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You Gotta Die Sometime

From 'Falsettos'
William Finn Andrew Rannells

  = 180       
    


Tenor

  
                 
O kay

            
                
Piano

          

            
       


11


T.


     
when the do ctor star ted us ing phra ses like you'll pass a way what could I

        


  

Pno.

  
 

 
                 
16


T.

      
       
say? I said "doc tor in plain Eng lish tell me why was I cho sen why

 
    
         
          
Pno.

     

  
               
23

 


T.

     
        
me of all men?" doc tor here's the good part: at least death means I'll

         
      
        
Pno.

     

        
        
   
30


T.

  
      
ne ver be scared a bout dy ing a gain Let's get on with liv ing

      
    
     
     
Pno.

 
 

      
             


36

T.

         


while we can and not play dumb death's gon na come when he does screw the

      



         
Pno.

    

2
        
      
      
42


T.

                     
neves I'll be eat ing hors d'oeuvres it's the roll of the dice and no cri me

                   
  
             
Pno.

    

      
       
   


49

T.

  
           
        
you got ta die some time death is not a

   
         
Pno.

   
   

   
                     
56


T.

          


     
friend but I hope in the end he takes me in his arms and lets me hold his

       
  
          
Pno.

      

3
  
                  
61


T.

               
                
face he holds me in his arms and whis pers some thing fun ny

      
    
       
 
Pno.

       

       
           


66

T.

                 
            
he lifts me in his arms and tells me to em brace his a


    
          
Pno.

          

   
         


72

T.

       
            
tack then the scene turns to black life

          
     
    
  
    
Pno.

   
 

4

                   


79

T.

 
    
sucks peo ple al ways hate a los er and they hate lame ducks screw me and

         



   

Pno.

  
   

   
               
85


T.

    
              
shucks that's it that's the ball game I don't smoke don't do drugs and then


   
     
       
Pno.

        

 
                
92

 


T.

               
comes the bad news I quit that's the ball game it's the chink in the

         
       
Pno.

       

5
         
        


99

T.

 
          
ar mor the un res olved kar ma the blues can I keep my

  
     
        
Pno.

     
 

        
             

105


T.

         


cool des pite the urge to fall a part how should I start I would cry if I

      



       
Pno.

     

      
        
     
111


T.

            
could but it does no damn good to ex plain I'm a man in my pri me

         
              
  
               
Pno.

    

6

                  


118

T.

   
             
 
you got ta die some time death's a fun ny

     
            
Pno.

       

  
   
             
125


T.

    
pal with a weird sort of talent he puts his arms ar ound my

      
 
   
  
Pno.

 

   
                 


129

T.

            


  
neck and walks me to the bed he pins me up a gainst the


   
       
     
Pno.

 

7
  
                   


133

T.

            


      
wall and kis ses me like cra zy the ma ny stu pid things I've


   
      
Pno.

       

       
         
137


T.

            


           
thought a bout with dread now de light then the


       
 
    
      

Pno.

    
  

     
    
         
  
143


T.

 
       
scene turns to white give me the balls to orch es trate a grace ful leave

         



     

Pno.

   
   

8
 
                    
150


T.

         
    
that's my rep rieve to go out with out care my head high in the air it's the

           
          
Pno.

  
  

    
           

156


T.

      
last lit tle moun tain I'll cli mb I'll cli

       
           
                  
                 
Pno.

   

       
     
163



T.

               
mb you got ta die some time you got ta die some

              
     
                  
Pno.

  
         

9
 
               
   


171

T.

         


time you got ta die some time you got ta die some time some time some time

     
     
           

Pno.

      

       
     
177


T.

        


some time some time some time some time

  
        

 
Pno.

       
      

10

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