Professional Documents
Culture Documents
The
New York
Public
Library
FREE programs, classes, Exhibitions
January–
April 2010
Stephen A.
Schwarzman
Building
mid-manhattan
library
Science, industry
and business
library
Schomburg
Center for
Research in
Black Culture
bronx library
center
Contents General Information
3 Exhibitions Throughout the year, The New Stephen A. Schwarzman Building The New York Public Library for the
York Public Library offers more Fifth Avenue and 42nd Street Performing Arts
Public Programs than 38,000 free public programs www.nypl.org/locations/schwarzman Dorothy and Lewis B. Cullman Center
Exhibition information: 917.ASK.NYPL (917.275.6975) 40 Lincoln Center Plaza
at its 89 locations in the Bronx,
8 Stephen A. Schwarzman Building Free admission. www.nypl.org/locations/lpa
Manhattan, and Staten Island. Exhibition hours: Monday, Thursday–Saturday, Exhibition information: 212.870.1630.
These lectures, classes, panel 10 a.m.–6 p.m.; Tuesday–Wednesday, 10 a.m.–7:30 p.m.; Free admission.
15 Mid-Manhattan Library
discussions, concerts, film Sunday, 1–5 p.m. Exhibition hours: Monday, Thursday, 12 noon–8 p.m.;
20 Science, Industry and Business Library screenings, story hours, and more, Building tours: Monday through Saturday, 11 a.m. Tuesday, Wednesday, Friday, 11 a.m.–6 p.m.;
featuring Library staff members and 2 p.m., and Sundays, 2 p.m., a free one-hour tour of Saturday, 10 a.m.–6 p.m.
24 Library for the Performing Arts as well as noted writers, fine the landmark building. Group tours by appointment; call Building tours: Group tours are available by
artists, performing artists, and 212.930.0650 for reservations and fees. appointment. Call 212.870.1605.
Exhibition tours: Gottesman Exhibition tours are
27 Bronx Library Center scholars, are part of the Library’s
offered free of charge Monday through Saturday, Schomburg Center for Research in Black Culture
mission to make available to the 12:30 and 2:30 p.m., and Sunday, 3:30 p.m. All group 515 Malcolm X Boulevard
28 Schomburg Center for Research in public educational and cultural tours, including school groups, must be scheduled well www.nypl.org/locations/schomburg
Black Culture programs of the highest quality. in advance. Unauthorized tours are not permitted. To Exhibition information: 212.491.2200.
In addition, exhibitions and schedule a tour, call 212.930.0650. Group tour fees are Free admission.
On the Cover special displays at the Library’s $7 per person ($5 for seniors); there is no charge for Exhibition hours: Monday–Saturday, 10 a.m.–6 p.m.
many locations showcase our rich full-time students. Building tours: Group tours are available by
and varied collections. appointment. Call 212.491.2207.
Mid-Manhattan Library
455 Fifth Avenue (at 40th Street) Bronx Library Center
www.nypl.org/locations/mid-manhattan-library 310 East Kingsbridge Road (at Briggs Avenue)
Hours for Library collections Exhibition information: 917.ASK.NYPL (917.275.6975). www.nypl.org/locations/bronx-library-center
vary and are subject to Free admission. Information: 718.579.4244.
change; call to confirm. Exhibition hours: Monday–Thursday, 8 a.m.–11 p.m.; Free admission.
Programs and exhibitions Friday, 8 a.m.–8 p.m.; Saturday–Sunday, 10 a.m.–6 p.m. Hours: Monday–Sunday, 9 a.m.–9 p.m.
are subject to change or Building tours: Group tours are available by
cancellation; for up-to-date Science, Industry and Business Library appointment. Call 718.579.4244.
information, visit 188 Madison Avenue (at 34th Street)
www.nypl.org/locations/sibl All these locations are fully wheelchair accessible.
www.nypl.org/events.
Exhibition information: 917.ASK.NYPL (917.275.6975).
Free admission.
All New York Public Library locations will be closed
Exhibition hours: Monday, Friday–Saturday, 11 a.m.–6 p.m.;
The Spelman Jazz Ensemble, in concert at the for holiday observance on the following days:
Tuesday–Thursday, 10 a.m.–8 p.m.
Schomburg Center in March (see page 28). Friday, January 1; Monday, January 18; Monday, February
Building tours: Tuesday and Thursday at 2 p.m., a free
15; Sunday, April 4.
Other cover images are reproduced in full on pages 3, 5, 21, and 9. one-hour tour. For information, call 917.ASK.NYPL
(917.275.6975).
Now is published three times a year by the The Library Shops Become a Friend of the Library Click on @ the Library
Office of Communications and Marketing: Library donors receive discounts Enjoy discounts at The Library Shop and on Get connected with free technology classes at
at the Shops and online. LIVE from the NYPL tickets, and receive invitations The New York Public Library! We offer a wide range of
Deanna Lee, Vice President for Communications to members-only events, exhibition previews, hands-on technology training at many of our locations
and Marketing The Library Shop at the and receptions. Visit www.nypl.org/support or throughout the Bronx, Manhattan, and Staten Island,
Stephen A. Schwarzman Building call 212.930.0653 for more information. and we’re adding new classes all the time.
Heidi Singer, Director of Digital and Print
Fifth Avenue and 42nd Street Check out the class calendar, and sign up today!
Publications www.nypl.org/events/classes/computer-classes
Barbara Bergeron, Editor
www.thelibraryshop.org
Information/phone orders:
NYPL News
The New York Public Library News is a free e-newsletter
Marc Blaustein, Art Director 212.930.0641.
that will keep you informed about everything exciting For Students and Teachers
Hours: Monday, Thursday–Saturday, The New York Public Library offers many programs
that is happening at the Library. Sign up from home at
Tina Hoerenz, Manager, Graphic Design Office 10 a.m.–6 p.m.; Tuesday–Wednesday, for students and teachers. To arrange an exhibition
www.enews.nypl.org.
10 a.m.–7 p.m.; Sunday, 1–5 p.m. tour, a student research workshop, a professional
Katharina Seifert, Designer
development opportunity, or to have a librarian
© The New York Public Library, Astor, Lenox and Tilden The Schomburg Shop Space Rental come to your school, visit teachandlearn.nypl.org
Foundations, 2010 515 Malcolm X Boulevard (at 135th Street) The New York Public Library’s landmark Stephen A.
or contact NYPL’s Division of Teaching and Learning
www.nypl.org/locations/schomburg Schwarzman Building, located in the heart of New
by telephone at 212.576.0037 or by e-mail at
2 : The New York Public Library NOW
Information/phone orders: York City, encourages the use of some of its most
teachandlearn@nypl.org.
212.491.2206. beautiful spaces for memorable wedding receptions
Hours: Monday–Saturday, and social and corporate events. Let us help make
10:30 a.m.–6 p.m. your event spectacular. For more information, call
212.930.0730 or visit www.nypl.org/spacerental.
Support for The New York Public Lincoln Center: Celebrating Since then, the Library for the Per- Michael Dal Cerro: Contingent
Library’s Exhibitions Program has
50 Years forming Arts has become the and Eternal City
been provided by Celeste Bartos,
Mahnaz Ispahani and Adam Bartos, Through January 16, 2010 world’s largest combined circulating Through March 19, 2009
Jonathan Altman, and Sue and The New York Public Library for the and archival collection in its field, Mid-Manhattan Library
Edgar Wachenheim III. Performing Arts with more than 9 million artifacts, The Art Collection / Art Wall on Third
Donald and Mary Oenslager Gallery
and has presented more than 300 In these woodcut prints, painter
The New York Public Library for From its inception in the mid-1950s, and printmaker Michael Dal Cerro
the Performing Arts gratefully
exhibitions in its galleries, reading
Lincoln Center has been a powerful represents the city as a symbol of
acknowledges the leadership support rooms, and corridors, as well as
symbol of New York’s core substance progress and modernity. His highly
of Dorothy and Lewis B. Cullman. hundreds of expository public pro-
Additional support for exhibitions has and style. Its scale, its architecture colorful imagery—influenced by the
grams, which interpret those collec-
been provided by Judy R. and Alfred and urbanism, its concentration of work of early 20th-century German
tions to the public. Presented in
A. Rosenberg and the Miriam and talent culled from the realms of gov- Expressionist architects and painters
Harold Steinberg Foundation. conjunction with Lincoln Center:
ernment, philanthropy, academia, as well as popular culture and comic
Celebrating 50 Years in the Oenslager
architecture, art, and a broad spec- books—reflects the accumulated
Schomburg Center programs and Gallery, this selection of posters
exhibitions are supported in part by trum of the performing arts, all pow- mass of details and the perpetual
focuses on collaborations with other
the City of New York, the State of erfully embody main currents that energy emanating from bustling
New York, the New York State Black,
Lincoln Center constituents and on
run throughout New York City’s urban centers.
Puerto Rican and Hispanic exhibitions that have celebrated
history and collective character. This
Legislative Caucus, the Rockefeller some of the Library’s unique, archi- Related program: see page 15
Foundation Endowment for the exhibition explores Lincoln Center’s
val collections.
Performing Arts, and Annie E. and history through an extensive array of
Sarah L. Delany Charitable Trusts. some 450 historic and contemporary
objects representing all 12 of Lincoln
Center’s resident organizations.
Some highlights include Leonard
Bernstein’s concert tuxedo, a signed
copy of John Adams’s score “On the
Transmigration of Souls,” the feath-
ered and sequined gown that Beverly
Sills wore at her farewell gala perfor-
mance, a poster designed by Andy
Warhol for the fifth New York Film
Festival in 1967, and the iconic
yellow dress from Lincoln Center
Theater’s Tony Award–winning
production Contact.
Related program: see page 24
The New York Public Library for the Voltaire’s satirical tale of the youth
Performing Arts Candide’s trials, travels, and misad-
Vincent Astor Gallery ventures was a publishing sensation
To commemorate the 20th anniver- in Europe in 1759, becoming both
sary of the fall of Communism in a target of censorship by the Vatican
the countries of the Czech Republic, as well as a hugely popular under-
the former German Democratic ground success. To commemorate
Republic (East Germany), Hungary, Candide’s 250th anniversary, this
Poland, Romania, and Slovenia, the exhibition draws on a wide variety
Library for the Performing Arts has of materials from the Library’s hold-
joined with creative artists and ings, including all 17 of the known
scholars from cultural organizations 1759 editions of Candide; literary
and academic institutions citywide works influenced or inspired by
to create this major exhibition and Candide; illustrated editions; and
a related performing arts festival, materials relating to the 1956 Broad-
Performing Revolution in Central and way production of Candide, with
Eastern Europe. As the revolution in music by Leonard Bernstein. Materi-
most countries of the Soviet bloc did als on loan from other collections
not take place through a violent include the original manuscript of
overthrowing of power, art was one Candide, from the collection of the
of the main arenas where “the revo- Bibliothèque nationale de France.
lutionary” started to happen. The A digital presentation compares
exhibition focuses on theater perfor- various artists’ interpretations of two
mances and other art events that, episodes from the book, and in a
through their form and/or content, brief video, Library President Paul
contested the prevailing totalitarian LeClerc reflects on the transforma-
regime and anticipated the forth- tive power of this single work on his
coming political/social changes by own career, and on his personal col-
breaking the boundaries set by the lection of illustrated editions of
Communist state’s politicians, aes- Candide.
thetes, and censors.
Support for this exhibition has been provided by Martin J.
Gross, an anonymous donor, and
Support for this exhibition has been provided by The Gladys
Krieble Delmas Foundation and Trust for Mutual Additionally, special support for The Martin J. Gross
Understanding. Collection of Voltaire has been provided by Martin J. Gross,
Barbara L. Goldsmith, and Robert W. Wilson.
September 2009 marked 400 years In January 1955, celebrated photogra- Don Cherry, and Paul Bley. He also
since the Englishman Henry Hud- pher W. Eugene Smith quit his recorded such legends as pianists
son sailed into New York Harbor longtime job at Life magazine in Eddie Costa and Sonny Clark, drum-
and up the river that now bears his search of greater freedom and artis- mers Ronnie Free and Edgar Bate-
name, almost to what is now Albany, tic license. In 1957, he moved out of man, saxophonist Lin Halliday,
performing detailed reconnaissance the home he shared with his wife bassist Henry Grimes, and multi-
of today’s Hudson Valley region on and four children in Croton-on-Hud- instrumentalist Eddie Listengart.
behalf of the Dutch East India son, New York, and into a dilapi-
Company. Mapping New York’s Shore- dated, five-story loft building at 821 The Jazz Loft Project, organized by
line celebrates the accomplishments Sixth Avenue (between 28th and the Center for Documentary Studies
of Hudson and other Dutch explorers 29th streets) in New York City’s at Duke University in cooperation
in the New York City region, espe- wholesale flower district. The build- with the Center for Creative Photog-
cially along the waterways forming ing was a late-night haunt of musi- raphy at the University of Arizona
its urban watershed, from the cians, including some of the biggest and the W. Eugene Smith estate, is
Connecticut River and Long Island names in jazz—Charles Mingus, devoted to preserving and cataloging
Sound to the Hudson (or North) Zoot Sims, Bill Evans, and Theloni- Smith’s tapes, researching the pho-
River and the Delaware (or South) ous Monk among them—and count- tographs, and obtaining oral history
River. Drawing on the Library’s less fascinating, underground interviews with all surviving loft
collection of Dutch, English, French, characters. participants. This multimedia exhi-
and American mapping of the Atlan- bition, curated by Sam Stephenson
tic coastal regions, this exhibition From 1957 to 1965, Smith exposed and Courtney Reid-Eaton of the Cen-
exemplifies the best early and 1,447 rolls of film at his loft, making ter for Documentary Studies, is the
growing knowledge of the unknown roughly 40,000 pictures, the largest first-ever public presentation in a
shores along our neighboring rivers, body of work in his career, photo- single place of Smith’s vintage pho-
bays, sounds, and harbors, as well graphing the nocturnal jazz scene as tographic prints (both master prints
as today’s perspective, reflected well as life on the streets, from his and work prints) and his audio
in maps and text exploring growing fourth-floor window. He wired the recordings. 5 : The New York Public Library NOW
Edwin Whitefield. View of Brooklyn, building like a surreptitious record-
environmental concerns.
L.I. from U.S. Hotel. Hand-colored
ing studio and made 1,740 reels
lithograph, 1846.
The Miriam and Ira D. Wallach Division of Art, Support for this exhibition has been provided by the Estate (4,000 hours) of stereo and mono
of Ronald Eaton Moehle, City Planner and NYPL Merca-
Prints and Photographs, Print Collection.
tor Society member, and by a gift in memory of Larry
audiotapes, capturing more than
Slaughter. 300 musicians, among them
W. Eugene Smith at the fourth-
floor window of 821 Sixth Avenue, Related program: see page 15
Roy Haynes, Sonny Rollins, Bill
ca. 1957. Evans, Roland Kirk, Alice Coltrane,
Online exhibition: www.nypl.org/research/chss/
Collection Center for Creative Photography,
shoreline/
The University of Arizona. © The Heirs of W.
Eugene Smith.
Free Exhibitions
In Passing: Evelyn Hofer, Helen Christian Erroi: Leads and Traces The Rose Haggadah
Levitt, Lilo Raymond March 1–31, 2010 March 25–April 18, 2010
February 22–May 23, 2010 Mid-Manhattan Library Stephen A. Schwarzman Building
The Art Collection / Art in the Windows (window display on view McGraw Rotunda
Stephen A. Schwarzman Building
day and night)
Print and Stokes Galleries The Rose Haggadah is a unique artists’
The year 2009 saw the passing of Observation of nature pervades the book, the result of an innovative
three distinguished women photog- work of artist Christian Erroi, who annual commission from the Rose
raphers: Evelyn Hofer (born 1922), uses illusionism to explore emotional family, presented to the Library’s
Helen Levitt (born 1913), and Lilo states, levels of consciousness, and Dorot Jewish Division by the Rose
Raymond (born 1922). This exhibi- the various ways that viewers perceive family in 2005. In three volumes, the
tion, presented in conjunction with his work. This site-specific installa- Rose Haggadah brings together 50
the 30th anniversary of the National tion of color photographic works will years of Passover-themed artwork,
Women’s History Project (coordina- inspire free association in passersby ranging stylistically all the way from
tor of the annual celebration of on bustling Fifth Avenue. “New York social realist” Jack Levine
Women’s History Month in March), Related program: see page 18 to New York Review of Books caricatur-
features three dozen of their striking ist David Levine, via some of the most
images, all from the Library’s Photog- prominent American artists of the
raphy Collection. 20th century. Each year, at Passover,
the Library shows an opening from
6 : The New York Public Library NOW
April 21–May 8
Hamilton Grange Library
503 West 145th Street
(at Amsterdam Avenue)
212.926.2147
June 2–19
Todt Hill–Westerleigh Library
2550 Victory Boulevard
(past Willowbrook Road)
Staten Island
718.494.1642
June 23–July 10
Hudson Park Library
66 Leroy Street
(off Seventh Avenue South)
Ongoing Displays Traveling Panel 212.243.6876
help you develop an appreciation for thorough. A librarian will answer Researching with E-Resources:
antiquarian books and to assist you questions, make suggestions, and Catalogs
in determining if your books are address your particular research
Anne-Marie Belinfante, Specialist, Dorot Jewish Division
rare. Learn what you need to know This introduction to research con-
needs.
before buying or selling an old book. centrates on the Library’s new inte-
grated online catalog as well as basic
navigation of WorldCat, an online
Joel Meyerowitz. Fort Washington
Park, Little Red Lighthouse, Below the catalog of materials held in libraries
Bridge, Spring, 2006–2009. worldwide.
© Joel Meyerowitz Photography.
www.nypl.org
March 6 at 2 p.m.
Republishing the Out-of-Print: A Visit with
New York Review Books
How do out-of-print books find new life as republished
titles? Join Sara Kramer, Managing Editor of NYRB Classics,
and a fellow series editor for a discussion of how a book
disappears from the market, only to find new life
decades later.
April 3 at 2 p.m.
Women Who Create Graphic Novels for Kids
Three of New York City’s top female graphic novelists dis-
cuss comics and their role as women in a changing field.
9 : The New York Public Library NOW
Join Colleen AF Venable, Raina Telgemeier, and Tracy
White for an exciting discussion.
“Habit of Perdita in the Comedy of March 24 at 5:30 p.m. April 8 at 11:30 a.m. April 21 at 1:15 p.m.
The Winter’s Tale.” Hand-colored Of City-Slickers and Straphangers: New Tools in Map Research Researching with E-Resources:
engraving from A Collection of the
Researching Urban Ancestors See January 14 Periodicals and Newspapers
Dresses of Different Nations, Anti- Laura Murphy DeGrazia, CGSM and president of the Board for
ent and Modern.... London, 1757–72. Certification of Genealogists See January 13
The Miriam and Ira D. Wallach Division of Art,
Researching urban ancestors is April 13 at 3:15 p.m.
Prints and Photographs, Art & Architecture
Collection. fraught with difficulties. Dealing (repeated April 28) April 22 at 11:30 a.m.
with large populations, multiple Basic Internet New Tools in Map Research II
people by the same name, and the See January 19 See January 28
tendency of many city-dwellers to
move frequently demands a unique April 13 at 5:30 p.m. April 22 at 3:15 p.m.
approach to research and an under- Trace Your Roots with DNA Uncovering Your Family History:
Megan Smolenyak Smolenyak, member NYG&B, and chief genealogist
standing of which records will be for Ancestry.com Introduction to Genealogical
most useful. DNA is the latest in a growing num- Research
Series: The New York Genealogical & Biographical Society ber of tools to help you find family See January 28
Lecture Series (see February 17 and April 13 for other
programs in this series)
origins and connections. Learn how
DNA testing may advance your April 23 at 2:15 p.m. 13 : The New York Public Library NOW
research. Cooked Books
March 25 at 11:30 a.m.
(repeated April 22) Series: The New York Genealogical & Biographical Society See January 27
Lecture Series (see February 17 and March 24 for other
New Tools in Map Research II programs in this series)
See January 28
April 14 at 2:15 p.m.
Downloading with Confidence
See January 20
Stephen A. Schwarzman Building Free Programs
Fifth Avenue and 42nd Street
January 26 at 7 p.m.
Lore Segal in Conversation with Julie Orringer
Writers Lore Segal and Julie Orringer, both former Cullman
Center Fellows, discuss Lucinella, Segal’s deliciously wicked
satire of the New York literary scene, which has just been
reissued by Melville House.
February 25 at 7 p.m.
Linda Gordon: Dorothea Lange: A Life Beyond Limits
Former Cullman Center Fellow Linda Gordon discusses her
riveting new biography of Dorothea Lange, one of America’s
most gifted photographers and the foremost chronicler of the
voiceless and the dispossessed.
The Cullman Center is made possible by a generous endowment from Dorothy and Lewis B.
Cullman in honor of Brooke Russell Astor, with major support provided by Mrs. John L.
Weinberg, The Andrew W. Mellon Foundation, The Estate of Charles J. Liebman, Mel and Lois
Tukman, John and Constance Birkelund, The Samuel I. Newhouse Foundation, and additional
gifts from The Gilder Lehrman Institute of American History, Helen and Roger Alcaly, William
W. Karatz, The Rona Jaffe Foundation, The von der Heyden Family Foundation, and Lybess
Sweezy and Ken Miller.
on the sixth floor of the Practitioners, and Customs: Naked City: The Death and Life
Mid-Manhattan Library. A New York City Original, with of Authentic Urban Places, with
Seats are available on a William E. Wander Sharon Zukin
first-come, first-served basis. The Beefsteak banquet—a massive This panoramic survey of contempo-
For information about the feed of meat, meat, and more meat, rary New York explains how our
many other programs offered, washed down with ale or beer—orig- desire to consume authentic experi-
visit www.nypl.org/locations/ inated at a private club in the days ence has become a central force in
mid-manhattan-library. just after independence. The ritual’s making cities more exclusive.
strict rules were fine tuned over the
centuries and perfected in the late January 21 at 6:30 p.m.
Author @ the Library presents:
19th century. Even today, in a time
of cholesterol counting and fad diets, My River Chronicles: Rediscovering
the Beefsteak exhibits surprising America on the Hudson, with
adherence to tradition. Jessica DuLong
One of the world’s only female fire-
January 12 at 6:30 p.m. boat engineers offers a visual port-
Author @ the Library presents: hole-view narrative of the river and
After Khomeini: Iran Under its social tapestry as a microcosm of
His Successors, with Said Amir post-industrial America. At this piv-
Arjomand otal moment in our national story,
Beginning with a capsule biography she raises important questions about
of the man who masterminded the our future while paying homage to
revolution that overthrew the Shah, our industrial past.
Arjomand then traces the emer-
gence and consolidation of the pres- January 23 at 2:30 p.m.
ent system of collective rule by An Artist Dialogue with Michael
clerical councils and the peaceful Dal Cerro and Roberta Waddell
transition to dual leadership by the Roberta Waddell, Curator Emerita of
Ayatollah as the supreme guide and The New York Public Library’s Print
the subordinate president of the Collection, joins Michael Dal Cerro
Islamic Republic of Iran. to discuss the evolution of his work
and his Art Wall on Third exhibition
January 13 at 6:30 p.m. of woodcut prints, Contingent and
Author @ the Library presents: Eternal City (see page 3).
Cafe Society: The Wrong Place
for the Right People, with Terry January 25 at 6:30 p.m.
Trilling-Josephson Artist @ the Library presents:
the Arthur Conan Doyle Classics Eating History: Thirty Turning Points
Influence Contemporary Mysteries in the Making of American Cuisine
(panel discussion) (Arts and Traditions of the Table:
Sir Arthur Conan Doyle’s four nov- Perspectives on Culinary History),
els and 56 short stories about Sher- with Andrew F. Smith
lock Holmes set the gold standard The American diet wasn’t always as
for mystery writing, and anticipated corporate, conglomerated, and corn-
much of today’s forensic science rich as it is today, and the style of
practice. Join moderator E. J. Wag- American cooking, along with the
ner and mystery writers Lyndsay ingredients that compose it, has
Faye, Jonathan Maberry, Reggie never been fixed. Food expert
Nadelson, and Andrew Peck as they Andrew F. Smith pins down the
discuss the effects of the Holmes truly crackerjack history behind the
canon on their own work and that of way America eats.
other contemporary mystery writers.
Organized by the Mystery Writers of February 3 at 6:30 p.m. February 8 at 6:30 p.m.
Author @ the Library presents: Author @ the Library presents:
America/New York Chapter.
Dorothea Lange: A Life Beyond Automats, Taxi Dances, and
January 27 at 6:30 p.m. Limits, with Linda Gordon Vaudeville: Excavating Manhattan’s
Author @ the Library presents: Dorothea Lange’s iconic photos—the Lost Places of Leisure, with David
The Row House Reborn: Architecture “Migrant Mother” holding her child, Freeland
and Neighborhoods in New York City, the gaunt men forlornly waiting in Uncover the skeletons of New York’s
1908–1929, with Andrew S. Dolkart breadlines—are widely recognized, lost monuments and night-life. With
After World War I, in an early exam- but the arc of her extraordinary life his keen eye for architectural detail,
ple of what we now call “gentrifica- is less known. In this sweeping author David Freeland opens doors,
tion,” the bleak row houses of old visual presentation, a renowned his- climbs onto rooftops, and gazes
New York were transformed: stoops torian charts Lange’s journey from down alleyways to reveal hidden
were removed and drab facades were polio-ridden child to wife and gems of Manhattan’s 19th- and 20th-
enlivened with light. The social mother, San Francisco portrait pho- century entertainment industry.
makeup of these neighborhoods was tographer, and chronicler of the
also profoundly altered, as poor and Great Depression and World War II. February 9 at 6:30 p.m.
Author @ the Library presents:
largely immigrant households were
priced out of the area. February 4 at 6:30 p.m. Save the Deli: In Search of Perfect
Author @ the Library presents: Pastrami, Crusty Rye, and the Heart
February 1 at 6:30 p.m. Spotlight: A Close-Up Look at the of Jewish Delicatessen, with
Author @ the Library presents: Artistry and Meaning of Stephenie David Sax
In the Air and on the Streets: Meyer’s “Twilight” Novels, with Join journalist and life-long deli
Women Photographers in the John Granger obsessive David Sax as he journeys
“New” New York, 1890s–1940s, Why do millions of readers love across the United States and around
with Mary Norman Woods these Young Adult Vampire the world to investigate everything
In the 1890s, women photographers Romances? To find the answer, John deli—its history, its diaspora, the
began creating new lives and artistic Granger (the “Dean of Harry Potter next generation—and tells us about
identities in New York, a vertical city Scholars,” according to Time maga- the food itself: how it’s made, who
16 : The New York Public Library NOW
of skyscrapers. At a time when few zine) looks at the “Twilight” novels’ makes it best, and where to go for
women were architects or planners, surface artistry, their implicit moral- particular dishes.
Gertrude Käsebier, Berenice Abbott, ity, their archetypal allegory, as well
Margaret Bourke-White, Louise as their hermetic meaning. This
Dahl-Wolfe, Helen Levitt, and Lisette don’t-miss-it event is for Twi-Hards
Model took their cameras to the as well as for serious readers want-
streets and atop skyscrapers to ing to learn how to read popular lit- “Sherlock Holmes” by H. M. Brock.
“construct” a modern city through erature with appreciation. From Characters from Fiction, 1933,
a series of cards distributed in
images.
cigarette packaging.
George Arents Collection.
www.nypl.org
Richard Montgomery, with Sally Helluva Town: The Story of New York
Webster April 14 at 6:30 p.m. City During World War II, with
On the porch of St. Paul’s Chapel in How to Write Fiction That Sells, Richard Goldstein
lower Manhattan stands an elegant with Jane K. Cleland Throughout World War II, New York
marble monument to General Rich- An understanding of the role of City was more than just a major
ard Montgomery, the first officer to structure, characters, pacing, plot, port; the burgeoning metropolis had
die in the Revolutionary War. The surprise and suspense, climax, and become a world capital in finance,
monument’s complex history links resolution is essential to crafting production, and the arts. In this
the statesmanship of Benjamin novels that sell. Designed for fledg- visual presentation, New York Times
Franklin, who commissioned the ling authors, this presentation is writer Richard Goldstein draws on
monument in France; the naming packed with specific hands-on interviews, memoirs, archives, and
of New York City as the nation’s first tactics from the best-selling author contemporary accounts to capture
capital; and the monument’s instal- of the Josie Prescott Antiques the electricity and vitality of the city
lation in 1787 by Pierre-Charles mystery series. and the role it played in the national
L’Enfant, the French architect who war effort.
designed Washington, D.C.
April 20 at 6:30 p.m.
Author @ the Library presents:
Before Ellis Island: The Castle
Garden Emigrant Depot, 1855–1890,
with Brendan O’Malley
During the second half of the 19th
century, the vast majority of Euro-
pean immigrants—8 million of
them—entered the United States
through the Castle Garden Emigrant 19 : The New York Public Library NOW
March 2 at 6 p.m.
Reinventing Your Career: Marketing
Yourself in Changing Times
A change in the economy, your com-
pany, your personal finances, your
family, even your health—any
of these factors can require you to
rethink your career. Looking for
work in a new field may seem daunt-
ing, but in this presentation, Claire
Wyckoff, career coach and author of
The Right Leader, outlines the steps
involved and answers questions
about how to implement them.
March 3 at 6 p.m.
The Five Myths of Job Search
In a slow job market, some job-seek-
ers find work much sooner than
others. Career coach Win Sheffield
addresses the five main beliefs that
make people spin their wheels in
the job search.
March 4 at 6 p.m.
Success Strategies for Aspiring
Entrepreneurs
Learn to create a plan for your great
business idea, and leave with tips
about how to keep that plan alive.
Michelle Wood is certified as both a
Five O’Clock Club coach and as an
Entrepreneur Trainer with the
National Foundation for Teaching
Entrepreneurship. Her corporate
experience includes a stint at IBM. March 10 at 6 p.m. March 16 at 6 p.m.
Best Proven Business Boosters Tax Tips for Your 2009 Return
March 9 at 6 p.m. for the New Economy Sponsored by the Financial Planning
How to Reframe Your Big The right business model and strate- Association of New York.
Financial Picture gic plan separates a winner from a
Traditional ways of planning for the loser in a difficult economy. This
future may not work in the new eco- interactive session features Debra
nomic environment. Should you Flanz, President of Business Clarity,
start a new business? Are stocks and who introduces seven proven tech-
bonds your only choices? How can
22 : The New York Public Library NOW
niques for achieving better results “The Proposed Income Tax. Belmont—
you best manage your budget? Joan for your company. ‘What an outrage to talk of taxing
Lappin is founder and CEO of Gra- me. Why not raise the money by
mercy Capital Management, one of taking another twenty-five cents
very few firms to have been ranked a day off of those fellows’ wages?’”
#1 in Nelson’s Directory of Regis- Political cartoon, ca. 1871, lampoon-
ing the anti-income tax position
tered Investment Advisors. Let her of August Belmont, financier and
reframe your big-picture thinking. racehorse breeder (for whom the
Belmont Stakes is named).
The Miriam and Ira D. Wallach Division of Art,
Prints and Photographs, Print Collection.
www.nypl.org
January 28 at 6 p.m.
Samuel Magill, cello; Lucian
Rinando, flute; Linda Hall, piano
Works by Boris Tchaikovsky, Lowell
Liebermann, and Philip Lasser.
February 8 at 6 p.m.
At Least at Juilliard There Was
Music: William Schuman at
Lincoln Center
Lecture by Joseph Polisi, President
of the Juilliard School.
William Schuman was President of
the Juilliard School (1945–62) and
the first President of Lincoln Center
Selected Public Programs January 7 at 6 p.m. for the Performing Arts (1962–68).
All programs are presented Györ National Ballet from The William Schuman Papers
in the Library’s Bruno Hungary: Petrushka and the Fall are housed in the Library’s Music
Walter Auditorium. of Communism Division.
Admission is free, and first- Lecture by Linda Szmyd Monich. Series: Lincoln Center 50 Years
come, first-served. For more Presented in collaboration with the
information and program Joyce Theatre. February 11 at 6 p.m.
updates, call 212.642.0142. Related exhibition: Revolutionary Voices: Performing
15 Days of Dance: The Making of
Arts in Central & Eastern Europe in the 1980s
Ghost Light
The third of four programs in the
January 9 at 3 p.m.
series featuring selections from
Kalidasa’s Shakuntala: An Evening
Elliot Caplan’s 18-hour film. The
of Scenes and Commentary
filmmaker, choreographer Brian
Presented by The Magis Theatre
Reeder, and ABT dancers will be
Company Bryan Wagorn.
present to discuss the excerpts. The
An examination of the significance Photo: Justin Bahrami.
final program takes place March 8.
and contribution of the fifth-century Carol Wincenc.
Photo: Christian Steiner.
Sanskrit epic.
February 25 at 6 p.m.
Carol Wincenc, flute; Bryan Wagorn,
January 14 at 3 p.m.
piano
Bruno Eicher, violin; Gerald Kagan, Joy In Singing
Works by British composers.
cello; Susan Kagan, piano
Works by Ferdinand Ries and others. Wednesdays at 2:30 p.m.,
March 8 at 6 p.m. January 27–March 24
15 Days of Dance: The Making of Art Songs and Commentary
January 21 at 6 p.m.
Ghost Light by Paul Sperry
In Their Own Voices: Documenting,
See February 11 for information.
Preserving, Presenting the Perfor-
ming Arts Through the Doris Duke Wednesday, April 7, 1–5 p.m.
March 22 at 6 p.m. Joy In Singing Finals
Charitable Foundation Project
Beloved That Pilgrimage:
Join the Duke Project staff for a dis-
The Songs of Samuel Barber
24 : The New York Public Library NOW
January 19
The Man Who Overestimated
the Czech Soul: The Escapes of
Josef Bryks
color/b&w, 52 minutes
Produced by Pavel Palacek, 2007
In Czech with English subtitles