This document presents a paper that aims to analyze the appearance of the winged iconographic representation of St. John the Baptist in 13th century Byzantine paintings. The paper notes that the earliest known depiction of this winged image of St. John is from a 1295 church. It discusses how this type of representation became widespread later on. However, the fully developed nature of the earliest examples suggests the type emerged earlier. The paper intends to research liturgical texts and other artistic media from the 12th-13th centuries to better understand the origins of this new iconographic portrayal of St. John the Baptist.
This document presents a paper that aims to analyze the appearance of the winged iconographic representation of St. John the Baptist in 13th century Byzantine paintings. The paper notes that the earliest known depiction of this winged image of St. John is from a 1295 church. It discusses how this type of representation became widespread later on. However, the fully developed nature of the earliest examples suggests the type emerged earlier. The paper intends to research liturgical texts and other artistic media from the 12th-13th centuries to better understand the origins of this new iconographic portrayal of St. John the Baptist.
This document presents a paper that aims to analyze the appearance of the winged iconographic representation of St. John the Baptist in 13th century Byzantine paintings. The paper notes that the earliest known depiction of this winged image of St. John is from a 1295 church. It discusses how this type of representation became widespread later on. However, the fully developed nature of the earliest examples suggests the type emerged earlier. The paper intends to research liturgical texts and other artistic media from the 12th-13th centuries to better understand the origins of this new iconographic portrayal of St. John the Baptist.
THE BAPTIST IN THE 13TH CENTURY BYZANTINE PAINTING Sercan Yandım
The present paper aims to present an iconographic type of
John Prodromos, as the so-called “Angel of the Desert” and try to decipher sources of its immediate appearance in the 13th century. His image of this type is first attested in a Deesis composition in the Church of St. Achilles in Arilje and dated to 1295-96. Later, another example is found in St. Nikita near Cucer (1483-84). However, this iconographic type of John Prodromos soon became one of the widely spread portrayals of the saint. Particularly, during the late - and post-Byzantine periods his winged image was rendered mostly on portable icons. Later examples of the type are even to be found in the collections of the archaeological museums of Antalya and Tokat.
The representation in the 13th century, however, exhibits a
fully established type of the image. So that the emergence of the type should be prior to its first testimony in the 13th century. Unfortunately the present stand of the researches on the topic does not provide adequate information concerning the possible origins of this new iconographic type. The present study intends to bring valuable data on the subject, especially by surveying the liturgical texts and other artistic media in use during the 12th and the 13th centuries.
Selected Bibliography
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