Professional Documents
Culture Documents
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LTU - CoAD (online) Sara Codarin (scodarin@ltu.edu)
Eastern Market, corner Division St. / Russell St., photographs by Joshua Babcock (left), and Mark Farlow (center and right).
Fall 2021
Lawrence Technological University | College of Architecture & Design
Catalogue Description
The Architecture Foundation Studio sequence is a series of three courses intended to introduce students to
the principles and processes of architectural design. All courses in the AFS sequence address the elements
of architecture and their contextual relationships as well as design tools, techniques, and processes. The
third course in the sequence, Architectural Foundation Studio 3 (AFS-3), focuses on more, advanced
refinement and development of architectural proposals. The studio will explore architectural design through
traditional visualization methods alongside more experimental representational tools and techniques. The
primary purpose of the studio will be to refine student knowledge in the relationship between visual
practices and architectural development.
Studio Content
An exploration of architectural design, stressing tectonics, materiality, systems, and human environments.
Areas of focus include construction processes, design phases, and the relationship between constituent
parts and whole buildings. Topics include social and technological forces, urban patterns, and design
strategies in the making of architecture.
Studio Objectives
Students will successfully integrate all required NAAB Student Performance Criteria associated with
Architectural Foundation Studio 3 (refer to below).
Eastern Market, corner Division St. / Russell St. Proposal for Glass Mural, an office/retail building by MVRDV (2020).
Required Texts
There is no required textbook for this course. Relevant texts (see below) will be suggested with each
assignment. Perusing various texts, essays, lectures (videos) is expected as part of the assigned
coursework.
Recommended Texts
Once in A Great City: A Detroit Story, ISBN-10: 147674839X, by David Marannis, Used, $5.
Covid-19 Protocol
LTU requires every student living in a university dormitory, and every student-athlete (no matter where they
live) to be vaccinated.
LTU’s Coronavirus Covid-19 policies and procedures can be found at https://www.ltu.edu/coronavirus/.
Grade breakdown: Module 1 (20%), Module 2 (35%), and Module 3 (40%). Extra credits will be distributed
along the Modules based on the evaluation rubrics (5%).
Each assignment will have clear objectives defined, and grading will be based on those objectives.
Objectives are different than criteria. The criteria for grading are listed below and are applied to all
assignments, the objectives will be defined for each assignment.
Grading Criteria
Thoroughness* (Depth): This factor includes initial research, exploration for opportunities, and exploration
for design responses in regards to depth of information retrieval. Evidence of rigorous application of
research and the exploration for alternatives. There is evidence of clear and intimate knowledge of the
research subjects.
Informativeness* (Communication): Project has a clear position and understandable content. Graphic and
written communication elements transfer content gained through “thoroughness”, and developed in
“synthesis' in a clear and useful way, leaving the recipient with an increase in knowledge or the reduction of
ignorance.
Organization* (Structure): There is a strong organizational logic of both conceptual and physical elements.
Organization refers to the arrangement of the informational elements, experiential intentions, activity
containers, and formal structuring of the layers of the proposal resolution.
Synthesis** (Relevance): Project produced a proposal resolution which generated unique and new entity
from the combination of two or more entities. Entities considered for source material are not just simply
formal objects but can also be sub-systems, patterns, experiences, activities and experiences. Part of the
success of synthesis is the combination of disconnected and unassociated entities into new and significant
wholes. Synthesis is not simply the adjacency of entities but the combination of like and dislike constituent
elements into a new, cohesive, unified entity. This factor also includes the integration of, rather than
avoidance (or ignorance) of, existing context.
Evocativeness** (Significance): The project made engage either an evocative or a provocative position. If
provocative, the overall intentions and proposal resolution is stimulating, insightful, and challenging to
normative or baseline practices. The proposal is clearly the beginning of a deeper conversation and will
draw attention to important but overlooked opportunities, issues, or potentials. The overall effect is to
invoke or rouse discussion. Evocative work has the power to extend and project intentions and concerns
into the world. It should call up or produce memories, associations, and conditions that are of concern or
opportunities in this particular configurations of layers, and it should elicit a response. Either of these
should be in a thoughtful rather than emotional way (not just shock or a 'one-liner'). The proposal has
clearly exploited unseen opportunities, rather than simply addressing an apparent 'problem'.
Engagement
• Actively listened and communicated with ideas, suggestions, feedback to others
• Assumed responsibility for key tasks central to the team’s success
• Met all deadlines as required for team success
Presence
• Fulfilled commitment to team presentations
• Fulfilled commitment to team-scheduled meetings (also see Attendance Policy below)
Effectiveness
• Focused on team goals and tasks, producing high-quality work
• Work completed extended, and added to, the overall quality of the team project
• Contributed to team trust and mutual respect
PC.2 Design: How the program instills in students the role of the design process in shaping the built
environment and conveys the methods by which design processes integrate multiple factors, in
different settings and scales of development, from buildings to cities.
PC.3 Ecological Knowledge and Responsibility: How the program instills in students a holistic
understanding of the dynamic between built and natural environments, enabling future architects to
mitigate climate change responsibly by leveraging ecological, advanced building performance,
adaptation, and resilience principles in their work and advocacy activities.
PC.6 Leadership and Collaboration: How the program ensures that students understand approaches to
leadership in multidisciplinary teams, diverse stakeholder constituents, and dynamic physical and
social contexts, and learn how to apply effective collaboration skills to solve complex problems.
PC.8 Social Equity and Inclusion: How the program furthers and deepens students' understanding of
diverse cultural and social contexts and helps them translate that understanding into built
environments that equitably support and include people of different backgrounds, resources, and
abilities.
SC.1 Health, Safety, and Welfare in the Built Environment: How the program ensures that students
understand the impact of the built environment on human health, safety, and welfare at multiple
scales, from buildings to cities.
SC.2 Professional Practice: How the program ensures that students understand professional ethics, the
regulatory requirements, the fundamental business processes relevant to architecture practice in the
United States, and the forces influencing change in these subjects.
SC.3 Regulatory Context: How the program ensures that students understand the fundamental principles
of life safety, land use, and current laws and regulations that apply to buildings and sites in the United
States, and the evaluative process architects use to comply with those laws and regulations as part
of a project.
SC.4 Technical Knowledge: How the program ensures that students understand the established and
emerging systems, technologies, and assemblies of building construction, and the methods and
criteria architects use to assess those technologies against the design, economics, and performance
objectives of projects.
*Note that ‘D’ grades are not given at the graduate level.
Images from Detroit’s 1922 proposed building zone ordinance. Detroit, MI: City Plan Commission.
Class Load
A four (4) credit studio requires 120-direct contact hours per semester. In addition to the contact hours,
there is a 1:2 to 1:3 ratio of in-class to out-of-class prep and work requirement standard for ALL courses in
all programs. For a 16-week semester course, this means 16- to 24-hours per week of time spent on the
studio at a minimum. This is in alignment with all university expectations of contact hour / work
expectations in class loads. Please adjust your other responsibilities accordingly.
Late Work
Due dates will be established for all exercises issued during the semester. As the majority of projects are
team based, no late work will be accepted on a team basis. The team not delivering a project at a deadline
will receive a grade of zero (0). For individual grading, only bona fide illness (doctor's note) or extenuating
events that affects a student participating in class or meeting deadlines will be considered on a case-by-
case basis. This situation requires the student to inform the instructor promptly and agree on terms of work
completion.
Incomplete Work
Incomplete work will not be accepted without instructor's prior approval and written agreement for due
dates and grading policy. The grade of Incomplete can only be given if the work is substantially complete
and the student has bona-fide documentation of illness or extreme circumstances.
Attendance Policy
Due to the nature and speed of the course, it is not possible to receive equivalent experience or knowledge
acquisition through secondary means in the case of missed class meetings. Therefore attendance is
mandatory for all scheduled synchronous studio meeting times as well as asynchronous meetings as
determined by the course. Coursework and other information covered during class time will not be repeated
or re-presented due to student absence. While online course meetings may be recorded, these recordings
are for reference purposes only and are not to be in lieu of “live” attendance of scheduled online sessions.
Unexcused absences from the course will impact grading; excused absences might impact grading if they
affect the grading parameters outlined above. An excused absence is not the same as having an excuse for
being absent, rather an excused absence must be accompanied by documentation which confirms the
necessity of absence (doctor's note, demonstration of a family emergency, or a conflict with another
University event). It is the sole responsibility of the student to notify the instructor of any absences, provide
documentation for excused absences, and make up for content and/or contributions missed due to non-
attendance in a timely manner.
Canvas https://my.ltu.edu/
The course syllabus, course calendar, assignments, readings, links, announcements, etc. will be posted on
the course Canvas site. Students are responsible for monitoring the site on a regular basis and for keeping
up with coursework. Final assignments are to be submitted digitally on Canvas for grading, unless
otherwise noted.
Zoom https://zoom.us/
The primary real-time interface for synchronous and asynchronous course meetings, reviews and lectures
will be via zoom. The course meetings will be scheduled through Google Calendar.
Mural https://mural.co/
Mural may be used as a virtual, visual workshop to host weekly ‘pin-ups’ and reviews of the work, facilitate
conversations between students for the duration of the studio, as well as hold the visual record of the
studio’s production. All documentation, sketches, discussions, and presentations will be through this
platform unless otherwise noted. Students are expected to monitor and engage this platform on a daily
basis.
Slack https://slack.com/
We will be using Slack as our asynchronous “back-channel” for discussions. Students will receive invitations
for Zoom, Slack, and Mural. Please wait for the invitation before making accounts. Please use your ltu.edu
email for the accounts (or sign in with your ltu.edu google account).
Mark Farlow, Adjunct Professor of Architecture | Principal of Design, Hamilton Anderson Associates
Contact: mfarlow@ltu.edu / Cell: 248-909-5431
Faculty Background
Mark Farlow is an alum of both LTU and the University of Cincinnati. He has taught at several architecture
programs aside from LTU (where he has been teaching since 1995) including:
• University of Cincinnati (1982-1984)
• Mississippi State University (1984-1988)
• Plymouth Polytechnic (currently, the University of Plymouth, UK)(1988)
• University of Detroit Mercy (1995-2012)
• Ferris State University (2017)
Sara Codarin is an adjunct faculty at LTU-CoAD. She recently obtained her Ph.D. from the University of
Ferrara. Her dissertation investigates the relationship between robotic fabrication and conservation of
Cultural Heritage, with an application case in downtown Detroit. Sara’s freelance work focuses on the
renovation of social housing building stocks in Northern Italy. She has been teaching in Ferrara since 2016
both at the Department of Architecture and the Master’s Program in Innovation Design.