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Principles of Materials

Development
COMPROMISE
REVIEW
Materials
Development

Authentic
Evaluation
texts

Common
Current
needs as
trends
ISSUES
AREAS OF MATERIALS DEVELOPMENT
Overall
structure

Methodology

05 areas Texts

Content

Piloting

(Bell & Gower, 1999)


PRINCIPLES VS. FACTS

Students
Coursebook
writers’ role
has to be
Principles Facts as Teachers
collaborate in
as 'SELF' 'OTHERS' the
publication of
materials for
Classroom others
contexts

(Bell & Gower, 1999)


Inevitability of compromise

Textbook writers have


Construction to try to anticipate the
needs and interests of
teachers and students
Learning and to modify any
initial ambitions they
may have as a result of
what they continue to
Criticism
learn about those
needs and interests.

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

AESTHETIC
PRINCIPLES

PEDAGOGIC
PRINCIPLES
(Bell & Gower, 1999)
Principles of Materials Writing for Professional Development
AESTHETIC PRINCIPLES PEDAGOGIC PRINCIPLES
Tidiness Flexibility
Texts Focus Language
Intellectual topics (Serious) Engaging content (Human interest, Personal/
Fun/ Generative/ Trivial)
Actors’ languages Natural language (Spoken,
Unscripted/Authentic/real)
Familiarity Analytic approaches (Conscious mind)
Presenting (Accuracy/ Fluency) Emphasis on review (Meaning/ Use)
Mechanical practice (Pattern repetition/ Personalized practice (Own experience)
Imaginary situations)
Knowing (Value of texts) Integrated skills (Real-life communication &
Focusing on content)
Deductive (Process/ Controlled practice) Balance of approaches (Inductive & Affective/
Creative expression)
Training (Providing language reference) Learning to learn (Work/Analyzing/
Personalizing)
‘Cool’ look (First impression/ Adult/ Professional respect (Satisfaction /Academically
Sophisticated/ Clean/ For healthy sales/ creditability/ Pride/ Long-term usability)
Commercial)
(Bell & Gower, 1999)
‘POLARISING’ PRINCIPLES

COURSEBOOKS
(UK: Textbooks)

MATERIALS

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

INSTITUTIONAL
CONTROL

TEACHER &
LEARNER
CREATIVITY

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

COMMERCIAL

PROFESSIONAL

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

IMPLICITLY
PRESCRIPTIVE

EXPLICITLY
DESCRIPTIVE

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

MATERIALS
PRODUCTION

FACILITATING
LEARNING

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

INTERNATIONAL

‘Glocalization’

Many of the cultural


contexts can seem
LOCAL irrelevant to the
learners.

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

COURSE
BOOKS AS
TOOLS

Coursebooks are tools


MATERIALS which have life and
AS meaning when there
MEANINGS is a teacher present.

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

TRAINER
‘Professional
Integration’

TEACHER

(Bell & Gower, 1999 )


‘POLARISING’ PRINCIPLES

OLD &
FAMILAR

‘A Blend’

NEW &
DIFFERENT
(Bell & Gower, 1999)
‘POLARISING’ PRINCIPLES

‘Old & Familiar’


CONSERVATISM

‘A Compromise of Principle’

'New & Different’


INNOVATION

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

‘Familiar’
GRAMMATICAL

‘A Sensible Balance’

‘Different’
FUNCTIONAL

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

DESIGNER
(Publisher)

AUTHOR,
TEACHER &
STUDENTS
(Bell & Gower, 1999)
‘POLARISING’ PRINCIPLES

TEXTS

VISUALS
(Bell & Gower, 1999)
‘POLARISING’ PRINCIPLES

MINORITY OF
‘PRIVILEGED’
CLASSROOMS

‘Diversity’

MAJORITY OF
‘LESS-THAN-PRIVILEGED’
CLASSROOMS

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

SEASONED
TEACHER
‘A Light Hearted View’

AMATEUR
TEACHER
(Bell & Gower, 1999)
‘POLARISING’ PRINCIPLES

MONOLINGUAL

MULTILINGUAL

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

NATIVE
SPEAKER

NON-NATIVE
SPEAKER

(Bell & Gower, 1999)


‘POLARISING’ PRINCIPLES

KNOWLEDGE
ASSUMPTIONS

CULTURAL
ASSUMTIONS

(Bell & Gower, 1999)


Reference
• Bell, J. & Gower, R. (1999) Writing Course Materials for the World: A Great
Compromise. In Tomlison, B. (1999) Materials Development in Language
Teaching. CUP.

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