JASMINE RHEA O. LABASTIDA MS.

MARY JOANNE ANGEL

BSHM 2-1 ( 20-14842 ) ASSIGNMENT # 2

STYLE CHARACTERISTIC FAMOUS MAJOR
S ARTIST ARTWORK
/ DESCRIPTION S
 It is characterized by 1. Jean-Antoine 1. Pilgrimage to
lightness, elegance, and an Watteau Cythera (1717)
ROCOCO exuberant use of curving
natural forms in 2. François 2. Triumph of
ornamentation. Boucher Venus (1740)
 The word Rococo is derived
from the French
word rocaille, which 3. Giambattista 3. The Marriage of
denoted the shell-covered Tiepolo the Emperor
rock work that was used to Frederick and
decorate artificial grottoes. Beatrice of
Burgundy (1751–
52)

 refers to a late nineteenth-

century and early
NATURALIS twentieth-century literary 1. Thomas Cole 1. Sunrise in the
movement whose Catskills (1826 )
M practitioners used the
techniques and theories of 2.  Jean-Baptiste- 2. View of the Forest
science to convey a Camille Corot of Fontainebleau
truthful picture of life. (1830 )
 The characteristics of
naturalism include a 3. Marie
carefully detailed Bashkirtseff 3. The Meeting
presentation of modern ( 1884 )
society, often featuring
lower-class characters in
an urban setting or a
panoramic view of a slice
of contemporary life; a
deterministic philosophy
that emphasizes the effects
of heredity and
environment; characters
who act from passion
rather than reason and
show little insight into
their behavior; and plots
of decline that show the
characters’ descent as the
inevitable result of the
choices they have made.
 Impressionism describes a style
of painting developed in France 1. Édouard 1. （Music in the
IMPRESSION during the mid-to-late 19th Manet Tuileries, 1862）
century; 2. (At the Races,
ISM  characterizations of the style 2. Edgar Degas 1877–1880, oil on
include small, visible canvas, by Edgar
brushstrokes that offer the bare Degas, Musée
impression of form, unblended 3. Pierre-Auguste d'Orsay, Paris)
color and an emphasis on the Renoir 3. (Pont-Neuf, 1872)
accurate depiction of natural
light.
 style of painting that flourished
in France around the turn of the 1. Georges 1. Jeu de Massacre
FAUVISM 20th century. Rouault (Game of
 CHARACTERISTICS OF Carnage; 1905)
FAUVISM: 2. Henri Matisse 2. The Joy of Life
Use of colour for its own sake, as a (Bonheur de
viable end in art. Vivre; 1906)
3. André Derain 3. Landscape Near
 Rich surface texture, with awareness Cassis (Pinède à
of the paint. Cassis; 1907)

Spontaneity – lines drawn on canvas,

and suggested by texture of paint.

Use of clashing (primary) colours,

playing with values and intensities.

Varied subject matter – picking out

elements of genre scenes, landscapes,
inside studios, etc.

The colour and the object painted was

the real subject, whether still life,
landscape, etc.
 Cubism was a revolutionary new
approach to representing reality 1. Marc Chagall 1. I and the Village
CUBISM invented in around 1907–08 by (1911)
artists Pablo Picasso and 2. Tea Time (1911) 2. Jean Metzinger
Georges Braque. 3. Guernica (1937)
 flat, two-dimensional surface of 3. Pablo Picasso
the picture plane, rejecting the
traditional techniques of
perspective, foreshortening,
modeling, and chiaroscuro and
refuting time-honoured theories
that art should imitate nature.
 the artist seeks to depict not
objective reality but rather the 1. Edvard Munch 1. The Scream
EXPRESSION subjective emotions and
responses that objects and 2. Ernst Ludwig 2. Street, Berlin
ISM events arouse within a person. Kirchner ( 1913 )
 The artist accomplishes this aim
through distortion,
exaggeration, primitivism, and 3. Chaim Soutine 3. Mad Woman
fantasy and through the vivid, ( 1920 )
jarring, violent, or dynamic
application of formal elements.

 a cultural movement that was

expressed through art, 1. Max Ernst 1. Ubu Imperator
SURREALIS literature, and even politics. (1923 )
 is an artistic movement stressing 2. Yves Tanguy
M on the artists subconscious, 2. ndefinite
where the artist focuses on their Divisibility (1942
imagination, for imagery or to 3. Remedios Varo
exploit unexpected Uranga
juxtapositions. These 3. Celestial Pablum (
juxtapositions are unexpected, 1858 )
because the appearance of the
forms/subjects don’t look real,
and oppose reality.
 characteristic of Surrealism is
that the artist relies on their
unconscious, but reality and the
conscious combines with this
state of consciousness when the
unconscious finds a way to
express the reality and render it
into the canvases that these
artists make.