Outside In Magazine

Issue 1 - Summer 2021

Welcome
“Outside In has
always provided a
platform for artists
who face barriers to
the art world due to
isolation, disability,
mental health and
economic hardship.
As the pandemic
has continued,
those barriers have
increased and, in
response, so must
Outside In’s work.”

- Marc Steene,
Outside In founder
and director

At the boundry by Tony Fisher Front cover image: Unity by Sabine Kaner
02 |
For over fifteen years Outside
In has been providing a
platform for artists who face
barriers to the art world. In
this last year the pandemic
has created an unprecedented
challenge for many of our
artists. The barriers they
face to access the art world
have become even harder
to overcome in these times
when social contact has
been so minimised. There
have been even fewer
opportunities for physical
meetings, shows, curation
and learning.
I have been so proud of the
Outside In team’s efforts to
find new ways to keep
channels of communication
open with all of our artists.
Already well represented
in the digital space they
have forged ahead with the
new interactive web site,
strengthened social media
and a new podcast offering to
keep people connected.
But they also recognised
that for some of our artists,
computers and other means
of digital access are not easily
available or welcome. This
magazine has been created to
recognise that a physical,
paper-based means of
communication is still an
important part of life for
many artists. We hope you
enjoy the content.
- Charles Rolls, Outside In
chairman
| 03
Contents

11 20 21

06 | 08 | 14 | 16 | 18 |
A Year In Unlocked Lockdown Exhibition Artist
Numbers Exhibition Postcards News Development
Update

26 | 28 | 30 | 32 | 38 |
Cathy Chilly Henry Boxer Julia Oak and Keep Support Us
Interview Interview Madge Gill Creative
04 |
 11 16 35

19 | 20 | 21 | 22 | 25 |
Artist Step Up Training Outside In’s Estelle Woolley Chris Hoggins
Development Update new podcast Interview Covid Diaries
Midlands

39 | 40 | 42 | 43 |
Postcard Contact Us Key dates Get In Touch
Fundraiser coming up
| 05
A Year In Numbers
1 new podcast, 1
new magazine and
Artists 1 new artist app
showcased launched to help
Regional their work connect and celebrate
hub launched at 12 the work of
in the Share Art artists and

138 3
Midlands events Outside In

In the 12 3 Exploring
collections
1
height of
lockdown courses launched
138 new in Glenside,
artists joined Glasgow and
Outside In Wakefield as part
of the Patient
Artwork Project
06 |
 Outside In
A new hosted new events
virtual gallery including
has hosted Zoom cafés
3 major and Spoken

35 6 20
exhibitions Word

35 artists
trained by
3 The Midlands 20 new
Hub microsite ambassadors
Outside In’s showcased have been
professional
6 Featured trained
development
programme Step
Artists
Up have delivered
online creative
workshops | 07
Unlocked Exhibition
To celebrate the amazing
creativity of Outside In artists
during the Covid pandemic,
a virtual showcase exhibition
has been put together.

‘Unlocked’ reflects a cross-

section of the events and
emotions of lockdown – as
well as the many materials
and methods used to capture
this unprecedented time.

Marc Steene said: “The

pandemic has had a profound
impact on people’s lives, it has
shown the need for creativity
in challenging times and the
benefits that art can have for
both the individual and society
at large.”
To view the exhibition please
visit outsidein.org.uk/unlocked
Untitled by Rebecca Brown
08 |
Dreaming of Summer by Kate Simms Unity by Sabine Kaner
| 09
Unlocked Exhibition

Social Distancing by Clarke Reynolds

A Bedtime Story by Corinne The Ghost of Dominic by Dominic

Bennett

10 |
 Reprobation Masks by Straiph Wilson

Hanging out with Persistence by GreyTin Self Portrait by Gail Henderson

| 11
Unlocked Exhibition

A New Normal – performance piece by

Bibo Keeley

Detail of work by Beth Hopkins Forgiveness and Retribution by Carla

12 | Cannon
 Artwork created during lockdown was shared with Outside In on
social media using #ShareArtOnline. This hashtag feed can be
seen on the exhibition page and will be constantly changing – so
why not get involved and unlock your artwork too?

Silent Spring by Sarah Harris

Outer by Cara Macwilliam

Blackbird by Clare Gravenall Hiraeth-Am Heddwch II by Postcard by Alex Coppock Bunce

Ceridwen Powell | 13
Lockdown Postcards
Artist Erika Flowers returned to creating
postcards – something she did to document
her time in prison – to capture the events
and emotions of the Covid pandemic and life
under a different lockdown.
Erika said: “Drawing an aspect of the
Lockdown that I was aware of during that day
became an evening ritual. The fact that the
first ones are black and white I think is quite
apt in telling of the bleak outlook that we
were all facing!”
No PPE

Fossil Record Truth Bridge

14 |
Lockdown Social gathering places ordered to close

Sweet Delivery Dreams Pouring Money Camping

| 15
Exhibition News

Artist Alan Payler photo by Heather Hill

16 |

Blue Sky by Alan Payler
Pink Flowers by Alan Payler
Details can now be announced for the solo show
which was awarded first prize to Outside In
artist Alan Payler as part of the 2019 National
exhibition ‘Environments’.
‘Under a Blue Sky’ will take place at Phoenix
Gallery, Brighton, 1 - 25 April 2022, and showcase
Alan’s work alongside that of other artists who
attend the Community Art Project in Darlington.
The exhibition will have an engagement
programme that aims to connect artists and
audiences from all of England. Outside In will
have an opportunity to work in a new way, using
digital and printed media to extend its reach and
overcome visitors barriers to arts engagement.
Speaking about Alan’s work Grayson Perry, who
was one of the judges, said: “Art is a purely
subjective thing. The winning work was the work
of art that most closely aligned with something
I would be happy to make myself and gave me
joy. Also it was like something I had never seen
before. I would very much like to come and see
Alan’s solo show in Brighton.”
| 17
Artist Development Update
Top tips for refreshing your online gallery
1. When writing your artist statement, be
authentic and ask yourself what is unique about
you and your work? Try not to use complicated
language. If you need inspiration, why not look
at other artist statements? Working out why
they stand out will help you to write yours.
2. Pictures are worth a thousand words. You
don’t need a fancy camera as smartphones work
well and even allow you to crop pictures. Always
aim for natural lighting and neutral backgrounds
Chocolates and Flowers Bring the Sunshine by
too to make sure your art work stands out.
Sam Parratt
3. Think about the audience. How will they find Tag examples;
your work? The Outside In website lets you tag
Chocolates Sunshine Flowers Heart
your art using descriptive words which link
to the search database. Things to include could 5. Finally, make sure you share your online gallery
be materials? Colours? Any themes in it? link with people. You can add your link to social
media, send it in messages or even on business
4. Make connections. Don’t forget there is a cards – be active in sharing your art work!
comment section on the gallery website, have a
browse and leave comments to artists – this is a If you need any support please contact Hannah
great way to connect with people. or José, details on page 38.
18 |
Artist Development Midlands
Our Mental Health Archive by Corinne
Corinne reveals how technology and
opportunities have allowed her to be an artist
from the confines of her bed.
In January I was selected as a Midlands Hub
Featured Artist. This gave me both the platform
and confidence to create and show my first
video piece ‘Dear Voices’. The self-portrait work
explores the process of painting the nature I
long to be within on my bedsheets and skin,
after my voices forbid me from leaving home..
This opportunity started just after my
application for a remote residency with
Outside In and The New Art Gallery Walsall was
successful. A remote residency was perfect for
me as it removes my barrier of not being able to
be physically present.
For the residency I engaged with online
audiences in a dialogue around mental health in
the context of Covid-19, drawing on anonymous
contributions to create an installation within my
bed, upon my pillows, bedsheets and nightie.
The pandemic had a debilitating effect upon my
already fragile mental health and I believe we
are in a mental health crisis.
I revealed the installation via zoom and
welcoming the audience into my bedroom and
showing my work was a moving experience. The
shift from in-person events to digital has opened
up my world. I’m deeply thankful to Outside
In and The New Art Gallery Walsall for the
opportunities and making me believe I can be an
artist and take part even from bed.
| 19
Step Up Training Update
Applications open for new courses.
Patient Artwork: New Dialogues is an exciting
two year project by Outside In which is
focusing on raising the profile of art work
created by patients of psychiatric hospitals.
Applications are now open for opportunities
with museums in Glenside, Glasgow and
Wakefield.
The courses will see artists learn research and
interpretation skills as well as take part in an
exhibition in 2022 which will showcase the
creative responses. There is also opportunity
for artists selected to participate in this course
to go on and take part in a Step Up: Curating
Exhibitions course next year.
Please note that the courses are only open
to those who live locally to the museums.
Applicants must also be Outside In artists, or
meet the charity’s criteria.
To find out more please call Kate Davey, on
07903 028391 or visit the dedicated website - Replica Jacket, image courtesy of the Mental
outsidein.org.uk/patient-artwork-projects Health Museum
20 |
Outside In’s new podcast
Outside In is updating how it communicates We will be launching three more episodes this
by launching this new magazine as well as an year with the next scheduled for mid-summer.
exciting new series of podcasts. If you would like to be interviewed or to guest-
present on the podcast or have an idea for
Called Inside Outside In, the podcasts offer a something we might include – we’d love to
glimpse into the world of Outside In and include hear from you! Please get in touch with Matt
interviews with artists and our friends from on 07903 028452 or matthew.forbes-dale@
the art world, performance-related work and outsidein.org.uk
reviews of exhibitions and events. The episodes
are available in both audio and audio-visual
formats (complete with subtitles and BSL
interpretation).

You can watch the first edition now on our

website (or listen on Spotify), which includes an
exclusive interview with artist Grayson Perry
who talks about everything from uninspiring
nature, cats versus dogs, his favourite artists
and Art Club to how he’s coped with Lockdown.
It also features interviews with Outside In artists
featured in our current Virtual Gallery exhibition,
Unlocked, and artist Tanya Raabe-Webber
talking to Justin Edgar about his controversial
online exhibition, ‘Reasonable Adjustment.’ Grayson Perry is a guest on our new podcast
| 21
Estelle Woolley Interview
Estelle Woolley How would you describe your
shares how work?
art has given I minimally and poetically use
her a sense of materials, which are often very
purpose and fragile, to explore possible
how Covid has narratives and layers of meaning.
inspired her By subtle manipulation I hope to
renew a sense of curiosity, while
latest body of
always highlighting the beauty
work.
inherent in the forms used.
The work is multidisciplinary
in nature, (and can include
performance, sound art,
photography) but most often
utilises object juxtaposition.

What inspires you?

The cyclical element of the
processes in nature inspires me,
as do the insignificant details
that we might often pass by. I am
interested in ways that we work
Rainbow Meadow with or against nature; how we
22 |
react and intervene, and how nature responds
back at a domestic level and beyond. I am
often drawn to fragile, natural materials which
resonate with me, which are often macabre. I
enjoy the play between attraction and repulsion
within my work and provoking a feeling within
the viewer.

How has Covid impacted your work?

These photographs were originally conceived
for a commission with Chester Virtual
Bandstand, where the call out was to create
work inspired by the pandemic. With limited
access to my studio during lockdown, I was
restricted with my use of materials and decided
to use what I could find around me during my
daily walks. I adapted to the situation and have
found myself exhibiting and promoting myself
through several online platforms. I have enjoyed,
and embraced, sharing my work in online
exhibitions and magazines, whereas before
this year I had only physically exhibited in the
traditional way. Sneeze
| 23
What is your process? achievement, I really believe that it is food for the
I continued the practice of ‘daily walking’ at the soul and the process of creating art has been very
start of lockdown which spilled over into my artistic beneficial to my wellbeing over the years.
practice. My series of facemasks were composed of
delicate and ephemeral natural materials, foraged
from my walks in the countryside. I have been
homing in on my immediate surroundings, paying
close attention to the plant life as it comes in and
out of season and collecting objects and materials
which spark interest or meaning, then assembling
these onto a mask and taking a self portrait. These
materials change as the seasons change. Early
masks in the series were made from buttercups,
dandelion clocks and forget me nots, for example,
each with their own narratives. Other masks used
more macabre materials such as black butterflies,
bees, and a wasp nest. While as we transcended into
Autumn/Winter the masks were made.

What role does art play in your life?

Art gives me a great sense of purpose and
Calm

24 |
Chris Hoggins Covid Diaries
Christopher Tell us about your Covid diaries…
Hoggins, an They started as a coping mechanism,
Outside In a way of becoming a distanced
artist who ‘lives observer rather than a participant
beside the in some rather traumatic events.
seaside with far How have they been received?
too many toys’
Pretty well on the whole, I think I’ve
shares how got the balance right. I don’t think
he’s produced a something like this can be judged now
book during the as this is an event that will become
pandemic and history. A historical document? That’s
how his next probably a bit of a pretentious thought
work will be his though.
most personal.
What are you working on next?
I just found out that at 50 years old,
I’ve had autism my whole life and
never known. I want to create a puzzle
book along the lines of Kit William’s
‘Masquerade’ but the mystery being
how did I not pick up such obvious
My ideal home signs?
| 25
Cathy Chilly Interview
Cathy Chilly shares how creativity helped
her during lockdown and resulted in her
capturing Covid on canvas in a series of
48 paintings.

Could you tell us about lockdown, and the role

being creative had for you during that time?
Yes, a very hard period, a period which we have
never known in our lifetimes. Most certainly the
smaller things have become more relevant which has
been quite nice. I definitely think that people have
slowed down and that is really nice as well.
I think everyone has really got a bit more time to say
hello across the street and things like that. And lots
of people are trying to help other people which is
really, really nice. I think because we are not going
out it has opened the doors to more creativity.
I think for myself, I have enjoyed the quiet and the
being able to stop. So you can get on with something
else which you might want to do rather than a
normal life or working and things like that.
So yes, it has been very different, and I know it has Tea Break
26 |
been hard for a lot of people but there have been
some sides to it that have been very interesting and
quite good in the fact people have slowed down.
Did you find it helped to fuel your creativity
and provide room for it?
It did actually. I really feel it did yes. It is such an
unusual subject and so unusual to find ourselves
in that situation. Something, perhaps, that people
used to experience all the time before we had
vaccinations. Even childhood illnesses were very
bad. I think people had what we are experiencing
today, all the time, it was part of life and we have
become a little bit adjacent to that.
So it is a really unique situation for people of our
time. Which is interesting.
Do you find it a nice feeling to know you have
got the paintings and because of them you
have captured it in some way?
Yeah I do, I really really do. I’ve put my coronavirus
paintings on the wall, and there are another 24 over
there, and I look at them everyday. And they live
with me now. And I am very happy to see them.
They are colourful, even through some of them are
quite sad – I am pleased I did them. And it flew past,
actually, that bit. Because I was managing to do – say
– one per every four days.
Everyday you saw something that you had not seen
before, a different feeling – rushing to get food,
supermarkets, the shock of panic buying, things like
that.. it was so different. We have never seen that
have we?
So it was a good moment to re-evaluate our lives
and how lucky we have been really, up until now.
| 27
Henry Boxer Interview

Art collector Henry Boxer recalls his first

encounter with Madge Gill’s work and why
he thinks appreciation for ‘outsider art’ is
changing.

What do you think of the term ‘Outsider art’?

It’s really just a label, for ease of conveying ‘what it
is’ or ‘what it means’, it’s a signpost, not the thing
itself. Like a finger pointing at the moon.
There are terms or classifications which I feel come
closer to the substance, as in Dubuffet’s term ‘Art
Brut’, literally Raw Art, also self-taught, marginal art
or possibly ‘visionary art’.
But none of these are able to illicit the true nature of
the beast, you need to feel, see, and experience the
Art itself, that is the beauty and magic, and enigma
of what we are trying to communicate, or what is
being communicated.

Do you think the appreciation for such art has

changed? If so, how? And how would you like Madge Gill ‘Untitled’, c.1940, ink on card, Henry
it to change further? Boxer Gallery
28 |
I do, people and collectors have become much
more knowledgeable and understanding over the
last 25 years or so, through the display of work at
specialist art fairs, museum shows and exhibitions,
through social media and literary publications.
Although this field was discussed, appreciated and
was hugely influential to art movements, such as;
the Expressionists and Surrealists in the 1920’s
and early 30’s, Hans Prinzhorn’s publication ‘The
Artistry of The Mentally Ill’ Morgenthaler’s book
‘Madness and Art’ about Adolf Wölfli - which was
also published in that period.
And of course there was Dubuffet’s huge influence,
the subsequent opening of Collection de l’Art
Brut in Lausanne, and groundbreaking ‘Outsiders’
exhibition at the Hayward in 1979. I feel that all
these things have laid down the roots for ongoing
appreciation.
When did you first come across Madge Gill’s
work – and why were you drawn to it?
I first discovered Madge Gill’s work in an auction
of the Estate at Christies, South Kensington, I believe
in 1985.
I already had an interest in several artists who were
connected to the occult, and mediumism, and when
I was given this rare opportunity to actually purchase
the extraordinary creations of this art brut master, I
jumped at the chance.
I bought large numbers of her drawings and large
calicos, as well as hundreds of her exquisite pen and
ink ‘self-portrait’ heads on postcard – all astounding,
magical and communicating another realm/reality.
What are your hopes for the exhibition?
To disseminate and educate, and allow for the
discovery of this truly unique English artist to a
wider audience.
| 29
Julia Oak and Madge Gill
All Souls: The Outside In Co-commission 2020
explored creative connections and the intuitive way
of working that unites the work of Julia Oak with that
of Madge Gill, a widely celebrated self-taught artist.

Julia Oak was awarded the commission as her ‘beautiful

and distinctive drawings’ and her deep personal
engagement with the work of Madge Gill made her
proposal stand out to the selectors.
This connection was illustrated in both Oak’s three-
metre long drawing ‘Enter These Enchanted Woods’, her
numerous sketchbooks and an art film of her creative
process, which sat alongside works by Madge Gill
from the Pallant House Gallery collection and private
collections.
Speaking at the launch event for the exhibition, she said it
had been an ‘amazing’, ‘confidence building’ opportunity
and had seen her realise dreams she didn’t know she had.

The co-commission is made possible thanks to the John

Booth Charitable Trust. Julia created a film and audio
Julia Oak with Madge Gill’s artwork, image by guide for the exhibition which can be seen at www.
Louise Weller outsidein.org.uk
30 |
 Reviews of All Souls
“There was an incredible selection of
submissions. But one really stood out to us.
Julia spoke with such passion and we all loved
how she really opened our eyes to the work
of Madge Gill. We knew she’d respond in an
exciting way - and she has totally delivered on
that,” said Simon Martin, director of Pallant
House Gallery. “It does really live up to the ‘all
souls’ title. My congratulations must go to Julia
for producing such a wonderful exhibition.”

“I found it inspirational being involved with

the selection process. After seeing Julia’s work
I felt I could connect with it. I feel her patterns
draw the viewer into another dimension.”
Natasha H, artist and co-commission selector.

“I visited the exhibition today and have to

say it is marvellous. I thought the work is
absolutely sublime. It is soulful.”
Charles Rolls, Outside In chairman.
All Souls Poster
| 31
Keep Creative

Paper Sculptures

Hi to all you creatives! My name

is Stuart Milburn. This is a step by
step guide of my paper sculpting
workshop. I hope you enjoy this
workshop!

The aim of this workshop is to

create a paper sculpture using
basic materials. In this workshop,
we will be using paper. Paper is
easy to use to create unusual and
fun shapes.

You will need these materials:

• Plain paper
• A piece of card for the base
• Glue
• Scissors
32 |
Step 1.
Prepare your base. This can be any piece of hard
card taken from a cardboard box. Cut this into a
square of around 20 x 20 cm.
Step 2.
With your paper, cut, tear, and fold into shapes
and patterns of your choice.
Step 3.
Arrange and position your pieces onto the base
and glue them into place. Keep adding and
removing until you are happy with what you see.
Step 4.
You have now created your paper sculpture.
Step 5.
As an additional activity, focus on your sculpture
to reveal shadows. What shapes and colours can
you see? Draw your findings with a pencil.
Step 6.
Take time to view your sculpture to explore the
shapes, then photograph what you see.
| 33
Keep Creative
Clay
Hello, my name is Maddie Millett. I’m an
Outside In artist and have taken part in
the Step Up: Leading Workshops training.
This is my guide for making a small clay
figure based on the ancient Japanese
Dogu. Dogu means ‘earthen figure’. The
figures date back to the Jomon (meaning
‘cord marked’) period 2,500BC to 300BC
and were used in sacred rituals.
You will need:
• A pack of clay, at least 500g (air-drying
is fine)
• A small bowl of water and a sponge
• A knife or pointed tool and string to
decorate your figure
• A piece of card or wooden board to
rest your figure on
34 |
With this guide you can make a flat shaped
Dogu or a 3D figure - or both!
For the flat figure
Step 1.
For the flat figure, take a piece of clay and
flatten it onto your board using your fingers
or palms. If you have a rolling pin you can use
that, but be careful not to roll it too thin as it
may stick.
Step 2.
Shape the figure using your knife or sharp tool
by cutting an outline - you can then pull away
the excess clay, leaving the figure shape.
Step 3.
Impress the string into the clay while still wet
to achieve the ‘cord marked’ patterns of the
original Dogu. You can also create lines and
patterns with your knife or tool by lightly
incising lines.
 For the 3D figure
Step 5.
For the 3D figure, take a larger piece of clay
and begin to mould it with your hands -
squeezing and smoothing to create the form
of the figure. Tap the bottom of the figure
on a flat surface to make it steady if you
would like it to stand up.

Step 6.
Air drying clay takes 24-36 hours to dry,
depending on thickness - it will be fragile
once dry so please handle carefully. Your
figure can be painted and varnished once
dry if you wish.

Step 7.
I hope you enjoyed making your clay Dogu
figure and that you will continue to create
with clay, it is such a fun and versatile
medium.
Tall figures by Maddie Millett
| 35
Keep Creative

Print With Nature How to make a printed

picture:
1. Pick an apple or leaf
Hi my name is Angela Chudley. 2. Paint the surface any colour
I am an Outside In Ambassador you like
and workshop leader. 3. Press the painted side onto
your sheet of paper
This is my guide for making 4. Lift the leaf up gently
images by printing with leaves, Wow look at the colours!
fruit or vegetables. 5. Try again with another colour
6. Try less paint
You will need these materials: Does it look different?
• Leaves
• Apple, pear or vegetables You could try:
cut in half Printing onto an envelope or a
• Paper postcard or you could send this to
• Paints someone you know to say hello
• Brushes and share your art.
• Waterpot
• Shallow tray for mixing
Have fun printing!
colours
36 |
Image by Angela Chudley
Outside In would love to see the work you’ve created. Please share your work by:
Posting a picture to: Outside In, PO BOX 810, Chichester, PO19 9WF
Or emailing: Laura.Miles@outsidein.org.uk
| 37
Support Us
Outside In is a charity that changes lives. But the
Patrons Friends
great work we do wouldn’t be possible without
our valued community of supporters. We are £1500 a year £60 a year
eager to expand our community as we approach
our next ambitious year of programming and Friends’ benefits plus Exclusive Outside In
always ensure that our generous donors receive a limited edition print badge
something in return. by an Outside In artist
Invitations to exclusive Free ticket to either
“My background was entirely business focused
Outside In patron Outside In’s national
– this charity has engaged me in a way which
events (one of which exhibition or an
broadens my horizons and understanding. It is an
will be in London)* alternative event
important part of my life.” - Outside In patron.
Acknowledgement on Biannual supporters’
the Outside In website newsletter with news
(or you can choose to about how your
remain anonymous) donation is helping to
change artists’ lives
Patrons reception at Invitations to
Outside In exhibition Outside In exhibition
private views private views
To find out more please visit outsidein.org.
uk/support-us, or contact Beth Troakes beth.
Thompson Hall troakes@outsidein.org.uk, 01903 898171
38 |
Outside In Postcard Fundraiser – A Brighter Tomorrow
The first in a series of annual postcard
fundraisers is set to be launched this year. It
will see postcards, created by Outside In artists
and friends of the charity, exhibited and sold
to raise funds to support the charity’s ground-
breaking Exhibitions Programme. The theme of
the first fundraiser is ‘A Brighter Tomorrow’ and
we are looking for artists and supporters who
would like to get involved by creating a postcard
or postcard-sized artwork on that theme,
working in whatever medium they choose.
stamped-addressed return envelope – opt-ins
to take part have also been added to all artists’
galleries. Alternatively please contact Matthew
Forbes-Dale via email on matthew.forbes-dale@
outsidein.org.uk or call or text 07903 028452.
This exciting new project is set to become an
annual event on the Outside In calendar and a
key fundraising initiative for the charity.

The artworks will be displayed, fully credited,

on an online gallery on our website and buyers
can then purchase cards on a ‘lucky dip’ basis
- paying £75 per card or £100 for two and
receiving original artworks allocated to them at
random. The fundraiser will be launching pre-
Christmas and will be live on the Outside
In website for one month.

Please see the News pages of our website for

details of how to get involved and complete a
form to receive blank postcards to work on and Dog by Tara O
| 39
Contacts
Marc Steene - Hannah Whitlock - Cornelia Marland -
Director Artist Development Exhibitions
Marc founded Outside Programme Manager Programme Manager
In to challenge concepts Hannah supports Cornelia manages
as to who is an artist artists’ development all exhibitions, art
and what art is, seeking in a wide range fairs and commercial
to create a fairer art of areas. opportunities for artists.
world. Marc.Steene Hannah.Whitlock@ Cornelia.Marland
@outsidein.org.uk outsidein.org.uk @outsidein.org.uk
07814 831567 07903 028270 07903 028397

Clair Montier - José Forrest -

Operations Regional Artist
Manager Development
Clair is responsible Officer (Midlands)
for all logistics and José focuses on raising
ensuring everything the profile and diversity
is running smoothly. of artists in the
Clair.Montier@ Midlands. Jose.Forrest
outsidein.org.uk @outsidein.org.uk
01903 898171 07496 99733
40 |
 Laura Miles - Beth Hopkins -
Communications Ambassador
Manager Assistant
Laura is passionate about Beth works to help
all media, from newsletters to recruit, train and
and the website to support the charity’s
this magazine. brilliant team of
Laura.Miles ambassadors.
@outsidein.org.uk Ambassadors@
07496 637214 outsidein.org.uk

Kate Davey - Matt Forbes-Dale - Beth Troakes -

Training Communications Development
Programme Manager Coordinator Co-ordinator
Kate leads Outside In’s Matt brings commercial Beth makes the
training and professional thinking to the comms charity’s work possible
development team and is behind the by bringing in vital
programme ‘Step Up’. charity’s new podcast. funding and securing
Kate.Davey@ Matthew.Forbes-Dale grants. Beth.Troakes
outsidein.org.uk @outsidein.org.uk @outsidein.org.uk
07903 028391 07903 028452 01903 898171
| 41
Key Dates Coming Up
- 13 - Artspace Leading Workshops begins
July 2021 - 13 - Postcard Project deadline
- 26 - Deadline to apply for Kindred Spirits - 14 - Wakefield Patient Artwork Project begins
curation opportunity - 16 - Virtual gallery launch: Exploring the
- 26 - Artspace Leading Workshops deadline collection
- 28 - Patient Artwork Project Share Art - 22 - Exploring the collection Share Art
- 29 - Ambassador meet up - 24 - Glasgow Patient Artwork Project begins
- 30 - Artist Advisory Group meeting - 27 - Glenside Patient Artwork Project begins
- 30 - Ambassadors meet up
August 2021
- 2 - Wakefield Patient Artwork deadline
- 3 - Kindred Spirits workshops begin
- 9 - Glasgow Patient Artwork Project deadline
- 10 - Visibility zoom café
- 15 - Midlands Share Art
- 23 - Glenside Patient Artwork Project
deadline

September 2021
- New Midlands featured artists
- Visibility Black Art Project film released Selection of works by Friedrich Nalger

42 |
Get In Touch

Place
Stamp
Here

Outside In

PO BOX 810

Chichester

PO19 9WF

United Kingdom

From:

Outside In is a registered charity with Charity Number 1171128