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[ The Voice of Temples ]

ENGLISH – `≥Å∞QÆ∞ – u“ãty Rs.5/-

(Photo courtesy : Upender)

YADAGIRIGUTTA, SAMPROKSHANAM (INSIDE PICTURE: RAJAGOPURAMS )

Ü«∂^ŒyiQÆ∞@ì ã¨O„áÈHõ∆}O (JO`«~° z„`«O : ~å[QÀѨÙ~åÅ∞)
Vol. 6 APRIL – 2022 No.4
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^èŒfi*Ï~ÀǨÏ}=Ú : =∞OQÆà◊"å~°O (L^ŒÜ«∞O) 12–04–2022
u~°∞Hõ¯àϺ} L`«û==Ú : QÆ∞~°∞"å~°O (~å„u 10–30 QÆO.) 14–04–2022
~° ^ ä À `« û ==Ú : â◊x"å~°O (~å„u) 16–04–2022
K«„Hõf~°÷O : ™È=∞"å~°O (L^ŒÜ«∞O 11 QÆO.) 18–04–2022
ÀƒuÀo»y ∆ÏßN¿˛woΩåÁ™ ÃʃnÃ∫ Y{fi ∆ÏM¬ åƒu™ ÃÁz™ƒÁ∫ ut. 11–04–2022 Ãz Y{fi §“Ϭ u˚oyÆÁ ÃÁz™ƒÁ∫
ut.18–04–2022 oN˛ uY¬NÓ˛∫ (tzƒ¬ ƒıN˛bÁúÓ∫) »y §Á¬Á\y N˛Á §¿÷Áznà “ÁzTÁ@ ßO˛§wãt Ãz üÁs|åÁ “{ uN˛ FÃ
∆Ïß EƒÃ∫ ú∫ úáÁ∫N˛∫ t∆|å osÁ oys|üÃÁt N˛Á ¬Áß GeÁƒı@
܃\Á∫Áz “ m : ™Ê T pƒÁ∫ (ÃÏ § “) 12–04–2022
uoª≤˛¡ÆÁm GnÙΩ : TÏ ª ƒÁ∫ (∫Áo 10–30 §\z ) 14–04–2022
∫sÁz n Ù : ∆uåƒÁ∫ (∫Áo) 16–04–2022
YN¿ ˛ oys| : ÃÁz ™ ƒÁ∫ (ÃÏ § “ 11 §\z ) 18–04–2022
The Brahmotsavam of Sri Balaji Venkateswar Swamy at Chilkur Temple will be held from Monday 11-4-2022 to
Monday 18-4-2022. Devotees are cordially invited to have darshan and receive the blessings of Lord Venkateswara.
Dwajarohanam : Tuesday (Morning) 12-04-2022
Kalyana Utsavam : Thursday (10-30 p.m.) 14-04-2022
Dr. M.V. Soundararajan
Rathotsavam : Saturday (Night) 16-04-2022
C.S. Gopalakrishna
Chakra Theertam : Monday (11 a.m.) 18-04-2022 Hereditary Archaka cum Trustees
Date / Day Morning Utsavam Evening Uthsavam
11-04-2022, Monday Selver Koothu ÃãÅfi~ü ‰õÄ`«∞Î Ankurarpanam JO‰õΩ~å~°Ê}=Ú
12-04-2022, Tuesday Dwajarohanam ^èŒfi*Ï~ÀǨÏ}=Ú Seshavahanam âı+¨"åǨÏ#=Ú
13-04-2022, Wednesday Gopa Vahanam QÀѨ "åǨÏ#=Ú Hanumantha Vahanam ǨÏ#∞=∞O`« "åǨÏ#=Ú
14-04-2022, Thursday Surya Prabha ã¨∂~°º„ѨÉèí Garuda Vahanam QÆ~°∞_» "åǨÏ#=Ú
Kalyanotsavam HõàϺ}À`«û==Ú
15-04-2022, Friday Vasanthothsavam =ã¨O`À`«û==Ú Gaja Vahanam QÆ[ "åǨÏ#=Ú
16-04-2022, Saturday Pallaki ѨšH˜ Rathothsavam ~°^äÀ`«û==Ú
17-04-2022, Sunday Mahabhishekam =∞Ǩaè¿+Hõ=Ú Aswa Vahanam Jâ◊fi "åǨÏ#=Ú
Asthana Seva P™ê÷# ¿ã= Dhop Seva ^ÀÑπ¿ã=, Pushpanjali ѨÙëêÊO[e
18-04-2022, Monday Chakra Theertham K«„Hõf~°÷O Dwajaavarohanam ^èŒfi*Ï=~ÀǨÏ}=Ú

CONTENTS Page uƒ…mÏÓœÁåÁ™Áƒ¬y TÁsÁ - 250 .............. 11

Editorial ................... 3 Ahobilam and Ahobila Mutt - 110 ................. 14
Anecdotes on Vishnu Sahasranamam-250 ....... 4 N~å=∂#∞Ax Hõj‡~°∞ âß~°^•Ñ‘~î° Ü«∂„`«-53
.. ............ 16
ã¨Oáê^ŒH©Ü«∞O ................ 6 Ramanuja's Journey to Sharada Peeth-53 ......... 19
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–250 ................ 7 News ................. 22
ÃÊúÁtN˛yÆ ............. 10 Devotee's Experiences ................. 26
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EDITORIAL... ✍ "Reinstall recovered Moorthies in Temples"
In recent times, Australia has returned 29 antiquities to the Indian government, which were most likely stolen
or illegally removed from India.
PM Modi has inspected the antiquities, which are categories as per themes including ‘Shiva and his Disciples’,
‘Worshiping Shakti’, ‘Lord Vishnu and his Forms’, ‘Jain tradition’ and ‘Portraits’. These artifacts date from as early as
9-10 century CE. The primarily sculptures and paintings are made of sandstone, marble, bronze and brass, and are
from Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Tamil Nadu, Telangana and West Bengal.
India’s rich cultural legacy is embodied in artworks throughout the country. Whether it is a bronze statue of a
goddess, an engraved sculpture at a temple, a Tanjore painting at an old gallery or gold and silver Zardozi embroidery,
Indian works of art represent a significant part of the country’s past. To preserve its social history and cultural origins,
the Indian State must protect antiquities and art treasures in the form of paintings, sculptures, coins, and works of art.
Prior to receiving independence from the British Empire in 1947 and for decades following, Indian cultural artifacts
were stolen and displayed in museums and private collections across the globe, particularly in Europe. While some
of them made their way back to the country due to diplomatic relations and agreements, a majority of artifacts remain
untraced and inaccessible.
The laws which have governed all facets of antiquities and art treasures in India for close to fifty years are the
Antiquities and Art Treasures Act of 1972 (the “1972 Act”) and the Antiquities and Art Treasures Rules of 1973. The
1972 Act and the Rules are rooted in the Indian Treasure Trove Act of 1878 and the UNESCO Convention on the
Means of Prohibiting and Preventing the Illicit Import, Export and Transport of Ownership of Cultural Property of 1970.
The 1972 Act falls within the purview of the Archaeological Survey of India (“ASI”), the Indian government
agency attached to the Ministry of Culture responsible for archaeological research and the conservation and
preservation of cultural monuments, and aims at effective regulation of trade and export of antiquities in India. Its
objective is to provide a structured and robust mechanism for the preservation of antiquities in public places.
However, since 1976, there have been no reforms or amendments to the Act despite numerous attempts and various
contemporary issues that have arisen globally in the world of art.
Heritage is not something that is excavated. It is something that is either worshipped or something that is
communicated to the public by divine devotees, art historians, poets, writers, because it inspires artists and designers
to reform the contemporary. However, these disciplines are not consulted when laws on heritage are framed.
The ASI is a short-staffed organization, handling a responsibility that's practically impossible for it to fulfill all by
itself. The government must, therefore, rethink its decision to single-handedly take on the tasks of conserving the
country's heritage sites, recognising artifacts, and registering antiquities, because while our museums may not be
capable of accommodating all antiquities and art treasures logistically, the discovery of cultural property has not
paused.
The 1972 Act so far has not proved to be effective in the protection of artifacts or ensuring the return of stolen
artifacts in India. In a 2013 report, the comptroller and auditor general of India (CAG) raised concerns, revealing
“security lapses” that had led to the theft of 37 art objects from site museums run by the ASI and 131 antiquities from
monuments and sites over the past 50 years. It was found that the ASI had never participated or collected information
on Indian antiquities put on sale at well-known international auction houses as there was no explicit provision in the
1972 Act for doing so.
There are several instances of large scale antiquities thefts in India that the government has inadequately
addressed. In Tamil Nadu, 1,200 idols were stolen between 1992 and 2017. Despite pressure received from the
Madras high court to address the idol theft, very few had been found. Currently in the state, the Hindu Religious and
Charitable Endowments Department (HR&CE) which administers Tamil Nadu’s temples, and the Idol Wing Department
which investigates cases of theft of idols are in a turf war over administrative control, which has led to futile arrests of
officials within the departments. This has taken the focus away from the actual process of finding and bringing back
stolen artifacts.
Further, in 1968, 125 pieces of antique jewelery and 32 rare gold coins went missing after a theft at the
National Museum in Delhi which are yet to be recovered. The historic site of Chandraketugarh in West Bengal has
also been a hub of rampant antiquities smuggling in recent times, and its stolen objects are being displayed in
museums across the world.
The battle over ancient treasures is, at its base, a conflict over identity, and over the right to reclaim the objects
that are its visible symbols. At a time when East and West wage pitched battle over fundamental notions of identity .
. . , Antiquities have become yet another weapon in this clash of cultures, another manifestation of the yawning divide.
And ironically, it undermines the very purpose of cultural exchange, of building bridges and furthering mutual
understanding.
We laud our Honourable Prime Minister who took great initiative in recovering the deities back and putting it to
worship. We request him to take the initiative once again and ceremonially reinstate each of the reinstated idols for
worship in their respective temples in line of reinstatement of Kallidaikurichi Nataraja idol when it returned from
Australia.
Protection of our cultural heritage, its art, art forms, rituals, temples, deities, all of them need a mass public
movement and the time is presently very ripe for the same. VAK and Temples Protection Movement will strive for the
same. O

K≥_»¤"åi`À Hõeã≤ u~°QÆ@O HõO>Ë XO@iQÍ LO_»@O =∞Ozk.

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Anecdotes on Vishnu Sahasranama - 250
SPECIAL and SUPREME
Dr. V.S. Karunakaran B.E.(Mech.), M.A. (Sanskrit), Ph.D
Lord Narayana was seated on His Serpent Sofa-cum-
Bed in His Kaarya Vaikunta, which is like a branch
office of the Absolute Vaikunta, but located within
this material universe. In that Karya Vaikunta,
accessible to devotees with superhuman powers, the
Lord gives darshan with all the paraphernalia which
He possesses at Sri Vaikunta, His eternal abode.
Once, sage Narada paid a visit to Karya Vaikunta to
have darshan of the Lord. At that time, the Lord had
removed all His divine ornaments and divine weapons
and was undergoing Divine Oil bath or Oil-
Thirumanjanam.
While the divine bath was going on, Sage Narada thought
it was a good time to start his play. He made the
divine ornaments and weapons of the Lord to get into
a debate. He addressed the ornaments and weapons
asking, “Among all of you, who plays the major role
in adding beauty to the Lord?”
Crown, the ornament of Lord’s head said, “I am the
one who shows the world that the Lord is Supreme.
So I am the greatest and only I play the major role
in adding glory to Him! The lord himself in his incarnation
as Parasara Bhattar has brought this point out! “
Readers may refer to Sri Parasara Bhattar’s sloka
in Sri Rangaraja Sthavam which reads thus:
uN˛∫ybÊ »y∫WΩ T z ∆ uÆ uÆoo Ï ª úáÁåyNw ˛ oßÏ \ :
uƒáy∆Ááy∆nƒÁÚbo Fuo ÃÊ À úw ≈ Æ ƒtuo@
uå“yåÁåÁÊ ™Ï P ÆÊ ∆∫m Fuo §Á“Ï À outo∫:
À¢Ï ˛ bÊ §¿ Ó o z úÁtÁ©§Ï \ ÆÏ T p™Á\ÁåÏ u åu“o:@@
The sloka means:-The crown is the mark of the
Supremacy of the Lord, and the Lord Ranganatha
in His reclining posture, points out to the crown with
His right hand to make us realize that He is the
Supreme. He points out to His Lotus feet with His
left hand thereby showing the doctrine of surrender
to those feet of the Supreme One.
Evidently Crown had this declaration in its mind!
The fish-shaped ear rings of the Lord said, “No! No!
We two are the most important ones! Our glitter adds
glory to the Lord!”
Sri Parasara Bhattar says about our glitter in Sri
Rangaraja Sthavam:
åÆå∆¢˛∫uƒÚÁ{ N˛m| ú Á∆ÁƒªÚÁ{
ª  Fƒ ¬Ï e oÁz D uY| ™ | ± Á∫yªuË∫ãoÁ{ @
x*Ï~Úf Ѩ~°∞_»∞ JO`«~å‡`« JOwHõiOK«x Ѩxx KÕÜ«∞ÖË_»∞.
úu∫u™¬t¬N˛Á¬y∆{ ƒ ¬Á™Ê à ƒz ¬ ÁoΩ
EåÏ ™ um™N˛∫Áz Ú Á{ ∫WΩ T áÏ Æ Á| ™ w o Á£áz : @@
The Lord’s eyes which resemble two fish have defeated
the two fish-shaped ear rings with their beauty. The
fish-shaped ear rings have also been caught by the
nets called the Lord’s ears. Infuriated by all these,
the two fish- shaped ear rings start glittering as if
they were spitting fire out of anger.
The Sudarshana chakra adorning the right hand of the
Lord said, “I am the chief of all His divine weapons!
So I should be credited as the one adding glory to
the Lord!”
“Please note, Narada!” The divine Chakra added
“Nadadoor Ammal, who was called “Oh! My Mother!”
by Lord Varadaraja when he with motherly devotion
offered Him Milk in palatable heat by cooling the boiling
Milk that would have been otherwise offered to Him
in boiling point, says in his Hethipungavasthava stotra,
<<\Æ! “z o y∆! ¬fl™y∆§Á¤¬WΩ N ˛Á∫ßÓ o !
\Æ! úØÁÁÆÏ á y™Ï P Æ!
These words show that I am like a bracelet ornament
to the Lord’s hand and also am the chief of all weapons,
two in one, in glorifying the Lord!”.
At the same time, Sarnga the bow said, “I am the
most beautiful of all weapons. That’s why the Lord,
always holding me in his hand in Kumbakonam, called
Lord Sarngapani, is credited as the one in the most
handsome form by devotees.”
As each of the ornaments and weapons was speaking
high of itself, Vishwaksena, the commander in general,
intervened and said, “The Lord considers Kausthubham,
the gem worn on His chest as His most precious
ornament because it is a sentient ornament in that
it represents the souls- jeevathmans!”
By that time, the Lord had completed His holy oil
bath. He smiled at Narada, “Oh dear Narada! Hope
you have completed today’s quota of creating confusion!
Anyway you have raised a good question only. To
know who adds glory and beauty to me, you may
do well to go and ask your mother Saraswathi!”
Narada went to his mother Saraswathi and asked,
“Which ornament or weapon adds beauty and glory
to the Lord?”
Saraswathi meditated on Her Favorite Deity Lord
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Hayagreeva. Lord Hayagreeva appeared before her. can go to the kshetra called Champaka Aranya known
Saraswathi asked, “Which ornament or weapon adds as Rajamannargudi in vernacular in Chola Kingdom
beauty to you, Lord!?” and have darshan of Vennai thazhi Seva of Lord
Lord Hayagreeva said, “Saraswathi! I will give you an Rajagopala on the early morning of Bharani Star in
assignment. If you complete it, you will get the answer!” the month of Panguni!”
“Yes my Lord!” said Saraswathi. Accordingly Saraswathi and Narada went to
Hayagreeva said, “You go and sit on the tongue of Rajamannargudi.
Manthara, the hunch-backed servant of Kaikeyi. You They were surprised to see devotes thronging on the
give her the power of speech so that she would convince back side of the Lord in crawling posture. There was
Kaikeyi to ask the boon from king Dasaratha to banish a very thin crowd on the front side having darsan of
Rama to the forest! Then you will get the answer!” the face of the Lord
Saraswathi completed the assignment and Rama, In His Vennai thazhi Seva, a rakkodi (to be worn on
along with Sita and Lakshmana, had to proceed to forehead) hanging around the buttocks of the Lord
Dandakaranyam. in the makeup of a crawling Child on the back side
Now Hayagreeva put a divine Screen in front of was the piece of attraction for the devotees and so
Saraswathi and Narada and made them watch the there was a heavy crowd on that side.
scenes depicting further happenings. If anybody else would have worn rakkodi on buttocks
At Dandakaranyam, some sages came to the hermit he would have made himself a laughing stock. But rakkodi
where Rama was staying. As long as Rama was on buttocks of Lord Rajagopala matched, bore more
dwelling in the city of Ayodhya, He adorned Himself glory and glorified Him! It looked so beautiful
with precious clothes and ornaments which had hidden They could then realize that Ornaments never added
the actual handsomeness of the divine body of Lord beauty to the Lord. It’s the Lord, Who adds beauty to
Rama. Now, as Rama has come to the forest wearing them.
mere tree bark and no other cloth or ornament, His Thus, being self established with His special glory,
original handsomeness and splendor shone well. The the Lord is appropriately called VISISHTAHA- the one
sages, who had given up all desires, could not resist special and supreme!
their desire to hug Lord Rama.They suggested they VISISHTAHA-is the 250thname - exactly at the end
would convert themselves as divine damsels and of first Quarter of the thousand names of the Lord
hug Him to quench their divine lust. as per the commentary of Sri Parasara Bhattar for
Rama told them that as per His decision He would Vishnu Sahasranama narrated by Bheeshma to
not even touch a dame other than Sita in his incarnation Dharma Raja in Mahabharata.
as Rama. He suggested they might be born as Gopikas Nirukti sums up all these when it says
–cowherd women in Gokula and He would fulfill their
desire then in His next incarnation as, Krishna.
uƒ¬qmÁz uƒu∆…bÁz Æ: ÃÁ| å Ω oÁåΩ Eåúz fl Æ Ã:@
At this juncture, Lord Hayagreeva summoned Àƒo Lƒ otåúz fl ƃ{ ¬ qlÆnƒÁu˚u∆…b:@@
Saraswathi and Narada and asked, “Can you Those of us, who want to look splendid in any attire
understand now?” eastern or western, formal or informal, would do well
They said, “Yes Lord! Neither any ornament nor any to chant the mantra “Visishtaya Namaha” keeping in
weapon adds glory to thee. You distinctly distinguished mind the form of Balaji in Chilkoor and the details above.
from everything else and stand out on your own glory. Dear Readers of VAK! Come let us join and chant
You do not need anything external to establish your
glory. You are special and Supreme .So you are –Visishta!”
@@ HÂ uƒu∆…eÁÆ å™: @@
Hayagreeva said, “To further substantiate this, you
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P^è•~°OQÍ qÉèlí OK«_O» [iyOk. „Ѩ^•è #OQÍ Wã¨∞Hõ, áêÅ~å~Ú, HõOK«∞, W`«_Î `ç À `«Ü∂« ~°∞ K≥Ü∞« º|_»¤ D HõàÏYO_®Å∞
^Õâ◊OÖ’x QÆ∞[~å`«∞, =∞^茺„Ѩ^Õâò, L`«Î~° „Ѩ^Õâò, `«q∞à◊<å_»∞, `≥ÅOQÍ}Ï, ѨtÛ=∞ ɡOQÍÅ∞=O\˜ „Ѩ^ÕâßʼnõΩ K≥Ok#q.
U~°H"õ ∞≥ #ÿ =Ú_ç Ѩ^•~å÷O`À KÕã<≤ å ÖË^• [~ÀÌã,≤ ZO„ÉÏ~Ú_»s KÕã<≤ å, `«O*Ï=Ó~°∞Ö’ LO_Õ ÃÑ~ÚO\˜OQ∑ J~Ú<å, Wq
Jhfl ‰õÄ_® =∞# ^ÕâÑ◊ Ù¨ QÆ`"« É·≥ "íè åxfl ã¨∂z™êÎ~Ú. ÉèÏ~°`^« âÕ Ñ◊ Ù¨ =¸ÖÏÅ#∞, ™êO㨯 $uHõ, ™êOѶ∞‘ Hõ K«i„`«#∞ „ѨuaOaèOKÕ
<å}ÏÅ#∞, HõàÏHõ$`«∞Å#∞ ~°H˜∆OK«=Åã≤# J=ã¨~°O ZO`À LOk. 1947Ö’ POˆQ¡Ü«ÚÅ áêÅ# #∞O_ç ã¨fi`«O„`«ºO
ÅaèOK«_®xH˜ =ÚO^Œ∞, Pã¨=∞Ü«∞OÖ’#∞ D HõàÏHõ$`«∞Å∞ ^Õâ◊ ã¨iǨÏ^Œ∞ÌÅ#∞ ^•\˜ áÈÜ«∂~Ú. „ѨѨOK«OÖ’x qq^èŒ
„Ѩ^ÕâßÅÖ’ =∞s =ÚYºOQÍ S~Àáê YO_»OÖ’x =ã¨∞Î ã¨O„QÆǨÅÜ«∂ÅÖ’ =º‰õΩÎÅ ¿ãHõ~°}ÖÖ’ D =∞ǨÏ`«Î~°"≥∞ÿ#
HõàÏYO_®Å∞ „Ѩ^Œ~°≈#ÖÖ’ =ÚYº PHõ~°¬}QÍ xeKå~Ú. „ѨÉèí∞`«fiO KÕã≤# „Ѩܫ∞`åflÅ HÍ~°}OQÍ U"À H˘xfl =∂„`«O
uiy =zÛ<å, "å\˜x QÆ∞iÎOK«_O» [~°QÖÆ ^Ë ∞Œ . =∞i H˘xfl Jã¨Å∞ JO^Œ∞ÉÏ@∞Ö’<Õ ÖË=Ù. Zxfl K«\ÏìÅ∞ 1972, 1973ÅÖ’
HõàÏYO_®Å KÀsx xÜ«∞O„uOK«_®xH˜ KÕã<≤ å, ~°"å}ÏÅ#∞ x¿+kèOz<å, Ѷe¨ `«O â◊¥#ºO. 1972 K«@Oì , Pi¯Ü«∂ÅlHõÖò
ã¨~ˆ fi ã¨Oã¨÷ ѨikèÖ’H˜ =ã¨∞OÎ k. nx ÅHõ∆ ºO ^Õâ◊ ѨÙ~å`«`fi« ã¨OѨ^#Œ ∞ Ѩi~°HO∆˜ K«_O» x*ÏxH˜ 1976 #∞O_ç U K«@Oì Ö’#∞
ã¨O㨯~°}Å∞, ã¨=~°}Å∞ ÖË=Ù.
"å~°ã¨`«fiO JO>Ë ˆH=ÅO `«=fiHÍÅÖ’ ɡ·@Ѩ_ç# ѨÙ~å`«# =ã¨∞Î=ÙÅ∞ =∂„`«"Õ∞ HÍ^Œ∞. g\˜x QÆ`«OÖ’ P~åkèOz#
Éèí‰õΩÎÅ, z„`«HÍ~°∞Å, ™êÇ≤Ï`«ºHÍ~°∞Å K«i„`«Å#∞ `≥eÜ«∞*Ëã¨∂Î, P^èŒ∞xHõ HÍÅOÖ’x Éèí‰õΩÎÅ#∞, z„`«HÍ~°∞Å#∞, Hõ=ÙÅ#∞,
~°K«~Ú`«Å#∞, =∞Ô~O^Œ~À HõàÏaè=∂#∞Å#∞ =∞iO`« K≥Ü«∞º_®xH˜ „¿Ñˆ~Ñ≤OKÕ™ê^èŒ<åÅ∞, Éèí‰õΩÎÅ∞ H˘Å∞ã¨∞Î#fl ^≥·"åÅ∞.
^Œ∞~°^Œ$+¨ì=âß`«∂Î "å~°ã¨`«fi K«\ÏìÅ ~°∂ѨHõÅÊ#ÅÖ’ D qÉèÏQÍÅ"åi <≥=fiih ã¨O„ѨkOK«^Œ∞. ѨÙ~å`«`«fi âßY `«#
z#flѨikèÖ’<Õ, H˘O`«=∞Ok ã≤|ƒOk`À x*ÏxH˜ J™ê^茺=∞xÑ≤OKÕ ÉÏ^茺`«Å#∞ x~°fiiÎOK«_»O =∞#‰õΩ `≥Å∞ã¨∞. „ѨÉèí∞`«fiO
fã¨∞‰õΩ<Õ UHõѨHõ∆ x~°‚Ü«∂Å#∞ QÆ∞iOz ѨÙ#~åÖ’K«# J=ã¨~°O. 1972 <å\˜ K«@ìO ZO`«=∂„`«O „ѨÉèÏ=O K«∂ѨÖË^Œ∞.
ã¨fiÜ«∞OQÍ 2013Ö’ ã≤Ul (HÍQ∑) D q+¨Ü∞« "≥∞ÿ PO^Àà◊##∞ `≥eÜ«∞*ËãO≤ k. Jxfl =ã¨∞=Î ÙÅ#∂, ^Õâ=◊ ∞O`«\Ï =sæHiõ OK«_O» ,
Ѩi~°H˜∆OK«_»O JuHõ+¨ìO. UZãπS x~°fiÇ≤Ïã¨∞Î#fl ѨÙ~å`«`«fi „Ѩ^Œ~°≈# âßÅÅ #∞O_ç ÃÇÏK«∞Û ã¨OYºÖ’ ^˘OQÆ`«#=∞~Ú#
=ã¨∞Î=ÙÅ ^˘OQÆ`«<åÅ#∞ `≥eÜ«∞*Ëã¨∂Î x~°fiǨÏ}Ö’x Éèí„^Œ`å Ö’áêÅ#∞ ZuÎ K«∂Ñ≤Ok.
D q+¨Ü∂« ÅÖ’ „ѨÉ∞íè `«fiO U<å_»∂ `«y# q^èOŒ QÍ ã¨ÊOkOK«Ö^Ë ∞Œ . `«q∞à◊<å_»∞Ö’<Õ 1992 - 2017 =∞^躌 ^•^•Ñ¨Ù
1200 q„QÆǨÅ∞ =∂Ü«∞=∞Ü«∂º~Ú. =∞„^•ã¨∞ ÃÇ·ÏHÀ~°∞ì XuÎ_ç `≥zÛ<å, JkèHÍ~°Ü«∞O„`åOQÍÅ =∞^茺 "≥·=∞#™êºÅ =Å#,
JkèHÍ~°∞Å#∞ JÔ~ã¨∞ì K≥Ü«∞º_»O q∞#Ǩ Ug∞ [~°QÆÖË^Œ∞. XHõ~°HõOQÍ „Ѩ[Å ^Œ$+≤ìx =∞~°ÅÛ_»O [iyOk JO`Õ!
D<å\˜ „Ѩ^è•#=∞O„u Q“~°=hÜ«ÚÖˇ·# N #O„^Œ"≥∂_ôQÍ~°∞ ^Õâ◊ "å~°ã¨`«fi ã¨OѨ^ŒÜ≥ÿ∞# ÉèíQÆ=O`«∞x q„QÆǨÅ#∞
^ÕâßxH˜ uiy ~°Ñ≤ÊOz, "å\˜x ѨÓ*Ï ã¨÷ÖÏÅÖ’ ѨÙ#ó „Ѩu+≤ìOKÕO^Œ∞‰õΩ KÕã¨∞Î#fl Hõ$+≤x Jaè#OkOKåe. ™ê^茺"≥∞ÿ#xfl
q„QÆǨÅ#∞ "å\˜ - "å\˜ Ü«∞^è•™ê÷<åÅÖ’ LOKÕO^Œ∞‰õΩ „ѨÉèí∞`«fiO`ÀÉÏ@∞ „Ѩ[Å∞ ‰õÄ_® ÃÑ^ŒÌ Z`«∞Î# áêÖÁæ<åÅx '"åH±—
Ѩ„uHõ HÀ~°∞‰õΩO\’Ok. D q„QÆÇ¨ Å#∞ PÜ«∂ =∞Ok~°=ÚÅÖ’ âßGsuQÍ Ñ¨Ù#ó „Ѩu+≤Oª K«=Åã≤#kQÍ, ^•xH˜ „Ñ≤Ü∞« "≥∞#ÿ
Q“~°=hÜ«ÚÖˇ·# „Ѩ^è•xQÍ~°∞ Hõo§^≥·‰õΩizÖ’ W\©=Å [iy# N#@~å[ q„QÆǨÏѨÙ#ó „Ѩu+¨ªÖÏQÍ [iÑ≤OKåÅx Éèí‰õΩÎÅ
`«~°Ñ¶¨Ù# '"åH±— HÀ~°∞‰õΩO@∞Ok.
O

`≥e"≥·# "å~°∞ `«=∞ J*Ï˝<åxfl `«Ñ¨Ê‰õΩO_® `≥Å∞ã¨∞‰õΩO\Ï~°∞.

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q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o – 250
qtëêìÜ«∞ #=∞ó
POQÆ¡=¸ÅO : _®II q.Ü«∞ãπ. ‰õ~°∞}ÏHõ~°<£, B.E.(Mech.), M.A. (Sanskrit), Ph.D.
HÍ~°º "≥·‰õΩO~î°OÖ’ N=∞<åfl~åÜ«∞}∞_»∞ `«# âı+¨ `«ÅÊO
g∞^Œ q„âßOuQÍ ‰õÄ~°∞Ûx L<åfl_»∞. XHõ ~°HõOQÍ K≥áêÊÅO>Ë
Ѩ~°=∞Ѩ^Œ=∞~Ú# N "≥·‰õΩO~îåxH˜, D Éè∫uHõ „ѨѨOK«OÖ’
HÍ~°º "≥·‰õΩO~î°O âßY J#∞HÀ=K«∞Û. D HÍ~°º"≥·‰õΩO~î°OÖ’ q~ålÖË¡
Ѩ~=° ∂`«‡ JÖ∫H˜Hõ QÆ∞}ÏÅ`À ~°OlÖË¡ `«# Éè‰í Ωõ ÅÎ ‰õΩ, N"≥‰· Ωõ O~îO° Ö’
L#fl>Ë¡ ™êOQÆãѨ i¨ "å~° ã¨"∞Õ `«OQÍ ^Œ~≈° #q∞zÛ P#OkOѨ*™Ë êÎ_∞» .
XHõ ™ êi <å~° ^ Œ = ∞Ǩ Ï i¬, Ѩ ~ ° = ∂`« ‡ ^Œ ~ ° ≈ <åxÔ H · D
HÍ~°º"≥·‰õΩO~îåxH˜ qKÕÛÜ«∞_»O [iyOk. P k=º u~°∞=∞O[#
ã¨=∞Ü«∞OÖ’ Ѩ~°=∂`«‡ `«# k"åºÉèí~°}ÏÅ#∞, PÜ«Ú^è•Å#∞
fã≤ÃÑ\˜ì JÉèíºOQÆ# ™êfl<åxH˜ `≥·ÅO ѨÓã¨∞‰õΩx ã≤^Œú=∞=Ù`«∞<åfl_»∞
PÜ«∞#.
k=º u~°∞=∞O[# Ѷ¨∞\Ïìxfl K«∂ã≤# <å~°^Œ∞_»∞ `«#∞
<å@Hõ=∂_»\ÏxH˜ `«y# ã¨=∞Ü«∞O Jx ÉèÏqOKå_»∞. Ѩ~°=∂`«‡
k"åºÉèí~°}ÏÅ∞, PÜ«Ú^è•Å∞ XHõ\ ˜`À XHõ\ ˜ "åkOK«∞‰õΩ<Õ
Ѩiã≤÷ux HõeÊã¨∂Î "å\˜x WÖÏ „ѨtflOKå_»∞ - '™êfiq∞"åi
JO^•xH˜ =∞iO`« =<≥fl `Õ=@O g∞Ö’ Z=i =Å# ™ê^茺O?—
ÉèíQÆ=O`«∞x t~°ã¨∞û#∞ JÅOHõiOKÕ H˜s@O =ÚO^Œ∞QÍ
WÖÏ JOk - „Ѩ Ñ ¨ O KåxH˜ Ѩ ~ ° = ∂`Õ ‡ 㨠~ ° fi „âı + ¨ µ ª _ » x
„ѨHõ\ ˜OK«_»OÖ’ <Õ#∞ =ÚO^Œ∞ LO\Ï#∞. JO^Œ∞=Å# <Õ<Õ
JO^ŒiÖ’H˜ Q˘Ñ¨Ê^•xx. PÜ«∞# JO^•xH˜ H©iÎx ‰õÄ_® HõeÑ≤
=<≥ fl `≥ ™ êÎ # ∞. Ѩ ~ åâ◊ ~ ° Éè í @ ì ~ ° ∞ QÍ J=`« i Oz# Ѩ ~ ° = ∂`« ‡
ã¨fiÜ«∞OQÍ D q+¨Ü«∂xfl "≥Å¡_çOKå_»∞ Hõ^•!
áê~î ° ‰ õ Ω Å∞ D 㨠O ^Œ ~ ° ƒ ù O QÍ N~° O QÆ ã ¨ Î = O ~° z Oz#
NѨ~åâ◊~° Éèí@ì~°∞"åi D â’¡HÍxfl QÆ=∞xOK«QÆÅ~°∞
uN˛∫ybÊ »y∫WΩ T z ∆ uÆoÏ ª úáÁåyNw ˛ oßÏ \ :
uƒáy∆Ááy∆nƒÁÚbo Fuo ÃÊ À úw ≈ Æ ƒtuo@
uå“yåÁåÁÊ ™Ï P ÆÊ ∆∫m Fuo §Á“Ï À outo∫:
À¢Ï ˛ bÊ §¿ Ó o z úÁtÁ©§Ï \ ÆÏ T p™Á\ÁåÏ u åu“o:@@
nx ÉèÏ"åxfl WÖÏ „QÆÇ≤ÏOK«=K«∞Û - ''H˜s@O ÉèíQÆ=O`«∞x
™ê~° fi Éè ∫ =∞`åfixH˜ zǨ Ï flO. â◊ Ü « ∞ # =Ú„^Œ Ö ’ "≥ Å ã≤ #
N~°OQÆ<å^äŒ∞_»∞ ã¨fiÜ«∞OQÍ `«# ‰õΩ_ç KÕuÖ’ H˜s\Ïxfl K«∂Ѩ_»O,
PÜ«∞# `«#∞ ™ê~°fiÉè∫=Ú_ç#x `≥eÜ«∞*ˇÜ«∞º_»"Õ∞! PÜ«∞# `«#
Z_»=∞ KÕu`À `«# K«~°} Hõ=∞ÖÏÅ =OHõ K«∂ѨÙ`«∂, Éèí‰õΩÎʼnõΩ
`«# áê^•Å =^ŒÌ â◊~°}ÏQÆu K≥Ü«∞º_»"Õ∞ =ÚH˜ÎH˜ =∂~°æO Jx
ã¨∂zã¨∞Î<åfl~°∞.—— H˜s@O =∞#ã¨∞Ö’ D ÉèÏ=O ã¨Ê+¨ìOQÍ LOk.
`«Ñ¨C KÕÜ«∞\ÏxH˜ `«Ñ¨Ê WOHõ ^ÕxH© ÉèíÜ«∞Ѩ_»=^Œ∞Ì.
J#∞"å^ŒO : _®II ã¨∞=∞<£Å`«
g∞<åHõ$uÖ’ L#fl Ѩ~°=∂`«‡ Hõ~å‚Éèí~°}ÏÅ∞ WÖÏ J<åfl~Ú
- ''"Õ∞q∞^ŒÌ~°O Ѩ~°=∂`«‡ Ü«∞â◊ã¨∞û#∞ =∞iO`« HÍOu=O`«OQÍ
„ѨuѶ¨eOѨKÕ™êÎ=Ú. JO^Œ∞ˆH "Õ∞"Õ∞ Q˘Ñ¨Ê! Ѩ~åâ◊~° Éèí@ì~°∞"å~°∞
~°OQÆ~å[ã¨Î=OÖ’ =∂HÍOux D q^èŒOQÍ =i‚OKå~°∞.
åÆå∆¢˛∫uƒÚÁ{ N˛m| ú Á∆ÁƒªÚÁ{
ª  Fƒ ¬Ï e oÁz D uY| ™ | ± Á∫yªuË∫ãoÁ{ @
úu∫u™¬t¬N˛Á¬y∆{ ƒ ¬Á™Ê à ƒz ¬ ÁoΩ
EåÏ ™ um™N˛∫Áz Ú Á{ ∫WΩ T áÏ Æ Á| ™ w o Á£áz : @@
g∞<åHõ$uÖ’ L#fl ™êfiq∞"åi Hõ#∞^À~Ú, g∞<åHõ$uÖ’
ZO`À JO^ŒOQÍ L#fl Hõ~å‚Éèí~°}ÏÅ#∞ JO^ŒOÖ’ F_çOKå~Ú.
KÕѨŠPHÍ~°OÖ’ L#fl D Hõ~å‚Éèí~°}ÏÅ∞ ™êfiq∞"åi Hõ~°‚=ÚÅ<Õ
=ÅÖ’ z‰õΩ¯‰õΩ<åfl~Ú. W=hfl K«∂ã≤ Ô~zÛáÈ~Ú# g∞<åHõ$uÖ’
#∞#fl Hõ~å‚Éèí~°}ÏÅ∞ Ô~O_»∂, HÀѨOQÍ xѨCÅ∞ Hõ‰õΩ¯`«∞#fl suÖ’,
q∞Åq∞Å "≥∞~°∞ã¨∞Î#fl@∞¡ L<åfl~Ú.
™êfiq∞"åi ‰õΩ_çKÕuÖ’ JÅiOKÕ ã¨∞^Œ~°≈# K«„HõO, WÖÏ
JOk - ''™êfiq∞"åi k"庄™êÎ Å xfl\˜ H © <Õ # ∞ =ÚYº"≥ ∞ ÿ #
JkèHÍix. JO^Œ∞ˆH ™êfiq∞"åi H©iÎH˜ =<≥fl`≥ã¨∞Î#fl ^•xQÍ ##∞fl
Q“~°qOKåe! <å~°^•! XHõ¯ q+¨Ü«∞O QÆ∞~°∞ÎOK«∞HÀ"åe ã¨fiÜ«∞OQÍ
=~° ^ Œ ~ å[™êfiq∞ "åi<À@ 'J=∂‡!— Jx Ñ≤ e Ñ≤ O K« ∞ ‰õ Ω #fl
#_®^Œ∂~°∞ J=∂‡àò, `«# ¿ÇÏuѨÙOQÆ= ™È΄`«OÖ’ WÖÏ JO\Ï~°∞.
<<\Æ! “z o y∆! ¬fl™y∆§Á¤¬WΩ N ˛Á∫ßÓ o !
\Æ! úØÁÁÆÏ á y™Ï P Æ!
(=∞~°∞QÆ∞`«∞#fl áêÅ∞ `åy`Õ Ñ¨~°=∂`«‡‰õΩ <À~°∞ HÍÅ∞`«∞Ok
Jx, áêÅ#∞ K«ÖÏ¡iÛ, QÀ~°∞ "≥K«ÛQÍ ™êfiq∞"åiH˜ WzÛ, PÜ«∞#
KÕ`« ã¨fiÜ«∞OQÍ 'J=∂‡— Jx ã¨OÉ’kèOѨKÕã¨∞‰õΩ#fl #_®^Œ∂~°∞
J=∂‡àò QÍ^äŒ QÆ∞~°∞ÎO_Õ LO@∞Ok.)
PÜ«∞# ã¨∞Îuã¨∂Î ##∞fl ™êfiq∞"åi KÕuH˜ HõOHõ}O ÖÏO\˜
JÅOHÍ~° Éèí∂`«"≥∞ÿ# ^•xfl JO@∂, 'ѨOKåÜ«Ú^äŒâ◊=ÚYº— Jx
J<åfl~°∞. JÖÏ Ô~O_»∞ q^è•ÖÏ <Õ#∞ ™êfiq∞"åi JO^•xfl, H©iÎh
‰õÄ_® „Ѩã¨iOѨKÕ™êÎ#∞.
J^Õ ã¨=∞Ü«∞OÖ’ ™êfiq∞"åi ^èŒ#ã¨∞û, ™ê~°OQÆO WÖÏ JOk
- ''<Õ#∞ PÜ«Ú^è•Åxfl\˜Ö’ JO^Œ"≥∞ÿ# ^•xx. JO^Œ∞=ÖË¡
ZšѨC_»∂ ##∞fl `«# KÕuÖ’ ^èŒiOz ‰õΩOÉèíHÀ}OÖ’ `«# Éèí‰õΩÎʼnõΩ
^Œ~°≈#O WKÕÛ ™êfiq∞ ¿Ñ~°∞ ''™ê~°OQÆáê}˜—— Éèí‰õΩÎÅ∞ ##∞fl JO^Œ"≥∞ÿ#
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^•xQÍ Ñ¨iQÆ}˜™êÎ~°∞ `≥Å∞™ê?
WÖÏ Jxfl PÜ«Ú^è•Å∞ - PÉèí~°}ÏÅ∞ `«=∞x QÆ∞iOz
`å=Ú Q˘Ñ¨ÊQÍ K≥ѨC‰õΩO@∂ LO>Ë, ™êfiq∞"åi ¿ã<å<åÜ«∞‰õΩ_≥·#
q+¨fiˆHû#∞_»∞ WÖÏ J<åfl_»∞ - ''™êfiq∞"å~°∞ `«# =Hõ∆ã¨÷ÅOÃÑ·#
^èŒiOKÕ H“ã¨∞ÎÉèí=∞}˜x, Ju qÅ∞"≥·#kQÍ ÉèÏq™êÎ~°∞. ^•xH˜
HÍ~°}O P K≥·`«#º=O`«"≥∞ÿ# PÉèí~°}O r"å`«‡Å‰õΩ „ѨfHõ Jx
ÉèÏqOK«_»"Õ∞!——
D ã¨OÉèÏ+¨}Åhfl ѨÓ~°Î=Ù`«∞#fl ã¨=∞Ü«∂xH˜ ™êfiq∞"åi
u~°∞=∞O[#O - ѨÓ~°Î~ÚOk. PÜ«∞# <å~°^Œ∞x =OHõ K«∂ã≤ -
''<å~°^•! D <å\˜H˜ h HõÅǨÏÉè’[`«fiO ѨÓiÎ J~ÚO^•! x*ÏxH˜
#∞=Ùfi ã¨iÜ≥ÿ∞# „Ѩâ◊fl<Õ ÖË=<≥`åÎ=x ÉèÏq™êÎ#∞. ... <å JO^•xfl,
H©iÎx =∞iO`« „ѨHÍtOѨKÕ¿ãk Z=~À `≥Å∞ã¨∞HÀ"åÅO>Ë "≥o¡,
h `«e¡ ã¨~°ã¨fiux J_»∞QÆ∞ <å~°^•!——
<å~°^Œ∞_»∞ u#flQÍ ã¨~°ã¨fiu =^ŒÌ‰õΩ "≥o¡ ''=∂`å! ÉèíQÆ=O`«∞x
JO^•xfl, H©iÎx =∞iO`« W#∞=∞_çOѨ*Ë¿ã PÉèí~°}O - PÜ«Ú^èŒO
Uk `«b¡?—— Jx „ѨtflOKå_»∞.
㨠~ ° ã ¨ fi f^Õ q `« # ‰õ Ω J`« º O`« „Ñ≤ Ü « ∞ "≥ ∞ ÿ # Ǩ Ï Ü« ∞ „w=
Ѩ~°=∂`«‡#∞ ^蕺xOK«QÍ, PÜ«∞# "åi=∞O^Œ∞ „Ѩ`«ºHõ∆=∞Ü«∂º_»∞.
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NEWS
Australia repatriates 29 antiques
to India; check details
PM Modi inspected the antiquities which returned from
Australia.
In what has been perceived as a historic move, Australia
has repatriated 29 antiques to India. These artefacts are
from different time periods, with the earliest dating to 9-
10 century CE. This comes as Australian Prime Minister
Scott Morrison and Prime Minister Narendra Modi are
all set to hold a virtual summit at 12:30 pm today.
Apart from returning the 29 artefacts, Australia is also
expected to announce an investment of Rs 1,500 crore
in technology and critical minerals. The Ukraine-Russia
war is also likely to feature in the talks between the
two leaders.
The artefacts come from six broad categories – Shiva
and his disciples, worshipping Shakti, Lord Vishnu
and his forms, Jain tradition, and portraits and decorative
objects. These artefacts are primarily sculptures and
paintings executed in variety of material - sandstone,
marble, bronze, brass, paper.
Here is the list of the antiques returned by Australia:
1. A Shiva Bhairava sandstone sculpture, holding a
rod or Danda to punish reprobates. 2. A bronze sculpture
of the child-saint Sambandar, one among the three
principal saints of South Indi. 3. A bronze sculpture of
a dancing child-saint Sambandar, one of a group of
sixty-three saints who adored Shiva in Tamil Nadu.
4. Saint Chandikesvara sculpture, adorned with a high
jata-mukuta, and shown bedecked with jewels. 5. Shiva
and Parvati water coloured heightened painting from
Kangra, Himachal Pradesh from 1830-40. 6. A dancing
Sambandar sculpture. 7. A Yaksha Bhairava portrait
from the 19th century made with gold, silver ink. 8. A
Durga Mahisasuramardini sandstone sculpture, where
the goddess is seen holding Mahisha demon by his
hair, with her tongue out, and an aggressive expression
throughout her face. 9. Kali yantra portrait from Uttar
Pradesh from the 19th century. 10. Lakshmi Narayana
sandstone sculpture that shows the divine couple,
Lakshmi and Vishnu, from 10th-11th century CE. 11.
An untitled Manorath portrait of donor and priests from
Udaipur. 12. A portrait of Varaha rescuing the Earth
Goddess. 13. Baby Krishna on a banyan leaf portrait
14. Shrinathji portrait from 19th century. 15. Krishna
and Arjuna portrait. 16. Arch of a Jain shrine, an
embellished frieze from 11-12th century. 17. Seated
Jina marble sculpture. 18. Vijnaptipatra, a picture scroll
of a letter of invitation to Jain monks. 19. Maharaja
Sir KishenPershadYamin portrait by Lala DeenDayal
20. Hiralal portrait. 21. An untitled portrait of a man
<≥·uHõOQÍ kQÆ*Ï~°Û@OÖ’ _»|∞ƒk =ÚYº"≥∞ÿ# áê„`«.
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'qt+¨ì— <å=∂xfl „â◊^ŒúQÍ [Ñ≤ã¨∂Î, zÅ∞‰õÄ~°∞Ö’ "≥Åã≤# ÉÏÖÏr
~°∂áêxfl ÉèíH˜ÎQÍ ^蕺xOKåe.
„Ñ≤Ü«∞"≥∞ÿ# '"åH±— áê~î°‰õΩÖÏ~å - ''qtëêìÜ«∞ #=∞ó——
<å=∂xfl ÉèíH˜Î - „â◊^ŒúÅ`À [Ñ≤^•ÌO!
II FO qtëêìÜ«∞ #=∞ó II
@@ HÂ uƒu∆…eÁÆ å™: @@ O
from 1954. 22. An untitled Gujarati family group portrait
23. An unknown portraiture of a woman from Udaipur.
24. Portrait of a gentleman by Panna Lal. 25. A page
from a Ragamala series. 26. A young lady with elaborate
saree portrait. 27. A processional standard or an Alam
28. Lakshman Chandji before Shri Dursham Ramji
portrait. 29. An amorous couple portrait
(Business Today Mar 21, 2022)
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ÃÁ{ãtÆ| N˛Áz EÁ{∫ EuáN˛ ßÁuÃo N˛∫åzƒÁ¬Á EÁÆÏá ÆÁ
EÁßÓ m uN˛Ãz ™Áå ÃN˛oz “¯?>>
™ÁoÁ Ã∫Àƒoy åz Eúåz N˛Áz EnÆão TÁ{∫ƒåyÆ EÁ{∫
uüÆ ú∫™Án™Á “ÆT¿yƒ N˛Á ÜÆÁå uN˛ÆÁ@ ƒz GåNz˛ Ùq
üN˛b “ÏL@ ™ÁoÁ Ã∫Àƒoy åz ü≈å uN˛ÆÁ - <<“z ú∫™Án™Á!
EÁúNz˛ uN˛Ã EÁßÓ m EsƒÁ EÁÆÏá Nz˛ N˛Á∫m EÁúN˛y
∆ÁzßÁ ™ı EÁ{∫ EuáN˛ uåQÁ∫ EÁoy “¯>>? FÃz ÃÏå “ÆT¿yƒ
åz G ∫ utÆÁ - <<Ã∫Àƒoy! ™¯ oÏ©“ı LN˛ N˛ÁÆ|ßÁ∫ ÃÁ¯úÓÊTÁ@
GÃN˛Á úÓ∫Á N˛∫åz ú∫ Eúåz ü«Áí N˛Á G ∫ oÏ©“z Ó\ “y
u™¬ \ÁLTÁ@>>
ú∫™Án™Á åz EÁtz∆ utÆÁ - <<Ã∫Àƒoy! oÏ™ \ÁN˛∫
∫Á\Á t∆∫s N˛y únåy N{˛Nz˛F| N˛y tÁÃy ™Ês∫Á N˛y u\¤Á
ú∫ §{eÁz EÁ{∫ GÃz ƒÁM∆uO˛ tÁz@ GÃNz˛ üßÁƒ Ãz ™Ês∫Á,
`«##∞ `å#∞ ã¨O㨯iOK«∞‰õΩ<Õ "å~°∞ =∞Ǩϟ#fl`«∞Å∞.
N{˛Nz˛F| N˛Áz ∫Á\Á t∆∫s Ãz tÁz ƒ∫ ™ÁÊTåz Nz˛ u¬L uƒƒ∆
N˛∫ ÃN˛oy “{@ Gå™ı Ãz LN˛ ƒ∫ “{ ∫Á\Á t∆∫s Nz˛ úÏfi
∫Á™ N˛Áz ƒåƒÁà ßz\åz Nz˛ u¬L “eN˛∫åÁ EÁ{∫ Eúåz
úuo t∆∫s ú∫ t§Áƒ gÁ¬åÁ@ FÃNz˛ §Át oÏ©“ı ÙÁáÁå
Eúåz EÁú u™¬ \ÁLTÁ@>>
Ã∫Àƒoy åz Eúåz N˛ÁÆ|ßÁ∫ N˛Áz ÃÊßÁ¬Á ∫Á™ Eúåz
EåÏ\ ¬fl™m EÁ{∫ únåy ÃyoÁ Nz˛ ÃÁs tlgN˛ §å Y¬z@
“ÆT¿yƒ åz ßuƒ…Æ N˛y VbåÁEÁı N˛Áz tzQ ÃN˛åz Nz˛
u¬L Ã∫Àƒoy EÁ{∫ åÁ∫t N˛Áz ut√Æ –u…b ütÁå N˛y@
tlgN˛ ƒå ™ı »y∫Á™ Nz˛ úm|∆Á¬Á Nz˛ úÁà ƒ“Á Nz˛
ÃÁ∫z Ju  - ™ÏuåÆÁı N˛Á EÁT™å “ÏEÁ@ EÆÁzÜÆÁ åT∫y ™ı
∫Á™, ut√Æ EÁ{∫ E™Ó¡Æ ƒÕÁ EÁ{∫ EÁßÓ m áÁ∫m N˛∫åz Nz˛
N˛Á∫m, ÃY N˛“Á \ÁÆ oÁz ∫Á™ N˛Á E¬Á{uN˛N˛ ÃÁ{ãtÆ| uZú
“y TÆÁ sÁ@ EÁ\ ƒåƒÁà ™ı GåNz˛ ∆∫y∫ ú∫ åÁ∫ Nz˛
ƒ¡N˛¬Áı Nz˛ E¬ÁƒÁ N˛ÁzF| EÁgʧ∫ Ãz ÆÏO˛ ƒÕÁ ÆÁ EÁßÓ m
å“Î “{@ Eo: GåN˛Á Ó\ ÃÁ{ãtÆ| EÁ{∫ Æ∆ N˛y EÁßÁu§Q∫
∫“y “{@ Ã| úu∫nÆÁTy ™ÏuåÆÁı Nz˛ ™å ™ı ßy ∫Á™ N˛Áz
EÁu¬ÊTå §Ú N˛∫åz N˛y Et©Æ FXZÁ “ÏF|@ Gã“Áıåz ∫Á™ Ãz
üÁs|åÁ N˛y uN˛ “™ı LN˛ §Á∫ Eúåz EÁú N˛Áz ut√ÆÁÊTåÁEÁı
N˛Á øú áÁ∫m N˛∫ EÁúN˛Á EÁu¬ÊTå N˛∫åz Nz˛ u¬L EåÏ™uo
tz@
»y∫Á™ Nz˛ Eúåz Fà EƒoÁ∫ ™ı Nz˛ƒ¬ Eúåy úoíy
ÃyoÁ Nz˛ E¬ÁƒÁ uN˛Ãy ÕÁy N˛y, EÁz∫ EÁÂQ GeÁN˛∫ ßy
å“Î tzQåz N˛Á <LN˛ úoíy ƒ¿o> Nz˛ N˛Á∫m EÁúN˛y FÃ
FXZÁ N˛Áz ™¯ Eúåz EÁTÁ™y Nw˛…mÁƒoÁ∫ ™ı úÓ∫Á N˛øÊTÁ@
o§ EÁú ç TÁzNÏ˛¬ N˛y TÁzúÁÊTåÁEÁı Nz˛ øú ™ı \ã™
¬zåÁ!>>
∫Á™ åz ™ÏuåÆÁı N˛Áz Ù^ÁÆÁ@
Æ“ ç tzQåz Nz˛ ú≈YÁoΩ ú∫™Án™Á åz Ã∫Àƒoy EÁ{∫
åÁ∫t Ãz úÓZÁ - <<E§ Ù^z?>>
Gã“Áıåz N˛“Á - <<“z ú∫™Án™Á! EÁúNz˛ ÃÁ{ãtÆ| EÁ{∫
Æ∆ N˛Áz §jÁ ÃN˛åz N˛y q™oÁ uN˛Ãy ßy EÁÆÏá ÆÁ
EÁßÓ m ™ı å“Î “{@ EÁúNz˛ u¬L §Áÿ GúN˛∫mÁı N˛ÁzF|
EÁƒ≈ÆN˛oÁ å“Î@ EÁú “∫ üN˛Á∫ Ãz »z…e, uƒ∆z  EÁ{∫
uƒu∆…b “¯@
Fà ú∫ “ÆT¿yƒ åz Gå tÁzåÁı Ãz N˛“Á - <<ET∫
EÁú FÃz EÁ{∫ EuáN˛ \ÁååÁ YÁ“oz “¯ oÁz YÁz¬∫Á[Æ Nz˛
YÊúN˛Á∫lÆ \ÁFL, u\Ãz ∫Á\™ëÁÁ∫ ütz∆ Nz˛ åÁ™Ãz \ÁåÁ
\ÁoÁ “{@ ƒ“Á ú∫™Án™Á N˛Áz ÃÊúëÁ “Ázåz ƒÁ¬y <<ƒ{lm{ Ápy>>
ÃzƒÁ N˛Áz tzQN˛∫ Eúåz EÁúN˛Áz áãÆ N˛yu\L@ ¢˛ÁTÏå Nz˛
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™Á“ ™ı ß∫my åqfi Nz˛ utå ƒ“Á uƒ∫Á\™Áå ú∫™Án™Á Fà –≈Æ N˛Áz tzQåz Nz˛ §Át Ã∫Àƒoy EÁ{∫ åÁ∫t\y
N˛y Æ“ ÃzƒÁ ÃÊúëÁ “Ázoy “¯@ N˛Áz LN˛ §Áo Àú…b “ÏF| uN˛ N˛ÁzF| ßy EÁßÓ m, ú∫™Án™Á
Ã∫Àƒoy EÁ{∫ åÁ∫t ∫Á\™ëÁÁ∫ qzfi ú“ÏÂYz@ ƒ“Á Gã“ÁzÊåz Nz˛ ÃÁ{ãtÆ| N˛Áy ƒwuÚ N˛∫åz ƒÁ¬Á ÃÁáå å“Î “{, §u¡N˛
tzQÁ uN˛ VÏbåÁı ú∫ Y¬ ∫“z §Á¬Nw˛…m N˛y ™Óuo| Nz˛ úyZz, ú∫™Án™Á Nz˛ N˛Á∫m ÀƒÆÊ GåNz˛ ÃÁ{ãtÆ| ™ı uåQÁ∫ EÁoy “{@
ßO˛Áı N˛Á Ùӓ QYÁQY ß∫Á “ÏEÁ “{@ §Á¬Nw˛…m Nz˛ ™ÏQ Foåy uƒ∆z oÁEÁı EÁ{∫ uƒu∆…b TmÁı Nz˛ N˛Á∫m ú∫™Án™Á
N˛y EÁz∫ ßO˛Áı N˛y ÃÊPÆÁ N˛Áz Àƒ¡ú ™ÁfiÁ ™ı “y úÁN˛∫ N˛Á åÁ™ “{ - <<uƒu∆…b>>@
Gã“ı EÁ≥ÁÆ| “ÏEÁ@ uƒ…mÏÓœÁåÁ™, u\Ãz ßy…™ uúoÁ™“ åz ÆÏuáu…e∫
<<ƒ{lm{ Ápy>> N˛y Fà uƒu∆…b ÃzƒÁ Nz˛ Ã™Æ VÏbåÁı N˛Áz ÃÏåÁÆÁ sÁ ú∫Á∆∫ ßc åz Fà N˛y √ÆÁPÆÁ N˛y sy@
ú∫ Y¬ ∫“z §Á¬Nw˛…m N˛y ™Óuo| Nz˛ ¢˛Á¬ ßÁT ú∫ ∫Qåz ÓœÁ åÁ™Áı N˛Á YÁ{sÁ ßÁT - 250 ƒÁ åÁ™ “{ <uƒu∆…b>@
ƒÁ¬z EÁßÓ m <∫Á≤˛Ázug> N˛Áz GåNz˛ úw…eßÁT ú∫ ¬bN˛ÁÆÁ uåªuO˛ Nz˛ EåÏÃÁ∫
\ÁoÁ “{@ FÃy ™ÏPÆ EÁN˛ |m Nz˛ N˛Á∫m ßO˛Tm úyZz Ãz uƒ¬qmÁz uƒu∆…bÁz Æ: ÃÁ| å Ω oÁåΩ Eåúz fl Æ Ã:@
™Óuo| N˛Áz tzQåz ƒ“Á ß∫ \Áoz “¯@ ET∫ EÁ{∫ N˛ÁzF| Fà Àƒo Lƒ otåúz fl Æ ƒ{ ¬ qlÆnƒÁ u˚u∆…b:@@
<∫Á≤˛Ázug> N˛Áz ßÁ¬ ú∫ å“Î §u¡N˛ úw…eßÁT ™ı ¬bN˛Á \Áz Eúåz EÁú N˛Áz uN˛Ãy ßy üN˛Á∫ Nz˛ ƒÕÁ EÁ{∫ ßÓ m
N˛∫ utQoz “¯ oÁz GåN˛y “ÂÃy Eƒ≈Æ G‰gÁF| \ÁLTy@ uN˛ãoÏ áÁ∫m N˛∫åz ú∫ ßy, EÁN˛ |N˛ EÁ{∫ é™ÁååyÆ utQåÁ YÁ“oz
∫Á\TÁzúÁ¬ N˛y Fà ™Óuo| N˛y uƒ∆z oÁ FÃy ™ı “{@ Ãßy “¯ ƒz Fà <uƒu∆…b> åÁ™ N˛Á »ÚÁ Ãz \Áú N˛∫zÊ EÁ{∫ uY¬NÓ˛∫
N˛Áz EÁN˛u |o N˛∫åzƒÁ¬Á EÁßÓ m ÃÁ{ãtÆ| N˛Áz uƒQz∫oÁ ™ı uƒ∫Á\™Áå §Á¬Á\y Nz˛ øú N˛Á ÜÆÁå N˛∫ı@
“{@ ú∫™Án™Á N˛Á ÃÁ{ãtÆ| YÁ∫Áı EÁz∫ üÃu∫o “ÁzoÁ “{@ @@ H uƒu∆…eÁÆ å™: @@ O
Lakshmi says "Wherever I exist, merits exist and
ÆfiÁ“Ê ofi úÏ l ÆÁuå ÆfiÁ“Ê ofi Nz ˛ ∆ƒ:
∆ƒ:@@ wherever I exist, Kesava also exists. Therefore I (should
be regarded as) the woman(hood) inherent in all
ƒuåoÁÆÁ™“Ê oÀ™ÁëÁÁ∫y Ã| \ Tã™Æy@@ women, that pervades the universe..." .
(Source - Lakshmi Tantra )
Ü«∞„`åǨÏO `«„`« ѨÙ}Ϻx Ü«∞„`åǨÏO `«„`« ˆHâ◊=ó I ''...<Õ#∞(=∞ǨÅH˜∆ ‡x) ZHõ¯_» LO>Ë JHõ¯_» ѨÙ}ϺÅ∞, <Õ#∞ ZHõ¯_À
=x`åÜ«∂=∞ǨÏO `«™ê‡<åfls ã¨~fi° [QÆ#‡~¸ II JHõ¯_Õ Hˆ â◊=Ù_»∞. JO^Œ~∞° =x`«ÅÖ’ <Õ#∞O\Ï#∞. JO^Œ∞Hˆ [QÆ`∞« ÖÎ ’x
¢ãÅΑ #∞ <å ~°∂ѨOQÍ ÉèÏqOz Q“~°qOKåe...—— (¿ãHõ~}° : ÅH©; `«O„`«O )

EãJmy \ÁÆoz Ã˘Áz áåÊ ∆yV¿ ™ ƒÁúÏ Æ ÁoΩ @ @

=∞Oz Ѩxx "å~Ú^• "ÕÜ«∞‰õΩ - K≥_»∞ Ѩxx `«ÅÃÑ@ì‰õΩ.

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AHOBILAM AND AHOBILA MUTT - 110
VAASANTHIKA PARINAYAM
Story so far:
Post Tallikota war where the three Sultanates –
Golconda, Bahamani and Bijapur joined together to
decimate the then mighty Vijayanagar empire with
connivance of Hande Chiefs, the Ahobilam Temple was
ransacked by Golconda Sultan in connivance with
Hande Chiefs of Maharashtra who were Hindusandthe
worship was stopped. There was a massive integration
effort undertaken by 7th pontiff of Sri Ahobila Mutt. He
brought together all the Sanathana Dharma followers,
be it tribals of Ahobilam, noble communities or the
warriors of Vijayanagar into one banner, fought the
Hande Chiefs and the Golconda Sultan army, drove
them away and re-established worship at Ahobilam
temple and paved way for a new powerful empire and
dynasty called Araveedu dynasty of Vijayanagar which
took back almost all lost territories and became a
massive force for long period of time. The story that
did wonders with integration was
VaasantikaParinayam.VasantikaParinayam is about
Lord Lakshmi Narasimha of Ahobilam marrying a
Chenchu tribe incarnation of Goddess Lakshmi. This
is originally in Sanskrit and Prakrit and is being narrated
now for VAK readers in English. The story starts with
a brief on the Author the 7th Jeer of Ahobila Mutt who
was a great logician, poet and who led the expedition
to restore AhobilamTemple.VasantikaParinayam drama
was always enacted at Ahobilam during Lord’s
Vasantotsavam and his trip to over 40 tribal villages
which played a major role in integrating all the people
there who raise to protect the Ahobilam shrine. The
drama starts with the following Mangala slokas
worshipping Lord Chenchu Lakshmi Narasimha and
Lord Hayagreeva. Later it proceeds with prostrations
to Adi Van SatakopaYatheendraMahadesikan, the first
Jeer of Ahobila Mutt who insipired and blessed many
kings in the country such as Vijayanagara Empire,
Kalinga Empire etc. First there is introduction of the
illustrious Ahobila Mutt Lineage which housed the
Emperors (Saarvabhouma) of all preachers of Veda
Marga or Sanathana Dharma or also known as Lord
Ramanuja’s philosophy. The drama has started with
Lord Lakshmi Narasimha out for hunting and Lord
Devendra preparing to come to have his darshan.
Sudathi, Princess of Gandharva Raja pleases Goddess
Mahalakshmi by her dance, pleased Mahalakshmi
grants her boon which is nothing but making Lord
Narasimha, husband of Sudhathi. In order to make
this happen, Sudhathi is born as hunter’s daughter in
AhobilaKshetram with Goddess Lakshmi herself inside
her. Lord Narasimha who went for hunting had a glimpse
of this beautiful girl and instantly fell in love with her.
After several strategies Lord won the heart of the
beautifulgirl and she started longing to see him again.
King Shoorasena, father of princess Vaasantika was
worried to see the plight of his daughter. Kadambika
learns about Vaasantika’s fever for Lord Narasimha.
Meanwhile Vasantika’s friends invited Vigjnyanavathi
who predicted that Lord Ahobilesa will marry Vaasanthik
– M.V. SOUNDARARAJAN
and left. Lords servants Sambari and Mayamaya have
been commissioned by Lord on a mission to unite
Lord and Vasantika.Lord takes a stroll with Vidushaka
near the Bhavanashini forests.
Third Part Second Scene (contd)
Lord Narasimha : (with an undescribable gesticulation)
L Á úm|NÏ˛by ú∫Á∆∫™Ïåz∫zo˚uÃ…eÁ»™™Ω
ü⁄ÁtÀÆ ™ÏåzÀoúÁzƒåu™tÊ onúÏlg∫yN˛Ázb\™Ω@
ƒ{áÁfiÀÆ™Ïåz: uåƒz∆åu™tÊ √ÆÁÃÁut™ÁåÁu™™z
üÁXÆÁÊ ßÁTƒoÁT¿my: úu∫ tÁÊ úmÁ|¬ÆÁ: úÁƒåÁ:@@
Look here, this is the parnashala of Saga Parashara.
Sage Vasishta is also here next to that. This is also
the Tapovana of the great devotee Prahlada. Sage
Narada and Vyasa have their living places here.
Opposite to that we have lots of huts (Parnashalas)
of various Bhagavathas. (Looking at another side)
ú≈ÆÁT¿z ßÁƒåÁu∆åy obƒoÎ úÁúÁ{VuƒÜƒÊuÃåy™Ω
ÀƒXZÀÀƒÁtÏ\¬ÀƒßÁƒÃÏßTÁ™ão: üƒÁ“Áu™™Á™Ω
G㙶ÁãnÆú∫z Y Æfi N˛uouY㙶Áuão úÏlÆÁztNz˛
uånÆÊ Nz˛Yå uåƒ|“uão uåÆ™Ê tzƒu |únåyTmÁ: @@
Friend! Look at the river Bhavanashani running in front
of us. This river has the power to completely burn all
the sins into ashes. The clear sweet water is so tasty
that we cant describe it in words. It is beautiful in nature.
The speed of flow is also quite high. Look at various
people who are bathing in it. More over the wives of
celestal devas and rishis are taking bath in this river
daily and complete their regular rituals. (Lord, looking
somewhat recovered from the heat of love)
∫ÃÁ¬åƒ™u®N˛Á N˛™¬N{˛∫ƒÁ∆ÁzN˛ßÓ-
™∫ãt∫ÃN˛ãt¬y ™u“oTãáúÁumÊá™:@
™åÁz ™™ ™åÁzßσÁz ÆÏTútfi uƒfiÁuÃo™Ω
oåÁzuo ߃åÁu∆åÎ obƒoÎ o∫WΩTÁuå¬:@@
Aha! What can I do? I am expressing the feelings I
am undergoing. Please keep hearing. The nectar and
cool sweet smell from the Mangos, Navamalika, Lotus,
Ashoka, blue lilly flowers are on one side highly
enjoyable and on the other side the cool breeze on
the banks of Bhavanashini is also quite enjoyable.
When these act together we get a soothing and cooling
effect and they are making my mind afraid of Lord
Manmatha, the Lord of Love. (Later becoming more
courageous). He thinks as if I am controlled by him!
Oh! Manmatha! Cruel and unjust! Get away from me!
ÆÁu“ ÆÁu“ úÏåtÓ∫| z tÓ∫z ™Áªo ™Áªo@ EÁNÏ˛¬: qÏáÆztÁåy™ÁÃy u¬™úëÁT:@@
Oh! Cold Breeze Vaayu! Your powers wont affect me!
Look, my serpant bed Adishesha is hungry and he
will completely eat you away. Be careful! May be you
don’t know that He is the one who can consume air
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as food for his living. Get away from my eye sight!
Vidushaka : (As if remembering something) Yes! Lots
of time has elapsed here. My position is pitiable in
your fever of love. I am also suffering from hunger like
your bed Adishesha. Please look at me also!
Lord Narasimha: (with a smile): Dude! Depending on
the desire of the mind one‘s mind will wander around
what they desire. You always like food and hence you
long for it. For me, I am in love with that beautiful girl
and :
»Ïuo™u“ßwo≈∆wWΩTzDuú ƒÁ ߃åÁu∆åy™Ω-
úw ou∆Q∫z NÏ˛±Áz NÏ˛±Áz TÏ“ÁÃÏ TÏ“ÁÃÏ ÆÁ@
uN˛Ã¬Æ™Æz o¡úz o¡úz ìy¬™ÏúzÆÏ Á
uY∫u™ƒ ™ÆÁ ÃÁNÊ˛ ÃÁ uNÊ˛ ∆Æyo ∫™zo ƒÁ@@
I am wondering if she will be soon with me and always
will we go around the dense grassed meadows, in
the beautiful and cool peaks of hills and inside cool
hilly caves , in the beautiful dense creeper forest places
on the bed of tender leaves where we can enjoy together
our love. Will she sleep with me in all these places
and enjoy with me for ever is what I am wondering
(Lord acts as if he is tired and suffering due to heat
of Love).
Vidushaka: (With lots of worry in mind, speaking within
himself)
T™åzåÁuú ™tåzåÁuú FtÁåÎ tzƒÁz –‰jÊ úu∫»Áão:@
uåæÁÃuo tyV˙ tyV˙ ÙzDuú ™ÁT˙ útz útz ÀQ¬uo@@
Alas! What is this? Lord becames tired due to long
walk and heat of love. He breaths heavily. Lord stumbles
even on straight road without any ups and downs. His
state is like Lord Rama’s state when he was away
from Sita. (In an expressive voice to the Lord) Oh!
Lord! Lets take some rest on the marble bench watching
the water falls flowing and the greenery around.
Lord Narasimha : Oh! So be it! (He sits on the Marble
bench). (he looks around keenly) Aha! Where ever I
go my shadow follows me.
ƒåz ƒåz Y ™áÏúÁ: ™áÏúz ™áÏúz Àƒ∫Á:@
Àƒ∫z Àƒ∫z Y ™z ßÁƒÁ: ßÁƒz ßÁƒz ™åÁz߃: @@
This forest is increasing my heat of love. In this forest
there are several natural gardens and in each garden
there are groups and groups of bees. Each bee is
shouting soothingly after drinking nectar from flowers.
My mind is caught in that sound. Immediately Manmatha
enters me.
Æfi Æfi ™™Á¬ÁzN˛Á: ofi ofiÁuú ™z uüÆÁ@
À™∫ÁzzDåÏoÁúÁÄÁN¿˛z uNÊ˛ oã™ÆÊ ßσåfiÆ™Ω@@
Where ever I see and what ever I see, my lady love is
seen here by me. What is this. Due to compassion
on me, Manmatha has made the entire universe filled
with her. (Lord voices his mind out of love).
Y∫mÆÏTpy™WΩNz˛ ÃʃÁ“Æzuo uåƒz≈Æ ƒÁ
uYuƒbÆ úÏå: úyeÎ Ãʃy\ÆznÆåÏ∆ÁÀÆ ƒÁ@
Ü«∞^•~å÷Å#∞ q㨇iOz#ѨC_Õ J#~å÷Å∞ [~°∞QÆ∞`å~Ú.
Àoå™N˛u∫N˛Á™Ï¸Á ÃÊßÁuƒoÁz∫Ù˘ ™Á™Ω
úu∫\åútz ÆÁzOÏ˛Ê §Á¬z oƒÁƒÃ∫Áz å ƒÁ@@
Oh! Beautiful Girl! The Jewel among all the ladies!
When will you make me as your slave!? When will
you keep your both tender legs on my lap and ask
me to massage them? When will you grab the beetle
leaves from my hand and eat? When will I get the
fortune of being in your arms in your embrace with
your breasta having a mark on my chest? Will I get
the opportunity to be one of your servants or not?
Vidushaka: (Hi, Hi- Laughingly). What is this deed of
Lord? He behaves as if his love is in front of him and
he is solacing her.
Lord Narasimha: Oh! Daughter of the king of Kiratha
tribe! Compassionless girl! Why are you unreasonably
angry on me. What is the mistake I have done? (he
gets up from the bench and again sits back in another
place). Otherwise it may be like this! You may be a
she elephant. Surely you have lots of resemblance
to the she elephant.
™ãtTuo™|tƒtuqNÏ˛YÁ{ Y NÏ˛©ßÁ{
tãoyN˛ úÁÁz¬¢˛¬N˛Á{ N˛∫éútÓª @
nƒÊ “uÀoåy otuú uNÊ˛ YuN˛oÁuà TãoÏÊ
“Á “ão “ão uƒutoÊ “u∫∆£tÆÁzTÁoΩ@@
You are walking so beautifully like a she elephant.
Your breasts are so large like the elephants head.
Your cheeks are sparkling like its ivory. Your thighs
are like its trunk! Aha! Now I can understand. You
must be afraid of me, hearing my name as Hari or
Lion. Oh! My Love! Don’t be afraid.(Lord gets up as if
he is searching for her).
Vidushaka: Lord! It wont be good for you to suffer
like ordinary human beings when they give away their
minds. Please be patiet! For the person who defeated
Banasura having one thousand hands, will this five
arrowed Manmatha be a difficult one to defeat?
Lord Narasimha : (Becoming highly emotional) What
can I do? Please understand my state.
Ã∫pT™N˛Ããá{≥ÁÁªÃWΩTyo§ãá{:
™™ ”tÆNÏ˛∫WΩTy ™ãtY{oãÆßWΩTy™Ω@
Ãúut uƒ∫YÆãoy ÃuëÁáÁƒÁåÆãoy
otåÏÃσtåÁ oÁ™Á“∫ãoy üÆÁoÁ @@
On that day I listened to the sweet music of that girl.
My ear has been completely attracted. My desire
enhanced by her music. My mind got lost in the sruthi
and Laya. How can I describe how she captured my
mind who is like a deer. My mind which is like a deer
got bound by the music of the lady and its legs got
confined, and intelligence vanished. Once my mind
has become immobilized by her music she cast the
net and get it close to her. Not only this! She has taken
it away with her.
(To be continued)
April '22 w w w w w w w w w w w w w w w w w w 16 w w w w w w w w w w w w w w w w w w w w w VAK
~å=∂#∞AÅ∞ - Hõj‡~°∞Ö’x âß~°^•Ñ‘~î° „Ѩܫ∂}O
^è•~å"åÇ≤ÏHõ 53= ÉèÏQÆO....
[iy# Hõ^äŒ :- N~å=∂#∞*ÏKå~°∞ºÅ∞ "Õ^•Å xQÆ∂_è» J~°ú=ÚÅ#∞
`≥Å∞ã¨∞H˘#\ÏxH˜ HÍj‡~°∞Ö’x ã¨~°ã¨fif Ñ‘~îåxH˜ |Ü«∞Å∞^Õ~å~°∞. JHõ¯_»
É’^è•Ü«∞# =$uÎ „QÆO^äŒ=Ú QÆÅ^Œ∞. ^•xx ™êH∆Í`«∞Î É’^è•Ü«∞# =∞ǨÏi¬
ã¨fiǨϙêÎÅ`À „"åâß~°∞. "å~°∞ ‰õĈ~â◊√Å`À K«„Hõ^èŒ~° f~°÷O KÕ~°∞H˘x JHõ¯_»
ˆHâ◊"åKå~°∞ºÅ#∞ Hõeâß~°∞. "å~°∞ HÍj‡~° ~åA ѨÓ~°fi „Ѩ^è•<å=∂`«∞ºÅ∞.
ˆHâ◊"åKå~°∞ºÅ"å~°∞ HÍj‡~° ~å[º K«i„`«#∞ ã¨O„QÍ=∞ ~åA =∞iÜ«Ú
J#O`«^Õ=Ùx Hõ^äŒ#∞ K≥ѨʙêÔQ#∞. ‰õΩÜ«ÚH˜Î =Å# =∞~°}˜Oz# ã¨O„QÍ=∞
~åAx Ѩل`«∞_»∞ J#O`«^Õ=Ù_»∞ S^ÕO_»¡ „áêÜ«∞OÖ’ ~åA HÍQÍ, Ü«∞=fi#ѨÙ
ã¨Ç¨Ï"å™êÅ HÍ~°}Ï# K≥_çáÈÜ«∂_»∞. HÍh J#O`«^Õ=Ù_»∞ ^Œ=∂~åF ~åA
HõOѨ<âÕ ◊ „uÉè∞í =#∞x Ü«Ú^ŒOú Ö’ [~ÚOKå_»∞. J@∞ `«~∞° "å`« ~å}˜ ã¨∂~°º=∞u
Ü≥ÚHõ¯ „â◊=∞ =Å# ~åA ^èŒ~°‡=∂~°æ=Ú ##∞ã¨iOK«™êQÍ_»∞. J#O`«^Õ=
=∞Ǩ~åA ÃÑ^ŒÌ<å#fl H˘_»∞‰õΩ H˜∆u~åA Ѩ~°=∞ "≥·+¨‚=Ù_»∞ =∞iÜ«Ú ^è•i‡‰õΩ_»∞.
PÜ«∞# K«„Hõ^~Œè f° ~°=÷ Ú =^ŒÌ ™êfl<åxH˜ "ÕOKÕã#≤ N~å=∂#∞AÅ∞ N ‰õÄ~ˆ â◊√Å∞
=∞iÜ«Ú ˆHâ◊"åKå~°∞ºÅ#∞ ^Œi≈OK«∞‰õΩ<åfl_»∞. N~å=∂#∞AÅ"åi ÅHõ∆ º
™ê^èŒ#ÔH· `å#∞ ã¨Ç¨Ü«∞Ѩ_»_®xH˜ =ÚO^Œ∞H˘zÛ =∂\˜KåÛ_»∞. É∫^Œú a‰õ∆Ω=Ù
|$ǨÏ^•fiã¨∞ |O^èŒ∞=Ù `«=∞ t+¨µºÅKÕ`« HÍj‡~°^Õâ◊ ~å[^è•xÖ’ q^Œfi*ˇ˚„`«
Ü«∂„`«‰õΩ =KåÛ_»∞. PÜ«∞# P~å[º q^•fiOã¨∞ʼnõΩ q^Œfi^•fi^Œ q"å^Œ=ÚÖ’
`«##∞ ÔQÅ∞==∞x ã¨"åÅ∞KÕâß_»∞. K«„Hõ=iÎ =^ŒÌ KÕ~°∞‰õΩ#fl H˜∆u~åA
ˆHâ◊"åKå~°∞ºÅ ã¨ÅǨ =Å# K«„Hõ=iÎ N~å=∂#∞AÅ"åix ‰õÄ_® áÈ\©Ö’
áêÖÁæx HÍj‡~°^Õâ◊ =∂<åxfl HÍáê_» „áêi÷OKå_»∞. â◊OÉèí∞™êfiq∞ Ü«∞#∞ J^≥· fi`«
ѨO_ç`«∞^Œ∞ F_çáÈÜ«∂_»∞.
~å=∂#∞AÅ"åi `åufiHõ ^Œ$+≤ì "å^Œ<åѨ\ ˜=∞ K«∂ã≤ F~°fiÖËHõ áÈÜ«∂_»∞
|$ǨÏ^•fiã¨∞|O^è∞Œ =Ù. P`«x „Ѩâfl◊ ʼnõΩ ~å=∂#∞AÅ "å~°∞ FÑ≤HQõ Í, <≥=∞‡kQÍ
|^Œ∞Å∞ K≥Ñʨ ™êQÍ~°∞. z@ìz=~°‰Ωõ N~å=∂#∞*Ï Kå~°∞ºÅ"å~°∞ "åQÆ∞º^Œ=Ì ÚÖ’
|$ǨÏ^•fiã¨∞|O^èŒ∞xÃÑ· q[Ü«∞O ™êkèOKå~°∞. K«„Hõ=iÎ J#O`åk`«º ^Õ=Ù_»∞ N
~å=∂#∞AÅ"åi HÀiÔH·# âß~°^•Ñ‘~î°=ÚÖ’ QÆÅ É’^è•Ü«∞# =$uÎ „QÆO^ä•xfl
JHõ¯_Õ ¿ãqOKÕO^Œ∞‰õΩ J#∞=∞ux WKåÛ_»∞. ^•xx J=∞Å∞ KÕÜ«∞_®xH˜ `å<Õ
ã¨Ñi¨ "å~°OQÍ N~å=∂#∞AÅ"åi`À |Ü«∞Å∞^Õi ^•iÖ’x ѨiǨã¨ÑÙ¨ ~°=ÚÖ’
QÆŠѨiǨ㨠ˆHâ◊= =∞Ok~°=Ú KÕ~°∞‰õΩ<åfl~°∞. JHõ¯_» N~å=∂#∞AÅ "åix
=∞ǨHõq Hˆ "∆ ∞Õ O„^Œ∞_»∞ =∞é˜ÜÚ« PÜ«∞# "≥+· =‚¨ QÆ∞~°∞"≥#· ™È=∂Kå~°∞ºÅ∞ Hõeâß~°∞.
ˆH∆"Õ∞O„^Œ∞_»∞ `«#QÆ∞~°∞"≥·# ™È=∂Kå~°∞ºÅ „¿Ñ~°} =Å# N~å=∂#∞AÅ"åi
ã¨Ç¨Ü«∂~°÷=Ú "åi`À âß~°^•Ñ‘~îåxH˜ Ü«∂„`«Ö’ Hõeâß_»∞. JѨC_»∞ J`«x
QÍ^äŒ q=iOKå_»∞. â‹·=Ù_≥·# ˆH∆"Õ∞O„^Œ∞_»∞ N"≥·+¨‚=ÙxQÍ =∂i# "≥·#O qO@∂,
N~å=∂#∞AÅ∞ =∞iÜ«Ú |$O^ŒO "å~åǨÏ=¸Å‰õΩ KÕiOk... P ã¨=∞Ü«∂xH˜
JO^Œ~°∂ =~åǨÏ=¸ÅH˜ KÕ~°∞‰õΩ<åfl~°∞.
=~åǨÏ=¸Å ã¨÷ÅѨÙ~å}Ïxfl ˆH∆"Õ∞O„^Œ∞_»∞ JO^ŒiH˜ K≥áêÊ_»∞ [Ö’^Œƒù=Ù_»#∞
~åHõ∆ã¨∞_çx ã¨OǨÏiOK«_®xH˜ N=∞Ǩq+¨µ‚=٠ѨÓ#∞HÀQÍ, ^Õ=`«Å∞ ^•xH˜
HÍ=Åã≤# Ãã·#ºO, ã¨O|~åÅ#∞ ã≤^ŒúO K≥Ü«∞º™êQÍ~°∞. hÅ=∞`« ѨÙ~å}OÖ’x
Hõ^#Œä ∞ Hˆ "∆ ∞Õ O„^Œ∞_»∞ K≥Ñʨ QÍ, P Hõ^Œä qO@∂ JO^Œ~∂° N=~åǨϙêfiq∞ PÅÜ«∞O
KÕ~∞° ‰õΩ<åfl~°∞. PÅÜ«∞OÖ’ [iˆQ PYi ѨÓ[ =∞OQÆàÇ◊ ¨ ~°ux ^Œi≈OK«∞‰õΩ<åfl~°∞.
P~å„u JO^Œ~°∂ JHõ¯_Õ |㨠KÕâß~°∞. Ñ≤âßK«^•ã¨∞_»∞, ˆH∆"Õ∞O„^Œ∞x `«=∞
`åO„`«Ö’HÍxH˜ fiy ~°=∞‡x HÀ~å_»∞. ˆH∆"Õ∞O„^Œ∞_»∞ JO^Œ∞‰õΩ x~åHõiOKå_»∞.
JѨÊ\˜H˜ `≥Å"å~°∞ `«~°∞"å~ÚÖ’ ™êfl<å#O`«~°=Ú P #Å∞QÆ∞~°∞ QÀѨÙ~°"≥∞H˜¯
ѨÙ~°=Ú#∞ J=Ö’H˜Oz JHõ¯_» ^Œ∂~å# XHõ ÃÑ^ŒÌ HÍO㨺 |∞^Œú q„QÆǨxfl
K«∂âß~°∞. Hˆ "∆ ∞Õ O„^Œ∞_»∞, |∞^ŒÉú Qíè "Æ å#∞_»∞, ^Œâß=`å~åÅÖ’ XHõ\ Q˜ Í Ñ¨ÓlOz
=∂@ÅÖ’ ã≤÷~°`«fiO ÖËx"åi`À Hõeã≤ ѨxKÕÜ«∞@O Hõ+¨ì"Õ∞.
`≥Å∞QÆ∞ J#∞"å^ŒO : ã¨∞^è• ~°OQÆ~å[<£
"≥∂HõO∆ ™êkèOK«=KåÛ Jx N~å=∂#∞Ax „ѨtflOK«QÆ PÜ«∞# JO^Œ∞‰õΩ ["å|∞
K≥ѨʙêQÍ_»∞...
„áê`«óHÍÅ HÍ~°º„Hõ=∂Å∞ =ÚyOK«∞H˘x PK«„Hõ=iÎ`Àáê@∞
âß~°^•Ñ‘~î° Ü«∂„`å |$O^ŒO =~åǨÏ=¸Å #∞O_ç HõkeOk.
QÀѨÙ~°"≥∞H˜¯# N~å=∂#∞AÅ∞ "åi J#∞K«~°∞Å∞ PÜ«∂„`«Ö’
KÕ~°∞‰õΩ<åfl~°∞. JѨC_Õ ã¨∂~°∞º_»∞ `«∂~°∞Ê# Hõ#|_»™êQÍ_»∞. P
㨠∂ ~° º HÍOuÖ’ Z_» = ∞"≥ · Ñ ¨ Ù #fl q`« ™ ê÷ # n "≥ ∞ iã≤ á È`« ∂
„Ѩ = Ç≤ Ï ã¨ ∞ Î O _» _ » = Ú Hõ # ∞ŠѨ O _» ∞ =QÆ QÍqOzOk.
P#nf~°=∞O`« ^Œ@ì"≥∞ÿ# ѨK«Ûx =$Hõ∆=ÚÅ∞ =∞iO`« P#O^•xfl
ÃÑOK« ∞ `« ∞ #flk. ^Õ = ^•~° ∞ =$H∆ Í Å J`« º O`« JO^Œ = ÚÅ∞
ã¨=∞‰õÄ~°∞Î#flq. ˆH∆"Õ∞O„^Œ∞_»∞ `«# „Ѩâ◊fl#∞ =∞~°Å "≥Ú^ŒÅ∞
ÃÑ\Ïì_»∞. N~å=∂#∞AÅ"åix |∞^Œ∞úx J=`å~åÅ∞ „Ѩã≤^Œú
^Œ â ß=`å~åÅÖ’ ZO^Œ ∞ ‰õ Ω Ѩ i QÆ } ˜ O K« ~ å^Œ ∞ JxÜ« Ú
"Õ^Œ=∂~°æ=ÚÖ’ |∞^Àúáêã¨# ZO^Œ∞‰õΩ ã¨=∞O[ã¨=Ú HÍ^Œ∞ Jx
Ü«∞_çQÍ_»∞. ^•xH˜ N~å=∂#∞AÅ"å~°∞ z~°∞#=Ùfi`À WÖÏ
J<åfl~°∞.
N~å=∂#∞*ÏKå~° ∞ ºÅ∞ : ''F! ˆ H ∆ " Õ ∞ O„^•! r=Ù_» ∞
Éèí=|O^è•Å#∞O_ç ZÖÏ q=Ú‰õΩÎ_»∞ J=Ù`å_»∞, "≥∂H∆Íxfl ZÖÏ
á⁄O^ŒQÆÅ_»∞ Jx ã¨∞xt`«OQÍ q_»=∞~°z K≥Ñ≤Ê# "Õ^Œ=∂~åæxfl
#q∞‡, J#∞ã¨iOKÕ "å~°O =∞#=∞O`å. "≥∂H∆Íxfl á⁄O^ŒQÀˆ~
"å~° O `å D "Õ ^ Œ = ∂~° æ O Ö’ #_ç z , NHõ $ +¨ µ ‚ x ZÖÏ `« $ Ñ≤ Î
Ѩ~°KåÅ#fl q+¨Ü«∞OÃÑ· UHÍ„QÆ`« ÃÑ\˜ì, PÜ«∞# áê^•Å =^ŒÌ
â◊~°}ÏQÆ`«∞Å"åfie. D „ѨѨOK«OÖ’ "≥·kHõ ѨÓ*Ïq^è•<åÅ#∞
JOwHõiOKÕ "å~°∞<åfl~°∞, ^•xx JOwHõiOK«x "å~°∂ L<åfl~°∞.
ÉèíQÆ=O`«∞x qq^èŒ J=`å~åŠѨ~°=∂~°÷O `«#x =∂„`«"Õ∞
#q∞‡# "åix ~°H˜∆OK«_»O. ã¨<å`«# ^èŒ~å‡xfl, Ѩ~°=∂`«∞‡x
LxH˜x #=∞‡x "åi #∞O_ç `«# Éèí‰õΩÎÅ#∞ HÍáê_»@"Õ∞ PÜ«∞#
„Ѩ^äŒ=∞ L^ÕÌâ◊O. nxx ™êkèOK«_»O HÀã¨O P JO`«~åºq∞
Éèí∂q∞ÃÑ·#∞#fl ѨÅ∞~°HÍÅ =∞#∞+¨µÅ HÀã¨O ~°Hõ~°HÍÅ =∂~åæÅ∞,
ѨÅ∞ ~°HÍÅ „Ѩ}ÏoHõÅ#∞ ã¨$+≤ìOKå_»∞. WÖÏO\˜q Zxfl KÕã≤<å
PÜ«∞# L^ÕÌâ◊O =∂„`«O `«# Éèí‰õΩÎÅ#∞ HÍáê_»@"Õ∞. ÉèíQÆ=O`«∞x
ÉèíHõÎ~°Hõ∆}Ï „Ѩ}ÏoHõÖ’ |∞^Œ∞úx J=`å~° HÍ~°}O U=∞O>Ë,
`«# g∞^Œ ÉèíH˜ÎÖËx "åi ^Œ$+≤ì =∞~°eÛ WOH˘HõiÃÑ·H˜ P ÉèíH˜Î
Éè Ï "åxfl xe¿ÑÖÏ K≥ Ü « ∞ º_» O ^•x`À "å~° ∞ „Ѩ â ßO`« O QÍ
KÕÜ«∞^Œy# ѨÓ[Å∞ KÕ¿ãÖÏ K≥Ü«∞º_»O. PsuQÍ `«# x["≥∞ÿ#
Éèí‰õΩÎÅ#∞ "åi ÉÏi#∞O_ç ~åHõ∆ã¨`«fi=Ú #∞O_ç ~°H˜∆OK«_»O.
N=∞^•ƒùQÆ=`« ѨÙ~å}OÖ’ WÖÏ K≥ѨÊ|_çOk.
oo: N˛¬Á{ éüƒw z é™Áz“ÁÆ ÃÏ∫u˚ Á™Ω@
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§ÏÚÁz åÁ™íÁ±ÁåÃÏo: N˛yN˛bz Ï ßuƒ…Æuo@@
J~°÷O : `«# Éèí‰õΩÎÅ#∞ ~°H˜∆OK«_®xÔH·, P™êfiq∞ ÉèÏ~°`«^Õâ◊OÖ’
cǨ~°∞ ~åROÖ’ |∞^Œ∞ú_≥· [x‡OK«QÆÅ_»∞. ^≥·=`«fiO =∞iÜ«Ú
ÉèíH˜Î Ö’Ñ≤Oz# "åix ^Œ$+≤ì =∞~°Å∞Û`å_»∞.
=~åǨÏѨÙ~å}OÖ’, t= =∞iÜ«Ú q+¨µ‚ ã¨OÉèÏ+¨}Ö’
D q^èŒOQÍ edOK«|_çOk.
E“Ê ™Áz“Ê N˛u∫…ÆÁu™ ÆÁz \åÊ ™Áz“uÆ…Æuo@
∆ÏÚÁztåÃÏoÁz ßÓnƒÁ ™Áz“uÆ…ÆÁu™ ™ÁåƒÁåΩ@@
''F! Ѩ~°"Õ∞â◊fi~å! <åg∞^Œ ÉèíH˜Î ÖËx [#∞Å =∞#ã¨∞ûÅ#∞
=∞~°ÅÛ_®xÔH· <Õ#∞ â◊√^Àú^Œ#∞x Ѩل`«∞xQÍ [x‡OK«É’`«∞<åfl#∞.
"≥·nHõ r=# â‹·ex, JÅ"å@¡#∞ #=∞‡x"åi =∞#ã¨∞Å#∞
=∂~°Û_®xÔH· =zÛ# J=`å~°O |∞^•ú=`å~°O, HÍ=Ù# =∞#O
PÜ«∞##∞ ѨÓlOK«=Ú, áêOK«~å„`« PQÆ=∂ÅÖ’ K≥ѨÊ|_ç#
^Œ â ß=`å~åÅÖ’ ‰õ Ä _® D J=`å~° O QÆ ∞ iOz ÖË ^ Œ ∞ .
"Õ^Œ"åºã¨∞x ѨÙ~å}ÏÅÖ’ ‰õÄ_® D J=`å~°O "≥·kHõ =∂~°æ=ÚÖ’
ѨÓ[hÜ«∞ ^Œâß=`å~åÅÖ’ K≥ѨÊ|_»ÖË^Œ∞.
™nÀÆ: NÓ˛™Áz| ƒ∫Á“≥Á åÁ∫uÃÊ“ÁzDs ƒÁ™å:
∫Á™Áz ∫Á™≥Á ∫Á™≥Á Nw˛…m: N˛u¡N˛≥Á oz t∆@@
J~°÷O :- ''F! Hõ$ëê‚, =ÚYº"≥∞ÿ# h J=`å~åÅ∞ 10, Jq
=∞`«ûº~°∂ѨO, `åÉËÅ∞ ~°∂ѨO, =~åǨÏ~°∂ѨO, #~°ã≤OÇ¨Ï (ã¨QÆO
ã≤OǨÏO, ã¨QÆO =∞x+≤) ~°∂ѨO, Ѩ~°â◊√~å=∞ ~°∂ѨO, ~å=∞,
|Å~å=∞, Hõ$+¨‚ =∞iÜ«Ú Hõe¯~°∂ѨO. WO^Œ∞Ö’ ‰õÄ_® H˘xfl
~°∂áêÅ UHÍO`« ѨÓ[ʼnõΩ POHõ∆Å∞ =∞# PQÆ=∂Å∞ ÃÑ\Ïì~Ú
QÆ∞~°∞=ÙQÍ~°∞ K≥¿ÑÊ^ŒO`å „â◊^ŒúQÍ, Pâ◊Û~°ºOQÍ q<åfl~°∞
ˆ H ∆ " Õ ∞ O„^Œ ∞ _» ∞ . N~å=∂#∞*ÏKå~° ∞ ºÅ∞ |∞^Œ ∞ ú x Ѩ Ó lOKÕ
q+¨ Ü « ∂ xfl 㨠= ∞i÷ O K« H õ á È=_®xfl qx #=∞‡ÖË H õ á ÈÜ« ∂ _» ∞ .
hÅ=∞`« ѨÙ~å}O nxx ã¨=∞i÷OzOk =∞i JO^Œ∞Hõx PÜ«∞#
=∞m¡ WÖÏ „ѨtflOKå~°∞.
ˆH∆"Õ∞O„^Œ∞_»∞ :- ''™êfig∞! D q+¨Ü«∞OÃÑ· g∞‰õΩ#fl ã¨Ê+¨ìO
Jaè#O^ŒhÜ«∞O. W@∞=O\˜ Jaè„áêÜ«∞O <Õ#∞ "≥Ú^Œ\ ˜™êi
qO@∞<åfl#∞. g∞~°∞ K≥Ñ≤Ê# q^èŒOQÍ PÖ’z¿ãÎ, "Õ^•ÅÖ’
K≥Ñ≤Ê#@∞ìQÍ KÕ¿ã ѨÓ[Å∞ Jq U ^Õ=ÙxH˜ KÕã≤<å Jq Hõ$+¨µ‚xH˜
KÕã≤#q HÍ=Ù? =∞i J<åkQÍ =∞#O #=Ú‡`«∞#fl ''ã¨~°fi^Õ=
#=∞™ê¯~°ó ˆHâ◊= „ѨuQÆK«Ûùu—— J#fl "åHͺxH˜ J~°÷O Uq∞\˜?
h=Ù ZHõ¯_çÔH·<å "≥à◊√¡, Z=i<≥·<å ѨÓlOK«∞, h=٠ѨÓlOKÕk
Hõ$+¨‚ã¨fi~°∂ѨO =∞iÜ«Ú P ã¨fi~°∂ѨOÖ’ L#fl P`«‡ Hõ$+¨µ‚x^Õ
J#fl ÉèÏ=O`À Hõ#∞Hõ =∞#O ѨÓl¿ãÎ, P ѨÓ[Å∞ NHõ$+¨µ‚x<Õ
KÕ~°∞`å~Ú. Jx <Õ#∞ WѨÊ\˜ =~°‰õΩ J#∞‰õΩO@∞<åfl#∞.
~å=∂#∞*ÏKå~° ∞ ºÅ∞ :- h=Ù nxx „â◊ ^ Œ ú Q Í qx J~° ÷ O
ã¨O`«$Ñ≤Î ÖËx rq`åxH˜ âßOu ÖË^Œ∞.
KÕã¨∞HÀ"åe. NHõ$+¨µ‚xH˜ áêOK«~å„`« PQÆ=∂ÅHõ#∞QÆ∞}OQÍ
NHõ$+¨µ‚xH˜ KÕ¿ã ѨÓ[Å∞ =∂„`«"Õ∞ "≥∂H∆Íxfl Hõey™êÎ~Ú Jx
"Õ ^ •Å∞ K≥ Ñ ¨ Ù Î < åfl~Ú. P Ѩ ~ ° O ^è • =∞ â◊ s ~° Éè Ï QÍÅ∞QÍ
ÉèÏqOѨ_»∞`«∞#fl W`«~° ^Õ=`«Å‰õΩ KÕ¿ã ѨÓ[Å∞, ™êfiq∞H˜
„Ѩ ` « º Hõ ∆ O QÍ KÕ ¿ ã Ѩ Ó [Å∞ 㨠= ∂#O HÍ*ÏÅ=x "Õ ^ •Å∞
K≥ѨÙÎ<åfl~Ú. W=hfl, P ™êfiq∞ =∂„`«"Õ∞ Ѩ~°=∂=kè Ѩ~°=∞
ã¨`«ºO J#fl x*Ïxfl, #=∞‡x "åiH˜. ÉèíQÆ=næ`«Ö’x U_»= (7)
J^蕺ܫ∞OÖ’ NHõ$+¨µ‚_»∞, <åÅ∞QÆ∞ ~°HÍÅ =∞#∞+¨µÅ∞ `«##∞
<Õ~°∞QÍ KÕ~°QÆÅ∞QÆ∞`å~°x K≥áêÊ_»∞.
YoÏuƒ|áÁ ß\ãoz ™ÁÊ ¬ÁzNz˛ ÃÏNw˛uoåÁz\|å @
EÁoÁz| u\rÁÃÏ∫sÁ|sy| rÁåy Y ß∫o |ß @@
JO>Ë <å =^ŒÌ‰õΩ <Õ~°∞QÍ =KÕÛ"å~°∞ "å~°∞ <åÅ∞QÆ∞ ~°HÍÅ
=∞#∞+¨ µ Å∞<åfl~° ∞ . "åiH˜ ZO`À „Ñ≤ Ü « ∞ "≥ ∞ ÿ # „áêѨ O zHõ
=㨠∞ Î = ÙÅ∞ áÈQ˘@∞ì ‰ õ Ω x ^•x =Å# Hõ + ¨ ì Ñ ¨ _ » ∞ `« ∞ #fl"å~° ∞
"≥Ú^Œ\ ˜"å~°∞. „Ѩã¨∞Î`«O `«# ^ŒQÆæ~°ÖËx ÖÏÉèÏÅ#∞ PtOKÕ"å~°∞
Ô~O_»=~°HõO, ^蕺#O KÕÜ«∞HÀ~°∞‰õΩ<Õ "å_»∞ ÖË^• <å =^ŒÌ‰õΩ
=zÛ `«# QÆ∞iOz `≥Å∞ã¨∞HÀ"åÅ<Õ *Ï˝<åaèÖÏ+≤ =¸_»= ~°Hõ=Ú,
##∞fl ¿ãqOz `«^•fi~å ##∞fl á⁄O^ŒQÀ~°∞"å_»∞ <åÅ∞QÀ~°HõO.
=∞#=∞O^Œ~°O WHõ¯_» K≥ѨÊ|_ç# U^À XHõ ~°HõOÖ’H˜ =™êÎ=Ú.
`«# =^ŒÌ‰õΩ ~åx"å~°∞ ‰õÄ_® <åÅ∞QÆ∞ ~°HÍÅ =∞#∞+¨µ
Å∞<åfl~°x NHõ$+¨µ‚_»∞ K≥áêÊ_»∞.
å ™ÁÊ tÏ…Nw˛uoåÁz ™ÓjÁ: üú˘ãoz å∫Áá™Á: @
™ÁÆÆÁú”orÁåÁ EÁÃÏ∫Ê ßÁƒ™Áu»oÁ: @@
W@∞=O\˜ =∞#∞+¨µÅ∞ `å=Ú KÕã≤# áêáêŠѶ¨e`«OQÍ,
NHõ$+¨µ‚_Õ JOu=∞ =∞iÜ«Ú Ñ¨~°=∞ ã¨`«º=∞x `«=∞ J=ã¨~åÅ#∞
fˆ~Û"å_»x J~°÷O KÕã¨∞HÀ~°∞. "å~°∞ <å =^ŒÌ‰õΩ ~å~°∞. W@∞=O\˜
"å~°∞ ‰õÄ_® <åÅ∞QÆ∞ ~°HÍÅ∞<åfl~°∞.
1) =¸_è»∞Å∞ : giH˜ P™êfiq∞ QÆ∞iOz K≥_»∞ *Ï˝#O LO@∞Ok.
P ™êfiq∞H˜ K≥Ok# =ã¨∞Î=ÙÅhfl `«=∞"Õ J#∞‰õΩO\Ï~°∞.
2) hK« =∂#=ÙÅ∞ : giH˜ ™êfiq∞ QÆ∞iOz, J`«x Q˘Ñ¨Ê`«#O
QÆ∞iOz K«Hõ¯QÍ `≥Å∞ã¨∞ HÍh PÜ«∞# =^ŒÌ‰õΩ ~å=Åã≤# J=ã¨~°O
ÖË^Œx ^Œ∂~°OQÍ LO\Ï~°∞.
3) =∞ã¨HõÉÏi# *Ï˝# HõÅ"å~°∞ : giH˜ ™êfiq∞ QÆ∞iOz PÜ«∞#
Q˘Ñ¨Ê`«#O QÆ∞iOz ѨÓiÎQÍ `≥Å∞ã¨∞, HÍh "åi áêѨѶ¨e`«OQÍ
D „áêѨOzHõ PHõ~°¬}ʼnõΩ ÖÁOyáÈ~Ú P q+¨µ‚=∂Ü«∞Ö’
H˘@∞ì‰õΩáÈ`å~°∞. =∞#âß≈Oux WOH˘Hõ KÀ@ "≥`«∞‰õΩ`«∂ `«=∞
rq`åxfl ZO_»=∂=ÙÅ "≥O@ Ѩ~°∞ÔQ_»∞`«∂ QÆ_»∞ѨÙ`å~°∞.
4) J"åOzè`« QÆ∞}=ÚÅ∞ =∞iÜ«Ú ~åHõ∆㨠<≥·[=Ú HõÅ"å~°∞ :
April '22 w w w w w w w w w w w w w w w w w w 18 w w w w w w w w w w w w w w w w w w w w w VAK
giH˜ ‰õÄ_® P ÉèíQÆ=O`«∞x QÆ∞}QÆ}ÏÅ∞, Q˘Ñ¨Ê`«<åÅ∞ `≥Å∞ã¨∞, ÉèíQÆ=O`«∞_»∞ "Õ^Œ q~°∞^Œú ѨÓ*Ï q^è•<åÅ#∞ ã¨$+≤ìOѨKÕâß_»∞.
HÍh J`«xx J`«x PkèѨ`åºxfl JOwHõiOK«~°∞. WOH˘Hõ "≥∞@∞ì `«^•fi~å P ~åHõ∆㨠„Ѩ=$uÎ HõÅ"åi ^Œ$+≤ì ÉèíQÆ=^Œƒù‰õΩÎÅ#∞
ZH˜¯ J`«x`À áÈ\©Ñ¨_ç, J`«xH˜ â◊„`«∞=ÙÅ =Öˇ LO\Ï~°∞. Ñ‘_çOK«_»O #∞O_ç "≥·^˘Åy "Õˆ~ =∂~°æO Ѩ\ ˜ìOK«_»"Õ∞ ÅHõ∆ ºO.
J^Õ J^蕺ܫ∞OÖ’ WOHÍ WÖÏ K≥áêÊ_»∞. J@∞=O\˜ =∂~åæÅ∞ J<ÕHÍÅ∞ HõÅ=Ù. =ÚO^Œ∞ K≥Ñ≤Ê#@∞ìQÍ
ÆÁz ÆÁz ÆÁ™Ω ÆÁ™Ω oåÏÊ ßO˛: »ÚÆÁuY|oÏu™XZuo @ |∞^Œ ú É è í Q Æ " å#∞_» ∞ JO^Œ ∞ Ö’ XHõ ~ ° ∞ . JO`Õ H͉õ Ω O_®
oÀÆ oÀÆÁY¬ÁÊ »ÚÁÊ oÁ™zƒ uƒtáÁ©Æ“™Ω@@ =~åǨÏѨÙ~°}OÖ’, t= q+¨µ‚Å ã¨OÉèÏ+¨} HõÅ^Œ∞, XHõ=∂~°∞
à oÆÁ »ÚÆÁ ÆÏO˛ÀoÀÆÁ∫Ááå™y“oz@ q+¨µ‚=Ù t=Ùx, z#fl z#fl Hõ$+¨µÅ‰õΩ `«fi~°QÍ Ñ¶¨e`åÅ∞ ÅaèOKÕ
¬ßoz Y oo: N˛Á™ÁåΩ ™Æ{ƒ uƒu“oÁåΩ u“ oÁåΩ @@ ѨÓ*Ïq^è•<åÅ#∞ ã¨$+≤ìOK«=∞x P^ÕtOKå_»∞.
J~°÷O : "Õ^•Å#∞ J=ÅOaèOKÕ "å~°∞ #"Õ∞‡^Õ=∞O>Ë, P ™êfiq∞ <nƒÊ u“ ª¸ ™“Á§Á“Áz ™Áz“∆ÁÕÁÁum N˛Á∫Æ@
~°Hõ~°HÍÅ ^Õ=`«Å#∞ "åix ѨÓlOK«_®xH˜ Ѩ^Œú`«∞Å#∞ ÃÑ·# t∆|uÆnƒÁ¡ú™ÁÆÁÃÊ ¢˛¬Ê ∆yV¿Ê üt∆|Æ @@
K«∂Ñ≤#, <åÅ∞QÆ∞ ~°HÍÅ "åi HÀã¨"Õ∞ ã¨$+≤ìOKå_»∞. nx =Å# NÏ˛“N˛Áåyã¸\Á¬Áuå uƒªÚÁY∫mÁuå Y @
`«##∞ #"Õ∞‡ Éèí‰õΩÎÅ âßOux ÃÑ·"å~°∞ ÉèíOQÆѨ~°K«~°∞. W`«~° t∆|uÆnƒÁ \åÊ Ãƒ˙ ™Áz“ÆÁ∆Ï ™“zæÁ∫ @@>
^Õ=`«Å‰õΩ KÕ¿ã ѨÓ[Å`À "åi HÀiHõÅ∞ ‰õÄ_® <≥~°"Õ~°∞`å~Ú. E“Ê ™Áz“Ê N˛u∫…ÆÁu™ ÆÁz \åÊ ™Áz“uÆ…Æuo @
W`«~°∞Å∞ ‰õÄ_® P ™êfiq∞ Ü≥ÚHõ¯ ÉèÏQÍÖË#x P ^Õ=`«Å ^•fi~å ∆ÏÚÁztå ÃÏoÁz ßÓnƒÁ ™Áz“uÆ…ÆÁu™ ™ÁåƒÁåΩ @@
`«=∞ HÀiHõÅ#∞ P ™êfiq∞ f~°∞ã¨∞Î<åfl_»x "å~°∞ „QÆÇ≤ÏOK«~°∞. D ~°HõOQÍ, ÉèíQÆ=O`«∞}˜‚ #=∞‡x ^Œ∞+¨ì [#∞Å#∞O_ç PÜ«∞#
"Õ^•Å∞ K«∂¿ãÎ, W`«~° ^Õ=`«ÅO^ŒiÖ’ L#flk P NHõ$+¨µ‚_Õ, W`«~° x[ Éèí‰õΩÎÅ∞ ~°H˜∆OK«|_»`å~°∞.
^Õ=`«ÅO`å PÜ«∞# â◊s~° ÉèÏQÍÖË HÍ=Ù# Jhfl ^Õ=`«ÅÖ’ H˘Å∞"≥· JÖψQ Ѩ^Œ‡Ñ¨Ù~å}OÖ’ WÖÏ K≥ѨÊ|_çOk.
LO_ç JO^Œi „áê~°÷#Å#∞ ã‘fiHõiOKÕk, "åi „áê~°÷#ÅHõ#∞QÆ∞}OQÍ t{nÆÁåÁÊ åÁ∆åÁsÁ|Æ uƒ…mÏåÁ §ÏÚøuúmÁ@
Ѷ¨e`åÅ#∞ WKÕÛn P Hõ$+¨µ‚_Õ HÍh D q+¨Ü«∞O ѨÓlOKÕ "å_çH˜ §Á{Ú∆ÁÕÁ™ÃnüÁzOÊ˛ åTíåy¬úbÁutN˛™Ω@@
`≥eÜ«∞^Œ∞. `«#∞ ѨÓlOKÕ ^Õ=`« ã¨Ç¨Ü«∞O`À `«# ÉèíH˜Î =∞iÜ«Ú J~°÷O :- Jã¨∞~°∞Å#∞, ##∞fl #=∞‡x <åã≤ΉõΩÅ#∞ <åâ◊#O
^Õ=`« WzÛ# Ѷ¨Å=ÚÅxfl x*ÏxH˜ ã¨~åfiO`«~åºq∞Ü≥ÿ∞# NHõ$+¨µ‚x K≥Ü«∞º_®xÔH· <Õ#∞ ZuÎ# J=`å~°"Õ∞ |∞^Œ∞úx J=`å~°O. PÜ«∞#
Hõ~°∞}ÖË Jx P Éèí‰õΩÎ_»∞ "≥∞Å"≥∞Å¡QÍ ã¨`åºxfl `≥Å∞ã¨∞‰õΩx "Õ^•Å#∞ =ºuˆ~H˜ã¨∂Î É’^èŒ#Å∞ KÕã≤ Jã¨∞~°∞Å <åâ◊<åxH˜
NHõ$+¨µ‚_çH˜ „Ѩ`«ºHõ∆ Éèí‰õΩÎ_»∞QÍ =∂~°`å~°∞. HÍ~°‰õΩ_»=Ù`å_»∞. D J=`å~°OÖ’ ™êfiq∞ =ÚYº ã¨<å`«#
^èŒ~°‡"≥∞ÿ# JÇ≤ÏOã¨ÃÑ· ^•ºã¨#∞ ˆHO„nHõi™êÎ~°∞. nxx ™êkèOK«_®xH˜
ˆH∆"Õ∞O„^Œ∞_»∞ :- JÖÏQÍ! WѨC_»∞ q+¨Ü«∞O <å‰õΩ ã¨Ê+¨ìOQÍ
`«# É’^èŒ#ÅÖ’ "Õ^•Å∞ xˆ~ÌtOK«#x K≥áêÎ~°∞. D J=`å~°O
J~°÷O J~ÚOk. ™êfig∞! q=~°} ‰õÄ_® ã¨iQÍæ ã¨iáÈ~ÚOk.
ˆH=ÅO J"≥·k‰õΩÅ #∞O_ç ÉèíQÆ=^Œƒù‰õΩÎÅ#∞~°H˜∆OK«_®xÔH· ZuÎ#k
W^Õ q=~°} |∞^Œ∞Ì_»∞ =O\˜ ^Õ=`«Å#∞ ѨÓlOKÕ ^•xH˜ HÍ=Ù# NHõ$+¨µ‚_»∞ `«# Éèí‰õΩÎÅ∞ |∞^Œú ÉèíQÆ"å#∞x ~°∂ѨOÖ’
‰õÄ_® =iÎã¨∞ÎO^•? ^•x QÆ∞iOz ‰õÄ_® ^ŒÜ«∞KÕã≤ K≥ѨÊO_ç. LO_»QÍ Ñ¨ÓlOK«_»O J¿ÑH˜∆OK«_»∞.
N~å=∂#∞*ÏKå~°∞ºÅ∞ :- <Õ#∞ K≥Ñ≤Ê# PYi ~°HõO <åã≤ΉõΩÅÖ’ W@∞=O\˜ „Ѩ â ı fl , Ü« Ú kè + ≤ ì ~ ° ∞ _» ∞ , âßOu Ѩ ~ ° fi OÖ’
WOH˘Hõ ~°HõO ‰õÄ_® L#flk. P ~°HõO "å~°∞ q∞ug∞i# ~åHõ∆ã¨∞Å∞ "Õ^Œ"åºã¨∞x „Ѩtfl™êÎ_»∞. Jk WÖÏ LO@∞Ok.
g~° ∞ "Õ ^ •Å#∞ J㨠Š∞ #=∞‡~° ∞ . W@∞=O\˜ "åiHÀ㨠O (ã¨âı+¨O)
NǨÏ#∂=∞K«ÛùO„`«∞O[Ü«∞ =∞O„`«=Ú HANUMATH-SHATRUNJAYA MANTRAM Chant 28 times
=∞O„`«ó : FO#"≥∂ ÉèíQÆ=`Õ =∞Ǩ|ÅѨ~å„Hõ=∂Ü«∞ =∞ǨqѨuÎ x"å~°}ÏÜ«∞ ÉèíHõÎ[# =∞<Àcè+¨ìHõÅÊ<å
HõÅÊ„^Œ∞=∂Ü«∞ ^Œ∞+¨ì[# =∞<À~°^Œäã¨ÎOÉèí<åÜ«∞ „ѨÉèíO[# „áê}„Ñ≤Ü«∂Ü«∞ N"£∞.
D =∞O„`åxfl Ѩi¿î ãÎ ã¨=∞ã¨Î â◊„`«∞=ÙÅ #∞O_ç ~°HO∆˜ K«|_»`å~°∞ =∞iÜ«Ú â◊„`«∞=ÙÅ =∞#ã¨∞ûÖ’ =∂~°∞Ê U~°Ê_ç =∞Oz q∞„`«∞Å=Ù`å~°∞.
H å™Áz ßTƒoz ™“Á§¬ ú∫ÁN¿ ˛ ™ÁÆ ™“Áuƒúu uåƒÁ∫mÁÆ ßO˛\å ™åÁz ß y…bN˛¡úåÁ N˛¡ú¸Ï ™ ÁÆ tÏ … b\å ™åÁz ∫ s
ÀoÊßåÁÆ üß±Áå üÁmuüÆÁÆ »y™Ω@@ ∆fiÏEÁı ú∫ uƒ\Æ Nz˛ u¬Æz
Om Namo Bhagavathe Mahaabala Paraakramaaya Mahaa Vipatthi Nivaaranaaya Bhaktha jana
manobhishta Kalpanaakalpa drumaya Dushta Jana Manoratha Sthambhanaya Prabhanjana
PranaPriyaya Sreem. Chant this Mantra freeing ourselves from enemies...

ã¨OѨ^Œ HÀã¨O ã¨^Œ∞æ}ÏÅ#∞ =^ŒÅ‰õΩ.

April '22 w w w w w w w w w w w w w w w w w w 19 w w w w w w w w w w w w w w w w w w w w w VAK
Ramanuja’s Journey to Sharada Peeth – Kashmir
Serial - 53
Lord Ramanuja, the great Vaishnavite seer whose
1000th year birth day was celebrated this year
throughout India with pomp and glory. He was a seer
who brought to light the concept of the whole universe
as one family : Vasudhaivakutumbakam and brought
to light the right understanding and interpretation of
Vedas and established equal chance for all living
beings to attain salvation at the end of the current birth
by surrendering before the Lord – Saranagathi. In
order to putforth his understanding Lord Ramanuja
had to first understand what his predecessor Acharyas
have done to explain the Vedas. On this account he
visited atleast twice to Sharada Peetham of Kashmir
which was the seat of Goddess Saraswathi and a huge
store house of learning known as Shree Bhandaram.
VAK is attempting to bring the interesting items of this
effort of Lord Ramanuja to its readers. In the effort,
there are places where certain incidents and characters
have to be created for purposes of dramatization. Most
of the characters thus created are based on
circumstantial evidence from History, Guruparampara
and Rajatarangini text. This is to convey the main
message of events, practices, debates etc. recorded
in the works of Lord Ramanuja, Rajatarangini and other
historic and religious books.
Story so far:
Obtaining the ordainment of Lord Varadaraja of Kanchi,
Lord Ramanuja and Kuresa set out to study
BoudhayanaVruttiGrantha at Sharada peetham in
Kashmir. With the help of Keshavacharya who was till
recently Prime Minister of the Kingdom along with the
help of Kshitiraja met the emperor Anantaditya Deva
to request for help in obtaining the
BoudhayanaVruttigrantha to study and write the
meanings for Brahmasutras of Sage Veda Vyasa.
They first met the Prime Minister Haladhara. At that
time, Bimba, brother of current Prime Minister
Haladhara brings the news of defeat of Champa King
and asylum of Champa prince in Kashmir. He also
brings the news of several Buddhist monks headed
by the great scholar Bruhadvaasubandhu coming in
a scholarly debate expedition to conquer the scholars
of mainland India all the way from Champa with an
aim to convert all into Buddhism. Upon introduction
by Keshavacharya, Lord Ramanuja was requested by
the emperor to participate in the debate. He defeated
Bruhadvasubandhu and won the respect and also
obedience of Kashmir King and Queen. Upon Lord
Ramanuja’s request, the emperor not only allowed entry
into Saraswathi Peeth by an order by also accompanied
Lord Ramanuja in the journey.
Enroute Kshemendra, a royal poet in Anantaditya’s
court joined the entourage. He was initially a disciple
of the Great Saiva-Shakta Advaiti saint Abhinavagupta
and later he became Vaishnava choosing Somacharya
as his Guru. Kshemendra vowed to help the cause of
Lord Ramanuja and at once undertook to travel with
them to Sharada peeth. Enroute Kshemendra started
telling about his story and how his wife’s severe stomach
ailment was cured by Somacharya invoking five
=∞Ozx PK«iOK«@"Õ∞ ^èŒ~°‡O.
CSL Narasimhan
powerful deities Varaha, Nrusimha, Vamana, Vishnu
and Sudarshana. He also was narrating the stories
behind various places in Kashmir as narrated in Neela
Matha Purana and Gangodbheda purana. They have
reached Varahamoola whose story was narrated.
Pishacha dasa, a past ally of Kshemendra clandestinely
met him and asked him to return to Tantraloka.
Kshemendra refused and informed Lord Ramanuja,
Keshavacharya and Kuresha. They advised a strategy
during bathing and later climbed the temple tower to
see a large Buddha statue. Kshemendra was curious
to know inspite of Lord Buddha being said as Lord
Vishnu’s incarnation why is he not worshipped as part
of ten main incarnations.
The entourage to Sharadapeeth started from
Varahamoola after having morning darshan and
distributing morning Prasadams of the deity to all
including Lord Ramanuja and his companions who
joined back alighting from the temple tower. The
entourage started immediately. The Sun was just
rising from the eastern snowy mountains and it looked
quite golden around with Jhelum or Vitastha river
flowing to the left and thick vegetation coming off
and alongside the pathway. The forest is full of flowers
and Deodar trees. Keshemendra started the
conversation again and requested Lord Ramanuja
to explain whether Buddha incarnation is one among
the ten main incarnations and can it be worshipped
to attain salvation as per Vedic tenets. Lord Ramanuja
with a smile started explaining to Kshemedra the
following
Lord Ramanuja : “Oh! Kshemendra! We are all
followers of Vedic path where the liberation of soul
and the salvation or Moksha is described in detail.
People who desire this moksha must follow the Vedic
path and focus on Lord Krishna’s satisfaction and
service at his feet. In this world there are people
who accept Vedic ways of worship and those who
don’t. The main motto of all incarnations of Lord
is to protect his devotees who are devoted only to
him and who seek only from him He protects his
devotees from those beings who have sinful and bad
behavior and who don’t accept and follow Sanathana
dharma and supremacy of Lord. For this purpose
Lord has created various strategies and pathways
for various kinds of people in this world with an ultimate
motive to protect his devotees. The incarnation of
Lord as Buddha is to distract the non-devotees of
him who don’t accept and follow Sanathana dharma
away from his devotees so that they can peacefully
do their requisite worship.
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It is said in Srimad Bhagavatapurana that:
oo: N˛¬Á{ éüƒw z é™Áz“ÁÆ ÃÏ∫u˚ Á™Ω@
§ÏÚÁz åÁ™íÁ±ÁåÃÏo: N˛yN˛bz Ï ßuƒ…Æuo@@
meaning in order to protect the devotees, lord will
take the form of Buddha near Bihar in India and
distract away the non-devotees or non-divine people.
In Varaha Purana, a conversation between Lord Siva
and Vishnu is recorded which says :
E“Ê ™Áz“Ê N˛u∫…ÆÁu™ ÆÁz \åÊ ™Áz“uÆ…Æuo@
∆ÏÚÁztåÃÏoÁz ßÓnƒÁ ™Áz“uÆ…ÆÁu™ ™ÁåƒÁåΩ@@
Oh! Lord Siva, I will become the son of Shuddhodhana
and create distraction to non-divine people who get
distracted.
As this Buddha incarnation is meant for distracting
the non-believers in Vedic practice and sanathana
dharma we don’t worship this form and is not in
the listed ten incarnations of worship as mentioned
in Pancharatra agamas and this has been enlisted
by Sage Veda Vyasa in puranas:
™nÀÆ: NÓ˛™Áz| ƒ∫Á“≥Á åÁ∫uÃÊ“ÁzDs ƒÁ™å:
∫Á™Áz ∫Á™≥Á ∫Á™≥Á Nw˛…m: N˛u¡N˛≥Á oz t∆@@
(meaning : Oh! Lord Krishna, you have ten main
worshippable incarnations, the fish form, the tortoise
form, the Boar form, the Narasimha form (half lion
and half human), Parashurama form, Rama form,
Balarama form, Krishna form and Kalki form. There
are further worship restrictions even among these
forms as per agamas)
Kshemendra was listening to this with a shock in
his face and rapt attention. He could not believe
that Lord Ramanuja was not in support of worship
of Buddha which is mentioned in the Nila Mata Purana.
He started to enquire again:
Kshemendra : Oh! Revered Swamy! Your clarity
of the subject is remarkable. I am hearing this kind
of an explanation for the first time. Does this mean
that all the worships mentioned in Vedas pertaining
to other Devas cannot be construed as Lord Krishna
being worshipped? What about the common belief
people have that Ã|tzƒå™ÀN˛Á∫: Nz˛∆ƒÊ üuoTXZuo@ I
was thinking so far that wherever you go and which
ever deity you worship, if you worship with the mindset
that he is Lord Krishna’s body and Lord Krishna
is his inner soul, the prayers go to Lord Krishna.
Lord Ramanuja: You need to carefully understand
this. Direct worship of Lord Krishna as per prescriptions
|∞„~°Ö’ Zxfl HÀiHõÅ∞ LO>Ë JO`« JâßOu.
of Pancharatra agamas can only lead to Moksha
or Salvation as explained in Vedas. The worships
of other devatas prescribed in Vedas who are bodies
of the Lord are not same as directly worshipping
Lord. These are for people who are ignorant of the
fact that Lord is the ultimate. He says in Bhagavadgita
chapter 7, that there are four types of people who
approach him directly :
Yoσu|áÁ ß\ãoz ™ÁÊ ¬ÁzNz˛ ÃÏNw˛uoåÁz\|å @
EÁoÁz| u\rÁÃÏ∫sÁ|sy| rÁåy Y ß∫o |ß @@
Meaning there are four kinds of people who come
to me directly, the one who is in trouble because
he lost some worldly items dear to him, the one
who wants some benefits which are currently not
there with him, the one who wants to meditate on
his soul but need to come to me to gain full knowledge
about his pure soul and the one who actually desires
me and wants to serve me.
All of us may fall in one category or the other here.
Lord also says there are four types of people who
do not come to him.
å ™ÁÊ tÏ…Nw˛uoåÁz ™ÓjÁ: üú˘ãoz å∫Áá™Á: @
™ÁÆÆÁú”orÁåÁ EÁÃÏ∫Ê ßÁƒ™Áu»oÁ: @@
These are people as a result of their sins they do
not understand that Lord Krishna is the ultimate one
who caters to their needs. They don’t approach me.
They are also of four categories. They are as follows:
(1) Ignorant or foolish people who have opposite
knowledge about the ultimate Lord. They think that
the items which belong to the Lord belong to them.
(2) Lowest grade humans – although they generally
know about Lord and his greatness they don’t think
it is necessary for them to come to me and they
remain aloof.
(3) People with blocked knowledge- although they
know fully about Lord and his greatness, due to their
sins they get carried away by other thoughts becoming
victims of worldly attraction created by the Lord known
as ‘Vishnu Maya’. They try to find solace elsewhere
not realizing that actually that does not exist.
(4) People having extremely undesirable and Demon-
like behaviours- These are people who very well know
about the Lord but cannot accept him or his
supremacy and they would want to compete with
him and dwell in the opposite side of the Lord.
He also said in the same chapter that :
ÆÁz ÆÁz ÆÁ™Ω ÆÁ™Ω oåÏÊ ßO˛: »ÚÆÁuY|oÏu™XZuo @
oÀÆ oÀÆÁY¬ÁÊ »ÚÁÊ oÁ™zƒ uƒtáÁ©Æ“™Ω@@
April '22 w w w w w w w w w w w w w w w w w w 21 w w w w w w w w w w w w w w w w w w w w w VAK
à oÆÁ »ÚÆÁ ÆÏO˛ÀoÀÆÁ∫Ááå™y“oz@
¬ßoz Y oo: N˛Á™ÁåΩ ™Æ{ƒ uƒu“oÁåΩ u“ oÁåΩ @@
Meaning, In the vedic tenets the Lord has created
various deities and systems to enable these four
types of people so that they don’t disturb his true
devotees. They get their requisite desires fulfilled
by proper worship of those deities following those
systems as prescribed by those respective deities
who are Lord’s bodies. Actually they do not know
that it is still the Lord through whom they get their
desires of worship fulfilled. As per Vedas, Lord
Krishna is the inner soul of all the deities and the
souls of the deities are his bodies. While Lord Krishna,
being the inner controller of all the deities is the
ultimate recipient of the prayers and the ultimate
giver of fruits for these types worships prescribed
in Vedas the worshipper does not know this. Based
on the devotion and pleasure of Lord, the worshipper
slowly realizes this truth and gets transformed into
direct devotee of Lord Krishna with the help of the
deity he is worshipping.
Kshemendra : I see. This is very clear now in my
mind and is also apt. Can we then extend this to
the worship of deities like Buddha?
Lord Ramanuja: Within the last category there is
also a category who are extremely Demonic who
do not Believe in Vedas. Lord has also created
non-vedic worship systems through which they get
distracted away from troubling my devotees. There
are several of them. Lord Buddha is one of them
as explained earlier. Moreover, In Varaha Purana,
in a conversation between Lord Vishnu and Siva,
Lord Vishnu ordains Siva to create a way of worship
where you provide them fast fruits for small efforts.
<nƒÊ u“ ª¸ ™“Á§Á“Áz ™Áz“∆ÁÕÁÁum N˛Á∫Æ@
t∆|uÆnƒÁ¡ú™ÁÆÁÃÊ ¢˛¬Ê ∆yV¿Ê üt∆|Æ @@
NÏ˛“N˛Áåyã¸\Á¬Áuå uƒªÚÁY∫mÁuå Y @
t∆|uÆnƒÁ \åÊ Ãƒ˙ ™Áz“ÆÁ∆Ï ™“zæÁ∫ @@>
In this way my true devotees can be protected from
harassment by the non-devoted people.
In Padma Purana it is said that :
t{nÆÁåÁÊ åÁ∆åÁsÁ|Æ uƒ…mÏåÁ §ÏÚøuúmÁ@
§Á{Ú∆ÁÕÁ™ÃnüÁzOÊ˛ åTíåy¬úbÁutN˛™Ω@@
Meaning Lord Buddha’s incarnation is meant to
destroy Asuras or non-divine people with a teaching
which is having various concepts opposing vedas.
In this incarnation Lord only focuses on the main
Sanathana dharma which is Ahimsa. He achieves
that by teaching them concepts that are not as per
Vedas. As this is aimed at distracting non-devotees
from his devotees, Lord does not expect the devotees
of Lord Krishna to worship him the form of Buddha.
A similar query was posed by Emperor Yudhishtira
to Sage Veda Vyasa in Shanthi Parva. It is as follows:
(to be continued)

HAVE YOU READ THE BOOK ....... "THE LORD AT YOUR CALL" Vol. - II
We at VAK are blessed to bring out the second volume in the series of
books on Anecdotes on Vishnu Sahasranama authored by Sri V S Karunakaran
Swamy.
Sri V S Karunakaran Swamy started this mammoth never before project
of explaining the significance of the 1000 names. Since the English meaning
of this hymn is given in this work, many in this country and those living
abroad, will welcome it. Every name is a mantra by itself, some with two
and some ranging up to eight words. The hymn is an antidote for all ills.
As the author mentioned the benefits which will accrue by reciting the various
name of Vishnu, it has been practically experienced by Devotees at Chilkur
Balaji temple who are the regular readers of VAK in which these Anecdotes
have been serialised. There is immortal ecstasy that can be experienced
by chanting these names individually.
The second Volume has been released on 6th September 2017, as a part
of the Saptatipoorthi celebrations of the Author Sri V S Karunakaran. You can find the devotees
chanting these names endlessly at the Balaji Temple Chilkur. The benefit of chanting individual names
for particular needs to be granted by Almighty is being practiced and is yielding expected results.
Books available at : Manager 'VAK', 2-2-647/77/D, Srinivasanagar Colony, Bagh Amberpet, Hyderabad-
500 013. Price : Rs.500/- (Exclusive of postage)

ã¨=∞㨺Å#∞ ã‘fiHõiOK«∞ - ã¨O`Àëêxfl P™êfikOK«∞

April '22 w w w w w w w w w w w w w w w w w w 22 w w w w w w w w w w w w w w w w w w w w w VAK
NEWS Attempt to smuggle century-old antique idol
foiled at B’luru Airport; TN-based exporter held
On one hand, some criminals in India are trying to
smuggle idols in different countries on the other hand
some good ones like ‘India Pride Project’ are on a
mission to retrieve all.
The arrest of one exporter, trying to smuggle an antique
idol of Lord Vishnu at Bangalore Airport has exposed
that some criminals still indulge in illegally exporting
antique idols in other countries.
As per reports a Tamil Nadu-based exporter, who
attempted to export an antique bronze idol of the
Lord Vishnu that is said to be more than a hundred
years old, to Malaysia, has been arrested and remanded
to judicial custody.
According to a newsagency, based on specific intelligence,
the officers of Customs Intelligence Unit (CIU), Bengaluru
Airport, and Air Cargo Commissionerate, intercepted
a shipment in the International Courier Terminal that
was attempted to be exported to Malaysia by a Tamil
Nadu based exporter.
In his list, the exporter has declared the idol as a
new bronze antique finish item. The idol was examined
and certified by the authorized nominee of the Director-
General, Archaeological Survey of India, and assisted
by a committee of experts, as an “antique”, as per Section
24 of the Antiquities and Art Treasures Act, 1972.
The exporter was arrested and remanded to judicial
custody, and further investigation is in progress.
200 antique idols bring back to India after 2014
During “Mann Ki Baat” programme, Prime Minister
Narendra Modi has mentioned that many idols were
smuggled from India, sold in different nations. “Bringing
those idols back was our responsibility. Till 2013,
just 13 idols were brought back but after 2014, India
brought back over 200 previous idols from nations
like the US, Britain, Canada”, Prime Minister said
in the “Mann Ki Baat” programme.
“In the last few years, hundreds of stolen idols have
been brought back to India. Equally, we need to focus
on plugging the leak”, said Anuraag Saxena one of
the founders of the India Pride Project
“Heritage is India’s global identity. Not our buildings,
malls, or highways. If we can’t take care of our core
identity, then what are we?”, he argued.
‘India Pride Project’ is a global effort to track and
reinstate India’s stolen heritage. It is a group of art
enthusiasts who uses social media to identify stolen
religious artifacts from Indian temples and secure
their return. Co-founded in 2014 by two Singapore-
based art enthusiasts, S. Vijay Kumar and Anuraag
Saxena, it now has activists from all over the world.
PM inspects 29 antiquities repatriated from Australia
Prime Minister Narendra Modi on Monday inspected
as many as 29 antiquities that have been repatriated
to India from Australia, including those on the themes
of Lord Shiva and his disciples, Lord Vishnu, and
the Jain tradition.
According to the news agency, the artifacts come
from different time periods, with the earliest dating
back to the 9-10 century CE. They are broadly divided
into six categories, including themes such as ‘Shiva
and his disciples, ‘Worshipping Shakti’, ‘Lord Vishnu
and his forms’, the Jain tradition, and other portraits
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and decorative objects. (IBT, March 21, 2022)
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... W^ŒÌ~°∞ ã¨÷Ѩ`«∞Å∞, 12 =∞Ok LѨã¨÷Ѩ`«∞Å∞, 800 =∞Ok tÅ∞ÊÅ∞,
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April '22 w w w w w w w w w w w w w w w w w w 23 w w w w w w w w w w w w w w w w w w w w w VAK
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PQÆ=∞âß„™êÎ#∞™ê~°OQÍ x~°fiÇ≤ÏOKå=∞x PÅÜ«∞ „Ѩ^è•<åÛ‰õΩÅ∞
"≥Å_¡ Oç Kå~°∞. <åÅ∞QÆO`«ã∞¨ ÅÎ ‰õĺHÍOÃÑH¡ û± `Àáê@∞ H˘O_»HO˜ ^Œ HõÖϺ}Hõ@,ì
ÅH©; ѨÙ+¨¯i}˜, J#fl„Ѩ™ê^•xH˜ nH∆ÍѨ~°∞Å =∞O_»áêxfl PÅÜ«∞ D"À
w`« Pk"å~°O ã¨O„Ѩ^•Ü«∞|^ŒOú QÍ Ñ¨Ó[Å∞ KÕã≤ JO^Œ∞ÉÏ@∞Ö’H˜ `≥KåÛ~°∞.
=ÚYº=∞O„u`À `˘eѨÓ[ : =ÚYº=∞O„u ˆHã‘P~ü ‰õΩ@∞O| ã¨"Õ∞`«OQÍ
™êfiq∞x ^Œi≈OK«∞H˘x „Ѩ^äŒ=∞ ѨÓ[Å∞ KÕÜ«∞#∞<åfl~°∞.
WÅ Ü«∂^•„k ѨÙ~°=ÚÖ’... ~°∂.2000 HÀ@¡`À „Ѩ}ÏoHõ „Ѩ^•è <åÅÜ«∂xˆH
~°∂.250 HÀ@∞¡.
XHõ < å\ å\˜˜ Ü« ∂ ^Œ y iQÆ ∞ @ì H˘`« Î ~ ° ∂ Ѩ ٠㨠O `« i OK« ∞ ‰õ Ω Ok.. Hõ $ +¨ ‚
tÅÅ`À xi‡`«"≥∞ÿ# k=º^è•=∞OQÍ... ^Õâ◊OÖ’<Õ ¿ÑÔ~xflHõQÆ#fl
„Ѩ M Ϻ`« PÅÜ« ∂ Å K≥ O `« KÕ ~ ° # ∞Ok... Ѩ @ ì } O #Å∞"≥ · Ñ ¨ Ù ÖÏ
ѨK«Û^Œ#O JÅ~åˆ~ÖÏ fiÛk^•Ì~°∞...
„Ѩ^è•# Ѷ¨∞\Ïìeq : - „Ѩ^è•<åÅÜ«∞ ѨÙ#ifl~å‡} Ѩ#∞ʼnõΩ NHÍ~°O
2016 JHÀì|~°∞ 11 q[Ü«∞^Œâ◊q∞ =∞OQÆà◊"å~°O ~ÀA# - PÅÜ«∂xH˜
LѨÜ≥∂yOz# ~å~Ú (Hõ$+¨‚tÅ), 2.5 ÅHõ∆Å @#∞flÅ∞, - ¿ãHõiOzOk :
QÆ∞O@∂~°∞, „ѨHÍâ◊O lÖÏ¡Å ã¨iǨÏ^Œ∞ÌÖ’¡ QÆÅ Hõ=∞‡"åiáêÖˇO. -
QÆ~åƒùÅÜ«∞O Z^Œ∞~°∞QÍ L#fl =∞Ǩ=ÚY=∞O_»Ñ¨OÖ’ 12 PàÏfi~°∞Å
q„QÆÇ¨ Å#∞ 12 J_»∞QÆ∞Å Z`«∞ÖÎ ’ ~°∂á⁄OkOKå~°∞. - „Ѩ^•è <åÅÜ«∞OÖ’
6 "ÕʼnõΩ ÃÑ·QÍ tÖÏÊÅ#∞ tÅÊHÍ~°∞Å∞ `«Ü«∂~°∞ KÕâß~°∞. - ^èŒfi[
ã¨ÎOÉèíO 35 J_»∞QÆ∞Å Z`«∞ÎÖ’ Hõ„~°`À ~°∂á⁄OkOKå~°∞. nxx L=∞‡_ç
PkÖÏÉÏ^£ lÖÏ¡ J_»=ÙÅ #∞Oz ¿ãHõiOKå~°∞. - ~ÀA‰õÄ ã¨QÆ@∞# 8
"ÕÅ=∞Ok Éèí‰õΩÎÅ∞ =™êÎ~°x JOK«<å. Ѩ~°fik<åÅ∞, ÃãÅ=Ù ~ÀAÖ’¡ D
ã¨OYº 40 "ÕÅ=~°‰õΩ LO_˘K«∞Û. - PÅÜ«∞ ѨÙ#ifl~å‡} Ѩ#∞Å`À
áê@∞ PÅÜ«∞ #QÆi Jaè=$kú, W`«~° =ã¨`«∞Å HÀã¨O ~°∂.2 "ÕÅ HÀ@¡`À
D „áê*ˇ‰õΩì#∞ KÕѨ@ìQÍ... ˆH=ÅO „Ѩ^è•<åÅÜ«∞ x~å‡}ÏxˆH ã¨∞=∂~°∞
~°∂.250 HÀ@∞¡ Y~°∞ÛKÕâß~°∞. - yi „Ѩ^ŒH˜∆} HÀã¨O H˘O_» K«∞@∂ì 5.5
H˜.g∞. "Õ∞~° =ÅÜ«∞ ~°Ç¨Ï^•ix xi‡OKå~°∞. (D<å_»∞ 28.3.2022)
ÉèíHõÎ[# ... <å~°ã≤OǨ - â’ÉèÏÜ«∞=∂#OQÍ Ü«∂^•„k ã¨=∂~ÀǨÏO...
- =∞Ǩ‰õΩOÉèí ã¨O„áÈHõ∆} „Hõ`«∞=ÙÖ’ ã¨fã¨"Õ∞`«OQÍ áêÖÁæ#fl ã‘ZO
Hˆ ã‘P~ü - q=∂#QÀѨÙ~°OÃÑ· NK«„Hõ „ѨuëêªÑ#¨ - ã¨fiÜ«∞OÉè∞í =ÙÅ ^Œ~≈° <åÅ∞
„áê~°OÉèíO - ™êfiq∞ ¿ã=Ö’ ~åR =∞O„u=~°æO, JkèHÍ~° Ü«∞O„`åOQÆO.
ã¨fiÜ«∞OÉèí∞ ^Œ~°≈#O... ™êHÍ~°O : "≥·Éèí=OQÍ Ü«∂^•„k PÅÜ«∞ L^•…@#
ã¨ÎOÉè’^Œƒù=Ù_≥·# #~°ã≤OǨï_ç ÅH©; ã¨"Õ∞`« P"åã¨"≥∞ÿ# Ü«∂^•„k PÅÜ«∞
L^•…@# =∞Ǩ„Hõ`«∞=Ù ™È=∞"å~°O â’ÉèÏÜ«∞=∂#OQÍ [iyOk.
"Õ^=Œ ∞O„`« Ѷ∞¨ ’+¨`À H˘O_»O`å P^蕺u‡Hõ`« L\˜Ñì _¨ Oç k. "å~°O ~ÀAÅ∞QÍ
™êy# ѨOK«‰õΩO_®`«‡Hõ =∞ǨÜ«∂QÆOÖ’ ѨÓlOz# #n[ÖÏÅ`À ‰õÄ_ç
=∞Ǩ‰õΩOÉèí ã¨O„áÈHõ}∆ Ѩ~fi° O PÅÜ«∞ tY~åÅÃÑ· UHõHÍÅOÖ’ H˘#™êyOk.
™êfiq∞ q=∂#OÃÑ· Nã¨∞^Œ~≈° # K«„Hõ`åÎàÏfi~°∞ʼnõΩ ѨÓ[Å∞ x~°fiÇ≤ÏOz
=∞Ǩ‰õΩOÉèí ã¨O„áÈHõ∆} Ѩ~åfixfl =ÚYº=∞O„u ˆHã‘P~ü KÕ`áêÅÜ«∞
„Ѩ^•è <å~°Û‰õΩÅ∞ [iÑ≤OKå~°∞. q∞QÆ`å P~°∞ QÀѨÙ~åÅ∞, J+¨Éì ∞íè [ =∞O_»Ñ¨
q=∂<åÅÃÑ· L#fl HõÅâßÅ ã¨O„áÈHõ}∆ #∞ =ÚYº=∞O„u, JÃãOc¡ ã‘ÊHõ~,ü =∞O_»e
K≥~· ‡° <£ ã¨Ç¨ ~åR =∞O„`«∞Å∞ "åi ‰õΩ@∞O| ã¨É∞íè ºÅ`À x~°fiÇ≤ÏOKå~°∞. ã¨∞=∂~°∞
QÆO@#fl~°áê@∞ D =∞Ǩ„Hõ`∞« =Ù H˘#™êyOk...
`«Ñ¨C Ѩ@ì@O `ÕeHõ - `«Ñ¨C ã¨i^Œ∞ÌHÀ=@O Hõ+¨ìO.
Hõ#∞ŠѨO_»∞=QÍ â’ÉèÏÜ«∂„`« : JO`«‰õΩ=ÚO^Œ∞ ÉÏÖÏÅÜ«∞OÖ’
"å~° O ~ÀAÅáê@∞ [iy# Ѩ O K« ‰ õ Ω O_®`« ‡ Hõ =∞Ǩ  Ü« ∂ QÆ O
=∞ǨѨÓ~å‚Ǩïu`À =ÚyÜ«∞QÍ.. ã¨iQÍæ L^ŒÜ«∞O 9.56 QÆO@ʼnõΩ P
„áêOQÆ}O #∞Oz ™êfiq∞"åi â’ÉèÏÜ«∂„`« "≥Ú^ŒÖˇ·Ok. „Ѩ^è•<åÅÜ«∞O
K«∞@∂ì „Ñ¨^HŒ } ∆˜ J#O`«~O° =¸~°∞ÅÎ #∞ QÆ~åƒùÅÜ«∞OÖ’H˜ KÕ~åÛ~°∞. ã‘ZO
ã¨fiÜ«∞OQÍ ™êfiq∞ „Ѩuëêì=¸~°∞ÅÎ #∞ Éè∞í *Ï<≥`∞« ‰Î Ωõ x ¿ã=Ö’ áêÖÁæ<åfl~°∞.
x~°‚~ÚOz# =ÚǨ˙~°ÎO q∞^äŒ∞#ÅQÆflO, UHÍ^Œt, ™È=∞"å~°O L^ŒÜ«∞O
11.55 QÆO@ʼnõΩ q=∂#OÃÑ· N ã¨∞^Œ~≈° # K«„HõO „ѨuëêªÑ#¨ J#O`«~O°
QÆ~åƒùÅÜ«∞OÖ’ ã¨fiÜ«∞OÉèí∞=ÙÅ ^Œ~°≈<åÅ∞ "≥Ú^ŒÅÜ«∂º~Ú. ™êÜ«∞O„`«O
[iy# âßOuHõÖϺ}O`À „Hõ`«∞=٠ѨiѨÓ~°‚"≥∞ÿOk.
ˆH∆„`åaè=$kúÖ’ áêÖÁæ#fl"åix ã¨`«¯iOz# ˆHã‘P~ü :
Ü«∞^•„k ˆH∆„`åaè=$kúÖ’ „â◊q∞Oz# qq^èŒ ~°OQÍʼnõΩ K≥Ok# 44 =∞Ok
xѨÙ}∞Å#∞ ã‘ZO ˆHã‘P~ü, =∞O„`«∞Å∞ [QÆnâòÔ~_ç¤, WO„^ŒHõ~°}üÔ~_ç¤
`«k`«~∞° Å∞ ã¨<å‡xOKå~°∞. „Ѩ^•è # ã¨Ñ÷ `¨ ∞« Å∞ ã¨∞O^Œ~~ü å[<£, P#O^•Kåi
"ÕÅ∞, Pi¯>ˇH±ì P#O^Œ™ê~Ú, D"À w`«`Àáê@∞ WO[h~°∞¡, tÅ∞ÊÅ∞,
„ѨÉ∞íè `«fi JkèHÍ~°∞Å∞, "åã¨∞Î xѨÙ}∞Å∞ ã¨<å‡#O JO^Œ∞‰õΩ#fl"åiÖ’ L<åfl~°∞.
Ü«∂^•„k PÅÜ«∞ Jaè=$kú „áêkèHÍ~° ã¨Oã¨÷ ("≥·\ ˜_ôU) "≥·ãπ K≥·~°‡<£
H˜+¨<£~å=Ù#∞ „Ѩ`ÕºHõOQÍ ã‘ZO ˆHã‘P~ü `«# "≥∞_»Ö’ L#fl HõO_»∞"å`À
ã¨<å‡xOKå~°∞. J#O`«~O° PÅÜ«∞O `«~Ñ° Ù¨ # ã‘ZO Hˆ ã‘P~ü#∞ =∞O„`«∞Å∞
„ѨâßO`üÔ~_ç¤, [QÆnâòÔ~_ç¤ ã¨Ç¨ PÅÜ«∞ DF w`«, "≥·\ ©_çZ H˜+¨<£~å=Ù
ã¨<å‡xOz *Ï˝Ñ≤Hõ#∞ JO^Œ*Ëâß~°∞.
Éèí„^Œ`« ÉÏ^茺`« PHÀìѨãπ‰õΩ?: Ü«∂^•„k PÅÜ«∞ Éèí„^Œ`«#∞ „Ѩ`ÕºHõ áÈbã¨∞
qÉèÏQÆ"≥∞ÿ# PHÀìѨãπ‰õΩ JѨÊyOKåÅx ~åR „ѨÉèí∞`«fiO x~°‚~ÚOz#@∞¡
`≥eã≤Ok. PÅÜ«∞ =∞Ǩ‰õΩOÉèí ã¨O„áÈHõ∆} ã¨O^Œ~°ƒùOQÍ ™È=∞"å~°O
PHÀìѨãπ Hõ=∂O_ÀÅ∞ PÅÜ«∂xH˜ Éèí„^Œ`« HõeÊOKå~°∞. ˆH∆„`åaè=$kúH˜
ã¨OHõeÊOz# ã¨=∞Ü«∞OÖ’<Õ PÅÜ«∂xH˜ „Ѩ`ºÕ Hõ qÉÏQÆO ^•fi~å Éè„í ^Œ`«
HõeÊOKåÅx ã‘ZO Hˆ ã‘P~ü x~°~‚ ÚOKå~°∞. WO^Œ∞‰õΩ ã¨O|OkèOz ~Ô O_»∞=¸_»∞
~ÀAÖ’¡ L`«Î~°∞fiÅ∞ ~å#∞#fl@∞¡ ã¨O|Okè`« =~åæÅ ^•fi~å `≥eã≤Ok.
u~°∞=∞Å N "ÕOHõ>Ëâ◊fi~°™êfiq∞ PÅÜ«∂xH˜ Ãã·`«O PHÀìѨãπ |ÅQÍÖË
Éèí„^Œ`« ÉÏ^茺`«Å#∞ x~°fiÇ≤Ïã¨∞Î<åfl~Ú. =∞~À "≥·Ñ¨Ù „Ѩã¨∞Î`«O ˆH∆„`«OÖ’
[~°∞QÆ∞`«∞#fl Ѩ#∞Å`Àáê@∞ PÅÜ«∞ x~°fiǨÏ} ÉÏ^躌 `«Å#∞ SUZãπ ™ê÷~Ú
JkèHÍiH˜ JѨÊQÆOK«#∞#fl@∞¡ ã¨=∂Kå~°O. (D<å_»∞ 29.3.2022)
=Oâ◊áê~°OѨ~°º J~°ÛHõ`åfixfl ѨÙ#i^ŒúiOK«O_ç...
PÅÜ«∂ŠѨi~°Hõ∆} L^Œº=∞ Hõhfi#~ü ã‘Zãπ ~°OQÆ~å[<£...
"≥Ú~Ú<åÉÏ^£ : J~°Û‰õΩÅÃÑ· "ÕkèOѨÙÅ∞ Z‰õΩ¯=Ü«∂ºÜ«∞x, z#fláê\˜
Ѷ∞¨ @#Å#∞ ^Œ$+≤Öì ’ LOK«∞‰õΩx H˘O^Œ~∞° JkèHÍ~°∞Å∞ Hˆ ã¨∞Å`À W|ƒO^Œ∞ʼnõΩ
QÆ∞iKÕã¨∞Î<åfl~°x PÅÜ«∂ŠѨi~°Hõ∆} L^Œº=∞ Hõhfi#~ü, zÅ∂¯~°∞ ÉÏÖÏr
PÅÜ«∞ „Ѩ^•è # J~°Û‰õΩÅ∞ ã‘Zãπ ~°OQÆ~å[<£ J<åfl~°∞. ZÖÏO\˜ P^è•~°O,
q^è•#O ÖˉõΩO_® ã¨ÃãÊO_£ KÕã¨∞Î#fl K«~°ºÅ#∞ xÅ∞=iOKåÅ<åfl~°∞.
^Õ"åÅÜ«∞ ^è~Œ ‡° Ѩi~°H}∆õ ã¨q∞u J^躌 ‰õΩ∆ _»∞, ^Œ~≈° #"£∞ Ѩ„uHõ ã¨Oáê^Œ‰Ωõ Å∞
ZOgP~ü â◊~°‡, QÍ_çK«~°¡ <åˆQâ◊fi~° ã≤^•úOu`À Hõeã≤ QÆ∞~°∞"å~°O ~åR
^Õ"å^•Ü«∞ âßY Hõg∞+¨#~ü JxÖò‰Ωõ =∂~ü‰Ωõ q#flqOKå~°∞. =Oâ◊áê~°OѨ~º°
J~° Û ‰õ Ω ŠѨ ^ Œ ú u x, =º=Ǩ  ~åÅ#∞ xeÑ≤ " Õ ¿ ãÎ ^Õ " åÅÜ« ∂ Å∞
=¸`«Ñ¨_»`åÜ«∞x 1996Ö’ _®Hõì~ü ZOg ™œO^Œ~°~å[<£ ^•YÅ∞ KÕã≤#
i\ò Ñ≤\ ©+¨<£ÃÑ· ã¨∞„Ñ‘OHÀ~°∞ì ™ê#∞‰õÄÅOQÍ ã¨ÊOkOz# q+¨Ü«∂xfl
QÆ=∞xOKåÅx HÀ~å~°∞. "å~°ã`¨ fi« x|O^è#Œ Å r"À#∞ J=∞Å∞ KÕÜ∂« Åx
HÀ~å~°∞. (D<å_»∞ 18.3.2022)
April '22 w w w w w w w w w w w w w w w w w w 24 w w w w w w w w w w w w w w w w w w w w w VAK
All slokas Chant 28 times
FO Ѩ~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™:
FO ǨÏ$+‘ˆHâßÜ«∞ #=∞ó For self employed people, for promotions and
G J  yNz ∆ ÁÆ å™: success in games.
For overcoming bad habits „H©_®HÍ~°∞ʼnõΩ, ã¨fiÜ«∞O LáêkèÖ’ L#fl "åiH˜, L#fl`«
^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜. Ѩ^Œ=ÙÅ∞ PtOKÕ "åiH˜.
FO =+¨\ϯ~åÜ«∞ #=∞ó G ƒ bΩN˛Á∫ÁÆ å™: FO Éè∂í `«ÉÏè =<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™:
For Success in Business, Interviews, Visa
For better health. =∞Oz P~ÀQͺxH˜.
Interviews, building relationship
"åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅO FO ѨÓ`å`«‡<Õ #=∞ó G úÓoÁn™åz å™:
To remove mental stress and for mental
HÍ=_®xH˜ 㨇iOK«O_ç.
peace
FO N=∞`Õ #=∞ó G »y™oz å™: =∂#ã≤ H õ P~ÀQͺxH˜ =∂#ã≤ H õ XuÎ _ ç #∞O_ç
Please Chant for Handsome Appearance and wealth.
q=ÚH˜ÎH˜.
â◊s~° ™œO^Œ~åºxH˜, ã¨OѨ^Œ‰õΩ.
FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™: FO â◊~°‡}Ë #=∞ó G ∆™|mz å™:
For Job Satibsfaction
For Education and better Financial strength. L^ÀºQÆOÖ’, KÕ¿ã ѨxÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.
q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.
uÀsoz ™åuà ÃÏ À ƒÀsz ∆∫y∫z Ãuo ÆÁz å∫:
å∫:@@ If anyone thinks of Me, when the mind is sound with the
body in good health and with all mental and physical
áÁoÏ Ã Á©Æz uÀsoz À™oÁ| uƒæÁøúÊ Y ™Á™\Ê @ @ faculties working perfectly and intact - thinks that I am
ooÀoÊ u™¿ Æ ™ÁmÊ oÏ N˛Á…eúÁ ÁmÃuëÁß™Ω indeed the very cause of this universe, that I am without
birth - then I assure that I will remember this devotee of
E“Ê À™∫Áu™ ™ÙOÊ˛ åÆÁu™ ú∫™ÁÊ Tuo™Ω @@ Mine in his death bed and personally take him/her to the
ã≤÷`Õ =∞#ã≤ ã¨∞ã¨fi¿ã÷ â◊sˆ~ ã¨u Ü≥∂ #~°:I Supreme Abode.(Varahapuranam- )
Z=Ô~`· Õ `«# â◊s~°O P~ÀQƺOQÍ L#fl ã¨O^Œ~ƒ° Où Ö’ `«# =∞#ã¨∞û ã≤~÷ "° ∞≥ #ÿ |∞kú`À
^è•`«∞™ê"Õ∞º ã≤÷`Õ ã¨‡~åÎ qâ◊fi~°∂ѨO K« =∂=∞[OII <å qâ◊fi~°∂áêxfl ^蕺xã¨∂,Î <Õ<Õ D ã¨$+≤Hì Oõ `«\H˜ ˜ HÍ~°‰Ωõ _ç#x, [#‡~°ÇÏ≤ `«∞_»<#·≥ k
`«`«ãÎ̈O „q∞Ü«∞=∂}O `«∞ HÍ+ª̈áêëê}ã¨xflÉèí"£∞ <Õ<#Õ x, JÖÏO\˜ <å Éè‰í Ωõ _Î xç `«# â◊s~å=™ê# HÍÅOÖ’ K«Å#OÖËx ã≤u÷ Ö’
JǨÏO 㨇~åq∞ =∞^ŒƒùHõÎO #Ü«∂q∞ Ѩ~°=∂O QÆu"£∞ II L<åfl "åix <Õ<Õ Ñ¨~=° ∞Ѩ^•xH˜ KÕ~∞° Û`å#∞. (=~åǨÏѨÙ~å}O)
™åσu| åoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\Æzo@Ω å NÏ˛ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ˛ƒwÊ å À™∫zoΩ uœÁÆ:@@
Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should
not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)

=∞`«Î#∞~°fix`å ™êH∆Í`ü Ü≥∂w Hõ™ê‡#fl ѨÓ[ÜÕ∞`üI # ‰õΩ~åº^Œfi$l#O <å~åºó ‰õΩ=$`«ÎO # 㨇ˆ~`ü „ã≤ÎÜ«∞óII
„Ѩu =x`« <å â◊s~°O. 'P_»"åiѨ@¡ Jã¨ÉèíºOQÍ „Ѩ=iÎOK«_»"Õ∞ HÍ^Œ∞. qHÍ~°OQÍ PÖ’zOK«_»O ‰õÄ_® ã¨Ç≤ÏOK«#∞—
JO@∞<åfl~°∞. J=∞‡"å~°∞. (¿ãHõ~°} : ÅH©;`«O„`«O 43= J^蕺ܫ∞O)
All slokas Chant 108 times

FO <å~°ã≤OÇ¨Ï =Ѩٿ+ #=∞ó FO ˆH∆„`«*Ï˝Ü«∞ #=∞ó FO *’ºuëêOѨ`«ÜÕ∞ #=∞ó

G åÁ∫uÃÊ “ ƒúÏ   z å™: G qz fi rÁÆ å™: G [ÆÁz u o ÁÊ ú oÆz å™:
In moments of distress and despair For aspirants of Plots and own residence.
For good eye - sight.

PѨ^ŒÖ’ L#flѨC_»∞ 㨇iOK«O_ç. ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜. ã¨Ê+¨ì"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ.

<Õ<Õ `≥eqQÆÅ"å_çx J#∞‰õΩ<Õ"å~°∞ Z‰õΩ¯=QÍ "≥∂ã¨áÈ`å~°∞.

April '22 w w w w w w w w w w w w w w w w w w 25 w w w w w w w w w w w w w w w w w w w w w VAK
FO ã¨÷qëêªÜ«∞ #=∞ó
G Àsuƒ…eÁÆ å™:
To keep Evil forces at bay.
^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.
|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`«O
1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
2. ÅH∆͇º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
4. 㨇~°}Ï`ü ã¨~°fiáêѨѶ¨∞flO Hõ„^Œ∂[q+¨<åâ◊#O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
5. ã≤OǨÏ<å^Õ# =∞ǨÏ`å kQÆúOuÉèíÜ«∞ <åâ◊#"£∞
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓoÁtÆz å™:
Chant this name to amend soured friendship
or any personal relationship
q∞„`«∞Å`À ¿ãflǨÏÉèÏ=O ÃÑOK«∞HÀ=_®xH˜, ^ŒOѨ`∞« Å Pregnant ladies to chant for healthy babies.
J<Àº#º`«‰õΩ.
Runa Vimochana Nrisimha Stotram
Devataakaarya-siddhyartham
sabhaastambha-samudbhavam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Lakshmyaalingita-vaamaangam
bhaktaanaam varadaayakam
Sri Nrisimham mahaveeram
namaami runamuktaye
Aanthramaalaadharam Sankha
Chakraabja aayudha dha arina m
Sri Nrisimham mahaaveeram
namaami runamuktaye
Smaranaat sarvapaapagnam
kadrooja visha naasanam
Sri Nrisimha mahaaveeraam
namaami runamuktaye
Simhanaadena Mahataa
Digdhanthi Bhaya Naashanam
J*Ï˝#O Hõ<åfl x~°¡Hõ∆ºO =Å# Z‰õΩ¯= #+¨ìáÈ`å=Ú.
Chant 108 times
FO ѨÙ+¨¯~åH∆ÍÜ«∞ #=∞ó
G úÏ … N˛∫ÁqÁÆ å™:
For overcoming bad times.
HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
Chant one time
6. „ѨǨ¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ѩ^ŒO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ǩχ~°∞„^•k =Ok`«O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
9. Ü«∞ W^ŒO Ѩ~î°`Õ x`«ºO |∞∞}"≥∂K«# ã¨Ol˝`«O
J#$}©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ѷ¨∞=∞"åѨÙflÜ«∂`ü
D ™È΄`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`À
L#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi 㨇i¿ãÎ K«Hõ¯x
Ѷ¨e`«O Åaèã¨∞ÎOk.
FO ^è•„`Õ #=∞ó G áÁfiz å™:
For issueless couple. ã¨O`å# „áêÑ≤Î H˘~°‰õΩ
FO q^è•„`Õ #=∞ó G uƒáÁfiz å™:
P~ÀQƺHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ
Chant one time
Sri Nrisimham mahaaveeraam
namaami runamuktaye
Prahlaada varadam sreesam
daityesvara-vidaarinam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Krooragrahaih peeditaanaam
bhaktaanaam abhayapradam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Vedavedaanta-yajnesam
Brahma Rudraadi vanditam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Ya idam patathe nityam runa
mochana samjnitam
Anrunee jaayate satyo dhanam
sheeghram avaapnuyaat
April '22 w w w w w w w w w w w w w w w w w w 26 w w w w w w w w w w w w w w w w w w w w w VAK
Éè‰í Ωõ ÅÎ J#∞Éè"í åÅ∞ – DEVOTEES' EXPERIENCES
Chilkur Balaji's Grace - 204 zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇϨ O – 204

Visa extended.... g™ê QÆ_»∞=Ù á⁄_çyOK«|_çOk...

My son got visa in Ireland “My son's
Visa date expired and he lost his job too. He
chanted "Om Paramatmaney Namaha". A
special option was suggested by a friend.
Based on that advice he wrote to the Prime
minister's office directly explaining his status.
With few days, the wrong was set right and
he got his Visa extended. This is all Chilkur
Balaji blessings.
Jai Balaji....
A Devotee.
=∂ JÉσ~ÚH˜ S~üÖÏO_£‰õΩ g™ê ^˘iH˜Ok. H˘kÌ
~ÀAÅ „H˜`O« J`«x g™ê _Õ\ò QÆ_∞» =Ù =Úyã≤Ok, ^•O`Àáê@∞
L^ÀºQÆO ‰õÄ_® áÈ~ÚOk. J`«#∞ ''FO Ѩ~°=∂`«‡<Õ #=∞ó——
J#fl <å=∂xfl [Ñ≤OKå_»∞. Wk [iy# H˘xfl ~ÀAʼnõΩ XHõ
¿ãflÇ≤Ï`«∞x ã¨ÅǨ "Õ∞~°‰õΩ =∂ JÉσ~Ú „Ѩ^è•#=∞O„u
HÍ~åºÅÜ«∂xH˜ `«# Ѩiã≤÷ux q=iã¨∂Î ÖËY „"å™ê_»∞. H˘kÌ
~ÀAÅ =º=kèÖ’<Õ [iy# #+¨Oì ã¨iKÕÜ∞« |_ç g™ê QÆ_∞» =Ù
á⁄_çyOK«|_çOk. JO`å P ÉÏÖÏr Pj~åfi^ŒO Jx #=Ú‡`«∞<åfl#∞.
*ˇ· ÉÏÖÏr.... XHõ Éèí‰õΩÎ_»∞.

Chant 28 times

N˛Áo| ƒ yÆÁ| \ Ï | å Áz åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ @ oÀÆ À™∫m™Áfiz m ToÊ å…bÊ Y ¬•Æoz @ @
HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏǨï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º 㨇~°} =∂„`Õ} QÆ`«O #+¨ìO K« ÅÉèíº`Õ II
Karthaveeryarjuno nama Raaja Baahu Sahasravaan |
Thasya Smarana Maathrena Gatham Nashtam cha Labhyathe||
Please chant this sloka to locate lost objects, persons and belongings.
`«Ñ≤ÊáÈ~Ú# =º‰õΩÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl ÉèíH˜Î`À ѨiîOK«O_ç.
N˛Á™z æ Á∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz @ D â’¡HÍxfl 㨇iOK«O_ç. Chant 28 times

å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@
HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞ HÍ=∞áêÖÏÜ«∞ HÍq∞<Õ I
#=∞ó HÍ=∞qǨ~åÜ«∞ HÍ=∞~°∂Ѩ^~Œè åÜ«∞ K« II
Kaameshwaraya Kaamaya Kaamapalaya Kamine
Namaha Kaamavihaaraya Kaamarupa dharaayacha
Marriages get finalised by Chanting this Sloka. Also
this sloka bestows intimacy, mutual affection and
trust between couples.
q"åÇ¨Ï „áêÑ≤Î, ÉèÏ~åº Éèí~°ÎÅ #_»∞=∞ „Ñ‘u, SHõ=∞`åºxH˜
=∂ ÃÑo§ [iy# H˘xfl <≥ÅÖ’¡<Õ PÜ«∞#`À q_®‰õΩÅ∞ fã¨∞HÀ"åÅx
x~°~‚ ÚOz# ã¨=∞Ü«∞OÖ’ ÃÑ· â’¡HÍxfl zÅ∞‰õÄ~°∞Ö’ q#_»O [iyOk.
~ÀE 㨇iã¨∂Î<Õ L<åfl#∞. Pâ◊Û~°ºHõ~°"≥∞ÿ# suÖ’ =∂ =∞^茺
J=QÍǨÏ# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú.
XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi
=∂ J=∂‡~ÚH˜ 38 Uà◊√§. Z<Àfl ã¨O|O^è•Å∞ =zÛ<å ÃÑo¡
‰õΩ^Œ~°ÖË^Œ∞. J~Ú`Õ D â’¡HõO K≥Ñ≤Ê# H˘xfl ~ÀAÅÖ’ =∞Oz
=~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞,

=„[O ÖÏO\˜ â◊s~åxH˜....... –j ∆∫y∫ Nz˛ u¬L Chant 28 times

FO #"≥∂ <å~°ã≤OǨÜ«∞ =„[^ŒO„ëêìÜ«∞ =„l}ËI =„[^ÕǨÜ«∞ =„*ÏÜ«∞ #"≥∂ =„[ #MÏÜ«∞K«II

H å™Áz åÁ∫uÃÊ“ÁÆ ƒ\¿tÊ…b~ÁÆ ƒu\~mz@ ƒ\~tz“ÁÆ ƒ\~ÁÆ å™Áz ƒ\~ åQÁÆ Y @@

»y∫Á™∫Á™ ∫Á™zuo ∫™z ∫Á™z ™åÁz∫™z@ ÓœÁåÁ™ o Ï¡ÆÊ ∫Á™ åÁ™ ƒ∫Áååz @@
N~å=∞ ~å=∞ ~å"Õ∞u ~°"Õ∞ ~å"Õ∞ =∞<À~°"Õ∞ I ã¨Ç¨Ï„ã¨<å=∞ `«`«∞ÎźO ~å=∞ <å=∞ =~å#<Õ II

=∞Oz ã¨fiÉèÏ="Õ∞ =∞x+≤H˜ JÅOHÍ~°O.

 27

"STATE BANK OF INDIA FACILITATES DEVOTEES TO DONATE AT PAR AT ALL

BRANCHES TO CHILKUR BALAJI DAILY PUJA FUND SCHEME" ACCOUNT NO:
62055583940 - SRI BALAJI VENKATESWARA SWAMY TEMPLE CHILKUR,
MAINTAINED WITH MOINABAD BRANCH (08417-252071) IFSC CODE 'SBIN0020637
Date of Posting 6th & 7th 28 Date of Publication 1st of every month
Registered as a News Paper RNI. No. APMUL/2000/02474
Vol.6 VAK / APRIL / 2022 Postal Registration No. HSE/738/2020-22 No.4
A person who behaves like born towards other's defects,
ú∫∫ãá¿ z   Ï \ÁnÆãáÁ: ú∫tÁ∫z … ƒúÏ Ê Ã N˛Á: @ a eunuch towards other's wives, dumb when it comes
to slanderous or accusative speaking is highly affable
úu∫ƒÁtz   Ï Æz ™Ó N ˛ÁÀoz o yƒ tuÆoÁ ™™ @@ to me. (Vishnu Dharma 76-22)

Ѩ~°~°O„^èÕ+¨µ *Ï`«º<åúó Ѩ~°^•ˆ~+¨fiѨÙOã¨HÍó I Ѩ~∞° Å ^À+¨=ÚÅ#∞ *Ï`«ºO^è∞Œ _ç=Öˇ K«∂_»‰Ωõ O_»∞"å_»∞, Ѩ~„° ã‘ÅΠѨ@¡
Ѩi"å^Õ+¨µ ÜÕ∞ =¸HÍ¿ãÎf= ^Œ~Ú`å =∞=∞ II #ѨÙO㨉õΩ_ç=Öˇ „Ѩ=iÎOK«∞"å_»∞, Ѩi"å^Œ#ÅѨ@¡ =¸QÆ"å_»∞
<åHõ`«ºO`« „Ñ≤Ü«Ú_»∞. (q+¨µ‚ ^èŒ~°‡=Ú 76-22)

zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb ѨÓ*Ï Ñ¶¨O_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç.

D Ѷ¨O_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉϺO‰õΩÅÖ’ K≥e¡OѨÙÅ∞ ã‘fiHõiOK«|_»∞#∞.
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉϺOH± PѶπ WO_çÜ«∂, "≥Ú~Ú<åÉÏ^£ âßY, ~°OQÍÔ~_ç¤ lÖÏ¡)
from any branch of State Bank of Hyderabad situated in any part of the Country.
2) C. A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Union
Bank of India, Pedda Mangalaram (Moinabad Branch Ü«¸xÜ«∞<£ ÉϺOH± PѶπ WO_çÜ«∂, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY))
(R.R. Dist.) from any branch of Union Bank of India situated in any part of the World. „ѨѨOK«OÖ’x U „áêO`«OÖ’ #∞O_≥< · å [=∞ KÕÜ∞« =K«∞Û.
3) C. A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank,
113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉϺOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£
=∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞#^ÕâO◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO
Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü«¸HÀ ÉϺOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡,
from any branch of UCO Bank situated in India. (=∞#^ÕâO
◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
Éè‰í Ωõ ÅÎ ∞ ~°∂.100/- Hõh㨠K≥eO¡ ѨÙQÍ D xkèH˜ [=∞ KÕÜ∞« =K«∞Û.
D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ
qÖHõ∆}"≥∞ÿ# zÅ∞‰õÄ~°∞ ѨÓ*Ï q^è•<åxfl PK«O„^•~°¯O xeKÕÖÏ `À_»Ê_ç#O^Œ∞‰õΩ P ÉÏÖÏr Hõ$Ѩ‰õΩ áê„`«∞Å=Ù`å~°∞.
CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND "
The Fund donations can be remitted in the Following Banks with the following Particulars:-
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabad situated
in any part of the Country. IFSC Code 'SBIN0020637'.
2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained
with Union Bank of India, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of Andhra
Bank situated in any part of the World. IFSC Code 'UBIN0809110'.
3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara
Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated in
India. IFSC Code 'CNRB0003063'.
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India.
IFSC Code 'UCBA0002473'.
Devotees can remit their contributions with a minimum of Rs.100/- to this Fund.
The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participating
in the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system…..
Union Bank of India Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023
All business communications and payments may
be addressed to The Manager VAK, 2-2-647/77/D, D.D. Colony,
Bagh Amberpet, Hyderabad-500 013. Ph : 27425640. To STAMP
Subscriptions can be sent through direct A/c transfer. Bank
A/c details A/c No. 013211011000744 Union Bank of India,
Bagh Amberpet Branch. Ifsc code UBIN0801321. Please
indicate your correct mailing address. Cell : 9246505058.
Owned, Edited, Printed and Published by :
Dr. M.V. Soundara Rajan, Advocate, 2-2-647/77/D,
D.D. Colony, Bagh Amberpet, Hyderabad-500 013;
Mob : 9885700078 (only Whatsapp) Cell : 9246505058
Printed at : M/s. Vakdevi Printers,
# 1-8-732/22/B, Nallakunta,H y d erabad - 50004 4 . (TS)
If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.