Professional Documents
Culture Documents
p1*cc jr 1
Picce ljl
i{c'flectittn One
"
l{c ll t:cl iotr I-r,r, o
Ilellcction I'hree
l{*lercnces
8{i
Illan of Investigation
N11' Iirrglish School IJasecl ;\ssessnrcnt lbcusecl on tlie lopic. ''I ant not my llair". rvhich was derivecl li'ont
this proc.ess w,ill inp:rove mv uurderstarrding of langr"rage and the ivhich can hr: Lrscrl fbr a rernge o1'
communicative alrd reflective puposes. Finaily. this research sliould olli insi glrts regarding l]lack \.volr]sn" s
hair and our own perceptions ol'it.
Piece # l- Nervs Article
Appeals court says ernployees don't har,e a right to r:ear dreadlocks Retrieved on September 25.2016 ti'om:
littp:/lthe grio.con/20 I 6/09/ 1 9/appeals-court-entplol'ees-dont-havc-riglrt-to-w'ear-clreadloc ks/
'I'he larvsuit was brouglrt to tlie court of appeals i'r1, the liqLral L'.nrpiovnrent Opportr-rnitr, Commission. which
rvhen she applied tc'r rvork for them. I'he-v olfered her emplovment w'ith the caveat that sl-re neccled to get rid of
her dreacllocks [recause of tireir groonring standarcls. stating that clreadlocks "tent{ to -uet nless\r." Wherr .lorres
refused to change her hair. tlre compan,v w'ithclrer+ its oft-er of employrnent.
According to the EEOC'. "prohibition of dreadiocks.in the rvorkplaee constitutes race discrinrination hecausc
A fiican clescent." 'Ihc EEOCI even went so far as to say tlret "if a white person chose to w'ear dreadlocks as a sis::
ol'racial support lbr her black colleagues. an@e emptoier apflieci its clreacllocks ban to that person. shc too
could nssc'rt a race-hasr.rcl clisparate treotnlent clainr," -'.
Clircr-rit .ludge Atlalberto .lordarr. wlio wrote the appellatc- opinion. wrote that it w'as tnle that the clef-r:rition oi race
couid shifi over time but that the courtitWas ne*yep.E4d to blaze a ne\\' path that :he1' rvere not sure tle lar+
covered. 'i-ltl' :,r.--, ''' , i.l
o=i.:
'}ti:ill
=, -,
'"We r.vould be remiss." l-re wtoJe, "if wedip not acknowledge that, in the last several clecades. there har,e bccn
some calls for courls to interpreiJifleVll mor€-expansively by'eliminating tlre biological conception of 'lacc'
u nd e*c o *rpas sing (: ul tllral. e l]aracte,,ri ti c s associa ted with rac e. "
n
"As thr as \r.e can tell. cverv coufi to have considered the issue has rejected the argument that I'itle Vll protects
I
liai rsty le s cul tural l,v as soc i ated :4€r race. "
a)
Piece #2 - Ilaem - llhenomenal Woman - Maya Angelou
['l1elt()lnclla I \['onlan.
lbLutd that I u,as clcvclopiug nrore unclerstandinq itboul urt to;lic" .'l unr not nrr IIair."
::::
il
j:-
l.
":.,-,,=
i:!
rl
it
.=,i.=E
s3 .= 84
lletlection # 2 -'fhtr Language of m"v Growth
Langu:tgc is a tool rvlrich cnn hc uscd to irrf-onrr or to give voice to humar: experiences. in the three p
instrlncd. thc i,rriter in the ne\\'s article erlplovecl a rrnge ol'clevices tvpical o1'this moc{e.'l-hc writel r.rses tli
rlLrr)tiitions i}om expcrt roiccs 1r'onr both sictcs o1'the ruiiug t-rn tlrctdlocks to plrcserrt a baiancccl vielv ol-the i
In presenting the views of the Equal h.mplo,vment Opportunity Conmission as well as Clircuit Judge Al
.lori"lan. thc write:: iJ{)es not atten-rpt to c[*ud t]re reader's irrterpretation of the issue. Similarl-v. ir-r the video tire
ol'ilirer--t v*ices r,va$ evident. Through the testinronials of the student. the.* nce \+as ahle to get a deeperse
o)
Rel'lection #3 - An Evolution of m1' Thinking
rank u,hen cornpared u.ith other I'emales. ln conrpleting this portlolio. I sarv that those experienccs incleed sl,apccl
rly' perceptions of- bear:t-v. I too sau. long Iloi.r,'inc hair as a sigr-r of fen:ininit;, and a sollrce of pride. IIorvr-r'er.
exlent to rvhich these vier.vs rve har,e aboul hair can ttar''c qrcertcr political :rrrd social inrplications. A r.rorlan t-arr
be sc'en as Linprol'essional. poorll, sroomed or eyen less attractir,e because of horv she chooses [o \\car her hair.
'I'his
can hal'er dirs. efl'ects such as loss of emplol'nrertt itrtci crvert iittacks on cultural identitl'.
fhe proce'ss of completing this portlblio helped me to also develop my skills in all iacets o1' Ianguage
learning. I lravc- be-err able to glcan infbrmation liom a varietl'olsources arrd to e\press 1n.v urderstancling in hotlr
me u,ith urseful skills to rnanage conflicts tlrat may,arise as people interact in pr"rrsuit ol'a comnon goal.
86
.
:::::
:1::
\\'ritten llcport
In order to complete this portfblio. I -ioined a -r{r.}up w'ith sirnilar interest. [n this way. I u,ould havc
assistant:e to collect. analvze and report on mv topic. We usecl ths Divide and Conquer or the (lhoose the Best
str.ttegy lr:r cach task. [:or thc Dir,'ide and ('onquer strate,uy- each group member had a different but imporlant
task to do rvhile rvith the Choose the Best strategy- rve all rvorked on tlre sarne thing. brought it back to the grolrp
lrr the encl. rve rlecided to choose a bl*g post. a poelr and news report to answer our group's qlrestions:
::.
ln stud1.'ing. these pieces. rre found that$ere were di,fferent perceptions of Black women's hair u,hether
it rvas natural orprocessed. BIack wcmen's natuial hittrstyles are sornetirnes sscu as unkempt ([ushion. ]016 &
llLrtchinson. 2010): sornething to b-e.+sbamed of and shunned lElle 2SI6: Fushion, 2016 & Hutchinson. 2010) or
thcr'rthc-rhand.processedh[irisviervetlrisculturalassirnilationtoavoiclracialcliscrintination.(tille.201tr). I']rese
are somc of the contrastin-q perceptiens of Black \4onler1's hairstyles as presented in the three pieces.
'l'hc:re r+ete
also dilltr:ent rssptlnses toeriticisnrs of Black women's hairst-vles presentecl in these pieces.
Sonte show'cd that a pqssible respo-se is defiance and protest (Fushion,20i6 & Htrtchinson" 2010). sonre
l0l6 & llutchinson.2010). In the Pretoria rlews report. N4alaika L,,voh- reported that slie had an aiio ancl r,ras
rcpu-atedly calied out olclass tbr having'untitly' hair. Sir:ce she rvas 'repeatedly" called out, it could stancl tti
rollsofi that she r+as cle l'\'ing the school rules. In the vicleo. girls could also lre seen protesting in the strests anri
raising their fists as sl,rnbols ol'lJlack power. Additionall),. HLrtchilson (2010) also wrote" ''And r.pi tell 1,'oLr. rrri
liighlight dellance and protest as possible response to criticisrns ol'Black \\omen s hairstvles. I;urthermorc. all
tlirce pieces brought the issues surroturding Black \\rorTlen's hair to the public for open cliscourse.
6/
Plan of Oral Presentation
Language Used: First person r.oice to create a bond w.ith the audience. artistic language to evoke listener"s
emotior"rs. flashback to r:eveal motives for present thoughts and actions
88