Professional Documents
Culture Documents
Course Description
A core competency required of any successful communications expert is a strong awareness of what is
newsworthy, combined with solid writing skills. This course is designed to nourish appreciation for
innovative PR approaches that capture the publics’ attention and imagination, while accomplishing strategic
marketing goals. In addition to examination of the most salient social sciences literature, students will
advance their professional writing skills by applying various forms of public relations writing, including
media pitches, press releases, media correspondence, and social media management. The subject will be
grounded in Creative Industries Marketing with a particular emphasis on corporate approaches and consumer
interactions in digital environments. Writing excellence takes practice, creativity, discipline, preparation, and
hard work. Successful students will learn to work within an integrated marketing environment and gain
exposure to a wide range of writing styles that will serve them well in professional ventures.
Learning Outcomes
By the end of this course, students will be able to:
● Identify most appropriate strategies based on client’s communication goals and strategies
● Apply the relevant theories and demonstrate professional writing skills used in various forms of PR
● Effectively evaluate peers and explain how writing for a purpose and target audience influences their
message construction
● Produce high-quality PR print and electronic communications, with and without deadline pressures
● Demonstrate a written ability to connect with diverse and multicultural audiences
● Develop analytical and critical thinking skills along with boldness to to find innovative solutions
Required Readings
Textbook: You are required to acquire the following book:
● Newsom, D & Haynes, J. (2017). Public Relations Writing: Strategies and Structures. Cengage
Learning. 11th ed.
Articles and Chapters: All additional articles, book excerpts, cases, and multimedia listed on the course
schedule will be posted to our course in Blackboard. Readings not included in the initial syllabus will be
provided later in the semester, so we can review real-time cases and current events.
Recommended Readings:
● Flowers, A. (2016). Global writing for Public Relations: Connecting in English with stakeholders
and publics worldwide. New York: Routledge.
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● Perloff, R. M. (2010). The dynamics of persuasion: Communication and attitudes in the 21st
century. New York: Routledge.
● Sant, T. (2012). Persuasive business proposals: Writing to win more customers, clients, and
contracts. New York: AMACOM Books.
● Zinsser, W. (2016). On writing well: The classic guide to writing nonfiction. New York:
HarperPerennial.
● Amorose, V. K. (2013). Art-Write the writing guide for visual artists: Crafting effective artist
statements and promotional materials. Eugene, Or.: Luminare Press.
Assignments
Short Quizzes (2) -- 20% of Final Grade Due: There are two multiple choice content quizzes during the course,
which are meant to test your knowledge of the assigned readings. Each quiz will be 10 multiple choice or
true/false questions.
Writing Assignments (8) -- 40% of Final Grade Due: Modules 6, 7, 8, 9, 10, 11, & 12 There are 8 written
assignments meant to enable to you to apply your knowledge of public relations writing different contexts. The
assignments will cover types of writing you are most likely to encounter during your career as a public
relations professional. There will be two assignments for the key elements of a media kit (news releases, fact
sheets, backgrounders, and bios/profiles), by-lined articles, and advertorials.
• Peer Reviewed Assignments (4) - You will receive 5 points for completing the assignment according to the
instructions and with all the core components, and you will receive another 5 points for reviewing a peer’s
assignment in-depth. When reviewing your peer’s assignment, you are expected to constructively analyze
their work and provide detailed feedback to help them improve the assignment. The instructor may also
provide feedback if he/she feels more feedback is necessary. Your assignment must be submitted each
Thursday night, and you must review your peer’s assignment by Monday night.
Final Project – 20% of Final Grade Due: December 1. The final project is designed to allow you to synthesize
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and apply all your knowledge from the semester. For the final project, you will work in a group and deliver a
ten-minute media pitch. The specifics of the topic and client will be given to you in a separate document.
Course Grades
Grade and Standard Sub Division (if needed) Converted Points Evidence
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100 weighted points).
Technical Requirements
As an online student your "classroom" experience will be very different than a traditional student. As part of
your online experience, you can expect to:
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6. Upload and download saved files
7. Have easy access to the Internet
8. Navigate Blackboard, including using the email component within it
9. Use a microphone to record audio through your computer
10. Use an internal or external camera to record video through your computer
Assignments without the properly signed declaration will not be graded by teachers. Only the final version of the
assignment should be submitted via VeriGuide.
The submission of a piece of work, or a part of a piece of work, for more than one purpose (e.g. to satisfy the
requirements in two different courses) without declaration to this effect shall be regarded as having committed
undeclared multiple submission. It is common and acceptable to reuse a turn of phrase or a sentence or two from
one’s own work; but wholesale reuse is problematic. In any case, agreement from the course teacher(s)
concerned should be obtained prior to the submission of the piece of work.
Any assignment which shows evidence of plagiarism will be penalized severely. Plagiarism is the copying of
passages from other sources without proper citation or attribution. In the case of plagiarism, the minimum
penalty is one demerit and a zero mark for the assignment.
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Authenticity/Social Media (2017). “3. Writing to
Clarify and Simplify
the Complex: Style and
Content,” 34–57.;75-91
3 Sept 22 Research, Planning, and Storytelling: Getting Ready to Newsom, & Haynes.
Write (2017). “3. Writing to
Clarify and Simplify
the Complex: Style and
Content,” 93-120.
4 Sept 29 Writing for Global Audiences Newsom, & Haynes.
(2017). “3. Writing to
Clarify and Simplify the
Complex: Style and
Content,” 151-178
Recommended:
Flowers, A. (2016).
Global writing for
Public Relations:
Connecting in English
with stakeholders
and publics
worldwide. New York:
Routledge.
2018-230
-Paper 1/Peer
Review
5 Oct 6 Crisis Management: Catherine McLelland/Sutton PR Newsom, & Haynes.
(2017). “3. Writing to
Clarify and Simplify the
Complex: Style and
Content,” 179-210
6 Oct 13 Cross Cultural Writing Flowers, A. (2016).
Global writing for
Public Relations:
Connecting in English
with stakeholders
and publics
worldwide. New York:
Routledge.
pp. 52-128
Paper 2/ Peer Review
Quiz 1
7 Oct 20 Understanding Global Perspectives in PR Flowers, A. (2016).
Global writing for
Public Relations:
Connecting in English
with stakeholders
and publics
worldwide. New York:
Routledge.
6
pp. 27-76
Newsom, 221-235
9 Nov 3 Writing Media Pitches Flowers, A. (2016).
Global writing for
Public Relations:
Connecting in English
with stakeholders
and publics
worldwide. New York:
Routledge. 294-323,
Flowers
https://www.criminallypr
olific.com/email-pitch-
tips/
Paper 3/Peer Review
10 Nov 10 Branding and Society; Amanda Lui Flowers, A. (2016).
Global writing for
Public Relations:
Connecting in English
with stakeholders
and publics
worldwide. New York:
Routledge. 379-403,
Flowers
11 Nov 17 Business Writing Flowers, A. (2016).
Global writing for
Public Relations:
Connecting in English
with stakeholders
and publics
worldwide. New York:
Routledge. 405-459,
Flowers
Paper 4/Peer Review
12 Nov 24 Quiz 2 / Group Consultations - Final Project Review TBA
13 Dec 1 Final Group Presentations Group Presentation