Wanda Vision

WandaVision
WandaVision is an American television miniseries created by Jac

Schaeffer for the streaming service Disney+, based on the Marvel WandaVision
Comics characters Wanda Maximoff / Scarlet Witch and Vision.
Set in the Marvel Cinematic Universe (MCU), it shares continuity
with the films of the franchise, and takes place after the events of
the film Avengers: Endgame (2019). WandaVision was produced
by Marvel Studios, with Schaeffer serving as head writer and Matt
Shakman directing.
Elizabeth Olsen and Paul Bettany reprise their respective roles as

Wanda Maximoff and Vision from the film series, while Debra Jo Genre Drama
Rupp, Fred Melamed, Kathryn Hahn, Teyonah Parris, Randall
Mystery
Park, and Kat Dennings also star. By September 2018, Marvel
Studios was developing a number of limited series for Disney+, Romance
centered on supporting characters from the MCU films such as Sitcom
Wanda and Vision, with Olsen and Bettany returning. Schaeffer
Superhero
was hired in January 2019, the series was officially announced
that April, and Shakman joined in August. The series is presented Created by Jac Schaeffer
as an homage to past sitcoms, with Wanda and Vision living in a Based on Scarlet Witch
reality that takes them through different decades of television
by Stan Lee
tropes. Filming began in Atlanta, Georgia in November 2019,
before production halted in March 2020 due to the COVID-19 Jack Kirby
pandemic. Production resumed in Los Angeles in September 2020 Vision
and completed that November. by Roy Thomas
WandaVision premiered with its first two episodes on January 15, John Buscema
2021, and will run for nine episodes until March 5. It is the first Directed by Matt Shakman
series in Phase Four of the MCU. The series was praised by critics
Starring Elizabeth Olsen
for its homages to past sitcoms, dark tonal shifts, and the
performances of Olsen and Bettany. Paul Bettany
Debra Jo Rupp
Fred Melamed
Contents Kathryn Hahn
Premise Teyonah Parris
Cast and characters Kat Dennings
Episodes Randall Park
Production Theme music Kristen Anderson-

Development composer Lopez
Writing Robert Lopez
Casting
Composer Christophe Beck
Design
Country of United States
Filming
origin
Post-production
Music Original English
language
Marketing
No. of seasons 1
Release
No. of episodes 3 (list of episodes)
Critical response
References Production
External links Executive Kevin Feige

producers Louis D'Esposito
Victoria Alonso
Premise Matt Shakman
After the events of Avengers: Endgame (2019), Wanda Maximoff Jac Schaeffer
and Vision are living an idyllic suburban life in the town of Producer Chuck Hayward
Westview, trying to conceal their powers. As they begin to enter
Production Atlanta, Georgia
new decades and encounter television tropes, the couple suspects
that things are not as they seem.[1] locations Los Angeles
Cinematography Jess Hall
Cast and characters Camera setup Single-camera
Elizabeth Olsen as Wanda Maximoff / Scarlet Witch: Multi-camera

An Avenger who can harness magic, engage in Running time 29–36 minutes
telepathy and telekinesis, and alter reality.[2][3] Olsen
said the series brings the character more in line with the Production Marvel Studios
comic book version, including depicting her mental company
[4]
illness, and introducing the "Scarlet Witch" moniker Distributor Disney Platform
that was not previously used in the Marvel Cinematic Distribution
Universe.[5] Executive producer Kevin Feige added that
the series explores the extent and origin of Wanda's Release
[6]
powers. Olsen felt her "ownership" of Wanda was Original network Disney+
strengthened during development of the series,[7] which
Original release January 15, 2021 –
allowed her to explore new parts of the character's
present
personality such as her humor and sassiness.[8]:30 She
was thrilled that WandaVision focuses on Wanda rather Chronology
than telling her story "through everyone else's story
Related shows Marvel Cinematic
lines" as in the films, and was sold on joining the series
when Feige mentioned specific Scarlet Witch comic Universe television
[1]
storylines that inspired WandaVision. Olsen was series
influenced by Mary Tyler Moore, Elizabeth Montgomery, External links
and Lucille Ball for her performance.[9]
Production website (https://disneypluso
Paul Bettany as Vision:
riginals.disney.com/show/wandavision)
An android and former Avenger created using the
artificial intelligences J.A.R.V.I.S. and Ultron as well as
the Mind Stone,[2] who was killed during the events of Avengers: Infinity War (2018).[5] Bettany
described Vision as "decent and honorable" who "exists for Wanda". He was influenced by
Dick Van Dyke and Hugh Laurie for his performance.[9]
Debra Jo Rupp as Mrs. Hart: Wanda and Vision's neighbor and the wife of Vision's boss.[10][11]
Fred Melamed as Arthur Hart: Wanda and Vision's neighbor and Vision's boss.[10][11]
Kathryn Hahn as Agnes:
Wanda and Vision's "nosy neighbor".[1] Hahn described Agnes as the neighbor "that won't get
off their couch at the end of the night" and is "always in [their] business".[7] Hahn was
fascinated by the "jolts of adrenaline and humanity" the MCU provided and the fact it had a
"gasp of human magic".[1]
Teyonah Parris as Monica Rambeau:
The daughter of Air Force pilot Maria Rambeau and an agent of S.W.O.R.D. (Sentient Weapon
Observation Response Division),[12] who first introduces herself to Wanda and Vision as their
neighbor "Geraldine".[13] She has a "toughness and an ability to be a woman" in a male-
dominated world.[7] As a child, she looked up to her mother's friend and colleague Carol
Danvers / Captain Marvel.[14] Co-executive producer Mary Livanos called Rambeau's inclusion
in the series "a discovery" when it was first being researched and developed, that was "not
quite mapped out, but [became] really enriched in the show".[8]:28 The series shows the things
Rambeau "has seen and gone through and how they've shaped her life" since her appearance
in Captain Marvel (2019).[15]
Kat Dennings as Darcy Lewis:
A political science major turned doctor who previously was an intern for Jane Foster and
befriended Thor, and is working with Jimmy Woo to solve a mystery.[16][17]
Randall Park as Jimmy Woo: An FBI agent who was the parole officer of Scott Lang / Ant-Man
and is working with Lewis to solve a mystery.[7][17]
Jolene Purdy has a recurring role as Beverly, Wanda and Vision's neighbor.[18][19] Other residents of
Westview include Asif Ali as Vision's co-worker Norm; David Lengel as Phil Jones; Amos Glick as Dennis,
the mailman;[19] Emma Caulfield Ford as Dottie Jones, Phil's wife and a "skeptical mom who rules the
neighborhood with an iron fist and poison smile";[20][21] and David Payton as Herb. Ithamar Enriquez and
Victoria Blade appear as the man and woman in the commercials.[19]
Episodes
No. Title Directed by Written by Original release date
1 "Filmed Before a Live Studio Audience" Matt Shakman Jac Schaeffer January 15, 2021
Newlywed couple Wanda and Vision move into the town of Westview during the 1950s. They
attempt to blend in, despite Vision being an android and Wanda having telekinetic and reality-
warping abilities. One day they notice a heart drawn on their calendar but neither can remember
what the occasion is. While Vision goes to his job at Computational Services Inc., Wanda
decides that the heart represents their anniversary. Their neighbor Agnes introduces herself to
Wanda and helps her prepare to celebrate that night. Vision amazes his co-workers with his
speed but is unsure what his company actually does. He is reminded that he and Wanda are
hosting his boss, Mr. Hart, and his wife for dinner that night, which is what the heart represents.
Wanda and Vision struggle to hide their abilities while making a last-minute dinner for the Harts.
While interrogating Wanda and Vision, Mr. Hart chokes on his food, and Vision uses his abilities
to save him. All of this takes place in the fictional sitcom WandaVision which someone is
watching on a television.
A commercial during the WandaVision program advertises a Stark Industries ToastMate 2000 toaster oven.
2 "Don't Touch That Dial" Matt Shakman Gretchen Enders January 15, 2021
During the 1960s, Wanda and Vision hear strange noises outside their house. They prepare
their magic act for a neighborhood talent show. Wanda and Agnes spend the day with the
show's planning committee, led by Dottie, and Vision attends a neighborhood watch meeting,
where he accidentally swallows some chewing gum. Wanda befriends another neighbor,
Geraldine, and notices more strange things: a yellow and red toy helicopter in their black-and-
white world; a voice on the radio that seems to be speaking to her; and a red bloodstain. Thanks
to the gum caught in his internal mechanisms, Vision appears to be intoxicated at the talent
show and publicly reveals his abilities. Wanda uses her own abilities to make this look like
simple magic tricks and fixes Vision by removing the gum. They return home and Wanda
becomes visibly pregnant. When they see a strange beekeeper emerging from a manhole on
their street, Wanda resets their reality to before the figure appears. The setting then becomes
colorful as it changes to the 1970s.
A commercial during the WandaVision program advertises Strücker watches.
3 "Now in Color" Matt Shakman Megan McDonnell January 22, 2021
Dr. Nielson checks on Wanda's pregnancy and says she is four months along and everything is
fine before leaving for an intended holiday with his wife. While Vision sees Nielson out, he sees
his neighbor Herb unknowingly cut through their wall. Wanda and Vision paint a nursery while
debating what to name their child before Wanda's pregnancy elevates to six months. When she
begins contractions, her abilities begin to move things in the house and eventually shut down
the entire town's power. Geraldine arrives and helps Wanda deliver twins Tommy and Billy.
Vision catches Agnes and Herb gossiping outside. They talk about Geraldine who has just
arrived in town and does not have a home or family. Inside, Wanda interrogates Geraldine after
the latter reveals that she knows Ultron killed Wanda's twin brother Pietro. Wanda notices that
Geraldine is wearing a pendant with a sword emblem on it. When Vision returns, Geraldine is
gone. Outside of Westview, Geraldine is cast out from a wall of static and is surrounded by
S.W.O.R.D. agents.
A commercial during the WandaVision program advertises Hydra Soak bath powder.
Production
Development
By September 2018, Marvel Studios was developing several limited series for its parent company Disney's
streaming service, Disney+, to be centered on supporting characters from the Marvel Cinematic Universe
(MCU) films who had not starred in their own films, such as Wanda Maximoff. Actors who portrayed the
characters in the films were expected to reprise their roles for the limited series, including Elizabeth Olsen as
Maximoff. The series were expected to be six to eight episodes each, have a "hefty [budget] rivaling those of a
major studio production", and be produced by Marvel Studios rather than Marvel Television, which produced
previous MCU television series. Marvel Studios President Kevin Feige was believed to be taking a "hands-on
role" in each limited series' development,[22] focusing on "continuity of story" with the films and "handling"
the actors who would be reprising their roles from the films.[23] By the end of October, Paul Bettany's Vision
was expected to play a significant role in the series, which would focus on the relationship between Maximoff
and Vision.[24] In the following months, the titles Vision and the Scarlet Witch and The Vision and Scarlet
Witch were both reported for the series.[25][26][27]
Jac Schaeffer was hired in January 2019 as head writer of the series after previously working as a writer on the
Marvel Studios films Captain Marvel (2019) and Black Widow (2021).[26][28] Schaeffer was set to write the
first episode and executive produce the series.[26] That April, Disney and Marvel officially announced the
series as WandaVision.[2] Matt Shakman was hired to direct and serve as an executive producer in
August,[29][30] with Feige also executive producing alongside Marvel Studios' Louis D'Esposito and Victoria
Alonso.[31]:50[32]:20 Feige said the series would tell the story of Maximoff and Vision, show what Maximoff
can do, explore who Vision is, and introduce the comic book name "Scarlet Witch" to the MCU "in ways that
are entirely fun, entirely funny, somewhat scary, and will have repercussions for the entire future of Phase Four
of the MCU".[33] He added that viewers would not need to be familiar with the MCU to understand the series,
but there would be a "wealth of rewards" for those who have seen all the films and knew the plans for Phase
Four.[1] The series consists of nine episodes,[34] presented in a half-hour comedy series format.[15] The first
three episodes are around 30 minutes each while the remaining episode having more varied runtimes,[35]
totaling approximately six hours of content.[36][37] The budget for each episode was reported to be as much as
$25 million.[38] In January 2021, Schaeffer said she was unable to talk about any potential plans for a second
season, but said the series would feel "very complete".[39]
Writing
Schaeffer received comics material and an outline of what Marvel Studios hoped to accomplish with the series,
in order for her to help shape their ideas into a coherent structure.[8]:28 Feige came up with the idea of having
Maximoff and Vision in a "strange fantasy world of suburban bliss" based on his love of sitcoms and how they
can be used to escape from reality;[1] Schaeffer helped figure out what that meant for the characters.[30] Feige
was visually inspired by Mike del Mundo's "Norman Rockwell meets Leave it to Beaver" covers for the comic
book series The Vision by Tom King and Gabriel Hernandez Walta,[40][41][42] and pitched the series to Olsen
and Bettany as a combination of that comic book and the "House of M" storyline by Brian Michael Bendis
and Olivier Coipel.[30][43] Other inspiration was taken from The Vision and the Scarlet Witch, including the
run by Bill Mantlo and Rick Leonardi,[42][44] and the run by Steve Englehart and Richard Howell.[42][45]
Feige, Schaeffer, Shakman, and co-executive producer Mary Livanos dedicated themselves to "nail[ing]
down" the series' irreverent tone.[1] Schaeffer hired eight writers for the series' writers room, including four
women and several people of color, because of her belief that "stories are better the more perspectives you
have".[46] Megan McDonnell served as a staff writer on the series, before being promoted to story editor.[47]
Many of the writers had previous television experience, which Schaeffer used to help craft each episode within
the larger narrative,[8]:29 as one of the initial challenges was figuring out how to tell the story in the long-form
structure of a limited series rather than a film. Schaeffer compared the final series to a multi-issue comic
book,[8]:29 and said it remained very close to her original pitch.[8]:28
The series is set within a fiction sitcom called WandaVision,[48] and has been described as part "classic
sitcom", part "Marvel epic" by Feige,[29] "super avant-garde and weird" by Bettany,[49] a "full-on action
movie" mixed with sitcoms by fellow actor Teyonah Parris,[50] and a series that is "marrying epic superhero
action with small-town sitcom silliness" by Livanos.[1] Schaeffer and Shakman called it "a love letter to the
golden age of television",[1][30] though the series pays tribute to many eras of American television.[36] They
focused on family sitcoms over other types such as workplace sitcoms because the family aspect kept the series
centered.[48] Schaeffer and Shakman studied past sitcoms to learn their "trappings and styles",[1] while
avoiding tropes from older sitcoms that would not be acceptable in a modern series.[48] Schaeffer, Shakman,
and Feige spoke with Dick Van Dyke, the star of the eponymous 1960s sitcom, to learn about the making of
that series.[1][30] Other sitcoms that inspired the series include I Love Lucy, My Three Sons, Father Knows
Best, The Adventures of Ozzie and Harriet, Bewitched, Family Ties, Friends, 30 Rock, Parks and Recreation,
Modern Family, and The Office.[31]:45[15][6] Meta references are made to Full House, which starred Olsen's
older sisters Mary-Kate and Ashley.[31]:45 The fictional sitcom features fake commercials that are "slightly
nefarious",[48] including promotion for the organization Hydra,[9] which Feige said were "part of the truths of
the show beginning to leak out". He felt that new MCU viewers would see these just as strange versions of
commercials from the different sitcom eras, while viewers well versed in the MCU films would be able to see
connections in the commercials to past events.[9] Several commentators believed the commercials were
analogies for chronological events in Maximoff's life, particularly her trauma.[51][52][53]
Schaeffer compared her work on the series to the film Black Widow, saying WandaVision would be "the polar
opposite" to the film's style of aggressive, visceral action.[46] Shakman and Schaeffer watched all the existing
footage of Maximoff and Vision, including footage that did not make it into the previous MCU films such as
unused dailies.[54] While exploring this footage, Schaeffer was drawn to "the more mundane [character]
moments" such as Maximoff and Vision enjoying their time in Scotland in Avengers: Infinity War (2018).[8]:29
Schaeffer knew there was a "wonder and sincerity" to the two characters, and felt putting them in a sitcom
setting would result in a "calm and warm" feeling, due to their familiar family dynamic, despite the
ridiculousness of the premise.[31]:45 She found the pair appealing because they are both outsiders who "find
each other. They're both different with capital Ds."[1] Livanos said the series has fun "mess[ing] with
expectations" of past suburban family sitcoms, and would make the audience question where WandaVision fits
into the MCU timeline. She added that Maximoff and Vision's romance helps ground the series, and said some
of the episodes deviate from the family sitcom structure.[1][30] The series explores how Maximoff grew up in
an Eastern European country and relied on black-market American products such as television.[30] It takes
place after the events of Avengers: Endgame (2019),[14] and directly sets up the Phase Four film Doctor
Strange in the Multiverse of Madness (2022),[1] in which Olsen reprises her role as Maximoff.[55] Shakman
had conversations with Doctor Strange in the Multiverse of Madness director Sam Raimi and the untitled
Spider-Man: Far From Home sequel's director Jon Watts, as well as the filmmakers of Marvel Studios' other
Disney+ series, to discuss the connections between stories and to ensure an effortless "handoff" from
WandaVision to the films.[56]
Casting
With the official announcement of the series in April 2019 came confirmation that Olsen and Bettany would
reprise their roles of Maximoff and Vision, respectively, in the series.[2] Bettany agreed to join the project after
meeting with Feige and D'Esposito, who pitched an "exciting and bonkers" idea for his character's return in
the series. Olsen was originally nervous with Marvel's move to
television and how it could connect with the films, but was excited
when she learned of Schaeffer's involvement as well as the comic
book storylines that inspired the series.[30]
Teyonah Parris was revealed to have been cast in the role of Monica
Rambeau in July 2019. Rambeau was introduced to the MCU as an
eleven-year-old in Captain Marvel, which is set in 1995; Akira Akbar
portrayed the character in that film.[14] A month later, at Disney's
Olsen and Bettany at the 2019 San
biennial convention D23, Kat Dennings and Randall Park were set to
Diego Comic-Con
reprise their respective MCU film roles as Darcy Lewis and Jimmy
Woo in the series,[16] with Kathryn Hahn also cast in the role of
Agnes.[16][1] Dennings previously appeared in the films Thor (2011) and Thor: The Dark World (2013),[16]
and felt her character's role in the series was "somewhat of a surprise" for fans,[57] while Park joined the series
following a general meeting with Marvel to discuss Woo's future in the MCU following his introduction in
Ant-Man and the Wasp (2018).[5] Schaeffer felt it was fun to feature Dennings and Park in the series since
both were "veteran" sitcoms actors, previously starring in 2 Broke Girls and Fresh Off the Boat,
respectively.[7]
The official trailer revealed that Fred Melamed and Debra Jo Rupp were portraying Maximoff and Vision's
neighbors, the Harts.[10][44][11] Rupp, who previously had a long-running role in the sitcom That '70s Show
and felt comfortable with WandaVision's sitcom style, joined the series after being approached by Shakman
who she previously worked with at the Geffen Playhouse where Shakman is the artistic director.[58] Asif Ali
was revealed to be cast in the series in October 2020,[59] as Vision's co-worker Norm,[19] as was Jolene Purdy
in the recurring role of Beverly.[18][19] Ahead of the series' premiere, Emma Caulfield Ford revealed she
would be appearing in the series,[60] portraying Dottie Jones.[20]
Design
Costume designer Mayes C. Rubeo said it was rare for a singular piece of media to progress through so many
different decades without its characters aging.[32]:6 Olsen enjoyed exploring how women were viewed in
society in each decade through Maximoff's costumes.[9] The suit and wedding dress worn by Vision and
Maximoff in the opening titles were both made for the series, with the dress created as an homage to Audrey
Hepburn. With the series shifting from black and white to color, the various designers worked together to
ensure a unified look for the characters and sets. Production designer Mark Worthington said his team learned
how different colors work in a black-and-white format.[32]:6–7 Prop designer Russell Bobbit previously
worked on the film Pleasantville (1998), which Shakman said the series had a "spiritual connection" to along
with The Truman Show (1998).[54]
The series end credits features "swarms of LED-style glowing lights forming into constructs from the show"
that is reminiscent of the art style in "House of M".[61][62][63] Charles Pulliam-Moore at io9 felt the credits
were "undeniably Marvel in the big screen sense", even though WandaVision was "embrac[ing] its identity as
a streaming miniseries".[61]
Filming
Filming began in early November 2019,[64] at Pinewood Atlanta Studios in Atlanta, Georgia,[65] with
Shakman directing,[29] and Jess Hall serving as cinematographer.[66][36] The series was filmed under the
working title Big Red.[65] Filming was previously reported to begin on September 21 in Los Angeles,
California.[67] Bettany felt the approach to the series was "very clever" given it had to make six hours of
content on a budget similar to a two-and-a-half-hour MCU film. This included filming content from different
episodes at the same time, which was possible since Shakman directed all of the episodes.[36] Shakman did try
to shoot things chronologically to aid the actors with the progression through various sitcom eras.[8]:34 The
actors were also shown episodes of past sitcoms before filming to help them "capture the spirit of each tone
and style",[31]:50 since the approach to comedy is different in each decade.[9] Dialect coach Courtney Young
helped the actors sound and move like people from each era,[54] with Olsen adding that the manners of each
decade were noted.[9]
The first episode of the series filmed for two days in black and white, and had a live studio audience present,
to mimic sitcom filming.[36][1] Olsen had previously indicated that there were discussions regarding whether
the series would also use a laugh track.[5] For episodes with a laugh track that was not recorded live, the series
worked with an expert to explain how laugh tracks changed throughout time, which helped inform the sound
design.[54] When shooting scenes in black and white, Bettany was painted blue, rather than Vision's maroon
color, since the blue appeared better in the grayscale image. Both Olsen and Bettany found the experience of
the premiere to be surreal and unique.[1] A 4:3 aspect ratio is also used for the black and white scenes.[40]
Shakman enjoyed being able to experiment with the aspect ratio, having it be directly related to the
narrative.[54]
Other period-specific touches were done in each episode, such as period-appropriate camera lenses and
lighting and live special effects.[1] Shakman wanted to ensure the sitcom elements never felt like a parody, but
were as authentic as possible.[31]:50 Hall used 47 different camera lenses for the seven time periods covered in
WandaVision, many of which were modern lenses custom modified to keep characteristics of the actual period
lenses. As for lighting, tungsten lights were mainly used for the 1950s to the 1970s episodes, as those were the
lights of the era, with LED lighting being used starting in the 2000s episodes, as Hall explained that was "the
correct time line for when this equipment entered the filmmaking vocabulary".[32]:6 After the first two
episodes mainly reference The Dick Van Dyke Show and Bewitched, respectively,[21] further episodes have
multiple sitcom homages in them, such as the third referencing both Good Times and The Brady Bunch,[68][21]
"alluding to how television's popularity grew throughout the years",[68] eventually emulating "the talk-to-the-
camera, shaky-camera, documentary style" of some modern sitcoms.[6] Shakman used lenses, lighting, and
sound design to change the mood for moments when something goes wrong with Maximoff's illusion, inspired
by The Twilight Zone. He felt the transition to these moments from the sitcom scenes was "very dramatic".[69]
Location shooting took place in the Atlanta metropolitan area throughout December 2019 and February
2020.[70][71] A filming wrap party for the series occurred on March 1,[72] ahead of a planned four-week
hiatus,[31]:50[73]:1:07 but all production halted on March 14 due to the COVID-19 pandemic.[74] Filming
resumed in Los Angeles in September 2020 with rigorous COVID-19 safety protocols in place,[31]:50 to
complete the backlot and outside filming necessary for the series.[54][68] Olsen found it hard resuming
production after being isolated during the shutdown, while Bettany disliked that the safety protocols meant the
actors had to return to their trailers when not filming, which he felt removed much of the camaraderie between
the cast and crew.[73]:1:29–2:23 Filming took place on Blondie Street at the Warner Bros. Ranch in Burbank,
California, where past sitcoms had also been filmed. Shakman felt the Blondie Street backlot had "that weird
sense of fakeness" that no real-life street could replicate.[1] Production on the series wrapped by mid-
November,[75] with Olsen shooting back-to-back with Doctor Strange in the Multiverse of Madness.[76]
Post-production
During the production shutdown, Shakman began editing what had already been filmed and was able to
"polish it up" before filming resumed. This informed him of how to approach a few things in a different
way,[8]:34 but the series was not creatively altered.[15] Tim Roche, Zene Baker, and Nona Khodai served as
editors.[32]:20[77] In the first three episodes, film cuts and rewind effects were employed to go along with the
practical effects shot. Visual effects supervisor Tara DeMarco said contemporary visual effects were used to
remove wires and smooth the cuts, and occasionally to create wire gags that were not filmed practically.[32]:8
Post-production work on existing footage continued after filming resumed, and Shakman said working on
every step of the process at once felt "schizophrenic".[8]:34 Bettany estimated that the series had more visual
effects shots than the 2,496 in Avengers: Endgame.[78] Visual effects for WandaVision were created by Digital
Domain, Framestore, Industrial Light & Magic, Lola VFX, Monsters Aliens Robots Zombies, RISE, Rodeo
FX, SSVFX, The Yard VFX, and Zoic Studios.[79]
Music
In January 2020, Christophe Beck announced he would compose the score for the series, after previously
scoring Ant-Man (2015) and Ant-Man and the Wasp.[80] Beck paid homage to the sitcoms in each time period
through his instrumentation, compositional style, and period-specific recording and mixing techniques. Earlier
episodes feature small orchestral ensembles, with later episodes having more of a rock-pop style, and the music
becoming more "pervasive" as the series progresses. Beck looked for ways to connect his music across the
different styles, such as composing one love theme for Maximoff and Vision.[32]:9 Michael Paraskevas and
Alex Kovacs co-composed the series' music.[81]
In December 2020, Robert Lopez and Kristen Anderson-Lopez were announced to have written theme songs
for some of the series' episodes. They were approached for the series by Shakman, who was friends with
Lopez at college, and they had previously worked with Beck on the music for Disney's Frozen
franchise.[82][83] In order to tie their themes together, Lopez and Anderson-Lopez created a four-note motif
that worked in each of the theme song styles.[84] Lopez described the motif as "kind of like the WandaVision
call-out, easily identifiable in some way in each song" that was incorporated in different ways each
time.[32]:9[84] The pair used their knowledge of sitcoms from watching them as they grew up, and found the
1990s to be the most challenging era to write a theme song for due to them both being at college during that
decade when they did not have a television,[85] while the 1980s was their favorite. Anderson-Lopez added
that it was challenging to ensure the themes were not "parodying any one show" but "would evoke all of the
iconic songs from an entire decade and be their own thing". She also felt it was their job with the theme songs
to establish the tone, place, and time of the episodes in lieu of title cards providing such information.[84] The
couple also sang on many of the theme songs, something they normally do not do for the final versions of their
songs, which Anderson-Lopez attributed in part to the pandemic and were joined by a group of backup
singers.[85][84]
Soundtrack albums for each episode, including Beck's score and the theme songs by Lopez and Anderson-
Lopez, are released digitally by Marvel Music and Hollywood Records one week after each episode
premieres.[86][81]
Marketing
At the 2019 D23, a teaser for the series was shown that combined footage of Maximoff and Vision from
previous MCU films with images from old sitcom television series The Dick Van Dyke Show and Father
Knows Best.[29][5] The series was promoted as part of Expanding the Universe, a Marvel Studios special that
debuted on Disney+ on November 12, 2019.[28] In December, Feige debuted the first image from the series at
Comic Con Experience. Vinnie Mancuso of Collider said it was "very interesting", highlighting the "old-
school black and white" coloring.[87] A commercial for the series and fellow Marvel Studios Disney+ series
The Falcon and the Winter Soldier and Loki was shown during Super Bowl LIV.[88] Inverse's Dais Johnston
found visual references to past sitcoms in the commercial, including The Dick Van Dyke Show, Leave It to
Beaver, Bewitched, The Brady Bunch, Roseanne, and Full House. They thought the series would be a "must-
see" for Marvel fans as well as "anyone looking for a hit of nostalgia: the era-spanning framework means
anyone can relive the shows of their childhood".[89] Julia Alexander of The Verge said the footage "wasn't
much" but offered "enough glimpses to tease fans".[90] Haleigh Foutch at Collider felt of all the Super Bowl
commercials, Marvel's "stole the whole show". She was most excited by the "utterly strange and unpredictable
looking" WandaVision footage.[91]
The series' official trailer was released on September 20, 2020, during the 72nd Primetime Emmy Awards.[92]
The trailer received 55.7 million online views within 24 hours, including 36.1 million on YouTube, 4.9 million
on Facebook, and 10.1 million on Instagram, which was believed to be the highest number ever for a
streaming service's television series trailer. WandaVision also had over 302,600 social mentions, trending on
Twitter immediately after a teaser aired during the Emmy Awards ahead of the full trailer's release, and
ultimately trending fourth on Twitter. The trailer was the number two trending video on YouTube.[93] Ethan
Anderton from /Film said the footage in the trailer looked like "one of the most trippy Marvel projects to date".
He also noted more lighthearted aspects of the trailer such as Vision wearing a Halloween costume of the
character's comic book design.[94] Matt Patches at Polygon called the trailer "a hoot, full of bright colors and
odd behavior", adding that it still left much of the series a mystery.[95] Comic Book Resources' Noah
Dominguez said the trailer "offers quite a bit in terms of content" with "a vivid look at some of the visual tricks
on display".[96] Charles Pulliam-Moore of io9 called the trailer's use of "Twilight Time" by The Platters "the
most haunting" of all of its strange features, and felt the trailer's editing created "the effect of rapidly flipping
through television channels in search of something good to watch".[44] The Hollywood Reporter's Richard
Newby described the trailer as "jam-packed with information" and felt that it "gives fans quite a lot to look
forward to, as well as some mysteries to ponder over leading up to the premiere".[45] After actors from past
Spider-Man films were revealed to be appearing in the untitled Spider-Man: Far From Home sequel, Graeme
McMillan of The Hollywood Reporter saw the series' official trailer "in a new light", suggesting the different
versions of Maximoff and Vision that appear in the series were because of Maximoff "breaking down walls
between different realities", which could set up Doctor Strange in the Multiverse of Madness and the untitled
Spider-Man film.[97]
In early December, six posters for the series were released daily, each depicting a decade from the 1950s
through the 2000s. Pulliam-Moore noted that with each new poster, "different elements shift and morph, both
reflecting the passage of time and WandaVision's plot developments".[98] The release of the posters was
followed by a new trailer that debuted at Disney's Investors Day presentation. Anderton noted for /Film that
the trailer featured more non-sitcom-inspired footage than previously seen, with "a lot to soak in".[99] Chaim
Gartenberg at The Verge called the new trailer "mind-bending",[100] while Tom Reimann of Collider described
it as "delightfully weird" and drew comparisons to the "House of M" comic book storyline.[101] Tony Sokol at
Den of Geek highlighted the trailer's use of The Monkees' song "Daydream Believer", believing the title and
lyrics reflected Maximoff's state well, though he noted that the music becomes "barely recognizable under
increasing layers of psychedelic weirdness".[102] The trailer received 9 million views on YouTube.[103] The
first two episodes of the series Marvel Studios: Legends, released on January 8, 2021, explore Maximoff and
Vision using footage from their MCU film appearances.[104]
Disney's marketing team conceived its campaign for the series roughly a year-and-a-half before its release.
Including the aforementioned trailers, its outdoor, digital, television, and magazine cover advertisements
yielded 2.14 billion impressions. Analytics firm RelishMix determined the social reach for the series within its
"social media universe" was 263,000, which was "lightyears ahead of most streaming shows". The various
trailers, ads, and interviews posted to YouTube garnered the most awareness and engagement for
WandaVision, with RelishMix noting that content posted to Marvel, Disney, and Disney+'s official channels
was then reposted on fan channels. Leading up to, and including, the series premiere date, advertisements,
"special-look stunt interstitials, co-branded takeovers, on-air graphic integrations, in-show integrations, and
custom talent content" appeared on the various channels and assets of Walt Disney Television, ESPN, and
Hulu, while billboards were seen in major cities such as New York and Los Angeles. The series' Instagram
account created a "never-before-done 'reality bending' grid that updates on its own", while custom emojis on
Twitter updated each week as WandaVision progresses through the decades. Talent and influencers were sent
"a TV-dinner box that had a custom TV tray, utensil set, coasters, drinking glasses, and a [custom] journal
designed to look like a vintage TV Guide".[103]
Release
WandaVision premiered on January 15, 2021, with the release of its first two episodes on Disney+.[105] The
other seven episodes are scheduled for release weekly until March 5.[34][105] Marvel Studios considered
releasing the entire season at once, but chose weekly releases after seeing the "fun of week-to-week" provided
by the Disney+ Star Wars series The Mandalorian. Feige said the episodes were built with the weekly release
in mind, so the audience could "try to guess what happens next, to have a week speculating or rewatching and
building that anticipation." He felt binge-watching the series after all the episodes were released would be an
"equally fun experience".[35] The first two episodes were initially listed as "Episode 1" and "Episode 2" on
Disney+, with their actual titled revealed a few days after their release.[106] Hoai-Tran Bui at /Film originally
assumed all the episodes would be untitled, and wondered if the titles were being withheld upon release to
avoid spoilers despite not finding the first two titles to be particularly revealing.[107]
Shakman said the series was able to premiere so soon after filming completed due to post-production work
beginning during the series' COVID-19 production shutdown.[8]:34 Schaeffer felt the series was "suited to
[being released during] this moment in time", amidst the pandemic, because it is a "reflection of a lot of the
anxiety that we're feeling, and a lot of the pathos and chaos of [2020], so it feels very right to me".[8]:35 The
series was originally announced as releasing in early 2021,[108] before being moved forward to a December
2020 release in February 2020.[109] It was then moved back to the early 2021 slot in November 2020.[110] It
is the first series in, and the start of, Phase Four of the MCU.[15]
Critical response
WandaVision: Critical reception by episode
WandaVision (2021): Percentage of positive reviews tracked by the website Rotten Tomatoes[111]
The review aggregation website Rotten Tomatoes reported a 93% approval rating, based on 148 reviews, with
an average rating of 7.79/10. The website's critical consensus reads, "Part loving homage to TV history, part
off-kilter mystery, WandaVision is a wonderfully weird and strikingly bold step into the small screen for the
MCU – and a perfect showcase for Elizabeth Olsen and Paul Bettany".[111] Metacritic, which uses a weighted
average, assigned a score of 76 out of 100, based on 39 critics, indicating "generally favorable reviews".[112]
TVLine's Rebecca Iannucci gave the first three episodes an "A", calling them "an intriguing, fresh, genuinely
delightful deviation from what we've come to expect", and praising the performances of the cast, specifically
Olsen. She did question if the series would have been better suited releasing its episodes all at once as opposed
to weekly.[113] Giving the series an "A-", Sam Barsanti at The A.V. Club called WandaVision "the ultimate
expression" of the MCU's potential to "do new things and tell new kinds of stories" and a series with the
potential to be "a riveting entry in the MCU canon".[114] Calling WandaVision Marvel's "oddest TV property
to date", Daniel Fienberg of The Hollywood Reporter said it was not weirder than Guardians of the Galaxy,
but it was "creatively courageous [to give] a postmodern exploration of sitcom conventions to an audience
expecting snazzy suits and explosions." Fienberg likened the series more towards meta-sitcoms Get a Life and
That's My Bush! than a traditional comic book series, and called it Marvel's version of the short Too Many
Cooks.[13] The shift between each decade in the episodes was "simply remarkable" to Liz Shannon Miller of
Collider. Miller praised Olsen and Bettany, and said Hahn was "too good for mere words to encompass".
Awarding the series an "A", Miller concluded that the MCU "framework has never allowed for this level of
experimentation before now... WandaVision dares to actually really challenge the viewer".[115] Darren Franich
at Entertainment Weekly said it was an unusual start to Phase Four, and gave the first three episodes a "B+".
He described the scenes that "lovingly conjure the mood of very old television shows" as the best parts of the
episodes, but was concerned that the mystery of the series would be "like just another movie" with the
potential to become "an overly familiar superhero smash-up". Franich said the success of the series would be
determined by how this is handled.[116]
Caroline Framke, in her review for Variety, called WandaVision "an admirably weird introduction to the new
age of Marvel TV", but felt it could be confusing to casual MCU viewers as well as fans of the sitcoms that
inspired it. Framke also did not find any of the episodes "particularly funny", and felt the series' best moments
were when Maximoff and Vision were shown to not belong in their reality.[21] Michael Phillips, writing for the
Chicago Tribune, was more critical of the first three episodes, calling them "interestingly bad" and criticizing
the use of sitcom tropes such as "canned and deadly" laugh tracks. He also felt that one episode's worth of
story was stretched out over the first three.[117] Roxana Hadadi at RogerEbert.com said it was difficult to tell
where the series would go from the first three episodes, but she felt Maximoff and Vision were being sidelined
in favor of the allusions to past sitcoms and also that there was no "sense of narrative stakes" due to the series
taking place within the larger narrative of the MCU.[118] Dominic Patten of Deadline Hollywood was also
critical of the series, calling it "tiresome" and "a baby boomer punchline in search of a joke". Patten believed
WandaVision was a step backwards for Marvel television series, believing that Marvel's Netflix series and
ABC's Agents of S.H.I.E.L.D. were better, and he added the series to his list of times Marvel had "gotten it
wrong".[119]
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External links
Official website (https://www.marvel.com/tv-shows/wandavision/1) at Marvel.com
WandaVision (https://www.imdb.com/title/tt9140560/) on IMDb
WandaVision (https://www.disneyplus.com/series/wp/4SrN28ZjDLwH) on Disney+
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WandaVision

WandaVision is an American television miniseries created by Jac

Elizabeth Olsen and Paul Bettany reprise their respective roles as

Episodes Randall Park

Production Theme music Kristen Anderson-

External links Executive Kevin Feige

Elizabeth Olsen as Wanda Maximoff / Scarlet Witch: Multi-camera

A commercial during the WandaVision program advertises Strücker watches.

3 "Now in Color" Matt Shakman Megan McDonnell January 22, 2021

Retrieved from "https://en.wikipedia.org/w/index.php?title=WandaVision&oldid=1002971895"

This page was last edited on 26 January 2021, at 21:50 (UTC).

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