, faculty and industry
professionals. The Design & Research Centre offers professionals will collaborate to accelerate the
a myriad of design disciplines that allow talented learning experience making it more productive and
and passionate individuals to further develop stimulating.
their interest in design and provide students with
Objectives:
the opportunity to experience real time design
practice. It will uncover and introduce talented Research documentation and critical analyses of
undergraduate students to the design industry. South Asian culture that are currently unavailable
to the students, faculty, professionals, and
The Design & Research Centre is geared towards
policymakers. This lack of the availability of
innovation that can transform products, services
literature relevant to the regional cultural setting
and experiences to generate income for the
has resulted in making education devoid of
institute. It will help NCA to innovate and excel in
appropriateness, relevance and applicability. Our
providing creative services and experiences that
meager national resources further compound this
fulfill NCA’s internal design and marketing/ image
issue.
building/ promotional requirements.
For a purposeful and meaningful development
It will work as a research and design incubator which
in the domains of training and practice of visual
will not only attract and serve potential clients
culture, it is imperative that research is encouraged
from private, public and government sector but
and such literature is developed within the
more importantly, the product-service-experience
country, that can offer a more realistic and deeper
innovations will value add to the esteemed
understanding of the issues specific to the regional
institute, which has been a creative hub for more
and cultural setting.
than a century.
Change of Address
Students are required to keep the College office
informed/updated regarding any change of address
(current or permanent) and telephone numbers.
The college shall not be responsible for lost,
misplaced and undelivered mail.
Any error or omission in above could not claimed as right by the candidate and will settle at the time of deposit
NOTE:
Self Finance & Self Support student will pay all charges/funds other than tuition fee.They will also pay Lump Sum amount of
Rs. 579,000/- for Fine Arts, Design and Musicology and Rs. 730,000/- for Architecture and Film & Television against tuition fee.
Attention Film & TV Department Candidates :
Rs. 50,000/- will be charged as refundable security from the students of Film & TV
Rs. 1500/- per month shall be charged for equipment maintenance / upgrading from Film & TV Students
Puppeteers specialize in art NCA Mime Society has been The Skits performers learn
of puppetry. The repertoire instrumental in popularizing this through workshops the mimic
of puppetry techniques genre in the country. The members art of portraying known
used by The Puppeteers are trained in the discipline through personalities while keeping
includes String Puppets, Rod rigorous exercises conducted during a good knowledge and
Puppets, Shadow Puppets workshops. Depending on the understanding of the current
and Muppets. The puppeteers nature of the narrative, the society issues within or outside the
specially design and fabricate utilizes various styles of the art form campus. This regular exercise
their own puppets for every such as pantomime, street mime and makes skits popular among all
performance. contemporary theater. the generations and connect
them through its humour.
Members of the Music Drama Society has evolved into The society uses dance as a
Society play classical, folk and a vehicle for multiple theatrical medium of artistic expression.
modern instruments used techniques. Its performances vary A variety of dance styles such
in contemporary music. The greatly in subject matter, ranging as Kathak and Modern Dance
performances range from from serious Urdu drama which are used by the society.
Eastern classical and Folk is revisited from time to time to
music from various parts comedies to mystery theatre. Plays
of the country to modern are rendered using a wide array of
western popular music. theatrical techniques.
Govt. Other
Scholarships Scholarships
1. National Endowment The NCA Endowment Fund
Scholarship for Scholarships are awarded
Talented Students to students from all
Scholarship Policy (NEST) is offered to departments on need cum
a Pakistani National, merit basis.
01. Scholarship holders must continue to have
enrolled in any
a good academic performance to retain Asim Butt Scholarship is
Undergraduate
the scholarship during their studies. awarded to the students of
Program (4 Years or
02. College scholarships are awarded on the Fine Arts on merit cum need
5 Years). The eligibility
undertaking that the holder shall attend the basis.
of a candidate is
College as a regular student and pursue her/ linked to neediness Fazal Kareem Scholarship
his studies with diligence. If it should appear of the candidate as is awarded by Fazal Kareem
at any time that a scholarship holder fails determined by the Trust to the student who
to make satisfactory progress or has been financial background obtains highest marks in the
irregular in conduct or in attendance she/ of his/her family. subject of drawing in the
he shall forfeit the privilege of scholarship. foundation year.
2. EHSAAS – Scholarship
03. No student shall be permitted to hold is for students enrolled
two or more scholarships at the same Omar Aftab Memorial Trust
in the Undergraduate Scholarship is awarded
time. A scholarship holder, however is Program with a
free to compete for awards and prizes. to students from all
declared monthly departments on need cum
04. The scholarship shall lapse if it is not income of parents merit basis.
taken up by the last date of disbursement (from all sources) is
as may be notified by the College. equal to or less than
05. All scholarship applicants are PKR. 45,000/-.
required to fill up a form to establish 3. Punjab Education
financial need of the student. Endowment Fund
06. Students who have secured admission (PEEF) has declared
on Self- support/Self finance programs NCA as a Center
are ineligible to apply for scholarship. of Excellence and
approved five
Scholarships for
Punjab domiciled most
deserving enrolled
students with a
declared monthly
income of parents
is equal to or less
than PKR.30,000/.
4. Frontier Education
Foundation
Scholarships on need
cum merit bases,
was awarded to 4
frontier students.
Every student is expected to study to the best of her on regular basis. The department shall
/ his ability and to fulfill the academic requirements notify the list of students with less than 75%
of the College. It is the expectation of the College attendance at least one week prior to the
authorities that each student will realize the value commencement of the Final Examination.
of self-control and discipline. Registration at the 9. An application for sick leave exceeding
College implies agreement on the part of the one day must be supported by a medical
student to willingly accept and observe reasonable certificate from the College Medical Officer
standards of accountability, good conduct and and both must be submitted to the Head of
appearance. The following rules and regulations Department and approved by the Principal
apply to all students studying at the National before the absence can be recorded as
College of Arts (Lahore and Rawalpindi campus) authorized in the attendance register.
irrespective of the year of admission. 10. Leave of absence may be granted to a student
1. It is the responsibility of all students after assessment of reason for leave by the
to read and comply with the rules committee of the Heads of the Departments.
and regulations of the College. 11. Application for special leave shall be
2. Tuition fee, fines, etc. must be paid by the addressed to the Principal and submitted in
dates notified by the College office. Should writing to the Registrar at least two days in
a student fail to pay the dues by the dates advance with the recommendations of the
notified he/she will have to pay a fine of Head of the Department. Each absence will be
Rs.100 per day. Students whose fees are in authorized after the approval of the Principal.
arrears by more than seven days after the due 12. A student participating in any co-curricular
date notified, shall liable to be struck off the activity within or outside the college, with
College Rolls without any notice and shall the prior approval of the HOD/Director/
not be allowed to attend any lectures, studio Coordinator such as debate/sports/
sessions or examinations in the College. performance/exhibition of national or
3. It is the responsibility of the student international level, his/her attendance
to attend every lecture, studio shall be marked present for those
session and examination. particular days only. However, the student
4. Attendance in classes is mandatory and is expected to submit the assignments
should not be less than 75% in each course. of the said period otherwise he/she shall
be marked absent for that period.
5. Students who fail to meet the 75%
attendance requirement in a course will 13. All students will purchase their
not be permitted to sit for examinations/ own equipment and material
submit exam assignments, which will required for coursework.
result in failing the examination/course. 14. The College authorities shall not be
6. The concerned teacher/faculty may report held responsible for the safekeeping
a student’s continuous absence of more of the private property of students.
than 3 days to the Head of the Department. 15. Students shall compensate to the satisfaction
The students should be warned verbally/ of the Principal; any damage or loss they
writing in case he/she misses three may cause to the property of the College.
lectures consecutively. A student habitual 16. Students’ work executed in the College
of coming late or being absent should must be placed at the disposal of the
not be allowed to sit in class without the College authorities. Such work may be
approval of the Head of the Department. returned to a student for his/her portfolio
7. In case a student is absent for ten consecutive by the Principal on the written request
days without any intimation to the concerned of the student. Work done in the College
faculty/teacher, his/her name shall be struck shall not be used for the purpose of any
off from the Department rolls. Re-admission examination or evaluation of any institution
shall be allowed only after the approval of the other than the National College of Arts and
competent authority. The student shall have any examination other than the one for
to pay the prescribed re-admission fee/dues. which the work was originally intended.
8. Students’ attendance record shall be 17. No posters, banners, handbills, pamphlets
maintained by the concerned department or any offensive material shall be displayed
Sidra Akram
Deputy Registrar, Establishment
Administration Office
Sultan Qamar-uz-Zaman Shafiq Ullah
Office Superintendentt Office Superintendent
ADO (Addl. Charge)
Private Secretaries
Muhammad Arif Muhammad Bilal
P.S to Principal PA to Administrator
Education Section
Sana Javed
Office Superintendent
Accounts Section
Muhammad Akram Hashmi Naseem Abbass
Accounts Officer Accounts Officer
Kashif Yaqoob
Accountant
Procurement Section
Mr. Sajjad Afzal Tarar Muhammad Farooq
Purchase Officer Purchase Officer
Library
Bushra Asghar Amina Khattak
Senior Librarian Librarian
Security
Javed Akhtar Muhammad Shiraz Idrees
Chief Security Officer Chief Security Officer
Abdul Majeed
Security Supervisor
I.T Coordination
Faheem Zawar Syed Hussain Ali Bukhari
I.T. Coordinator System Manager
Gohar Butt Ashfaq Ahmad
Lecturer I.T. Audio Video Assistant
Iqbal Bashir Chaudhry
Computer Instructor/Operator
Muhammad Asif Khushi
Computer Instructor/Operator
Transport Section
Muhammad Irfan Ashraf Raja M. Siddiq
Managerial Staff (Incharge Transportation) Transport Officer (Duty Charge)
Healthcare Section
Dr. Masood Ahmed
Cheif Medical Officer
NCA Rawalpindi
Liaqat Road, Near Liaqat Bagh, Rawalpindi-46000, Pakistan
Admission Office: +92 51 9334982, 9334984, 9334985, 9334986
Fax: +92 51 9334983
info@nca.edu.pk
www.nca.edu.pk