This figure of Our Lady of Peñafrancia is one of

the several replica around the world. The person

responsible for commissioning this image was Miguel
Robles de Covarrubias, a secular priest who belonged to
the cathedral canon. Worth noting in this image is the
position of the child relative to the mother. This is a
secondary sources because it was imitated to the original
figure of “Ina”.

This Holy Oil Jar used in the administration

of the Sacrament of Confirmation. This oil is a
product of great utility the symbolic significance of
which harmonizes with its natural uses. The liturgical
blessing of oil is very ancient. The consecration and
benediction of the holy oil now take place on Holy
Thursday in a very solemn ceremony reserved for the
Bishop. This jar is also considered as primary sourse.

This wooden lapida is a primary sources

because it originated in the St. Joseph’s Parish, San
Jose, Camarines Sur.
 This Church Organ is a primary sources because it was used and came from
St. Anthony Padua Parish in Iriga City. Natural religious instinct urges man to
honor God by means of music as well as by the other arts, and to heighten his
religious exaltation by joyous singing. The introduction of church organs is
traditionally attributed to Pope Vitalian in the seventh century.

This latin version of their bible is a

secondary sources because it is not the
original version of the bible. The original
copies of the bible have not lasted to
today, though a large number of early
copies allow us to reconstruct the text
as it stood in its earliest form.

These are Aspergillum/

Aspersorium, cruets bandeja, and Altar
Trays are primary sources.
An aspergillum is a liturgical implement
used to sprinkle holy water. The trays are
used to transport chalices in the context of
concelebrations with many priests or for
Communion under both species.
 These are the cruets and bandeja that was used during the time of Arch.
Leonardo Legaspi and other priest of the Archdiocese which considered as
primary source.

The Horma De Hostia in the left is
originated from Archbishop's Residence
and the Horma de Hostia in the right is
originated from the St. Joseph the
Worker Parish, Milaor, Camarines Sur.
These are considered as primary sources.
This is the Scholastic Records in the Holy
Rosary Seminary dated year 1865-1942.
Listed in this book are the scholars of the
seminary during that time. This is assessed as
a primary source because it is the original
copy of their records.
 These Cross/Crucifix came from
the different churches in Bicol region .
Crucifixes first appeared in the 5th
century, and from the 9th century on
medieval artists increasingly aimed at a
realistic portrayal of Christ's suffering.
That is why these cross are considered
secondary sources because they are all
only imitation. The Cross is the symbol
the triumph of good. Thecross bears
witness to God's infinite love for sinful
mankind.But the cross is much more than
a symbol; it possesses spiritual power.

This big church bell was

originated in St. Andrew Parish at
Sagñgay , Camarines Sur. This is
considered as primary source because
this is the actual bell of the St. Andrew
Parish. In AD 400, Paulinus of Nola
introduced church bells into the
Christian Church. In AD 604, Pope
Sabinian officially sanctioned their
usage. By the early Middle Ages, church
bells became common in Europe. The
oldest surviving circle of bells in Great
Britain is housed in St. Lawrence
Church, Ipswich.
 This altar together with the Candelero from
Camarines Norte, song book, chalice and Paten ,Sacred heart
part of retablo from Metropolitan Cathedral and tabernacle
originated from St. John the Baptist Parish at Goa,
Camarines Sur are few of the things used in the mass. These
things are primary sources because it was originated from
different archdiocese.

These are Sanctus bells traditionally

referred to a bell suspended in a bell cot at the
apex of the nave roof, over the chancel arch, or
hung in the church tower, medieval churches. This
bell was rung at the singing of the Sanctus and
again in the elevation (liturgy) of the elements, to
indicate to those not present in the building that
the moment of consecration had been reached.
These are primary sources because it was used
originally in different churches in Bicol region.
 This is a statue of St. Thomas of
Villanueva placed at the Holy Rosary Seminary
Chapel and this is a secondary source because it
is not really the original replica of St. Thomas of
Villanueva. Thomas devoted much effort to
restoring the spiritual and material life of the
Archdiocese.

This is the Episcopal Chair of the first

ever Filipino Bishop, Bishop Jorge Barlin. This
is a primary source because this is the actual
chair he used during his time.

This is also the Episcopal Chair of our

own Archbishop Leonardo Legaspi. This is a
primary source because he used this during his
time.
 These monstrance are all originated at Archbishop’s Residence
that is why it is also considered as primary sources. The word
monstrance comes from the Latin word monstrare, meaning “to show”.
The purpose of the monstrance is to put on display a consecrated Host
for those present to adore and venerate. 
 Holy Rosary Minor Seminary Museum
Founded in 1793, the Holy Rosary Minor Seminary is one of the oldest
schools for priesthood in the country today.  The seminary has produced numerous
church and lay leaders and is the Alma Mater of a number of Bikol Patriots and
heroes.

Right inside the seminary is a museum, that houses priceless collections like
the vestments used by the bishops of the Diocese of Nueva Caceres. There are Ming
Vases, burial jars, old books and stuffs used during masses. The items are all well-
kept and preserved. Because of its beauty and its significance in the local history of
Naga, the National Historical Institute has inscribed the centuries-old Holy Rosary
Minor Seminary as a National Historical Landmark.