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must marry the man who correctly chooses one of three caskets.
Morocco
Mislike me not for my complexion.
My people, dwelling neighbors to the sun,
Are given shadowed skin for our relief.
Now, seeing thee, so wondrous fair, I wish
To be the cloth of black or sable fur
On which the jeweler sets his fairest stone,
The better to display its dazzlement
PORTIA
I have no fear of unfamiliar hues.
A woman’s heart will sooner judge the face
By graces only seen in words and deeds.
Besides, the lottery of my destiny
Bars me the right of voluntary choosing:
By matching wits against my father you,
Not I, will choose what face my husband wears
MOROCCO
But thou art not indifferent to the choice?
PORTIA
In sober truth I tell you, sir, that I
Am pleased no less by you than any other
Of the wooers who have come to call on me.
MOROCCO
For that I thank you, lady. Now, I pray,
Lead me to the caskets, to the test
That will decide my future happiness.
PORTIA
Lesser men have left without attempting it,
For there’s a penalty to choosing wrong.
A. Morocco is one of the suitors of Portia who wants to marry her through luck.
B. Morocco is a rich man who is destined to marry Portia.
C. Portia is in love with someone else even before Morocco came into picture.
D. Portia dislikes Morocco and attempts to kill him by leading him to choose the
wrong casket.
2. What could be inferred when Morocco say, mislike me not for my complexion?
3. When Portia said, “I have no fear of unfamiliar hues”, what does this line signify
about Portia?
4. What social reality did the author try to highlight based on the dialogue of the
two characters?
A. intercultural marriage
B. the wealthy marrying their own
C. unrequited love
D. romantic affair
A. discontentment
B. dismay
C. loneliness
D. sympathy
I'm a storyteller.
And I would like to tell you a few personal stories about what I like to call "the danger
of the single story." I grew up on a university campus in eastern Nigeria. My mother
says that I started reading at the age of two, although I think four is probably close to
the truth. So I was an early reader. And what I read were British and American
children's books.
I was also an early writer. And when I began to write, at about the age of seven, stories
in pencil with crayon illustrations that my poor mother was obligated to read, I wrote
exactly the kinds of stories I was reading. All my characters were white and blue-eyed.
They played in the snow. They ate apples. (Laughter) And they talked a lot about the
weather, how lovely it was that the sun had come out. (Laughter) Now, this despite the
fact that I lived in Nigeria. I had never been outside Nigeria. We didn't have snow. We
ate mangoes. And we never talked about the weather, because there was no need to.
My characters also drank a lot of ginger beer because the characters in the British
books I read drank ginger beer. Never mind that I had no idea what ginger beer was.
(Laughter) And for many years afterwards, I would have a desperate desire to taste
ginger beer. But that is another story.
What this demonstrates, I think, is how impressionable and vulnerable we are in the
face of a story, particularly as children. Because all I had read were books in which
characters were foreign, I had become convinced that books, by their very nature, had
to have foreigners in them, and had to be about things with which I could not personally
identify. Now, things changed when I discovered African books. There weren't many
of them available. And they weren't quite as easy to find as the foreign books.
But because of writers like Chinua Achebe and Camara Laye I went through a mental
shift in my perception of literature. I realized that people like me, girls with skin the
color of chocolate, whose kinky hair could not form ponytails, could also exist in
literature. I started to write about things I recognized.
Now, I loved those American and British books I read. They stirred my imagination.
They opened up new worlds for me. But the unintended consequence was that I did
not know that people like me could exist in literature. So what the discovery of African
writers did for me was this: It saved me from having a single story of what books are
Excerpt from TED Talk, The Danger of a Single Story, by Chimamanda Adichie
11. Which of the following best explains the speaker’s idea of a single
story?
A. Single story pertains to limited perspective and incomplete representation of a
culture, thus resulting in stereotype.
B. Single story is about repeated plot development and characterization due to
popular culture.
C. Single story is about copying and imitating one’s culture; hence, it lacks originality
and authenticity.
D. Single story is about being biased that favors one group or country.
12. Which of the following situations best reflect the single story?
A. There weren’t many Africans stories.
B. The speaker started reading at a very young age.
C. When the speaker wrote exactly the kinds of stories she was reading
D. When the speaker admitted she did not know what ginger beer was
14. Which of the following validates and supports the speaker’s concept of single
story?
A. her early reading experience rich with local and foreign ideas
B. underrepresentation of African culture in Western readings
C. the African authors she views as role models
D. her diverse experience in Africa
The sedentary behavior, long periods of being restrained and sleep disorders caused
by such excessive screen time are harmful especially to kids, said the WHO, stressing
that children need more physical activity and interactions with real people.
The American Academy of Pediatrics had previously released a similar warning about
SDD in 2016. SDD is seen in children who pick up their gadgets immediately upon
waking up, use their gadgets at the dinner table instead of eating, and watch screens
until they’re made to abandon the gadgets when they go to bed.
SDD is said to lead to insomnia, backache, bad nutrition and eyesight issues, among
others, and also impairs actual social interaction, leading to feelings of isolation and
depression.
SDD occurs in any form of overuse of gadgets, whether it be watching videos or using
apps. Gaming addiction was also classified as a disorder by the WHO last year. And
such addictive behavior, perhaps without many people knowing it, has become
prevalent in the Philippines, a country enamored with gadgets, smartphones and the
internet and is among the biggest social-media users in the world.
Excerpt from the Editorial, Turn off That Screen, by Philippine Daily Inquirer
15. Where might one find the central idea of the passage?
A. 1st paragraph C. 3rd paragraph
B. 2nd paragraph D. 4th paragraph
16. All of the following situations can result from screen dependency disorder
except …
A. body pain
B. poor social skills
C. sleeplessness
D. low achievement
17. If the passage was written to primarily persuade, the author could have …
A. called the readers to take a necessary action in addressing the issue
B. explained both the advantages and disadvantages
C. shared an anecdote to make it more realistic
D. used rhetorical questions and analogy to prove his point
18. Given the theme of the passage, who will most likely benefit in reading this
article?
A. children
B. doctors
C. teachers
D. researchers
20. The word enamored in the last paragraph could also mean …
A. exposed C. fascinated
B. loaded D. connected
[…]
Japan has, therefore, undertaken a surprise offensive extending throughout the Pacific area.
The facts of yesterday and today speak for themselves. The people of the United States have
already formed their opinions and well understand the implications to the very life and safety
of our nation.
As Commander in Chief of the Army and Navy, I have directed that all measures be taken for
our defense. But always will our whole nation remember the character of the onslaught against
us.
No matter how long it may take us to overcome this premeditated invasion, the American
people in their righteous might will win through to absolute victory.
I believe that I interpret the will of the Congress and of the people when I assert that we will
not only defend ourselves to the uttermost, but will make it very certain that this form of
treachery shall never again endanger us.
Hostilities exist. There is no blinking at the fact that our people, our territory, and our interests
are in grave danger.
With confidence in our armed forces, with the unbounding determination of our people, we will
gain the inevitable triumph -- so help us God.
I ask that the Congress declare that since the unprovoked and dastardly attack by Japan on
Sunday, December 7th, 1941, a state of war has existed between the United States and the
Japanese empire.
Excerpt from the Speech, Pearl Harbor Address to the Nation, by Franklin Delano Roosevelt
23. All of the following are strategies used by the speaker in supporting his stand
except …
A. He reiterated his authority as Commander in Chief.
B. He used loaded words reassuring that the state will succeed.
C. He repeatedly mentioned about the Japanese attacks in different territories.
D. He cited testimonial from the military.
24. How can such a particular speech contribute to the society’s history?
A. The speech sparked the interest of famous statesmen
B. The speech united US and the other countries attacked by Japan
C. The speech officially started the war against the enemy
D. The speech would always be remembered by the war veterans
25. The speaker said inevitable triumph. What does this underlined phrase
mean?
A. confidently win C. unwavering support
B. assured responsibility D. strong will