Professional Documents
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RARELY RECORDED
Haydn worked during a period that witnessed a great deal of stylistic change, including the evolution of
keyboard instruments from the harpsichord to the pianoforte with its hammer action and greater dynamic
flexibility. These rarely heard but influential early Piano Trios include music originally conceived for piano solo
or baryton trio. The Trio in F minor is unusual for its elaborate ornamentation and darker key, and is highly
attractive in its youthful freshness. The acclaimed Aquinas Piano Trio brings these unjustly neglected works
vividly to life.
Key Features:
• Our edition of Haydn’s Keyboard Trios has already established itself as a market leader, with acclaim for the first
three volumes with the Kungsbacka Trio indicating that they ‘need fear nothing in comparison’ (Gramophone)
with any competitors, and were ‘the Haydn of choice’ for Fanfare.
• With their first of two Haydn recordings for Naxos, the Aquinas Piano Trio has enthusiastically taken up the
challenge of Haydn’s rarely recorded early trios, including works originally written as sonatas and with a variety
of origins, including music arranged from earlier baryton trios or previously attributed to other composers.
• The Aquinas Piano Trio has previously appeared on the Naxos label in the chamber music of Rob Keeley
(8.579046), a disc that was an American Record Guide Critic’s Choice, and the trio’s playing summed up as
‘superlative in every parameter’ by Fanfare.
‘ As a group we were very excited to have the opportunity to record these early Haydn
trios as we realised that very few recordings of these works existed. These were pieces
we wanted to explore as the piano trio repertoire has evolved so much since Haydn’s
time and so many composers have been influenced by these early works. Of course, it
is also interesting how instruments and styles of playing have changed since the 18th
century, most notably the piano which is far more powerful now than it ever would
have been then. One of the trios on the disc was originally written as a piano sonata.
Haydn then decided to add the violin and cello parts, remove the finale, and swap
the order of the middle two movements. The texture of a piano trio is very different
from that of a solo piano so we tried to be imaginative with colours and characters
to emphasise this point. We also loved playing the F minor trio (Hob.XV:f1) with its
elaborate use of ornamentation which would have been remarkable at the time. It has
a youthful freshness despite being written in a darker minor key – something that
Haydn did not do very often. We have been performing some of these neglected works
’
in concerts as we believe they are gems that have somehow been unjustly misplaced
and forgotten.
8.572063
in their playing here.’
RECORDING OF
– AllMusic.com THE MONTH
8.573128
CD OF THE WEEK
8.573701
mercurial nature.’
– The Strad
8.550315
To see the full list of Franz Joseph Haydn titles on Naxos, please visit
www.naxos.com/composerinfo/Franz_Joseph_Haydn/24410.htm