Ancient Greek music was performed at religious ceremonies, weddings, funerals and theaters. Common instruments included the lyre, kithara, barbiton and aulos. Byzantine music fused traditional Greek styles with early Christian liturgical chant. Rebetiko emerged under Ottoman rule and was played in hashish dens, influenced by Turkish and other cultures. It used instruments like the bouzouki and was characterized by dances like zeibekiko. Modern laïká music commercialized rebetiko styles popular in the 1960s-70s and is still performed at dance venues called pista.
Ancient Greek music was performed at religious ceremonies, weddings, funerals and theaters. Common instruments included the lyre, kithara, barbiton and aulos. Byzantine music fused traditional Greek styles with early Christian liturgical chant. Rebetiko emerged under Ottoman rule and was played in hashish dens, influenced by Turkish and other cultures. It used instruments like the bouzouki and was characterized by dances like zeibekiko. Modern laïká music commercialized rebetiko styles popular in the 1960s-70s and is still performed at dance venues called pista.
Ancient Greek music was performed at religious ceremonies, weddings, funerals and theaters. Common instruments included the lyre, kithara, barbiton and aulos. Byzantine music fused traditional Greek styles with early Christian liturgical chant. Rebetiko emerged under Ottoman rule and was played in hashish dens, influenced by Turkish and other cultures. It used instruments like the bouzouki and was characterized by dances like zeibekiko. Modern laïká music commercialized rebetiko styles popular in the 1960s-70s and is still performed at dance venues called pista.
Ancient (Varied Greatly by region mostly not written down)
A. Place to hear 1. Religious ceremonies 2. Weddings 3. Funerals 4. Theater 5. Everywhere else B. Popular Types 1. ὕμνος a) Involves Gods b) earliest formal type of Greek music 2. παιάν a) Sung to athena or apollo b) expressed the hope for deliverance from a peril 3. Προσόδιον a) Processional invokes Gods b) Sung on the way to ceremonies etc. c) Before or after παιάν 4. Ὑπόρχημα a) Chorus around like an altar b) Other people appointed to mimic the words of the song 5. Διθύραμβος a) In honor of dionysus b) In athens up to 50 boys or men dancing in circular fashion C. Common instruments 1. Lyre a) I don't have to explain what this is 2. Kithara a) Lyre v2 (professional) b) More strings (typically 7 vs the lyre’s 4) c) Known for taking immense amounts of skill 3. Barbiton a) Bass kithara b) Played by sappho c) Considered to be exotic 4. Aulos a) Double reed like a bassoon/oboe b) Singular and double varieties c) "penetrating, insisting and exciting" 5. Τύμπανον a) Kinda like a tambourine D. Tetrachords 1. I’m just going to explain this one E. What it would have sounded like kind of 1. https://www.youtube.com/watch?v=5mIXEBxW89s II. Byzantine A. The fusion between traditional greek music and early christian liturgical chant B. Monophonic chants III. Ottoman era (Rebetiko) A. Rebetiko 1. Origins of the word a) Earliest occurrence of the word in latin/greek dictionary 1614:ῥεμπιτός meaning blind/wanderer 2. Music theory a) Melody (1) Based upon δρόμοι(kinda like scales) (a) Derived from turkish modes b) Harmony (1) Based upon common western scales and some turkish modes c) Tuning (1) Instruments are tuned in equal temperament d) Rhythm (1) Based upon various dances (a) Sytros (i) Circle dance in 4/4 or 7/8(3 long, 2 short, 2 short) depending on variety (ii) Very popular dance (b) Zeibekiko (i) 9/8 or 9/4 (ii) Originally between two armed figures (iii) Developed into improvised single male dance (iv) Often boastful and comedic e) Taxim (1) Improvised and out of time section in the middle or the beginning of a song 3. Instruments a) Bazouki (1) Three and four coursed member of the lute family b) Mandolin c) Guitar d) Violin e) Accordion 4. History And Culture a) Origins (1) Likely Greeks living in asia minor under the Ottoman empire (2) Often associated with the lower class (3) Played in hashish(hash) dens (4) Port of Smyrna (a) Many cultures passed through the port which influenced the style of the music (b) A great fire caused many Greeks to flee to mainland greece (5) Population exchange b) Development (1) Split between Smyrna and Piraeus style caused by influences of the local music c) Censorship (1) Under the Metaxas dictatorship lyrical content was often censored (2) Lead to the europeanization of the style d) Death (1) Due to emigration as well as the innovation by new musicians the style was slowly eclipsed by different styles (2) Stelios Kazantzidis-contributed to the decline e) Revival (1) Renewed interest in 1960’s by musicians such as Grigoris Bithikotsis (2) Characterized by the desire to recapture the style of the Piraeus style (3) Still popular into the modern age (4) https://www.youtube.com/watch?v=0opo_WnixiM IV. Modern laïká A. Origins 1. Emerged in the 1980’s 2. From Laïkó a) Commercialization of rebetiko music popular in the 60’s and 70’s b) https://www.youtube.com/watch?v=w- FUcCSvf9g&feature=emb_title c) Just rubetiko