Audio Commons: An Ecosystem for

Creative Reuse of Audio Content

Results

Project Information

AudioCommons Funded under

H2020-EU.2.1.1.
Grant agreement ID: 688382
Overall budget
 € 2 979 055

Closed project EU contribution

€ 2 979 055

Start date End date

1 February 2016 31 January 2019 Coordinated by
UNIVERSIDAD POMPEU FABRA
  Spain

Deliverables

Other (9) 

Draft ontology specification 

A draft first version of the Audio Commons Ontology implemented in OWL. This
will facilitate the development of tools, APIs and service interoperability.

Service integration technologies 

Software systems for enabling access to distributed repositories and services
within ACE. This includes client side and server side software modules that can
be integrated into existing or new products and services.

Release of tool for the automatic semantic description of music pieces 

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 Final release of the software tool for automatically annotating music pieces using
semantic concepts from the Audio Commons Ontology. This version of the tool
contains the improvements included after the second evaluation cycle.

Release of tool for the manual annotation of musical content 

Release of the tool for manually annotating music samples and music pieces
following the guidelines of the Audio Commons Ontology.

Final ontology specification 

The second version of the AC Ontology formalised in OWL. This version
incorporates feedback from other technology development tasks in WP4 and
WP5.

Release of tool for the manual annotation of non-musical content 

Release of the tool for manually annotating non-musical content following to the
guidelines of the Audio Commons Ontology.

Release of timbral characterisation tool for semantically annotating non-musical content 

Final release of the software tool for automatically annotating non-musical audio
content using semantic concepts from the Audio Commons Ontology. This
version of the tool contains the improvements included after the second
evaluation cycle.

API specification 
Specification of the end-user Web APIs and internal audio analysis and
processing APIs.

Release of tool for the automatic semantic description of music samples 

Final release of the software tool for automatically annotating music samples
using semantic concepts from the Audio Commons Ontology. This version of the
tool contains the improvements included after the second evaluation cycle.

Documents, reports (27) 

Second draft data management plan 

Second draft of the data management plan (DMP) following EC guidelines,
describing the data to be generated during the project and how will this be made
public and accessible.

Evaluation report on the first prototype tool for the automatic semantic description of music samples 
Report on analysis results of the accuracy and effectiveness of the first prototype
for the automatic annotation of music samples. Identification of key areas for

2 of 19
improvement/extension.

Report on Rights Management requirements 

Release of a document outlining rights management requirements for the ACE
and the Audio Commons Ontology in particular.

Report on novel methods for measuring creativity support 

This report will detail our methods for the assessment of creativity support in ACE
and summarise our findings on the performance of our tools.

Report on dissemination and publication of results 

Publication of results will be produced including the publications, conferences
and trade shows attendances. This deliverable will summarise all dissemination
activities carried out during the project, as well as AudioCommons contribution to
other initiatives. This deliverable is transversal to several tasks of this work
package.

Evaluation report on the first prototype of the timbral characterisation tool 

Report on analysis results of the accuracy and effectiveness of the first prototype
for the automatic annotation of non-musical audio content. Identification of key
areas for improvement/extension.

Draft data management plan 

First draft of the data management plan (DMP) following EC guidelines,
describing the data to be generated during the project and how will this be made
public and accessible.

Project handbook and quality plan 

Project handbook and quality plan including all procedures, communication
channels and operational framework.

Evaluation report on the first prototype tool for the automatic semantic description of music pieces 
Report on analysis results of the accuracy and effectiveness of the first prototype
for the automatic annotation of music piece. Identification of key areas for
improvement/extension.

Evaluation report on the tool for manual annotation of musical content 

Evaluation report on the tool for manually annotating music samples and music
pieces following the guidelines of the Audio Commons Ontology.

Evaluation report on the second prototype tool for the automatic semantic description of music pieces

Report on analysis results of the accuracy and effectiveness of the second
prototype for the automatic annotation of music pieces. Identification of key areas
3 of 19
for timbral analysis improvement/extension.

Evaluation report on the second prototype tool for the automatic semantic description of music
samples 
Report on analysis results of the accuracy and effectiveness of the second
prototype for the automatic annotation of music samples. Identification of key
areas for improvement/extension.

Evaluation report on the tool for manual annotation of non-musical content 

Evaluation report on the tool for manually annotating non-musical content
following the guidelines of the Audio Commons Ontology.

Report on the evaluation of the ACE from a business model perspective 

Evaluation report of the implementation of the Audio Commons Ecosystem
carried out during the project, from a business model perspective.

Ontology evaluation report 

The final version of the ontology will be evaluated at the end of the project with
respect to deployment and success of adaptation within ACE as well as with
respect to its logical properties. A report will inform future efforts to adopt and
maintain the ontology.

Report on business models emerging from the ACE 

Report on potential business models that can emerge from the Audio Commons
Ecosystem.

Guidelines for including new actors in the ACE 

Document describing the guidelines for interacting with the Audio Commons
Ecosystem, from the contributor and content provider level to the consumer level
and to the tool creator level.

Requirements report and use cases 

A report outlining requirements in creative workflows of the target user
communities to facilitate the use of audio commons content. A set of use cases
against which our prototypes will be developed and evaluated. The report will
also inform the development of the Audio Commons Ontology and API.

Dissemination plan 
Dissemination plan covering the dissemination of AudioCommons RTD
outcomes. This deliverable is transversal to several tasks of this work package.

Hierarchical ontology of timbral semantic descriptors 

Hierarchical ontology of timbral semantic descriptors with categories of timbral
attributes most useful to automatic characterisation of non-musical content in
4 of 19
 sound library elements.

Data management plan 

Data management plan (DMP) following EC guidelines, describing the data to be
generated during the project and how will this be made public and accessible.

Report on the analysis and compilation of state-of-the-art methods for the automatic annotation of
music pieces and music samples 
This deliverable will include a document listing existing methods for several audio
characterisation tasks (related to music pieces and music samples) along with
pointers into already existing implementations or specifically developed
implementations that can be used in AudioCommons.

Report on usage of Creative Commons licenses 

Release of a document describing use cases of the Creative Commons licenses
in the Audio Commons Ecosystem and identifying potential shortcomings (with
proposals for improvements if required). Guidelines on how to present licensing
information to users.

Service integration guidelines 

Final service integration guidelines that enable third party adaptation of ACE
technologies, including the improvements that will have been introduced in the
technologies.

Report on the evaluation of the ACE from a holistic and technological perspective 
Report on the evaluation of our system assessing how our tools support creative
work in specific domains and how the system facilitates the reuse of audio
content as a whole.

Evaluation report on the second prototype of the timbral characterisation tool 

Report on analysis results of the accuracy and effectiveness of the second
prototype for the automatic annotation of non-musical audio content. Identification
of key areas for improvement/extension.

Service integration draft guidelines 

Draft guidelines for integrating ACE technologies. This will involve tutorial
documents to help the adaptation of ACE technologies by content providers and
users.

Demonstrators, pilots, prototypes (6) 

First prototype of timbral characterisation tool for semantically annotating non-musical content 

5 of 19
 Release of the first prototype of the software tool for the automatic annotation of
non-musical audio content.

First prototype tool for the automatic semantic description of music pieces 
Release of the first prototype of the software tool for the automatic annotation of
music pieces.

Second prototype tool for the automatic semantic description of music pieces 
Release of the second prototype of the software tool for the automatic annotation
of music pieces. This version of the tools contains improvements included after
the first evaluation cycle.

First prototype tool for the automatic semantic description of music samples 
Release of the first prototype of the software tool for the automatic annotation of
music samples.

Second prototype of timbral characterisation tool for semantically annotating non-musical content 
Release of the second prototype of the software tool for the automatic annotation
of non-musical audio content. This version of the tools contains improvements
included after the first evaluation cycle.

Second prototype tool for the automatic semantic description of music samples 
Release of the second prototype of the software tool for the automatic annotation
of music samples. This version of the tools contains improvements included after
the first evaluation cycle.

Websites, patent fillings, videos etc. (2) 

Visual identity of ACE 

Visual identity for the different parts and tools of the Audio Common ecosystem.

Project website 
A multimedia website with public information on the project and its evolution,
together with a private space for partners only as a discussion space and
document repository.

Publications

Conference proceedings (56) 

6 of 19
Mood Visualiser: Augmented Music Visualisation Gauging Audience Arousal
Author(s): Subramaniam, A., Barthet, M.
Published in: Proc. of the 12th International Audio Mostly Conference on
Augmented and Participatory Sound and Music Experiences, 2017

Acoustic scene classification by ensembling gradient boosting machine and convolutional neural
networks
Author(s): Fonseca, Eduardo; Gong, Rong; Bogdanov, Dmitry; Slizovskaia,
Olga; Gómez Gutiérrez, Emilia, 1975-; Serra, Xavier
Published in: Proc. of the Detection and Classification of Acoustic Scenes and
Events Workshop (DCASE), Issue 12, 2017

The MediaEval 2017 AcousticBrainz Genre Task: Content-based Music Genre Recognition from
Multiple Sources
Author(s): Bogdanov, Dmitry; Porter, Alastair; Urbano Merino, J.; Schreiber,
Hendrik; Gravier, Guillaume; Bischke, Benjamin; Demarty, Claire-Hélène;
Zaharieva, Maia; Riegler, Michael; Dellandrea, Emmanuel; Bogdanov, Dmitry;
Sutcliffe, Richard; Jones, Gareth J.F.; Larson, Martha
Published in: MediaEval 2017. Dublin, Ireland, Issue 10, 2017

Quantifying music tends and facts using editorial metadata from the Discogs database
Author(s): Bogdanov, Dmitry; Serra, Xavier
Published in: Proc. of the International Society for Music Information Retrieval
Conference (ISMIR), Issue 9, 2017

Freesound datasets: a platform for the creation of open audio datasets 

Author(s): Fonseca, Eduardo; Pons Puig, Jordi; Favory, Xavier; Font Corbera,
Frederic; Bogdanov, Dmitry; Ferraro, Andrés; Oramas, Sergio; Porter, Alastair;
Serra, Xavier
Published in: Proc. of the International Society for Music Information Retrieval
Conference (ISMIR), Issue 8, 2017
DOI: 10.5281/zenodo.1417158

A Comparison of Audio Signal Preprocessing Methods for Deep Neural Networks on Music Tagging
Author(s): Choi, Keunwoo; Fazekas, György; Cho, Kyunghyun; Sandler, Mark
Published in: Proc. of the 26th European Signal Processing Conference
(EUSIPCO), Issue 6, 2018

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General-purpose Tagging of Freesound Audio with AudioSet Labels: Task Description, Dataset, and
Baseline
Author(s): Fonseca, Eduardo; Plakal, Manoj; Font, Frederic; Ellis, Daniel P. W.;
Favory, Xavier; Pons, Jordi; Serra, Xavier
Published in: Proc. of the Detection and Classification of Acoustic Scenes and
Events Workshop (DCASE), Issue 1, 2018

A Simple Fusion of Deep and Shallow Learning for Acoustic Scene Classification 
Author(s): Eduardo Fonseca; Rong Gong; Xavier Serra
Published in: Proc. of the Sound and Music Computing Conference, Issue 2,
2018
DOI: 10.5281/zenodo.1422583

Playsound.space - enhancing a live music performance tool with semantic recommendations 

Author(s): Fabio Viola, Ariane Stolfi, Alessia Milo, Miguel Ceriani, Mathieu
Barthet, György Fazekas
Published in: Proceedings of the 1st International Workshop on Semantic
Applications for Audio and Music - SAAM '18, 2018, Page(s) 46-53
DOI: 10.1145/3243907.3243908

IMMA-Emo: A Multimodal Interface for Visualising Score-and Audio-synchronised Emotion

Annotations
Author(s): Herremans, D., Yang, S., Chuan, C. H., Barthet, M., & Chew, E.
Published in: Proc. of the 12th International Audio Mostly Conference on
Augmented and Participatory Sound and Music Experiences, 2017

Open Band: A Platform for Collective Sound Dialogues

Author(s): Stolfi, A., Barthet, M., Goródscy, F., de Carvalho Junior, A. D.
Published in: Proc. of the 12th International Audio Mostly Conference on
Augmented and Participatory Sound and Music Experiences, 2017

Detection of Piano Pedalling Techniques on the Sustain Pedal

Author(s): Liang, B., Fazekas, G., Sandler, M.
Published in: Proc. of the 143rd Convention of the Audio Engineering Society,
2017

Recognition of Piano Pedalling Techniques Using Gesture Data

Author(s): Liang, B., Fazekas, G., Sandler, M.
Published in: Proc. of the 12th International Audio Mostly Conference on

8 of 19
Augmented and Participatory Sound and Music Experiences, 2017

Freesound Explorer: Make Music While Discovering Freesound!

Author(s): Font, F., Bandiera G.
Published in: Proc. of the Web Audio Conference (WAC), 2017

Multi Web Audio Sequencer: Collaborative Music Making

Author(s): Favory, X., Serra, X.
Published in: Proc. of the Web Audio Conference (WAC), 2018

The MediaEval 2018 AcousticBrainz Genre Task: Content-based Music Genre Recognition from
Multiple Sources
Author(s): Bogdanov, D., Porter A., Urbano J., Schreiber H.
Published in: MediaEval Workshop, 2018

MediaEval 2018 AcousticBrainz Genre Task: A baseline combining deep feature embeddings across
datasets
Author(s): Oramas, S., Bogdanov D., & Porter A.
Published in: MediaEval Workshop, 2018

Facilitating the Manual Annotation of Sounds When Using Large Taxonomies

Author(s): Favory, X., Fonseca E., Font F., Serra X.
Published in: Proc. of the International Workshop on Semantic Audio and the
Internet of Things (ISAI), in IEEE FRUCT Conference, 2018

Using offline metrics and user behavior analysis to combine multiple systems for music
recommendation
Author(s): Ferraro, A., Bogdanov D., Choi K., Serra X.
Published in: Proc. of the Conference on Recommender Systems (RecSys),
REVEAL Workshop, 2018

Automatic playlist continuation using a hybrid recommender system combining features from text and
audio
Author(s): Ferraro, A., Bogdanov D., Yoon J., Kim K. S., Serra X.
Published in: Proc. of the Conference on Recommender Systems (RecSys),
Workshop on the RecSys Challenge, 2018

9 of 19
Predicting the Perceived Level of Reverberation using Features from Nonlinear Auditory Model
Author(s): Safavi, S., Wang, W., Plumbley, M., Choobbasti, A., and Fazekas, G.
Published in: Proc. of the International Workshop on Semantic Audio and the
Internet of Things (ISAI), in IEEE FRUCT Conference, 2018

Investigating Language Variability on the Performance of Speaker Verification Systems

Author(s): Vaheb, A., Choobbasti, A., Mortazavi, S., and Safavi, S.
Published in: Proc. of the 21st International Conference on Speech and
Computer (SPECOM), 2018

Predicting the perceived level of reverberation using machine learning

Author(s): Safavi, S., Pearce, A., Wang, W., Plumbley, M.
Published in: Proc. of the Asilomar Conference on Signals, Systems, &
Computers, 2018

JSPEECH: A Multi-lingual conversational speech corpus

Author(s): Choobbasti, A., Gholamian, M., Vaheb, A., and Safavi, S.
Published in: Proc. of the Speech and Language Technology Workshop (SLT),
2018

Demo of interactions between a performer playing a Smart Mandolin and audience members using
Musical Haptic Wearables
Author(s): Turchet, L., Barthet, M.
Published in: Proc. of the New Interfaces for Musical Expression (NIME), 2018

Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases
Author(s): Xambó, A., Roma, G., Lerch, A., Barthet, M., Fazekas, G.
Published in: Proc. of the New Interfaces for Musical Expression (NIME), 2018

Piano Legato-Pedal Onset Detection Based on a Sympathetic Resonance Measure

Author(s): Liang, B., Fazekas, G., Sandler, M.
Published in: Proc. of the 26th European Signal Processing Conference
(EUSIPCO), 2018

Audio Commons Ontology: A Data Model for an Audio Content Ecosystem

Author(s): Ceriani, M., Fazekas, G.
Published in: Proc. of the 17th International Semantic Web Conference (ISWC),
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2018

Feature Design Using Audio Decomposition for Intelligent Control of the Dynamic Range Compressor
Author(s): Sheng, D., Fazekas, G.
Published in: IEEE International Conference on Acoustics, Speech and Signal
Processing (ICASSP), 2018

Exploring Real-time Visualisations to Support Chord Learning with a Large Music Collection
Author(s): Pauwels, J., Xambó, A., Roma, G., Barthet, M., György Fazekas
Published in: Proc. of the Web Audio Conference (WAC), 2018

Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner’s Perspective
Author(s): Xambó, A., Pauwels, J., Roma, G., Barthet, M., György Fazekas
Published in: Proc. of the 13th International Audio Mostly Conference, 2018

Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts
Author(s): Skach, S., Xambó, A., Turchet, L., Stolfi, A., Stewart, R., Barthet, M.
Published in: Proc.of the 12th International Conference on Tangible,
Embedded, and Embodied Interaction, 2018

Participatory musical improvisations with Playsound.space

Author(s): Stolfi, A., Milo, A., Ceriani, M., Barthet, M.
Published in: Proc. of the Web Audio Conference (WAC), 2018

Playsound.space: Inclusive Free Music Improvisations Using Audio Commons

Author(s): Stolfi, A., Milo, Viola, F., A., Ceriani, M., Barthet, M.
Published in: Proc. of the New Interfaces for Musical Expression (NIME), 2018

Playsound.space: An Ubiquitous System in Progress

Author(s): Stolfi, A., Milo, Viola, F., A., Ceriani, M., Barthet, M.
Published in: Proc. of the Eighth Workshop on Ubiquitous Music (UbiMus),
2018

Towards a Semantic Architecture for the Internet of Musical Things 

Author(s): Luca Turchet, Fabio Viola, Gyorgy Fazekas, Mathieu Barthet
Published in: 2018 23rd Conference of Open Innovations Association (FRUCT),
11 of 19
2018, Page(s) 382-390
DOI: 10.23919/fruct.2018.8587917

Jamming with a smart mandolin and Freesound

Author(s): Turchet, L., Barthet, M.
Published in: Proc. of the International Workshop on Semantic Audio and the
Internet of Things (ISAI) collocated with the 23rd IEEE FRUCT Open Innovations
Association conference, 2018

The Audio Commons Initiative

Author(s): Milo, A., Barthet, M., Fazekas, G.
Published in: Proc. of the Digital Music Research Network (DMRN), 2018

Ubiquitous Musical Activities with Smart Musical Instruments

Author(s): Turchet, L., Barthet, M.
Published in: Proc. of the Eighth Workshop on Ubiquitous Music (UbiMus),
2018

Skip prediction using boosting trees based on acoustic feature of tracks in sessions
Author(s): Ferraro, A., Bogdanov D., Serra X.
Published in: Proc. of the 12th ACM International Conference on Web Search
and Data Mining, 2019 WSDM Cup Workshop, 2019

Mining metadata from the web for AcousticBrainz 

Author(s): Alastair Porter, Dmitry Bogdanov, Xavier Serra
Published in: Proceedings of the 3rd International workshop on Digital Libraries
for Musicology - DLfM 2016, 2016, Page(s) 53-56
DOI: 10.1145/2970044.2970048

Audio Commons: Bringing Creative Commons Audio Content to the Creative Industries
Author(s): Font, Frederic; Brookes, Tim; Fazekas, George; Guerber, Martin; La
Burthe, Amaury; Plans, David; Plumbley, Mark D.; Shaashua, Meir; Wang,
Wenwu; Serra, Xavier
Published in: 61st International Conference: Audio for Games, 2016

2017 AES International Conference on Semantic Audio 

Author(s): Pearce, A., Brookes, T., Mason, R.
Published in: Audio Engineering Society Conference on Semantic Audio, 2017
DOI: 10.17743/aesconf.2017.978-1-942220-15-2
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Cross-collection evaluation for music classification tasks
Author(s): Bogdanov, D., Porter, A., Herrera, P., Serra, X.
Published in: Proceedings of the International Society for Music Information
Retrieval Conference (ISMIR), 2016

Tempo Estimation for Music Loops and a Simple Confidence Measure

Author(s): Font, F., Serra, X.
Published in: Proceedings of the International Society for Music Information
Retrieval Conference (ISMIR), 2016

Automatic Tagging Using Deep Convolutional Neural Networks

Author(s): Choi, K., Fazekas, G., Sandler, M.
Published in: Proceedings of the International Society for Music Information
Retrieval Conference (ISMIR), 2016

An Ontology for Audio Features

Author(s): Allik, A., Fazekas, G., Sandler, M.
Published in: Proceedings of the International Society for Music Information
Retrieval Conference (ISMIR), 2016

A Higher-Dimensional Expansion of Affective Norms for English Terms for Music Tagging
Author(s): Buccoli, M., Zanoni, M., Fazekas, G., Sarti A., Sandler, M.
Published in: Proceedings of the International Society for Music Information
Retrieval Conference (ISMIR), 2016

Transfer Learning for Music Classification and Regression Tasks

Author(s): Choi, K., Fazekas, G., Sandler, M., Cho, K.
Published in: Proceedings of the International Society for Music Information
Retrieval Conference (ISMIR), 2017

Exploring Confidence Measures and Their Application in Music Labelling Systems Based on Hidden
Markov Models
Author(s): Pauwels, J., Fazekas, G., Sandler, M.
Published in: Proceedings of the International Society for Music Information
Retrieval Conference (ISMIR), 2017

Convolutional Recurrent Neural Networks for Music Classification

13 of 19
 Author(s): Choi, K., Fazekas, G., Sandler, M., Cho, K.
Published in: Proceedings of the 42nd IEEE International Conference on
Acoustics, Speech, and Signal Processing (ICASSP), 2017

Towards Playlist Generation Algorithms Using RNNs Trained on Within-Track Transitions 

Author(s): Choi, K., Fazekas, G., Sandler, M.
Published in: Workshop on Surprise, Opposition, and Obstruction in Adaptive
and Personalized Systems (SOAP), 2016
DOI: 10.1145/1235

Knowledge Extraction from Audio Content Service Providers’ API Descriptions 

Author(s): Damir Juric, György Fazekas
Published in: Proceedings of the 10th International Conference on Metadata
and Semantics Research (MTSR), 2016, Page(s) 55-66
DOI: 10.1007/978-3-319-49157-8_5

Realising a Layered Digital Library: Exploration and Analysis of the Live Music Archive through Linked
Data 
Author(s): Kevin R. Page, Sean Bechhofer, Gyorgy Fazekas, David M. Weigl,
Thomas Wilmering
Published in: 2017 ACM/IEEE Joint Conference on Digital Libraries (JCDL),
2017, Page(s) 1-10
DOI: 10.1109/JCDL.2017.7991563

AUFX-O: Novel Methods for the Representation of Audio Processing Workflows 

Author(s): Thomas Wilmering, György Fazekas, Mark B. Sandler
Published in: Proceedings of the 15th International Semantic Web Conference
(ISWC 2016) - Lecture Notes in Computer Science, vol 9982., 2016, Page(s)
229-237
DOI: 10.1007/978-3-319-46547-0_24

Ontological Representation of Audio Features 

Author(s): Alo Allik, György Fazekas, Mark Sandler
Published in: Proceedings of the 15th International Semantic Web Conference
(ISWC 2016) - Lecture Notes in Computer Science, vol 9982, 2016, Page(s) 3-11
DOI: 10.1007/978-3-319-46547-0_1

Peer reviewed articles (10) 

Measurement, Recognition and Visualisation of Piano Pedalling Gestures and Techniques

14 of 19
Author(s): Liang, B., Fazekas, G., Sandler, M.
Published in: Journal of the Audio Engineering Society, Vol. 66, Issue 6, 2018,
ISSN 2471-285X

The Effects of Noisy Labels on Deep Convolutional Neural Networks for Music Tagging
Author(s): Choi, K., Fazekas, G., Sandler, M., Cho, K.
Published in: IEEE Transactions on Emerging Topics in Computational
Intelligence Vol. 2, No. 2, 2018, ISSN 2471-285X

Co-design of Musical Haptic Wearables for Electronic Music Performer’s Communication

Author(s): Turchet, L., Barthet, M.
Published in: IEEE Transactions on Human-Machine Systems, 2018, ISSN
2168-2291

Real-time hit classification in a Smart Cajón

Author(s): Turchet, L., McPherson, A., Barthet, M.
Published in: Frontiers in ICT, 2018, ISSN 2297-198X

Co-design of a Smart Cajón

Author(s): Turchet, L., McPherson, A., Barthet, M.
Published in: Journal of the Audio Engineering Society, 2018, ISSN 2297-198X

Audio Semantics: Online Chat Communication in Open Band Participatory Music Performances
Author(s): Stolfi, A., Sokolovskis, J. , Gorodscy, F. , Iazzetta, F., Barthet, M.
Published in: Journal of the Audio Engineering Society, 2018, ISSN 2297-198X

Internet of Musical Things: Vision and Challenges

Author(s): Turchet, L., Fischione, C., Essl, G., Keller, D., & Barthet, M.
Published in: IEEE Access, 2018, ISSN 2169-3536

Musical Source Separation: An Introduction

Author(s): Estefanía Cano, Derry FitzGerald, Antoine Liutkus, Mark D. Plumbley
and Fabian-Robert Stöter
Published in: IEEE Signal Processing Magazine, 2019, ISSN 1558-0792

Modelling Timbral Hardness

15 of 19
 Author(s): Pearce, A., Brookes, T., Mason, R.
Published in: Journal of Applied Sciences, 2019, ISSN 2076-3417

From Interactive to Adaptive Mood-Based Music Listening Experiences in Social or Personal Contexts

Author(s): Mathieu Bartet, György Fazekas, Alo Alik, et al
Published in: Journal of the Audio Engineering Society, Issue 64/9, 2016,
Page(s) 673-682, ISSN 1549-4950
DOI: 10.17743/jaes.2016.0042

Book chapters (2) 

Smart Musical Instruments: Key Concepts and Do It Yourself Tutorial

Author(s): Turchet, L., Barthet, M.
Published in: Foundations in Sound Design: an interdisciplinary approach, 2019

Leveraging Online Audio Commons Content For Media Production

Author(s): Xambó, A., Font, F., Fazekas, G., Barthet, M.
Published in: Foundations in Sound Design: an interdisciplinary approach, 2019

Other (1) 

The Audio Commons Initiative

Author(s): Font, F., Serra, X
Published in: International Society for Music Information Retrieval Conference
(late-breaking demo), 2015

Datasets

Datasets via OpenAIRE (14) 

Audio Commons Estimation Results Data for deliverables D4.4, D4.10 and D4.12 

16 of 19
Author(s): Font, Frederic
Published in: Zenodo

MediaEval AcousticBrainz Genre 

Author(s): Bogdanov, Dmitry; Porter, Alastair; Urbano, Julián; Schreiber,
Hendrik
Published in: Zenodo

Timbral Characterisation Tool v0.1 Evaluation Dataset 

Author(s): Pearce, Andy; Brookes, Tim; Mason, Russell
Published in: Zenodo

Jamendo content analysed with the Audio Commons Analysis Service 

Author(s): Pauwels, Johan
Published in: Zenodo

Timbral Hardness Modelling Dataset 

Author(s): Pearce, Andy; Brookes, Tim; Mason, Russell
Published in: Zenodo

Audio Commons Ground Truth Data for deliverables D4.4, D4.10 and D4.12 
Author(s): Font, Frederic
Published in: Zenodo

Freesound content analyzed with Audio Commons Audio Extractor V2 

Author(s): Font, Frederic; Bogdanov, Dmitry
Published in: Zenodo

Audio Commons Wp2 - Responses To User Survey (Deliverable 2.1) 

Author(s): Barthet, Mathieu; Fazekas, Gyorgy; Juric, Damir; Pauwels, Johan;
Sandler, Mark; Vetter, Lasse
Published in: Zenodo

MediaEval AcousticBrainz Genre AllMusic 

Author(s): Bogdanov, Dmitry; Porter, Alastair; Urbano, Julián; Schreiber,
Hendrik
Published in: Zenodo

Freesound Loops 4k (FSL4) 

Author(s): Font, Frederic
Published in: Zenodo

Timbral Characterisation Tool v0.1 Development Dataset 

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 Author(s): Pearce, Andy; Martin, Christopher; Brookes, Tim; Mason, Russell
Published in: Zenodo

Timbral Hierarchy Dataset 

Author(s): Pearce, Andy; Brookes, Tim; Mason, Russell
Published in: Zenodo

Timbral Characterisation Tool v0.2 Development Dataset 

Author(s): Pearce, Andy; Brookes, Tim; Mason, Russell
Published in: Zenodo

MTG-Jamendo Dataset 
Author(s): Bogdanov, Dmitry; Minz, Won; Tovstogan, Philip; Porter, Alastair
Published in: Zenodo

Software

Software via OpenAIRE (4) 

Timbral Characterisation Tool v0.2 (code) 

Author(s): Pearce, Andy; Brookes, Tim; Mason, Russell; Safavi, Saeid; Wang,
Wenwu; Plumbley, Mark
DOI: 10.5281/zenodo.2545498; 10.5281/zenodo.2545497;
10.5281/zenodo.2545502; 10.5281/zenodo.2545492; 10.5281/zenodo.2545491;
10.5281/zenodo.2545503
Publisher: Zenodo

Audio Commons Ontology v1.2.3 (repository snapshot) 

Author(s): Ceriani, Miguel; Fazekas, György
DOI: 10.5281/zenodo.2553184; 10.5281/zenodo.2553183
Publisher: Zenodo

Timbral Characterisation Tool v0.2 Evaluation (code) 

Author(s): Pearce, Andy; Brookes, Tim; Mason, Russell
DOI: 10.5281/zenodo.1697212; 10.5281/zenodo.1697211
Publisher: Zenodo

Timbral Hardness Model (code) 

Author(s): Pearce, Andy; Brookes, Tim; Mason, Russell
DOI: 10.5281/zenodo.2551112; 10.5281/zenodo.2551111
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 Publisher: Zenodo

Last update: 31 July 2019

Record number: 199871

Permalink: https://cordis.europa.eu/project/id/688382/results

© European Union, 2021

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