Professional Documents
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Dress
UPGRADES
Design tweaks and sewing tips for easy-to-wear knit styles
BY NANCY N IX-RICE
A
re you tired of the tug-of-war between fashion and Not all pattern designs and instructions optimize this dress
function, between chic and comfortable? Many style, however. For example, a true wrap dress in a silky knit
of my wardrobe planning clients find the easiest tends to fall open awkwardly when you sit or move. Converting
answer to balancing those benefits in jersey dresses. a design into a pullover, faux-wrap version is easy and produces
Sewn in spandex-blend solids or prints, they offer stretch, a more secure garment without sacrificing the comfort and
wrinkle resistance, washability, and figure flattery. One of my figure-defining effect of the surplice style.
favorite jersey styles is the wrap dress, a classic since the 1970s. A neck edge with a self-binding finish is likely to hug the body
There are many patterns available for jersey wrap dresses, offer- more than the plain turned-and-topstitched finish that is
ing a variety of silhouettes that can work for any figure type. typically part of a wrap dress pattern’s instructions. Opt for a
Jersey wrap dresses excel in the versatility department. Wear solid-colored binding to enhance the style lines of an allover
one to the symphony with dressy pumps, then to the grocery print dress. A two-piece version—a surplice top with a matching
store with flats or sandals. Carry it into cooler weather with straight or flared skirt—presents additional mix-and-match
tights and boots or into summer with bare legs and flip-flops. opportunities to extend your wardrobe.
Rely on one for a polished travel look, too. I recently wore a I’ll share my favorite pattern hacks to create jersey wrap
navy polka-dot matte jersey wrap dress and coordinating cardi- dresses that become your favorite garments to wear.
gan overnight on an international flight, then straight into a full
day of meetings before finally checking into a hotel, still looking Nancy Nix-Rice is a wardrobe consultant and sewing and style
pulled together. teacher based in Saint Louis, Missouri. NancyNixRice.com
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web extra
For a list of wrap-dress patterns you
can use to try out these modifications,
visit ThreadsMagazine.com.
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Complete the skirt. With right sides together, place the skirt back atop the skirt
3 front unit and align the side seams. Sew the side seams. Hem as desired.
Join the bodice and skirt. With right sides together, align
5 the waistline seam edges, matching centers front and
back and the side seams. Pin, then sew the waistline seam
with a zigzag stitch, 1.0 mm wide and 2.5 mm long.
tip
Add elastic to the waistline. If
The full underlap layer desired, serge the waist seam
prevents unplanned allowances together to form a casing,
leg exposure. Slip a length of 1⁄4-inch-wide elastic
into the casing and adjust it to fit the
waist more closely.
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OVERLAP SIDE
Waist level
UNDERLAP (RS)
UNDERLAP SIDE
Redraw the
underlap so
its free edge
reaches the
side seam.
Center-front
line
FRONT (WS)
Complete the
5 dress. Insert
the sleeves and
hem the dress.
Permanently
Construct the body. Stabilize and sew the shoulder seams, stitch the ties if
3 then complete the neckline treatment as desired. Baste the
ties in position. Hem the underlap’s vertical skirt edge.
they haven’t been
secured in a seam.
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PATTERN PREPARATION
Typically, you remove the seam allowance from any edge that is to be bound. I prefer
to leave the seam allowance in place. This brings the neckline edge in for more Remove.
coverage. If there is a tie end that attaches at the waistline, redraw that neckline edge BODICE FRONT OVERLAY
so it tapers gently from the original cutting line to the seamline at the tie attachment
location. The finished attachment position is now the correct width for the tie.
You may bind the neckline edge as far as the waistline or continue the binding down Original seamline
the overlap’s skirt edge.
Tie width
BASIC BINDING
Cut the binding strip. For a pattern with a 5⁄8-inch-wide
1 seam allowance (and finished binding width), make the strip
21⁄2 inches wide by the length of the entire neckline. Cut it on
FRENCH BINDING
Cut the binding strip. For a pattern with a 5⁄8-inch-wide seam
the cross-grain. If necessary, piece the binding strip to obtain
the length needed to bind the garment edge.
1 allowance (and finished binding width), cut a cross-grain strip
31⁄4 inches wide by the total neckline length.
Attach the strip. With right sides together and cut edges Fold and attach the strip. Fold it lengthwise, with wrong sides
2 aligned, sew the strip to the neckline with a narrow zigzag
stitch (1.0 mm wide, 2.5 mm long). Don’t pin the strip to the
2 together. With the binding on the neckline’s wrong side, and
all raw edges aligned, sew the binding to the garment (A). As for
edge first. Instead, stretch it gently along the diagonal edges the basic binding, stretch the binding slightly along the diagonal
as you go (A). Apply a little tension as you sew around the sections, and a bit more around the neckline.
back neckline.
Stitched Edgestitched
binding binding
C C
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Photos: Sloan Howard. Illustrations: Steven Fleck. Stylist: Carol J. Fresia. Hair and makeup: model Chloe Malvezzi. Styling credits: shoes—model’s own; (p. 57; p. 60, left) necklace—JCrew.com,
earrings and bracelet—editor’s own; (p. 58; p. 60, right; p. 63, left) necklace and bracelet—editors’ own; (p. 63, right) earrings—editor’s own, necklace—AE Fresia Designs.
Stabilize edges
with fusible
interfacing strips.
Hem the top in two stages, overlapping the stitches where you stop and start.
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ADD A DICKEY
Sew a removable panel that attaches to your bra, to fill in the garment’s V-neckline when
you prefer more coverage. Make it to match or coordinate with the dress fabric.
Measure the distance between your bra straps at the top of the cup. Cut a rectangle
this width, by 7 inches to 9 inches high. Finish three edges. Attach the remaining edge to
a stable ribbon or twill tape. Add snaps or hooks and eyes to the tape’s ends, and wrap
them around your bra’s front straps. Tuck the dickey inside the dress.
Photos: Sloan Howard. Illustrations: Steven Fleck. Stylist: Carol J. Fresia. Hair and makeup: model Chloe Malvezzi. Styling credits: shoes—model’s own; (p. 57; p. 60, left) necklace—JCrew.com,
earrings and bracelet—editor’s own; (p. 58; p. 60, right; p. 63, left) necklace and bracelet—editors’ own; (p. 63, right) earrings—editor’s own, necklace—AE Fresia Designs.
Snaps
Twill tape
DICKEY
A coordinating dickey provides extra
coverage without adding more
garment layers.
DRESS IN SEPARATES
Make a surplice top and matching skirt. When worn together, they create the effect of a
dress. The skirt can be a wrap style, if desired, but a simple pull-on pencil or flared skirt
looks just as good and is more secure. You can wear the pieces as separates with other
garments from your wardrobe, too.
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