THE NEW FILET

CROCHET BOOK
ORIGINAL DESIGNS WHICH MAY BE USED ALSO FOR
CROSS-STITCH AND BEADWORK, WITH PATTERNS
REPRESENTED IN A NEW WAY
:=:===
: : : : : : : : : : : :

By HUGO W KIRCHA4AIER :^:2:;:::^^^::;:r;:::::=r

Preface and Instructions by

ANNA WUERFEL BROWN

Price, 25 Cents

PUBLISHED BY CORA KIRCHMAIER

TOLEDO, OHIO
Copyright, 1912, by Cora Kirchmaier, Toledo, O.
 PREFACE. Vol I

In mediaeval times, Darned Netting, also called Lacis, was contemporary with
the linen embroidery of that age. Cluny Guipure, one of the earliest forms, was
known as Opus filatorium, or, in the Middle Ages as Spider Work. It shows a netted

square-meshed background, identical with that of our modern Filet. The network
is darned upon with counted stitches like tapestry, and by modern French workers
is now called Point Conte or Filet Erode a Reprises; while in Italy the modern variety

is called Guipure d'Art.

The patterns woven into the netting are more or less elaborate but the same
beautiful designs may be carried out in Filet Crochet, now so popular. The crochet,

moreover, enables one to complete the design in one operation, the solid meshes as
well as the open meshes being worked as you go along.
Filet Crochet is not new. Most of us have pieces handed down to us from
our grandmothers. But since artists have thought it worth while to create new de-
signs for this lace, the art has been wonderfully improved.

The designs in this book are not only artistic and beautiful but are strictly
original and have never before been pub'ished.
The method of representing them is also very unusual — the black spaces
showing the open meshes and the white squares outlined in black, showing the solid

meshes — thus making it very easy to count the squares and much less trying to the

eyes than the old way.

Another decided advantage to the worker is the table (see page 22) giving the
size of a piece when worked with number 30, 50, 100 or 150 thread. This will enable
the worker to select just the pattern needed to carry out the idea she has in mind.

Those who have made a study of Coats of Arms and Heraldry will be delighted
with the artistic perception and accuracy of such figures as No. 50, 56 and 78.

MATERIALS.
Any good cotton thread may be used for Filet Crochet and silk thread also,
the purse twist being the best for this .ysl. The silky mercerized cottons and the

beautiful linen threads are also very good:' D. M. C. thread was used in all of the
samples and finished pieces in this book.

The only other things necessary are a good pattern, and a crochet hook. Use
as fine a hook as can be used without splitting the thread. The material, if any is

to be used together with the crocheted work, should also be considered and a thread
chosen which will harmonize with the same.

v© CI. A 3 297 89 ^)

2 ^1 v^"^/
a
D BBaBBBBaaaaaaaBHBiaaaBHaB
nBBaaBBBaBaaaBDBBBnaDBaaaaBBaaDBBBaaa
aDBoaaBaBaaaaanDaDaBBaaaDaaaaaaQaaaDa
BBDaDaDaaaaaoDDaaaaDaaaaaaDBiaaaaDoaa
BDaDDOBOBBBDaaaaBDBaBDBDDDaaaaBaaoDaa
aBiBaaBaaBaaBBDBBaDaaaBBDBBBOBDBBBDia
BBBBBBDBBaaaaBaBQBBaBBBBBaaBaaBIBB
BBBBBMBaBBaaBBBBaaBHaaaaaHMaaHMBaBH
No. I 9 Meshes
BaDBBBDaBBBaaBBBaaBBBDDBBBaDBBBQDBBBa
aBaoBDBBaiaBBnBDaBDBaBaoBaBBDBaiBDiaB
BaaBDBBBaaBBBaaaBBBaBBaBaaaaanBiiBaBB
BBaaaaaaaaBaaaDaaBaaaaBaaaaBaaaBBaDaa
OBaaaDaaaaaaaDaaaaaaaaaDaaaaoaaaBaaDB
aBnaBoaaaaaaaaBaaBaaaaaaaaaBBaaaDaBoa
aggBaBgaaBaaaBBaaaaaaaaBBBaDBBBaaBiBD
BBBgagflaaBaBBaaDBaaBaBaaaaBaaaBaBoaoa
BBBBaaBBBiaBaBaBBBBaBBaBaaaaiaaaaiaBa
BBBaaBaEaBBaBBBaBBBBaaBBBBBBaBBaBBIBB
No. 2 10 Meshes
BBBBBBBaBIBaaaBBaBaaBBBBaBBBBBBBBBBaB
aBBaBaBaDBaaBaaBoaaaaaBBaaaoaaaaDBBDB
aaDgDaaaaaaaaaaaaaaaaaaaaaaaaaaaaiQa
DDaDaaaaaaaoaaaBDgaoaDaBDDaaaaaaaaaa
BBaaaaaBaBaaaDaBBBDaaaDaaaaaogDBBBaDa
aaaaoaaaaQaBOBDoaaDaaaaaanaBaiDoaDOBa
BBaDgaaBaaaaaQBBaaaDaaiaaBBoaDBBaaaaD
DBBgaaBaaBaaBOBaaaBDBDEaaaaaaaBBaMaB
PLATE I

BBHHBHHBBIHBniaiB
apgaBagaDBaaanaaaaaQnaBaDaDaBaaDaBBaa
BDBBBaBBBaBBBDBBBaBBBDBaaDBBBaBBBDaBB
BBBnDDDBDDgpBBiDaDDBDDDOBBBDDDDBDDDDB
DBaaBBnBaBaDBGDBBBaBaBDaaaaaBBBBaaaD
22P2aDpDDBBBDDDDBDnDDBaaaDnDBDnDnB
aBBBQBBBDiBBaBBBDaBBDBBBnBBBaar
inBBBDBBBaBBBDaBBDBBBnaBBaaBBaaaB
BDODBBBaDQBBBaaDBBBOODBBBaDOBBaD
No.
aBaaaaBBaBBaaaBBBaaaaaa
II 9 Meshes
aBaBBaaBaBaaaBBBBaaBBaBaBBaBaBBaBBBBB
'laagBBagaaBaBDagBaBgagaBBaaaaaaaaaaa
DBBDQOBDaDI

B-B^=-^!>a>o*aaBgQnBaBaciBBBac]aDBBBBaBB
BDBaBBaBBaaaBaBaBaaaaaBBBDaaBBBBBBBB
BBaaaaBaaaBBBBBBBBBBBaBaBaaaSaSBaaBS
No. I 2 II Meshes

No. 3 9 Meshes
BBaBBBBaBflBBBBBaBBBaaaBBBaBBaBBBBBBBB
DaaaaDaaaDDaaaaaaaaoDaaaaaagaaaaaaaaa
aaaaaaaaaaaaaaaaaaoaaaaDaaaBaaaDaDaaa
BaaaaaaBaBaaBaaBaaaBaaaaaaaaaaaaaDBaa
aaaBaaaaBaaaaaaaaaacoaaaaaBDBODBaaaaB
BaDaBaaaBBBaaaaBDaBBBaaaBaaaBBBBaDBBa
BBBaaDBBiBBBBBaDBaaaaBBBDDaaBaBBaBaaa
BBBaaaBBBaaaaBaaBBBBBaBBaiBBaaaaBaBBB
No. 4 10 Meshes
aaaaaaaaaaaaaaaaaaaaaaaBaaaaQaBaaBaaa
aBaaBaaaBaBBaaBaBaBDBBBDBaaBBaaaaaBa
oaaaaaaaaaaaaaaBDaaBaBaaQaaaaaaaaQaaa
BaBaaaaBaBBaaBBBBBBBBBBBaaaaBBBaaBBBa
No. 5 7 Meshes
BBaaBBBBBBaaBBaaBaaBaBaBBaBiaBBBBBBBB
aBBBBaBBBBaaBBaBBBBBBBBaBBBaBaaaBaaaa
DBgaDaaaBaBaBOBaBOBBaBaaaaaaQaaaaa
iBBaBBBaaaaBBBoaBBaQaaBaaaaBaaaaaa
nanaaaaaaaaDaDaaBaaaaaaaaaaaaaaaaa
DBBaoaaBaaaaBBaagaaaaDaaBaa
BaBBBBBBBBBaaBBBaaaaBaBaBBBBaBBBaBBBa
flaaaDaaoDDaDgaaaaaaDBaaaaaoaaaaaaaaaa
aaBaaaBaaaaaaBBaBaaDDaaaBaBaaaDaaaaaa
aBBaBaBaBBaaBaaBaaBaaaaaBaaaaagBBDan
aiaQaBDaDaoaaaoaaDaaQfoaaaaDaaQaaaDaa
9KlQ9QiS!5!i=i'i=iQQi(=i"c^><=i>^oaDBDBDBDaa
gailiGiiBaaaaaaaaaaBgaBaaaaBaBaaBBBaB
ggflgBaiaaaDaaaBaaDBaoaBnaoaGaaaaiaaaa
IggQagagagBaoniaBaaaaaaaaaBaaaaaaQaaB
igaaoaBoaaBaaBaaBaaaBaBaaBBaBBBaaaaa
No. 14
13 Meshes
BaBBBBBaBBaaBBBBaaaBBBBaaBaaBBBBBBB
BBaaBBaaBBaQiBaaBEaaaaaaaBaaaaBBBBDaa
BaaBaaBBaaBaaaaoBaaBaaaBaaaaaaaaaoBBa
gi|gaBaaBaaaBaaaaaaaBBanBBDaBaaDaaac~

aDaDaaoDBDDaDaaaaBQaBaDBDDaaaiaDaoaaa
aDDaaBaaaaaaaaaDaBaaaaaaBaaaaiaaaaaaa
aaaBaBaBBBBBBaBaBBBaaaaaBBBaaaiaBBaBa
BBaBBaaaBaaBBBaBaaBBBBBBaaaaBBiaiaaaB
No. 6 9 Meshes
aaBBaBBBBBaaBaBBaaaaaaaBBBBBaBBBBaaBB
aaaaBaoBaaaaQiaBBaaaaaaaaaaBBaaaaaaaa
aaaBaaaaaBaBBaBBaBaaBaaaBDaaaBBaaBaBB
BaaaaaBaaQBaaaaaBBaaDaBBaaaaBaaaaaaBa
BnaBaBaaaaaaaaaBaaaaaaaBBQaaaaflaaaaaa
aaaaaBBaBaaBaaBaoBBOBaaaaoaaaaaaaaaaa
aBaaaaBaaaBBaaQaBaBBaaBaaBaaBBBBaaaaa
BaBaiaaaaaaaaaaaaBaBaBBaBaaaBaaBBaBaa
No. 8 Meshes
7
aaaBBBBucaaaBBaaBaaBBaaaBaBBaaaaaBBaa
BBDBBaaBaaaoaoaBDBaaoBBQBaaoaaaaaioaB
aaBaaaaaaaaDBBBaaaaaaaBaBaaaBBaaaaBBB
aaaaaaBBaBaaaaBaBBBaBaaBBaaaBBBBBBaa
No. 8 9 Meshes
aaaBBBBBBBaBaaBBaBBBBBaBaBaaaaBBBBBB
BBaaaBaaaaaaaQaaBaaDaaBQaBBoaaaBBoaBa
oaoaiooiaaDBDBaaQBBBaBolBooaBBOBOBaao
aaaaDaBioaBBBaaBBaoaBBBoaBaaooaaaoDBB
BaoBoaaoaaaBaaoaaoBaBaQBaaaoaaaaoBOBB
ODaaaaaaagaDaBaQBaaDoaaaaaaBDDoaaaaoa
aaaaBaaaBiaaaBaaaaBaaaaaaaaBaaaaBBBaa
No. 9 7 Meshes
No. 10
gDDBDDDaaaDDDDDaaaaDDBDDDQainnii
gBaaBBaBBaaaDBBBaBaaaBBaaaBBBBDaaaaaa
9 Meshes
No. 16
DBaBoaBaaaaBBBoaaaaDDBaaooaaaanaaaaaa
aaaaaaaaDBBaBOBaaaaaaaBaaaaaaaaQBaaaa
aBaBaaaaBaaBaBQaaaaaaBaBaBaDaoaBDBDBB
DaaaaaaaBBQaaBBaaaaaaBaBBaBaaaDaaaaaa
-gBOBBgBoaaaBDBaoBDBBOBQaBaaoiaQaaBaQ
naaaBBaaBaaDDaBBaQaaaaaaaBDaaaaaaa
BBaaBBaaaBBaaaaaaaaaBaaaaaaBa
No. 1 7 8 Meshes
^jggaDagoaaBaaBDaaaBBaoaaaaoaBBBDoaDf.
QgaBOggBaDDDBBDODBaQODBaDDDBBODDBBOOO
gaaagggaBBgaBBQaDaaBOBBaaoaBaaoaaaaQO
5SS!!2!'*i^*'=>"**o"**0"o***i=i"**aaoa«aoa
BaoaaaaaaaaoaaBaaaQoaoaaaaaaaoaQoaaaa
BaaoBaaoBaBBBaaBaaaaBaaoBaaoBBBBBoaaa
aaaaooaaaaaaaaooaaBBaaaoooaaaaaaaoDQ
BBaBBaaiBiBBBaaBBBBBaaaaBaBBaBaaBaaaa
No. 18 II Meshes
aaaaaBaBaaaaaaaaaaaaaaaaaaaaaBaaaaaa
oaaoBBDaaoaaaBaoaaaBaoBBOBaaaaoaaaaao
laoaoaaaoooaaaaooaaaoooaaaooDaaaoaaaa
oaaoaaoaaoaaaaaaaaoaaaaaoaaDaanaaaaao
aaaaaaaaaaaaaaaaaaaaBaaaaaaaaaaaaaBB
No. 19 5 Meshes
 INSTRUCTIONS FOR WORKING.
The stitches used in making the designs in this book are as follows:
First make a sHp knot or tie a small loop in the end of the thread, slip this loop

over the needle.

Chain Stitch (ch st or ch)* Having a loop on the needle, pass hook under the
working thread, draw a loop of it through the loop on the needle. Repeat from *
until the desired length is obtained.
Double Crochet (d) — Pass the hook through the work (or through the stitch
named) and draw through it a loop of thread, thus making two loops on the needle
(hence the name, double crochet); then draw a loop of thread through both of the
loops on the needle at once.
Treble Crochet (t) —Throw
thread over needle (or pass hook under working
thread, taking up a making two loops on the needle; pass hook through
loop) thus
work and draw a loop through, making three loops on the needle, then draw a loop
of thread through two of the loops on the needle; then another loop through the re-
maining two loops on the needle thus "taking off" two loops at a time.
Double Treble (dt) — Throw thread over needle twice; draw a loop through
the work, making four loops on the needle; take off two loops at a time.
Triple Treble (tl) —Thread over needle three times; draw a loop through work
and take off two loops at a time.
Slip Stitch (si st) — Pass hook through work and draw thread through the work
and the loop on the needle at the same time.

Filet Crochet is simple but like so many simple things, is beautiful only when
evenly and accurately done. To begin a piece, count the meshes in the first row of

the pattern chosen; make three times as many chain stitches as there are meshes
and add one more chain. Take for example the openwork sample (Fig. I) which has
1 1meshes. Ch 33 and add ch, making 34 ch; then ch 5 more to make the turning.
1

Now work a t into the 9th ch (counting back from the needle). This forms the first
open mesh. *Ch 2, miss two stitches on the foundation chain, and work a t into the
next st. Repeat from * until you have 1 1 meshes. Ch 5 to turn.

PLATE
aaaoaaHaMaasoaaaaaoaaoaaaaBaaaaaooaa
aaaooooaaaaaaoooaoaaaaoooaoaaaaaaaaaooaa
aaaaooaaoaaoaoaoaaaaaaaoaooaaaaoaooaoaaa
aaooaaoDoaaaaaaaGaaaaaoDaaoooaaoaoaaaaaa
aaaooooaaaaauoooaaaaaaaaDoaaaaaaooaoaaa
aaaaaooaaaaoooaaaaaaaaaaaooaoaaaaooaaaaa
aMaooaoaaaooaaoaaagaBaaDaaQaaaDaaaoaaaa
aaaaaaaaaaoaaaaaaaaaaaaaaBaaaaaaaaaaaaaa
aaaaaaaaaDoaaaaoDoaaaooDaaaaaaaaaaaaaaaa
aaBBOoaoaaaaaaoaaaaaaaaaaaaBaaaaoaooaaaa
aaaaaaoaoaaBoaoaoaaaaBDaaaaoaaaoaaaaaaaa
aaaoaQaDBBaasaBaaBaaaBaaaaoaaaiaaaaaoaBa
oaaoooBaaDaaaBaaaaaaBODBooBBoaoaoDDaa
aaiooQOBoaaaaaaoaBaooaaaooaaooaaaooooaaa
aacxioooBBaooaaaaDoaaaooaaaBaDOBBaaooaoaa
BaooaaoaaaogoaaBaaaaaBooaBaooaBaaaoaoDaa
aaaBaaaaaooaaoaaaaoaBaaaaaoaaaaaaaaaaaai
BaaBaBBaDBaaBaaoaBaoDBBBoaaaBBBoaaaaaaaa
aBBaaBBaaaaaaaaaaaaDBBaaaBBBaaaaaaaaaBa
BaBaaaBaBaaBaaaaaBaaBaaoaaaaaaoBBBBaBaaa
aoaaaaaaaaQBaBaaaBaaaaaaaaQaaaaaoaaaBa
aBoaoaoaaBaaoaaaoooBBDooaaaaaoaaaaoaaoBB
aaaaaooaaaoDBBaaBBBDinaaBDDBBDDBaBDoaoaaa
BBOaoBaaoBaaoaanaaaBaaaaooBaaaaogaoaaaBa
iaaDaoaaaaaBDBaaBoaaaBBaaDaaaaaooDaaBBB
BBaBBaDaaaBBaaaBaoaaaaaDaaaaaaaDaaDaaBBa
aaaBDaaaDaaaaBaDDDaaaBDDanBBDflBDDBaaar
jaBDaDDaaaaana
BaaanoDDBaaBODDaDaaaaaaDDDDDaaaBODDaDl
BBDoaBODoaaaaaaDaaaaBaDDaaaDDBaaaoaDDaaa
BaoaoaDBaaaoaDaaBBBBBDaDaaQBaDaaDaaaia
BaaaaauaaBBaaaaoaaBaaaaaaaaaiaaaaDoaaoBB
BBDnBaaaBaBaiBDBODBflaBaDBOBBBBBaaaaaaaaB
BBBBBaaaBBaaaBBaaaBaBaBBaBBaBBaaaaaaaaBB
BaBBBBaaBaaaBaBBBBBaBaBaaaaaBBaaBaaaaBaa
No. 20 40 Meshe
BBBaBaBaBaaaBBBBBBBaBBaaaaaBaBaBBaBBBBBa
BBaBaaBaflaaBBBBBBaBBBBBBBBBBaaaBBBBBBBaa
BBoaDBaaoaDBaBaBaonaooDDBaaaaDDODaaaaoBB
BBaBgBgaaBaBBBBBDBBBBBBnBBBBBDBBBDBOBDBB
BaaDDDOBBDaaBBaOaBBBBBBOOBBaaDDaBOODaDBB
aBBBOBBBBaBBaBaDaBBaaflBBDDBaaBDaBBBaaaaB
BaDoaBBDBnDDDoaBBDaaaBDBBDaoaDOBOBBDaaaB
BBaBaBQaaBBBoaBaaooaBaoaaaaDBaBBDDBBBOBa
laBBBaBDaaaDaDBaaBBBoaDBDaDBDaaaBaaaa
laaDaoaoDBaBaDaaBaoaDBOoaBagnBOBB
JDDDaDBnDDBDDDDBDDDBDaODOBDBDDDaB
BaBBaBaBBaBBBBBaBaaOQOBBBaaBBaaBBDBBBBBa
BBBBBBaQaaaaDaciQaQaDDDaDaDBaBaaDaDBBBBBa
BaBaaaaiaflaBaBBlBBaaaoaaBBaaBBBBaoaBBBBa
BBafliaaBQODBaBDDDBDDDDBDaaBnaDOOBgDaaaBB
liDDaDBaDnBBDDaBQDDBDannaaiDDBBBB
IBBDI.
aDBaaBBaooaggDDaBaaaBBaaoaaaaaaaaDBaaaB
aDBBaBflBDDaaDDQaBBDDaaaaaaDaDDBBBDaaDBa
BBDBaaBaaBaaaaaBBaDflBODBBDoaDDaaaaaBagaa
BaaBBaaaaaaaaar
BBDDnaaaDi'
BBBBODr-Z"
BBBBBaoBaaaaaBDDoaaoaDaaoDBaaDaoBaoaaaaB
BBaaaaBBaBBBBBaaBaDaaaBaBBBBBBaBaaaaaaa
BaaaaaaQaoaBaBaDaDDaDDaaDaanBDaaoDBBBBBB
BaaaBBaaaBBBBaBBflBDDDaBaaaBaaaaaaaaaaaaB
BaDDaaoBaaaaaBDDaaoDDOBaDDBDBaoDBDBDDOBB
BaaaaaaaaoDaoaaaaBBODaaBaaaaaoaBanDDBDaB
BaaBBaBaaaaaaaaaoaaaBaBoaaBaaDBDBBBaaoBB
BanBaaoDaBBBOBaBaaaaaDOBBBBOBBaflaaaaaaaB
BBDQQBBaBDODDaaBBaBBBBDBBDDnDaaaOBBaaaBB
aaaaaBBBaoBBBBODBaaoDaBBDaBaaaDBBBBOBBBB
aaDagBBnaBBaBDaBBBaaaDDaaaaDOBBODaaDBB
BBgBDBDBBBDBBaBBaBBBBaBOBBBBBDaBaaBOBDBB
aaaoDBDaaDaBBBBaDDaDaoDDBaaaaDDaaaaDaaaa
BBBBBBBBaBBBBBBaaaBBBBBBBBBBBBBBBBBBBBBB
BBBBBBBBBaaBBBBaaaaaaBaaBBBaaaBaaBaaBBaB
No, 21 40 Meshe
BBBBBBaaaaaaBBaaaaBaaaBaBBaaaaaBaBaBaaBB
BBBaBaBBBaaaaaBBaaaaaaaBBBaaaaaBBBaBBaBB
QgDjiaBanaBBDDnaBnaDBBBaanaanaDBannDaaBDD
aBaDBpganpBBDBBDnaDDaDaaDaaBaBBDDaaaBDaa
aaBgBaBBBDBaDaBDaaBaBaaaaDBaDaaaBaaaaaaB
nDBgBQBaaDaDanaDaaBQanBDDDBaBaaaaDBaaaan
BgaaaDflaBBBDBDBBBDBaBaaaBBBaBnBBBaBOBQia
oaDBDaDBBagaaaaaaBaaaBDBBBaBaaaaaBDBaaD
H2H292529SB95°M°°"°°C]»DDBaaanaaDnaDnnaD
aaaBgBBagDDaBnnaaaBBOBaBaaaaaaaanaBBaBBB
BiGaagaBBaaaBBDaaBaaanaBaaaaaaDBBBDaaaDB
BBBIBBBflBBBBBflBBBBBBaBBBBBBB
— —
II
aaBBaaaaBaBaaBBBBBaBaaBBBBBBoa
aaaooaaaoaBBBaBaaaaBBaoaoooaaa
aaDoaaaoooaaaaaaaooaoaooogooaB
aaaoBBoaBBaoBaaBBaoBBBagaioaaa
aaaoaaaoaooaaaDOBBaaQBoaaBDDBB
aBBooaaaDaaaBoaaoaaaooooBaoaBB
BBoaaoooBaaBaoaaoaaaaaoooaaoBB
BBDnBBaaoBaoDaBBaaaBDaaaaaaaaa
BaaaaaaaaaooaBaaaaDOOBaooaaaaa
BaBaaaaaBoaBBBaBaaBOOBBBoaaaaa
aaaoaaaBOOBaaoaaaBDaoaBBBQDBBB
BBBCBBaBaBaaaBBBaoBBBaaBBBoaaa
aBaBBBaQaaaaBoaaoaoBBonDaaiaaa
aBaBaaBBaBaaaBaaaBBaaaaaaBBBBB
aBaaBaaaBBaBBaaaaBaaaBBBOBBBBB
BaBBBaoaaaaDaaaBoaGBBaaoaaaaaa
aaBaaBBBaaBaaaaaBOBBBDBBaBgBaB
aaBaoBBBODaaBQaaaaoaagaaaoOBaa
SaaaaaaaangaBBaaaaaooaaaoBaaaa
BBaBDaBBGaoBaaaBaaaaBBaoiDBBB
BaOOBBQBDBBOaGBBaDDBBQBOBBqOaa
BaaGGaGaBBaBaaaBaaaaBBgoaonaaa
BaaGGBGaGOBBaGBBaaaaanaDigaBBB
aaGaaaaaiDaBBaaoaaaoaBoBii^BB
BBaGBaGaiBBaaaaaaaoBBBoaaaaaaa
BBODaDaDaaBGaaaaBaoaaanoooagBB
BBaaaGBaaaBaBBBBaaBBaaaBODaDBB
BGaBBBBaaBBBBBBBBBaBBBBBBBaaoa
aaanl
BDaQOGaGaaBBBGaDGBaBBBaBaaODOBOB
BDDDBaBOBaaBOGoaBGGoaBBBaaaaaaaB
aaGaaDaaoBBBDDoaBGaGBBBGBaoGBoaa
BBDBQBGaaaOGBDBaaaGBGOBOBDBnBQBa
BaaaDaooBaaaBaBaaBDBBooBDODOBaaa
BDDDaBaaooBBBBDBaGaBaaaaaaaBDDaB
BGaBDDBaBaBBDOaaaggQBBDBDBODBaDB
aaBBaaGaoaBDaaaDGBaBaaDaGDBBBBBB
aaBBBOGBBBDaBBGaaDBBBGBBBDgBBBBfl
aBaBBGaiBGaGGoaBBaDDaaaaaBQaaaaa
BBBDGaBaDBBGGBBaBBaGGBaOBBBGDaBB
aaDaooGBDaaoaGGBBaoBDaaaaooaGDaa
aoaGDBBDDBoaBaaDDaaBBaaDDBaaaBaa
aGDaaaaaaaaaaaoDGOBaBaooaaiBaoaB
BGaBaBaBDoaaaaQaaGaBaaaGBBBBBDaa
BDaaDBBGDaaaBDaaDDGaaDBaoaaDDBoa
-iGGaGGaaaBGaoGBaDGaGaaDaaoDQaaa
^ ,^ jODBDaaaDBDaa
BaGaDGDaQaaanGGaaDOGaaaaaoaGaaaa
BGnoBaaGaaaBaGaBBGGGaaBBDaaaaDaB
aaaGaGGgBBaBaDBaDBDBBBBBDDDaDaaa
BGaGBBBOgBBBBBGOGaBBaBBaaBBBDOaB
BaBaaBBiBBaBBaBBBBBBaBBaBBaaBaB
— No. 24 32 Meshes
aaBBaBBBBBaBBaaBBBBBBaaBBaaaBB
BBBBBBBBBBBBBaBBBBaaBBBBBBBBBB
BBBBBBBaBBaBBBaaaaaBBaaaBaaaaa
BagBBaaBaDBaBaBBBaBaDBBDaaaaaa
aaBDaaaBoaaGDaaBaaaaBGaBGaoaaa
aBaBGGBBDaDaBDaBGBBGBOBaDDBBBB
aaaGaaBGaBOBGOBBaDBGaBaBDaGaaa
BBDBBBaaBaBBBaBBDBBBDBDDaaBGBB
BBBBaoGGGGaaBBnGBBaaaGaGDaaaBB
BBaaaaBDoaaBaBBBBBBaaaaaaaaBBB
BBDaBBaoBaDaaBaaaBBGDBgoBaBOBa
aaBBaaaBGGBGaaaBGaGBDGaBaaBBaa
BBaaaBaBaBGBGDaBDGaGBBBBBaDBBB
BBDBgBBBBBqaBaaBaGBaBBBOaDBBB
BaaBDaDBaBGDaDaaaBaDaBBDDaaBBa
BaaaBBaDBBaaDaGDBGBBBBaBaBBBBa
BBaaaBBaBaaaaaaGBGaaBBaBBaaBia
aBBaaDaBBBGGBaBBDBoaaaBooaBBBB
aaGBDBBBBBGaaGDBGaaaBBBaaQaaa
BaaGBaaBBBGaGDaBDgBGaaaBBaGBBa
-— iDaBaaaagaGaaaBaaDaBBaDr
BaBBGGGGaBBBBGaBBaBaGGDGBaBaB
BGBaBaGBaBBBaBBaBBBaBaaflBBaBB
BBBDnaaGBBGaaaBBaGBaaBaBnaoBBB
BBBBBaaBaaaaBaBaBBBBBBBBBiBaBB
BBBBBaaBBBBaBBBaaBaaBBBBSBBBB
No. 25 30 Meshes
 Notice that there are always two threads or strands to the top of a stitch in
crochet. When working into a stitch, be careful to "take up" or "work into" both
strands, in order to make the work firm.

2nd row — Work 1 t into the top of the next t below; ch 2, work a t into next

t below; repeat until you have worked a t into the last I below and have come to the
end ch; then ch 2, miss two si on the ch; and work a t into the third st; ch 5; turn.

Repeat the directions for the 2nd row until the square is completed.
Then examine your work. The meshes should be square. If their width ex-
ceeds their height, either the chain stitches or the tops of the trebles are too loose.
If their height is greater than their width, the trebles should be drawn up shorter.

A little practice with these points in view will enable one to correct the fault,
and this should be done before any elaborate piece be attempted, for the irregularities
will show much more in a large piece. To make the solid meshes, two trebles are
worked in place of the two chain stitches (which are worked between the trebles to

make an open mesh); if the mesh below is an open mesh, then these two trebles are

worked over the 2 ch below; if, however, the mesh below is a solid mesh, these two
trebles are worked consecutively into the two trebles below.

It will not be difficult then to follow any pattern. Take, for example, Fig. 2,

insertion No. 16 (Plate 1). Being 9 meshes wide we begin with a chain of 28 and
chain 5 more to turn. In the first row work 6 open meshes (o), 2 solid meshes (s)
and 1 0, always ch 5 to turn.
2nd row —2 o, 1 s, 1 o, 3 s, 2 o; turn.

3rd row — Same as 2nd row.

4th row — 6 2 0, s, 1 0. Repeat from 2nd row until you have the length desired.
To work a corner (see Fig. 3) chain 28 and 5 more to turn; work a t into

the 9th from the needle, thus making first mesh of the first row. Work 7 more open
meshes, then a dt into the last st of the foundation chain, thus forming a triangular
mesh. To turn, work 4 very tight chain stitches, then work a t into the next t below,
thus forming the first mesh (also triangular) of the next row. Proceed to work 1

open mesh, 1 solid mesh; 2 o, 2 s, and I o, to finish the row. At this end turn in the

regular way with 5 ch. This row has I o, 2 s, I o, 1 s and 1 o; now work a dt into
the last t below, work again 4 very tight chain to turn, work a t into the next t below,
then 5 0, to finish this row. Turn with 5 ch; work 2 o, 1 s, 1 o, and a dt into last

t below; turn with 4 tight ch and work 1 o, I s, and I o; ch 5; turn; 2 o; 1 dt;

4 ch; turn; and 1 o.

As a simple finish for any piece, work a row of double crochet all around the
edge, three d into each space of two chain and 6 d over every space or corner of five
chain.
 PLATE m
—
DaaaBDCGBBaaMG
aBBBODBaaaaaaDaaaaao BaaaBaaaBaiaBaaaaaBaBBBBaBBaBBBBaBaaHBnBiaianiiaa
BaaaaDBaDaaaaaBaaaBa BaaaaaaBBaiiBaaaaBaaaaaBDaaaSoBBBaDaBaSaaBaaDBBBaDBB
aaaDaaaBaaaaBaaaaaaaaBBDaaaaaBDBaaBDBaaBaBaDaaaaDBDB
aaaaaanDaBaaaBBaaDDD BaDnaDDDBBBnDDBCDDBBBDDDaaDDBBBDDaBDaaBBBanDBDDDBBBQ
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No. 26 l9Meshe

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No. 30 8 Meshes
 FOR THE CHILDREN.
The children will be more than delighted to have their old friends, the Spider
and the Fly, Bunnie, Goosie Gander, and others represented on Plate XIII, appear
in borders on their bibs, their towels, crib covers, or even on their tiny pinafores. If

their initials or names be also introduced a most individual touch will be given their
possessions.
FOR PILLOWS.
A square of filet crochet showing design No. 50 or No. 56 used for the center
of a pillow cover, and having a border (No. 53) done in cross-stitch on linen, would be
charming indeed. Any one of the borders shown on Plate 1 could be substituted
for No. 53. Again, the square might be worked in cross-stitch on linen or canvas
and a border crocheted for the outside.

Another effective method would be to alternate squares such as No. 78 and No.
23, or any two squares having the same number of meshes, and joining them to form
larger squares, oblongs or strips. For bedspreads, pillow covers, bags, table runners,
dresser covers, guest towels, sheets, etc., these designs offer an unlimited field for
happy combinations. D. M. C. Alsatia is a beautiful, lustrous thread most suitable
for such purposes.
FOR DRESS AND WAIST GARNITURES
If made with very fine thread nothing could be more exquisite than the dainty
insertionsshown on Plate used in connection with suitable squares as inserts. The
1 ,

wider insertions No. 37 and 84 and such as shown on Plate III would develop into
handsome bandings and if done in a heavy mercerized or linen thread would be most
appropriate for linen gowns and suits.

FOR THE PORCH.

No. 72, 76, 78, 93 and 98 could be cleverly introduced into the porch furnish-
ings not only in filet crochet but in cross-stitch as well.

ALPHABETS.
Even embroidered initials could not be more dainty and effective than one
of the beautiful letters of alphabet No. 9 for marking linens.

Initials may be inserted in the comers of napkins, and names or initials into

the borders for guest towels, sheets, bedspreads, dresser covers, etc., and strips of

filet with the words Laundry, Neckties, Handkerchiefs, may be substituted with
excellent results for the usual embroidery or out-line work on the different bags and
fancy cases so generally used.
The College Girl will appreciate having her effects marked in this way, which
is not only pretty, but novel.
 _
PLATE
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aBBBBBBBBaBaaBBBBBBBBBBBBBBBBaBaaBBBBaB
No. 31 40 Meshe
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BBBBaaaDDBBBaBQBaDBBBBQaBDBnaBBaDBBBBaBB
BaDBBaBBBBODBaaaaDaBaaDaaDaBDaBBaBBBaoBB
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No. 33 12 Meshe:
IV
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No. 34 30 Meshes
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No. 36 32 Meshes
 A LUNCHEON SET.
Design No. 70 shows a novel arrangement of a square pattern in a round design
and would make a stunning centerpiece for a round table. For lunch cloth, table
runner and buffet or sideboard use border No. 71 and No. 55 for a corner in the border.

Widen the border by two rows of meshes on each side so that the number of meshes
may be the same as in the corner. The effect would be enhanced by using No. 75
as inserts in the corners. See illustrations. No. 30 D. M. C. Cordonette Special
was used for the centerpiece. It is very handsome inserted in the center of an em-
broidered centerpiece, as illustrated, but may be used alone and if done in D. M. C.
Alsatia No. 15, will measure over 15 inches in diameter. If an edging be crocheted
around the edge, it would add both to its size and beauty.
 PLATE V

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BBaBaGaaaooooDOBaaaaGBBBaBDaaaDBOBaaaaoGBiaaaaaGoaaGaaaaa BBaBaGoaBaBOGaaaaB
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BBGOGaBBGBBaaBBBooDoaaBaBBGDBGBBBaaBGaGaaaBaaGGGBaoBBGBBB aaGaanoaaoaaaaDDaa
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BDBBaGaaaBGaaBBaooGaoBBaGGBaGBDaaBBBaaGDnaaBBBDGGaaaaaGBa aaaaGGaoBOGaDBaoaa
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oaaaGaaBBaaaGGaaBaaaaaaaaBaBBBDGGGaaBBBBGaGaaBBGaaa aaaaGDaGaaaaaaaDaa
!S!!R!!R5S!!"""<^Q""^<='""'"i=i'=^'='"i=ii*i=i'=>i"anaaBnBaaanaaaaaDBaB BBaaBDaaaaBflBSaaBB
aaaaGBaaaBaBGaaaBaaaBGcaaacaaGGBBGaaaGGaDBflBDaGGBaaBBaaBB aaaaaaaDaaBaDDaia
aBBDngBaBBaBaaBaaoaBBBBDaBBBBOGaaananoGanaaBBOGaaaBGGBBBB BGaGDaGaBBBBOGBaB
BBaGaaqBaQaBBaaBBqaDaBflBBBGaaGBGaGBaaGanaaBaBaaBBaGBBBBBB BaaaGBBGaaBaaaBaBa
aBDaBaaaLGBBBaBaBaGaflaBaBBaaaaaGGDaaGGaaoaoflBBaaBGDaaaaaa
aBDMaaiHGDaaBiBaBaBaanBaaoaaaaoaaBiBaBBBaaBBBBBBBa BaaaBGaaaaaaBBBBaB BBBaSBMaaSQBaaBBB
No. i7 56 Meshes No 40 1 7 Meshes No. 41 18 Meshes
II
 DIRECTIONS FOR MAKING THE ROUND CENTERPIECE.

The first row having 16 meshes, work 49 ch to begin with and 5 more to turn.

Work I t into the ninth st from needle, thus forming the first open mesh, and work
15 more open meshes to finish first row. The second row is four meshes wider: in

every such instance, work 3 ch for ever> additional mesh and 5 to turn; then 1 t

into the ninth from needle to complete the first mesh of the row. Proceed to work
the next three meshes the same as those upon the first foundation chain and then
work into the row beneath 1 o. 14 s. 1 o. The second row has also four more meshes
at the end, and no foundation to work into. Proceed thus: ch 2. work a triple treble
(tt) into the same st, into which the last t was worked: this forms the first of the
additional meshes: ch 2, work a tt into the middle of the tt below, forming the
second mesh; repeat until you have as many meshes as needed. Care must be
taken to work the tt into the tt below in such a way that the work will be on a line,

and the meshes The third row is again four meshes

as nearly square as possible.
wider than the second row. therefore ch 12 and 5 more to turn and proceed in the
same manner as directed for the beginning of the second row. At the end of the
third row add the meshes in the same manner as directed for the end of the second
row.
To narrow: Simply omit the meshes as shown in the pattern and do not
work the 5 ch to turn at the end of the row (the last wide row), but si st over the
top of those meshes which are to be omitted, then ch 5 and work a t into the next t.

In place of the slip stitches, the loop on the needle may be drawn out long enough
to reach the place where the next row is to begin. The loose thread will be covered
up when the finishing row is worked around the edge.

CARRIAGE PILLOW.

Use D. M. C. No. 1 50 for the letters. The letters are 23 meshes wide and
two open meshes as well as the extra treble are added on each side, therefore begin
with a ch of 84 and 5 more to turn. After the first open mesh and also following the

26th mesh work an extra t into the st below thus forming the line along each edge.

Two rows of open meshes separate the letters and to finish the edge doubles
are worked over each space all around.

12
 — PLATE VI
—

aSaoaaaaoaaaooaaaBaaaaaaaaaaaaaoaaaaoaga
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.

4: -laaaar
" —
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aaaDaaDDaaBDaaaDDaaaaL 4, -IBBDB
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laBBBaaiaaaaaaaDBBBBDanaDBBaaaDaaaDBBB aaaDBaoBBBDaaDBBDBaoBBBaL na
BBBBDaoDDBaaaiDDDaBBaaaDDoaaiaaaaDaaBaaB aaaDaaaoaaDaaaaDaaaaaaaaai- ^
BBBBaaDaaaaaaBaaaaaaaDDBaaBaaaaaDDDBBBBB aDaaoDaooaoaaaaaaDaaDaBaaaL
aaaaaaaaaaaBaBaBDaaaaaaaaDaaaaDDDDaBBB anaaaaoaaaDaaaaoaaaaDoaaaaBL
BBaBDaaaBaBBaaaBaaaDOBBaBaoDiaaaDBDDBaaa aaaDDODaaBDaaaDaaoaaaaBaoaaaL
BBaaaaaaaaaBaaaaBaaaaaaaaaaDiaBaBaaaDaaH BDBaDaaDDDODBaDaaaaoDaDaaaBaaL
BBBaBaaaaBBDDBaBBBaBBaBaaaBDDBaBBaBaaaaa aoaaDBaDaaoaaaDDDDaaaaaDCXiBBBau
BBBBaaaaBaaaBBBBaaBBaaaBBBBaaBaaaaaBBBBB aaDOBDaBBaBODaaaaaoDOOBBBDOoaBBi-
aaBBBaaaBaBBBBBBBBaBBaBBaaaBBBBB
No. 42 40 Meshes No. 46 31 Meshes

BaaBaaaBBBaBBBBaaaaaaaaBaaBaaaBBBBBBBaBa BaaBBBaaBBBaBaBBaBBaflaBBaBBBaa
BBBaaBaBaaaaaaaBaaaBBBBBaaBBBBBaBaBaaaaB BDDaaaDBaaDBBoaooaBDBaaoBDBDaa
aBaoDBBDoaDaaDDaDBaaaaBaDDDaaDDooaaDooBB BDoaDDDDaDBaoaaaBDBaaciaDDDaDna
BaaaQBBaaaDBaoaaDBaiaaaaaBDBaDaBDaBDBDBB aBDDBBDBaBBDBaDOBaDBaBaDBBODBB
aBDDDDDDaiaDnDlBnDDilDDDBBDDDDaBDDDDDDBB BDDaODaaDDDaBDaaDBBDDODBaDBCDaa
aaBBDaaaaiaBBBBaBBaBiaaaaBaaBBaaaaBDaaaa BaaaaaBaBBaaDflBBaaaaBBBBDnaaBB
BBBBDBaaBDBaaBaaaBDBBDaBBBBBaBDBBaBDBBBB BaaOBBDDnaDDBaBBBBDDDDDDBBOaOB
BDODBBaaaaaaBBaaaBaDBaBBaaBoaooDBBDDOaB BBDBDBaoBiaBaaBBaaaBBBCxiBDBDaa
BBDBBaiDaaaDBaaaaBBaaaBaBiBBaBBDaBBBBDaa BBaaDaDBDQDDaBaBBBaaDDBDBDBDBB
BBgaBagDaaDaaDaaDaaaaaaaaiaBaoDaDDBBaDaa BBaaoloaDaaaBaaaaaaaDgaDBaBDaa
aBaaaBBBiDDaiDBOOBaDDBBDaaaaaaDaaaaDDaaa DaBDBDBDBDOOBBBaDDDaOaDaDBBDa
BBaBniaaoaBDOnBaBaaQQaBBaaDDQaaaDBaoiaaa IDDBDBDBBDr
IBaaaaaBaaaDDBaoaBBaiBaBaBaDDBBBBBaaBBaa
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BBnalMHaaaBaaBiDaaaaaBBnDBBaaiaBaBBDaa
BBDBBBBaBaDoaaBaaoaBBaBaaBaDQDaaaaaBBDBa
BBaQOBBaBDDaaBBDaaaaaaaDDaaBaDaaaaaaGaaa . _ JaaaBBQaaBBOBaaaaBaDaBDa
BBBaaaBaaBBiaaaaaaaBaaafggaBaBaaBBBgBBaB jaaBaaniQgBanDBaBiBBoaaaai
aaBaaaDaBaaBaBBBaaaDaaaaaBaBBBBBBDaaBBBB BBaaBaaBDBOoBaBBaBoaBDBaaBaBBB
BaaaaaBDaBDDaBBBDaaaBaaoBBBBaaaaaaaaBBBa aaaBaaaaaaaDaaBBBaDDaQaaiDBBgB
BaBaaaBaBaoaBBBaaaaaaaBDaaBBaoBBaBBaBBB! ~iDBDBDBaDBBBBBBBaaaDaaDBOBaar
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BaaaDDaBaBaBDaaBBaaaBBBBGaBaBa
BDaaooaaaaaaaDaBDaBDDaoBDGaGDB
iDDDBaBOODDBaaDaDBaaaaBDoaaaDDaaaaDaoaa aBaDBBaBaaaaaaDaaaaaBBagaaoaaa
—DBaBBaaaDaaDBaaaBBBBDaanaBBBBaao!!!! BaDGaGDGDaaaaBBBBGaaoaGaGGaDGB
iaaBaoaiDDaaaaiiggiaBDigggiDaDf BDnaDBDBaBGBBDaaDBaDBBBaaaaaoa
BBBBBaiBaBBBBaaBBBaaaBaBBBBBBB
No. 47 30 Meshes

BBBB BaBaaBBBaBaaaBBaaBBBBBBB
BaBBDBaaBBBBBBaBBBOaBOaBBaBBaBaBaBaDaBBB onoa
aaaa BaBBBaaaaBBBaBaBBBaaaBaB
aaaDnBBaaaoaaaaaaBaaDaBB
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BanDDBBagDaBBnDDOBaaiaaDaaaBiDnaDaaaDoaa BBDBai BBODaDDaGGGBBODGBaaaDGBi
BBaBBBaaBaaaaaaBaaaaaaBBBBBaaBBBBBBBaaaB lOOaBDI aBBaDBoaaBDBaGBaBDBDaaaa
aBaiaBBBBBBaBBBBaaaBBaaBBBaBaaaaaaaaaaaB BBBBGDaaGGGaaaoGODoaaaaB
BBBBaaaBaaaaBBBGaaaaaBaB
No. 43 40 Meshe No. 48 aBaaaDaaDDaBaDoaaDaDBBflB
aaBaaaaaaaaBaaBGBaaaaBaB
BaaaaaBBaBaBaaaBBaaBBBaaBaaBBBBBaaaBaflBaBBaaBBBBB aaaaDDDBaDDaaaaoaaoaQDaB
aBaBaaBBaaaaBBaaaaaBDaaaDaaBBDaBaBaDaaaBaBBaaaBaa BBOBBaaaaBaaaaBBBBBaaoBi
aDaaBBDaaaaBBnaBDaaBBaoDBBDaDaaaaaBBDaaBBDODBBaDD aBGBaaaaBaaaaoBiaaaBBDaB
aaaaaaaaaaDaaBaaaaBBDBQnaaaaaDaDaBaaDBiBDaaaaaB BBanDaDBDDaaanDaaDnanaBB
aBaDaBaBBBBoaaaaoBaaaBBaaaDaaBaaaaaBaaaBBBBaBaaBB aBBBQBDBDaaBBaBaaaaaaaBB
BaaaaaaaBaaaaBaaBaDaaBaDBaaBaaaaaaaaaanaBBBDaaaaB BBBBDaDDDDaBaDaQDDaaBBBB
BBBaaaBaanaBaaaaaaBaaaaanaaaaaaaflDBaaaaBaiBaaDBaB BaaBBaaaGaaBaaaGBGaaaaefl
BBaaaaBaaaBBBaBBDaaBDaBaGaaaaaBBBaBBaaBBanBaaaBa laaanaaGBBaDGaaaDBBia
aaBDBBaBBBaQaaaDBaaaaBaaaaaaaaDaaaaaBDaDiiBnBaaaa jGaaaGBGaaaBQiGiaBBBB
DBGiaBI
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.

-jaaaanaaDaaaaQaiDDanaBB
BBDBDaBDBBaaaaaaaaoaaBaBnaBaaaBogDBBaaDBiBaaaaBDa aaGBGaaaaBaaaGBBBBBaaaaa
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BDGaaaaaaBaBaaaaaaaaaaoGaBaaaaaaiDBBaaaBBDaDBaaao uuuaaaBauuuuaBaaaaGDBB
aBBBaaBaaaaaaBaaaaaaaaaBaaBaBaaaBBDaaaBBaiaBaDBaB BBaaBBBBBaaBiBBiaaaalBBB
aaaaaaaaiaBBiBaBBBaaaaBB
No. 44 14 Meshe

13
 — PLATE
— VII

aaaaaaaaaaaaaaaaaaaaBaaaaaaaaaaaaaaaaaaaaaaMaaaaaaaaaaa aaaaaaaaaBB
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aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa Boaaoaoaaaa
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aaaoanaaaaaaaaBaaaaaaaoaaaaaaaaaaaaaaBaGaaBaaaaaaaaaaaaDagBBaa BoooBaaaooB
aaaaoaaaaaaaaaaaoaaaoooaaaaaaaaaaaaaaaaoaaaaaooaaaaaaaaaoaaBaB BaBOaOBDBBB
aaaaaaaaaaaaaaoooaaoaooaaaBaaaaaaaaaaaaaooaaaaoaaaaaaaaaaaaaBa BDoaaaaoaaa
aaaaaaaaaaaaaaaooaaaaoaaaaaaaaoaaoaaaaaaoooaaoooaaaoaaaaaaaaaa BOBBOooaaaa
aaaaaaaaaoooaoaaaaQoaDaaaaaaaQaaaaDaaaaaaDQOBaaaDaoaGaaaaaaaaB aDBBaaaaaaa
aaaaaaaaaaaaaDoaBaDaaaaaaBaaaaaaaaaaaaaaaoaoaaaooaaaaaaaaaaaaa BOOOOBOOOOa
aaaaaaaaoooaaaoaaoooaaaaaaaaDoaoooaaaaaaaaooaaaaoaaoaaaaaaaaaa aBaaBaaaBBa
aaaaaoaaDoaaaooaaoaaaaaaaaaBaaaaaaaaaaaaaaoooaaaaoaaooaaoo8Baa -ooaaBDaoaa
^f^-^,
aaaBaoaaaoaaDDaaaaaDaaBaaaaaaDaDoaaaaaaaaBaaaaaDODaaggaaggBBBB -DBBDaoaaoB
—
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—
aaaoaaaaoaBaaooaaooaaaaoaaaaaoaoaaaaaaaBaaaaoaaQgiaBoaaaoggaaa
BBBOOQBBODoaaDaaaoaaKaaaoaoi
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""" "
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BBBBaoaBBBOoaBaQaaBODBBBBBBBBBBaogBBBBBBBaoBggqqaaqoBBBgpai BDOOoaogoga
BBBBBaoaaBaDBBaaoBBBaBBBBBBBaaaaaaBaBBBBBBBBBDaaflBDBBapqqaBBBB aaaaaaaaaaa
aBaaaaaaaaaaaaaaaaaaaaaaaaaaaDaaDaaaaaaBBaaaBaaoaaaaaooaaaaaaB BDDaaaaDaaa
BBODaBODaDDBBDDBaaBBaaoBOBBBaDaaaaaaaaaaBaBBaaaaDBBpaggDBBDDBB aoaaoaoaaga
BaDaBBaaDaDDaanSDDBBBDDDBBBaaDaOaDaaaBDDaBBBDDDgBBDgDDDBBBgDBB loaanor
aBacaBaaaaoaaBooBDBBaDaDDBaaDBaaBDOBBDOODOBBOBDDaaDaoBBBBaDOBB jODaaai
BBoaoaaBBBBaBaaaaaoDaaoaBBBaaoaBoooBBBaaaDaaoooaBBaaaBBgggggaa aaaaaoBuBBB
BBaDDaDDOaaDaBQOBDDBQDOaBBDaDaDDODDQaBBDaDBDaaDDBDnDDDaaDaaaBB aaaDaaaaDoa
BBaaDaDDDaaDaBDaDQaoiaaDBnaQaaoDDBDDDiDDaBDDDDDaaoDDaaoDDDaaBB aaaaDODaBDB
BBBBBBaDOaaBBBBDaaDBDaDDaDDDaBDOBDDOODaOQDBDaaDBBBBBDDDDBBBBBB aaaaoaoaaoB
aaaBaaBaaaaBaaaDaaaDaaoaaaaQDaaoaaoBODBooBODDaDaoaBaaBaaaaaaaa BDDDDaDDDDa
BBaDaBBBBBaDDaBBanDDDBDDDDDBQaDDDDBDDODDBDDDDDBBDDDOaaBBBBDDBB BBaBBaaaaaa
aaBaDDaaaDDDDDBaaDnDDDDDDBDDBDaBDBDDBDDDaDDDDBBBDDDDDDDDDDDBBB aaaaoaoaaoi
aBaDDDDDDDDDaBaaaoDanDDaaBDDnBnDaDaDBBDnnnBnoanaaaanDDDDDDnBBB
BBaBaaDDaaaaBBDaBBaaBDaaBaaanDaaDaDaBaaooaBBBBDgBBBagaaDDOBaaB aoaaooaaaaa
BBaaaaaaaaBaaaDDaaDBBaBDaaDaaaaoBaaaaaDBBaBoaBaaDaBaaBaaaaBaBB aaDDaaaDDDB
BaaaaaaaaaBaDoaBaonBDOBaBaaaaaaDaaaaaaaBaDaDDaaDaoDaBBBBaBBBaB aBaaaoBDaaa
aaBaaaBaaaDaaDBanaDBaaDaBBaaDDaDaDDBaaBaaaaDDDaaDgggBBBBBaBBBB aDODBBaaaaa
BBaDaaaaaDaDDDaaaDBBDDDaBaaDiaDDDaaaaaaaaaBaoDBaDaDOOODaaaDBaa aoaaaDDBBDB
aaBaaDDDDDDDDBBDaDaBDDDBBBDDDDDDDDDDBBaDDDBBDDDBaDDDDgDDDDBBBB BDaaDaDBBDa
aaaanaDaDnDDBaBDaDBDaDaBBaDaDaDDBDaaaaaBDaDBggDBBagaDDDDDaaBBB BDDDDBDDnQB
BaBBBBaDaaBaaBDaaBaaDaBBBODaaaaogaDgDBaaanoaagDDaBBBgogDBaBaBB aBBaaaaBaaa
aaaBaaaaaaaaaaDDaaaaaaaBDaaaaaoDaoaDDDBBBaDoaBDaDaBaaBBaBBaBaB aDDDDBDDDDB
aaBBaaBaaBDQoaBBonBaaaDDaDaBaaagoagDBBBBggaBDDDDBaBaBaBBBBBB aaaaDBDBaoB
BBBBaBaaBBBaaooBaaaaBDaaoaaaaaoaaQBDODOBDaaaoaaaDggaBaaiBaaBaB aoaaDooaaDa
BBBBaaaaBaDaDDBaBBBaaaaaaoaBaaooBaaDDaaDBaaaBaBBDDaDBBaaaaBaaa aaDaaaananB
BBaaaaaaaaaaaBBBaaaBaaDDaaDBanDDaaaaaaaaBDaaaaaaaaDoaaaaaaBBaa aaaoBDaDaaa
aaaaaaaaaaaaaBaaaaaaDOODDaaBaaDaBaBBacDaoaBaaaBaaaaaDaaBaaaBaB aaooaaaaDoa
BBaaBBaaaaaaaBBBBBBaBDDaaBBBDDDDaoaaaDaDDaBaBaaaBaaBBBBaBBBBBB BDBBDDaaaaB
BBBBBBBBBBBBBBBBBBOOaaaBBDOBDaBOOBBBBDDCBBBBBBBBBBBBBBBBBBBB aaaaaaDaaoB
BBBaBBaaBBBBBBBBBBBDaaBBDBaDBBOaBBaaBaaBBnaBBBBBBBBBBBBBBBBBBB aaODDBDODDB
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!! No. 53 I

iBBBaBaaaaaBBBaBaBBBBBB
nDaaaaijagDBBDBBDDaBBaBBODDBaD
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I Meshes

-IBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB aoBaaaBBBaaaaDaBBaaaaDBaaaaD
nBaonMBnDBBBBBBBBBBBBBBBBBDB BOBOBDaDaaBDaaaaBaBDaaaaaoBDl
-iBaDaoaBDBDBaBBDBBDDaBDBDaaaa BaaBBBBBaaBBaBaBBBBBaBBBBBaBB
-iBBDBBBOBBBBBDBBDBBaBaDBOgBB No. 54 6 Meshes
aaBBBL iBBaaBBDaaBBDBBBBaDaOBaBDBB
aDBBBBL nBBBDaaBOaaBBBBBDfaaOBOBBB BaBBBBBBaaBaaBBBBaBBBBaaaaBaB
BBQaBBBl. IBBBOBBBBDOBDBDDDBDDDDDBB BBBBBaBBaaaaaBaBBBBaaaBaaaaaa
BBOBDaBBL 4; nBBBBBDBBDaaBDOBaBDDBBBB BBaaaBBBBaBBaaaBBaaBBaaaDaBaa
BDBBaaBBBL s. iBBBaoaoBDBBaaaBDBQaaBB BaaaDOBaaDDBBoaDaaaaaaaaoaaaB
BDBBBiODBBL ^ iBaDOBBaDBODaaaaaaiaBB aBaaDBaanaBDBQaaaaBBDBaBoaDaa
BDBilDBBDBBL '"BBaanaHaaaaDBBBDBB BaBaBonaiaDaaBBBDBDBBODaaaBBB
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No. 52 34 Meshes No. 55 29 Meshes

15
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No. 57 12 Meshes

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17
 TOWELS.
No. 1 shows how parts of designs may be used in combination, thus extending
the uses to which they may be put. One of the goslings (Plate XIII) and a part of
the insertion on Plate VI, are worked in separate blocks, a row of solid meshes being
added to outline each block. After all are finished they are overhanded together
and a finishing edge of d worked all around. The embroidery is done in white, out-

lined with yellow, the large dots being filled in solid, with white and yellow French
knots.
No. 2. In this towel the filet initials are very effectively combined with cross-
stitch embroidery done in two shades of delft blue.
Use D. M. C. Cordonette No. 150 for the letters and D. M. C. Mouline Special
for the embroidery. This pattern for cross-stitch and many others equally as attractive,
printed in colors, may be obtained from your dealer, or direct from Cora Kirchmaier,
Toledo, Ohio, upon receipt of price. 10 cents per sheet or 50 cents per set of six.

There are from two to eight different designs on each sheet.

PIN CUSHION.
The front of this charming pin cushion is made of ecru linen and the back
of pale blue lawn. The initials were chosen from the smaller alphabet and are done
in D. M. C. No. 100 (either white or ecru). Pale blue ribbon is run in and out around
the edge to fasten the top and back together and dainty rosettes finish off the corners.
A tiny white lace edging finishes the edge of the cushion top.

18
 _

PLATE IX

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No, 60 12 Meshes
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No. 61 59 Meshes 16 Meshes

19
 FOR THE TEA TABLE.
The quaint Japanese designs (Plate XVII) would be most charming in tea

cloths, napkins, tray cloths, etc., and could be used to make a most unique and artistic

tray. For a round or square tray choose No. 99, for an oval or oblong tray select

No. 94. Parts of these designs may be omitted or they may be combined with others
or parts of others, to suit the fancy of the worker. It may be desirable also to add
several rows of open meshes or a border to give the required size and shape. A
mahogany frame with brass handles is always elegant and if the lace be made with
an ecru thread and laid over a color to harmonize with the frame and perhaps with
the rest of the tea things, the effect will be rich indeed. (See frontispiece.)
TRAY.
The tray shown in the illustration measures lOx 15 inches; the design is

worked in No. 100 D. M. C. Other styles with wicker frames and handles come in

both green and brown, and in round, square or oblong shapes. They
in different sizes,

are not only very new, but artistic and handsome, as well.
For a size 15 x 20 the filet may be done in D. M. C. Alsatia, linen color, cream
or ecru. No. 1 5. A border of wood may be left to show all around the edge to simulate
a mat, or if preferred, the filet may be made to cover the whole bottom of the tray,

in which case a coarser thread may have to be used or a smaller tray chosen; or,

a sufficient number of rows be added to the design to obtain the required size.

AN ELABORATE DINING ROOM SET.

Use the matched designs on Plate IX. No. 62 for doilies, the insertion and
the border. No. 60 and 63 for table runner and sideboard cover; the central figure
of No. 62 with two or more rows of open meshes added all around, for inserts in the
napkins.
A square or oblong table cloth might have one or two rows of the insertion
and the border around the edge and if the corners No. 61 are also inserted the effect
will be very rich.

No. 63 would make a handsome square centerpiece, and could be made any
size desired, either working the center of solid meshes in filet or having a linen center.
For a round cloth, equally charming, use a circle of linen the required size.
An oval would be lovely too. All around the edge place crocheted circles or medal-
lions like No. 62, touching each other; allow the upper half of each to lie on the
linen. After basting them in position, carefully buttonhole the upper edges of the
medallions to the linen, then cut away the linen beneath the crochet, leaving an
edge which must be neatly turned under and hemmed. If preferred, the linen may
be cut away after the circles are basted in place, then turned under and the button-
holing done over all.

20
 PLATE X

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21
 THE COVER DESIGN.
The cover design is as beautiful as it is unique and with its irregular edge pre-

sents a puzzling problem, which it is quite possible, however, to solve. Just imagine
what a handsome bedspread or lunch cloth it would make.
Several ways for executing this pattern with a number of suggestions for its

use, have been prepared on a special leaflet, which may be obtained from your dealer
for 10 cents, or direct from Mrs. Anna Wuerfel Brown, 2537 Robinwood Ave., Toledo,
Ohio, upon receipt of price.

TABLE OF SIZES.

The different makes of thread and crochet hooks vary so in size, that a perfect
table for all kinds is hardly possible. Allowance must also be made because few
people work exactly alike.
For this table D. M. C. Cordonette Special and Eagle hooks were used and
by comparing these with others a fairly accurate result may be obtained.

Size or number of thread.

No. 30 No. 50
Size of hook to be used No. 10 to 12

Number of meshes to an inch 6

Height of initials. 23 meshes 3 5 6 in.

Height of initials, 14 meshes 2 13

Width of designs, 30 meshes 5

Width of designs, 40 meshes 6 2 3

Width of designs, 50 meshes 8 1/3
Design No. 70, 76 meshes. 12 2 3

No. 50. 62 and 56, 62 meshes 10 1/3 "

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No. 71

23
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No. 72 40 Meshes
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No- 73 40 Meshe

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No. 74 16 Meshes

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No. 80 ISMeshe

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No. 84 SO Meshes No. 86 8 Meshes No. 88 1 7 Meshes
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No 89 14 Meshes No. 90 1 1 Meshes No. 91 7 Meshes

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