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Japonisme and the cinema of

Lumière brothers

Gabriela Feldman
Context
Matthew C. Perry

Opening of formerly isolated Japan to world


trade in 1853

Exposition universelle d’art et d’industrie de


Paris in 1867

French art critic Philippe Burty coined


Japonisme in 1872

Exposition universelle d’art et d’industrie


de Paris in 1867

Lumière brothers
France s.XIX/XX

• In 1895 patented an improvement of


the cinematograph (motion picture
camara system) already registered a
year before by Léon Bouly.
• They sent over a hundred
cinematographers all over the
world to capture “exotic” images
and bring them back to France.

“Panorama pendant
l’ascension de la Tour Eiffel”

https://youtu.be/D6gAGCNNjow
Composition and
physiological reaction
Henri Rivière: “Les trente-six
vues de la Tour Eiffel”
1888-1902

Hokusai: “Les trente-six views of Mount Fuji” Henri Rivière: “Les trente-six vues de la Tour Eiffel”
1830 1888-1902

Utagawa Hiroshige
“100 Views of Edo”
1850

Hokusai “36
Views of Mount
Fuji”
1831

Toulouse-Lautrec
“The Jockey” Hokusai “ Manga”
1889
1815-78

Saccadic movement
1878

Louis Émile Javal 1839-1907


À traverse effect

Monet: “Printemps à
traverse les branches”
1889

Japanese imagery
(Orientalism)

“Vues Japonaises: Repas en


famille” (1896) https://youtu.be/a2lYL_P3LS8
Lumières’
cinematographers
in Japan

Gabriel Veyre
Constant Girel

Japanese meal where Girel is performing

Gozen Meal Time in the Far-East 1873


“Chanteuse Japonaise”
Gabriel Veyre 1898-99 “The woman playing the Samisen”
Charles Wirgman 1885

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