Professional Documents
Culture Documents
________________________________________________________________________
Unit
2
SOCIOLOGICAL
AND
ANTHROPOLOGICAL
PERSPECTIVES
ON
THE
SELF
Learning
Objectives
________________________________________________________________________
_____
1. Analyze
the
different
representations
and
conceptualizations
of
the
self
from
a
sociological/anthropological
point
of
view.
2. Compare
and
contrast
how
the
self
has
been
represented
as
examined
by
the
different
sociological/anthropological
constructs.
3. Understand
and
internalize
the
different
sociological/anthropological
perspectives
in
the
development
of
a
social
self.
4. Determine
the
concept
of
stigma
or
self-‐stigma
and
how
they
arise
from
social/cultural
biases
and
prejudices.
________________________________________________________________________
____
A.
What
constitutes
a
Society?
1.
In
Anthropology:
a
society
connotes
a
group
of
people
who
are
linked
together
through
sustained
interactions,
a
common
culture
or
at
least
a
recognized
set
of
norms,
values
and
symbolism
that
defines
its
members
(Kottak,
2015:31;
Peoples
and
Bailey,
2016:22).
2.
In
Sociology:
a
society
is
composed
of
a
group
of
people
sharing
a
common
territory,
a
common
culture
and
who
are
in
continuous
interaction
with
one
another.
Societies
may
be
separated
in
terms
of
geography,
language,
beliefs
and
practices
at
the
very
least
(Macionis,
2015:20).
B. Defining
Culture
There
is
no
definite
way
to
define
what
culture
is.
Perhaps,
the
most
succinct
encapsulation
of
what
culture
is
would
be
the
working
definition
provided
by
the
anthropologist
Sir
Edward
B.
Tylor
who
contended
that:
“that
complex
whole
which
includes
knowledge,
belief,
art,
law,
morals,
custom,
and
any
other
capabilities
and
habits
acquired
by
man
as
a
member
of
society.”
Hence,
in
simple
words,
culture
is
people’s
way
of
life.
It
is
composed
of
behavioral
patterns,
which
has
been
created
by
human
beings.
As
such,
culture
can
be
divided
into:
1. Material
Culture:
refers
to
the
objects
or
belongings
of
a
group
of
people.
2. Nonmaterial
Culture:
consists
of
the
ideas,
attitudes
and
beliefs
of
a
society.
CHARACTERISTICS
OF
CULTURE
Because
culture
is
an
all-‐encompassing
concept,
we
have
to
further
understand
it
in
terms
of
its
basic
characteristics.
Culture
is
universal;
there
is
no
existing
society
that
is
devoid
of
culture
and
there
is
no
living
individual
or
group
of
people
with
no
acquired
culture.
Thus,
it
is
important
to
understand
that
all
cultures
share
these
basic
characteristics:
• Culture
is
learned.
Culture
is
not
biologically
inherited
although
much
of
what
we
know
about
our
own
cultures
happen
unconsciously.
The
process
of
learning
a
culture
is
called
enculturation.
We
get
enculturated
through
our
families,
peers,
the
media
and
other
social
institutions.
• Culture
is
shared.
We
learn
culture
and
become
integrated
in
a
society
because
we
share
it
with
other
members
of
the
society.
By
closely
interacting
with
specific
groups
of
people,
we
learn
to
act
in
socially
appropriate
ways,
make
mental
notes
of
what
we
should
not
do
and
predict
how
others
will
act.
Although
culture
is
shared,
it
does
not
mean
to
say
that
everything
within
it
is
homogenous.
There
are
multiple
cultural
life
worlds
which
exist
simultaneously
in
one
society
with
various
cultural
expressions.
• Culture
is
based
on
symbols.
Symbols
are
arbitrary
and
the
meanings
attached
to
specific
symbols
vary
cross-‐culturally.
Art,
belies,
language
and
value
systems
are
all
within
the
symbolic
structure
of
cultures.
The
heterogeneity
of
cultures
is
based
on
their
symbolic
differences.
• Culture
is
an
integrated
whole.
The
different
aspects
of
culture
are
all
interconnected.
To
truly
understand
a
culture,
it
is
important
that
we
acknowledge
how
all
parts
relate
to
one
another.
To
avoid
cultural
biases
and
prejudices
toward
one,
all
of
its
parts
must
be
learned
and
understood.
• Culture
is
dynamic.
Although
cultures
are
universal,
they
are
not
static.
The
various
aspects
of
culture
are
in
constant
interaction
with
each
other
and
through
this,
cultural
change
is
constant.
When
cultures
come
in
contact
with
other
cultures,
ideological
and
symbolical
exchange
happens.
As
such,
if
one
part
of
culture
changes,
it
is
most
likely
that
the
entire
cultural
system
must
adjust
to
the
change.
Technology:
refers
to
techniques
and
know
how
in
utilizing
raw
materials
to
produce
food,
tools,
shelter,
clothing,
means
of
transportation
and
weapon.
These
products
become
artifacts.
PATTERNS
OF
CULTURE
Culture
exists
in
multiple
levels
and
it
is
experienced
variably
in
different
cultural
patterns.
To
further
understand
the
variability
of
culture,
we
need
to
know
some
basic
patterns
of
culture
that
we
consciously
and
unconsciously
live
with.
High
Culture.
A
term
which
describes
the
pattern
of
cultural
experiences
and
attitudes
that
exist
in
the
highest,
class
segments
of
society.
Popular
Culture.
Refers
to
the
pattern
of
cultural
experiences
and
attitudes
that
exist
in
mainstream
society.
Cultural
Change:
Culture
is
always
evolving.
Cultures
change
when
something
new
opens
up
new
ways
of
living
and
when
new
ideas
enter
a
culture.
(Globalization,
Innovation,
Inventions)
Cultural
Lag:
coined
by
William
F.
Ogburn.
It
refers
to
the
time
that
elapses
between
when
a
new
item
of
material
culture
is
introduced
and
when
it
becomes
an
accepted
part
of
nonmaterial
culture.
Ethnocentrism.
The
practice
of
judging
other’s
culture
by
the
standards
of
one’s
own
culture.
Xenocentrism.
Considering
other’s
culture
as
superior
to
one’s
own.
Cultural
Relativism.
The
practice
of
judging
a
culture
by
its
own
standards;
a
particular
pattern
of
behavior
is
right
or
wrong
as
it
is
declared
by
the
people
who
follow
it.
C. SOCIALIZATION
AND
SELF-‐CONSTRUCTION
Socialization
is
the
process
through
which
people
are
taught
to
be
proficient
members
of
the
society.
It
describes
the
ways
that
people
come
to
understand
societal
norms
and
expectations,
to
accept
society’s
beliefs,
and
to
be
aware
of
societal
values.
Socialization
is
not
the
same
as
socializing
(interacting
with
others,
like
family,
friends,
and
co-‐workers);
to
be
precise,
it
is
a
sociological
process
that
occurs
through
socializing.
Sociologists
have
long
been
fascinated
by
circumstances
in
which
a
child
receives
no
social
interaction
because
they
highlight
how
much
we
depend
on
social
interaction
to
provide
the
information
and
skills
that
we
need
to
be
part
of
society
or
even
to
develop
a
“self”.
WHY
SOCIALIZATION
MATTERS
Socialization
is
just
as
essential
to
us
as
individuals.
Social
interaction
provides
the
means
via
which
we
gradually
become
able
to
see
ourselves
through
the
eyes
of
others,
learning
who
we
are
and
how
we
fit
into
the
world
around
us.
In
addition,
to
function
successfully
in
society,
we
have
to
learn
the
basics
of
both
material
land
nonmaterial
culture,
everything
from
how
to
dress
ourselves
to
what’s
suitable
attire
for
a
specific
occasion;
from
when
we
sleep
to
what
we
sleep
on;
and
from
what’s
considered
appropriate
to
eat
for
dinner
to
how
to
use
the
stove
to
prepare
it.
Most
importantly,
we
have
to
learn
language
in
order
to
communicate
and
to
think.
FUNCTIONS
OF
SOCIALIZATION
1. Transmission
of
values,
customs,
beliefs
from
one
generation
to
another.
2. Development
of
a
person
into
a
socially
functioning
person.
3. Social
control
mechanism.
AGENTS
OF
SOCIALIZATION
Ø SOCIAL
GROUP
AGENTS:
Social
groups
often
provide
the
first
experiences
of
socialization.
Families
and
later
peer
groups,
communicate
expectations
and
reinforce
norms.
1. FAMILY:
the
first
agent
of
socialization;
influenced
by
race,
social
class,
religion
and
other
factors.
2. PEER
GROUPS:
made
up
of
people
who
are
similar
in
age
and
social
status
and
are
sharing
the
same
interests.
Peer
groups
provide
their
own
opportunities
for
socialization
since
kids
usually
engage
in
different
types
of
activities
with
their
peers
than
they
do
with
their
families.
Imitation
The
preparatory
stage;
they
copy
the
actions
of
people
with
whom
they
regularly
(0-‐1
year)
interact
with
like
their
mothers
and
fathers.
Play
Stage
Role
playing
takes
place
where
the
child
becomes
gradually
conscious
of
the
role
(2-‐7
years
he
plays
but
do
not
have
a
complete
idea
of
the
role;
Example:
acting
out
grownup
old)
behavior,
dress
up
and
acting
the
mom
role,
talking
on
a
toy
telephone
the
way
they
see
their
fathers
do.
Game
(8
Children
learn
to
consider
several
roles
at
the
same
time
and
how
those
roles
years
old
interact
with
each
other.
They
learn
to
understand
interactions
involving
different
onwards)
people
with
a
variety
of
purposes.
CLIFFORD
GEERTZ:
THE
IMPACT
OF
THE
CONCEPT
OF
CULTURE
ON
THE
CONCEPT
OF
MAN
Basic
Premises:
• It
is
in
a
systematic
review
and
analysis
of
the
varying
styles
of
becoming
human
that
we
will
find
out
what
it
is
to
be
man.
• Elements
of
culture
(marriage,
economy,
religion,
etc.)
can
be
so
entwined
that
you
cannot
easily
separate
any
particular
layer
and
analyze
it
by
itself.
• The
most
fundamental
thing
about
the
relationship
of
culture
and
man
is
to
look
for
what
makes
people/cultures
different
and
not
much
on
their
similarities.
It
is
more
effective
to
analyse
human
nature
by
noting
the
differences
between
cultures
that
arise
over
time
and
space
than
to
try
to
form
vague
notions
of
universals.
• Culture
reveals
the
link
between
what
man
is
capable
of
and
how
he
actually
behaves,
which
in
turn
helps
define
human
nature.
• Culture
is
the
accumulated
totality
of
symbolic
patters
that
appear
in
different
societies.
Concepts
about
Culture
and
Man:
• MAN
AS
AN
UNFINISHED
ANIMAL:
man’s
nature
is
very
much
the
product
of
the
society
he
lives
in,
hence,
man
is
an
unfinished
animal
because
society
and
culture
evolves
and
changes.
• CULTURE:
cultures
are
like
texts
and
texts
have
meanings;
meanings
are
also
enacted
and
not
just
pure
abstractions,
thus,
if
cultures
are
texts
and
texts
have
meanings,
cultures
must
be
very
material
and
tangible
because
they
are
enacted.
• THICK
DESCRIPTION:
a
method
of
analysis
which
provides
enough
context
so
that
a
person
outside
the
culture
can
make
meaning
of
the
behavior
of
the
people
living
there,
helping
a
person
transition
from
an
outsider
to
an
insider.
ERVING
GOFFMAN:
DRAMATURGICAL
THEORY
a.)
Builds
on
the
idea
that
“men
are
mere
actors
and
actresses
in
a
large
stage
called
the
society”.
b.)
Its
key
concept
is
impression
management
defined
as
a
conscious
or
subconscious
process
in
which
people
attempt
to
influence
the
perceptions
of
other
people
about
a
person,
object
or
event.
They
do
so
by
regulating
and
controlling
information
in
social
interaction.
c.)
Impression
management
and
dramaturgy
need
the
combination
of
certain
elements
for
it
to
be
successful.