DIE RPG BETA

v1.3
CONTENTS

INTRODUCTION

1) RULE CHANGES

2) ADVANCEMENT

3) RUNNING THE ARCHETYPES (ERRATA & ADDITIONS)

RUNNING THE MASTER

RUNNING THE GODBINDER

RUNNING THE FOOL

RUNNING THE NEO

NON-MASTER ANTAGONISTS

NON-PLAYER ARCHETYPES

4) SUPPLEMENTARY MATERIAL

DIE: DO YOU REMEMBER THE FIRST TIME (WE KILLED A KOBOLD AND TOOK ITS STUFF)

DESIGNER NOTES

5) HANDOUTS (CHARACTER SHEETS & REFERENCE)

CHARACTER SHEETS

GM SHEETS, CHECKLISTS AND CHEAT SHEETS

KIERON GILLEN © 2020

ART BY STEPHANIE HANS
Copyright © 2020 Lemon Ink Ltd & Stéphanie Hans Studio. All rights reserved. DIE, the Die logos, and the likenesses of
all characters herein or hereon are trademarks of Kieron Gillen Ltd & Stéphanie Hans. No part of this publication may be
reproduced or transmitted in any form or by any means (except for short excerpts for journalistic or review purposes)
without the express written permission of Lemon Ink Ltd & Stéphanie Hans Studio. All names, characters, events, and
places herein are entirely fictional. Any resemblance to actual persons (living or dead), events, or places is coincidental.
Representation: Law Offices of Harris M. Miller II, P.C. (rights.inquiries@gmail.com)
INTRODUCTION
v1.3

Hi again.

As I said last time, I suspect this is the last of the Beta add-ons for DIE, at least in terms of new major
content. It basically completes what I consider the core DIE Beta experience.

It takes the form of the previous update, in terms of working as an errata to what already exists in the
main manuals. This release also includes what was in the 1.2 release, with some more tweaks. The
character sheets entirely replace those in the previous edition.

The main new areas in this are…

1. A full Master class, which can be played by any player, GM or otherwise.

2. The option to make a non-Master class be the antagonist.
3. A remixed Godbinder.
4. Some minor rule tweaks for things like Specials and a new Initiative system.
5. A new easy-to-run basic scenario for DIE.
6. The Emotion Knight has all levels of creative violence accessible at the start of the game, and
access to their stances and Venting (which is what we’ve renamed Greater Abilities).
7. The NPC archetype rules that were in the comic, tweaked to work with current rules.
8. Advancement tweaks, including Master advancement.

As I said, if there’s more releases for DIE in this open Beta stage, they’ll likely be fixes for what’s
released rather than big new content. The push of the work now is on making the campaign game
work – or, rather, making it work properly. At the time of writing, I’m 32 sessions into my first full DIE
campaign, and we’re approaching the end game. It’s giving me a lot to fold back into the design. We’re
having a lot of fun. There are a lot of emotions. Also, the Fool character just tried to punch the Fair in
the balls.

The full release of DIE, if it goes ahead, will be a big step forward - the Campaign Mode is significant, to
say the least. It’ll also include a lot of reworking through the whole text. Some changes are the sort of
fundamental tweaks that are just a lot of leg work. I may need to change how we describe Difficulty in
game, which basically means reducing the difficulty of all challenges by 1, which means going through
the whole book and changing every single one. That’s not worth it right now, right? Same with some
other small changes of terminology. Especially as I’m not sure I want to do this - there are costs as well
as benefits.

That said, I think I’m within a breath of being able to actually hand the game to another designer who
can look at what I’ve done and then make more stuff in that template. That excites me hugely.

Thanks everyone for playing this. It’s been everything.

Kieron
11.12.2020
RULE CHANGES
SPECIALS
Specials now work in the following way, changing
the core mechanic. These changes have been
worked into the character sheets, and the cheat
sheets.
Any dice that rolls a 6 can be used to activate any
relevant Special. Each Special can only be applied
once per roll to any individual target, unless
otherwise stated.
For example, Trevor the Knight has a Special on
his attack which says “this hit counts as two hits”.
He attacks the mean old orc, rolling a 6, 4 and a 2.
The orc has a defence of 1, so he would normally
do two hits (the 6 and a 4). However, the 6 can
activate the Special, counting as two hits. He does
three hits. If he had rolled a 6, 6 and a 2, he would
have still done three hits. Any individual Special
can only be applied once. If he had a second
relevant Special, he could have used the second
6 to activate that.
This means Specials are now less “swingy” in
impact. They’re a bonus, but an Emotion Knight
rolling two sixes isn’t going to just kill basically
everyone. It’s also worth noting that the rule
says you can apply the Special on any individual
affected, so if you are (to choose one example)
casting a spell that affects many people in an
area, if you rolled sufficient sixes, you could apply
the same Special to each of them.
For example, Phillipa the Pyromancer is throwing a
fireball at a group of mean old orcs. She rolls 6, 6,
3, 3. As each orc has a defence of 1, each orc will
suffer two hits. However the fireball has a Special
of “Set orc on fire. They suffer one hit at the start
of each of their combat rounds until extinguished.”
She uses the Special to set two orcs on fire. What
she couldn’t do is set one orc on fire, twice.
As a final note, if a player has access to two
identical Specials from different sources, they can
activate both those Specials on the same target.
INITIATIVE
We’ve changed up Initiative, as Initiative was
rubbish.
Each character rolls their Dexterity dice pool and
states the sum total of the dice rolled. This is one
exception to the core mechanic. The GM does the
same for each group of combatants they control,
noting their sum totals. All the combatants of the
same sort act at the same time.
The results are then arranged in order, from the
highest total to the lowest, with the highest going
first. This is the Initiative order.
If a player’s and a GM-controlled character’s
totals are equal, the player’s character acts first
in the order. If players roll identically, their order is
ascertained in clockwise order from the GM. For ties
of the GM-controlled characters, the GM decides
which order GM-controlled characters act in.
Basically, number of successes didn’t give
enough of a spread to give a meaningful order.
With reluctance, I’ve been doing this. I hate rules
exceptions. I hates them forever.
CASTING SPELLS OFFENSIVELY
Note: this is a rule which was originally in the
Godbinder’s section. It’s being moved here as it’s
used for Masters’ and Fools’ spells as well.
When casting spells, Scripture, or anything where
a character must roll a dice pool to see if a spell is
successful, which is also used to directly attack
or affect a target, the dice pool is simultaneously
compared against both the spell’s Difficulty and
the target’s Defences.
For example, Gareth Godbinder casts a fireball
(Difficulty 2) at a group of Fallen (Defence 1, so
Difficulty 1). If Gareth rolls two successes, they
cast the spell and hit the Fallen, as the number
of successes matches or is higher than both the
casting Difficulty (2) and the Fallen’s Defence (1). If
Gareth rolled only one success, they would fail to
cast the fireball (Difficulty 2) so no Fallen would be
harmed.
DAMAGE
Just lose the “take disadvantage at low health”
stuff unless you’re running a particularly
realistically styled game. Add disadvantages if
there’s a described narrative effect which seems
especially relevant.
For example, Violent Trevor is in a fight and
we describe his hands being hit beneath a
hammer blow from a mean ol’ orc. He is down to
1 Health. In previous games of DIE, he’d be on 2
disadvantages, but we’ve decided that is just no
fun. However, shortly later, Violent Trevor tries to
pick a lock. The GM thinks the fine motor control
required from this may be a good time to throw a
disadvantage in.
Basically, wing it.
Throughout playtesting DIE, I’ve found myself
thinking of one of Elmore Leonard’s rules for
writing: “Leave out the parts that readers tend to
skip.” I suspect the same is true for game design.
If there’s a rule even I’m not using, why the hell is
it in the core rules?
BASIC SCENARIO DESIGN
In the initial encounter, have the players face
a number of Lesser Fallen equal to the number
of players (i.e. no Greater Fallen). Players are
significantly more fragile now.
Note - this Beta includes a pre-generated
scenario which is an easier way to play a first
game.
ADVANCEMENT
As initiated in DIE 1.2, DIE starting characters
have significantly less power (both in terms of
raw power and flexibility). As such, if you wish,
you can choose to advance throughout the game.
If you choose to do it, it works like this…
When you reach a crucial moment, the players’
dice burst into life and the players gain new
abilities. This is a levelling-up moment. Why is
this happening? As the players are overcoming
struggles and acting, their dice are attuning
themselves to their owners, and vice versa.
When the group is first asked to level up, present
the players with the advancement sheet (see
page 7), which will tell them what reward they will
get. The GM’s character also advances.
If you’re playing the basic structure of DIE,
depending on the level of sessions you have, this
is where we suggest placing the level-ups:
ONE-SESSION GAME
• Level up: after the defeat of the initial Fallen
or their entry into the fantasy world proper.
(Optional)
• Level up: before the final confrontation.
TWO-SESSION GAME
• Level up: after the defeat of the initial Fallen or
their entry into the fantasy world proper.
• Level up: before the final confrontation.
THREE-SESSION GAME
• Level up: after the defeat of the initial Fallen or
their entry into the fantasy world proper.
• Level up: at the climactic moment at the end of
the second session.
• Level up: before the final confrontation.
FOUR-SESSION GAME
• Level up: at the climactic moment at the end of
the second session.
• Level up: at the climactic moment at the end of
the third session.
• Level up: before the final confrontation.
Most of the choices on the sheet are explanatory,
expanding the options the players pick from their
character sheet. For example, if a Neo gains a new
gift, and selects Energy Blade, they gain it and all
abilities (and further choices) beneath the Energy
Blade.
You should include the activation of these powers
into the narrative in the same way as the initial
transformation into the DIE character.
There are some abilities which are new, lifted from
the Campaign and described in the later sections
- the Neo ones in Running the Neo and the Fool
ones in Running The Fool.
Previous Beta editions of DIE had a power rush
from the off, with all the characters being hugely
powerful immediately. In this version, they likely
start as merely as good as anyone on Earth, (or
better than anyone on Earth within a limited field)
with a handful of superhuman abilities. Instead,
the longer they stay in DIE, the more they appear
to gain more abilities.
This can be folded into the narrative – the implicit
question is how powerful will the players be if
they continue to stay here?
ALTERNATVES TO THE ABOVE ADVANCEMENT:
POWERLESS
Don’t use advancement. Try with the characters
as level 1 characters throughout. This is how I’m
starting the actual campaign in the playtest.
Works fine, and does make it easier for everyone.
None of my group (all of whom have played DIE
before) have objected to starting like this, and still
had lots of fun. In a real way, reducing the number
of abilities you have makes you focus in on things
you can do.
POWER-CRAZED
Start with the characters at maximum power – as
in, with all four advances and all the points for
their stats. This is basically identical to how the
characters were in the earlier Betas. spent, but only level 1 abilities. This means you
have much greater chances of success, but
STAT-CRAZED aren’t overloaded with extra abilities to figure out.
Starts with your stats at the maximum of 6 points
ADVANCEMENT TABLE

Every time a player advances, they can increase The Fool and the Neo have abilities which are not
one stat by 1, but to a maximum of 4. In addition, presently described on their character sheets.
they gain the following ability, depending on their They are described later in this document, in the
class. Running the Fool and Running the Neo sections.

Level 1 Level 2 Level 3 Level 4

Neo START PICK NEW MAJOR PICK ONE OF THESE PICK NEW MAJOR
All your new GIFT THREE MINOR GIFTS GIFT
gifts will require Select one of the Jetpack/Enhanced Select one of the
activation with other abilities on Vision/Radar. other abilities on
Fair Gold, as per your sheet. The gift can be used your sheet.
your original one. in the narrative
appropriately.
Dictator START PICK A SECOND PICK A THIRD PICK A FOURTH
EMOTION FOR YOUR EMOTION FOR YOUR EMOTION FOR
PALETTE PALETTE YOUR PALETTE
The designer
wishes all of
these were as
easy to do as the
Dictator.
Godbinder START PICK A NEW LEVEL PICK A NEW LEVEL IN PICK A NEW LEVEL
IN ANY GOD ANY GOD IN ANY GOD
The designer is
also fond of you,
Godbinder. You
don’t make it too
hard.
Fool START GAIN ‘FOOL’S PREP’ A SECOND FLUKE GAIN ‘FOOLS RUSH
Write on sheet and Make up / select IN’
ask GM what it a second fluke. Write on sheet
means. Choose whichever and ask GM what
you wish when you it means.
roll your circle.
Emotion Knight START GAIN ACCESS TO PICK A SECOND CHOOSE A SECOND
EMOTION DRAINING VENTING ABILITY STANCE
You may only
have a single
Stance active at
once.

Master START GAIN AN EXTRA GAIN AN EXTRA RULE GAIN AN EXTRA

RULE If you have lost RULE
If you have lost Mastery, regain it. If you have lost
Mastery, regain it. Mastery, regain it.
RUNNING THE ARCHETYPES
(ERRATA & ADDITIONS)
RUNNING THE MASTER
This section entirely replaces the Running The Master section in the 1.1 Manual.
WHO TO GIVE THE MASTER TO
It’s suggested that the GM reserves the Master
for their own character, at least in the first game
they run. The core experience of the GM playing
the character class that is basically “Evil GM” is
part of the game’s meta thrill.
The Master is less flexible in terms of the types
of classical character types it matches: it is a
magic-user. There are different flavours, but
they’re more akin to the schools of magic than
something fundamentally different.
However, generally speaking, it’s a class that
rewards more experienced players. It gives a lot
of power, both in terms of freeform improvisation
(in its cheating) and lots of nuts and bolts of
actual mechanics (in its Rules that require
player invention). Any of that can overwhelm a
player. Equally, for a player who doesn’t have
a developed sense of how much time they’re
taking up, they can lead to a player grinding
a game to a halt. There will likely be some
conversation with the Master about trying to
avoid this, if they’re not aware.
GO READ THE SHEET NOW
The rest is commentary to what you’ll find in
there.
Phew. That’s a lot, huh?
CHEAT TOKEN CHANGES
You will note that the GM’s Master gets one less
Cheat Token than before. This will mean they’ll
likely die one attack earlier. However, they are
allowed to access the DIE MASTER cheats via the
usual cheating process.
This means that the game will likely end with
the Master trying to cheat using the D20 rather
than die. In practice, this extends the Master’s
survivability slightly.
You’ll note that a non-Master antagonist does
not get this ability… but non-Master antagonists
tend to be significantly more resilient than
Masters. It’ll average out, probably.
Hey, it’s a Beta for a reason, folks.
RULES:
Yes, attentive Beta reader, you may recognise
the ghost of the magic system from the Arcana,
resurrected into a new, more streamlined, more
useable and hopefully more fun form.
Combining Rules
The process of combining Rules is deliberately
left as a creative act for the Master. By the
selections, the Master likely has a basic idea
for things they want to do. If they don’t, have a
chat with them in terms of what they’re thinking
of. It’s worth noting that if they don’t have an
idea, you may have chosen the wrong person to
be the Master - as I said at the start, it’s a class
which demands a certain sort of familiarity with
“rules” as a general concept. You may want to
give some suggestions.
Note that the Rules have a mechanic effect,
which the players add their own description to.
The description can create effects in the world. If
Damage Duration is defined as Fire, it can set fire
to things generally. If Damage Duration is defined
as a mass of writhing attack termites, it can be
used to gnaw at tree roots or (er) a source of
protein. Ugh.
On the following page is a selection of basic
combinations to get the idea of how to create a
selection of standard RPG-esque spell effects.
Worth noting some of these use identical Rules
to create significantly different spells. This is
very much the point.
• Range + Damage = Fire an attack at a single
person.
• Area + Damage = Hurt everyone around you
(including you - see Selectivity below).
• Duration + Damage = Enchant weapon to
deliver Special. (Plus the Mastery advantage,
if you have Mastery.)
• Duration + Damage = Set hands on fire,
delivering Special.
• Duration + Area + Enhance (Attack) = Everyone
near you when you cast the spell gets a bonus
to hit for the rest of combat.
• Duration + Area + Enhance (Attack) = As long
as someone is near you, they get a bonus to
hit.
• Duration + Area + Hinder (Attack) = Anyone
near you trying to attack gets a disadvantage.
• Damage + Duration + Ranged = Create a violent
creature you can control up to that range.
• Duration + Movement = Levitate Spell.
• Range + Movement = Telekinesis.
• Duration + Ranged + Movement = Create Living
Animated Servant.
• Damage + Duration + Ranged + Movement =
Create Living Animated Servant which kicks
ass.
It’s worth noting that a Rule is the top scale of
what it could achieve, so could achieve less. So if
you take Damage (fire) you could use its narrative
effect to light a match. You don’t have to just
murder people with it. So Damage (fire) and Range
could be used to light a torch across the room.
Generally speaking, the fictional component is in
addition to the mechanic component, and entirely
for free. If a player is trying to make a combination
(or fictional element) do something that sounds a
bit borderline, it is likely best to just accept it and
say the extra desired effect requires some Rules
Lawyering to do.
Rules Lawyering Extra Rules
If a player wants to choose the same Rule multiple
times, and give each a keyword, that’s great.
Choosing Enhance (Attack) and then Enhance
(Strength) is perfectly okay. Equally choosing the
same Damage and giving it a different narrative
component is fine. Maybe you want to be be able
to throw fire AND poison people - which are best
simulated by the Damage (Extended) Rule.
You can also choose each of your Rules
repeatedly to increase scale (explained properly
below).
However, you - as the GM - may also want to add
other rules to your game. The player may also
have an idea for a Rule that isn’t on the sheet -
understandably, as this is the first Beta release
of this, and we wanted to keep it fairly basic. The
old Arcana may give some ideas, or you may just
want to make them up. Almost any Special in the
game could be an alternative basis for a Damage,
for example.
Selectivity is an ability I suspect people will be
unlikely to choose but also one they need a lot.
This means “I can cast a fire blast around myself
and not blow myself up.” Selectivity also scales
as listed below - level 1 means you can remove
yourself; level 2 means you can remove a few
people from the effect.
You may wish to have selectivity be an exception
to the Rules Lawering risk costs - increasing risk
by 1 rather than 2. This encourages people to
select it as a Rules Lawyering effect, and has a
fun 1-in-20 chance of disaster à la D&D.
Scale
Scale is a way to quantify whether a spell
affects something. Each time the identical Rule is
selected, it increases the maximum level of scale.
If a spell includes none of a Rule, it operates on
scale zero. You get this for free.
Speaking generally, this is for guidance. You don’t
need to memorise it. You can easily wing this in
terms of “Well, touch is 0, 1 is basic range, and
this target is a long way away, so it’s 2.”
 Range Movement (Direction)
0 = Touch 1 - On one plane (I.e. Levitation or moving
1 = Thrown Range around as normal)
2 = Bow Range 2 - Flight
3 = Gun Range 3 - Pass through other objects
4 = Line of Sight
5 = Country-Wide Damage
6 = Region-Wide This scales, but less dramatically. It means
that it adds the same Special multiple
Area times. What does this allow? While the core
0 = Touch mechanic states that you are unable to use
1 = Arm’s reach the same Special more than once on the
2 = 10 ft range same target, you can apply identical Specials
3 = Large room size multiple times. So you’re essentially hoping
4 = What? you roll a bunch of sixes.
5= Seriously, this is dangerous? What are you
thinking? You’re going to take someone’s eye Failure To Roll Difficulty To Cast A Spell
out.
6 = That cool bit in Akira. No, not the bit where Like all failure, it is meant to be interpreted.
his arm goes SHLUNK! or the bit with the bike Especially with high difficulty spells, the spell
and the lasers. The bit with the explosion. That will likely still work, but without its full effect. For
bit. example, casting a fully active kick-ass construct
is a Difficulty 4 spell. If you roll fewer successes,
Duration it’s possible that the effect only lasts for a combat
0 = Instantaneous round or perhaps two.
1 = Length of a Combat
2 = Hour Rules Lawyering To Reducing Difficulty
3 = Day
4 = Week Worth stressing an implicit part of the Rules: any
5 = Month new Rules you add to a spell do not increase its
6 = Year and a Day Difficulty. So if you add two Rules you know to a
spell, and then use Rules lawyering to add two
Selectivity more, its Difficulty is 2.
1 = You can make it not affect you.
2 = A spell can not affect anyone near you. However, also implicit in Rules Lawyering is the
following: if a Master chooses to add a Rule to
As a general rule, complete selectivity inside an the spell which they already know via Rules
area requires a level of selectivity equal to the Lawyering, rather than their knowledge of the
size of the area. So if you’re casting a fireball that Rule, it does not increase the Difficulty. You are
has a scale of 3 for area, it will need a scale of 3 essentially trading Difficulty for the increased
in selectivity to ensure that you get to pick who chance of being caught.
gets hurt inside it.
E.g. The Master is trying to create a warrior
Movement (Velocity) construct. As described above, it needs range,
1 - Walking movement, damage and duration. The Master has
2 - Running all those Rules, but that adds up to 4 Difficulty.
3 - Horse Gallop The Master decides to Rules Lawyer, and add
4 - Vroooooom! damage and duration for 1 point each (as they
5 - The engines cannae take it, Captain. know them). As they’re added by Rules Lawyering,
they do not create any increase in difficulty. They
can summon the construct if they roll Difficulty 2.
CHEATING
It should be noted that as standard the cheat still
happens even if the player is caught. They’ve
done the crime. Now to do the time. It is possible
that some punishments include undoing it, of
course…
TRIALS BY THE POWERS THAT BE
It says on the Master’s sheet that when the D20 is
selected from the player’s hand, the Powers That
Be arrive. You may note that isn’t defined on the
sheet. The Master is unlikely to know who they
are until they turn up, unless they specifically go
and try and find out, and maybe not even then.
If there is something in your game which seems
to be ideal for policing reality, use it. If not, the
standard judges are The Fair. The clue’s in the
name, right? The Fair exist as a higher level force
across all the pocket dimensions of Die, so are
very into this.
How does a trial work?
For a GM-controlled Master, unless it’s something
which adds to the plot, it’s unlikely you’ll want to
show the trial. The Master maybe has a moment
of begging for forgiveness to thin air, before the
punishment hits them. More likely a moment of
panic before the punishment hits is enough. That
said, if you want to role-play begging for life and
let the players decide if it’s convincing, that could
be fun too. I’m not the boss of you.
If it’s a player-controlled Master, the Fair (or
whoever is judging) appear and describe the
crime and punishment, and ask if there’s anything
for the court to consider. The Master then can
say whatever they wish to try to get off, or at
least get them to be lenient. The latter isn’t a bad
tactic - getting a punishment dialed down is more
likely than being forgiven entirely. The Fair are also
not cruel - it is likely a “well, this was your first
offence” will lead to it being cut down.
While a Master begs for their life, be aware this
is different from a Godbinder argument. That
is a Godbinder trying to come to a deal with a
god. This is 100% the Fair (or whoever) having
all the power and they can hit you with the full
punishment any moment they choose. A Master
should not be too comfortable.
Yes, “contempt of court” could lead to hitting
them with a punishment more than is suggested.
A warning would be polite, of course.
For players who are not exactly good at this
sort of thing, you may wish to allow a Charisma
roll with the number of successes determining
whether it can be cut down.
PUNISHMENTS
There are some ideas on the sheet, but here’s a
basic list of things to consider, in increasing levels
of severity…
• Losing the Mastery: the basic one. Just
something a Master hates.
• Community Service: A specific task a player
has to do, on cost of further punishment.
• Suffering Wounds: Clearly can be fatal, but
more often an annoyance.
• Curses: Some in game disadvantage, either
mechanically or a narrative, or both.
• Quests: A big, difficult-to-achieve thing - think
of what a God may demand of a Godbinder for
guidance.
• Instant Death: Anything which is active 100%
game-breaking cheating should get hit with
this..
• Killing loved ones and party members too:
For things which are cheating in a way which
is actively trying to destroy the game (as in,
in the fiction, not in real life) or subvert the
whole justice system, collateral damage is in
character.
• Trapping them in an eternal hellish pain which
destroys them mentally and physically and
leaves no room for resurrection and escape:
Death is a mercy. Sometimes, if a Master is
bad enough, there’s no mercy.
TAKING IT SLOW (aka Writing The Rules)
You’ll note there is a section that says some
cheating may take some time. This is equivalent
to a Godbinder’s miracle side-stepping the plot -
as in, if a cheat is trying to do that, you will likely
demand some equivalent work to do it.
It’s also worth noting that slow cheats need
not be cheats which have a huge punishment
if caught. In fact, they’re arguably less likely to
be - crafting a citadel from the ground over a
week is less offensive to the nature of reality than
something that happened simply not happening.
In the campaign, this sort of long-scale reality
warping task is very much a part of the Master’s
advancement, so is something of a placeholder or
an inspiration for those who wish to play around
with this in your games.
There’s a line which will likely go into the full
campaign: What is writing the rules in an RPG
other than bending the rules until they stick?
This would be akin to that.
META NONSENSE TO THE MAX
I am resisting giving you the clever excuses I
would use as a Master player begging for my
life after being caught cheating for two reasons.
Firstly - these Rules are the game posing a
question, and the point is for each group to have
fun finding their own answers.
Secondly…
The Fair, as characters, are going to be less
forgiving of repeated identical excuses from the
same character. “No, human, your dog did not eat
your reality user manual again.” That’s logical,
and you already know that. However, as the
Fair exist across all games of DIE, they are also
sensitive to repeated excuses used by the same
player.
When I first wrote this section I wrote “Do feel free
to ask previous GMs about what sort of excuses
players have used in previous games when
playing Masters” but that seems to encourage
people to actively snoop, which rarely ends well.
However, we all do hear about previous games
and people do share stories. If you hear that a
player has used an excuse before, the Fair know
about it.
Which is why I’m not telling you as, if I ever play
a Master in any of your games, I don’t want you
saying “I believe you’ve used that before, Kieron.”
You won’t get me like that.
THE MASTER TRYING WEIRD SHIT
A smart Master will try something neither you nor
your friend the game designer will have thought
of. Well done them.
Cheating has an enormously high chance of
failure. The penalty of failure is in proportion to
how large a scale cheat it is. And any ongoing
cheating (as in, cheating that is still present,
including spells created from Rules) can be
included in that punishment. In other words, if a
crime is ongoing, if the cops turn up in any point,
you may be trouble.
However, a Master can and should absolutely go
for it.
To choose one example, a Gamist Master has
the ability to “Overturn or create an exception
to a major existing Rule in an archetype.” A
Master could choose the Rule to be “the cheating
detection Rules” and the limited context to be “in
this room”.
Surely that will mean a Master can throw off
indefinite cheats in this room? Is that allowed?
Yeah, why not. Let’s see what happens.
Firstly, it’s still a 50% chance of failing and
having to go before the judgement of the Fair. This
is an extreme cheat - this is a worse evasion of
the Rules than “make something that has just
happened not happen”. That has a compulsory
punishment of death. What could a worse
compulsory punishment be? You tell me. That’s
what they’re risking.
Secondly, they need to specify which cheating
detection Rule. Major or minor? They’re two
different Rules. If they don’t specify, the cheat
would be exactly what they say. If not, the
other one will be in action. Same as the area.
What are the boundaries of “this room”? Can
they be manipulated? Smart opponents can
fuck with the Rules. Foolhardy Masters can fail
to see their limitations. The caveat there is not
playing “Gotcha” with a player - they are risking
a lot whenever they try to cheat. Giving them
something, even if they don’t get everything, is a
way to sweeten the pill.
Thirdly, if at any point this is brought to the
attention of the Fair, via any kind of cheat roll
or any other method (Neo contacting the fair,
Godbinders using a miracle to get them there, etc,
etc), we return to point one. An ongoing cheat is
ongoing evidence, and we get whatever awful
punishment this terrible cheat gets.
Generally speaking, if a player jams their
fingers in the socket to see what happens,
don’t disappoint them. Have fun thinking of the
unexpected consequences of cheating. Perhaps
turning off “the ability for anyone to be hurt”
has no awful side-effects… or perhaps it means
that the metabolic cycle in every single cell of
everyone’s body stops, due to the inability of
enzymes to “hurt” glucose molecules.
We’ve all seen the Magician’s Apprentice fucking
up in Fantasia. Players know the difference
between a clever cheat and trying to avoid
playing the game, and the latter absolutely is
going to end up with an army of mops destroying
civilization. That said, warning a player that
they’re stepping into significantly dangerous
areas is the absolute minimum.
For GM-controlled Masters, I would not
recommend any of these huge game-breaking
sorts of cheating. We can assume their training
will have involved being taught to avoid trying
that. Clearly, the usual “unless there’s a really
cool thing that seems exciting” caveat applies.
RUNNING THE GODBINDER
This section entirely replaces the Running The Godbinder section in the 1.1 Manual.
WHO TO GIVE THE GODBINDER TO?
The Godbinder is arguably the most flexible and
directly powerful of the classes. In terms of
traditional D&D classes, it is most akin to a cleric,
but if the player’s choices lean more martial, they
can act like a Knight. If the choices lean more
academic in style, the Godbinder can operate in a
manner akin to a warlock or any magic user.
But while the Godbinder is based around
managing debts with various gods, it isn’t really
for those who are looking for crunchy mechanics
– it’s one where the player gets to interact with
a series of god characters and explicitly barter
for what they want. In other words, it’s the class
whose abilities most involve role-play as a core
element. If a player likes yapping to GM-controlled
characters, this is one of the best choices for
them.
USING THE D12
The Godbinder is one of the less complicated
archetypes in its use of dice. The dice is used
simply as a tool the player brandishes to contact
the god. Some people use it as a phone. Some
people use it as an altar. Just make the players
aware of it, and encourage them to lean into the
ritual of it.
The D12 is also added to any dice pool which
involves a Godbinder’s miracles, including attacks
(and the players’ physical attacks if transformed
or enhanced by a spell in some way). So if a
player is transformed into a bear, they would get
to roll their D12 in any dice pool related to bear
activities. If you magicked up a divine sword,
you’d use the D12.
THE SECOND GOD SHEET
This sheet gives a selection of other gods a
Godbinder may follow. You don’t need to give the
Godbinder this sheet - it expands their options,
and so may expand the time they take to make
a decision. If the Godbinder is the sort to want to
read everything, you may not wish to give them
this, or at least you could encourage them to look
at the gods as “which fictional entity do you want
to talk to regularly” rather than “what Scripture
are you fishing for?”
It’s also worth noting that this sheet’s Rules
are basically untouched since version 1.2. As
Scripture is more limited than the Minor Miracles
it replaces, the Scripture you get from individual
gods is significantly better. Only the gods on the
main sheet have been upgraded - the Scripture on
the second sheet lacks the punch.
PLAYING THE GODS
The player gets to define their gods, and then the
GM plays them. The names the player selects and
their domains are your cue to their personalities,
and you can build on that. The gods are big
personalities, and I would suggest leaning them
iconic. If you’re a reader of the comic DIE, you’ll
likely have a selection of gods for inspiration.
The gods, generally speaking, either want the
player to owe them, or they want to cause things
related to What They’re The God Of to happen in
the world. When role-playing the gods – including
setting deals – bear this in mind.
Unless the Godbinder (or the god) decides
otherwise, time is frozen when speaking to a god,
and no one else can hear them. Describe that
effect to the Godbinder as you wish. It’s a good
idea for a god to pro-actively speak to the player
in the first scene, to show it’s an option, and
introduce the concept of Miracles. A favourable-
deal early Miracle is a good idea to encourage
tentative Godbinders to play with the system. The
first hit’s free, after all.
I give each of my gods their own voice, though
avoid any accent that could be read as offensive.
I lean towards modes of speaking more than
anything else. I would also think of staging – my
personal trick is, when playing a god, to go and
stand behind the Godbinder and speak into
their ear. Clearly, I get permission for this kind of
boundary pushing. The effect of the Godbinder
not being able to see who they’re summoning and
everyone else being able to certainly increases
the sense of magic. When playing remotely I often
turn off my camera when being a god, and lean
into the voice.
If a Godbinder has more than one god, it’s likely
that they’ll take over the game if the Godbinder
likes role-playing with them. If there’s more
players, lean the gods more taciturn. Of course,
this excess of NPCs around the player means the
Godbinder is a very good choice for a solo game.
It’s also worth noting that a Godbinder can call
on their gods to just talk to them - and Gods can
contact the Godbinder when they have something
on their mind. It doesn’t have to be all business.
Gods tend to have strong opinions.
SCRIPTURE, MIRACLES & GOD DEBT
In previous versions of DIE, the Godbinder had two
major forms of magic – Minor Miracles and Major
Miracles. Scriptures replace the Minor Miracles,
and Miracles replace the Major Miracles. This is
not 1:1 in any way – essentially the vast majority of
freeform elements have been moved away from
the Scripture/Minor Miracles to the new Miracles.
So, now a Godbinder has two magical effects -
Scripture and Miracles. Scripture operates like
spells in a traditional game, and is all listed (or
chosen) on a Godbinder’s sheet.
Miracles are bespoke effects which a Godbinder
petitions a specific god for by picking up their D12,
and describing what they want. The god will give
a cost, and then the Godbinder either agrees or
not.
One of the standard costs is God Debt, which a
player accumulates with each god, and which the
god can then trade in to demand favours - and
hurt the player if they refuse.
Let’s explain God Debt first, as it funds the other
two.
GOD DEBT
God Debt is a generalized currency for gods. A
Godbinder should keep a record of their God Debt
to each god. They can never have more than 5
God Debt to any single god. It is possible for a
Godbinder to be in credit to a god - as in, they owe
you. They can never owe you more than 5 either.
There is a problem with being in debt to a god. At
any time, the god may call in any number of these
favours. If the player refuses, they suffer Wounds
equal to the number of debts the god chooses to
call in. A god does not need to use all the God Debt
at once.
Gareth Godbinder owes the fire god 3 God Debt.
On the way home, he passes a field of wheat. The
fire god wants it to burn. Gareth is going to refuse,
but the Fire God points out that the Godbinder
only has 3 Health. If they say no, he’ll be reduced
to 0 Health and keel over. Swearing at the hard-
bargain-driving-bastard, they reach for their
torch...
The question of what is reasonable is key - the
god has to say how much of the debt they are
calling in on the favour. Equally, how brutal and
manipulative a god is depends highly upon the
personality of the god in question, which will
emerge in the game. Some gods would never
really want to kill you. Other gods are 100% trying
to lure you into spending just enough debt so they
can off you instantly. This should all emerge in
your games.
For those gods which are actively aggressive
against the player you should be sure to warn
them. A lot of this may just come from the gods
selected - if you choose the Eldritch god, there’s
an implicit danger there, and an accepting of it by
choosing them. “I had no idea the being with all
the tentacles and non-Euclidean geometry would
eat my face.”
Paying Off God Debt
As well as a god making demands to pay off
debts, if a player does something that a God
would want the players to do, the GM may have
it pay off some God Debt. A Godbinder may even
suggest things to the god which they could do in
exchange for wiping some God Debt off their slate. Difficulty 1). He rolls zero successes. He presently
It’s worth noting that, in the campaign, a
Godbinder has more ability to manage debt and
pay it off “for free”, and the debt economy here is
a step towards that.
Leaving Die In Debt To The Gods
Let low-level debt slide, especially if it’s just been see later.
forgotten. It’s a good thing to use to put a few
weird notes in the epilogue. If a player’s response For example, Gareth Godbinder is firing his fireblast
to escaping is to act in the world like the god
would have wished them to, this pays off a lot of
God Debt.
If it’s deliberately running off without paying a big
God Debt, do feel free to create physical injuries
to the persona in the real world proportionate to
their God Debt. A literal pound of flesh is perfectly Previously, the Difficulty for casting a Minor
acceptable in some cases.
SCRIPTURE
These are minor abilities, more akin to the
standard spells in a role-playing game - as in,
they have standardised effects which happen
every time. You can use them creatively, but they
are primarily for the set effect.
The Godbinders have three which all Godbinders
have, and then have additional one(s) picked. To
cast the effect, a Godbinder must roll a Wisdom
roll against the spells level. As in, the spell’s level
is also its Difficulty.
If you fail to cast a Scripture, a Godbinder must
(if they are able to) take on God Debt to make the
Scripture work. The steps of this are…
1. You can never have more than 5 God Debt to a
single god.
2. If you are able to take on the God Debt to cast
the Scripture, you must. If you can’t take God
Debt on, the spell simply fails.
3. If you take on 1 God Debt, you add 1 success
to the pool. This is enough to make the spell
work, but may not be enough (for an attack
spell) to hit its target.
For example, Gareth Godbinder is firing his fireblast
(Difficulty 1) at a single Fallen (Defence 1, so
has zero God Debt to Fireo the Fiery god of
Flames, so must spend it to make the Scripture
succeed. He does so, and now has 1 debt to Fireo.
If a player wishes to do something that the
Scripture doesn’t specifically do, you can always
turn to a miracle to add the missing functionality -
again, but the target is on a distant hill. It’s out of
range of the spell. Gareth wants to shoot anyway
- and the GM Fiero says it’ll work for 1 God Debt.
Great!
CHANGES SINCE LAST VERSION
Miracle (now Scripture) was its level. This is
no longer true. A single success will cast any
Scripture.
“How much Scripture can you cast?” and other
D&D-y questions
There is no limit on the amount of Scripture you
can cast in these rules, though the specific world
the players arrive in may create some problems.
There is an obvious risk in accumulating God
Debt. “They’re Cantrips” is a good way to explain
Scripture to a D&D player. At which point they may
go “Wait – Fireball is my Cantrip?” And then you
go “Uh-huh” and they can go “Whoa.”
MIRACLES
Miracles can be anything a Godbinder can ask a
god for, and is vaguely within the area of a god’s
power. The structure is as such…
1. The Godbinder player lifts their dice and
addresses the god, saying what they want to
happen.
2. The God says whether they’ll do it, and if so,
for what cost.
3. Perhaps a nice little haggle.
4. If both parties agree, it happens.
Miracles vary from something like a spell in a
classical role-playing game (as in, akin to, or even
identical to the Scripture) up to a world-scale
event, interacting with large-scale plot problems
or when the players are in deep trouble. You are
essentially bartering with a god for them dealing
with a problem in exchange for a service.
A god can also just say “No, I’m not interested in
a deal”. Especially if the players have pissed the
god off somehow, or it is something that the god
has no interest or ability in (for example, asking
the Ice god to heal someone isn’t exactly their
thing… unless your Ice god is quite unusual, which
is fairly usual in DIE).
Gods occasionally do Miracles they really want
to do, just for the fun of it, if it’s aligned with their
nature. This can be especially useful early in the
adventure to show exactly how big a miracle can
be. Wiping out the initial wave of Fallen is a good
way to show what the scale of their power can
be, for example.
The god’s price can be anything, but typically
involves one or more of the below:
1. The player taking on some God Debt.
2. The player having to perform a specific task.
3. The player promising a favour, to be decided
down the line.
1) Taking On God Debt
For the former, the cost varies depending on
the scale of the task. For something akin to a
traditional spell (”Summon sufficient food to feed
this village” “I want to cast a Fireball!” “Can I fly
for a bit?”) a cost of 1 or 2 God Debt would be a
good rule of thumb. Access to any Scripture of
a higher level is definitely just a single God Debt.
For things beyond a classic spell, more debt is
suitable.
2) Specific Task
This can either be something to be done before
they’ll perform the Miracle - or if not afterwards
- with consequences if you don’t. For the former,
it’s mainly if a Miracle is big enough to sidestep
a major part of the play. The task should be
basically as hard as solving the actual problem
itself.
For example, a Godbinder and party are presented
with a 100 ft giant guarding the door to the lair of
the Master. The players don’t fancy their chances,
and contact the God of Ice to ask if they can
freeze the giant for them. Sure, says the God of
Ice. But first you have to defeat a Fire Demon who
is troubling the region to the east. The Fire Demon
is an enemy about as difficult to defeat as the
giant.
A god can also offer deals which are clearly
something no sensible player would take... but
remember, players tend to not be sensible. For
example, a god which sets their cost as “You
need to kill someone in your party” is not enough
to stop at least some players from doing it.
That said, that also sounds like it could be an
interesting situation. I would advise against giving
an offer that you cannot stand the players saying
yes to. Someone will always call your bluff.
If a player breaks a promise based on this kind
of Miracle, they immediately receive God Debt in
proportion to how big the Miracle was. You judge
this. If it was something genuinely plot changing,
give 4 or even 5 God Debt. The god can save this
for future player manipulation or use it instantly
to harm the player - likely the latter, as it’s such a
betrayal.
3) Favours
This is the equivalent of writing a god a blank
cheque. This plays out as a specific task, but its
nature is revealed down the line.
Generally speaking, this is most useful when the
GM wants to create a debt which can’t be paid off
piecemeal like God Debt. Equally, it’s a good way
to put a gun on the mantlepiece. Everyone at the
table knows this will be a sizeable thing when it’s
called in.
That said, a favour should be proportionate to
the miracle. If a Godbinder gives a god a favour in
exchange for getting a toffee apple, calling in the
favour to murder everyone they ever met is just
not on.
RUNNING THE FOOL (additional)
This combines the new rules from the 1.2 errata with the advancement rules from this 1.3 edition.
All other stuff in Running The Fool in the v1.1 manual remains true.
REPLACEMENT FOOL RULE: FLUKES
As debuted in v1.2, the full new system for Fool’s
symbols (which they draw on their dice) is
described on their character sheet.
In short…
1. Whenever a Fool rolls a dice pool which
includes the Fool’s dice, and does NOT roll a
side with a circle on, you ADD a circle.
2. If you roll a circle, the Fool’s Fluke happens.
Delete all the circles bar one, and also add a
CROSS to another side of the dice.
3. If the Fool rolls the cross, a negative thing will
happen to either them or the people around
them. All the crosses are then deleted.
In other words, this system will slowly build
towards something good happening for the player.
When that does, there is a chance for something
bad to happen to the party, which will build until
it happens. This is, as the “opponent gets buried
alive under something unfortunate” line may
suggest, a power primarily inspired by that bit in
Back to the Future where Biff gets his head stuck
in the manure.
If the cross is rolled, select one of the Flukes the
Fool has selected and apply it against the group.
Ask the Fool to strike it on the list, and select a
new Fluke.
Yes, it’s possible that in certain situations a Fool
may start making up positive Flukes, thinking
that the odds are they will be rolling a cross, so
affecting the party. This is 100% fine.
When a player gets to make up a Fluke, there
may be a tone discussion. It is a place for player
creativity, but should align with the desired tone
of all players (and the good taste). In extreme
cases, the X-card is available.
Do not delete any symbols between adventures.
Clearly, if the player wants to use different
symbols from either circles or crosses, feel free.
FOOL ADVANCEMENT RULES
If you’re playing with advancement, Fools can
gain other abilities. Two of the below are from the
last Beta and another one I’ve just added:
Fools Rush In
Fools with this ability, if they initiate combat
before the rest of the party have agreed to
engage in combat, get one free extra action at the
start of the combat, before friends or foes.
Fool’s Prep
Once per session, a Fool can declare an item they
need, and they either have it with them (having
luckily picked it up on a whim) or it’s in the nearby
vicinity. The GM should feel free to ask questions
about it for more details.
Never Tell Me The Odds
If they enter a game of chance and are willing and
able to add a cross to their dice, they will never
lose.
RUNNING THE NEO (errata)
This is additional to the section in DIE v1.1.

NEO ADVANCEMENT: LESSER GIFTS It should be stressed that narrative also

impacts the mechanics. So you could rule that a
Lesser Gifts are Neo abilities which, while character who is flying quickly with a jetpack is
requiring activation (and could be overcharged), harder to hit, so anyone trying to do so suffers a
do not provide a specific mechanic advantage, disadvantage. However, you could also rule that
only narrative effects. if you’re flying that quickly, attacks are harder for
you as well.
They are described as an evocative noun, and you
should discuss what that looks like and feels like.
(For example, a jetpack would allow the character
to soar through the air and provide different
approaches to problems.)
NON-MASTER ANTAGONISTS
Now that we have a fully functional Master
character, it’s likely someone will want to play a
Master as a PC.
This works like so:
When the dice are distributed, give a player
the D20 and say they’re the Master, then
continue as normal.
That was easy.
Antagonist
However, this leaves the problem that if the
Master is taken, who does the Gamesmaster
play?
It works like this…
When the dice are distributed, when all other
players have got their dice, the GM holds up
one of the remaining dice, says what class it
is, and then continues as normal.
See, that was easy too.
Hurrah!
How That Actually Works In Play
When transported to Die and transformed, the
antagonist character (as well as gaining the
normal abilities of their archetype) gains access
to the DIE MASTER rules, including a number
of Cheat Tokens equal to the number of other
players (I.e. not including you).
As they do not have a D20, they can’t perform
cheats without Cheat Tokens. They only have
access to the cheats in the DIE MASTER section of
the Master sheet.
This can be justified in the fiction in many ways
- the easiest is that they have been gifted a
magical artifact of some kind which gives them
mastery of the area they’re in, and a number of
wishes. Rings of Power, Magic Lamps and so on.
Alternatively, there may be a Master character in
the world who works for the antagonist, and does
the dirty work for them. Whatever the method,
it’s likely folded into the reason the adventure is
happening.
The Cheat Tokens are primarily a way to extend
the survivability of the antagonist (I.e. when you
hit them, they don’t just die) and offer temptations
to the players .
Areas To Consider
If you wish, the Highlander Variant from the main
rules can also come into play. The antagonist and
the player can both be Masters.
Equally, if a player is a Master, it opens up
different end game possibilities, which you should
consider. Can the player Master take over the
realm? How would they do that? There are no
hard answers to this - they’re just story prompts,
at least for now.
Yes, I suspect Masters waging war and trying to
carve out their own regions is going to turn up in
the campaign game, whether I write rules for it or
not.
NON-PLAYER ARCHETYPES
It’s possible that you meet characters on
your adventure who have abilities akin to the
archetypes. This is how you do it.
THE CLASS DICE
There’s only one of each of the special character
dice in each world of Die.
There’s one D4, one D8 and so on. That means
any character you meet can’t have that same
dice. As such, every character in a class without
the requisite dice tries to simulate it, normally
using one or two easily identifiable D6 as a
surrogate. Each class below explains what to roll,
and how to interpret it. An exception would be if a
character somehow comes into possession of a
class dice, in which case it’s added to the pool.
STATISTICS
Here’s three increasing levels of character. For
each, you may wish to select equipment from the
first sheet of each archetype – that likely gives
you too many stats, and you can make do with
just setting their Defence.
• Level 1 - Basic: Choose one relevant stat as a
3. All others 2.
• Level 2 - Elite: Choose two relevant stats as a
3. All others 2.
• Level 3 - Hero: Choose one stat as a 4, two as
a 3, all others 2.
DICTATORS
A basic Dictator chooses one emotion. For each
additional level, choose another.
Roll a D6 as your class dice. 1 to 4 on your class
dice counts as the number rolled. A 5 or 6 counts
as zero successes.
Dictators working together use the rules for group
attacks – as in, roll for the most powerful Dictator
and add one dice to the pool per assisting
Dictator. If a Dictator dies, all their compulsions
end – with the exception of any created by a
critical fail.
FOOLS
A basic Fool just has access to the Fool’s dice.
An Elite may choose one of the three styles. The
Heroic Fool gets access to ‘If All Else Fails’.
Roll a D6 as your class dice. A Fool’s dice does not
accumulate circles - but does gain crosses.
KNIGHTS
A basic Knight gets to select an Arcane Weapon.
The Elite Knight gets to choose a Stance. A Heroic
Knight gets to choose a greater ability.
When using Creative Violence, roll a D6 rather than
a D8. Note that this makes a Knight significantly
more likely to hurt or kill themselves. If a Knight
uses Creative Violence, an opposing Knight should
be able to use their ability as a response. The
higher emotional level gets to decide the effect. If
emotional levels are equal, the higher roll on their
class dice gets to decide the effect.
A basic Emotion Knight’s maximum Creative
Violence is 2. An Elite is 3. A Heroic is 4.
NEOS
A basic Neo has access to their AI and a single
cybernetic. For each further level of Neo, select
another cybernetic system.
Select two recognizable D6 to simulate the class
dice.
If the dice total is 2-6, it counts as a failure.
If it’s 10 or more, it also counts as a failure and the
gift loses its charge.
If it’s 7-9, it counts as a success.
This is weird math, but trust me.
GODBINDERS
A basic Godbinder chooses a level in a god. For
each further level they can choose another level
in a god. (Easiest if they’re all from the same god.)
A god owes a Godbinder one miracle for each level
they possess. They’re likely loathe to spend those
miracles.
Use a D6 as their class dice. The GM should also
pick up a D6 and speak to it when a Godbinder
converses with their god, because if the players
do it, the GM should too.
MASTERS
A Basic Master chooses 3 Rules. For each higher
level, choose one new Rule. A Master also
decides what kind of Master they are - Gamist,
Simulationist, Narrativist.
A Master uses the D6 as a class dice, for all
purposes. This means that when Rules Lawyering
to add new Rules, failure is much more likely.
In terms of hardcore cheating, each level of
Master ups the scale of punishment they can risk.
A level 1 can only risk the “Lose Mastery” style
cheats, a level 2 the 1-2 Wounds, and level 3 the
death ones.
If an NPC Master is Master of a region they are in,
they gain access to the cheats shown in the DIE
MASTER boxout on the last page of the Master
Character Sheet. They can have a maximum
number of Cheat Tokens equal to their level. So
a level 1 Master could only ever have one Cheat
Token, no matter how many players they faced.
SUPPLEMENTARY MATERIAL
DIE: DO YOU REMEMBER THE FIRST TIME (WE
KILLED A KOBOLD AND TOOK ITS STUFF)
This is a pre-generated scenario for DIE. Unless
otherwise stated, all that follows is additional
to all the standard parts of running a DIE game.
The Arcana has other game set-ups in this
format, each of which offers a completely
different way of playing a DIE game. This one
differs in that it uses the core set-up of DIE. This
isn’t an alternate scenario - it’s just a way of
approaching the basic game with a lot more GM
support. It gives you set questions, a standard
set-up, and a set way to generate the backbone
of your adventure. You can always go off piste
too if inspiration strikes.
As per the main game, this is a group of friends
who used to play a role-playing game, who get
together years later to play again.
PREPARATION
Nothing extra.
PERSONA GENERATION
The following is a list of questions which should
generate a suitably DIE-esque group. Feel free to
add your own questions in addition to these, or
even jettison all of these questions and perform
the Persona Generation as per the main manual.
What follows will assume you have the simplest
motivation for your antagonist: they’ve nursed a
grudge against at least most of the other players,
and this dungeon gives them a chance to kill them
and then live on in this fantasy world. At best, the
GM is utterly ambivalent to their fate. Bringing
them into this world was the cost for reaching this
world. It’s possible they hope some other players
decide to join and stay, but if they don’t, fuck
‘em. If another motivation for the Master occurs
to you in Persona Gen (or later), feel free to use it
instead.
Some questions are for a specific Persona. Don’t
ask any for a Persona who isn’t in the game.
Also, don’t ask any questions which are against
a room’s discussed Lines (I.e. if you’ve agreed
there’s no inter-party romance, skip questions
related to romance). If it doesn’t include any
direction, a question can be asked to anyone in
the group. Choose someone and ask them.
If you know you want specific archetypes in the
game, turn the initial questions into a statement.
See Character Generation for which Persona
is hooked up for which Archetype as standard.
For example, if you want to include a Godbinder,
instead of asking “Who was the most popular
kid?” say “You’re the popular kid.”
In a three-player game include Popular Kid,
Obsessive and Nerd. For each further player, add
Computer Geek, Joker and Meanie.
In smaller games, a player may take multiple roles
– for example, you ask someone the questions
about both the Popular Kid and the Joker.
PERSONA GENERATION QUESTIONS
If the GM is to play the Master…
• I ran the game. Why did I say I wanted to run a
role-playing game?
Any further questions which relate to the GM’s
character should be addressed to the other
players… unless you have an idea you really like.
If you want a player to be the Master…
• Who’s the biggest fantasy nerd in the group?
• [Nerd] Well done, nerd. How did you discover
fantasy?
• [Nerd]Why did you decide to run a fantasy-
role-playing game?
The Rest Of The Questions
• One of you was an obsessive fan. Who?
• [Obsessive] What was it of? Music? TV?
• [Obsessive] How does it make you feel? Why
did you need to feel like that?
• One of you is popular. Who?
• [Popular] Why do people like you?
• [Popular] So why on Earth did you play a nerdy
fantasy game like this?
• One of you could never take anything
seriously. Who?
• [Joker] What did you do that annoyed people?
• [Joker] What did people mock about you?
• One of you was a Techie. Who?
• [Techie] You hate fantasy. Why did you play a
fantasy RPG?
• [Techie] What’s your favourite videogame?
• [Techie] What was your weirdest predictation
about the future?
• One of you was particularly harsh Who was
mean?
• [Meanie] How were you cruel to people?
• [Meanie] Why were you cruel to people?
• [Meanie] How did you ensure you were invited
to the RPG group?
• [Everyone] What character class did you play?
• You had an attribute that was widely admired
at high school. What was it?
• Who do you think everyone think was the
smartest person in the group?
• [To that person] Were you? If not, who was?
• Who did you fall out with and not talk to for
years?
• (To person) What did you do?
• (To original person) Why do you pretend it’s all
water under the bridge?
• [If the time-gap has not been established by
now] Time has passed. How long has passed?
10 years? 20?
• Who is the most successful person in the
group now?
• [To person] How did you become successful?
Who is resentful of your success?
• [To person] Why are you resentful of their
success?
• [Ask everyone] What do you do now? What is
your job?
• [Ask everyone] What do you wish you were
doing?
• [Nerd] What stops you indulging in your love of
fantasy as much now?
• [Popular] How come you don’t have as many
friends now?
• [Obsessive] Why did your obsession stop
satisfying whatever it satisfied?
• [Meanie] Did you ever stop being such a
manipulative shit?
• [Joker] Behind the jokes, there’s a deep
sadness. What keeps you up at night?
• [Techie] What part of the future most
disappoints you?
• [To whoever had the admired attribute] That
attribute that got so much respect in school?
It’s gone. How do you feel about that?
• Who are you most in contact with?
• Who are you least in contact with?
• Something makes your life harder on a nearly
daily basis. What is it?
As always, ask more if you feel it’s necessary.
CHARACTER GENERATION
As per usual.
The dice are distributed as so…
• Popular Kid: Godbinder
• Techie: Neo
• Obsessive: Emotion Knight
• Joker: Fool
• Meanie: Dictator
• Nerd: Master.
This is a fairly solid set-up. If there’s a
different idea which strikes you or the room as
entertaining, swap them around.
INTO DIE
The players appear in a dungeon room. That’s the
only way to explain it. It’s a 20 ft by 20 ft room,
with a 10 ft high ceiling. Exactly. The players
appear in the centre, with their dice floating
mysterious before them. In the middle of the
north wall is a wooden door. The players do not
know why this wall is to the north. They just do.
The players may realise that they can’t identify
the sort of wood the door is made of, any more
than “it’s wood”. It’s platonic wood. Its woodiness
cannot be denied. The walls and ceiling are made
of dungeon. Do not explain what that means. It
means dungeon.
The Master grabs the D20 and teleports
(spending a Cheat Token), as per the standard
game. The line before they disappear is “Oh, I
need to set up.” Perhaps the Master cackles. It’s
that kind of scenario.
REMEMBER THE FIRST TIME
If a player is the Master, turn to them ask for the
first location in their first ever adventure. If the GM
is the Master, ask the same question to a player.
Either way, then follow the instructions in the
Locations Rules below.
Afterwards, ask the next persona a question:
“What was the goal of the first adventure?” This
is their goal.

After the players have had a chance to look Every time the players move on, ask a new player
around and perhaps grab their dice, the door what happened next in the adventure, and feel
to the north opens and an orc sticks their head free to guide the questions according to what the
around the door, sighs, and then shouts back. adventure needs next. “So - what friendly face
“Oh, adventurers, guys! They’re here to kill us and helped you next?” “Wasn’t there some kind of
take our stuff!” difficult terrain next?” “What sources of food did
you find in the woods?” Use the Locations Rules
The orcs enter. The orcs are Fallen. Their stats are to determine its accuracy.
in the Monsterography at the end of this section..
If you have an encounter which flows logically
All they have in their heads is the desire to fight the from where you are at one point, use it. Equally,
players, or be killed by the players, so the players if there’s an encounter on the list (see later) use
can take their stuff. They are fatalistically resigned it instead. I try to use all encounters on the list
to this. The aimed tone for this is particularly before the end of the game.
creepy black comedy. You know the thought
experiment about whether it’s ethical to eat a pig Repeat this process until you have time left for
that wants to be eaten? This is that. These orcs one extended encounter. If there’s an encounter
are here to be killed and their stuff taken. They may on the list you think works well for a conclusion,
encourage the players to do so. “Take our stuff! pick that one and use it. If not, generate it exactly
Look - it’s self-defence. I’m attacking you. If you kill like another encounter, with a question like “So
me, you can take our stuff.” - what was interesting about the final encounter
with the bad guy?” If a player asks where the
The next room is another 20 ft by 20 ft room, with adventure ends earlier, you can generate it there -
no other exits. If anyone has a way to sense an though don’t reveal how accurate it is.
outer world they get nothing. The void goes on
forever. Reality is these two rooms. IN THE FIRST ENCOUNTER

On the chest, there is a small note. It reads “Our As part of the first encounter, one NPC just reads
Stuff”. from a piece of paper, like a GM reading text.

Inside the chest is 372 copper pieces, a key and a
10 ft pole. The players know there are 372 of them,
automatically. Look at the players in a confused
manner if they ask how the 10 ft pole can fit in the
chest.
When the key is picked up, reality starts falling
apart. As Master, spend a second Cheat Token…
and the party appears somewhere quite different.
Welcome, Adventurers! You are in peril! You can
only return to your distant land if everyone votes
to do so - including your missing friend. Merely
form a circle and each say, in turn, “The Game Is
Over.” Beware! The land is unstable, and will be
destroyed if you don’t come to a consensus soon.
Note - this does not explain you can stay. This is
left for the antagonist character to explain that’s
an option - and it too will stabilise the realm. “The
Game Continues” would be the phrase for that.
Have reality crumbling as an ongoing note as you
play.
LOCATION RULES
Don’t ask for much - just a sentence or two is
great. “An inn where the party gathered” or “a
path to some kind of fantasy town” are great
answers. Clearly encourage people to try and
build on what has been established, rather than
trying to derail it.
Then ask them to roll a D6, and look up the results
on the following table. Do not let the players see
this table. If you’re inspired, tweak the table.
1 - Correct.
The encounter is entirely as they remember.
(Yes, there were friendly halflings around the
corner.)
2 - Wrong.
Their memory is 100% off in one large and
crucial fashion, possibly to be entirely the
opposite. (Yes, there were halflings around the
corner. But they’re not friendly.)
3 - Exactly as they remember, with one other
element.
Turn to another player and ask what the first
player has forgotten. This is exactly what is
missing.
4 - Exactly as they remember, with one other
element… but off.
Turn to another player and ask what the first
player has forgotten. The exact opposite of
whatever they pick is what’s missing.
5/6 – Add encounter to list and then use
previous encounter on list (if there is one). If
there isn’t one, ask again and repeat process.
Write down whatever the player said. If you
have any previous encounters written down
from a previous question which got a 5-6,
pick one, and that happens. If there’s nothing
on the list from a previous question, repeat
the Location Rules process. To stress the
subtext here: for each point where you need
an answer, anything added to the list can’t be
used as the encounter.
For example, Tony, Julia and Chrissy are the party
in DIE, with Beelzebub as the GM. Beelzebub asks
Tony what happened next. He says it’s a magical
inn full of fairies, then rolls a 6. Beelzebub checks,
and there’s nothing on the encounter list, so he
writes down Tony’s idea, and then asks Julia
what was actually there. She says it was a river
city of friendly elves… and rolls a 5. While Tony’s
answer is now already on the list, as it’s too new,
Beelzebub just adds Julia’s answer to the list too
and then asks Chrissy, who answers “Didn’t we
jump down a big hole?” and rolls a 1. Bingo! The
players find the big hole.
Later, Beelzebub asks what happened next,
and it’s Tony’s turn again. He says “I think we
found a dungeon, right?” and rolls a dice. It’s a
six. However, now the list has Tony and Julia’s
previous answers on the list. The Beelzebub picks
Tony’s previous answer (the inn full of fairies).
Beelzebub adds “a dungeon” to the list and tells
the players that down the hole they’ve found
Tony’s Magical Inn Full Of Fairies. Tony laughs. He
knew it was around here somewhere. Beelzebub
smiles kindly, and thinks of how the great pits of
hell will hail his triumph against the mortals.
This is the core backbone for inspiring
encounters.
Being a DIE game, the GM should take the
encounter you’ve generated and integrate
material from the Personas’ backgrounds and
desires to colour the experience. NPCs should
recall the real-world hopes and fears of the
Persona, etc. Mashing the real-world pain and
longing and these very D&D tropes is pure DIE,
and you should have fun.
As always: remember to ask questions about the
real world. Ask about parents, partners, children,
old lovers, etc, and then integrate aspects.
Persona gen never ends.
THE FINAL ENCOUNTER
This takes place in the final location, as generated
earlier. Reality should be nearly collapsing by this
point, forcing things to come to a conclusion, one
way or another.
The antagonist will explain that they can all stay
here - but only if they agree. We don’t have to go
home. They will happily kill the other players to
settle the matter. What will the players do?
Do sprinkle in encounter elements that were
stored on the list that didn’t turn up before the
final encounter. (”Oh - here come the river elves. I
knew there were river elves here somewhere!”)
WHY STAY HERE?
There’s a whole fantasy world out there to
explore. Who knows what it means? The sell here
is primarily potential. A new life, whatever that
means. If the antagonist is dead, they may still
want to stay. This fantasy world is likely better
without the antagonist in it.
THE END GAME
If the living players return to Earth, all the players
who died in Die will be dead of what appears to
be a heart attack. No time will have passed. If you
have a better idea, go for it.
Do the aftermath questions as per usual
- if they choose to go home, ask how the
experience altered their life. If they choose to
stay, ask what their life is like here and either
add a sad note from the real world or something
to twist it. Then everyone cheer each other,
they did great.
GM ADVICE ON ATMOSPHERE
DIE is always at least a little meta – this set-up,
especially with how the adventure starts, can
be a lot meta. The cold open when you arrive in
Die is straight deconstructionary and the fact
the world is mashed together and confusing is
justified by the fact it is based on someone’s
first scenario. It makes no sense, as they rarely
do.
The hoped-for tone is black comedy inching into
horror. Players will likely laugh to start with. I
would advise digging past the laughs to get to
something bleaker. Orcs begging you to kill them
and take their stuff can be funny. Continuing
to do it while you describe in detail (lines and
veils withstanding) how their skin is sloughing
off after they’ve been set on fire can perhaps
reach another place.
That said, a funny DIE adventure is also fine, and
as this is designed as an introductory game,
leaning a little gentle isn’t the worst thing in the
world.
MONSTEROGRAPHY
Here’s some very basic stats to use for random
creatures you may meet, taken from some broad
D&D archetypes. With a few tweaks and changing
the Specials, they can likely be used for almost
anything you would meet.
KOBOLDS
Stats: All 2, except CON, which is 1.
Defence: 1
Does whatever a Kobold does and looks like
whatever a party remembers a Kobold to look like.
Ask the players, find out. I have no idea.
ORCS
Stats: All 2
Defence: 1
Abilities: Beserk (No Guard, advantage on
attacks.)
Likes to murder, has stuff to take, surprisingly chill
about it.
ELVES
Stats: Dexterity 3, Charisma 3
Defence: 1
Abilities: Any bow attack at a range in woodland
has the Special: elf disappears into hiding after
this shot.
Nimble, beautiful, think they’re really smart, but
y’know, INT 2, so they’re not fooling anyone.
WIZARD
Stats: Intelligence 3
Defence: 1
Abilities: Advantage on all magic spells. Main
attack spell - Fire blast: Blast of flame to medium
range. Special: ignite opponent, doing 1 hit per
round until extinguished. Special: hits extra
nearby target.
Good or bad? Quirky or magnificent? Forget it. Just
tell us about what hat they’re wearing. Pratchett
was right: all forms of magic use are about the
hat. Can cast any spell which you think this sort of
Wizard can do.
OGRES
Stats: Strength 4, Constitution 4
Abilities: Massive Bulk (Health is 2x CON)
Defence: 1
You won’t like them when they’re angry. When
they get angry they go berserk (No Guard,
advantage on attacks). Likely you won’t like them
anyway. Ogres don’t tend to be charming.
DRAGON
Stats: Strength 6, Wisdom 3, Intelligence 3
Defence: 5
Specials: Can breathe fire every second round
doing an INT attack with Special: Ignite opponent,
doing 1 hit per round until extinguished, at anyone
vaguely where its snout is pointing.
Note the incredibly high Defence. The Dragon
is covered with ludicrously thick armour which
renders it invulnerable… except in one single area.
Gaining information on the Dragon’s weak spot
likely leads to significant Advantages on this
attack. Make sure players realise how high its
Defence is, because otherwise they’re likely toast.
That said, with a beast being this powerful, you
can be sure the fight won’t… drag… on.
I’m sorry.
Thanks to playtesters: Jim Rossignol, James
Hewitt, Chris Gardiner.
DESIGNER NOTES
This took a while, for a bunch of reasons. It was
partially due to the 2020 of 2020, and partially
because running the ongoing DIE campaign has
taken up a lot of space (which also led to some of
the most significant tweaks here and more down
the road), but mostly because the Master is a
right bastard.
I knew the heart of the Master and how it was
meant to feel, but I was far less sure about how to
actually mechanise it. It didn’t help that Sol’s the
character we’ve seen least in action in the comic.
He’s been treated at a distance, for all the obvious
reasons he has to be - the GM is always behind
the screen in a classical D&D game. We don’t get
much of his perspective.
So it’s appropriate that we finally get a first take
on the the Master rules in-game when the lens of
the comic turns back to Sol.
The idea of the Master was “Mage as Reality
Manipulator” which is pretty basic. What does
that mean?
The core of it: the Master is a wicked portrait of
the classical GM.
The Master is about being the person who
owns the rules and gets to interpret them and
rewrite them. They are abstractly the impartial
adjudicator, but if you are the person who creates
and tweaks the systemic forces that shape a
world, you are always showing your bias. “It’s just
the rules” is a figleaf when you are the person
who controls the rules.
More than this, when push comes to shove, the
Master can cheat. Yes, those are the rules. I’m
breaking them. I’m in charge. The core abuse of
the position.
The twist is that the Master is a player too, and
there are bigger powers than them who can come
a calling if they notice…
I keep on thinking back to a bit in 2nd edition
Paranoia, the first RPG manual I ever truly loved.
It’s in a section about how you should feel free to
make the rules your own. There’s no Games Police
who are going to turn up and arrest you. This is
accompanied by a delightful cartoon of a young
man sticking his head out of his bedroom window,
to find the house surrounded by heavily armed
SWAT teams. One of them screams up with a
loudhailer: “All right, Billy! This is the Game Police!
We know you’re ignoring the movement die roll
modifiers! Come out with your hands up!”
This always amused me, and the Master is
basically an RPG class where that cartoon is
100% true.
Problem is: how on earth do you actually turn that
into mechanics? I made things more difficult for
myself in several ways.
Firstly, I wanted to do something as robust as the
other five archetypes. This is a noble goal, but
at the same time, means that I was resistent to
doing something simpler and then iterating. It’s
not as if any of the archetypes started where you
saw them.
Secondly, part of DIE’s overall aesthetic is that
each of the archetypes are their own thing. While
there’s a shared language each builds on, each
has things which no one else has to consider.
The problem there is that I have used five sets
of ideas, and needed another one. I repeatedly
played around with an idea, only to realise it was
actually just a slightly different way to do what
another class did.
A good example of both of the above was when I
was playing around with the idea of the D20 as a
playing piece you move around the exploded D20
shape shape (as in, like on the DIE covers). This
is 100% over-complicated and impossible to get
working in a simple way AND also basically is the
same gaming verb as the Emotion Knight’s use of
dice as token.
I escaped the above by just giving myself
freedom. I didn’t need a full system - I needed
the skeleton. Each of the classes has two things
- a set of core standard adventure-with-twists
abilities (for example, the Neo’s gifts) and a big
hefty narrative changing freeform ability (for
example, the Neo’s overcharges). That’s what I
needed. This is where Rules and Cheating came
from.
The problem was that Rules, at their core, are
basically how Minor Miracles (now replaced by
Scripture) used to work for Godbinders. I realised
that the solution was actually to edit that freeform
ability to take spells away from the Godbinder
and give it to the Master (where it sits more
conceptually) and lean into the Scripture/Miracles
dichotomy for the Godbinder. A Godbinder is either
doing things by rote, or is really communing with
god and haggling. And that differs from the reality
cops turning up due to the power dynamics in
play when the Master is doing it, etc.
In the end, the Master is now much more
developed in this initial draft than I could have
hoped. I’ll be interested to see what folks do with
them. They’ve certainly been pretty entertaining
in playtest.
Speak soon. Hope 2021 is better than 2020.
Kieron
11.12.2020
HANDOUTS
Character Sheets & Reference v1.3
THE NEO

YOUR NAME: CLASS DICE: D10

Adventurers’ lust for gold makes them all thieves, which makes the STATS
prejudice against rogues a little odd. They all do it. But everyone knows
why people are suspicious about Neo… Assign your stats. All stats start at 2. You have 2 points to increase any
stat(s) you wish. Underlined stats are ones most associated with this class.
The Neo’s magical technology needs to be activated by Fair Gold every
day. It disappears every dawn. If they can’t find enough then all their gifts
STRENGTH DEXTERITY CONSTITUTION
means nothing. They chase it. Some practically, some obsessively, most Physicality, hand-to-hand Dodging, ranged combat, Health, amount of
selfishly. combat, etc. initiative, etc. damage you take, etc.

Adventurers all want gold but only Neo need it.

DON’T READ THIS BIT ALOUD. Hey, Player. You can make choices
as the player or persona or both. No matter what, please select WISDOM INTELLIGENCE CHARISMA
Understanding, miracles, Education, perception, Personal skills,
options as the sheet describes. willpower, etc spells, willpower, etc attractiveness, etc.

EQUIPMENT
You start with all the following:
• A Dagger (or any pointy thing which stabs)
• Another Close Weapon (short sword, a second dagger or
• _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _)
• A Ranged Weapon (shortbow, crossbow, pistol or
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _)
• Leather Armour (Defence 1)

YOUR LOOK
Choose one of the following:
• Black Leather, studs and chrome
• White leather, bleach and catsuits
• Billowing black cloak and sinister scarlet eyes
• Exposed metallic exoskeleton and vat grown muscle
• Your own idea:
_____________________________________
_____________________________________

DEFENSIVE STATS

GUARD HEALTH
CORE MECHANIC REDUX Guard = Dexterity Health = Constitution

• Roll a number of normal D6 equal to your statistic plus (if

directed) your class dice.
• Each 4+ is a success.
• If the number of successes match or exceed the set difficulty
you fully succeed.
• Each 6+ can also activate a single relevant Special. These RESETS AT START OF COMBAT LOSE GUARD BEFORE HEALTH

abilities are marked on your sheet with a bold Special. Each

target can only be targeted by any given Special once in any DEFENCE WILLPOWER
Set from Equipment Wisdom + Intelligence
roll.

COMBAT

• Generate Initiative: roll Dexterity Dice Pool and total the

numbers on the dice. Characters with highest total act first.
• Combat Round: in initiative order, everyone does an action. DIFFICULTY TO BE HIT EMOTIONAL RESILIENCE

For more see Cheat Sheet or ask GM.

THE NEO IN BRIEF

Collect Fair Gold to spend to activate your fancy tech equipment

and then spend more to use its fancier abilities.

GIFTS OF THE FAIR THE GOLD OF THE FAIR

You always have an AI system and ability to access the Fair Field.
In addition, select one technomagical gift. Each is a tool which, as with
other stated abilities, allows you to do anything that the gift would
logically let you do. However, each must be activated with Fair Gold before
its special abilities can be used.
All your gifts start the game deactivated, unable to use their special
abilities. A single piece of Fair Gold is required to activate each one for the
rest of the day. You’ll find a slot, likely in the back of your neck, where you
can insert the coin.
What’s “Fair Gold”? You’ll know it when you see it. Ask your AI if you get
stuck.

Gun Active You should keep track of how many pieces of Fair Gold you possess. Maybe
you’ll be passed tokens? That’d be nifty.
(Replaces Ranged Weapon from Equipment. As in, can be fired as a normal gun before being
activated.)
You are in possession of an arcane gun, gifted to you from the Fair.
FAIR FIELD
Define its appearance: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Choose one of the below. When activated, you gain this special ability on its attacks. As a core part of your enhancements, you’re able to access the magical
Fair Field which connects many technological magics in the world of Die.
Explosive You are able to interact with and subvert it. Imagine being a hacker in a
(Special: apply individual hit — not whole attack — to another target in the vicinity.)
Homing fantasy world. Look for places where you can interact with the arcane
(Special: this individual hit — not the whole attack — bypasses Guard.) technology.
AI-Aided Targeting
(Never has any disadvantages on a hit roll.)
The dice pool is based on your Intelligence. If you succeed against the
difficulty, you bypass the problem. The dice pool has a Special: subvert the
Active
system according to your will for one action.
Energy Blade
(Replaces close combat weapon from Equipment. As in, can be used as a normal blade before being For example, the Neo faces a Fallen – a being which they can interact with
activated.) via the Fair Field. The GM sets a difficulty of 2 to try and hack it. The Neo
You have a searing energy blade, Luke Skywalker. You may use Dexterity for its dice pool instead
of Strength. rolls three successes, one of which is a 6. The Fallen freezes and, with the
6, the player activates the Special, causing the Fallen to turn on its allies.
Define its appearance: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Choose one of the below. When activated, you gain this special ability on its attacks. Once more, do feel free to ask your AI questions.

Intangible
(Special: this individual hit — not the whole attack — bypasses Guard.)
Searing THE D10
(Special: if hit wounds, ignites target causing 1 Wound per round until extinguished.)
Neurosleep Add the D10 to any dice pool when trying to achieve a task an active Gift
(Special: target is hit by a sedative. If number of times they are hit by a sedative ever
equals their constitution, they fall into a natural sleep.) would be of use in achieving.

As well as the normal meaning of the number (as in, a 4+ is a success, a 6+

Stealth Field Active can activate a special) if the result is a 0 (or, if the D10 you’re using has a
You can become virtually invisible at will. You will not be noticed unless someone is actively 10 rather than a 0, a 10), the Gift uses up its charge. It deactivates and will
searching for you, and possibly not even then. You’re basically the Predator. require another Fair Gold to reactivate.
When activated:
It’s hard to hit someone you can’t see. Gain +1 defence.
OVERCHARGE

Teleporter Active
All the Fair Gifts are capable of higher performance if fueled with extra
gold. This is called Overcharge. A gift must be activated before it can be
You can make short scale teleport jumps – 1-5m. These can be chained. Yes, you’re Nightcrawler
from the X-Men. overcharged.

When activated: Say what you wish your equipment to do. The GM will set a cost in gold to
It’s hard to hit a teleporter. Add one disadvantage to any attempt to hit you.
achieve the task. On average, a single gold is enough to change one of the
limitations.
Pet Active
For example, using the Teleporter to teleport the whole group a short
You have an awesome cybernetic pet. distance would be one gold. Using the teleporter to transport yourself a
long distance would be one gold.
Choose what animal it is: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Choose what its personality is like: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ If you wish to proceed with the task, you spend the gold, and roll your D10.

When activated: If it’s Odd, it works. If it’s Even, something goes amiss.
Gain advantage on any task the animal could feasibly help with. It is also autonomous, capable
of following instructions. Its defence value is the same as yours. If it suffers a wound it
dematerialises, and reappears beside you. The wounds are transferred to the Neo.
THE DICTATOR

YOUR NAME: CLASS DICE: D4

You read a sad story. You cry. Do you think that’s sinister, as if someone STATS
has taken over your emotions? Of course not. That’s just what art is.
Anyone who’s ever met a Dictator would disagree. Assign your stats. All stats start at 2. You have 2 points to increase any
stat(s) you wish. Underlined stats are ones most associated with this class.
By performing, they alter other people’s emotional states. Dictators play
people like a musician plays a harp. They can pluck the strings. They can DEXTERITY
STRENGTH CONSTITUTION
snap them. Physicality, hand-to-hand Dodging, ranged combat, Health, amount of
combat, etc. initiative, etc. damage you take, etc.

In D&D terms, they are like Bards, if everyone was fucking petrified of
bards.

DON’T READ THIS BIT ALOUD. Hey, Player. You can make choices
as the player or persona or both. No matter what, please select WISDOM INTELLIGENCE CHARISMA
Understanding, miracles, Education, perception, Personal skills,
options as the sheet describes. willpower, etc spells, willpower, etc attractiveness, etc.

EQUIPMENT
You start with the following:
• The Dictator’s Clothes (Defence 1)
In addition, choose one of the following options:
• A Rapier (Use Dexterity instead of Strength for its dice pool.
Special: recover one Guard.)
• A Dagger and a Ranged Weapon (bow, pistol) including ammunition
• Magical Death Touch (May use Dexterity instead of Strength for its
dice pool. This weapon is concealed and cannot be disarmed.)

YOUR LOOK
Choose one of the following:
• Austere, severe angular outfits
• Flamboyant, straight out of a stage show
• Spectacular eveningwear
• Your own idea:
_____________________________________
_____________________________________

DEFENSIVE STATS

GUARD HEALTH
CORE MECHANIC REDUX Guard = Dexterity Health = Constitution

• Roll a number of normal D6 equal to your statistic plus (if

directed) your class dice.
• Each 4+ is a success.
• If the number of successes match or exceed the set difficulty
you fully succeed.
• Each 6+ can also activate a single relevant Special. These RESETS AT START OF COMBAT LOSE GUARD BEFORE HEALTH

abilities are marked on your sheet with a bold Special. Each

target can only be targeted by any given Special once in any DEFENCE WILLPOWER
Set from Equipment Wisdom + Intelligence
roll.

COMBAT

• Generate Initiative: roll Dexterity Dice Pool and total the

numbers on the dice. Characters with highest total act first.
• Combat Round: in initiative order, everyone does an action. DIFFICULTY TO BE HIT EMOTIONAL RESILIENCE

For more see Cheat Sheet or ask GM.

THE DICTATOR IN BRIEF

Select one emotion and then think of clever and/or horrific ways to inflict
them on people.

BUILDING YOUR EMOTIONAL PALETTE

This is a character class that has questions of consent buried right in the
heart of it. You’re the character class who is most likely to prompt an X
card, especially if you start to use your emotional control abilities on an
unwilling player (assuming a thing is even possible in your game). Read the
room.
1 ________________________________________
2 ________________________________________
3 ________________________________________

Every artist has their favourite themes. Look at the Emotion Wheel below. 4 ________________________________________
Choose one of the spokes.

Write your choice to the right (each spoke’s core emotion is shown
underlined, and that’s what you should write below):

(The Wheel of Emotions was created by Professor Robert Plutchik in 1980. This Wheel is from Wikipedia’s entry on the Wheel of Emotions, which is public
domain. Hurrah for Wikipedia! We’re working on our own version at the moment.)
THE VOICE
When you control emotions, you merely speak commands aloud. But
something gives you away and people know exactly what you are. What is
it?
Strange facial scars (possible to whisper, visibly obvious)
Demonic, loud voice (impossible to whisper, not visibly obvious)
Strange smells emerge from your mouth (not visible, scent lingers)
Something else: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
PERFORMING WITH YOUR D4
If you want to try and influence another character, you roll a dice pool
including your D4 (see next section). Note the results solemnly, and
ceremonially pass the D4 to the affected player. Their character is now
being influenced by your abilities.
If you want to use your powers on someone else, you must first reclaim the
D4. You can do this instantly, and doing so ends that previous compulsion.
The Dictator is left to think of clever uses of all these emotions – the useful
formula is choosing an emotion and a target.
For example, “Fear” and “me” could lead to someone running away from
you. Or it could lead to their heart exploding in sheer terror. Go read the
Emotion Scale section opposite and see what you’re getting into.
To create a compound emotion – as in, an emotion that lies between two
of the spokes – you must possess and use the two emotions beside them.
So, to actually make someone fall in love, you must have Joy and Trust
emotions. As a starting Dictator has a single emotion, this will not be
initially possible.
These emotions, while magically created, are real. While the target is likely
aware that you have done this to them, it doesn’t make the emotion any
less real.
THE EMOTION CONTROL DICE POOL
The Dictator is incredibly powerful. That’s the problem. While other
characters struggle to gain enough successes, the Dictator’s problem is
ensuring their powers actually do what they want them to do.
While your Emotional Control is a Charisma dice pool, it is NOT calculated
like normal. The number on the D4 is the number of successes. Each other
success you roll in the dice pool allows you to modify that, with each
success allowing you to increase or decrease by one. You don’t need to use
all your successes.
RESISTING YOU
Someone’s emotional resistance is measured by their Willpower. Willpower
is equal to a character’s Intelligence plus Wisdom, so an average character
has 4. In a combat situation, you’ll need to match their Willpower to
permanently remove them from the combat, one way or another.
A character with high Willpower will not be entirely overcome unless you
match or exceed their Willpower in successes, but they will certainly be
influenced by the emotion. The stronger the emotion, the bigger the effect.
EMOTIONAL SCALE
The final number of successes is intensity. It’s rated on this scale. You may
note the Emotion Knight player also uses this scale.
1 You feel it enough to influence you.
2 You feel it intensely. It’s hard to do anything not related to it.
3 Feeling it as intensely as most people ever feel it, except in extremis.
Active compulsions.
4 If we’re talking love, more than you love your partner.
5 All consuming obsession. Often the further reaches of madness.
6+ Supernaturally intense emotions beyond anything in reality.
If it matches or exceeds a target’s Willpower, in terms of effect, anything
beyond 6 is very much in the GM’s control. Expect fireworks. Like all
creators, while you can aim to have a certain effect on an audience, the
audience will respond in their own way.
CRITICAL FAILURE
If you roll a critical failure, you are unable to to remove this emotional state.
It’s permanent. You’ve broken someone. Oh dear.
A LITTLE EMOTIONAL NUDGE
If a Dictator has possession of their D4, and is in a situation where any
subtle emotional manipulation may give them an edge, they may roll the
D4 as part of their dice pool. The D4, rather than counting as a dice, can be
used to increase any one dice in the dice pool by the amount the D4 rolls.
It’s cute to put the D4 on top of the Dice you’re boosting, like a little hat.
There’s not much cute about your character, so enjoy it while it lasts.
THE FOOL

YOUR NAME: CLASS DICE: D6

Always look on the bright side of life. STATS

Always look on the bright side of life.
Assign your stats. All stats start at 2. You have 2 points to increase any
Always look on the bright side of life.
stat(s) you wish. Underlined stats are ones most associated with this class.
Always look on the bright side of life.
And if I don’t things will be worse.
STRENGTH DEXTERITY CONSTITUTION
Fools rush in... and their friends have to deal with the consequences. Physicality, hand-to-hand Dodging, ranged combat, Health, amount of
combat, etc. initiative, etc. damage you take, etc.

DON’T READ THIS BIT ALOUD. Hey, Player. You can make choices
as the player or persona or both. No matter what, please select
options as the sheet describes.
WISDOM INTELLIGENCE CHARISMA
Understanding, miracles, Education, perception, Personal skills,
willpower, etc spells, willpower, etc attractiveness, etc.

EQUIPMENT
Whatever you wish to wear, it always counts as Defence 2. In addition,
choose two of the following options:
• A fine and noble Longsword (Advantage when talking with regal sorts
and those impressed by regal sorts.)
• A Rapier (Use Dexterity instead of Strength for its dice pool. Special:
recover one Guard.)
• A Cutlass (Advantage when talking to with Underworld sorts and
impressionable romantic sorts.)
• Martial Arts (May use Dexterity instead of Strength while fighting with
no weapons.)
• A Pistol or other Ranged Weapon
• Concealed Throwing Weapons (knives, throwing stars)

YOUR LOOK
This can either be the same or different from “Your Style” over the page…
Choose one of the following:
• Light fabrics, exposed skin, a big grin
• Black leather, a deck of cards and fast fingers
• A long cloak balanced between elegantly-wasted and scruffy
• Your own idea:
_______________________________________
CORE MECHANIC REDUX _______________________________________
• Roll a number of normal D6 equal to your statistic plus (if
directed) your class dice. DEFENSIVE STATS
• Each 4+ is a success.
• If the number of successes match or exceed the set difficulty
GUARD HEALTH
you fully succeed. Guard = Dexterity Health = Constitution
• Each 6+ can also activate a single relevant Special. These
abilities are marked on your sheet with a bold Special. Each
target can only be targeted by any given Special once in any
roll.

COMBAT
RESETS AT START OF COMBAT LOSE GUARD BEFORE HEALTH

• Generate Initiative: roll Dexterity Dice Pool and total the

numbers on the dice. Characters with highest total act first. DEFENCE WILLPOWER
Set from Equipment Wisdom + Intelligence
• Combat Round: in initiative order, everyone does an action.

For more see Cheat Sheet or ask GM.

DIFFICULTY TO BE HIT EMOTIONAL RESILIENCE

THE FOOL IN BRIEF

Act in a cavalier fashion to get access to your special powers, or give

away access to your powers temporarily to get out of any trouble.

FLUKES SCHOOL’S OUT

Choose one side of your D6. Draw a circle on it.
If you roll the circle, as well as the usual effects of the number underneath,
some fluke of luck will happen. Choose it from the list NOW or make your
own...
Hey, look around the table! I’m willing to bet all those other nerds are still
doing their homework. The Fool involves a few less choices, so you may still
have some thumb-fiddling time. On the rest of the page are some exercises
for getting into a suitably Foolish state of mind. If you’re already firmly
connected with your inner fool, feel free to chill, or have a little snooze.

Your opponent is buried alive under something unfortunate.

Your opponent gets talking and confesses something useful to you. WHAT DO YOU LOVE?
Your opponent mistakes you for a long lost love.
________________________________________________ Write a mark out of ten for each of the following, depending on how much
________________________________________________ you like them:

If you don’t roll the circle, add another circle over another number. __ Fozzie Bear
__ Aunty Donna’s Big Ol’ House of Fun
If you do roll the circle, pick a fluke to happen. Then, delete the circles bar __ prawn crackers
one, and choose / make up a new fluke for next time. Also, add a cross to __ The Queen’s Gambit
another side. __ seeing two magpies at once
__ bears
If the cross turns up, something unfortunate will happen either to you or __ the ringing of a landline
(more likely) the people around you. You then delete all crosses. __ salted caramel chocolate
__ Die Hard II
If there’s no space on your dice to add another symbol, don’t. __ weighted blankets
__ the concept of joy
THE FOOL’S D6 __ Tom Hanks
__ Tom Hanks’ children
If your D6 is in your possession, it is added to a dice pool any time when __ putting marshmallows on sweet potatoes on purpose
the character is acting in a foolish, daring or cavalier fashion. In any __ LUDO, FRIEND
dice pool which includes the Fool’s D6, you gain access to the following
Special...
DRAW A PICTURE
Special: roll another D6 and add it to the present dice pool.

IF ALL ELSE FAILS

If you’re in a dire situation you wish to escape, hand your GM your D6.
You (and possibly your friends) will get out of the situation via a piece of
unfeasibly good luck.

The GM may return your D6 at any point, to create an entirely unfair event
on a similar scale of awfulness.

If at any point before then you deliberately cause a plan to fail in a

spectacular or amusing fashion, retrieve the D6 from the GM.

YOUR STYLE

Fools are, above all things, fools – charming or otherwise. However, as

much as any other class, they also have their own approach and skills,
and can appear to be something more like a traditional adventurer than the
rest of the party. What style of fool are you?

Swashbuckler
What does this picture make you feel? Please write your answer below:
(Example Archetype: Han Solo, Errol Flynn)
Choose another option from your equipment list and look the part.
_________________________________________
_________________________________________
A Trickster Wizard (Example Archetype: Rincewind, John Constantine)
_________________________________________
Can cast cantrip-styled minor magical spells (Max difficulty of 1). See
_________________________________________
what you can talk the GM into.
_________________________________________
_________________________________________
A Rogue (Grey Mouser. Garret from Thief.)
Add the Concealed Throwing Weapons and thieves tools to your
equipment.
THE _ _ _ _ _ _ KNIGHT

YOUR NAME: CLASS DICE: D8

These eight orders of Knights are the world’s greatest warriors, each STATS
devoted to a single emotion. Whether it be joy, hate, or fear: if they feel it,
they can use it to fuel the power of their sentient, arcane weapons. Assign your stats. All stats start at 2. You have 2 points to increase any
stat(s) you wish. Underlined stats are ones most associated with this class.
When consumed by their sacred sensation, they are incomparable
warriors, capable of miraculous feats. Nothing can stand against their DEXTERITY
STRENGTH CONSTITUTION
blades – armies, mountains, even ideas. They can defeat anything. Physicality, hand-to-hand Dodging, ranged combat, Health, amount of
combat, etc. initiative, etc. damage you take, etc.

Except the passion which drives them.

DON’T READ THIS BIT ALOUD. Hey, Player. You can make choices
as the player or persona or both. No matter what, please select
options as the sheet describes. WISDOM INTELLIGENCE CHARISMA
Understanding, miracles, Education, perception, Personal skills,
willpower, etc spells, willpower, etc attractiveness, etc.

EQUIPMENT

You start with:

Your Arcane weapon (see next page).

In addition, choose one of the following:

• Chainmail (Defence 2)
• Leather Armour (Defence 1), and a normal, non-magical Ranged
Weapon of your choice (bow, crossbow, throwing knives). The latter
includes ammunition.

YOUR LOOK

Choose one of the following:

• Worn leather, a long cloak and a scowl
• Gladiator gear, all skin, spikes and black leather
• Covered head to foot, with a full helm showing only your eyes
• Your own idea:
_______________________________________
_______________________________________

DEFENSIVE STATS
CORE MECHANIC REDUX
GUARD HEALTH
• Roll a number of normal D6 equal to your statistic plus (if Guard = Dexterity Health = Constitution

directed) your class dice.

• Each 4+ is a success.
• If the number of successes match or exceed the set difficulty
you fully succeed.
• Each 6+ can also activate a single relevant Special. These
abilities are marked on your sheet with a bold Special. Each RESETS AT START OF COMBAT LOSE GUARD BEFORE HEALTH
target can only be targeted by any given Special once in any
roll. DEFENCE WILLPOWER
Set from Equipment Wisdom + Intelligence
COMBAT

• Generate Initiative: roll Dexterity Dice Pool and total the

numbers on the dice. Characters with highest total act first.
• Combat Round: in initiative order, everyone does an action.
DIFFICULTY TO BE HIT EMOTIONAL RESILIENCE
For more see Cheat Sheet or ask GM.
THE EMOTION KNIGHT IN BRIEF

If you’re experiencing your iconic emotion, you gain powers. Spend some
of that emotion to fuel other powers. Use up all the emotion in a single
burst to do really awesome stuff.

YOUR SACRED EMOTION THE EMOTIONAL SCALE

Your powers are driven by you feeling an emotion. Look at the Emotion
Wheel on the third page.
Select the word that best fits your emotion (from the main coloured spokes
only). It can be the one most related to your Persona, or the one you think
is most interesting to explore. Talk to your GM if you want to know more
about what “interesting” may mean.
Now write that emotion into the blank space at the top of p1, to denote
what the type of Knight you will be.
Now you’ve picked, fill in the other blanks on the third sheet. All three of
these words are aspects of your Sacred Emotion.
If you are unsure what emotion to pick, “Rage” is a simple one to play.
THE ARCANE WEAPON
Look at the Emotional Scale on the third page. Place your D8 at zero.
Depending how intensely your character is feeling this emotion, the D8
will move up or down the scale. The further up the scale it is, the more
intensely a character feels this, and the more likely it will be nearly
impossible to do something unconnected to this emotion.
To stress: the emotion is generated from events in the fiction. For example,
if you are a Terror Knight surprised by a monster, you are likely to be
scared, which means your D8 will move up the scale.
You are not immune to your emotion. When you experience willpower level
you will be overwhelmed by it.
EMOTIONALLY ENGAGED
When your d8 is above zero on the Emotional Scale, you gain advantage
on any attack the weapon makes. Your Stance is also activated. Your
Emotional Stance is... (choose one):

All the Emotion Knight’s special abilities are channeled via their arcane
weapon. All arcane weapons, whatever their form, are sentient and can
communicate with its owner (both audibly or with short range telepathy)
and share a bond with its owner. It is also able to sense strong sources of
its emotion in its vicinity.
Your weapon is... (choose one of the following):
Sword
Hammer
Trident
Your idea: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Your weapon’s main attribute is... (choose one):
Brutal (Special: if this removes a Health from your opponent, remove
two Health instead.)
Fast (Special: when removing a Guard from your opponent, remove
two Guard instead of one.)
Incredibly Elegant (Uses Dexterity instead of Strength for its dice
pool. Special: recover two Guard.)
Your weapon’s personality is... (choose one):
Aggressive
Sarcastic
Cutsie
Your idea: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Guard (Choose someone in vicinity. If they are attacked, you can choose to be instead)
Ranged Attack (You can attack with your magical weapon at a range equivalent to a Bow.)
Riposte (Any opponent whose attack fails to hit you gives you a free attack back at them.)
Feel free to describe how these abilities manifest.
VENTING
If you are emotionally engaged, you can vent to move your D8 one step
down the emotional scale, to activate one of the following venting abilities.
Pick one ability.
Decapitation Strike (This attack bypasses Guard.
This attack can only target one individual.)
Combat Frenzy (Apply the results of this attack
to all enemies within 2m of the Knight’s position.)
Duel (Choose one opponent. They cannot attack
anyone else until you choose.)
CREATIVE VIOLENCE
If a player has two or more of an emotion they can expend it all to achieve
an incredible feat. They pick up the D8 and hold it towards the centre of the
table. Describe what you’re trying to do. You can defeat anything which fits
one of the nouns on your current level, or below. (So for example, if you are
level 3 you can defeat an army.) You are encouraged to interpret “defeat”
poetically. This ability is about creative violence.
Then roll the D8. If you roll your emotion level or beneath, you suffer that
number of wounds in achieving your goal. Replace the dice at the zero
point on the scale.

THESE ABILITIES MAY BECOME AVAILABLE AS YOU PROGRESS

EMOTION DRAINING

Emotion Knights can siphon their Sacred Emotion from a target

character. If the character resists, this requires a Charisma roll with
a difficulty of 1. For a success, and each success above it, a level of
emotion is transferred from the target to the Knight. NB if a player is
not experiencing that emotion, an Emotion Knight cannot siphon it.

A critical failure means the target can never feel emotion towards
that source ever again. (For example, a peasant is petrified of a
dragon. A Fear Knight tries to drain the peasant’s fear, but critically
fails. The Peasant will never be scared of dragons again.) However,
the Knight gets all the emotion the target feels.
THE EMOTION WHEEL THE KNIGHT’S EMOTIONAL SCALE
Once you have chosen the core emotion for
your Knight (as described on page 2), now Level 6+: Inhuman
fill in the following: You can defeat: a
god, hope, yourself.
Great: ______________
(The closest to the center)
Level 5: Consumed
Medium: _____________ You can defeat: a
(The middle one in the spoke) country, a religion.
Minor: _____________
(The furthest from the center)
Level 4: Lost
You can defeat: a city,
despair, someone you
truly love.
Level 3: _____________
You could defeat:
an army, a mountain
range, a town.
Level 2: _____________
You could defeat: a mob,
a blockage, a village, a
weakness.
Level 1: _____________
Greater and lesser abilities
available.
Gain advantage on attacks
with your weapon.
Level 0: Nothing
(The Wheel of Emotions was created by Professor Robert Plutchik in 1980. This Wheel is from Wikipedia’s entry on the Wheel of Emotions,
which is public domain. Hurrah for Wikipedia! We’re working on our own version at the moment.)
THE GODBINDER

YOUR NAME: CLASS DICE: D12

You don’t believe in gods. STATS

I mean, they exist. Obviously. You owe the Fire God for that time he burned Assign your stats. All stats start at 2. You have 2 points to increase any
that fortress, and you’ve got that favour from the God of the Wild when you stat(s) you wish. Underlined stats are ones most associated with this class.
saved her rainforest… but believe? That’s a strong word.
STRENGTH DEXTERITY CONSTITUTION
Really, no, you don’t really believe in gods. You believe in tools. Useful tools. Physicality, hand-to-hand Dodging, ranged combat, Health, amount of
combat, etc. initiative, etc. damage you take, etc.

The Godbinder is the D&D Cleric as demonologist.

DON’T READ THIS BIT ALOUD. Hey, Player. You can make choices
as the player or persona or both. No matter what, please select
options as the sheet describes. WISDOM INTELLIGENCE CHARISMA
Understanding, miracles, Education, perception, Personal skills,
willpower, etc spells, willpower, etc attractiveness, etc.

EQUIPMENT
Choose one of the following:

Holy Warrior: Two-handed Hammer (Special: if a hit wounds, it does 2

against metal armoured opponents), heavy protection (Defence 2)
Most Holy: Quarterstaff (Special: recover 1 Guard), robes or loincloth
(Defence 1)
Not Holy At All: Worn leather gear (Defence 1) – Dagger or
Knuckledusters, Cigarettes or Pipe, Playing Cards, Advantage to sleight
of hand tricks

YOUR LOOK
Choose one of the following:
• Heavy-metal holy crusader, likely looking for trouble
• Beatific holy person, looking for peace, probably
• Wild tattoos, frenzied eyes, likely looking for drugs
• Urbane street magician, likely looking for the gold in your pocket
• Your own idea:
_______________________________________
_______________________________________

DEFENSIVE STATS
CORE MECHANIC REDUX
GUARD HEALTH
• Roll a number of normal D6 equal to your statistic plus (if Guard = Dexterity Health = Constitution

directed) your class dice.

• Each 4+ is a success.
• If the number of successes match or exceed the set difficulty
you fully succeed.
• Each 6+ can also activate a single relevant Special. These
abilities are marked on your sheet with a bold Special. Each RESETS AT START OF COMBAT LOSE GUARD BEFORE HEALTH
target can only be targeted by any given Special once in any
roll. DEFENCE WILLPOWER
Set from Equipment Wisdom + Intelligence
COMBAT

• Generate Initiative: roll Dexterity Dice Pool and total the

numbers on the dice. Characters with highest total act first.
• Combat Round: in initiative order, everyone does an action.
DIFFICULTY TO BE HIT EMOTIONAL RESILIENCE
For more see Cheat Sheet or ask GM.
THE GODBINDER IN BRIEF
Cast Scriptures which act like normal D&D-y spells, or actively barter
with your gods for anything you want… at a cost.
CONTRACT WITH GOD
To begin with, choose a total of one level from any of the gods below,
and tick the box next to each one. (You have to choose level 1 in a god
before level 2, and level 2 before level 3.) This defines how close your
relationship is to the god. The higher, the closer you are (or at least the
more leverage you have).
Each level comes with an associated Scripture. Handy. Scripture is
described to the right.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE GOD OF LIGHT God Debt
LEVEL ONE
Healing light: Can heal a character within a short distance. 1 Health healed per
success, up to max level in god. Special: extra Health healed. Special: disadvantage
to anyone attacking the target for rest of combat. Special: advantage to any attack made
against creatures of darkness for rest of combat.
LEVEL TWO
Bless: For each success you roll, bless a nearby ally. All attempts to attack that ally suffer
a disadvantage for the length of the combat. Special: Double Wounds Against Undead for
length of combat.
LEVEL THREE
Divine Light: Ranged Attack, single target, extreme range. Special: blind opponent for rest of
combat. Special: if this hit wounds, does 2 Wounds instead of 1.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE GOD OF THE WILD God Debt
LEVEL ONE
Furious Briars: Summons area of aggressive plant life which attacks all enemies in
close area to caster. Remains for rest of combat. Special: immobilize target. Requires
a strength test to break free.
LEVEL TWO
Forked Lightning: Ranged Attack. Each success can choose an extra target, up to your level in
the god. Special: opponent suffers two disadvantages next action.
LEVEL THREE
Animal Form: Transform into hulking beast of your choice. You gain additional health
equivalent to number of successes rolled until you change back. If your Wisdom is lower than
your Strength, your Strength is increased to the level of your Wisdom.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE FIRE GOD God Debt
LEVEL ONE
Fire blast: Blast of flame to medium range. Special: ignite opponent, doing 1 Hit
per round until extinguished. Special: hits extra nearby target - maximum of one
selection per level in god.
LEVEL TWO
Extended Fireball: Ranged attack which fills room-sized area with fire which stays for the
length of a combat. Can be dismissed at any time. Special: ignite opponent, doing 1 hit per
round until extinguished.
LEVEL THREE
Phoenix: requires a dead body to cast. From it bursts an enormous flying bird, wreathed in a
fire which only harms your enemies. Once it starts to fight, it lasts for a combat. It can carry
5-6 people. STR 3 DEX 3 and its attacks have Special: ignite opponent, doing 1 hit per round
until extinguished.
SCRIPTURE
Godbinders gain access to spells called Scriptures. Unless the god
they’ve picked is entirely against any of the of the three concepts below,
all Godbinders get these three scriptures for free. The <noun> can be any
noun related to the god. For example, with “The God of The Wild” you could
fire thorn-blasts and could detect wildlife.
<Noun> Blast (Does an attack at a target in medium range.)
Heal (Can heal a character within a short distance. Max 1 Health healed.)
Detect <Noun>
Casting Scripture has a difficulty of 1. You will roll your Wisdom dice pool
to do so, including your D12. (The D12 is added to your dice pool any time
a miracle is influencing you. So if you have turned into a bear, you can
include your D12 in your dice pool for bear tasks. If you create a magic
sword, you get to add the D12 to your attacks too.)
If you fail to roll even a single success, you must take on a God Debt (if
you can). This adds one one success to the dice pool.
GOD DEBT
For each god, a Godbinder can acquire up to five God Debt. They can also
be in credit to a god for up to five God Debt.
Each point of God Debt can be called in by the god, who can choose to call
in the debt at any time. The god will request an action and, if the player
refuses, the player will suffer 1 Wound for every point of God Debt.
God Debt can also be removed if the player acts in a manner according
to the god’s desires. A godbinder may be proactive and suggest things to
their gods. You should keep track of which gods you have Debts to in the
box provided to the right of their names.
MIRACLES
At any point, you may hold your D12 to talk to one of the gods. You can then
request a Miracle. The GM, speaking as the god, if they are willing to do it,
will give you a cost. After any haggling, you decide whether to accept or
not. If you agree, it happens.
Costs tend to be one of three things…
1. Taking on God Debt.
2. Making you perform a specific task for them.
3. Owing them a favour.
Miracles can be anything a specific god could conceivably do, with the
payment demanded proportionate to the difficulty.
BREAKING PROMISES
If you have promised to do something for a Miracle and you choose not
to do it, the spurned god immediately acquires God Debt according to the
scale of the Miracle broken (as ascertained by the GM). A god may hold
onto the debt, or immediately use it to harm the Godbinder.
MORE FRIENDS IN HIGH PLACES
Welcome to the third page, Godbinder, where we introduce another nine _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE UNDERWORLD GOD God Debt
(count ’em!) gods to use.
Some death gods are loving. Some are hateful.
It is worth stressing - these gods are actively worse than the gods on the All have a place for us all.
previous page. These have not been changed since the 1.2 beta, where
LEVEL ONE
the gods on your main sheet have been considerably improved. Heal: Can heal a character within a short distance. Max 1 Health healed.
LEVEL TWO
As the GM has decided to pass you this, they’ve decided that they trust Death Beam: Medium ranged attack. Has Special: lose one strength for length of this
combat.
you – our friend the Godbinder – not to spend eight hours chewing over LEVEL THREE
your choices. Skeleton Mob: Summon 10 awesomely stop-motion skeletons for a combat. They have no
Guard and 2 Strength.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE SEA GOD God Debt

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE WAR GOD God Debt

God of the ocean, in both its stillness and rage. The god of all those who fight for right.
But might makes right, so…
LEVEL ONE
Sinking Sands: All enemies nearby are slowed, suffering a disadvantage on active tasks.
Special: a character is stunned, sinking into the mud. LEVEL ONE
LEVEL TWO Enchanted Weapon: Choose one weapon. It gains advantage in attacks until the end of the
Wall of Water: Summon a wall of water, shaped according to your will. Whatever number of combat and Special: target suffers a disadvantage on next task.
successes you roll is the difficulty to cross it. LEVEL TWO
LEVEL THREE Godly Frenzy: Swap your Wisdom and your Strength for the combat. Gain Special: opponent is
Drowning: Any nearby enemies’ lungs start to fill with water. Counts as an attack with overwhelmed by your fury, and is stunned for an action.
Special: bypasses guard. LEVEL THREE
Heroic Leadership: All friends near you gain advantage in attacks until the end of the combat
and Special: regain one Guard.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE ELDRITCH GOD God Debt
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE GOD OF EXCESS God Debt
Gods beyond human imaginations, wrapping
their cold tentacles around existence. God of one-more-drink-at-3am-on-a-school-night.
LEVEL ONE LEVEL ONE
Sacrificial Knife: Summon an unholy blade. It can be used once to attack someone. Party Hard: All individuals within arm’s reach all gain advantage on Dexterity tasks for a
Gain advantage on attack, and Special: if it wounds, it does one hit per round until combat.
dispelled. LEVEL TWO
LEVEL TWO Sleep: Make all individuals in an area fall asleep. You need to match or exceed each target’s
Horrifying visions: If you can make eye contact with someone, you reduce their Willpower by Wisdom in successes to affect them. They can be awoken.
two for the length of a combat. LEVEL THREE
LEVEL THREE Higher State of Consciousness: Become intangible for length of combat. Invulnerable to
Summon Horror: Summon an abomination. It has 2 stats of 4, and abilities suiting its form. physical attacks. Can attack with psychic power, using Wisdom for the dice pool. Use target’s
You do not control it. Wisdom as their defence.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE FORGE GOD God Debt _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE STORM GOD God Debt

God of craft, technology and all those who work The angry and often paternal god of lightning.
by their hands and their mind. The elements unleashed and hostile.
LEVEL ONE LEVEL ONE
Little Robot Friend: Summon a little robot friend who can perform tasks. He cannot fight. He Lightning Blast: Ranged attack. Special: does a 1-hit damage to anyone within arm’s reach of
has Constitution 3 and Defence 2. target.
LEVEL TWO LEVEL TWO
Divine Hammer: Summon a magical hammer for length of combat. Uses Strength, but can Chain Lightning: Lightning bursts from the caster, attacking any close enemies. Special: does
attack at bow-range. Special: Knocks over target. a 1-hit damage to anyone within arm’s reach of target.
LEVEL THREE LEVEL THREE
Big Robot Friend: Summons a larger robot friend who can perform tasks, including fighting. He Summon Storm: A room-sized storm persists for a combat. Every round, it attacks a
has Strength 4 and Defence 2. random character in the space. Special: does a 1-hit damage to anyone within arm’s reach
of target.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE FATE GOD God Debt

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ , THE TRICKSTER GOD God Debt
What will be, will be.
I should be so lucky. Lucky, lucky, lucky in
LEVEL ONE role-playing games.
Forewarned: Can see imminent threats. Use Wisdom to generate your Guard instead of
Dexterity. Reset Guard to maximum.
LEVEL TWO LEVEL ONE
Our Destiny: Fate provides Wisdom. For this combat, all characters nearby at the moment of Disguise: You can appear to be anyone you wish. You do not gain any of their abilities.
casting gain Special: this hit bypasses Guard. LEVEL TWO
LEVEL THREE Distraction: A burst of light makes everyone in a room-sized area be startled. One
Their Fate: You reveal an awful truth to one individual nearby. It counts as an attack, disadvantage on all tasks. Adds Special: this attack blinds the target for a combat round.
automatically stuns them for a round and has Special: suffers a disadvantage for rest of LEVEL THREE
combat due to existential horror. Disappearing Trick: Teleport yourself to any place within sight.
THE MASTER

YOUR NAME: CLASS DICE: D20

Who rules? STATS

The Master is the magic user as a reality manipulator. Sometimes you Assign your stats. All stats start at 2. You have 2 points to increase any
change the laws of physics. Sometimes you change the laws of the game. stat(s) you wish. Underlined stats are ones most associated with this
Sometimes you change the laws of fiction. class.

The Rules rule, and you rule the Rules.

STRENGTH DEXTERITY CONSTITUTION
And you never, ever cheat. Physicality, hand-to-hand Dodging, ranged combat, Health, amount of
Ever. combat, etc. initiative, etc. damage you take, etc.

Stop looking at me like that.

DON’T READ THIS BIT ALOUD. Hey, Player. You can make choices
as the player or persona or both. No matter what, please select
options as the sheet describes.
WISDOM INTELLIGENCE CHARISMA
Understanding, miracles, Education, perception, Personal skills,
willpower, etc spells, willpower, etc attractiveness, etc.

EQUIPMENT
No matter what you’re wearing, it has Defence 1.

Choose one of the following:

Quarterstaff (Special: recover 1 Guard)

An elegant handgun (Special: if a hit wounds, it does 2
against unarmoured opponents)
A Huge Tome (Advantage on tasks involving research,
heavy enough to be an improvised club)

YOUR LOOK
Choose one of the following:

Wizard Robes straight out of a 1980s kids fantasy cartoon

Killer Suits straight out of a 1980s Corporate Badguy
Fetishwear straight out of a 1990s Vampire LARP
Your own idea:
_______________________________________

DEFENSIVE STATS
CORE MECHANIC REDUX

• Roll a number of normal D6 equal to your statistic plus (if GUARD HEALTH
Guard = Dexterity Health = Constitution
directed) your class dice.
• Each 4+ is a success.
• If the number of successes match or exceed the set difficulty
you fully succeed.
• Each 6+ can also activate a single relevant Special. These
abilities are marked on your sheet with a bold Special. Each
target can only be targeted by any given Special once in any RESETS AT START OF COMBAT LOSE GUARD BEFORE HEALTH
roll.
DEFENCE WILLPOWER
Set from Equipment Wisdom + Intelligence
COMBAT

• Generate Initiative: roll Dexterity Dice Pool and total the

numbers on the dice. Characters with highest total act first.
• Combat Round: in initiative order, everyone does an action.

For more see Cheat Sheet or ask GM. DIFFICULTY TO BE HIT EMOTIONAL RESILIENCE
THE MASTER IN BRIEF

Arrange your Rules to make your own spells, and if not, cheat to get what
you want… and hope you don’t get caught.

MASTERY YOUR RULES

You have Mastery. If a Master has Mastery they have an advantage when
casting spells via their Rules or on later actions related to the spell (e.g. If
you enchant a weapon, you would get to add the Mastery Dice to pools as
well as any effect the spell itself would have).
If lost, Mastery returns at the start of each session.
Select three Rules from the options below or talk to your Master about
other Rules. (If your spell requires further scale or more Rules, see Rules
Lawyering.)
Range: The effect is able to reach as far as a thrown weapon.
Area: Affect all within arms reach.

PLAYING BY THE RULES Duration: Last about the length of a combat.

By connecting magical Rules together, you can manufacture your own
magical spell. E.g., if a Master has “Range” and “Fire Damage” they can
combine them into a ranged attack. If they also have “Area” they could
combine all three into something, like a fireball. Use your imagination and chat
to the GM.
The difficulty of the spell is the number of different types of Rule in the
spell. You roll your Intelligence pool to match or exceed it.
Each Rule gives you the ability to create the effect described - which is
“scale 1”. If you select the Rule a second time, it increases the Rules scale
(longer range, bigger area, etc). In short: the bigger the effect, the more
scale is required. Ask your GM for more details here.
Damage - Duration: Damages target. (Special: ignite opponent, doing 1
Hit per round until extinguished.)
Description: ____________________________________________
Damage - Curse: Damages target. (Special: target suffers a
disadvantage on next action.)
Description: ____________________________________________
Heal: Target heals 1 Health. (Special: heals an additional Health)
Description: ____________________________________________
Enhance (_________ ): Adds advantage on the defined task/stat.
Description: ____________________________________________

With each selection you get to define what these Rules look like in the
narrative. So if you choose Damage (Duration) you can describe it as “Fire”
and its narrative effect would be to set things alight etc. You can choose
the same Rule multiple times, and change its its description. For example,
Damage (Duration) could be “Toxic sludge” or “Poison” and so on.
In the case of Enhance and Hinder, you have to choose a specific thing to
affect when selecting it. This can be a stat (Strength, Wisdom, etc) a type
of action (ranged attacks, personal interaction, etc).
Hinder (_________ ): Adds disadvantage on the defined task/stat.
Description: ____________________________________________
______ Movement: Gifts movement in either velocity or direction. E.g.,
making you move quicker (Velocity), or levitate (Direction).
Description: ____________________________________________
Selectivity: Allows you to remove yourself from the effects of a spell.

RULES LAWYERING

If your chosen Rules are insufficient to create the effect you want, if
you possess Mastery, you can add other Rules as required… at a risk. To
calculate the risk, do the following calculation.

• Add 1 for each scale of an option you have.

• Add 2 for each option you don’t have.

You then add the D20 to the dice pool, and roll it. If the D20 is your risk
or less, your cheating is caught. You lose Mastery. Note: the spell still
takes effect. The D20 does not contribute successes to the pool - it only
determines if your Rules Lawyering is caught.

For example, a Master with Range and Damage as Rules wants to throw
a fireball at bow length. That’s a longer range than Range 1 allows - so
add 1 for another scale of range. The Master doesn’t have area - so
costs 2 to add a level of scale. This is a total of 3 risk. The Master throws
their dice pool (including the D20) and the D20 turns up a 2 (i.e. a
number same as or less than the total risk). Oh noes. The Master loses
Mastery.

Important note: any Rules Lawyering enhancement does not increase the
difficulty of a spell.
HARDCORE CHEATING SIMULATIONIST MASTER

Choose one of the three areas of Cheating for your Master to specialise
in. You can try to cheat in any of the ways described, or ways akin to
them - do use your imagination. Each cheat has a description of a typical
punishment if you are caught.
It is possible some extremely ambitious cheats will be so complicated as to
require significant in-game preparation, likely involving quests. None of the
things on the list below are of this type.
To cheat, describe what you want to achieve, and the GM will tell you its
likely punishment.
If you wish to continue, take two containers (a hand would be standard)
and hide your D20 in one of them. Someone else picks a container. If they
miss the D20, you get away with it and the effect happens. If they find it,
the powers that be notice you. Erk.
Prepare to beg for your life, make excuses or justify yourself quickly. Good
luck.
Warning: whether a Cheat is caught or not, if a cheat has an ongoing effect
and the Powers That Be become aware of the cheat, then they can and will
act.
GAMIST MASTER
You specialise in tweaking game mechanics in more favourable directions.
No, not cheating.
Change a minor Rule for the duration of a combat.
E.g. GM-controlled characters act before player-controlled characters on
equal initiative.
Possible punishment: Lose Mastery, community service.
Change a major Rule for the game for the duration of the combat
E.g. You can regain Mastery at a time other than the start of a session.
Possible punishment: 1-2 Wounds, ongoing curses until task completed.
Overturn or create a temporary exception to a major existing Rule in an
Archetype.
E.g. Dictators cannot use their voice.
Possible punishment: Death.
You specialise in altering the physics of the world. Not Cheating. No way.
Highly unlikely events happen.
E.g. A storm hits a coastal town.
Possible punishment: Lose Mastery, community service.
Extremely unlikely events happen.
E.g. A tidal wave hits a coastal town.
Possible punishment: 1-2 Wounds, ongoing curses until task completed.
Break fundamental laws of physics.
E.g. A tidal wave hits an inland town.
Possible punishment: Death.
DIE MASTER
If you have Mastery over the area you are in, you gain access to the
following cheats. To stress: unless you are being played by the GM, you are
extremely unlikely to have Mastery of the area you are in.
At the start of each session, gain Cheat Tokens equivalent to the number
of other players in the game. So if there are four players in the game, you
get three.
Each Cheat Token can be used to perform a cheat without risking being
caught.
You gain access to the following cheats…
Prevent any single event that has just happened. Uniquely, this can be
done as an instant response to an action that’s happened (I.e. if you are
killed, you can undo the event).
Possible punishment: Compulsory instant death, no exceptions.
Offer temptation. You may create something significant from nothing that a
player explicitly wants.
Possible punishment: Compulsory instant death, no exceptions.
Escape. If not in the final encounter of the game, the Master can escape in
some manner of personalised teleportation.
Possible Punishment: 1-2 Wounds.

NARRATIVIST MASTER

You specialise in bending story out of shape. Definitely not cheating.

Summon an established character into narrative.

e.g. The famous thief you heard of arrives to the scene.
Possible punishment: Lose Mastery, community service.

Establish a new fact about someone in the existing narrative.

e.g. The famous thief you heard of arrives to the scene… and loves helping
out dimension-skipping adventurers.
Possible punishment: 1-2 Wounds, ongoing curses until task completed.

Introduce a whole new character of your own design.

e.g. “Hey - there’s this awesome thief in this world, and they love helping
out dimension-skipping adventurers. And they’ve turned up!”
Possible punishment: Death.
DIE GAMESMASTER SHEETS

Print out all the following to run the game. Players, you’d be best not to read the following.
THE FALLEN
THE FALLEN IN BRIEF
You are an undead monster. If you kill one of the other Personas,
you become alive again.
THE FALLEN
You have died in the realm of Die. You are a monster, perhaps similar to
one of the ones you’ve been fighting. You thought they were little more
than undead zombies. Now you know better.
This may give you a new insight into their nature, and perhaps yours.
You are different from some of them in one key way: you are sentient,
holding onto your consciousness and your free will.
For now.
You still have all the abilities on your front sheet.
You lose all your abilities on your second sheet.
FALLEN CLAWS
While it may appear to be your old weaponry, it’s changed. Whether you
stab or shoot, it always works with these rules.
Many abandon the pretence, lose their weapons, and attack with claws
sprouting from their body.
You now attack with this profile...
Claws
Special: if this attack causes a Wound the target is poisoned. (Lose
one Health per round until a character succeeds a Constitution test.)
If you provide the killing wound with your fallen claws to another Persona-
controlled character, you immediately come to life and regain all your
abilities on your second sheet.
Pass the Fallen sheet to the player you’ve just killed. They’re Fallen now.
You instinctively know this to be true.
You are hungry for and jealous of what your peers possess.
This is the only certain way a Fallen can return to their living status.
Perhaps there’s other less murderous ones? You don’t know.
NOT JUST A MONSTROUS FACE
Fallen are monsters, but some are interesting monsters. Your new form
gives you a new ability. Choose one:
Flight
You are able to soar through the sky at a sprinting pace. Decide
what this looks like – wings? Thrusters? Enormous blood-coated
springs? You tell us.
Intangibility
You are able to move spectrally through objects that bar your path.
This gives you no specific bonus to resist damage. What does it look
like? Classic spectral? Becoming burrowing worms? You tell us.
Size changing
You can monstrously swell to four times your height or shrink to a
tenth of your size. What does this look like? And sound like? And feel
like?
SECOND DEATH?
You’re dead. You have no idea what happens if you die now.
When you think of it, there is a certain dread.
You know it’s not good.
CORE RULES CHEAT SHEET
THE CORE MECHANIC
1. Say what you’re trying to do. If it may fail, the GM sets a Difficulty. 1 is
normal. 2 is hard. 3 is impossible for an average human.
2. Collect a Dice Pool. This is a number of D6 equal to your relevant
statistic. In some situations you may also add your Class Dice.
3. Determine if there’s anything which may make the task easier. For
each advantage add one six-sided dice to the dice pool.
4. Determine if there’s anything which may make the task harder.
For every two disadvantages add one to the difficulty. If there’s a
disadvantage left, add one Bad Dice to the dice pool.
5. Any dice that is 4+ counts as a success. If the Bad Dice is 4+ one
success is negated. If the number of successes equals or exceeds
the difficulty, you fully succeed.
6. For each 6+ you can activate a single relevant Special a character
may have. Each target can only be targeted by any given Special
once in any roll.
7. If you roll no successes and at least one dice rolls a 1, it’s a Critical
Failure.
COMBAT
1. Generate Guard (If not surprised, all characters set their Guard to
maximum.)
2. Determine Initiative Order (Roll your Dexterity dice pool and total
its numbers. The character with the highest total goes first, the
character with the lowest total goes last.)
3. The Combat Round (In Initiative order, everyone takes an action. An
action is anything that can be reasonably completed in 5-10 seconds,
understood cinematically. An action can normally be accompanied
by moving a short distance. You can save your action for later in the
round.)
4. Repeat Step 3 until combat is over.
ATTACK
1. Roll relevant dice pool, as per core mechanic. For close combat, this
is usually Strength. For Ranged, this is normally Dexterity. For spells, it
varies depending on what sort of magician you are.
2. The difficulty is equal to the Defence of the target.
3. If you match the difficulty, you score one Hit. For every further
success, you score an additional Hit.
DAMAGE AND DEATH
• Every Hit causes a character to lose either a Guard or a Health.
• Unless otherwise stated, Guard is lost before Health.
• If a Hit causes a character to lose Health it is called a Wound.
• If a character reaches zero Health, they will fall unconscious and die
at the end of a combat.
• If a character would ever be at less than zero Health, they die. Erk.
GM SESSION CHECKLIST
This checklist is for the standard game of DIE. If you are playing with modified versions in the Arcana, some of it won’t apply.
PRE-SESSION CHAT
• Explain concept of DIE the RPG.
• Ask what sort of characters they like to play in games.
• Discuss tone of game. Adventure? Horror? What rating?
• Discuss possible themes and players’ reservations.
• Introduce X-card.
PERSONA GENERATION
• Explain setup (i.e. group of old RPG friends getting together down the
line)
• Ask questions to players to generate Personas’ identities. Make
notes.
• Continuing asking questions until the group seems defined.
• Look for the Core Drive of each Persona.
• Be sure to ask for name of the Fantasy World they used to play in.
• When satisfied, tell everyone to leave the table. When they come
back, they will be playing their Personas.
BEFORE CHARACTER GENERATION
• Given all you know, decide which archetype you want to give to each
player.
• You have the Master.
• If you have reservations, check in with players about your idea.
CHARACTER GENERATION
• Have a general chat then start the game.
• Distribute the dice and character sheets.
• As you give to each player bar the Fool say: “This is your dice. There
is no other dice like this in this whole game. This is special. This is
yours.”
• To the Fool say: “This is your dice. This is exactly the same as every
other dice in the game. There’s nothing special about this dice at all.”
• The Master keeps the D20. “And this one is mine.”
• Get each player to read the introduction text to their character sheet
aloud.
• Go through the steps on the sheet, getting them to fill in the details.
• Ask all the players to pick up their dice, close their eyes, then lower
their dice to the table.
• Tell them to open their eyes and say they’re somewhere else…
INTO THE DUNGEON
• Describe situation – players are in a dark fantasy version of the room
they’re in. They are still their real human selves. The dice are in front
of them.
• The Master’s Persona grabs the D20, and transforms into their
character.
• Use a Cheat Token to teleport away.
• At any point, if a Persona grabs their dice, they transform into their
character.
• Shortly afterwards, Fallen arrive. (1 Lesser Fallen per player. If you
are starting with the option of more powerful starting players, add a
Greater Fallen.)
• After the Fallen encounter, the players leave the area… and outside is
their teenage Fantasy world. Say its name. End session.
LATER SESSIONS
• Previously On: ask the players to recap their Personas. If they don’t
say information required for the adventure, remind them.
• Ask questions about their teenage fantasy world and then use (and
subvert) their answers in the game.
• Continue to ask questions about the Personas’ real lives, as and
when relevant. Use them in the game.
• Halfway through session decide if the game needs to be extended to
further sessions or not.
• An hour before the end of the final session, remind the players the
game is going to end.
• Always leave time before people have to leave to decompress
together after the game.
THE FINAL ENCOUNTER
• Voting process: ask each player if they want to end the game. The
second one doesn’t, stop.
• If everyone agrees to go home, they go home.
• If everyone agrees to stay, they stay.
• Dead people don’t get a vote.
• If they don’t come to an agreement, the fantasy world is destroyed.
• If group is at an impasse, start the world ending.
• When the world is about to end, tell the players and let them have
one more action.
• Before you destroy the world, give the players one last chance to end
the game.
LEAVING THE DUNGEON
• All living players are back in the room they came from. Describe the
scene.
• Ask each living player who went home how their experience with
Die changed their life. Add a note to add weirdness to their choice
afterwards.
• Ask each dead player how them being not at home changed their life.
Also subvert.
• Ask each player who stayed what their life is like there. Add note
about what happened at home when they’re away.
• Applaud everyone and have handshakes and high fives. Decompress
and practise Aftercare.
GM CHEAT SHEET FOR CLASSES
FOOL (D6)
Swashbuckling hero
• Adds class D6 to rolls when acting cavalierly.
• Draws symbol on D6. If it doesn’t turn up, add another symbol. If it
turns up, a fluke they’ve chosen happens. If the symbol turns up,
also add a negative symbol. If that turns up, the reverse of the fluke
happens, and delete all negative fluke symbols.To get out of any
trouble, gives D6 to GM.
• GM can later return D6 to put the group in trouble.
• By deliberately messing up a plan, the Fool forces the return of the D6.
EMOTION KNIGHT (D8)
Emotion-powered fighter
• Sentient weapon.
• Chooses an emotion and then tracks how strongly they feel it on their
scale.
• If greater than zero, has advantage on attacks with weapon and their
Stance is activated.
• If an Emotion Knight Vents, move the D8 one place down the scale.
• If 2+ emotion can use Creative Violence. Expends all emotions. It
can “defeat” any of the words on the chart or below. Note: interpret
creatively, but accurately. A mob is not an individual.
• Emotion Drain: siphon emotion from target if they are feeling it. If they
choose to resist, it’s Knight’s Charisma versus Target’s Wisdom.
• A critical fail means that the target no longer can feel the emotion (at
least, re: the same source) that was being drained. Knight takes all
emotion though.
NEO (D10)
Cybernetic rogues
• Has sentient AI and Fair Field Hacking (allowing you to influence
Fallen). Roll Intelligence vs Wisdom to succeed. A Special to take
control of the target for an action.
• Has Gifts of the Fair. Each must be activated with Fair Gold. You need
coin tokens to give the Neo.
• Each Gift must be activated each day.
• Adds D10 to pool when making rolls using the Neo’s active abilities. If
roll a 0, the Gift deactivates.
• Overcharge: GM sets gold cost to achieve set task. If paid, roll D10. If
odd, it works perfectly. If it fails, GM gets to narrate what goes amiss.
Note: does not mean fail.
GODBINDER (D12)
Cleric, but bossier
• Holds D12 aloft to speak to any of the gods.
• Godbinder chooses relationships with gods in levels. Each level gives
an associated Scripture.
• Barters with each god to do Miracles. Miracles can do anything that
god could do, but each will set a price.
• To cast Scripture, roll using Will. If has target, simultaneously roll
against their Defence.
• D12 added to any dice pool where Scripture is affecting it, and also
attempts to cast Scripture.
• If you fail to cast a Scripture, you have to take on God Debt (if you
can). If you do so, you gain 1 success.
• A god can request a player action. If player refuses, they take 1 Wound
for every point of God Debt to the god.
THE DICTATOR (D4) 
The Bard as horror character
• Dictator chooses emotions to form a palette.
• Each Dictator has something which gives them away when using their
Voice.
• Dice pool for using Voice has own mechanic. You roll D4 which sets
number of successes, while the Charisma determines how many
points you get to make higher or lower.
• Number of successes is the level of Emotion they suffer (see Emotion
Scale).
• A Critical Fail will mean the effect is permanent.
• You pass D4 to GM (or other player) when using it. You can’t use the
Voice while someone else has your D4. You can recall D4 at any time.
• The D4 can be added to any normal dice pool where emotional control
could feasibly give the character an edge. If so, the D4’s results can
be added to any dice.
EMOTION SCALE (Dictator/Emotion Knight)
• 1-3: normal human emotions
• 4-5: beyond normal human emotion
• 6: intensity beyond all human experience 
• For each level of emotion a character has, they suffer one
disadvantage when doing something contrary to that emotion.
• At level 3 or above, they have powerful impulses. To resist, they must
roll Wisdom against the level of emotion divided by 2.
• If Emotional Intensity is greater than a target’s Willpower (Wisdom
+ Intelligence) then they are overwhelmed and could even pass out
(level 4) or die (level 5) or worse (6 and above).
THE MASTER (D20)
The GM’s reality-controlling mage
• Has Rules which they combine to create their own spells. The
difficulty is the number of Rules used comprising the spell. They roll
using Intelligence.
• If a Master has Mastery, they can have an advantage on casting
spells and the effects of the spells. They can also Bend the Rules.
• To Bend the Rules, they can add levels of Rules they don’t know (cost
2) or they do know (cost 1) to a spell. If so, roll a D20 alongside their
dice pool. If they roll less than the total cost, lose Mastery.
• Mastery returns at the start of each session.
• Masters can also just Cheat. To do so, they describe what they want
to do, based upon what type of Master they are. Two containers are
held out, one containing the D20 (likely, hands). If dice is picked, they
are caught.
• If caught, the Master has to beg to escape punishment from the
powers that be.
THE GAMEMASTER’S CHARACTER
 
• Has a number of Cheat Tokens equal to the number of other players.
• Can spend them on cheats from the DIE MASTER section on the
Master’s sheet.
• The number of Cheat Tokens resets at the start of each session.
THE FALLEN
 
• A Persona’s character becomes Fallen when they die. 
• Keep all stats and abilities on first sheet, lose all on the second sheet.
• If a Fallen kills another Persona’s character the Fallen comes back to
life.
• 1st death while Fallen = -1 stat. 2nd death = -2 stat. And so on.
• Any stat reaching 1 or 0 remains true if they return to real world.
NOTES