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[ The Voice of Temples ]

ENGLISH – `≥Å∞QÆ∞ – u“ãty Rs.5/-

SRIRANGAM RAJAGOPURAM & 44TH JEER OF AHOBILA MUTT (inset) WHO BUILT IT.
JǨϟaÅ =∞~î°O 44= rÜ«∞~°∞ ™êfiq∞ (JO`«~°z„`«O) "åi P^èŒfi~°ºOÖ’ xi‡Oz# N~°OQÆO ~å[QÀѨÙ~°=Ú.

Vol. 5 SEPTEMBER – 2021 No.9

 2

HAVE YOU READ THE BOOK ....... "THE LORD AT YOUR CALL" Vol. - II
We at VAK are blessed to bring out the second volume in the series
of books on Anecdotes on Vishnu Sahasranama authored by Sri V
S Karunakaran Swamy.
Sri V S Karunakaran Swamy started this mammoth never before project
of explaining the significance of the 1000 names. Since the English
meaning of this hymn is given in this work, many in this country and
those living abroad, will welcome it. Every name is a mantra by itself,
some with two and some ranging up to eight words. The hymn is an
antidote for all ills.
As the author mentioned the benefits which will accrue by reciting
the various name of Vishnu, it has been practically experienced by
Devotees at Chilkur Balaji temple who are the regular readers of VAK
in which these Anecdotes have been serialised. There is immortal
ecstasy that can be experienced by chanting these names individually.
The second Volume has been released on 6th September 2017, as a part of the Saptatipoorthi
celebrations of the Author Sri V S Karunakaran. You can find the devotees chanting these
names endlessly at the Balaji Temple Chilkur. The benefit of chanting individual names for
particular needs to be granted by Almighty is being practiced and is yielding expected results.
Books available at : Manager 'VAK', 2-2-647/77/D, Srinivasanagar Colony, Bagh Amberpet,
Hyderabad-500 013. Price : Rs.500/- (Exclusive of postage)

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Hõ#∞Å∞ KåÅ=Ù, K«∂z#O`«<Õ Hõiî#tÅÖˇ·# ‰õÄ_® Hõ~°∞QÆHõ=∂#=Ù. ~°OQÆ<åÜ«∞H˜Ü≥ÿ∞# NÅH˜; ^Œ~°≈#=Ú ã¨HõÅ áêѨǨÏ~°=Ú
ã¨~°fiã¨OѨ`«¯~°=Ú. Éèí‰õΩÎÅ∞ DˆH∆„`«~å[=Ú#∞ K«∂z `«iO`«∞~°∞ QÍHõ.
- qO[=¸~ü q[Ü«∞‰õΩ=∂~ü
CONTENTS Page uƒ…mÏÓœÁåÁ™Áƒ¬y TÁsÁ - 243 ..... 10
Editorial ................... 3 Ahobilam and Ahobila Mutt - 103 ................. 13
Anecdotes on Vishnu Sahasranamam-243 ....... 4
N~å=∂#∞Ax Hõj‡~°∞ âß~°^•Ñ‘~î° Ü«∂„`«-46 .. ............ 15
ã¨Oáê^ŒH©Ü«∞O ................ 6 Ramanuja's Journey to Sharada Peeth-xxxxvi .... 18
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–243 ................ 7 News ................. 21
ÃÊúÁtN˛yÆ ...... 9 Devotee's Experiences ................. 26

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September'21 w w w w w w w w w w w w w w w w w w 3 w w w w w w w w w w w w w w w w w w w w w VAK
EDITORIAL... -
We cannot let Non-believers destroy Hindu religion
In the false name of Reform the Tamil Nadu Government has gone a long way in trying to destroy
the Temples worship system by not following Sanathana Dharma.
‘Deity, cannot in law consent to anything which may amount to an extinction of the deity itself’
- This is an important principle of law that Supreme Court and has been reiterated in Shri Padmanabha
Swamy Temple case.
Does Tamil Nadu Periyar Reform have consent of the Deity?
Tamil Nadu Government has claimed that it’s latest Temple Reform removes thorn in the heart
of Periyar.
Does it create a thorn in the heart of Deity? It definitely does!. No deity will accept reforms in
worship system prescribed by it in Aagamas from an Atheist! It is a basic common sense matter!
Periyar in his lifetime treated Hindu Deities with contempt. In 1953 he broke Lord Ganesha
Idol, He illtreated and spoke ill of Lord Shri Rama and in 1971 Salem event reported by The Hindu,
Lord Shri Rama and Hindu Deities were disrespected in a manner that is unspeakable. A place which
was the very cradle of devotion to Hindu Deities with maximum number of very great seers, ancient
temples is to day the fountainhead of Atheism much of which is due to continuous efforts of Periyar
and his followers to undermine Sanatana Dharma.
1936 Temple Entry Proclamation of Shri Padmanabha through His Dasa has been recorded by
Government of India as an event which showed the way for entire Bharat. But the credit of this great
reform described as a miracle was suppressed and Hindu Deities pictured as villains. If the truth about
the great reform done by the Deity was not deliberately suppressed then Periyar would not have had
so much success in weaning away followers of Hindu Deities and Sanatana Dharma into Atheism.
The fact that followers of only Sanatana Dharma decreased while followers of Christianity and Islam
increased due to Periyar effect demonstrates the selective nature of the targeting of Hindu Deities.
The Dravidian Parties which owe their success in gaining Political Power to followers of Periyar
had while in power facilitated establishment of Periyar Statues in close proximity of ancient temples
with inscription in Tamil translated as
“There is no God, no God, no god, Those who preached God are fools, Those who spread God
Rogues Those who pray God are Barbarians”
The word “God” in the above inscription based on the above facts is clearly referring to Hindu Deities.
It is thus very clear by applying commonsense that Tamil Nadu Temple Reform in the name of
Periyar is a thorn in the heart of Hindu Deities and can never have their consent.
On August 14th when the draconian Tamil Nadu Temple Reform was announced, we can construe
this as a great acknowledgement to the fears mentioned in the historic letter of former Judge of
Kerala High Court and Sr Counsel of Supreme Court Shri Chitambaresh to His Excellency the Hon’ble
President of India.
It is notable here that in the acknowledgement letter from the Honourable President to the above
Justice Chidambaresh’s it is recorded as to how Art 363 is relevant to Hindu Deity Rights dispute
item and it has been referred by His Excellency Hon’ble President to Ministry of Home affairs for
appropriate action regarding the unjust and unconstitutional Hindu Religious and Charitable Endowments
Act (Tamil Nadu State used power under this Act to implement Periyar Reform).
We believe there is a divine message here that Hindu Deities have not given their consent to
Tamil Nadu Periyar Reform and they have signaled that it is a violation of principles of Dharma that
Tamil Nadu State is being allowed by Centre to implement Periyar Reforms before resolution of Art
363 Hindu Deity Rights dispute with strong legal opinion in support of Hindu Deities.
Hindu Religious and Charitable Endowments Act is a matter which is in the concurrent list and
the Centre is duty bound by Constitutional Morality inclusive of Raja Dharma to not allow implementation
of Tamil Nadu Periyar Reforms till such a time as the important dispute is resolved.
We request Central Govt headed by Hon’ble Prime Minister Shri Narendra Damodardas Modi ji
on behalf of crores of devotees who are worried about Hindu Deity Rights being infringed by Tamil
Nadu Periyar Reforms to direct the Law Ministry to resolve Art 363 Hindu Deity Rights dispute expeditiously
and stay Tamil Nadu Periyar reforms. !

J*Ï˝#O Hõ<åfl x~°¡Hõ∆ºO =Å# Z‰õΩ¯= #+¨ìáÈ`å=Ú.

September'21 w w w w w w w w w w w w w w w w w w
Anecdotes on Vishnu Sahasranama - 243
HONOURED BY THE HONOURED
Dr. V.S. Karunakaran B.E.(Mech.), M.A. (Sanskrit), Ph.D
Vasudeva father of Lord Krishna had eight sisters.
One of them was the famous Kunti mother of
Pandavas. Shrutashravaa was another of them. She
was married to Damaghosha king of the country
called Chedi. She gave birth to a peculiar male
child who had four hands (like Narayana) and three
eyes (like Shiva) during his birth. The child was
named Vasuneetha but the closer relatives preferred
to call him Shishupala.
While Shishupala was born, a voice emanated from
air stating, “This child will be killed by the person
on being held by whom it loses its additional eye
and the two additional arms.
Family friends and relatives came to see the newborn
and they all lifted him in their hands. But the
additional arms or eye didn’t vanish.
Still many others were scared to hold the child
lest it lost the additional arms or eye during their
handling.
Many years rolled like this. Even his playmates
in gurukula avoided touching Shishupala.
After kamsa’s slaining by Krishna and release of
Vasudeva and Devakee from prison it became clear
to the world that Vasudeva and Devakee were the
actual parents of Krishna and Balarama.
Vasudeva and Devakee were on a spree of visits
to their relatives.
One fine day, Vasudeva and Devakee went to
Shrutashravaa’s Palace with Balarama ad Lord
Krishna.
Exclaiming, “Oh my special cousin! Son of my dear
aunt!” Krishna hugged Shishupala and held with
him both of his hands. What a surprise! The third
eye of Shishupala and his additional two arms
disappeared.
Shrutashravaa was shocked to see this. “My Dear
Krishna! Are you going to slay your cousin, my
son?” she asked.
Krishna, with a satirical smile, replied, “Oh Aunt!
If my dear cousin, son of my dear Aunt doesn’t
commit any mistake, why should I kill him?”
Shrutashravaa said, “Krishna! There lies the problem.
As far as I have observed him, it seems that he
would develop into a bad guy with evil deeds and
`«Ñ¨C Ѩ@ì@O `ÕeHõ - `«Ñ¨C ã¨i^Œ∞ÌHÀ=@O Hõ+¨ìO.
4 w w w w w w w w w w w w w w w w w w w w w VAK
will be one deserving punishment from you. So,
for your aunt’s sake, please forgive his sins , mistakes
and bear with him!”
Lord Krishna replied, “Ok Aunty! For your sake, I
will grant him a boon. He can commit up to one
hundred offences against me at a time in a day.
Till that I won’t harm him. But if his number of abusive
howls per day crosses one hundred at a time I
will be forced to punish and even finish him!”
Shishupala matured along with his hatred towards
Krishna. He grew up in the company of those
notorious for their hatred towards Krishna like
Rukmee, Jarasandha etc, came to know of this
boon granted by Krishna to his mother. He wanted
to ensure he never exceeded one hundred abuses
at a time and went on safely carrying on his mission
of hurling abuses on Krishna without worry of any
counter attack from Krishna. He consulted with
his comrades on the strategy to achieve this.
All of them agreed that an alert scorer should always
accompany Shishupala and caution him as he
reached the ninetieth abuse so that Shishupala
would wind up at once. Jarasandha, Kamsa’s
father-in-law was the ruler of Magadha called Bihar
in Modern days. Jarasandha located one
Vichithragupta Prashanth, a Brahmin from Bihar
who passed for a genius in arithmetic, made him
his unregenerate associate.
Shishupala would scold Krishna with very harsh
words at a stretch and Vichithragupta Prashanth
will keep count of those ‘scoldings’. When the
number reaches ninety, he would say ‘stop’ as
Krishna would punish him immediately if he crosses
‘one hundred’.
This went on for many years.
The Pandavas performed the Rajasuya Yaga.
Yudhishtira and his team could easily venture
performance of the great sacrifice because of the
grace and tactics of Lord Krishna.
Not only this. Shishupala, who was embodiment
of hatred for Krishna, his cousin, had surprisingly
a soft corner for Yudhishtira, another cousin of his.
Shishupala and Yudhishtira were also cousin brothers
as their mothers Shrutashravaa and Kunti were
sisters. He did not challenge on Yudhishtira’s
superiority. Rather he gave his consent to
September'21 w w w w w w w w w w w w w w w w w w
Yudhishtira’s performing the “Royal sacrifice of
sacrifices.”
The stage of offering the first honour to the Royal
Invitees was reached. Shishupala believed that he
would be the automatic choice.
It was, however, suggested by Sahadeva the
youngest of the Pandavas that first honour be offered
to Lord Krishna. The proposal was seconded by
all the four elderly Pandavas.
All the sages who had been honored by Krishna
by oblations to their feet while welcoming them
to the sacrifice described in detail in the anecdote
for the name numbered 242 were thrilled at having
the sight of the one honoring them being honored.
Almost all the Royal Invitees welcomed this proposal
though Duryodhana his nine ninety brothers and
Karna kept a tactical silence.
Shishupala opposed this vehemently and started
scolding Krishna for not rejecting the offer but daring
to accept the same as if he were fit.
Just before this event, a small incident had happened.
In the previous anecdote, we saw that Sage Durvasa
had cursed the demon Charvaka to become a stone
for thirteen and half years. As Durvasa did so, sage
Narada approached Durvasa.
Narada said, “O Durvasa! Shishupala vadham is
getting delayed. It should happen at least today
and you should play a key role for it to happen!”
Durvasa asked, “What should I do for that?”
Narada said, “As you are aware Shishupala’s mother
had got a boon from Krishna that Shishupala could
hurl up to hundred abuses at a go on him without
fear of punishment. You can see that the Brahmin
Vichithragupta Prashanth from Magadha (Bihar in
the modern era) has been counting his scoldings,
cautioning and stopping him at ninety. If you can
give a curse to Vichithragupta Prashanth, and disable
him at cautioning Shishupala, then Shishupala
charged will exceed the century of scoldings and
his vadham will take place right now!”
Durvasa agreed.
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5 w w w w w w w w w w w w w w w w w w w w w VAK
Shishupala walked into the Rajasuya hall, followed
by his aide Vichithragupta Prashanth Durvasa called
Vichithragupta, “Oh Vichithragupta! Come here!”
Vichithragupta said, “Oh Sage! I’ve to maintain
accounts of my boss by being with him always! I
can’t come there right now!”
With this, Durvasa got a chance to get angry and
cursed him that he would forget to count numbers
beyond ninety. Durvasa also pointed out the stone
to Vichithragupta and said, “See this stone. It’s
none other than the demon Charvaka. He has
become a stone because of my curse. In future
also, whoever speaks Charvaka’s atheism, will stand
as statues made of stone as if receiving punishment
for their crimes on road sides in their own land
erected by their own followers ! Now you and your
boss will face the effect of insulting a Brahmin!”
As Pandavas performed the first Puja to Lord Krishna,
Shishupala got angry and started to speak
unparliamentarily words against Lord Krishna. Even
though Shishupala had crossed the number hundred,
Vichithragupta failed to stop him because of
Durvasa’s curse.
Krishna utilized this opportunity and slew Shishupala
with His Sudarshana Chakra.
This anecdote drives home the fact that people
like Charvaka who insult saintly Brahmins have to
stand as stone-statues on street corners. On the
other hand, Lord Krishna showed who honored saintly
Brahmins would in return be honored by all.
Since the Lord receives such good worship and
honour from great souls, He is called SATKRUTHA-
“Honored by the honored”!
Nirukti sums up all this when it says simply
EYÁ|utußÀöÁå{: Æ: úÓu\oÀÃnNw˛oÀÙwo:
Those who want to be honored in life will do well
by chanting this name keeping the frame of Chilkoor
Visa Balaji in their mind.
Dear Readers of VAK! Come Let us chant
“Satkritaya Namaha”
<<ÃnNw ˛ oÁÆ å™:>> !
Lakshmi says "Wherever I exist, merits exist and
wherever I exist, Kesava also exists. Therefore I (should
be regarded as) the woman(hood) inherent in all
women, that pervades the universe..." .
(Source - Lakshmi Tantra )
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J`«x J#∞K«~°∞Å∞ x~°O`«~°O ã¨<å`«# ^èŒ~å‡xfl <åâ◊#O K≥Ü«∞º_®xH˜ KÕã¨∞Î#fl „Ѩܫ∞`åflÖË HÍ~°}O.
1936= ã¨O=`«û~°OÖ’ ÉèíQÆ=O`«∞_≥·# NѨ^Œ‡<åÉèí™êfiq∞, `«# ^•ã¨∞x ^•fi~å JO^ŒiH© PÅÜ«∞ „Ѩ"Õâ◊O KÕ¿ã gÅ∞#∞ HõeÊã¨∂Î KÕã≤#
„ѨHõ@##∞, P<å\˜ ÉèÏ~°`«„ѨÉèí∞`«fiO, ÉèÏ~°`«^Õâ◊=∞O`«\ ˜H© =∂~°æO K«∂Ñ≤# ã¨OѶ¨∞@#QÍ #"≥∂^Œ∞ KÕã≤Ok. WO`«\ ˜ =∞ǨK«=∞`å¯~°OQÍ =i‚OK«|_ç#
ã¨OѶ¨∞@#‰õΩ Uq^èŒ"≥∞ÿ# „ѨKå~°O ÖË^Œ∞ ã¨iHõ^•, ѨÓiÎQÍ J}˜KÕã≤ =∞~°∞QÆ∞# Ѩ_≥Ü«∞º_»O [iyOk. Ç≤ÏO^Œ∂ ^≥·"åÅ#∞ JuÃÑ^ŒÌ ~åHõ∆ã¨∞Å∞QÍ, „Ѩu
<åÜ«∞‰õΩÅ∞QÍ z„uOK«_»O [iyOk, WO`«\ ˜ ÉèíÜ«∞OHõ~°"≥∞ÿ# Z`«∞Î"Õ¿ãÎ `«Ñ¨Ê, Q˘Ñ¨Ê ã¨O㨯~°}Å ã¨`åºxfl L^ÕÌâ◊ºÑ¨Ó~°fiHõOQÍ J}˜z"Õ¿ãÎ `«Ñ¨Ê,
ÃÑiÜ«∂~°∞‰õΩ, Ç≤ÏO^Œ∂ ^≥·"åÅ#∞, ã¨<å`«# ^èŒ~å‡xfl `«~°`«~åÅ∞QÍ J#∞ã¨iã¨∞Î#fl "åix <åã≤ÎHõ`«fiO "≥·Ñ¨Ù =∞~°eOK«_»O JO`« ã¨∞ÅÉèíO HÍ^Œ∞.
ÃÑiÜ«∂~°∞ „ѨÉèÏ=O HÍ~°}OQÍ „ÔH·ã¨Î=, W™ê¡"£∞ =∞`å#∞Ü«∂Ü«ÚÅ ã¨OYº QÆ}hÜ«∞OQÍ ÃÑiy, Ç≤ÏO^Œ∂ ^èŒ~°‡O, ã¨<å`«# =∞`å#∞Ü«∂Ü«ÚÅ ã¨OYº
`«QÆæ_»O [iyOk. ˆH=ÅO Ç≤ÏO^Œ∞=ÙÅ#∞, "åi ^≥·"åÅ#∞ ÅHõ∆ ºO KÕã¨∞‰õΩx D „Ѩ}ÏoHõ =ÚO^Œ∞‰õΩ ™êyOk Jx K≥ѨÊ_»O `«Ñ¨CHÍ^Œ∞. Jk ZOÑ≤Hõ
KÕã¨∞‰õΩ#fl L^Œº=∞ ã¨fiÉèÏ="Õ∞ `≥eÜ«∞*Ëã¨∞ÎOk.
ÃÑiÜ«∂~ü J#∞K«~°∞ʼnõΩ ÃÑ^ŒÌ Z`«∞Î# ~å[H©Ü«∞ q[Ü«∂Å#∞ Hõ@ìÃÑ@ì_»OÖ’ „^•q_» áêsìÅ∞ q[Ü«∞O ™êkèOK«_»O "≥#∞Hõ HÍ~°}Ïxfl QÆ=∞x¿ãÎ
"å~°∞ JkèHÍ~°OÖ’ L#flѨC_»∞ „áêp# ^Õ"åÅÜ«∂Å =^ÕÌ ÃÑiÜ«∂~°∞ q„QÆǨÅ#∞ ÃÑ\˜ì, `«q∞à◊OÖ’ „"å~ÚOz# D kQÆ∞= K«∂Ñ≤# ~å`«Åx
`≥Å∞™ÈÎOk.
''^Õ=Ù_»∞ ÖË_»∞ - ^Õ=Ù_»∞ ÖË_»∞ - ^Õ=Ù_»∞ ÖË_»∞. ^Õ=Ù_ç QÆ∞iOz É’kèOKÕ "å~°∞ =¸~°∞öÅ∞. ^Õ=Ù_çx QÆ∞iOz "åºÑ≤Î KÕ¿ã"å~°∞ ^èŒ∂~°∞ÎÅ∞. ^Õ=Ù_çx
„áêi÷OKÕ"å~°∞ J<åQÆi‰õΩÅ∞!——
ÃÑ·# „"åã≤# ~å`«ÅÖ’ „ѨÜ≥∂yOz# ''^Õ=Ú_»∞—— J#fl Ѩ^ŒO, Ç≤ÏO^Œ∂^≥·"åÅ#∞ L^ÕÌtOz „"åã≤#^Õ Jx ã¨Ê+¨ì=∞=Ù`ÀOk. xt`«OQÍ Ñ¨ije¿ãÎ
ÃÑiÜ«∂~ü ¿Ñi@ ^Õ"åÅÜ«∂Å ã¨O㨯~°} KÕѨ@ì_»O J#flk Ç≤ÏO^Œ∂ ^≥·"åŠǨÏ$^ŒÜ«∞OÖ’ â◊¥ÖÏÅ#∞ kOѨ_»"Õ∞! ^≥·=O nxH˜ Z#fl_»∂ ã¨=∞‡uOK«_»∞.
PQÆ+µ¨ ì 14= `Õn# ÉèÜ í ∞« OHõ~=° Ú, Hõ~Àî ~°=Ú J~Ú# `«q∞à◊<å_»∞ ^Õ"åÅÜ«∞ ã¨O㨯~°}#∞ „ѨH\õ O˜ z#ѨC_»∞ Hˆ ~°à◊ ÃÇÏ· HÀ~°∞ì =∂r <åºÜ«∞=¸iÎQÍ
Ѩ^Œq ÉÏ^茺`«Å∞ x~°fiiÎOz# L#fl`« <åºÜ«∞™ê÷#OÖ’x ã‘xÜ«∞~ü <åºÜ«∞"åk N z^ŒO|ˆ~+π ÖËYÖ’ ¿Ñ~˘¯#fl ÉèíÜ«∂ʼnõΩ Wk QÆ∞iÎOѨ٠Jx =∞#O
J~°÷O KÕã¨∞HÀ=K«∞Û. PÜ«∞# ÉèÏ~°`«^Õâ◊ Q“~°=hÜ«ÚÖˇ·# ÉèÏ~°`« ~åRѨuH˜ „"åã≤# D ÖËY Q˘Ñ¨Ê Kåi„`å`«‡Hõ"≥∞ÿ#^Œx ÉèÏqOKåe.
ÃÑ·# ¿Ñ~˘¯#fl [ã≤ìãπ z^ŒO|ˆ~+π‰õΩ Q“~°=hÜ«ÚÖˇ·# ÉèÏ~°`«~åRѨu WzÛ# ã¨=∂^è•#OÖ’ - Ç≤ÏO^Œ∂ ^Õ=`«Å ǨωõΩ¯Å q"å^ŒO JOâßxH˜,
~å*ϺOQÆOÖ’x PiìHõÖò 363‰õΩ Uq^èŒOQÍ ã¨O|O^èŒO LO^À `≥eÜ«∞*ËÜ«∂Åx #"≥∂^Œ∞ K≥Ü«∞º|_çOk. JO`ÕHÍHõ, nxx Q“~°=hÜ«ÚÖˇ·# ÉèÏ~°`«
~åRѨuQÍ~°∞ QÆ$ǨÏ=∞O„u`«fiâßY‰õΩ ã¨iÜ≥ÿ∞# K«~°º fã¨∞HÀ"åe JO@∂ ã¨∂zOKå~°∞. J<åºÜ«∞=Ú, ~å*ϺOQÆ q~°∞^Œú=Ú J~Ú# 'Ç≤ÏO^Œ∂ =∞`«-
^è•i‡Hõ ^•`«Å K«@ìO— QÆ∞iOz# J=QÍǨÏ#, K«~°º "≥O@<Õ fã¨∞HÀ"åÅx K≥ѨÊ_»O [iyOk. `«q∞à◊<å_»∞ „ѨÉèí∞`«fiO 'Ç≤ÏO^Œ∂ =∞`«-^è•i‡Hõ ^•`«Å
K«@ìO— P^è•~°OQÍ<Õ ÃÑiÜ«∂~ü ã¨O㨯~°}Å#∞ J=∞Å∞ K≥Ü«∞º_®xH˜ LѨÜ≥∂yOzOk.
Ç≤ÏO^Œ∂ ^Õ=`«Å∞ ÃÑiÜ«∂~ü ã¨O㨯~°}‰õΩ `«=∞ ã¨=∞‡ux W=fiÖË^Œx, WHõ¯_» XHõ ^≥·qHõ ã¨O^Õâ◊O LO^Œ#fl ÉèÏ=# HõÅ∞QÆ∞`ÀOk. PiìHõÖò 363
Ç≤ÏO^Œ∂ ^Õ=`å ǨωõΩ¯Å q"å^•xfl Ѩi+¨¯iOK«_®xH˜, |Å"≥∞ÿ# <åºÜ«∞Ѩ~°"≥∞ÿ# Jaè„áêÜ«∂Å#∞, =∞^ŒÌ`«∞#∞ ¿ãHõiOK«_®xH˜ =ÚO^Õ ÃÑiÜ«∂~ü
ã¨O㨯~°}Å#∞ J=∞Å∞ Ѩ~°K«_®xH˜ ˆHO„^Œ „ѨÉèí∞`«fiO `«q∞à◊<å_»∞ ~åR„ѨÉèí∞`åfixH˜ J#∞=∞ux=fi_»O JO>Ë, Wk ^èŒ~°‡ã¨∂„`åÅ LÅ¡OѶ¨∞# J#fl
ã¨OˆH`«O HõxÑ≤™ÈÎOk.
Ç≤ÏO^Œ∂=∞`« ^è•i‡Hõ ^•`«$`«fi K«@ìO J<Õk ˆHO„^Œ ~åR „ѨÉèí∞`åfiÅ∞ Ô~O_çO\˜H© K≥Ok# HõOHõÔ~O@∞ ã¨∂zÖ’ LOk. =ÚYº"≥∞ÿ# q"å^ŒO
Ѩi+¨¯iOK«|_ÕO`« =~°‰õÄ `«q∞à◊<å_»∞ ÃÑiÜ«∂~ü ã¨O㨯~°}ÅHõ∞ J#∞=∞u W=fi_»O KÕã≤# ѨHõ∆OÖ’ ~å[^èŒ~°‡O`À ã¨Ç¨ ~å*ϺOQÆ <≥·uHõ`«‰õΩ ˆHO„^ŒO
ÉÏ^茺`« =Ç≤ÏOK«=Åã≤ =ã¨∞ÎOk.
PiìHõÖò 363 „H˜O^Œ Ç≤ÏO^Œ∂ ^Õ=`å ǨωõΩ¯Å q"å^•xfl "≥O@<Õ Ñ¨i+¨¯iOKÕÖÏ K«@ì =∞O„u`«fi âßY#∞ P^ÕtOKåÅx, Q“~°=hÜ«ÚÖˇ·#
„Ѩ^è•#=∞O„u N#ˆ~O„^Œ ^•"≥∂^Œ~°^•ã¨∞ "≥∂nQÍi <Õ`«$`«fiOÖ’#∞#fl ˆHO„^Œ „ѨÉèí∞`åfixfl "Õ∞=Ú JÉèíºi÷ã¨∞Î<åfl=Ú. `«q∞à◊<å_»∞ ÃÑiÜ«∂~ü ã¨O㨯~°}Å
^•fi~å Ç≤ÏO^Œ∂ ^Õ=`«Å ǨωõΩ¯Å∞ LÅ¡OѶ∞≤ OK«|_»∞`«∞<åflÜ«∞x PO^Àà◊# K≥O^Œ∞`«∞#fl HÀ\Ï¡k=∞Ok Éè‰í Ωõ ÅÎ `«~Ñ° Ù¨¶ # `«q∞à◊<å_»∞ ÃÑiÜ«∂~ü ã¨O㨯~°}Å#∞
xeÑ≤"Ü Õ ∞« =∞x JÉèºí i÷ã∞¨ <Î åfl=Ú.
!
<Õ<Õ `≥eqQÆÅ"å_çx J#∞‰õΩ<Õ"å~°∞ Z‰õΩ¯=QÍ "≥∂ã¨áÈ`å~°∞.
September'21 w w w w w w w w w w w w w w w w w w
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o – 243
ã¨`«¯ $`åÜ«∞ #=∞ó
POQÆ¡=¸ÅO : _®II q.Ü«∞ãπ. ‰õ~°∞}ÏHõ~°<£, B.E.(Mech.), M.A. (Sanskrit), Ph.D.
NHõ$+¨µ‚x `«O„_ç =ã¨∞^Õ=ÙxH˜ Zxq∞k =∞Ok ™È^Œs=∞}∞Å∞
LO_Õ"å_»∞. JO^Œ∞Ö’ áêO_»=ÙÅ `«e¡ ‰õΩOf^Õq ‰õÄ_® XHõ~°∞.
WOH˘Hõ ™È^Œi â◊$`«„ã¨=‰õΩ KÕk ~å[~Ú# ^•=∞Ѷ¨∞’+¨µx`À
q"åǨÏ=∞~ÚOk. P"≥∞‰õΩ ѨÙ\˜ì# H˘_»∞‰õΩ <åÅ∞QÆ∞ KÕ`«∞Å`À
(<å~åÜ« ∞ }∞_ç Ö Ï) =¸_» ∞ Hõ à ◊ ¡ ` À (t=ÙxÖÏ) [x‡OKå_» ∞ .
<å=∞Hõ~°}O =ã¨∞h`«∞_»x [iy<å, ^ŒQÆæi |O^èŒ∞=ÙÅO^Œ~°∂
J`«xx tâ◊√áêÅ∞_»∞ Jx Ñ≤eKÕ"å~°∞.
tâ◊√áêÅ∞_»∞ [x‡Oz#ѨC_»∞ Jâ◊s~°"å}˜ WÖÏ qxÑ≤Ozk
- ''D ÉÏÅ∞_çx Z=~°∞ Z`«∞ΉõΩ#flѨC_»∞ J`«_çH˜ J^Œ#OQÍ L#fl
Hõ#∞fl, KÕ`«∞Å∞ áÈ`åÜ≥∂ - J`«x KÕuÖ’<Õ =∞~°}˜™êÎ_»∞ ‰õÄ_®!——
‰õΩ@∞O| ã¨Éèí∞ºÅ∞, q∞„`«∞Å∞ - ZO`À=∞Ok D tâ◊√=Ù#∞
K«∂ã≤ Z`«∞ΉõΩ<Õ"å~°∞. HÍx J`«_çH˜ J^Œ#OQÍ L#fl Hõ#∞flQÍx,
Éèí∞*ÏÅ∞QÍx =∂Ü«∞O HÍÖË^Œ∞.
ZO`À =∞Ok ZHõ¯_» `å=Ú Z`«∞ΉõΩ#flѨC_»∞ D ÉÏÅ∞_ç
J^Œ#Ѩ٠Hõ#∞fl, KÕ`«∞Å∞ ~åeѨ_»`åÜ≥∂ - U=∞=Ù`«∞O^À J#fl
ÉèíÜ«∂xH˜ J`«x =^ŒÌ‰õΩ =KÕÛ"åˆ~HÍ^Œ∞.
JÖÏ Z<Àfl 㨠O =`« û ~åÅ∞ QÆ _ ç K å~Ú. QÆ ∞ ~° ∞ ‰õ Ω ÅOÖ’
P_» ∞ ‰õ Ω <Õ @ Ѩ C _» ∞ ã¨ Ç ¨  ^è • ºÜ« Ú Å∞ ‰õ Ä _® tâ◊ √ áêÅ∞_ç x
=Ú@∞ì‰õΩ<Õ@O^Œ∞‰õΩ ÉèíÜ«∞Ѩ_Õ"å~°∞.
HõOã¨∞_çx NHõ$+¨µ‚_»∞ =kèOz, ^Õ=H˜-=ã¨∞^Õ=ÙÅ#∞ K≥é™êÅ
#∞O_ç q=ÚH˜Î HõeyOz#ѨC_»∞ ^Õ=H© =ã¨∞^Õ=ÙÖË NHõ$+¨‚-
|Å~å=ÚÅ `«e¡-^ŒO„_»∞Åx Ö’HÍxH˜ qk`«=∞~ÚOk.
^Õ=H© - =ã¨∞^Õ=ÙÅ∞ `«=∞ |O^èŒ∞=ÙÅ#∞ ^Œi≈OK«∞‰õΩ<ÕO^Œ∞‰õΩ
"åi-"åi WO_»¡‰õΩ "≥à◊¡_»OÖ’ P#O^ŒO J#∞Éèíqã¨∞Î<åfl~°∞. JÖÏ
XHõ™êi NHõ$+¨‚-|Å~å=ÚÅ`À ã¨Ç¨ ^Õ=H˜ - =ã¨∞^Õ=ÙÅ∞ â◊$`«„ã¨=
~å[Éèí=<åxH˜ ‰õÄ_® "≥àϧ~°∞.
''F ÉÏ"å! <å „Ñ≤Ü«∞"≥∞ÿ# J`«ÎH˘_»∞HÍ!—— JO@∂ NHõ$+¨µ‚_»∞
tâ◊√áêÅ∞_çx H“QÆeOK«∞‰õΩx, Ô~O_»∞ KÕ`«∞Å`À Z`«∞ÎHÀQÍ<Õ
Pâ◊ Û ~° º O! tâ◊ √ áêÅ∞_ç H ˜ J^Œ # OQÍ L#fl Hõ # ∞fl-Éè í ∞ *ÏÅ∞
=∂Ü«∞=∞Ü«∂º~Ú.
Wk K«∂ã≤# â◊$`«„ã¨= XHõ¯™êi k„Q̓ùOuH˜ Ö’#~ÚOk.
n#OQÍ - ''Hõ$ëê‚! h‰õΩ ÉÏ= J~Ú# <å H˘_»∞‰õΩ#∞ #∞=Ùfi
K«OѨÙ`å"å?—— Jx J_çyOk.
Hõ$+¨µ‚_»∞ HÍã¨Î =ºOQƺOQÍ #=Ùfi`«∂ - ''J`åÎ! ÉÏ= U
`«Ñ¨ÓÊ K≥Ü«∞ºHõáÈ`Õ <Õ<≥O^Œ∞‰õΩ K«OѨÙ`å#∞ K≥ѨC?——
â◊$`«„ã¨= "≥O@<Õ, ''Hõ$ëê‚! ã¨=∞㨺 JO`å JHõ¯_Õ LOk. J`«_xç
<Õ#∞ QÆ=∞xOz#O`« =~°‰Ωõ , J`«_∞» ^Œ∞+¨µÅì `À ã¨ÇϨ "åã¨O KÕã,≤
=∞Oz ã¨fiÉèÏ="Õ∞ =∞x+≤H˜ JÅOHÍ~°O.
7 w w w w w w w w w w w w w w w w w w w w w VAK
J#∞"å^ŒO : _®II ã¨∞=∞<£Å`«
^Œ∞+¨¯~°‡Å∞ KÕã≤ h =Å# tH˜O∆ Ѩ|_»`å_»xÑ≤™ÈÎOk. "Õ∞#`«QÎ Í x#∞fl
Ji÷ã∞¨ <Î åfl#∞ - <å =ÚYO K«∂ã≤ J`«_ç `«ÑC¨ Å#∞ Hõq∆ ∞OK«=∞x!——
NHõ$+¨µ‚_»∞ WÖÏ J<åfl_»∞ - ''㨈~ J`åÎ! h HÀã¨O Jx
J`«_çH˜ <Õ<˘Hõ =~åxfl W™êÎ#∞. <åѨ@¡ XˆH™êi, XˆH ~ÀAÖ’
#∂~°∞ `«Ñ¨CÅ∞ ÉÏ= KÕ¿ãO`« =~°‰õÄ Hõ∆q∞Oz q_çzÃÑ_»`å#∞.
<Õ#∞ J`«_çH˜ Uq^èŒ=∞~Ú# Ǩx K≥Ü«∞º#∞. HÍx XˆH~ÀAÖ’,
XˆH™êi #∂~°∞ J~°∞ѨÙÅ∞, ˆHHõÅ`À ‰õÄ_ç# u@∞¡ J`«x <À\˜"≥O@
=¿ãÎ =∂„`«O `«Ñ¨ÊHõ tH˜∆™êÎ#∞† ã¨OǨÏi™êÎ#∞ ‰õÄ_®!——
tâ◊√áêÅ∞xH˜ =Ü«∞ã¨∞`ÀÉÏ@∞ NHõ$+¨µ‚xѨ@¡ J`«x ^Õfi+¨O
‰õÄ_® ÃÑ~°∞QÆ∞`«∂ =zÛOk. NHõ$+¨µ‚_çx ^Õfi+≤OKÕ [~åã¨O^èŒ∞_»∞,
~°∞H˜‡ =O\˜ "åi`À ¿ãflǨÏO QÍ_è»=∞~ÚOk. "åiH˜ NHõ$+¨µ‚_»∞
`«# "Õ∞#`«Î J~Ú# tâ◊√áêÅ∞x `«e¡H˜ WzÛ# =~°O QÆ∞iOz
`≥eã≤Ok.
XHõ ~ÀAÖ’ XˆH™êi #∂~°∞=∂~°∞¡ Hõ$+¨µ‚_çx u@ì_»O
[~°QƉõΩO_® K«∂ã¨∞‰õΩO@∂ ~ÀE K«Hõ¯QÍ Hõ$+¨µ‚_çx u@ì_»O J<Õ
HÍ~°º„Hõ=∂xfl H˘#™êyã¨∂Î P#OkOK«=K«∞Û. nx =Å# Hõ$+¨µ‚_»∞
`«##∞ Uq^èŒOQÍ#∂ tH˜∆OK«ÖË_»∞. Wk ZÖÏ J=∞Å∞ K≥Ü«∂ºe,
UO KÕ¿ãÎ ÉÏQÆ∞O@∞Ok Jx tâ◊√áêÅ∞_»∞ `«# q∞„`«|$O^ŒO`À
PÖ’K«# KÕâß_»∞. "å~°O`å nxx ÉÏQÆ∞O^Œx "≥∞K«∞Û‰õΩ<åfl~°∞.
ZšѨC_»∂ XHõ =ºH˜Î tâ◊√áêÅ∞_ç`À LO_®e. W`«#∞ P_Õ
^Œ∞~åƒù+¨Å#∞ ÖˇH˜¯OKåe PÃÑ·# u@¡ ã¨OYº `˘OÉèˇ·H˜ KÕ~°QÍ<Õ
tâ◊ √ áêÅ∞_ç H ˜ QÆ ∞ ~° ∞ Î K Õ ã ≤ ÃÇÏK« Û i¿ãÎ , tâ◊ √ áêÅ∞_» ∞ "≥ O @<Õ
PyáÈ`å_»∞. [~åã¨O^èŒ∞_»∞ HõOã¨∞x =∂=∞QÍ~°∞. J`«#∞ <Õ_»∞
cǨ~°∞ „Ѩ^Õâ◊OQÍ Ñ≤Å=|_»∞`«∞#fl '=∞QÆ^茗 ^ÕâßxH˜ ~åA. WÖÏ
ZšѨC_»∂ tâ◊√áêÅ∞_çx JO\˜ÃÑ@∞ì‰õΩx LO_ç, J`«_ç `«Ñ¨CÅ#∞
ÖˇH˜¯OK«_®xH˜ [~åã¨O^èŒ∞_»∞ qz„`« QÆ∞ѨΠ„ѨâßO`«∞_»<Õ =ºH˜Îx
ZOK«∞‰õΩ<åfl_»∞. J`«_»∞ cǨ~°∞‰õΩ K≥Ok# „ÉÏǨχ}∞_»∞. ÖˇHõ¯ÅÖ’
Pi`Õi#"å_»∞.
tâ◊√áêÅ∞_»∞ XHõ q_»`«Ö’ ÉèíÜ«∞OHõ~°"≥∞ÿ# JѨâ◊ÉÏÌÅ`À
NHõ$+¨µ‚x u>Ëì u@¡#∞ D qz„`« QÆ∞ѨΠ„ѨâßO`«∞_»∞ ÖˇH˜¯™êÎ_»∞.
D ã¨OYº `˘OÉèˇ·H˜ KÕ~°QÍ<Õ J`«_»∞ tâ◊√áêÅ∞_çx ÃÇÏK«Ûi™êÎ_»∞.
WÖÏ Z<Àfl ã¨O=`«û~åÅ∞ QÆ_çKå~Ú.
áêO_» = ÙÅ∞ ~å[㨠∂ Ü« ∞ Ü« ∂ QÆ O KÕ â ß~° ∞ . NHõ $ +¨ µ ‚ x
^ŒÜ«∞=Å#, PÜ«∞# JOkOz# ã¨Ç¨Ü«∞ ã¨Ç¨ÏHÍ~åÅ =Å#
áêO_»=ÙÅ∞ D Ü«∂QÍxfl q[Ü«∞=O`«OQÍ =ÚyOK«QÆeQÍ~°∞.
tâ◊√áêÅ∞_»∞ `«# "Õ∞#=∂=∞ H˘_»∞‰õΩ J~Ú# NHõ$+¨µ‚_çx
ZO`« ^Õfi+≤Oz<å, Ü«Úkè+≤ª~°∞_»O>Ë =∂„`«O ^Õfi+¨O ÖË^Œ∞.
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Ü«Úkè+~ª≤ ∞° _»∞, tâ◊√áêÅ∞_»∞ W^Œ~Ì ∂° JHõ¯ K≥Öà¡ˇ ¡◊ Ñ≤ÅÖ¡ !Ë tâ◊√áêÅ∞_»∞
Ü«Úkè+≤ª~°∞x PkèѨ`åºxfl U=∂„`«O „ѨtflOK«‰õΩO_®, J`«_»∞
Jxfl\˜Ö’H˜ „âı+¨ª=∞~Ú# ~å[ã¨∂Ü«∞Ü«∞*Ï˝xfl K≥Ü«∞º_®xH˜ `«#
JOwHÍ~°O `≥eÜ«∞*Ëâß_»∞ ‰õÄ_®!.
~å[ã¨∂Ü«∞ Ü«∞*Ï˝xH˜ =zÛ# "åiÖ’ L`«Î=ÚʼnõΩ J„QÆѨÓ[
KÕã≤, J„QÆ`åO|∂ÅO WKÕÛ Ñ¶¨∞@ìO =zÛOk. tâ◊√áêÅ∞_»∞ D
Q“~°=O `«#<Õ ã¨Ç¨Ï[OQÍ =iã¨∞ÎO^Œ#fl #=∞‡HõO`À L<åfl_»∞.
áêO_»=ÙÅO^ŒiÖ’ z#fl"å_»~Ú# ã¨Ç¨Ï^Õ=Ù_»∞ J„QÆѨÓ[
NHõ$+¨µ‚xH˜ [~°QÍÅx „ѨuáêkOK«_»O, `«H˜¯# ™È^Œ~°∞Å∞ ^•xH˜
P#O^ŒOQÍ XѨCHÀ=_»O ‰õÄ_® [iyOk.
242= QÍ^äŒÖ’ =i‚Oz#@∞¡ ~å[ã¨∂Ü«∞ Ü«∞*Ï˝xH˜ =zÛ#
`«=∞#∞ J~°…º-áê^•ºÅ∞ WzÛ Q“~°qOz ™êfiQÆuOz# NHõ$+¨µ‚xH˜
D<å_»∞ J„QÆѨÓ[ [iy, J„QÆ`åO|∂ÅO W=fi_»=∞<Õ „âı+¨ª=∞~Ú#
Q“~°=O [~°QÆ_®xfl `å=Ú HõàÏ¡~å K«∂ã¨∞HÀQÆeˆQ ÉèÏQƺO
HõÅ∞QÆ∞`«∞#flO^Œ∞‰õΩ =Ú#∞ÅO^Œ~°∂ ѨÙÅH˜Oz áÈÜ«∂~°∞.
~å[ã¨∂Ü«∞ Ü«∂QÍxH˜ =zÛ# Ju^äŒ∞ÅO^Œ~°∂ ‰õÄ_®
^•^•Ñ¨Ù D HÍ~°º„Hõ=∂xfl P#O^ŒOQÍ ™êfiQÆuOKå~°∞. ZO^Œ∞HÀ
`≥eÜ«∞^Œ∞ QÍx ^Œ∞~Àº^èŒ#∞_»∞, J`«x `˘OÉèˇ·`˘q∞‡k =∞Ok
J#∞AÅ`À ÉÏ@∞ Hõ~°∞‚_»∞ ‰õÄ_® =∞ø#OQÍ L<åfl~°∞.
tâ◊√áêÅ∞_»∞ =∂„`«O NHõ$+¨µ_‚ xç , ''ZO^Œ∞‰õΩ D J„QÆÑÓ¨ [‰õΩ
XѨC‰õΩ<åfl=Ù? #∞=Ùfi JO`«„âı+¨µªx"å? J~°∞›_ç"å? #∞"Õfi ZO^Œ∞‰õΩ
x~åHõiOK«ÖË^Œ∞?—— JO@∂ QÆ\ ˜ìQÍ „ѨuѶ¨∞\˜OKå_»∞.
nxHõ#fl =ÚO^Œ∞ XHõ z#fl ã¨OѶ¨∞@# KÀ@∞KÕã¨∞‰õΩOk.
„H˜O^Œ\ ˜™êi QÍ^äŒÖ’ =∞#O ^Œ∞~åfi㨠=∞ǨÏi¬ Kå~åfi‰õΩ_»<Õ
~åHõ∆ã¨∞_çx Ѩ^Œ=¸_»∞#fl~° ã¨O=`«û~åÅ∞ |O_»~å~ÚQÍ Ñ¨_ç
LO_»=∞x â◊Ñ≤OKå_»x K«k"å=Ú. J^Õ ã¨=∞Ü«∞OÖ’ <å~°^Œ
=∞ǨÏi¬ ^Œ∞~åfiã¨∞_ç =^ŒÌ‰õΩ =zÛ ''F ^Œ∞~åfi㨠=∞ǨÏs¬! tâ◊√áêÅ
=^èŒ [~°QÆ_»O PÅ㨺O J=Ù`ÀOk. Hõhã¨O D k#"≥∞ÿ<å g∞~°∞
„Ѩ^è•#áê„`« áÈ+≤Oz [iˆQ@@∞¡ K«∂_®e!—— J<åfl_»∞.
''WO^Œ∞‰õΩ <Õ<ÕO K≥Ü«∂ºe <å~°^•?——
<å~°^Œ∞Å "å~°∞ WÖÏ J<åfl~°∞ - ''^Œ∞~åfi㨠=∞ǨÏs¬! g∞‰õΩ
`≥Å∞ã¨∞ Hõ^• tâ◊√áêÅ∞x `«e¡H˜ NHõ$+¨µ‚_»∞, tâ◊√áêÅ∞_ç #∂~°∞
`«Ñ¨CÅ =~°‰õΩ Hõ∆q∞™êÎ#x =~°q∞KåÛ_»x. tâ◊√áêÅ∞x`À =∞QÆ^èŒ
^Õâ◊Ѩ٠„ÉÏǨχ}∞_»∞ J`«x u@¡#∞ ÖˇH˜¯ã¨∂Î, `˘OÉèˇ· =^ŒÌ‰õΩ =KÕÛã≤H˜
PѨÙ`«∞<åfl_»∞. g∞~°∞ U^≥·<å âßѨO WzÛ qz„`« QÆ∞ѨΠ„ѨâßO`«∞_çx
QÆ#Hõ tâ◊√áêÅ∞_çx ÃÇÏK«ÛiOK«_»O PѨQÆey`Õ, tâ◊√áêÅ =^èŒ
WѨC_Õ [~°QÆ=K«∞Û! tâ◊√áêÅ∞_çx ÃÇÏK«ÛiOKÕ "å~°∞ÖËHõ J`«_»∞
#∂~°∞ u@¡#∞ JkèQÆq∞™êÎ_»∞!—— ^Œ∞~åfiã¨∞_»∞ nxH˜ XѨC‰õΩ<åfl_»∞.
tâ◊ √ áêÅ∞_» ∞ , qz„`« QÆ ∞ Ѩ Î „Ѩ â ßO`« ∞ _» ∞ "≥ O @~åQÍ
~å[ã¨∂Ü«∞ Ü«∂QÆ „Ѩ^ÕâßxH˜ "≥à◊√Î#fl ã¨=∞Ü«∞OÖ’ ^Œ∞~åfiã¨∞_»∞
»y∫Á™∫Á™ ∫Á™z u o ∫™z ∫Á™z ™åÁz ∫ ™z @ ÓœÁåÁ™ oÏ ¡ ÆÊ ∫Á™ åÁ™ ƒ∫Áååz @@
N~å=∞ ~å=∞ ~å"Õ∞u ~°"Õ∞ ~å"Õ∞ =∞<À~°"Õ∞ I ã¨Ç¨Ï„ã¨<å=∞ `«`«∞ÎźO ~å=∞ <å=∞ =~å#<Õ II
~åQÆ, ^Õfi+¨~°Ç≤Ï`«∞Å QÆ$ǨÏ"Õ∞ ã¨fi~°æ=Ú.
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- ''F qz„`« QÆ∞áêÎ! W@∞~å!—— Jx Ñ≤ÖÏÛ_»∞.
''F =∞ǨÏs¬! <Õ#∞ <å Ü«∞[=∂x`À ZšѨC_»∂ LO_ç,
J`«_ç ÖˇHõ¯Å#∞ K«∂_®e. JO^Œ∞ˆH WѨC_»∞ ~åÖË#∞!—— Jx
qz„`«QÆ∞ѨÙÎ_»∞ ã¨=∂^è•#O WKåÛ_»∞.
^•x`À ^Œ∞~åfiã¨∞xH˜ HÀѨO =zÛ, J`«_xç â◊ÑO≤ K«_®xH˜ J=HÍâ◊O
^˘iH˜Ok. JO^Œ∞Hˆ ''#∞=Ùfi `˘OÉè·ˇ `«~"° å`« ã¨OYºÅ#∞ ÖˇH¯˜ OK«_O»
=∞iÛáÈ`å=Ù!—— Jx =Úx â◊Ñ≤OKå_»∞. JO`Õ HÍHõ, JHõ¯_»∞#fl
|O_»éÏ~Úx K«∂Ñ≤Oz - ''qz„`«Q∞Æ áêÎ! D ~å~Úx K«∂_»∞! Wk
"Õ~Ô =i^À HÍ^Œ∞ - Kå~åfi‰õΩ_»<Õ ~åHõã∆ ∞¨ xk. J`«_∞» <å âßѨO =Å#
~å~ÚQÍ Ñ¨_ç L<åfl_»∞. Éèqí +¨º`«∞ÖÎ ’ ‰õÄ_® Z=~°~Ú`Õ Kå~åfi‰õΩx <åã≤HÎ `õ #« ∞
QÆ∞iOz =∂\Ï¡_`» å~À "å~°∞ ~åu ÉÁ=∞‡ÅÖÏ `«=∞ - `«=∞ Éè∂í „Ñ^¨ âÕ ßÅÖ’
ÉÏ@ŠѨH¯õ # "åi-Pi J#∞K«~∞° Å KÕ`Ö« ’<Õ ÃÑ@ì|_»`å~°∞. XHõ~H° Oõ QÍ
Jk "å~°∞ KÕã#≤ `«ÑC¨ ʼnõΩ tHõ∆ J#∞Éèqí ã¨∞<Î åfl~å J#fl>Ë!¡ WѨC_»∞ #∞=Ùfi,
h Ü«∞[=∂x ‰õÄ_® „ÉÏǨχ}∞_çx J==∂xOz# ^•xH˜ Ѷe¨ `«O
J#∞Éèqí ™êÎ~∞° . QÆ∞~°∞OÎ K«∞HÀ!——
NHõ $ +¨ µ ‚ x H˜ áêO_» = ÙÅ∞ J„QÆ Ñ ¨ Ó [ „áê~° O aè O K« Q Í<Õ ,
tâ◊√áêÅ∞_çH˜ qѨs`«"≥∞ÿ# HÀѨO =zÛ, ^Œ∞~åƒù+¨Å∞ P_»@O
„áê~°OaèOKå_»∞. NHõ$+¨µx‚ u\˜#ì u@¡ ã¨OYº #∂~°∞ ^•\˜áÈ~Ú<å,
^Œ ∞ ~åfi㨠∞ x âßѨ O =Å# qz„`« QÆ ∞ Ѩ Ù Î _ » ∞ tâ◊ √ áêÅ∞_ç x
PѨÖËHõáÈÜÕ∞_»∞.
D J=HÍâ◊ O K« ∂ ã≤ NHõ $ +¨ µ ‚ _ » ∞ `« # 㨠∞ ^Œ ~ ° ≈ #
K«„Hõ„ѨÜ≥∂QÆO`À tâ◊√áêÅ∞_çx =kèOKå_»∞.
D QÍ^äŒ =∞#‰õΩ XHõ ã¨`åºxfl É’^èŒÑ¨~°∞ã¨∞ÎOk. - Z=~°~Ú`Õ
Kå~åfi‰õΩxÖÏ „ÉÏǨχ}∞Å#∞, =Ú#∞Å#∞ J==∂x™êÎ~À, "å~°∞
~åu ÉÁ=∞‡ÖÏ¡ gkè =¸ÅÖ’¡ Ѩ_ç LO\Ï~°∞.
Z=~° ~ Ú`Õ NHõ $ +¨ µ ‚ x ÖÏ =Ú#∞Å#∞, „ÉÏǨ Ï ‡}∞Å#∞
Q“~°q™êÎ~À "å~°∞ J„QÆѨÓ[Å∞ JO^Œi #∞O_ç JO^Œ∞‰õΩO\Ï~°∞.
Ѩ~°=∂`«‡‰õΩ ''ã¨`«¯ $`«—— J#flk ™ê~°÷Hõ <å=∞O. PÜ«∞#
=∞Ǩ`«∞‡Å#∞O_ç Q˘Ñ¨Ê Q“~°"åxfl, ѨÓ[Å#∞ JO^Œ∞‰õΩO\Ï_»∞
QÆ#Hõ PÜ«∞# ã¨`«¯ $`«∞_»∞.
x~°∞H˜Î WÖÏ K≥áÈÎOk :
EYÁ|utußÀöÁå{: Æ: úÓu\oÀÃnNw˛oÀÙwo:
Z=~°~Ú`Õ zÅ∞‰õÄ~°∞ ÉÏÖÏr ~°∂áêxfl =∞#ã¨∞Ö’ ^蕺xã¨∂Î
'ã¨`«¯ $`«— <å=∂xfl ÉèíH˜ÎQÍ [Ñ≤™êÎ~À, "åiH˜ rq`«OÖ’ JO^Œi
P^Œ~° ã¨`å¯~åÅ∞ `«Ñ¨ÊHõ Åaè™êÎ~Ú.
„Ñ≤Ü«∞"≥∞ÿ# '"åH±— áê~î°HõÖÏ~å! ~°O_ç
ÉèíH˜Î - „â◊^ŒúÅ`À ''FO ã¨`«¯ $`åÜ«∞ #=∞ó—— <å=∂xfl
[Ñ≤^•ÌO.
''FO ã¨`¯« $`åÜ«∞ #=∞ó——
!
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uƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁ - 243
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. ƒy.LÃ. N˛ªmÁN˛∫åΩ B.E.(Mech.), M.A. (Sanskrit), Ph.D.
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üÁõo “Ázåz Nz˛ N˛Á∫m Ju  EÁ{∫ ™Ïuå Eúåz EÁú N˛Áz áãÆ ™Áå ∫“z
sz@ Fà –≈Æ N˛Áz tzQoz úϬuN˛o “Áz ∫“z sz@
∫Á\ÃÓÆ ÆÁT ™ı úáÁ∫z ÃÁ∫z EuousÆÁı åz Fà N˛ÁÆ|N¿˛™ N˛Á
ÀƒÁTo úϬuN˛o ™å Ãz uN˛ÆÁ@ N˛Á∫m \Áz ßy “Áz, uN˛ãoÏ tÏÆÁz|áå
EÁ{∫ GÃNz˛ EåÏ\Áı Nz˛ ÃÁs-ÃÁs N˛m| ßy Fà N˛ÁÆ|N¿˛™ Nz˛ ÙÆ
™Á{å “y ∫“Á@
Nz˛ƒ¬ u∆∆ÏúÁ¬ åz »yNw˛…m N˛Á uƒ∫Ázá N˛∫oz “ÏL YyQoz
- uY®Áåz ¬TÁ uN˛ - <<MÆÁ oÏ™ Eúåz EÁú N˛Áz Foåz »z…e
™Áåoz “Áz? oÏ©“ı ÀƒÆÊ Fà ET¿oÁʧӬ ¬zåz Nz˛ u¬L ™åÁ N˛∫åÁ
sÁ@ MÆÁ oÏ™ Fà ET¿úÓ\Á Nz˛ u¬L ™åÁ å“Î N˛∫ ÃN˛oz sz?>>
FÃÃz úÓƒ| LN˛ VbåÁ Vby@ uúZ¬y TÁsÁ ™ı “™åz ú‰jÁ sÁ
uN˛ ™“u | tσÁ|ÃÁ åz YÁƒÁ|N˛ åÁ™N˛ ∫Áqà N˛Áz ÃÁjz oz∫“ ƒ | oN˛
úÁ Ám §åN˛∫ ∫“åz N˛Á ∆Áú utÆÁ@ GÃy Ã™Æ ™“u | åÁ∫t åz
tσÁ|ÃÁ Nz˛ úÁà EÁN˛∫ N˛“Á - <<“z tσÁ|ÃÁ! u∆∆ÏúÁ¬ N˛Á ƒá
“Ázåz ™ı uƒ¬Ê§ “Áz ∫“Á “{@ EÁú EÁ\ N˛™ Ãz N˛™ EÁ\ GÃz Vubo
“Ázåz ™ı ü™ÏQ úÁfi áÁ∫y §åz@>>
<<FÃNz˛ u¬L ™Ï^z MÆÁ N˛∫åÁ “ÁzTÁ ™u“ | åÁ∫t>>? úÓZÁ
tσÁ|à ™“u | åz <<“z tσÁ|ÃÁ! EÁú N˛Áz úoÁ “y “{ uN˛ u∆∆ÏúÁ¬
N˛y ™ÁoÁ N˛Áz »yNw˛…m åz ƒ∫ utÆÁ sÁ uN˛ u∆∆ÏúÁ¬ Nz˛ ÃÁ{
Eú∆£tÁı oN˛ ƒz q™Á N˛∫ıTz@ u∆∆ÏúÁ¬ Nz˛ ÃÁs “™z∆Á ™Tá tz∆
N˛Á §¿Á÷m ∫“oÁ “{ \Áz Eú∆£tÁı N˛y ÃÊPÆÁ 壧z oN˛ EÁoz “y
∫ÁzN˛ ∫“Á “{@ E§ EÁú LzÃÁ NÏ˛Z ∆Áú tyu\L uN˛ uƒuYfi TÏõo
ü∆ÁÊo åÁ™N˛Á Æ“ §¿Á÷m u∆∆ϧÁ¬ N˛Áz ÃoN|˛ N˛∫åz ™ı YÓN˛ \ÁÆ
oÁz, u∆∆ÏúÁ¬ N˛Á ƒá Eßy “Áz ÃN˛oÁ “{@ MÆÁıuN˛ GÃz ∫ÁzN˛åz -
bÁzN˛åz ƒÁ¬Á N˛ÁzF| å“Î “Ázåz Nz˛ N˛Á∫m, ƒ“ \Áz∆ ™ı Nw˛…m Nz˛
uƒªÚ YyQoÁ - uY®ÁoÁ “y \ÁLTÁ@>> åÁ∫t \y N˛y FÃ
ÆÁz\åÁ N˛Áz N˛ÁÆ|øú tzåz Nz˛ u¬L ™“u | tσÁ|ÃÁ ™ÁåTL@
^ÕÇ¨Ï â◊√„Éèí`«`Àáê@∞ ÉèÏ= â◊√^Œú`« J`«ºO`« J=ã¨~°O.
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∫Á\ÃÓÆ Ær ÃÊúëÁ “Áz ∫“y ƒÁubN˛Á ™ı u∆∆ÏúÁ¬ Nz˛ ÃÁs
\Á ∫“z uƒuYfi TÏõo N˛Áz ™“u | tσÁ|ÃÁ åz Eúåz úÁà §Ï¬ÁÆÁ@
uN˛ãoÏ GÃåz G∫ utÆÁ uN˛ - <<™“ y|! ™Ï^z Eúåz Æ\™Áå Nz˛
ÃÁs ∫“N˛∫ GåNz˛ u¬L TmN˛ N˛Á N˛Á™ N˛∫åÁ “{@ FÃyu¬L
Eßy ™¯ å“Î EÁÃN˛oÁ@>>
ÃÏåoz “y ™“u | tσÁ|ÃÁ EÁT §§Ó¬Á “ÁzTL EÁ{∫ GÃz ∆Áú
tzåz N˛Á EƒÃ∫ u™¬Á@ oÏ∫ão Gã“Áıåz Gà §¿Á÷m TmN˛ N˛Áz ∆Áú
utÆÁ uN˛ - <<壧z Nz˛ §Át N˛y ÃÊPÆÁEÁı N˛y uTåoy oÏ™ ßÓ¬
\ÁEÁzTz@>> EÁ{∫ ƒ“Á ú‰gz ∫“z YcÁå N˛Áz utQÁN˛∫ N˛“Á uN˛ -
<<uƒuYfi TÏõo! Æ“ tzQÁz! Æ“Á ú‰gÁ, YcÁå uN˛ÃN˛Á “{ \Áåoz
“Áz? Æ“ uN˛Ãy EÁ{∫ N˛Á å“Î §u¡N˛ YÁƒÁ|N˛ åÁ™N˛ ∫Áqà N˛Á
“{@ ™z∫z ∆Áú Nz˛ “y N˛Á∫m ƒ“ úns∫ §åN˛∫ ú‰gÁ “{@ ßuƒ…Æ ™ı
ßy \Áz YÁƒÁ|N˛ N˛y åÁuÀoN˛oÁ Nz˛ §Á∫z ™ı §Áo N˛∫oz “¯, ƒz ç
LzÃz Eúåz-Eúåz ütz∆Áı Nz˛ ßÓßÁTÁı Nz˛ ∫Á“Áı ú∫, Eúåz-Eúåz
EåÏY∫Áı Ãz “y ÀsÁuúo “ÁzN˛∫ úÏo¬z §åN˛∫ ú‰gz ∫“ıTz@ LN˛ üN˛Á∫
Ãz N˛“ ÃN˛oz “¯ uN˛ ƒz Eúåy ßÓ¬Áı N˛Á tl‰g úÁÆıTz@ E§ oÏ™
EÁ{∫ oÏ©“Á∫Á Æ\™Áå, §¿Á÷m N˛Á Eú™Áå N˛∫åz N˛Á ¢˛¬
ßÏToıTz@ À™∫m ∫QåÁ@>>
\{Ãz “y úÁl‰gƒÁı åz »yNw˛…m N˛y ET¿úÓ\Á N˛Á EÁ∫Êß uN˛ÆÁ
sÁ, ƒ{Ãz “y u∆∆ÏúÁ¬ N˛Á úÁ∫Á Y‰jTÆÁ EÁ{∫ YyQoz-uY®Áoz
Eú∆£tÁı N˛Á üÆÁzT N˛∫åz ¬TÁ@ tσÁ|ÃÁ Nz˛ ∆Áú Nz˛ N˛Á∫m
uƒuYfiTÏõo u∆∆ÏúÁ¬ N˛Áz ∫ÁzN˛ å“Î ÃN˛Á@
FÃy Nz˛ EÁáÁ∫ ú∫ »yNw˛…m åz Eúåz ÃÏt∆|å YN¿˛ N˛Á
üÆÁzT N˛∫, u∆∆ÏúÁ¬ N˛Á ƒá N˛∫ gÁ¬Á@
Æ“ TÁsÁ “™ı LN˛ ÃnÆÃz EƒTo N˛∫Áoy “{ uN˛ \Áz
YÁƒÁ|N˛ \{Ãz §¿Á÷m EÁ{∫ ™ÏuåÆÁ N˛Á Eú™Áå N˛∫oz “¯ ƒz úÏo¬z
§å N˛∫ ÉgN˛Áı ú∫ ú‰gz ∫“ıTz@
\Áz »yNw˛…m Nz˛ ÙÁå Ju  - ™ÏuåÆÁı N˛Áz EÁ{∫ §¿Á÷mÁı N˛Á
EÁt∫ - ÃnN˛Á∫ N˛∫oz “¯, Gã“ı úÓ∫Á ÃÊÃÁ∫ »z…eo™ EÁÃå ú∫
u§eÁÆzTÁ@ GåN˛y ET¿úÓ\Á “ÁzTy@
ú∫™Án™Á N˛Á LN˛ åÁ™ <ÃnNw˛o> “{@ ÃÁs|N˛ “{@ ™“Án™ÁEÁı
Ãz ™“Áå TÁ{∫ƒ EÁ{∫ úÓ\ÁEÁı N˛Áz úÁåz Nz˛ N˛Á∫m Gã“ı <ÃnNw˛o>
N˛“Á \ÁoÁ “{@
uåªuO˛ Nz˛ EåÏÃÁ∫ -
\Áz uY¬NÓ˛∫ ™ı uƒ∫Á\™Áå §Á¬Á\y Nz˛ øú N˛Áz ™å ™ı
ÜÆÁå N˛∫oz “ÏL <ÃnNw˛o> åÁ™ N˛Áz ßuO˛ Ãz \Áúoz “¯, ƒz \yƒå
™ı Ãßy Ãz é™Áuåo “ÁzN˛∫, EÁt∫ EÁ{∫ ÃnN˛Á∫ N˛Áz úÁoz “¯@
<ƒÁN˛Ω> Nz˛ uüÆ úÁeN˛Tm! EÁFL - ßuO˛ EÁ{∫ »ÚÁ Ãz
\Áúı - <HÂ ÃnNw˛oÁÆ å™:>
<HÂ ÃnNw˛oÁÆ å™:> !
September'21 w w w w w w w w w w w w w w w w w w 12 w w w w w w w w w w w w w w w w w w w w w VAK

All slokas Chant 28 times

FO Ѩ~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™:
FO ǨÏ$+‘ˆHâßÜ«∞ #=∞ó For self employed people, for promotions and
G J  yNz ∆ ÁÆ å™: success in games.
For overcoming bad habits „H©_®HÍ~°∞ʼnõΩ, ã¨fiÜ«∞O LáêkèÖ’ L#fl "åiH˜, L#fl`«
^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜. Ѩ^Œ=ÙÅ∞ PtOKÕ "åiH˜.
FO =+¨\ϯ~åÜ«∞ #=∞ó G ƒ bΩ N ˛Á∫ÁÆ å™: FO Éè∂í `«ÉÏè =<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™:
For Success in Business, Interviews, Visa
For better health. =∞Oz P~ÀQͺxH˜.
Interviews, building relationship
"åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅO FO ѨÓ`å`«‡<Õ #=∞ó G úÓ o Án™åz å™:
HÍ=_®xH˜ 㨇iOK«O_ç. To remove mental stress and for mental
peace
FO N=∞`Õ #=∞ó G »y™oz å™: =∂#ã≤ H õ P~ÀQͺxH˜ =∂#ã≤ H õ XuÎ _ ç #∞O_ç
Please Chant for Handsome Appearance and wealth.
q=ÚH˜ÎH˜.
â◊s~° ™œO^Œ~åºxH˜, ã¨OѨ^Œ‰õΩ.
FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™: FO â◊~°‡}Ë #=∞ó G ∆™| m z å™:
For Job Satibsfaction
For Education and better Financial strength. L^ÀºQÆOÖ’, KÕ¿ã ѨxÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.
q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.
uÀsoz ™åuà ÃÏ À ƒÀsz ∆∫y∫z Ãuo ÆÁz å∫:
å∫:@@ If anyone thinks of Me, when the mind is sound with the
body in good health and with all mental and physical
áÁoÏ Ã Á©Æz uÀsoz À™oÁ| uƒæÁøúÊ Y ™Á™\Ê @ @ faculties working perfectly and intact - thinks that I am
ooÀoÊ u™¿ Æ ™ÁmÊ oÏ N˛Á…eúÁ ÁmÃuëÁß™Ω indeed the very cause of this universe, that I am without
birth - then I assure that I will remember this devotee of
E“Ê À™∫Áu™ ™ÙOÊ ˛ åÆÁu™ ú∫™ÁÊ Tuo™Ω @@ Mine in his death bed and personally take him/her to the
ã≤÷`Õ =∞#ã≤ ã¨∞ã¨fi¿ã÷ â◊sˆ~ ã¨u Ü≥∂ #~°:I Supreme Abode.(Varahapuranam- )
Z=Ô~`· Õ `«# â◊s~°O P~ÀQƺOQÍ L#fl ã¨O^Œ~ƒ° Où Ö’ `«# =∞#ã¨∞û ã≤~÷ "° ∞≥ #ÿ |∞kú`À
^è•`«∞™ê"Õ∞º ã≤÷`Õ ã¨‡~åÎ qâ◊fi~°∂ѨO K« =∂=∞[OII <å qâ◊fi~°∂áêxfl ^蕺xã¨∂,Î <Õ<Õ D ã¨$+≤Hì Oõ `«\H˜ ˜ HÍ~°‰Ωõ _ç#x, [#‡~°ÇÏ≤ `«∞_»<#·≥ k
`«`«ãÎ̈O „q∞Ü«∞=∂}O `«∞ HÍ+ª̈áêëê}ã¨xflÉèí"£∞ <Õ<#Õ x, JÖÏO\˜ <å Éè‰í Ωõ _Î xç `«# â◊s~å=™ê# HÍÅOÖ’ K«Å#OÖËx ã≤u÷ Ö’
JǨÏO 㨇~åq∞ =∞^ŒƒùHõÎO #Ü«∂q∞ Ѩ~°=∂O QÆu"£∞ II L<åfl "åix <Õ<Õ Ñ¨~=° ∞Ѩ^•xH˜ KÕ~∞° Û`å#∞. (=~åǨÏѨÙ~å}O)
™åσu| åoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\Æzo@Ω å NÏ˛ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ˛ƒwÊ å À™∫zoΩ uœÁÆ:@@
Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should
not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)

=∞`«Î#∞~°fix`å ™êH∆Í`ü Ü≥∂w Hõ™ê‡#fl ѨÓ[ÜÕ∞`üI # ‰õΩ~åº^Œfi$l#O <å~åºó ‰õΩ=$`«ÎO # 㨇ˆ~`ü „ã≤ÎÜ«∞óII
„Ѩu =x`« <å â◊s~°O. 'P_»"åiѨ@¡ Jã¨ÉèíºOQÍ „Ѩ=iÎOK«_»"Õ∞ HÍ^Œ∞. qHÍ~°OQÍ PÖ’zOK«_»O ‰õÄ_® ã¨Ç≤ÏOK«#∞—
JO@∞<åfl~°∞. J=∞‡"å~°∞. (¿ãHõ~°} : ÅH©;`«O„`«O 43= J^蕺ܫ∞O)
All slokas Chant 108 times

FO <å~°ã≤OÇ¨Ï =Ѩٿ+ #=∞ó FO ˆH∆„`«*Ï˝Ü«∞ #=∞ó FO *’ºuëêOѨ`«ÜÕ∞ #=∞ó

G åÁ∫uÃÊ “ ƒúÏ   z å™: G qz fi rÁÆ å™: G [ÆÁz u o ÁÊ ú oÆz å™:
In moments of distress and despair For aspirants of Plots and own residence.
For good eye - sight.

PѨ^ŒÖ’ L#flѨC_»∞ 㨇iOK«O_ç. ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜. ã¨Ê+¨ì"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ.

"åOKè«Å `åºQÆ"Õ∞ =∞Ǩϟ#fluH˜ =∂~°æ=Ú.

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AHOBILAM AND AHOBILA MUTT - 103
VAASANTHIKA PARINAYAM
Story so far:
Post Tallikota war where the three Sultanates –
Golconda, Bahamani and Bijapur joined together
to decimate the then mighty Vijayanagar empire
with the Ahobilam Temple was ransacked by
Golconda Sultan in connivance with Hande Chiefs
of Maharashtra and the worship was stopped. There
was a massive integration effort undertaken by 7th
pontiff of Sri Ahobila Mutt. He brought together all
the Sanathana Dharma followers, be it tribals of
Ahobilam, noble communities or the warriors of
Vijayanagar into one banner, fought the Hande Chiefs
and the Golconda Sultan army, drove them away
and re-established worship at Ahobilam temple and
paved way for a new powerful empire and dynasty
called Araveedu dynasty of Vijayanagar which took
back almost all lost territories and became a massive
force for long period of time. The story that did
wonders with integration was Vaasantika Parinayam.
Vasantika Parinayam is about Lord Lakshmi
Narasimha of Ahobilam marrying a Chenchu tribe
incarnation of Goddess Lakshmi. This is originally
in Sanskrit and Prakrit and is being narrated now
for VAK readers in English. The story starts with
a brief on the Author the 7th Jeer of Ahobila Mutt
who was a great logician, poet and who led the
expedition to restore Ahobilam Temple. Vasantika
Parinayam drama was always enacted at Ahobilam
during Lord’s Vasantotsavam and his trip to over
40 tribal villages which played a major role in
integrating all the people there to raise to protect
the Ahobilam shrine. The drama starts with the
Mangala slokas worshipping Lord Chenchu Lakshmi
Narasimha and Lord Hayagreeva. Later it proceeds
with prostrations to Adi Van Satakopa Yatheendra
Mahadesikan, the first Jeer of Ahobila Mutt who
inspired and blessed many kings in the country
such as Vijayanagara Empire, Kalinga Empire etc.
First there is introduction of the illustrious Ahobila
Mutt Lineage which housed the Emperors
(Saarvabhouma) of all preachers of Veda Marga
or Sanathana Dharma or also known as Lord
Ramanuja’s philosophy. The drama has started with
Lord Lakshmi Narasimha going out for hunting and
Lord Devendra preparing to come to have his darshan.
Sudathi, Princess of Gandharva Raja pleases
Goddess Mahalakshmi by her dance, pleased
Mahalakshmi grants her boon which is nothing but
making Lord Narasimha, husband of Sudhathi. In
âßOu ÖˉõΩO>Ë =∞#ã¨∞‰õΩ q„âßOu ÖË^Œ∞.
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– M.V. SOUNDARARAJAN
order to make this happen, Sudhathi is born as
hunter’s daughter in Ahobila Kshetram with Goddess
Lakshmi herself inside her. Lord Narasimha who
went for hunting had a glimpse of this beautiful
girl and instantly fell in love with her. After several
strategies Lord won the heart of the beautiful Girl
and she started longing to see him again. King
Shoorasena, father of princess Vaasantika was
worried to see the plight of his daughter and started
an investigation through Kadambika into what
happened in Vanadevatha temple.
Kadambika is conversing with Madhurika, one of
the friends of Vaasanthika who accompanied her
to the temple.
Kadambika: Yes! Madhurika, I don’t have any rest.
There is always some royal duty for me to keep
me away from it. What is there to hide from you?
Our King Shoorasena is always worried about his
daughter Princess Vaasantika. Child Vaasantika
needs to get married. We are finding a suitable match
for her. The child went to worship the Vana Devatha.
The king was worried if the Devi in the temple was
pleased and would grant her a great husband.
Madhurika: What? Don’t you know the news?
Vaasanthika got the blessing of the Devi! Not only
that! She has already been hit by sharp arrows of
Cupid (Manmatha). Yes. I am not surprised by the
orders of the King! Vaasantika is the only child for
her. It is therefore natural that the king has more
affection towards the daughter than the son.
Kadambari: Yes! What is the doubt there? More
than 100 sons, a daughter is great for a father. But
for those who have begotten girl child they are always
in the state of concern and worry.
oÏ¡ÆÀÃÏoz Ï tÏu“ow…ƒuú ¬Á¬åÁut:
oÁÃÁÊ úÏåÀotåÏøúƒ∫ÁuõouYãoÁ@
ÃÊüz mÊ otåÏonÃtåÁÆ ú≥ÁÁoΩ
ƒÁoÁ|T™z √ÆÃå™zƒ ú∫Ê uƒ∆z :@@
Both male and female children undergo same
treatment by parents for growth. But for the Girl
child, the first worry of the father is to find her a
suitable match fitting the personality and qualities
of the daughter. Somehow, if a good husband is
found, is it enough? The parents become tensed
and emotional when they send the daughter to her
new home- husband’s home. Even for sages who
have renounced the worldly pleasures, this is
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unavoidable. After that the parents are worried about
how the daughter is faring in life. Is she able to
live upto the expectations of the new people keeping
the name and fame of her family of birth and family
where she went in marriage. There is no limit to
this worry. If everything happens well, there is no
better joy for parents than that. Ok! Let that be!
You said Vaasanthika is in a difficult situation. Why
did you leave her and where are you going without
treating her properly?
Madhurika: Madama Kadambika! I left her on her
orders. Don’t you know the great person Vignyana
vathi who is in penance in this garden. I am going
to take her to the Princess.
Kaadambari: What is this item? Why should you
take Vignyanavathi to Vaasanthika? May I know?
Madhurika: What is secret here that I cannot
tell you? Vagnyanavathi is a great person and
devotee of the Lord. She knows about past, present
and future. We wanted to ask her if Lord of Ahobilam
would marry Princess Vaasanthika. We would like
to seek Shakunam (omen) from her. This is the
single most important reason now for me to take
Vignyanavathi to Vassanthika.
Kadambari: (in her hearts) I have known what
needs to be known now. Due to grace of Lord the
purpose of my trip is achieved. (with glow in face)
Oh! Madhurika! Ok! It is getting late. Lets do our
duties. Hence lets disperse.
End of First Scene of Second Anga(part)
Curtain down
Dear VAK readers, reading this story, we need
to get inspired on how integrated and respectful
is Sanathana Dharma towards all. It is the Lord
that is important. As per Sanathana Dharma, the
Lord himself has come down and is residing in
the form of deities for our welfare. Lets all join
hands to protect these age old temples and worship
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the Lord with even more devotion so that we fulfill
his expectations, obtain his grace and finally
salvation, the whole purpose of the life. Lets follow
the practices ordained by him. Lets not disrespect
and discriminate people. This is not our quality
as devotees of Lord Balaji or Lord Ahobilesa. Lets
not fall prey to external and divisive forces. We
will continue this story with 2nd Anga of the 2 nd
scene.
Second Scene – Second Part
Curtain up
(Now Vasanthika enters along with her friends
in a state engulfed by love.)
Vasanthika: Oh! My dear Friends! It is enough
for me now. Your cooling treatments are actually
increasing my heat inside. Why are you putting
the sandalwood paste with green camphor. It is
not going to help me who is affected by the arrows
of Cupid. It is like putting tamarind or lemon in
the wound. For a person like me who is longing
for lover, even the treatments like sprinkling rose
water on me are like bathing a person in water
when he has high fever which will create more
temperature. Look at my eyes. They hare red
without sleep for days and nights. You are putting
Lotus flowers on them and trying to make the
eye colder. This reminds me of my Lord’s Lotus
eyes and increases my heat. It is as though bringing
large light for the person suffering from eye infection.
Vaasanthika kept on murmuring these kind of lines
with her friends and suddenly became unconscious.
Her friends became worried and their faces shrunk
with worry. They looked at each other.
Friends together: Oh! Lord! What is this fate.
All our cooling treatments have become fruit less.
It is like teaching a fool. Now what should we
do? What will give relief to Vaasanthika?
(to be continued....)

NǨÏ#∂=∞K«ÛùO„`«∞O[Ü«∞ =∞O„`«=Ú HANUMATH-SHATRUNJAYA MANTRAM Chant 28 times

=∞O„`«ó : FO#"≥∂ ÉèíQÆ=`Õ =∞Ǩ|ÅѨ~å„Hõ=∂Ü«∞ =∞ǨqѨuÎ x"å~°}ÏÜ«∞ ÉèíHõÎ[# =∞<Àcè+¨ìHõÅÊ<å
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H å™Áz ßTƒoz ™“Á§¬ ú∫ÁN¿ ˛ ™ÁÆ ™“Áuƒúu uåƒÁ∫mÁÆ ßO˛\å ™åÁz ß y…bN˛¡úåÁ N˛¡ú¸Ï ™ ÁÆ tÏ … b\å ™åÁz ∫ s ÀoÊ ß åÁÆ
üß±Áå üÁmuüÆÁÆ »y™Ω@@ ∆fiÏEÁı ú∫ uƒ\Æ Nz˛ u¬Æz
Om Namo Bhagavathe Mahaabala Paraakramaaya Mahaa Vipatthi Nivaaranaaya Bhaktha jana
manobhishta Kalpanaakalpa drumaya Dushta Jana Manoratha Sthambhanaya Prabhanjana
PranaPriyaya Sreem. Chant this Mantra freeing ourselves from enemies...

q∞ug∞i# Pâ◊Å =Å# =∞#ã¨∞ QÆu `«Ñ¨C`«∞Ok.

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âß~°^•Ñ‘~åî xH˜ Ü«∂„`«Ö’ Hõeâß_»∞. JѨC_»∞ J`«x QÍ^äŒ q=iOKå_»∞...
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QÆ∞}Ï_è∞» º_»∞ „H©.ѨÓ. "≥Ú^Œ\ ˜ â◊`å|ÌO #∞O_ô „H©.â◊. =¸_»= â◊`å|ÌO
=∞^躌 Ö’ |Ǩïâß rqOz LO\Ï_»x K≥áêÊ~°∞. "Õ~ˆ K«i„`« <ÕáêÅ
=∞Ǩ`«‡ºOÖ’ QÆ∞}Ï_è»∞º_»∞ =∞^èŒ∞~°Ö’ [x‡OKå_»x, L[˚~Úx
~å[~Ú# =∞^Œ#∞_ç P™ê÷# HõqQÍ "≥Å∞Q˘O^•_»#fl =∞~˘Hõ¯
q+¨Ü«∂xfl `≥eÜ«∞*Ë™ÈÎOk. nxH˜ ã¨~å¯~°∞ ã¨iÜ≥ÿ∞# ™êH∆ͺÅ∞
ÖË=O\Ï~°∞. HÀÖ’Ê~Ú# |$ǨÏ`«¯^äÖŒ ’ "≥Ú^Œ\™˜ êi q„Hõ=∂k`«∞ºx
32 ™êÅÉèOí lHõÅ`À „Ѩãk≤ ú K≥Ok# ã≤OǨã¨#O QÆ∞iOz# „Ѩ™êÎ=#
[iyO^Œx `≥Å∞™ÈÎOk. "≥∞@∞ì"∞≥ @∞ì‰Äõ XH˘¯Hõ¯ ™êÅÉèOí lHõ, JO>Ë
ÉÁ=∞‡ LO@∞Ok).
<Õ#∞ =∂ PKå~°∞ºÅ"å~°∞ <å‰õΩ <ÕiÊOz# ã¨~ã° fi¨ f =∞O„`åxfl
P~åkèOK«_»O =Å# „Ѩã¨#∞fl~åÅ~Ú# J=∞‡"å~°∞ <å‰õΩ Hõq`«fi
â◊HxΘ „Ѩ™êkOzOk. <Õ#∞ Z<Àfl HÍ=º~°K#« Å∞ KÕ™ê#∞. '#~°‡=∂Å—,
'^Õâ’Ѩ^âÕ —◊ =O\˜ Z<Àfl #=~°ã¨ Hõq`«Å#∞ ~°zOz „Ѩ[Å "≥∞ѨC#∞
á⁄O^•#∞. ^èŒ<åxfl ‰õÄ_® ZO`À á⁄Ok<å, âßOu =∂„`«O
ÅaèOK«ÖË^Œ∞. ^èŒ#O ã¨=∞$kúQÍ ÅaèOK«_»O`ÀÉÏ@∞ rq`«OÖ’
P#O^•Å#∞ á⁄O^Œ_O» ‰õÄ_® ÃÇÏK«Û~ÚOk. <Õ#∞ ÃÇÏK«∞Ûã¨=∞Ü«∂xfl
HÍÅÉèˇ·~°=Ùx P~å^èŒ#`À "≥∞Ñ≤ÊOz Z<Àfl `«O„`«q^ŒºÅ#∞ -
`«O„`«ã^≤ ∞Œ Åú #∞ ã¨O„áêÑ≤OÎ K«∞HÀ=_»OÖ’ QÆ_Ñ» _¨ O» [iyOk. <å‰õΩ
Jq ÅaèOKåÜ≥∂-ÖË^À <å‰õΩ `≥eÜ«∞^Œ∞. |Ǩïâß ÅaèOz
LO_»Háõ È=K«∞Û ‰õÄ_®! =∂QÆ∞~°∞"≥#· Jaè#= QÆ∞ѨÙÅÎ "å~°∞ D
q+¨Ü«∂ÅÖ’ Pi`Õi#"å~°∞. HÍx <Õ#∞ HÍ^Œ∞. <åã¨Ç¨^蕺~Ú
™È=∞^Õ = Éè í @ ∞ì _ » ∞ PKå~° ∞ ºÅ "åi ^Œ ‰ õ ∆ Ω _≥ · # q^•ºi÷ .
L`åûǨÏ=O`«∞_»∞. J`«_∞» PKå~°∞ºÅ "åi =^Œ#Ì ∞O_ç Z<Àfl `åO„uHõ
q^è•<åÅ#∞ <Õ~°∞ÛHÀQÆeQÍ_»∞. =∂ PKå~°∞ºÅ"å~°~Ú# Jaè#=
QÆ∞ѨÙÎÅ"å~°∞ Ü≥∂yxH˜ [x‡OK«_»O =Å# W@∞=O\˜ `åO„uHõ
â◊‰Ωõ ÅÎ #∞ á⁄O^•~°∞ JO\Ï~°∞. P â◊‰Ωõ ÅÎ #∞ PÜ«∞# ™È=∞^Õ=ÙxH˜
HõëêìÅ∞ XO@iQÍ~å=Ù - Jq J=HÍâßÅ#∞ "≥O@ fã¨∞‰õΩ=™êÎ~Ú.
16 w w w w w w w w w w w w w w w w w w w w w VAK
JOkOKå~°∞. ™È=∞^Õ=Éèí@∞ìx, z#fl HÍÅÉèˇ·~°=Ù_»∞ Jx ‰õÄ_®
PKå~°∞ºÅ"å~°∞ =Ú^Œ∞QÌ Í Ñ≤Å∞Û‰õΩ<Õ"å~°∞. J`«_∞» QÆ∞~°∞=ÙQÍ~°∞ K≥ÑÊ≤ #
=∞~å‡Å#∞ Jxfl\˜h K«H¯õ QÍ „QÆÇÏ≤ OK«∞‰õΩx xѨÙ}∞_»∞ JÜ«∂º_»∞.
<å rq`«O K«H¯õ QÍ [~°∞QÆ∞`«∞#fl ã¨=∞Ü«∞OÖ’ [iy# XHõ
ã¨OѶ¨∞@# <å rq`å<Õfl =∂ˆ~Ûã≤Ok. <å‰õΩ ZO`À „Ñ≤Ü«∞"≥∞ÿ#
<åÉèÏ~°º‰õΩ XHõ<å_»∞ ǨÏ~îå`«∞QÎ Í Hõ_∞» ѨÙÖ’ Éèií OK«ÖxË <˘Ñ≤Ê =zÛOk.
yÅyÅÖÏ_»∞`ÀOk. <Õ#∞ ZO^Œ~À "≥·^Œ∞ºÅ#∞ P"≥∞‰õΩ B+¨^èŒO
WÜ«∞º=∞x „áêi÷OKå#∞. HÍx Z=~°∂ =ÚO^Œ∞‰õΩ ~åÖË^Œ∞.
~å["≥·^Œ∞ºÅ"å~°∞ ‰õÄ_® P"≥∞ D ÉÏ^茉õΩ B+¨^èŒO ÖË^Œx
`≥eÜ«∞*Ëâß~°∞. <åq∞„`«∞_≥#· ™È=∞^Õ=Éè@í ∞ì#∞ Hõeã≤ K≥áêÊ#∞.
J`«_∞» KÕã#≤ H˘xfl `åO„uHõq^ŒºÅ P^è•~°OQÍ <åÉèÏ~°º‰õΩ
#Ü«∞O K≥Ü∂« ºÅx „ѨÜ∞« uflOz<å, qѶŨ O J~ÚOk. J`«_ç `åO„uHõ
q^ŒºÖËg P"≥∞ <˘Ñ≤Êg∞^Œ „ѨÉÏè =O HõeyOz, `«yOæ K«ÖHË áõ ÈÜ«∂~Ú.
W=hfl K«∂ã¨∂Î <åǨÏ$^ŒÜ∞« O |^ŒÅÌ ~ÚOk. <Õ#∞ ѨiǨ㨠Hˆ â◊=Ù_çx
„áêi÷OKåÅx =∞Ok~åxH˜ =KåÛ#∞. JHõ¯_» ÉèíQÆ=O`«∞_»~Ú#
ã¨∞^Œ~≈° #∞_ç WKåÛù#∞™ê~°O, J+¨Ñì ^¨ ∞Œ Å =Ü«∞ã¨∞ûÖ’ ‰õÄ_® „ѨHÍtã¨∞#Î fl
PKå~°º ™È=∂~°∞ºÅ "åix HõÅ=@O [iyOk. ã¨∞^Œ~≈° # ™êfiq∞"åi
Éè‰í Ωõ ÖÎ #·ˇ ™È=∂Kå~°∞ºÅ"å~°∞ xëêªQiÆ +¨µÖª #·ˇ "≥+· "‚¨ åKå~°∞ºÅ"å~°∞.
PÜ«∞# áêOK«~å„`« PQÆ=∞O „ѨHÍ~°O =∂^蕺Ç≤ÏflHõ ѨÓ*Ïk
HÍ~°º„Hõ=∂Å∞ x~°fiiÎOz <å‰õΩ f~°÷ „Ѩ™ê^•Å#∞ W=fi_®xH˜ =KåÛ~°∞.
UO [iyO^À <å‰õΩ `≥eÜ«∞^Œ∞ QÍx, ѨiǨã¨Hˆ â◊=Ùx Ѩ@¡ PÜ«∞#
ÉèHí xΘ K«∂ã¨∞#Î fl <å Hõà"¡◊ O≥ @ h~°∞ PQƉΩõ O_® „Ѩ=Ç≤Ï™ÈÎOk. <Õ#∞
UO KÕã∞¨ <Î åfl<À, <Õ#∞ „QÆÇÏ≤ OK«∞‰õΩ<ÕÖ’¿Ñ <Õ#∞ PÜ«∞# K«~}° ÏÅ
=^ŒÌ "åeáÈÜ«∂#∞. PÜ«∞# WÖÏ J<åfl~°∞. - ''<åÜ«∞<å Hˆ "∆ ∞Õ O„^•!
<å‰õΩ #∞=Ùfi ~å[‰õΩ@∞OÉÏxH˜ K≥Ok# =ºH˜QÎ Í, HõqQÍ `≥Å∞ã¨∞. ÖË!
ZO^Œ∞HõO`« x„™êÎ}∞QÍ, f„==∞~Ú# x~åâ◊, xã¨Ê $ǨÏʼnõΩ Ö’#~Ú
L<åfl=Ù? UO [iyO^À K≥ÑC¨ !——
<å‰õΩ <åÖ’ JÅ[_çx, ÉÏ^è#Œ ∞ J}∞K«∞HÀ=_»O WHõ KÕ`H« ÍÖË^∞Œ .
KåÖÏ ¿ãѨÙ~ÀkOz - ~ÀkOz <å‰õΩ ã¨Ç¨ Ü«∞Ѩ_=» ∞x Jun#OQÍ
Ji÷OKå#∞. PÜ«∞#‰õΩ <åÉÏ^è#Œ ∞ K≥ÑC¨ ‰õΩ<åfl#∞. - ''F =∞Ǩ`å‡!
<åÉèÏ~°º QÆ`« Z<Àfl k<åÅ∞QÍ Éèií OK«ÖxË Hõ_∞» Ѩ٠<˘Ñ≤Ê ÉÏ^è`Œ À
qÅqÅÖÏ_»∞`ÀOk. <Õ#∞ ZO^Œ~À "≥·^Œ∞ºÅ#∞, PYiH˜ =∞O„`«-
`«O„`åÅ "åiH© ‰õÄ_® <åÉèÏ~°º J=ã¨#÷ ∞ QÆ∞iOz K≥ÑÊ≤ , <˘Ñ≤Ê
`«yOæ K«=∞x „áê^èÜ Õ ∞« Ѩ_®¤#∞. HÍx LѨÜ∂≥ QÆO ÖËHáõ È~ÚOk. P"≥∞
ÉÏ^è#Œ ∞ K«∂_»ÖHË õ áÈ`«∞<åfl#∞. =∂ |O^è∞Œ =ÙÅO^Œ~∂° Z@∞=O\˜
ã¨=∞㨺Hõ~Ú<å ѨiǨ㨠Hˆ â◊=Ùx =^ŒÌ ã¨=∂^è•#O `«Ñʨ Hõ Åaèã∞¨ OÎ ^Œx
K≥áêÊ~°∞. D ã¨OQÆux <Õ#∞ ‰õÄ_® Z<Àfl™ê~°∞¡ qx LO_»_O» =Å#,
PÜ«∞# ^ŒÜ∞« #∞, Pj~åfi^•xfl á⁄O^•Åx WHõ¯_»‰Ωõ =KåÛ#∞ ™êfig∞!——
''J~°O÷ J~ÚOk <åÜ«∞<å hÉÏ^è!Œ ÉèÏQÆ=`« âßGO ÖË^•,
áêOK«~å„`« âß„™êÎxfl J#∞ã¨iOKÕ =∂ #=∞‡HõO „ѨHÍ~°O -
<å~åÜ«∞}∞_Õ Ñ¨~=° ∂`«‡ HÍ=@O =Å# PÜ«∞<Õ `«# ^•ã¨∞ÅO^Œi
Ü≥∂QÆHˆ =∆ ∂Å#∞, JO^Œi J=ã¨~åÅ#∞ K«∂ã¨∞‰õΩO\Ï_»∞. „Ѩ`ºÕ H˜Oz
September'21 w w w w w w w w w w w w w w w w w w
"≥o¡ PÜ«∞##∞ "Õ∞=Ú Ug∞ HÀ~°∞HÀ=Ú. Hõâº◊ Ѩ"∞Õ ~°∞ „Ѩ^âÕ =◊ ∞~Ú#
D „áêO`«OÖ’ áœÅã¨Îº =∞Ǩ=Úx =∞ǨÏ`«~Î "° ∞≥ #ÿ `«Ñ㨠∞¨ û KÕâß_»∞.
q+¨µ^‚ ~Œè À‡`«~Î ° ѨÙ~å}OÖ’ ã¨∂zOz# „ѨHÍ~°O, PÜ«∞# `«# t+¨µº_≥#·
^•ÅÉè∞í ºxH˜ WÖÏ K≥áêÊ_»∞.
ƒwoÁzúƒÁÃ{Æ{|uƒ…mÏåÁ|ãÆ\ã™uå oÁzu o: @
oz å∫Á ™Ïuå∆ÁtÓ|¬ uƒ ∫ÁzTÁutßÁuTå: @@04@@
^•x „ѨHÍ~°O Z=~°~Ú`Õ ÉèQí =Æ O`«∞_çx ѨÓ[Å∞, „=`åÅ∞
=O\˜ J#∞ëêª<åÅ`À, LѨ"å㨠nHõÅ∆ ∞ KÕã≤ "≥∞Ñ≤ÊOK«Ö~Ë À "å~°∞,
W@∞=O\ ˜ "åº^è Œ ∞ Å ~° ∂ Ѩ O Ö’ Ѩ ~ ° = ∂`« ‡ J㨠O `« ∞ +≤ ì x
Z^Œ∞~À¯=Åã≤# Ѩiã≤÷u U~°Ê_»∞`«∞Ok. PÜ«∞# Jã¨O`«$Ñ≤Î D
q^èOŒ QÍ |Ü«∞Å∞Ѩ_∞» `«∞O^Œ#fl ã¨OQÆu <å‰õΩ `≥eã≤#O`«Ö’ h`À
ѨOK«∞‰õΩO@∞<åfl#∞.
''=∞Ǩ`å‡! g∞~°∞ K≥ÑÊ≤ # x[O <å‰õΩ J=QÆ`=« ∞~ÚOk. =∞i
nxH˜ U^Œ~Ú<å Ѩiëê¯~°O LO^• ™êfig∞?—— JO@∂ PÜ«∞#
áê^•Å#∞ Ѩ@∞ì‰Ωõ x Éè’~°∞=∞<åfl#∞.
''<åÜ« ∞ <å! Ѩ i Ǩ  㨠ˆ H â◊ = Ùx =^Œ Ì Jxfl 㨠= ∞㨠º ʼnõ Ä
ã¨=∂^è•<åÅ∞, =∂~åæÅ∞ LO\Ï~Ú. PÜ«∞# `«# Hõ\ÏH∆Íxfl „Ѩãi¨ OѨ
*Ëã≤ HõëêìÅ#∞ - ã¨=∞㨺Å#∞ `˘ÅyOKåe. JÖÏ PÜ«∞# Hõ$áê-
Hõ\ÏH∆ÍÅ#∞ á⁄O^Œ_®xH˜, áœÅ㨺Π=Úx XHõ =∂~åæxfl ã¨∂zOKå_»∞.
^•x<Õ <Õ # ∞ x`« º O J#∞㨠i ™êÎ # ∞. ^•x`À h‰õ Ω ‰õ Ä _®
ã¨Ç¨ Ü«∞Ѩ_Q» ÅÆ #∞.
»Áz o Ï N ˛Á™Áz D uà ƒ{ tÁ¡•Æ »Ï m Ï … ƒ ÃÏ Ã ™u“o@
EúÁ™Á\| å NÊ ˛ ƒflÆz ãÆÁà úÓ ƒ ˙ Ft©ú∫™Ω @ @
D ã¨=∞㨺‰õΩ ã¨=∂^è•#O áœÅ㨺Π=Úx ''Jáê=∂~°#˚ ™È΄`«
=∞O„`«[ѨO—— K≥Ü∞« º_»O ^•fi~å á⁄O^Œ=K«∞Û#x ã¨∂zOKå~°∞. #∞=Ùfi
##∞fl JO`« PiÎ`À "Õ_∞» ‰õΩ<åfl=Ù QÆ#Hõ <Õ#∞ g∞ QÆ$ǨxˆH =zÛ, D
=∞O„`« [áêxfl âßG q^è•#O`À, áœÅ㨺Π=Úx ^•ÅÉè∞í ºxH˜ K≥ÑÊ≤ #
suÖ’ XHõ =∞O_»ÅOáê@∞ [Ñ≤™êÎ#∞. D =∞O_»Å ã¨=∞Ü«∞O (41
k<åÅ∞)Ö’ =~åǨ Ï , #~° ã ≤ O Ǩ Ï , "å=∞#, q+¨ µ ‚ , 㨠∞ ^Œ ~ ° ≈ #
~°∂áêÅ~Ú# Ѩ~=° ∂`«‡ Hõ\ÏHõ∆ gHõ∆}ÏÅ∞ hg∞^Œ „Ѩãi¨ OѨ*Ü Ë ∞« =∞x
„áêi÷^•ÌO. Jk [iy# ѨHO∆õ Ö’ h ÉèÏ~°º â◊s~° ÉÏ^èጠÈ~Ú, P"≥∞‰õΩ
ã¨fiã¨`÷ « KÕ‰Äõ ~°∞`«∞Ok. JÖÏ [iy# Ñ≤=∞‡@ #∞=Ùfi Ѩ~=° ∂`«‡ J~Ú#
q+¨µ=‚ Ù‰õΩ =∂„`«"∞Õ Éè‰í Ωõ xÎ QÍ LO_®e. Ѩ~=° ∂`«‡ ÅO^ŒiH© Ѩ~=° ∂`«‡,
J~Ú# N=∞Ǩq+¨µ‚=Ù `«#Ѩ@¡ JO`«\ ˜ ÉèíH˜Î - „ѨѨ`«∞ÎÅ#∞
HÀ~°∞‰õΩO\Ï_»∞!——
''`«Ñʨ ‰õΩO_® =∞Ǩ`å‡! g∞~°∞ ZÖÏ K≥¿ÑÎ JÖÏ K≥Ü∞« º_®xH˜
<Õ#∞ ã¨Oã≤^OúŒ QÍ L<åfl#∞!—— J<åfl#∞.
P<å\˜ ѨÓ*ÏkHÍÅ∞ x~°fiiÎOz# "≥O@<Õ ™È=∂Kå~°∞ºÅ
"å~°∞, <å x"å™êxH˜ QÆ∞_ç =^Œ#Ì ∞#fl ѨÙ+¨¯i}˜ Ѩq„`« [ÖÏÅ#∞
fã¨∞‰õΩx =KåÛ~°∞. PÜ«∞# =∂ QÆ$Ǩxfl â◊√„ÉèÑí ~¨ z° aÜ«∞ºO Ñ≤O_ç`À
=∞}∞QÆ∞Å H˘kÌ =∂@Å Hõ<åfl - z#fl"≥∞`«∞Î PK«~°} q∞#fl.
17 w w w w w w w w w w w w w w w w w w w w w VAK
=ÚQÆ∞Åæ ∞ "Õã,≤ ѨKÛ« x =∂q∞_®‰õΩÅ `À~°}ÏÅ`À JÅOHõiOK«=∞x
K≥áêÊ~°∞. PÜ«∞# `«#`Àáê@∞ ™êÅ„QÍ=∞ ã¨∞^Œ~°≈# ~°∂áêxfl,
#~°ã≤OǨÏ, ã¨O`å# QÀáêÅ=¸~°∞ÎÅ#∞ `≥KåÛ~°∞. PÜ«∞# =∂
WO\˜Ö’x XHõ „Ѩ^âÕ ßxfl =∂~°#˚ KÕã,≤ „ѨHÍ∆ à◊# KÕ™êHõ, `«#`À
`≥zÛ# ÉèQí =Æ „^Œ∂áêÅ#∞ JHõ¯_» „Ѩ\ +˜ Oª≤ Kå~°∞. `«∞Åã≤ ^ŒàÏÅ`À,
ѨÙëêÊÅ`À PÜ«∞# P =¸~°∞ÅÎ ‰õΩ ѨÓ[ KÕâß~°∞.
J@∞ÃÑ#· ‰õΩOÉèÏxfl ™ê÷ÑO≤ Kå~°∞. JO^Œ∞Ö’ Ѩq„`« [ÖÏxfl
xOáê~°∞. J@∞ÃÑ#· =~åǨÏ, #~°ãO≤ ǨÏ, "å=∞#, q+¨µ,‚ ã¨∞^Œ~≈° #
J<Õ Ñ¨OK« ~°∂áêÅ#∞ JO^Œ∞Ö’H˜ PǨfixOKå~°∞. PÜ«∞# =~åǨÏ
=∞O„`« [áêxfl, #~°ãO≤ Ç¨Ï =∞O„`«[áêxfl, "å=∞# =∞O„`«[áêxfl,
q+¨µ,‚ ã¨∞^Œ~≈° # =∞O„`« [áêÅ#∞ K«H¯õ QÍ x~°fiiÎOKå~°∞. PǨfixOz#
q+¨µ~‚ ∂° áêÅ~Ú# ^Õ=`«Å#∞ ã¨O`«$Ñ≤ÑÎ ~¨ z° , PÜ«∞# â◊√zQÍ, x+¨Qª Í
Jáê=∂~°#˚ ™È΄`åxfl [Ñ≤OKå~°∞. ™È΄`« [ѨO q#_®xH˜ JHõ¯_»
Z^Œ∞~°∞QÍ ‰õÄ~ÀÛ=∞x Hõ_∞» ѨÙ<˘Ñ≤Ê`À qÅqÅÖÏ_»∞`«∞#fl <å ÉèÏ~°º‰õΩ
K≥áêÊ~°∞. [Ѩ Ѩiã¨=∂Ñ≤Î `«~"° å`« PÜ«∞# ‰õΩOÉèOí #∞O_ç Ѩq„`«
[ÖÏxfl fã≤, <å ÉèÏ~°º=ÚYOÃÑ#· |ÅOQÍ [ÖÏ¡~∞° . P `«~åfi`« <å
ÉèÏ~°º `«# Hõ_∞» Ѩ٠<˘Ñ≤Ê, KåÖÏ =~°‰Äõ `«yæ `«#‰õΩ HÍã¨Î `ÕeHõQÍ
LOk Jx K≥ÑÊ≤ Ok. =¸_»= ~ÀA‰õΩ P"≥∞ Hõ_∞» Ѩ٠<˘Ñ≤Ê Ñ¨ÓiÎQÍ
#Ü«∞=∞~Ú P"≥∞ ™ê^è•~°} ã≤÷uH˜ ~å=_»O, <åˆH Pâ◊Û~°ºO
HõeyOzOk.
PKå~°º ™È=∂Kå~°∞ºÅ"å~°∞ JÖÏ #ÅÉèˇ· XHõ¯ ~ÀAÅ∞
=∂WO\˜H˜ =zÛ D HÍ~°º„Hõ=∂xfl JO`«\h˜ ѨÓiÎ KÕâß~°∞. J@∞ÃÑ#·
<åÉèÏ~°º‰õΩ Hõ_∞» Ѩ٠<˘Ñ≤Ê P#"åà◊√¡ U=∂„`«O HõxÑ≤OK«Ö^Ë ∞Œ . P"≥∞‰õΩ
U<å_» ∂ PÉÏ^è Œ uiy Hõ Å QÆ Ö Ë ^ Œ ∞ . „Ѩ u ~ÀA PÜ« ∞ #
=∞O„`ÀKåÛ~°}Å`À ã¨∞^Œ~≈° # kQƃO^è<Œ åxfl áœÅ㨺Π=Úx K≥ÑÊ≤ #
suÖ’ KÕ¿ã"å~°∞. 41= ~ÀA PÜ«∞# Jxfl ~°HÍÅ HÍ~°º„Hõ=∂Å∞
[iˆQHõ =∂WO\˜ K«∞@∂ì uiQÍ~°∞. PÜ«∞# =∂ WO\˜ <≥|· ∞∞u
=¸Å#∞ ^•@∞`«∂ JHõ¯_» Py <å`À,
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September'21 w w w w w w w w w w w w w w w w w w
Ramanuja’s Journey to Sharada Peeth – Kashmir
Serial - 46
Lord Ramanuja, the great Vaishnavite seer whose
1000th year birth day was celebrated this year
throughout India with pomp and glory. He was a seer
who brought to light the concept of the whole universe
as one family : Vasudhaivakutumbakam and brought
to light the right understanding and interpretation
of Vedas and established equal chance for all living
beings to attain salvation at the end of the current
birth by surrendering before the Lord – Saranagathi.
In order to putforth his understanding Lord Ramanuja
had to first understand what his predecessor Acharyas
have done to explain the Vedas. On this account
he visited atleast twice to Sharada Peetham of
Kashmir which was the seat of Goddess Saraswathi
and a huge store house of learning known as Shree
Bhandaram.
VAK is attempting to bring the interesting items
of this effort of Lord Ramanuja to its readers. In
the effort, there are places where certain incidents
and characters have to be created for purposes of
dramatization. Most of the characters thus created
are based on circumstantial evidence from History,
GuruparamparaandRajatarangini text. This is to convey
the main message of events, practices, debates
etc. recorded in the works of Lord Ramanuja,
Rajatarangini and other historic and religious books.
Story so far:
Obtaining the ordainment of Lord Varadaraja
of Kanchi, Lord Ramanuja and Kuresa set out to
study BoudhayanaVruttiGrantha at Sharada peetham
in Kashmir. With the help of Keshavacharya who
was till recently Prime Minister of the Kingdom along
with the help of Kshitiraja met the emperor Anantaditya
Deva to request for help in obtaining the
BoudhayanaVruttigrantha to study and write the
meanings for Brahmasutras of Sage Veda Vyasa.
They first meet the Prime Minister Haladhara. At
that time, Bimba, brother of current Prime Minister
Haladhara brings the news of defeat of Champa
King and asylum of Champa prince in Kashmir. He
also brings the news of several Buddhist monks
headed by the great scholar Bruhadvaasubandhu
coming in a scholarly debate expedition to conquer
the scholars of mainland India all the way from
Champa with an aim to convert all into Buddhism.
Some of the Monks have challenged Kashmir scholars
to have a scholarly debate with them.Bimba and
Kshitiraja request Ramanujacharyato participate in
the debate and he agrees to it with certain conditions.
First debate between Shambhu Swamy and
u#@O HÀã¨O rqOK«‰õΩ - rqOK«@O HÀã¨O u#∞.
18 w w w w w w w w w w w w w w w w w w w w w VAK
CSL Narasimhan
Bruhadvaasubandhu took place. BruhadvaasuBandhu
has defeated Shambhu Swamy in debate and Lord
Ramanuja was invited to protect the Vedic tradition
and culture from the onslaught of Buddhist arguments.
Fearing defeat of their guru the two disciples of
Bruhadvaasubandhu plotted against Lord Ramanuja
and Kuresha which was identified and thwarted by
alert Keshavacharya.The two disciples of
Bruhadvaasubandhu were arrested and jailed.
Bruhadvaasubandhu hears about this act of his
disciples and sermonizes it. Lord Ramanuja corners
BruhadvaasuBandhu with his prowess in logic. Unable
to bear the logical onslaught, BruhadvaasuBandhu
accepted supremacy of Lord Ramanuja and took
to Temple service in Chakradhara Temple. Emperor
Anantaditya Deva ordered the Saraswathi Peeth Head
to allow Lord Ramanuja and his disciple to refer
the sacred original text of Boudhayana Vrutti Grantha
and he along with the entire royal entourage
accompanied Lord Ramanuja in the journey to Sharada
peeth. Parahasapura and its beautiful temples were
built by Emperor LalitadityaMuktipada. All the key
Royal entourage members along with Lord Ramanuja
enter the Parihasa Keshava temple for partaking
Prasadam before onward journey. There he met
Kshemendra, the great poet in the court of Emperor
Anantaditya Deva. Kshemendra was initially a disciple
of the Great Saiva-Shakta Advaiti saint Abhinavagupta
and later he became Vaishnava chosing Somacharya
as his Guru. Kshemendra vowed to help the cause
of Lord Ramanuja and at once undertook to travel
with them to Sharada peeth. Enroute Kshemendra
started telling about himself.
Oh! Revered ones! It is my great pleasure and
fortune to have met such ardent scholars and devout
people in my life. It is also my great fortune that I
could be of material help to you all. I could not narrate
about me when we got first introduced due to paucity
of time. I now thank you for the opportunity granted
to me to tell about my self. There was a great event
in my life which is a turning point for me. I, who
was wandering a lot became a Vaishnava after that
turning point and I strongly believe that that is the
path for ones liberation. Thanks to my Acharya
Somacharya.
I am the grandson of Sindhu who was son
of Bhogindra. My father’s name is Prakasendra.
We are all descendents of the famous Narendra
who was a great minister in the court of the famous
Emperor Jayapitha who was even greater after
September'21 w w w w w w w w w w w w w w w w w w
Emperor Lalitaditya with his capability to expand
the boundaries of the empire to very distant places.
‘Indra’ at the end of our names is family name
conferred by Brahmins to my ancestors because
they have given handsome gifts to Brahmins.
Eventhough Emperor Jayapitha was a Vaishnavite
My father, forefathers have been great Siva devotees.
Following their practice I was also a Saivaite and
have installed a Shivalinga in Svaayam (near Nijihama
in Handawara Tehshil). I have provided over 25
lakhs gold coins to the temple for its maintenance
etc. I have got my basic education from the famous
Acharya Abhinavagupta. Under his feet I learnt
Sanskrit literature, philosophy and Shakta-Tantra
which is also known as Bhairava tantra. I was
taught how to worship Kalabhairava by the Acharya.
I learnt Pishachika language from Acharya
Abhinavagupta. I also learnt from him political
science. I continued the learning with Gangaka.
I had been developed as poet and have been the
court poet for the Kings Sangrama Raja and am
continuing in the tenure of his son Anantaditya
deva, the current emperor.
I was ordained by Emperor Sangrama Raja
to translate Gunadhya’s Bruhatkatha written in
Paishachi language the language of common people
of the border regions of Northwest India. I have
written Brihatkathamanjari as a faithful summary
of the original which too was in eighteen Books
called Lambakas. I heard that Gunadhya lived
a glorious life and he was a versatile writer, a
master of literary art capable of weaving into his
story of romantic adventures all the marvels of
myth, magic and fairy tale. Some people say
he practiced tantric magics. Brihatkatha must
have been a storehouse of tales about heroes
and kings and gods and demigods and also about
animals and birds. The famous stories of 32 stepped
throne idols of Vikramaditya can be found in here.
[ For Benefit of Readers of VAK : Gunadhya is
a well known Sanskrit name of the sixth-century
Indian author of the B[hatkathâ, a large collection
of tales attested by DaG in, the author of
the Kavyadarsha, Subandhu, the author
of Vasavadatta, and BâGabhamma, the author
of the Kadambari. GuGâ hya could have flourished
during the reign of a Satvahana king
of Pratishthana (modern-day Paithan, Maharashtra).
According to D. C. Sircar, he probably flourished
between the 1st century BCE and 3rd century
CE. An alternative account, mentioned in the Nepala
Mahatmya of the Skanda Purana, states that
Gunadhya was born in Mathura, and was a court
rq`«O HõiyáÈÜÕ∞ =∞O^Œ∞ - L#flO`«Ö’ #Å∞QÆ∞iH˜ ѨOK«∞.
19 w w w w w w w w w w w w w w w w w w w w w VAK
poet of the king Madana of Ujjain. Sircar calls
this tradition less authentic. The earliest reference
to Vikramâditya and his divine throne with 32 steps
and statues in each step is traced in the
lost Brihatkatha.].
I meditated on Saraswathi Mantra taught by
my Acharya. She blessed me with poetship. I wrote
several nava rasa poetries called Narmamala,
Desopadesha etc., to entertain people and I did not
get peace although I got lot of wealth. With wealth
accumulating, there was also lots of enjoyment in
life. I spent lots of time pleasing Kaala Bhairava
and tried to obtain several Tantrik attainments or
Siddhis. I don’t know if I got them. I don’t think so.
My Guru, Swamy Abhinavagupta was good in many
of these matters but I could not. I had a co-student
known as Somadeva Bhatta who was an ardent
student of Acharya and he learnt lots of Tantric
methods. My Acharya, Abhinavagupta was born to
a Yogini and hence he is said to have possessed
mystic powers. The same powers were bestowed
to Somadeva. Somadeva Bhatta or also known as
Little Kaala Bhairava as often addressed by Acharya
Abhinavagupta in a pet way mastered all the mystic
arts taught by his teacher.
While my life was continuing smoothly, an
incident which happened in my life changed everything.
one day all of a sudden my beloved wife Susmitha
got a writhing pain on her stomach . I requested
many physicians to attend her. But all in vain. Even
the royal physician said she had no cure for this.
I approached my friend Somadeva Bhatta and he
also after trying a lot from the learnings of Tantrik
vidya left me high and dry. None of his exceptional
tantric techniques would have any influence on her.
I was heart broken. I came to pray to Lord Parihaasa
Keshava. There, by Lord Sudarshana’s will I had
the fortune of coming across Acharya Somacharya,
the current Octogenarian Sri Vaishnava who was
highly radiant with his utmost devotion to Lord
Sudarshana. We met him today. He was completing
his mid-day chores and came to give me the Lord’s
theertham and Prasadam as per the Pancharatra
Agama. I did not know what happened to me. Tears
were running from my eyes seeing his devotion to
Lord Parihasa Keshava. Even before I knew what I
was doing, I fell at his feet at once. He said:
“Oh! Kshemendra, I know you as a person from
noble family and royal poet! Please get up! Why
are you in such a distress? What happened?”
I could not control my emotions. I cried before
him a lot and requested him for help:
“Oh! Revered one, my wife is writhing with huge
September'21 w w w w w w w w w w w w w w w w w w
pain in stomach for several days now and no one,
no physician, not even tantric could find the problem
and solve it. I am unable to bear her pain. My relatives
were saying, for every problem, there is a solution
with Parihaasa Keshava. I also heard this my self
several times and I came here to seek his grace
and compassion”
“I see. We in Bhaagavata Saastra or Pancharatra
Shastra believe that only Lord Narayana is the
Supreme and as his slaves (daasas) he takes care
of our needs. We don’t go specially and seek
something from him. In Vishnudharmottara purana,
Sage Pulastya, who has done large penance here
in this land of Kashyapa Meru said to his dear disciple
Dalbhya as follows:
ƒwoÁzúƒÁÃ{Æ{|uƒ…mÏåÁ|ãÆ\ã™uå oÁzu o: @
oz å∫Á ™Ïuå∆ÁtÓ|¬ uƒ ∫ÁzTÁutßÁuTå: @@04@@
Which means people who have not pleased
the Lord with devotional practices such as Pooja,
Vratha, Upavasa etc. they get these diseases and
these displeasures which is coming out are his
displeasure. This is what I know and I have shared
with you”
“Oh! Revered one! I understand! Is there a
solution to this problem?” I cried at his feet.
“My child! There is solution for all problems
with Parihaasa Keshava. He needs to provide grace
and solve it. In order to invoke his grace, Sage
Paulastya has said a way which I keep practicing.
I can also help you with that”
»Áz o Ï N ˛Á™Áz D uà ƒ{ tÁ¡•Æ »Ï m Ï … ƒ ÃÏ Ã ™u“o@
EúÁ™Á\| å NÊ ˛ ƒflÆz ãÆÁà úÓ ƒ ˙ Ft©ú∫™Ω @ @
The solution to this problem as said by Sage
Paulastya is to do Apamarjana Stotra Mantra Japam.
Now that you have so earnestly requested I will come
to your house and perform this Mantra Japam as
ordained by the Shastra and as told by Sage Paulastya
to Dalbhya for one Mandala (41 days) to invoke the
grace of the Lord Varaaha, Narasimha,
Vaamana,Vishnu and Sudarshana. If we succeed
in this the problem of your wife will disappear. After
that you should vow that you will be devoted to Lord
Vishnu only as he is the Lord of all Lords, the
Paramatma and he desires this devotion.”
“By all means ! Oh! Revered one! I will do as
=„[O ÖÏO\˜ â◊s~åxH˜....... –j ∆∫y∫ Nz˛ u¬L
FO #"≥∂ <å~°ã≤OǨÜ«∞ =„[^ŒO„ëêìÜ«∞ =„l}ËI =„[^ÕǨÜ«∞ =„*ÏÜ«∞ #"≥∂ =„[ #MÏÜ«∞K«II
H å™Áz åÁ∫uÃÊ “ ÁÆ ƒ\¿ t Ê … b~ Á Æ ƒu\~ m z @ ƒ\~ t z “ ÁÆ ƒ\~ Á Æ å™Áz ƒ\~ åQÁÆ Y @@
zu xs˚=ÙÅ#∞ HÍÅ∞ã¨∞ÎOk - zO`« ã¨r=ÙÅ#∞ ^ŒÇ≤Ïã¨∞ÎOk.
20 w w w w w w w w w w w w w w w w w w w w w VAK
you say” was my response.
On the same day Sri Somacharya came to
my residence just after the pooja with sacred water
from the Temple tank. He ordered us to clean the
house and decorate it with rice flour Rangoli and
green mango leaves. He brought with him a
Salagrama Sudarshana, Lord Narasimha and
Santana Gopala. He purified a place with ablution
and installed the Lords there. He did some sacred
poojas to them with Tulasi and flowers. He then
set up a Kumbha with sacred water and in that
he invoked the five forms of Lord Varaaha,
Narasimha, Vaamana,Vishnu and Sudarshana. He
did Varaha Mantra Japa, Narasimha mantra Japa,
Vaamana Mantra Japa, Vishnu Mantra Japa and
Sudarshana Mantra Japa. After pleasing all the
invoked deity forms of Lord Vishnu he recited
Apamarjana Stotra with all piety. He asked my
wife who was writhing in pain to sit in the front
to listen to the Stotra. After the recitals and Japa,
he took sacred water from the Kumbha (sacred
pot) and sprinkled water on my wife’s face with
force. She felt lighter and said to me that the
pain has come down significantly. On day 3, the
pain completely vanished and she was normal to
my astonishment. Acharya Somacharya, came
everyday to our house to do this ritual and
completed 41 days. There was no trace of the
pain and it never returned. Everyday he used to
do Sudarshana Digbandhanam with the Mantras
said by Sage Paulastya. On the 41 st day he went
around my house after completing the rituals. When
he was crossing the south-west corner of the house
he stopped. He asked me :
“ Can you ask your servants to dig this spot?”
“Yes, Acharya!” I responded and ordained my
favourite aide Shambhu to dig the spot. He dug
it for two feet and looked at Acharya. He said
keep digging till I say stop. At the 3rd feet of digging
he suddenly stumbled on a metal. When Shambhu
was about to touch, Acharya said:
“Don’t touch yet! Wait for my instructions”
He then did some recitals and sprinkled the
mantric water on the materials. He then said to
Shambhu : “Now you take the bag with the metals
out slowly”
(to be continued)
Chant 28 times
September'21 w w w w w w w w w w w w w w w w w w 21 w w w w w w w w w w w w w w w w w w w w w VAK

Let the Selfishness, Discrimination and Disrespect end

-Dr. C.S. Laxminarasimhan
Arjuna asks Lord Krishna (Bhagavadgita Chapter 17) :
Æz ∆ÁÀfiuƒuá™ÏnÃw[Æ Æ\ãoz »ÚÆÁuãƒoÁ:@ oz ÁÊ uå…eÁÃÏ N˛Á Nw˛…m Ãnƒ™Á“Áz ∫\Ào™Á: @@
Meaning – Oh! Lord Krishna what do you say of those people who want to worship you but don’t
want to follow the tenets of Shastra or Vedic or Agamic prescriptions? Where do you categorise
there devotion? Is it Sattva, Rajas or Tamas?. To this question Lord first explains Arjuna that people
who follow the Shastric prescriptions are the ones whom I consider as devotees because these
follow my prescriptions and are dear to me. People who follow the Shastras and worship celestal
Gods they are known as Saatvikas among the categories of worshippers. People who worship
Yakshas and Rakshasas as prescribed in the Shastras are known as Rajas characteristic people
among worshippers. People who worship Bhootha ganas or Pishachas as per their respective Shastric
prescriptions are known as Tamasa category. These worshippers are still devotees as they follow
Shastras and through the respective deities they worship I grant them their desires. The category
you mentioned does not fall in any of these classifications.
E∆ÁÕÁuƒu“oÊ VÁz∫Ê oõÆãoz Æz oúÁz \åÁ: @ t©ßÁ“WΩN˛Á∫ÃÊÆÏO˛Á: N˛Á™∫ÁT§¬ÁuãƒoÁ: @@
N˛∆|Æão≈∆∫y∫ÀsÊ ßÓoT¿Á™™YzoÃ:@ ™ÁÊ Y{ƒÁão≈∆∫y∫ÀsÊ oÁuãƒtΩÜÆÁÃÏ∫uå≥ÁÆÁåΩ@@
I consider people who worship without following Shastric prescriptions as my opposers. They do
this because of ego, feeling that they are great, wrongful desires and greed. I cannot consider
them as my worshippers or devotees and they are surely Asuras who go against my prescriptions.
They not only trouble their bodies along with its basic elements but also trouble their respective
souls and also force me to take strong punitive action on them by pushing them to hell (Naraka)
or giving them very lower level births in this world. It is therefore clear that people who adhere
to Shastric prescriptions only can be called devotees. Only ardent devotees who follow strict Shastric
prescriptions can become Archakas in temples. In Sanathathana dharma people who follow the
Shastra prescriptions pertaining to their Varna (caste)-Ashrama (State) and they do this with devotion.
Lord pleased by their devotion grants them salvation. These great devotees are also called as Brahmins
§¿÷ - Emoyuo §¿Á÷m:.They are respected and worshipped in temples like Azhwars, Nayanmars
etc. They should not be disrespected or discriminated, doing which one would be pushed to hell
(Naraka) by the Lord as said in the sloka below.
ÆXZÓ¸Ê ßTƒÙOÊ˛ uå ÁtÊ æÁúYÊ osÁ@ ƒyqoz \ÁuoÃÁ™ÁãÆÁoΩ à ÆÁuo å∫NÊ˛ å∫: @@
From all the above it is clear that people who follow Shastric Prescriptions only can qualify to be
even a devotee and hence Archaka. We strongly condemn the secular Tamil Nadu Government for
strongly interfering in Religious Sampradaayas and forcing demonic actions which do not have Shastric
sanctions. This is against the deity will and his rights. They should not appoint Archakas or Religious
leaders. These are devotional items and are strongly governed by Agamas and Shastras. They should
refrain from meddling in these affairs and acting opposite to Sanathana Dharma and hence Lord.
This would not be good for the welfare of the people as it would subject them to Lord’s displeasure
as mentioned by him in Bhagavadgita. The whole poojas performed by lakhs of devotees will become
fruitless and would lead to negative effects if this is carried forward. One cannot attempt to reform
the Sanathanadharma threaten its existence. We urge the Tamil Nadu Government to reverse the
Orders of forceful appointment of non-devotees as Archakas against the Agamic prescriptions and
restore Status-quo-ante. We pray to Lord Balaji of Chilkur to bestow the secular Tamil Nadu Government
with some basic sanity. We also urge such Archakas not to undertake this role as it is against Shastric
prescriptions as mentioned by Lord in Bhagavad gita.

„âı+¨ìHõ~°‡Å *Ï˝#"Õ∞ ÉèÏQƺˆ~YÅ∞ w¿ã HõÅ=Ú.

September'21 w w w w w w w w w w w w w w w w w w
NEWS Tamil Nadu: Row over appointment of
non-Brahmin priests in temples by DMK govt
BJP MP Subramanian Swamy cautioned CM MK Stalin
that he would move court against the appointment of non-
Brahmin priests to Tamil Nadu's temples.
Keeping its poll promise, the DMK Government has
appointed trained aspirants from various castes as
temple priests in Tamil Nadu.
Of the 208 appointees, CM MK Stalin handed over
appointment orders from the Hindu Religious and
Charitable Endowment (HR & CE) Department on
Saturday to 75 personnel who had completed 'Archagar'
training.
The group comprises 'Bhattacharyas' (Vaishnavite
priests) and Odhuvars (Shaivite reciters) including one
female Odhuvar.
READ: DMK govt in Tamil Nadu appoints trained aspirants
of all castes as priests in temples
However, the appointment turned controversial as many
raised opposition on social media stating that Brahmin
priests are being replaced by non-Brahmin priests.
SUBRAMANIAN SWAMY TO MOVE COURT
BJP MP Subramanian Swamy tweeted that MK Stalin,
just like his father M Karunanidhi, is meddling with temple
priests' posting, warning that it has become necessary
for him to approach court.
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22 w w w w w w w w w w w w w w w w w w w w w VAK
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TRENDING
WHAT POLITICAL ANALYST SAYS
Political analyst Sumanth C Raman tweeted a video of a
priest alleging that several priests are being evicted for
the new appointees to begin work. The priest is heard
saying that priests from Kalahasti Temple and
Kabaleeswarar Temple are being evicted with nowhere
to go.
"Many social media messages and videos saying priests
in temples are being sacked to make way for new
appointees. I welcome the appointment of priests of all
castes but sacking those working in temples for decades
is wrong," tweeted Sumanth C Raman.
THE MINISTER RESPONDS However, HR & CE Minister
Sekar Babu denied the accusations and said that only
as per rules, new appointees have been given work and
such accusations are deliberately being churned to create
unrest.
"Has any priest so far said that he was removed from
their work? Only certain social media friends are creating
this issue to make it look like this Government is against
temple priests", stated Sekar Babu.
The Minister also stated that HR & CE follows
transparency and called the appointment of a woman,
Odhuvar Suhanja in Thenupureeswarar, by CM Stalin a
silent revolution.
(India Today, Chennai, 17-8-2021)

Ñ≤ez#O`«<Õ ... ѨeˆH ^≥·=O

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#=∞ó [Ñ≤OK«_»O =Å# „ɡ~Ú<£ @∂º=∞~ü `«yæOk.——
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QÆ~°∞_» Hõ=K« ™È΄`«=Ú - Tªg N˛ƒY ÀoÁzfi™Ω
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QÆ~°∞_» „Ѩ™ê^Œ ã≤^Œúºˆ~÷ [¿Ñ qxÜ≥∂QÆó
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ã¨∂~°º ã¨∂`å#∞[ó HõO~î°O Éèí∞*∫áê`«∞ =∞Ǩ|Åó II
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[O¿Ñ¶∞ ^Œ∞}ϤܫÚ^èŒó áê`«∞ QÆ∞Ö∫Êù q+¨µ‚~°^èŒó ã¨^• II
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Ü«∞ó Ѩˆ~î`ü „áê`«~°∞`å÷Ü«∞ q+¨âı+¨O „Ѩ}â◊ºu II
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EÀÆ »y Tªg N˛ƒY ÀoÁzfi ™ãfiÀÆ åÁ∫t J u : ƒ{åozÆÁz tzƒoÁ@
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FO ã¨÷qëêªÜ«∞ #=∞ó
G Àsuƒ…eÁÆ å™:
To keep Evil forces at bay.
^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.
|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`«O
1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
2. ÅH∆͇º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
4. 㨇~°}Ï`ü ã¨~°fiáêѨѶ¨∞flO Hõ„^Œ∂[q+¨<åâ◊#O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
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N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓ o ÁtÆz å™:
Chant this name to amend soured friendship
or any personal relationship
q∞„`«∞Å`À ¿ãflǨÏÉèÏ=O ÃÑOK«∞HÀ=_®xH˜, ^ŒOѨ`∞« Å Pregnant ladies to chant for healthy babies.
J<Àº#º`«‰õΩ.
Runa Vimochana Nrisimha Stotram
Devataakaarya-siddhyartham
sabhaastambha-samudbhavam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Lakshmyaalingita-vaamaangam
bhaktaanaam varadaayakam
Sri Nrisimham mahaveeram
namaami runamuktaye
Aanthramaalaadharam Sankha
Chakraabja aayudha dha arina m
Sri Nrisimham mahaaveeram
namaami runamuktaye
Smaranaat sarvapaapagnam
kadrooja visha naasanam
Sri Nrisimha mahaaveeraam
namaami runamuktaye
Simhanaadena Mahataa
Digdhanthi Bhaya Naashanam
`åºQÆ"Õ∞ J=∞$`«`«fiO J^Õ âßâ◊fi`«O.
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Chant 108 times
FO ѨÙ+¨¯~åH∆ÍÜ«∞ #=∞ó
G úÏ … N˛∫ÁqÁÆ å™:
For overcoming bad times.
HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
Chant one time
6. „ѨǨ¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ѩ^ŒO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ǩχ~°∞„^•k =Ok`«O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
9. Ü«∞ W^ŒO Ѩ~î°`Õ x`«ºO |∞∞}"≥∂K«# ã¨Ol˝`«O
J#$}©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ѷ¨∞=∞"åѨÙflÜ«∂`ü
D ™È΄`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`À
L#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi 㨇i¿ãÎ K«Hõ¯x
Ѷ¨e`«O Åaèã¨∞ÎOk.
FO ^è•„`Õ #=∞ó G áÁfiz å™:
For issueless couple. ã¨O`å# „áêÑ≤Î H˘~°‰õΩ
FO q^è•„`Õ #=∞ó G uƒáÁfiz å™:
P~ÀQƺHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ
Chant one time
Sri Nrisimham mahaaveeraam
namaami runamuktaye
Prahlaada varadam sreesam
daityesvara-vidaarinam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Krooragrahaih peeditaanaam
bhaktaanaam abhayapradam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Vedavedaanta-yajnesam
Brahma Rudraadi vanditam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Ya idam patathe nityam runa
mochana samjnitam
Anrunee jaayate satyo dhanam
sheeghram avaapnuyaat
September'21 w w w w w w w w w w w w w w w w w w
Éè‰í Ωõ ÅÎ J#∞Éè"í åÅ∞ – DEVOTEES' EXPERIENCES
Chilkur Balaji's Grace - 198
MY DAUGHTER GOT VISA
My daughter is staying in Hyderabad since
2013 and pursuing her job. She regularly visits Chilkur
Balaji temple and offers her prayers to the Lord Balaji.
She used to talk to pujari's residing there in the temple
and used to follow their advices.
Last month ie., on May, 2019 she went for
Visa interview. Before going there, she went to Chilkur
and prayed. While she was having her interview, I
staying in Vizag, chanted "Om Vashatkaraya
Namaha" and "Om Aksharaya Namaha". Surprisingly
I got a phone call saying that my daughter got U.S.
Visa. MY happiness knew no boundaries. Really
above sloka is very powerful.
Jai Balaji....
A Devotee.
26 w w w w w w w w w w w w w w w w w w w w w VAK
zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇϨ O – 198
N"åi Hõ$Ѩ.....
=∂ áêѨ H˘xfl ã¨O=`«û~åÅ #∞O_ç J#QÍ 2013 #∞O_ç
L^ÀºQÆs`åº ÃÇ·Ï^Œ~åÉÏ^£Ö’ LO_ç zÅ∞‰õÄ~°∞Ö’ "ÕOKÕã≤Ü«Ú#fl
N™êfiq∞"å~°∞ (N"å~°∞) PÅÜ«∞O#‰õΩ `«~°∞K«∞QÍ N"åix
^Œi≈OK«∞H˘#∞K«∞#flk. N™êfiq∞"åi ã¨xflkèÖ’ L#fl ѨÓ*Ï~°∞Å#∞
‰õÄ_® ѨÅHõiOz "åà◊√§ K≥Ñ≤Ê# ã¨∂K«#Å∞ áê\˜ã¨∂Î LO_Õk.
„H˜`«O <≥Å J#QÍ "Õ∞ 2019# g™ê‰õΩ "≥àı§ =ÚO^Œ∞
™êfiq∞"åix ^Œi≈OK«∞H˘x g™ê WO@~°∂fi º‰õΩ "≥o§#k. =∂ áêѨ
g™ê WO@~°∂fi º J~Ú#O`«¿ãѨ٠<Õ#∞ qâßYѨ@flOÖ’ ''FO
=+¨@¯~åÜ«∞ #=∞ó =∞iÜ«Ú FO JHõ~∆ åÜ«∞ #=∞ó—— Jx =∞#ã¨∞ûÖ’
„áê~°#÷ KÕã∞¨ ‰õΩ<åfl#∞. Pâ◊Û~°º=ÚQÍ =∂ J=∂‡~ÚH˜ Ü«Ú.Zãπ.U.
g™ê =zÛ#k Jx <å‰õΩ á¶È#∞ ^•fi~å `≥eÜ«∞*Ëã≤#k. <Õ#∞
P#O^•xH˜ Ö’<≥<· å#∞. ÃÑ· â’¡HOõ 'â◊H—Θ J"≥∂Ѷ∞¨ O
*ˇ· ÉÏÖÏr.... XHõ Éèí‰õΩÎ_»∞.
Chant 28 times

N˛Áo| ƒ yÆÁ| \ Ï | å Áz åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ @ oÀÆ À™∫m™Áfiz m ToÊ å…bÊ Y ¬•Æoz @ @
HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏǨï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º 㨇~°} =∂„`Õ} QÆ`«O #+¨ìO K« ÅÉèíº`Õ II
Karthaveeryarjuno nama Raaja Baahu Sahasravaan |
Thasya Smarana Maathrena Gatham Nashtam cha Labhyathe||
Please chant this sloka to locate lost objects, persons and belongings.
`«Ñ≤ÊáÈ~Ú# =º‰õΩÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl ÉèíH˜Î`À ѨiîOK«O_ç.
D â’¡HÍxfl 㨇iOK«O_ç. Chant 28 times
N˛Á™z æ Á∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz @
å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@ =∂ ÃÑo§ [iy# H˘xfl <≥ÅÖ’¡<Õ PÜ«∞#`À q_®‰õΩÅ∞ fã¨∞HÀ"åÅx
HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞ HÍ=∞áêÖÏÜ«∞ HÍq∞<Õ I x~°~‚ ÚOz# ã¨=∞Ü«∞OÖ’ ÃÑ· â’¡HÍxfl zÅ∞‰õÄ~°∞Ö’ q#_»O [iyOk.
#=∞ó HÍ=∞qǨ~åÜ«∞ HÍ=∞~°∂Ѩ^~Œè åÜ«∞ K« II ~ÀE 㨇iã¨∂Î<Õ L<åfl#∞. Pâ◊Û~°ºHõ~°"≥∞ÿ# suÖ’ =∂ =∞^茺
Kaameshwaraya Kaamaya Kaamapalaya Kamine J=QÍǨÏ# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú.
Namaha Kaamavihaaraya Kaamarupa dharaayacha
Marriages get finalised by Chanting this Sloka. Also XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi
this sloka bestows intimacy, mutual affection and =∂ J=∂‡~ÚH˜ 38 Uà◊√§. Z<Àfl ã¨O|O^è•Å∞ =zÛ<å ÃÑo¡
trust between couples.
‰õΩ^Œ~°ÖË^Œ∞. J~Ú`Õ D â’¡HõO K≥Ñ≤Ê# H˘xfl ~ÀAÅÖ’ =∞Oz
q"åÇ¨Ï „áêÑ≤Î, ÉèÏ~åº Éèí~°ÎÅ #_»∞=∞ „Ñ‘u, SHõ=∞`åºxH˜ =~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞,
NǨÏ#∂=∞K«ÛùO„`«∞O[Ü«∞ =∞O„`«=Ú HANUMATH-SHATRUNJAYA MANTRAM Chant 28 times
=∞O„`«ó : FO#"≥∂ ÉèíQÆ=`Õ =∞Ǩ|ÅѨ~å„Hõ=∂Ü«∞ =∞ǨqѨuÎ x"å~°}ÏÜ«∞ ÉèíHõÎ[# =∞<Àcè+¨ìHõÅÊ<å
HõÅÊ„^Œ∞=∂Ü«∞ ^Œ∞+¨ì[# =∞<À~°^Œäã¨ÎOÉèí<åÜ«∞ „ѨÉèíO[# „áê}„Ñ≤Ü«∂Ü«∞ N"£∞.
D =∞O„`åxfl Ѩi¿î ãÎ ã¨=∞ã¨Î â◊„`«∞=ÙÅ #∞O_ç ~°HO∆˜ K«|_»`å~°∞ =∞iÜ«Ú â◊„`«∞=ÙÅ =∞#ã¨∞ûÖ’ =∂~°∞Ê U~°Ê_ç =∞Oz q∞„`«∞Å=Ù`å~°∞.
H å™Áz ßTƒoz ™“Á§¬ ú∫ÁN¿ ˛ ™ÁÆ ™“Áuƒúu uåƒÁ∫mÁÆ ßO˛\å ™åÁz ß y…bN˛¡úåÁ N˛¡ú¸Ï ™ ÁÆ tÏ … b\å ™åÁz ∫ s
ÀoÊ ß åÁÆ üß±Áå üÁmuüÆÁÆ »y™Ω@@ ∆fiÏEÁı ú∫ uƒ\Æ Nz˛ u¬Æz
Om Namo Bhagavathe Mahaabala Paraakramaaya Mahaa Vipatthi Nivaaranaaya Bhaktha jana
manobhishta Kalpanaakalpa drumaya Dushta Jana Manoratha Sthambhanaya Prabhanjana
PranaPriyaya Sreem. Chant this Mantra freeing ourselves from enemies...

QÆ∞O_≥ |ÅO ÖËx"å~°∞ K«O„^ŒâıY~å+¨ìHõO x`«ºO KÕÜ«∞O_ç.

 27

"STATE BANK OF INDIA FACILITATES DEVOTEES TO DONATE AT PAR AT ALL

BRANCHES TO CHILKUR BALAJI DAILY PUJA FUND SCHEME" ACCOUNT NO:
62055583940 - SRI BALAJI VENKATESWARA SWAMY TEMPLE CHILKUR,
MAINTAINED WITH MOINABAD BRANCH (08417-252071) IFSC CODE 'SBIN0020637
Date of Posting 6th & 7th 28 Date of Publication 1st of every month
Registered as a News Paper RNI. No. APMUL/2000/02474
Vol.5 VAK / SEPTEMBER / 2021 Postal Registration No. HSE/738/2020-22 No.9
The wise man acquires knowledge and wealth as if he
E\∫Á™∫ƒnürÁz uƒ˘Á™s˙ Y ÃÁáÆzoΩ @ is never going to die. And he practices Dharma or
righteousness as if he is tightly held in his hair by death.
Tw“yo Fƒ Nz˛∆z Ï ™wnÆÏåÁ á™|™ÁY∫zoΩ @@ q"ÕHõ=O`«∞_»∞, WHõ `«#‰õΩ =∞$`«∞º=Ù ÖË^Œ∞, `å#∞ âßâ◊fi`«∞_»∞
J#fl@∞ìQÍ *Ï˝<åxfl, ^èŒ<åxfl ã¨OáêkOK«_®xH˜ Hõ$+≤KÕ™êÎ_»∞.
J[~å=∞~°=„`åÊ*’˝ q^蕺=∞~°÷O K« ™ê^èŒÜÕ∞`ü I HÍh, ^è Œ ~ å‡K« ~ ° } Ö’ =∂„`« O =∞~° ∞ Hõ ∆ } "Õ ∞ =∞$`« ∞ º=Ù
QÆ$Ç‘Ï`« ~Ú= ˆHâı+¨µ =∞$`«∞º<å ^èŒ~°‡=∂K«ˆ~`ü II Hõ|oOK«_®xH˜ `«# A@∞ì Ѩ@∞ì‰õΩx ã≤^ŒúOQÍ LO^Œ#fl@∞ì,
^èŒ~å‡xfl x=Ú+¨O ‰õÄ_® g_»~å^Œ#fl@∞ì „Ñ¨=iΙêÎ_»∞.
zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb ѨÓ*Ï Ñ¶¨O_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç.
D Ѷ¨O_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉϺO‰õΩÅÖ’ K≥e¡OѨÙÅ∞ ã‘fiHõiOK«|_»∞#∞.
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉϺOH± PѶπ WO_çÜ«∂, "≥Ú~Ú<åÉÏ^£ âßY, ~°OQÍÔ~_ç¤
lÖÏ¡) from any branch of State Bank of Hyderabad situated in any part of the Country.
2) C. A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Union
Bank of India, Pedda Mangalaram (Moinabad Branch Ü«¸xÜ«∞<£ ÉϺOH± PѶπ WO_çÜ«∂, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY))
(R.R. Dist.) from any branch of Union Bank of India situated in any part of the World. „ѨѨOK«OÖ’x U „áêO`«OÖ’ #∞O_≥< · å [=∞ KÕÜ∞« =K«∞Û.
3) C. A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank,
113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉϺOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£
=∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞#^ÕâO◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO
Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü«¸HÀ ÉϺOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡,
from any branch of UCO Bank situated in India. (=∞#^ÕâO ◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
Éè‰í Ωõ ÅÎ ∞ ~°∂.100/- Hõh㨠K≥eO¡ ѨÙQÍ D xkèH˜ [=∞ KÕÜ∞« =K«∞Û.
D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ
qÖHõ∆}"≥∞ÿ# zÅ∞‰õÄ~°∞ ѨÓ*Ï q^è•<åxfl PK«O„^•~°¯O xeKÕÖÏ `À_»Ê_ç#O^Œ∞‰õΩ P ÉÏÖÏr Hõ$Ѩ‰õΩ áê„`«∞Å=Ù`å~°∞.
CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND "
The Fund donations can be remitted in the Following Banks with the following Particulars:-
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabad situated
in any part of the Country. IFSC Code 'SBIN0020637'.
2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained
with Union Bank of India, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of Andhra
Bank situated in any part of the World. IFSC Code 'UBIN0809110'.
3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara
Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated in
India. IFSC Code 'CNRB0003063'.
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India.
IFSC Code 'UCBA0002473'.
Devotees can remit their contributions with a minimum of Rs.100/- to this Fund.
The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participating
in the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system…..
Union Bank of India Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023
All business communications and payments may
be addressed to The Manager VAK, 2-2-647/77/D, D.D. Colony,
Bagh Amberpet, Hyderabad-500 013. Ph : 27425640. To STAMP
Subscriptions can be sent through direct A/c transfer. Bank
A/c details A/c No. 013211011000744 Union Bank of India,
Bagh Amberpet Branch. Ifsc code UBIN0801321. Please
indicate your correct mailing address. Cell : 9246505058.
Owned, Edited, Printed and Published by :
Dr. M.V. Soundara Rajan, Advocate, 2-2-647/77/D,
D.D. Colony, Bagh Amberpet, Hyderabad-500 013;
Mob : 9885700078 (only Whatsapp) Cell : 9246505058
Printed at : M/s. Vakdevi Printers,
# 1-8-732/22/B, Nallakunta,H y d erabad - 50004 4 . (TS)
If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.