Professional Documents
Culture Documents
✜ Introduction ✜
The era of major
transition
A dvertising has been an important economic and social factor for over
a century. It contributes substantially to economic growth and value
creation. Advertising is one of the pillars of the modern consumer society,
driven by brand symbolism.1,2,3,4
The key message of a new study from the UK Advertising Association and
Deloitte (2013) is that the economic role of advertising is much broader
than is usually captured. For instance, they reveal that for every £1 spent
on advertising, £6 is generated for the UK economy. Advertising spend is,
according to Deloitte’s conclusions, a cause of economic growth rather than
an effect of it.5 Just like any other form of marketing communication, advertis-
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ing is generally considered to be the key lever for brands to reach, sell to and
retain consumers. But brands are facing five major challenges today:
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
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2 Advertising Transformed
At the same time, more questions are emerging about the commercial effec-
tiveness and social justification of advertising.
In the course of history, there are five major periods marked by technological
innovations that have led to transformations in the field of advertising. In the
early years of printed press (newspapers and magazines), advertising was
largely product-oriented. Long advertising copy primarily tried to convince
people by using arguments (1890–1910). The advent of radio and cinema, the
breakthrough of photography and the possibilities of colour printing prompted
a wave of symbolism in advertising. Advertising became form, design and
seduction (1920–1940). After World War II, the breakthrough of television as
a mass medium led to the growing importance of personalities and lifestyles
in advertising. Those were the days of the ‘mad men’ (1950–1960). After that,
advertising became much more driven by market segmentation, thanks to
societal fragmentation and the rise of database technologies. CNN and MTV
set the tone for ‘narrow casting’ (1970–1990). The emergence of the personal
computer and the (mobile) internet has triggered the current digital revolu-
tion. Consumers have never been as empowered as they are today. This latest
rapid technological change poses new challenges for advertising and adver-
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tisers, not only in terms of form, but also of content. Interactivity, participa-
tion and transparency are the new mantras. For advertising, this is the age
of collaboration and connectedness.7,8,9,10
Advertising form and content is very much determined by the main technology
used in a certain era. The history of advertising knows five major technological
waves. The rise of the internet and social media is pushing advertising towards
a model of collaboration and connectedness between consumers and their
environment.
(Source: Leiss, Kline and Shally, 1997)
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
Introduction 3
1950–1960 TV Personalization
However, these new technologies never create radical fault lines. Instead,
they initiate a process of transformation.12 Throughout history, the arrival
of a new technology has never meant the end of an existing technology.
Television did not mean the end of radio as a medium. History is like the
rapids on a river, constantly moving forward and constantly gaining speed.
Yet history never returns. The clock cannot be turned back. It is not a ques-
tion of ‘business as usual’.
In essence, the business model of new digital media such as Google and
Facebook can be reduced to a traditional advertising model. Services are
delivered to consumers free of charge and financed by advertising income.
Google generates 95 per cent of its revenue from different forms of advertis-
Copyright © 2014. Kogan Page, Limited. All rights reserved.
ing. Likewise, Facebook gets 84 per cent of its financing from advertise-
ments (according to financial statements for the second quarter of 2012).
If Facebook wants to deliver on the high expectations of its investors (the
2012 IPO failed), it will have to become, more than ever before, an advertis-
ing sales house. Paradoxical as it may seem to some, the future of Facebook
and other similar sites is called ‘advertising’.
At the same time, advertising’s financial model is also an essential pillar of the
traditional media industry. A potential implosion of the advertising model
will lead to a poorer offer, as well as a decrease in quality and, ultimately, a
more restricted consumer freedom of choice. In 2012, respected print brands
including Newsweek, Frankfurter Rundschau and the German edition of the
Financial Times all disappeared. Over the last five years, 268 newspaper titles
are said to have vanished in the United States alone.
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
4 Advertising Transformed
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
Introduction 5
Research on brand loyalty has already shown that consumers are generally
‘loyal’ to a set of brands of their preference. Today, modern families have
accounts at several banks, drive cars of different brands and hold loyalty
cards for a number of different supermarkets and shops. Brand loyalty is
more than ever a matter of shared loyalty. Moreover, brand loyalty has been
decreasing over time.14
Lots of brands are now placing their hopes on social media to enter into
dialogue with consumers. They are proud of their so-called ‘fan base’ (for
example, on Facebook). In late 2011, research from the respected Ehrenberg-
Bass Institute for Marketing Science showed that only 1.3 per cent of these
self-declared ‘fans’ of the biggest brands in the world are actually willing to
‘commit’ themselves to those brands. This is even the case for so-called
‘lovemarks’, like Nike or Harley-Davidson. Brand loyalty no longer seems
to be part of the world we live in.15
Moreover, the contribution to the sales of brands through social media sites
Copyright © 2014. Kogan Page, Limited. All rights reserved.
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
6 Advertising Transformed
compiled by Young & Rubicam revealed that brand confidence had dropped
by about 50 per cent. Scarcely one brand in four enjoyed unconditional
consumer confidence.18 This trend still continues today, in the wake of the
2008 banking crisis.
The underlying causes are not hard to find. In the current economic and
social climate, established institutions are being increasingly questioned.
This is not only true for banks, but also for companies in many industries.
The gap between the corporate world as a whole and the social concerns
Copyright © 2014. Kogan Page, Limited. All rights reserved.
From the many, often diverse, surveys and studies mentioned above, it can
be concluded that a new 80/20 rule has emerged in the relationship between
consumers and brands. Or to be precise: a 75/20/5 rule. This means that
today 75 per cent of brands have lost consumer trust, are offering substandard
services, have lost their relevance and uniqueness, are not delivering on
their promises, are not meeting expectations and are, in the final analysis,
interchangeable. These brands are the playthings of ‘zapping and shopping’
consumers, who are happy to consider cheaper alternatives, often private
labels. Just 20 per cent of brands still enjoy consumer confidence and can
take pride in high levels of brand loyalty. These are the brands consumers
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
Introduction 7
embrace as ‘their’ brands. And a very select 5 per cent enjoy the status of a
‘lovemark’. These are the brands consumers show deep feelings towards and
consider to be their ‘soulmates’. Brands of this kind have an unconditional
following of ‘fans’.21
Even so, the message is already clear for the vast majority of brands. First
and foremost, they will have to work on their performance and their relevance.
They will also need to account more fully to consumers for what they do.
Their prime mission is to satisfy customers. But they will only rise in con-
sumer esteem when they show empathy and succeed in commanding respect.
When a brand keeps its promises, its customers will be satisfied. This is an
absolute requirement for a relationship based on trust. This is particularly
true for products and categories built on the basis of a more functional and
instrumental bond with consumers.22
Since 2008, the economic crisis has given private labels extra impetus.
In difficult economic times private labels gain ground, which they rarely
seem to lose afterwards. However, this is not a new trend. Some A brands
were already neglecting to invest in innovation and advertising for certain
product categories. And a clear correlation has been established between
private-label market share in some product categories and the advertising
spending of A brands. When A brands stop advertising, private labels get a
free ticket to success.23
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
8 Advertising Transformed
Such actions again prove that retailers have become more than the middle-
men for A brands, more than Kotler’s ‘P for Place’ in the marketing mix.
They have become A brands themselves. The quality gap has long since been
closed, and heavy investments are being made in brand and corporate image.
Already back in 2006, supermarkets were ranked as the ‘most trustworthy
industry’ by Belgian consumers in research carried out by Think BBDO.
Depending on the source, US research also shows that one out of every three
Copyright © 2014. Kogan Page, Limited. All rights reserved.
or even one out of every two consumers considers private labels to be the
worthy equivalents of A brands.
The question therefore arises whether A brands still have a bright future.
If they want to stay ahead of the private labels, they will not only need to be
inventive in dealing with the supermarkets, which will be both competitors
and allies at the same time, but will also have to focus on innovation, smart
pricing strategies, branding and advertising for their own brands.
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
Introduction 9
When it comes to irritation, the new social media do even worse than regular
websites. Consumers perceive advertising on social media sites to be less
informative, less credible and less entertaining than advertising on classic
websites. In the main, it seems that people simply do not want to be disturbed
or distracted during their conversations with friends on social media. This is
understandable: social media demand higher levels of concentration from
users, because they are highly participative and interactive. For this same
reason, it is hard to combine social media with other media, according to the
Dutch study. This possibly explains why practical experiments with a so-called
‘second screen’ have only captured moderate consumer attention so far.
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
10 Advertising Transformed
Notes
1 Bughin, J and Spittaels, S (2012) Advertising as an economic-growth engine,
McKinsey & Company [Online] http://mckinsey.com/locations/Belux/~/media/
Belux/final/Advertising.ashx
2 Baudrillard, J (1970) La société de consummation, Folio Essais
3 Debord, G (1967) La société du spectacle, Folio Essais
4 Elchardus, M (2002) De Symbolische Samenleving, Lannoo, Tielt
5 Blackie, S and Lefroy, T (2013) The advertising economy, Admap, February
2013, pp 44–45
6 Leiss, W, Kline, S and Shally, S (1997) Social Communication in Advertising:
Copyright © 2014. Kogan Page, Limited. All rights reserved.
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
Introduction 11
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.
12
Van, Dyck, Fons. Advertising Transformed : The New Rules for the Digital Age, Kogan Page, Limited, 2014. ProQuest Ebook
Central, http://ebookcentral.proquest.com/lib/monash/detail.action?docID=1604372.
Created from monash on 2021-02-23 04:06:30.