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FIBER ART
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FCREIGN A IN

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ALGUAC

TRANSCREATIO)
RANSCREATION
coPy
THE ANGUAG
wRITING
rINGOY
DOTHIS
TEXTILE Suo
ART FIBER
TEXTILE pohcoML TUR

ART
MAZzof

RT Textile arts
HC
that use
art oarts anc
crafts
plat, Cht mal, or sqhthe
fibers to cotec proctica
EXT or decot aHVe objects. Tefiles
have been aundamenta part
ap human ite Since the beain
Latih Fexere ohrch nig of civilzothisn.
o eaye",
cons- The simplest fexile art
to
IS fethq, in w hich
animafberS are Ma
tobraid
means o
Hed together usihg
heat and molsfure.

WE
FIBERART
Hruct
*ANthese itens y felt,
yarn ,fabric , and fini-
shed objects are co-
lective ly referred to
as textiles.

MUS
Music is universal language a
Music, art cohcer ned
can be applicd o any form.
wCombinihg vOcal
Music an d ftad rtona l art
or em0tiona) exp fo one another when
relate
ression, uGuallu Comes to emu latng exist-
occording fo cu ltura) 1t
1ng work.
Standardg of rythm
melody, and in Example,
The pro cess of Conposi hg
Western musIC , har- tendtion of
mocd ern lot
mon musiC is a
classiCal
Musfc is qh art that,
b one quiseorother,
ike
origioa)
urn1hg
ar
a

on
phots fo
CahYas
ART
permeates exary
human socify.
 TATION
CULTURAL ADAPTATION FREE-STYLE TRANSLATION

INTERNATIONALIZAT/ON INTERNAT IONAL COPy ADAPTATION

MARKETING
TRANSLATION

TRANSCREATION
TRANSLATION3 CREATION
ENHANCEES THE

IMPACT OP
THEwRI ARTTING OF
COPy LANG UAGE
INA FOREIGN
LANGUAGE Transcreation (translation
and r e c r e a t i o n ) essen-

fially comb ines fhe

SHIS
discip ine of ttoans |aticn
w the art of interpre-
tation. t Is the process
by uohich CoMmunications
produced for a loca
harketre re -evaluated
and refigured to appeal
fo a cu lturally disparate
audi encc.

ROVISING
=

mproyisation is fhe activi ty of makihq

or doi hg someththq not plan ned
o hatever Can be
usihq
beforehand,
ound. mprovisaHon
in fhe per formina
very soTCneouS erformancc
arts is a
o ithout SPeclHI
or
SCrip t e o preparation.
mprovis ation
aso
eXIST9 Gurtside fhe arts.
o0t/for
rovisafion

abli ng uS fo
is f paa moumt importohee
Cope w
our everyday e
enVironmCnd
EXAMPLE:
A
Set
performing
Someth\ ng
is oalso
d i t s contn
encies. + of
achteve m nt a script

wiactors
arfSHIC
as on
value hg
music )
daneC and

neatTe
improvI S a t i on a
thout
 tseyscessnsse

IEXTILE Copyright

ART
cOMELTUR
Mazzot

Textile
that uE
tic fiE
Or de
have b
hune

+exere ohich ning

t oeave"
o eaye
cons-
o cons
The sinpl est textile ar-
Latih +ex
IS felting, in which
XX=x
t o braido t to
animafibers are Ma
braid
m e a nS
o

Hed together usihg

heat and molsfure.
FIBERART *AUAthese items yt felt
tTuct
t o

yarn ,fabric , and fini

shed objects a r e co-

llective ly ref erred to

as textiles.
 CULTURAL ADAPTATION FREE-TYLE TRANSLATION
I N T E R N A T I O N AL I Z A T I O N INTERSIAT IONAL COPY ADAPTATION

VARKETING
TRANSLATION

TRANSCR REATIC
TRANSCREATION
TRANSLATION 2 CREATION

ENHALCES THE
IMPACT CP

CoIN APYTHEFOREIGN
WRI ARTTING OF M LANG UAGE

LANGUAGE TransCreation (tronslation

and re-creotHon) essen-

tially combinesthe
discp line of ftons lotitn
w fhe art of interpre-
totion. H I5 the process
by ohich Communicaions
produced loca for a
markeOre re-evaluated
and re7fiq ured to appea
to cu turally
a
disparate
audienc.

MPROVISING
 AN RAANSNSCRE
coPYTHEwRI TIN

RANSCRREEAATTTIIIOOONNN TRANSLAT1ON CREATION

HE ART
IN AFOREIGN
LAN ENHANCES THE
GoING ANGUAGE OF IMPACT oF
ANCa UAGE
nenoay hursday BIOBY
2021
urcay
Transcreation (translahon
and
4 tially re~creaHon
5
6 Combines he) essen
11 12 13 discipli ne
18 19 20 14 w fhe art of ttans lation
21
25 26 27 28 tafion. 15 of interpre-
by which CoM the process
Produced municaHOnS
market reforFe-eValuated
loca a
and
o a reqHgured
cuturally disparote
aPpeal to
audiencc.

IMPROV1SING mprovisa tion is fhe

activity of
or
some thinq not Plan nedma kihq
dot ng
efordhand, usihq hatever can be
found. mproys afHon in The
peform ihg
arts is a Very sponTaneouS performancc
loithot SPecfiC or s c r p t e o preparation.
Improvis ation also ex IS Ts Grtside fie arts

Improvisation is of Paramout importohce of/for

make
enabli ng us fo Cope / ou IS everyday
ond its conttng eNCies.
aS an
environ ment
also something
(+
artstic achreve ment a
EXAMPLE:
A
perforsetming without
seript of
hg hy
we
tn
value
music danct and imp roviSaiona actors
heafte
 Textile arts art arts and crafts
that use plart ant hmal.or sqhthec
A
R R
TEXTIL
TEXTR
TIL
ART
ic fibers fo centact proctica
or decora HVe objects. Teetiles
have

af
been

human
o fundamCntalpart
1fe since the begin
of civi lizotisn
Latin +exere lohich
ning
nihg
t oeaye" fexfile art
cons- The simplest ohich
s felthg, in
tt
o o
anima Fibers a r e ma

WE
Hed together using
tobraid
m e a nS
brad
o
o

FIBERART
heat
*AUthese
and molsfure.
items y felt,
Hruct.
to ,abric and fini-
,
yarn
shed objects e rare co
red
refto
llective ly
as textiles.

MUSIC
Music is universal language s
Music, arf Cohcerncd
Can be applicd fo any form
w Combin ing vOca Music an d fradh'onal art
or emofiona) exp retate fo cne another whcn

Fession, ucua[1g to emu Jati ng exist-

it Comes
tura)
Occording to cCu ing werk
Standardg of ryth m, Example
melody andin The pro cess of conpesi ng
Western musiC har- mocd e r n tendition of
a
is alot
mony art fhot, classiCal mucic
Music is qn a phote to
ib Onc quise/orother, like uran rh9
t on convos
permeafes exery origi na
human soci Ct
 am , ano
ana crf
Cr
Pam ani
>ahi ma o crafts
ss to mal.or suhthe
contect suht
-atVe objects. Texhles
practica)
afundameCntal
fe since
he
civi lizoti6n.
part
'begin CAN
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AUGUST

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