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Grade or Class:
3-6th grade
Prior Knowledge:
To start a drawing with subconscious mark-making and resolve the marks into a more
resolved composition.
Intro/ Motivation/Engage/Research:
Time needed: 10-15 minutes
Intro day: Ask the students to begin filling their page with marks. There is no directive
just that marks be made for remainder of work time. Emphasize that at this time the
should not be a clear subject or narrative or objects present just subconscious drawing.
Work day: Now have the students consciously resolve the composition for the work day.
Students will take turns bringing their work to the front of the class to share. They will
describe how they began, what choices they made in process, what difficulties they had
and the significance of the elements displayed in their work.
ARTE PRACTICE Learning Segment Worksheet
The artwork and participation in group critique will be the summative assessment for
this assignment
The students will present their work in front of the class, explaining how they
understood the topic, how that informed how they began, what choices they made in
process, what difficulties they had, what moments of inspiration did they have, and the
significance or origin story of the elements displayed in their work.
2. Vocabulary
No more than 5 terms w/definitions using age-appropriate language. Cite source
Techniques- The use of tools and materials in unique ways that are specific to the artist,
the medium, or the art form. Abstract expressionist painters, for example, often use
palette knives or tools intended for the application of cement or putty to apply thick
layers of paint.
Mark-making - the different lines, dots, marks, patterns, and textures we create in an
artwork. When we talk about a works mark-making we are talking about their
expressive qualities.
Intent – Purpose behind making a visual artwork whether personal or analyzed through
the work made by others. Purposes include storytelling, advocacy or activism
(propaganda), expression through symbol, decoration, beauty, investigation of a theme,
and function (such as in design fields).
Source: South Carolina College and Career Ready Standards for Visual Arts Proficiency,
2017.
Google.
3. Discourse
How will you develop students’ academic discourse (putting the words to
work/responding) and/or syntax (symbols, etc.)?
Students will participate in a critique, a class group activity beginning with a students
explanatory show and tell presentation of their work followed by Q&A free response time with
the class.
4. Practice
How you will you help students practice using the language function? What
specific opportunities: e.g. reflective writing, exit tickets, critique, small group
discussion, presenting?
The teacher’s role in critique is one of facilitation rather than direction. There are no
right answers but descriptions, questions, responses can be improved by use of
vocabulary or relation to aesthetics (acceptation or rejection) or art history (or art
present). The objective is to learn how to engage in and practice dialogue rather than
produce a conclusion.
Key Materials Include appropriate technology that you will use in each activity as well
as a complete list of the materials you will use (manipulatives, worksheets, word lists,
game directions, art supplies, book titles, PowerPoint etc.).
Lesson I of 4 (2 of 4 etc.) Each lesson is a step to teaching the Big Idea of L. Segment
Standard Objective Formative Assessment
The focus of this lesson Same as overview Formative for this lesson is…
Reflection (Internship I only) What went well? Not so well? Next time I will do this
differently…
ARTE PRACTICE Learning Segment Worksheet