This document provides information for a 4th grade music lesson on adding "La" to the solfege syllables. The lesson includes singing "Lucy Locket" using hand signs and boomwhackers, a music town story, and an assessment game called "Poison Pitches". Students will also learn about Colombian music by listening to a song and learning about instruments, and connect it to Encanto by playing boomwhackers. The lesson concludes with a song called "Pansies Clapsies" using body percussion.
This document provides information for a 4th grade music lesson on adding "La" to the solfege syllables. The lesson includes singing "Lucy Locket" using hand signs and boomwhackers, a music town story, and an assessment game called "Poison Pitches". Students will also learn about Colombian music by listening to a song and learning about instruments, and connect it to Encanto by playing boomwhackers. The lesson concludes with a song called "Pansies Clapsies" using body percussion.
This document provides information for a 4th grade music lesson on adding "La" to the solfege syllables. The lesson includes singing "Lucy Locket" using hand signs and boomwhackers, a music town story, and an assessment game called "Poison Pitches". Students will also learn about Colombian music by listening to a song and learning about instruments, and connect it to Encanto by playing boomwhackers. The lesson concludes with a song called "Pansies Clapsies" using body percussion.
Materials Music Vocabulary Essential Skills Addressed
Q Lesson: 4th, 19 Pitch Dynamics *Sing or play using a variety of simple songs alone and with Boomwhackers Melody Piano others, containing level-appropriate expressive elements of Melody Street Boomwhacker Forte music Quaver Melody Maker Solfege Mezzo piano So, Mi, La Mezzo forte Ostinato
I Can Statements: I can... Future Lessons
*read & play pitched instruments Rounds - “Make New Friends” Arctic Challenge *identify musical symbols Which is Which? Canon Vocalise *sing a song with solfege More Among Us Rhythm Imposters Finish SSB sheet *identify and learn dynamics Body Percussion rhythm patterns in meters of 4, 3, 2 *identify multiple connections between art forms & subjects (chart paper) “My Favorite Things” Do Re Mi with step bells & glockenspiels Solfege Kahoott
Sequence of Learning Activities
No chairs
1. Opening Procedures: ● “Lucy Locket” / Quaver 5 / Attendance & “We Wish You Well” / I Can Statements 8 min
2. Solfege - Adding La 38 min
● Music Town Story - when La comes to Melody Street 5 min ● “Lucy Locket” 12 min ○ Use handsigns/solfege from quaver person ○ Quaver melody maker (to show colors on staff) ○ Learn song (echo solfege, then echo words) ■ Play on BW (one partner with Sol and Mi, the other with La, switch each round) ● Poison Pitches (assessment) 8 min ○ So, Mi, la ○ Like poison rhythms, but with pitches. ○ Ss sing and sign the slides except the poison slide
3. World Musical Connections
● Listen to “El Pescador” from colombia 3 min ○ Listen for what instruments you hear? How can you move to the music? Does this sound like something you might have heard before? ○ PPT slide about Colombia 10 min ○ Discuss how this information connects to the students. Allow students to ask questions about any instrument or information presented on the powerpoint ○ Lead into Encanto connection ● Assign boomwhacker colors (Students go and grab their choice of 2 boomwhacker colors if they do no want the green or yellow boomwhacker. ● Encanto Boomwhackers play along 6 min 4. Steady Beat/Pitch 10 min ● “Pansies Clapsies” ○ T sings song while students are putting boomwhackers away ○ T repeats song, this time with bean bag ○ Questions: “how many pitches do you hear? How do the movements of the bean bag match the song?” ○ Ss receive bean bag ○ T echos the song to students, students learn and play ○ Tempo speeds up whenever class gets more comfortable with the bean bag/song ● 16th note body percussion ostinatos 4th Grade, 19 - Adding La 2021-2022 Reflection
MUSIC STANDARDS GRADES 3-5, EMERGING (highlighted apply to this lesson)
Artistic Process: Creating (Musical Ideas) CR.1 Anchor Standard: Students will generate and conceptualize artistic ideas and work. Essential Question: How do musicians develop creative ideas? C - I can improvise through collaboration to arrange rhythmic & melodic ideas. D - I can improvise rhythmic, melodic, and harmonic ideas. C - I can create musical ideas within given guidelines. D - I can use ostinato to arrange rhythmic and melodic ideas. CR.2 Anchor Standard: Students will organize and develop artistic ideas and work. Essential Question: What tools do musicians need to make creative decisions? C - I can create short melodic patterns with ideas I’ve explored. D - I can create a phrase with ideas I’ve explored using musical expression. C- I can name the lines and spaces of the treble clef. D- I can identify four sixteenth notes & triplets & compose using a variety of rhythmic patterns. C - I can identify repeat signs, bar lines, dynamic levels, dotted half notes,. D - I can distinguish between the treble & bass clef. whole notes & whole rests CR.3 Anchor Standard: Students will refine and complete artistic work. Essential Question: How do musicians improve the quality of their creative work and decide when it’s ready to share? C - I can improve my musical ideas based on feedback. D - I can revise my musical work based on teacher & peer feedback. C - I can create & share a composition based on personal musical ideas.. D - I can share a personal composition using the correct sequence. Artistic Process: Performing (Musical Work) PR.4 Anchor Standard: Students will analyze, interpret, and select artistic work for presentation. Essential Question: How do performers select repertoire? C - I can identify musical instruments by sight & sound. D - I can hear differences in musical texture. C - I can recognize forms. D - I can recognize more complex forms. C - I can explain to others the context of the music I choose. D - I can select music to perform based on personal influence & technical skill. PR.5 Anchor Standard: Students will develop and refine artistic techniques and work for presentation. Essential Question: How does understanding the structure and context of musical works inform performance? C - I can sing & play a variety of music with expression & guidance. D - I can sing & play a variety of music with expression independently. C - I can identify music symbols. D - I can use music symbols & terms in preparing for a performance. PR.6 Anchor Standard: Students will convey meaning through the presentation of artistic work. Essential Question: How do context and the manner in which musical work is presented influence performance? C - I can identify simple conducting patterns.. D - I can respond to simple conducting patterns. C - I can demonstrate with guidance appropriate stage & listening skills D - I can demonstrate with guidance appropriate performance standards in in rehearsal, as an audience member, or as a performer. rehearsal or on stage. Artistic Process: Responding (to Musical Work) RE.7 Anchor Standard: Students will perceive and analyze artistic work. Essential Question: How do individuals choose music to experience? How does understanding the structure and context of music inform a response? C - I can choose music based on specific musical ideas. D - I can choose music for listening based on experience & context. C - I can explore how a musical idea supports different styles of music. D - I can tell why I respond to music based on specific musical ideas.. RE.8 Anchor Standard: Students will interpret intent and meaning in artistic work. Essential Question: How do we discern the expressive intent of the musical creators and performers? C - I can explain the creator’s expressive choices using musical terms. D - I can describe how personal interpretations & the performer’s interpretations reflect expressive intent. RE.9 Anchor Standard: Students will apply criteria to evaluate artistic work. Essential Question: How do we judge the quality of musical work(s) and performance(s)? C - I can use guidelines to evaluate musical works & performances & describe D - I can use a teacher-provided rubric to evaluate musical works or why the music sounds the way it does . performances. Artistic Process: Connecting (Musical Work) CN.10: Anchor Standard: Students will synthesize and relate knowledge and personal experiences to make art. Essential Question: How do musicians make meaningful connections to creating, performing, and responding? C - I can discuss the manner in which other people’s experiences D - I can discuss the manner in which my experiences influence my inspire musical works. interpretation of the work of others. CN.11: Anchor Standard: Students will relate artistic ideas and works with societal, cultural, and historical context to deepen understanding. Essential Question: How do the other arts disciplines, contexts, and daily life inform creating, performing, and responding to music? C - I can identify connections between art forms & subjects. D - I can identify multiple connections between art forms & subjects. C - I can experience different cultures through listening, singing, moving, D- I can experience different periods of history through listening, singing, 4th Grade, 19 - Adding La 2021-2022 & playing. moving, & playing. C - I can share stories of people who work in the field of music. D - I can identify career opportunities in music.