Professional Documents
Culture Documents
Leonid Kubbel became fascinated with chess studies from an early age.
He composed his first chess study in 1904 when he was 13 years old. Going
through the pieces of work of that time until 1911, you will be surprised to
find out highly artistic products. For example, №9 is about Zugzwang
(German word which translates to "compulsion to move"), №14 - Catching
the rooks with the bishop, №28 – The knight takes rook perfectly. The chess
studies on the stalemate theme are especially successful: №4 – a beautiful
stalemate combination and perpetual check, №12 and №19 are piquant
combinations, similar to №5 and №25 and valuable №16 and №23 are the
sign of the future achievements of the author.
These first manifestations of Kubbel's talent are interesting because the
preferences of the composer appeared at the beginning of his work activity.
However, the chess studies of that time represent only a whim of the
composer, some sketches. The artist's creativity was revealed in chess
puzzles, designed to show an interesting theme – Kubbel's new ideas and
imagination.
After a three-year pause, in 1914, Leonid Kubbel devoted a great deal of
time to chess studies. He has become a well-known composer of chess
endgame studies and problems, and even today, his puzzles are an adornment
of many international competitions. In a period of four years from 1914 to
1917, he created many high-value things. Noteworthy are №42, №44, and
№56 (Zugzwang), №46 and №48 with a final unexpected mate. The
perfection of the technique is illustrated by №65 with an excellent application
of a well-known theme: Queen against bishop and knight. As always, the
stalemate compositions are very good: №34, №38, №43, №45, and №54.
№51 is more about theoretical importance, but №57 is one of the best works
of the composer due to its great design and originality.
Since 1918, L. Kubbel completely devotes himself to chess studies.
Because of the absence of the chess media, the biggest part of his work was
published in 1921 in „Листке Шахм. Кружка Петрогубкоммуны". Due to
his rich experience, L. Kubbel has become wiser at the important moment of
his activity. He is a productive composer who wins a good international
reputation. The secrets of the German school and, especially, of the Czech
"academy", all Indian, Bristol, and Roman ideas, Schnìttpunkt and Zugzwang
— are an open book for him. The combination of natural talent and
sophisticated technique gave excellent results.
I cannot analyze in detail all the best works. I will continue to point out those
works that made the greatest impression on me and, of course, I do not
impose my own opinion. №67 (amazing knight with spectacular finale Kh8);
№70, 72, 78, 87, 96, 147, and 148 (the king travels across the board to create
a stalemate tactic); №77 (a fine preparation of two symmetrical stalemates);
№80 (creating a mate network with an absolutely incredible move d2-d3!);
№85 (combining the idea of an open check and catching the rook with a
bishop and a knight); №89 (the original idea of catching a rook with two
bishops); №100 (a rook fights against a bishop and a knight in the style of
Rinck); №101 (a deep, original combination that suddenly leads to a
stalemate); №111 (a good move for checkmate); №113 (a beautiful and
calculated queen sacrifice); №123 (a meaningful game on both sides with
wonderful nuances and an unexpected stalemate); №132 (zugzwang of the
"great style"); №134 and 138 with a very piquant idea; №135 with an
"electrified" knight, galloping tirelessly across the board; №92 (an elegant
stalemate combination with a final quiet move, which served as the Troitsky
model for further development); №141, 143 and 146 (excellently developed,
original theme of the open mate); №149 (deep prepared mate combination)
and pour la bonne bouche №150 with a stunning denouement.
L. Kubbel stands apart among contemporary composers of chess
endgame studies. His work is fed by an inexhaustible source that constitutes
the essence of this art of combination. Each of his studies contains a definite,
vivid idea, hidden motives in the position. I will point out, for example, the
little-known puzzle №105. It looks like an endgame in Berger style, but in
reality, it is a masterpiece in which a stalemate combination. №150, the
theme which was developed in a hundred ways by Troitsky, Rinck, and
others, is solved by the Kubbel with a mate. The reader will not find in this
collection, with rare exceptions, Rinck's brilliant strategic maneuvers or
profound studies from Troitsky. Instead, the reader will not escape from the
beautiful, flexible, elegant Kubbel's ideas like the music of Lehár and
Kálmán.
In these studies, the author achieved high performance. In terms of
construction, he is not inferior to Rinck but even surpasses him. The opening
moves are always designed successfully. Virtuously defined themes are best
for the composer. These are stalemates, open check, and zugzwang.
The famous Viennese Meistersinger Dr. Tartakower considers the art of
combination to be a hallmark of the ultra-modern school. From this point of
view, L. Kubbel should be recognized as the founder of ultra-modern chess
studies. The recent Villeneuve-Esclapon and Mattison's studies show that
Kubbel is not alone on his path.
For those who are receptive to chess poetry, who can find beauty in the
world of chess ideas, this collection will undoubtedly become a reference
book.
Grigory Levenfish (Leningrad, January 1925)
FOREWORD
The prevailing interest in studies has made me publish a book about my
studies. Since publishing them turned out to be technically easier than
publishing a collection of my puzzles, the number of which is many times
greater than the number of my studies.
My first study appeared in "St. Petersburg Zeitung" on December 25,
1904, when I was 13 years old. It is placed in this collection, in a modified
form, in the №1. Its initial position was: White: Kh7; p.b3. Black: Kd7; Bf4;
p.d5. Draw; Solution: 1. Kh6 Ke6; 2. Kh5 Kf5; 3. h4 d4 - Stalemate. At
first, my interest in studies was sporadic, since I was concentrated on the
compilation of puzzles. I have decided to focus exclusively on studies
composition since 1918. About principles that guided me in the preparation
of studies, I must emphasize that the combinations play a fundamental role. I
was trying to disguise as best as possible and conduct it with cost savings,
with a natural opening position. In selecting the themes, I have never sought
to develop them systematically. I think that this leads ultimately to uniformity
and the predominance of the analytical element over the combination. An
important role in chess studies played the stalemate combinations. In my
opinion, this theme is still far from being sufficiently developed and carries
several unsolved possibilities; e.g. with a white king stalemate in the middle
of the board. As a rule, I consider that stalemate needs to be pure, allowing
derogations only in exceptional cases, for example, with a particularly lively
game. Of course, is desirable an economical and efficient solution for a
Stalemate, but it is not always achievable due to the difficulty of using the
full utility of the black king and pawns: inaction in the final position of a
black piece, can only be justified if it is an inherent part of this combination.
The possibility of catching a black pawn or a piece should be avoided as well
on the first move or later. A very important aesthetic moment is the active
participation in the solution of all checkers, but this requirement is hard to
achieve.
The collection includes most of the studies I have composed for 15 years.
Of these, №16, 34, 51, 91, 98 and 105 were printed on "Schweiz
Schachzeitung" 1905, "Rigaer Tageblatt" 1911, "Rig. Rundschau" 1910,
"Bohemia" 1909, "Rigaer Tageblatt" 1910 and on "Современном Слове"
1917. №4, 31, and 50 are placed in the collection with minor changes. The
studies №131-150 have been published in this book for the first time.
I dedicate this collection to my brothers Arvid and Eugene with gratitude
for the help they have provided me in my long-term composer work,
checking almost all of my studies before it appeared in print.
Leonid (K.A.L.) Kubbel
Leningrad, January 1925
150
CHESS STUDIES
Leonid Kubbel
№1
St. Pet Ztg., 25/12 1904
2.
1. Nc3+ Kc2 2. Nd1 K:d1 (2. ... f1Q 3. Ne3+) 3.Kh8 f1Q 4. Rg1 Q:g1
Stalemate.
№3
Schweiz. Schachztg., 6/ 1907
4.
1. Bd6 Q:d6
2. b8Q+ K:b8 3. Bh3+ kc7 4. R:h7+ Kc6 (4. ... Kd8 5. Rd7+) 5. Rh6 Q:h6
Stalemate.
2. ... Q:b8 3. R:h7+ Ka8 (3. Kb6 Rb7+) 4. Bb8+ Ka7 5. Bc8+ ... and Draw
by perpetual check.
№5
Rig. Tagebl., 6/1 1908
6.
1. Rc4+ Nf3 2. R:h4 g2 3. Rh3+ Kf4 (3. ... Kf2 4. Rh2) 4. Rh4+ Kf5 5.
Rh5+ Kf6 6. Rh1 g2:h1Q or R Stalemate.
№7
Rig. Tagebl., 21/12 1908
8.
1. Bd3 e:d3 2. c5 (Threatening 3. Ra4#) 2. ... B:c5 3. Ra4+ Ba7 4. Rb4
d2 5. R:b2 d1=Q
6. Rb8+ B:b8 Stalemate.
№9
Competition «Rigaer Tagebìatt» 1909
10.
1. Bc5+ K:a6 (if Kc6, then 2. a7 Kb7 3. Kc7 and Draw) 2. B:f2 d2 3.
Nc5+ Ka5 (3. ... Kb5 4. Ne4)
4. b4+ K:b4 5. Be1 d:e1=Q or R 6. Nd3+ N:d3 Stalemate.
№ 11
Bohemia, 22/2 1909
12.
1. Bf6+ Kc8 2. b7+ Kb8 3. Be5 Bf4 (if 3. ... Bd4, then 4. Bh2 or 4. g3
Nf1 5. Bf4) 4. B:f4 f1Q
5. Nc5+ Q:f4 Stalemate.
№ 13
Deutsches Wochenschach. 25/4 1909
14.
1. a7 Rf5+ (1. ... Rh8 2. Bf6+) 2. Ke2 Re5+ 3. Kd2 Re8 4. Bf2+ Ke5 5.
Bg3+ Ke6 (or any square)
6. Bb8 and Win.
2. ... Rf8 3. Bf6+ Kc5 4. Be7+ and Win.
№ 15
Niva, October 1909
16.
1. Ra1 Bb6+ 2. Kd5 Bc6+ 3. Ke6 Bd7+ 4. K:d7 (4. Kd5? Ne3+ 5. Ke4
Q:a1 6. B:a1 B:h3 and Win) 4. ... N:e5+ 5. Ke8 Q:a1 6. Ra3+ Q:a3 7. b5+ ...
Stalemate.
1. ... Be7+ 2. Kd5 Bc6+ 3. Ke6 Bd7+ 4. K:e7 ... Draw.
№ 17
„Chess Review”, October - November 1909
20.
1. Ke7 Bc2 2. Kd5 e:d5 3. a7 and Win.
2. ... Be4 3. Kf6+ and Win.
1. ... Bd1 2. Nc6 d:c6 3. a7 and Win.
2. ... Bf3 3. Ne5+ and Win.
№ 21
Baltic Calendar for the 1911 year
22.
1. Ra4 Ke7 2. Ra7+ Kd6 (because of 3. Ra8+) 3. Ra8 Q:a8 Stalemate.
№ 23
St. Pet. Herold, 7/2 1911
24.
1. d4+ K:d4 2. a7 Ra4 3. Nc7 R:A7 4. Nb5+ and Win.
1. ... Kd6 2. a7 Ra4 3. Nb6 R:a7 4. Nc8+ and Win.
1. ... R:d4 2. Nb6 Rd3+ 3. Ke2 (or 3. Kg2) Ra3 4. Nc4+ and Win.
№ 25
Rig. Tagebl., 6/3 1911
26.
1. Nd6 R:e7 2. Nc4+ Kb3 3. Na5+ Ka3 4. Bf2 (Threats 5. Bc5#) 4. ...
Kb4 or 4. ... Re5
5. N:c6+ (5. Nc4+) and Win.
1. Bh4 Kb3 2. Bf6 a3 3. Kc1 (3. Ka1? a2 and Win.) 3. ... a2 Draw.
№ 27
Rig. Tagebl., 29/5 1911
28.
1. d7 Ke7 2. Kg1 Rh4 3. g3 Ra4 or 3. ... Re4 4. Nb7 K:d7 5. Nc5+ and
Win.
3. ... Rg4 4. Nc6+ K:d7 5. Ne5+ and Win.
3. ... Rd4 or 3. ... Rb4 4. Nc6+.
3. ... Rh3 4. Kg2.
№ 29
Niva, Aug 1911
30.
1. Nh5+ g:h5 2. B:c7 Kf6 (2. ... a1=Q 3. Be5+ Q:e5 Stalemate) 3. Bb6
Ke5 (3. ... a1=Q 4. Bd4+ Q:d4 Stalemate) 4. Ba5 a1=Q (4. ... Kd4 5. Bd8) 5.
Bc3+ Q:c3 Stalemate.
№ 31
„Южная Мысль” Jushnaja Mysli, 9/11 1911
32.
1. Be3+ Kg7 2. Bf3 Ra4+ 3. Kb6 k:h8 4. Kb5 Ra3 5. Bd4+ Kg8 6.
Bd5+ Kf8 7. Bc5+ and Win.
4. ... Ra2 5. Bd4+ and 6. Bd5+.
4. ... Ra1 5. Bd4+.
4. ... Rh4 5. Bg5 Rd4 6. Bf6+.
2. ... h2 3. Rc8 Rg3 (3. ... Rg1 4. Rc1) 4. Bd4+ kh6 5. Be4 Rg4 6. Rc6+
Kg5 7. Be3+ Kh4
8. Rh6+ Kg3 9. Bd5 and Win.
5. ... Rg1 6. Rc7 and Win.
№ 33
Schachwart, Mai 1914
34.
1. d7+ Kb8 (1. ... Kb8 2. Ne6#) 2. d8=Q+ B:d8 (If 2. ... Q:d8+, then 3.
Nd7+ and 4. Rf8)
3. Rb7+ K(any square) 4. Rb8+ K:b8 5. Nd7+ Ka8 (or 5. ... Kc8 6. Nb6+
B:b6 or a:b6 perpetual check) Stalemate.
5. ... Q:d7+ 6. K:d7 Draw, because Black cannot prevent the white king
to leave b1 square.
№ 35
Rig. Tagebl., 27/7 1914
36.
1. c7 Bb7 2. Bf5 h1=Q 3. c8=Q+ B:c8 4. Be4+ Q:e4 Stalemate.
№ 37
Rig. Tagebl., 24/8 1914
38.
1. f6 N:h5 (1. ... gf 2. h6) 2. f7+ Kf8 3. Bd2 c5 4. Be3 Ra5 5. Bf4 N:f4
Stalemate.
1. ... Nf5 2. fg N:g7 3. h6 Kd7 4. h7 Ra8 5. Bf6 and Win.
1. ... Kd7 (1. ... Ra8) 2. fg Ra8 (2. ... Kd7) 3. h6 Kf5 4. h7 etc.
1. ... Kf8 2. h6 and Win.
№ 39
St. Pet. Newspaper, 1/11 1914
40.
1. c7 Kb7 2. Kd8 Bf5 3. Bg6 h1=Q 4. c8=Q+ B:c8 5. B:e4+ Q:e4
Stalemate.
1. ... Bf5 2. Bg6 h1=Q 3. B:f5 Qh4+ 4. Kd7 ... Draw.
№ 41
Rig. Rundschau, 20/11 1914.
Dedicated to J. Behting
42.
1. Nf4 R:g3+ Kf2 Rg5 3. Ne6 Re5 (3. .. R:d5 Nc7+ or 3. ... R:h5; 3. ...
Rf5 follows 4. N:g7+)
4. f4 Re4 5. b3 (Zugzwang) 3. ... Kd7 or 3. ... Kf7 6. Nc5+ or 6. Ng5+ and
Win.
№ 43
Rig. Tagebl., 16/11 1914
Dedicated to P. Kerkovius
44.
1. Nc5 Qc6 (1. ... Q:a5 or 1. ... Qd6 2. Nb7+; 1. ... Qb5 2. Ne6+ K[any
square] 3. Nd4 or 3. c7+. Elif 1. ... Qg6, then 2. Ne6+ Ke8 3. Bh5 Q:h5 4.
Ng7+ and Win) 2. Ne6+ Ke8 3. e5 (Zugzwang) 3. ... Qe4 (3. ... Qa4 or 3. ...
b7) 4. Bh5+ Kd7 5. Nc5+ and Win.
3. ... Qa8 (3. ... Qa6, 3. ... Qb5 or 3. ... Qd5) 4. Nc7+ and Win.
3. ... Qc8 4. Ng7+.
3. ... Qd7 4. Bh5#.
3. ... Kd7 or 3. ... Kf7 follows 4. Nd4+ or 4. Nd8+.
3. ... a6 4. Kh2 etc.
3. ... h5 4. g:h6.
№ 45
Rig. Tagebl., 22/3 1915
Dedicated to С. Behling
46.
1. g3+ Kg4 2. Ne8 Ne6 (2. ... N:e8 3. f7; If 2. ... Kf5, then 3. n:c7 K:f6 4.
N:a6 and Win) 3. Ng7 Nf7 or 3. ... Nd8 4. Kg2 and 5. h3#.
3. ... b4 4. N:e6 b3 5. Kg2 and Win.
1. ... Kh3 2. Ne4 (Threats 3. Nf2#) 2. ... Kg4 3. Nc5 and Win.
1. ... Kh5 2. Ne8 b4 (2. ... ne6 3. Ng7+) 3. f7 Ne6 4. Ng7+ and Win.
[In last variant] 2. ... Kh6 3. N:c7 b4 (3. ... Kh7 4, N:a6) 4. Ne6 b3 5. f7 b2
6. f8=Q+ and Win.
№ 47
Chess Vestnik, 15/9 — 1/10 1915
48.
1. Ne4+ Kc4 2. Rd8 (2. R:d4+? K:d4 3. N:d2 Kd5 Draw) 2. ... d1=Q 3.
Rc8+ Kb5 4. Nd6+ and
5. Ra8#.
3. ... Kd5 4. Nc3+ d:c3 5. Rd8 and Win.
3. ... Kd3 4. Nf2+.
№ 49
„Новое Время” The New Time, 13/5 1916
50.
1. e6 d:e6 (1. ... d5 2. Rc2 de 3. Rg2) 2. Rg5 Qc6 3. Rg6+ kf7 4. Ng5+
Kf6 5. Nf4 (Threats 6. Rf8#)
5. ... Q:f3 6. Rf8+ and Win.
5. ... Kf7 6. Ne5+.
5. ... Kf5 6. Nd4+.
5. ... e5 6. Rg6+.
2. ... Qb7 3. Rg8+ Kf7 4. Nd6 e:d6 5. Rg7+ and Win.
2. ... Kf7 3. Rg7+ and 4. Rg8+.
№ 51
Tidskrift för Schack, June-July 1916
52.
1. Rf2+ Ke5 (1. ... Kg6 2. Rg2+) 2. Rf5+ e:f5 (2. ... K:f5 3. d4#) 3. d4+
Ke6 4. Ba2+ d5 5. c:d6+ and Win.
3. ... Kd5 4. Ba2+ Ke4 5. B:g8 K:e3 6. d5 f4 7. d6 or 7. c6 and Win.
№ 53
„Новое Время” The New Time, 13/5 1916.
Dicated to J. Sossnitzky
54.
1. Kg4 h2 (If 1. ... Nf2+, then 2. Kg3, 3. Re7 and 4. Rh7 Draw) 2. Kh3
Bf4 (2. ... Bg1 3. Kg2 Nf2
4. Rh6) 3. Kg2 Nf2 4. Re2+ K:e2 Stalemate.
№ 55
Niva, February 1917
56.
1. Ne5+ Kc8 2. Nc6 Qa8 (2. ... Qb5 3. Na7+ or 2. ... Qb7 3. Bg4#) 3.
Ke3 Qa6 (3. ... Kd7 4. Ne5+ or 3. ... a4 4. Ne7+) 4. Bg2 (Zugzwang) 4. ...
Qc4 5. Bh3+ Kb7 6. N:a5+ and Win.
4. ... Kd7 5. Nb7+.
4. ... Kb7 5. Nb4+.
4. ... a4 5. Kd2 etc.
1. ... Ke8 2. Bh5+ K[any square] 3. Nc6+ or 3. Nd7+ and Win.
1. ... Ke6 2. Bg4+ K[any square] 3. Nc6+ or Nd7+ and Win.
№ 57
British Chess Magazine, Aprile 1917
58.
1. Rb8 Qh7 (1. ... R:b8 2. Bg3+) 2. Rh8 Qf7 (2. ... Q:h8 3. Bc3+) 3. Rf8
Q:f8 4. Bc3+ Kd6 5. Bb4+ and Win.
2. ... Qd7 3. Rd8 4. Bg3+ Kf6 5. Bh4+ and Win.
№ 59
Tidskrift för Schack, Aprile - May 1916
60.
1. Nf5+ K:d5 2. Ne7+ Kd4 (2. ... Kd6 3. Nc8+) 3. Kg5 (Zugzwang)
Kc3(3. ... Ke3) 4. Nd5+ and Win.
3. ... Ke54. Nd7+.
3. ... Q:b4 4. Qa7(4. Qb8) Nc6+.
3. ... Qc7(3. ... Qd8) 4. Ne6+.
3. ... Qd6 4. Nf5+.
A more complicated side of variation, however, its has more an analytical
nature:
1. ... Kc7 2. d6+ Kd8 (If 2. ... Kc8, then 3. Ke5 Q[any square] 4. Ne7+
and Win; or 3. ... Kd8
4. Nd4 Ke8 5. Kd5 Qd8 6. Ke6 Qa8+ 7. Kd4 and Win; If 2. ... Kc6, then 3.
Ne7+ or 2. ... Kb8
3. Nd7+) 3. Ke5 Q:b4 4. Kd5 Qd2+ (4. ... Ke8 5. d7+ kd8 6. Nd4 Qd2 7.
Kc4 Kc7 8. Kb5 and Win.) 6. Kc6 Qh1+ 7. Kb6 and Win.
4. ... Qg4 5. Nd4 Qg2+ 6. Kc4 Qf1+ (6. ... Qg4 7. Kb5) 7. Kb4 Qe1+ 8.
Kb5 Qf1+ 9. Kb6 and Win.
3. ... Qa7 4. Ne7 Ke8 (4. .. Qa8 5. b5 or 4. ... Qb6 5. Kd5) 5. Kd5 Kf8 6.
a5 Ke8 (if 6. ... Qa8+, then 7. Nc6 Qe8 8. d7 Qh5+ 9. Kd6 Qh2+ 10. Ne5
Qd2+ 11. Kc7 and Win.) 7. a6 Kf8 8. Kc6 Ke8 (8. ... Qa8+ 9. kc7 Qe8 10.
Nc6 Qf7 11. d7 and 12. a7 Win) 9. d7+ K:e7 10. Nb7 Q:a6+ 11. Kc7 and
Win.
3. ... Ke8 4. Nd4 Qd8 (4. ... Kf7 5. Ne6 Qb8 6. Kd5 Qa8+7. Kc4
Qg2 8. d7 Qf1+ 9. Kd5 etc.) 5. d7+ (5. Ne6? Qf6+) 5. ... Kf7 6. Ne6
Qf6+ 7. Kd6 Qe7+ 8. Kc6 and Win.
№ 61
Bristish Chess Magazine, September 1917
62.
1. Rd8+ Kc5 (If 1. ... Ke5 or 1. ... Ke4 2. Re8 and 3. Re1) 2. c7 (2.
Nd3+? Kb6 3. c7 K:c7 and Win)
2. ... K:c7 3. Nd3+ Kb6 (3. ... Kc4 4. Rd4+ K:d4 5. Nb4 a1=N 6. Nc2+
Draw; 4. ... Kb5 5. Rb4+ Ka5 6. Nc1; If 3. ... Kb5, then 4. Rb8+ etc. or 3. ...
Kc6 4. Nb4+) 4. Rb8+ La7 5. Nb4 a1=Q 6. Nc6+ Ka6 7. Nb4+ Ka5 8.
Nc6+ Ka4 (otherwise perpetual check) 9. Rb4+ Ka3 10. Nd4 Qf1(g1,h1)
11. Nc2+ Ka2 12. Ra4+ K[any square] 13. Rb4+ Perpetual check and
Draw.
№ 63
Tidskrift för Schack, March 1918
64.
1. Be5 B:e5 2. c7 B:c7 3. Rg5 f1=Q 4. Rf5+ Q:f5 Stalemate.
3. ... Bd8 4. Kg3 f1=Q 5. Rf5+ Q:f5 Stalemate.
3. ... Bg3+ 4. Kg4.
1. c7? B:c7 2. Bd8 Be5 or 2. Be5 B:e5 3. Rg5 Bf6 and Win.
№ 65
Tidskrift för Schack, 1918
66.
1. Nc6 b:c6 2. B:e7 c:d5+ 3. Kf5 Kc7 4. Bd6+ K:d6 5. d8=Q Q:d8
Stalemate.
№ 67
Listok Chess Krushka Petrogubkommuny, 5/6 1921
68.
1. Ne2+ K:d3 2. g:f8=Q Qf1+ 3. Kb2 Nd1+ 4. Kb3 Q:f8 5. Nc1+ Kd2
6. Re2+ Kc1 7. Rc2+ Kb1
8. Rb2+ K:b2 (otherwise perpetual check) Stalemate.
1. ... Nb3 2. N:d4+ Kc3 3. Ne2+ or 3. Nb5+ K:d3 4. Rd5+ and 5.
g:f8=Q Draw.
№ 69
Listok Chess Krushka Petrogubkommuny, 10/7 1921
70.
1. Be5 Rb4+ (1. ... B:e5 K:e5 draw) 2. Nd5 Rb5+ (If 2. ... Bg1, then 3.
d7 Bb6 4. Bf6 Rb 5. Kc4 or 5. Kc6) 3. Kc6 R:e5 4. d7 Re6+ 5. Kb7 Rd6(e7)
6. Kc8 Rc6+ 7. Kb7 Rc7+ 8. Ka8 R:d7 Stalemate.
№ 71
Listok Chess Krushka Petrogubkommuny., 16/11 1921
72.
1. b8=Q Nc6+ 2. Kc8 ( 2. Ke8? N:b8 3. a7 Na6 and Win) 2. ... N:b8 3.
a7 Nd7 4. K:d7 Ba4+ 5. Kd6 Bf4+ (5. ... Bb4+ 6. Kc7 Ba5+ 7. Kd6 Draw)
6. Kd5 Bd1 7. Ke4 Kg3 8. a8=Q B:f3+ 9. Kf5 B:a8 Stalemate.
№ 73
Listok Chess Krushka Petrogubkommuny., 6/11 1921
74.
1. Qe4+ Kb8 (If 1. ... Ka7, then mate in 2 moves) 2. Rb6+ B:b6 (2. ...
Kc8 leads to the mate in 6 moves: 3. Qb7+ Kd7 4. Ne5+ Ke7 5. Q:c7+ Ke8 6.
Qc6+ Ke7 7. Ng6+ and 8. Qe6#) 3. Ka6
(Threats 4. Qb7#) 3. ... Rd7 (3. ... Rd5 4. Q:d5 Qc8+ 5. K:b6 Qc7+ 7. Kb5
and Win) 4. Qa8+ K:a8 5. N:b6+ Kb8 6. N:d7+ and Win.
№ 75
Listok Chess Krushka Petrogubkommuny., 20/11 1921
76.
1. a6 b:a6 2. c6 Be3+ 3. K:a6 Bf4 (3. ... Kb8 4. R:b3+) 4. c7 B:c7 5.
Kb5+ Kb7(b8) (If 5. .. Ba5, then 6. Kc4 b2 7. R:a2 b1=Q 8. R:a5+ and 9.
Rb5+) 6. Ka4 b2 7. R:a2 b1=Q 8. Rb2+ Q:b2 Stalemate.
2. ... Bf4 3. c7 B:c7+ 4. K:c7 Ka7 5. R:b3 a1=Q 6. Rb7+ and 7. Rb8+
perpetual check.
2. ... Kb8 3. c7+ and 4. R:a6.
2. ... b2 3. R:a6+.
№ 77
Listok Chess Krushka Petrogubkommuny., 4/12 1921
Dedicated Grigory Levenfish
78.
1. Bg8 e5+ 2. Kd5 Nf6+ (2. ... Bc3 3. Kc6) 3. K:e5 N:g8 4. Ke6 Kb6 (If
4. ... Bd2 or 4. ... c5, then
5. d7 Bg6(b6) 6. Kf7 Nh6+ 7. Ke8) 5. d7 Kc7 6. Kf7 Ne7 7. Ke8 Nc6 8.
d8=Q+ N:d8 Stalemate.
1. ... Bc5+ 2. Kc5 e5 3. Be6 Nf8 4. K:c5 N:e6+ 5. Kd5 Draw.
1. ... Nf8 2. d7 Be7 3. Ke5 etc.
№ 79
Schachmatny Listok, 15/8 1922
80.
1. Nc6 K:c6 (1. ... a2 2. Nb4+) 2. Bf6 Kd5 (2. ... Kc5 3. Be7+) 3. d3 a2
4. c4+ Kc5 (4. ... dc 5. B:c3) 5. Kb7 and Win:
5. ... Kb4 (5. ... Kd6) 6. B:d4 a1=Q 7. Be7+.
№ 81
Schachmaty, September 1922
82.
1. Nd6+ Kf6 (1. ... Ke6 or 1. ... Kg5 2. N:f7+) 2. Rf2+ Ke6 (2. ... Ke7 or
2. ... Kg7 3. Nf5+)
3. Re2+ Kf6 4. g4 Qf4 5. Rf2 Q:f2 6. Ne4+ and Win.
4. ... Qf8 5. Re8 Qg7 6. Ne4#.
4. ... Qg7 5. Ne8+.
4. Qg5 5. Ne8#.
4. ... c3 5. g5+ K:g5(or Q:g5) 6. N:f7+ or 6. ... Ne4+.
1. ... Kg4(f4) 2. Rd4+ K:h5 (2. ... Ke3 or 2. ... Kg3 3. Nf5+) 3. Rh4+
K:h4 4. Nf5+ and Win.
№ 83
Schachmatny Listok, 20/10 1922
Dedicated to S. Weinstein
84.
1. e6 f:e6 2. Nf6+ Ke5 3. g:f3 a1=Q 4. Bc4 (Threats 4. f4#) Qf1 5. Ng4
and 6. Ne3+ Win.
4. ... Qa4 5. Nd7+ and 6. Nb6+ Win.
1. ... a1=Q 2. Nf6+ and 3. e7 Win.
№ 85
Schachmaty, October 1922
86.
1. Kh8 Qb2 2. h4 K:h4 3. Kh7 Qc2+ 4. Kh8 Qc3 5. Kh7 Qc7 6. Kh8
Qe5 7. Kh7 Qe7 8. Kh8 K:g5
9. g8=Q+ Kh6 10. Qe6+ Q:e6 Stalemate.
1. h4 Qf7 and Win.
№ 87
Schachmaty, November - December 1922
88.
1. d6 Ba5 2. b6 N:b6+ 3. Kc6 Kc8 (3. ... Na4 or 3. ... c4 4. Kb5 or 4,Na8
4. Kb7 Kb6 5. Ka6 Nc4
6. Kb5) 4. Kd7 Na7 Stalemate.
1. ... Bb6 2. Kc8 (Threats 3. Kb7) 2. ... Bg1 3. d7 Nb6+ 4. Kc7 Nd5+ 5.
Kd6 Draw.
2. ... Ba5 3. Kb7 Nb6 4. Ka6 Nc4 5. b6 B:b6(Bb4) 6. Kb5 Draw.
1. ... Bb8 2. Kc6 and 3. Kb7.
1. Kc6 refuted by Bd8.
№ 89
Schachmatny Listok, 21/2 1923
90.
1. Ng5+ B:g5 2. Rd4 N:b2 3. K:b2 Bf6 4. Kb1 B:d4 Stalemate.
2. ... Nc5 3. R:d2 B:d2 Stalemate. (3. Kb4 loses: 3. ... Ne4 4. K:b3 Kg2
5. Kc2 Kf3 6. b4 Be3 7. Rd5 ke2 8. b5 Kf2 etc.)
2. ... Nb6 3. k:b3 K:g2 4. Kc2 Kf2 5. R:d2 Draw.
1. ... Kg2 (1. ... Kg2 or 1. ... h2 2. Ne4+ or 2. f3+) 2. Rg4+ Kf1 (2. ... Kg1
3. Ne4 or 2. ... Kf2 3. Ne4+) 3. Nf2 d1=Q 4. Rg1+ Ke2 5. R:d1 K:d1 6.
K:a4 Kc2 7. Nd2 Draw.
№ 91
Schachmatny Listok, 28/2 1923
92.
1. Rh4 Bb7 2. R:h2 R:h8 3. Kg4 R:h2 4. c8=Q B:c8+ 5. Kg3 Rh1 (h8)
Stalemate.
1. ... Rh8+ 2. Kg5 R:h4 3. c8=Q h1=Q 4. Qc3+ Kf2 5. Qd2+ Kg3 6.
Qe3+ the perpetual or Black loses the rook.
№ 93
Isvestia V. Z. I. K., 7/4 1923
94.
1. Bc2+ Ka5 2. Kc5 (Threats mate.) 2. ... Ka6 3. Kc6 (The same threat)
3. ... Ka7 4. Ra1+ Kb8
5. Rb1+ Kc8 (Otherwise perpetual check) 6. Bf5+ Q:f5 7. Rb8+ K:b8
Stalemate.
1. ... Ka3 2. Kc3 Qh3+ 3. Bd3 Ka2 4. Re6 and Win.
2. ... Ka2 3. Bb3+ and 4. Ra1#.
1. Be4 Qg8+ 2. Bd5 Qg4+ and Win.
№ 95
Isvestia V. Z. I. K., 20/5 1923
96.
1. Nc2 d3 2. e:d3 (2. Ka1? d2) 2. ... B:d3+ 3. Kg2 Be4+ 4. Kh3 B:c2 5.
Bg3 Bf5+ 6. Kh4 a1=Q
7. B:e5+ Q:e5 8. Nd7+ B:d7 Stalemate.
3. ... B:c2 4. Bg3 Be4+ 5. Kf2 a1=Q 6. B:e5+ Q:e5 7. Nd7+.
№ 97
Krasnaya Gaseta, 30/7 1923
98.
1. Bd8+ Kh5 2. e7 B:h3+ (If 2. ... Qb5+, then 3. Bc6 B:h3+ 4. Kc7 Qe5+
5. Kb6(b7) Draw; or 2. ... Qa7+ 3. Bc7 Qa4+ or 3. ... B:h3+ 4. Kd8) 3. Kc6
Qc8+ (3 ... Qa4+ 4. Kb6) 4. Kb6 bd7 5. Bb7 Qb8 6. e8=Q+ B:e8 7. Bc7
Q:c7+ 8. K:c7 c3 9. Bf3+ Kg5 10. Bd1 Kf2 11. Kd6 Ke3 12. Kc5 Kd2
13. Kd4 Draw.
1. ... K:h3 2. e7 Qb5+ 3.. Bc6 Qf5+ 4. Kc7 Qe5+ 5. Kc8 Draw.
2. ... Qa7+ 3. Bc7 c3 4. Bc6 Draw.
1. ... Kg3 2. Bc7+.
№ 99
Isvestia V. Z. I. K., 31/7 1923
Dedicated to I. Rabinovich
100.
1. Rb3 Nc6 (If 1. ... Bc7, then 2, Rb7 Na6 3. Ra7 this arrangement of
pieces is repeated in the study 5 times. On 1. ... Na6 follows 2. Ra3; On 1. ...
Nd7 follows 2. Rb7) 2. Rb5 (Threatening 3. Rc5) 2. ... Bd8 (if Bb4, then 3.
Rb6 or 3. ... Bc3/c7 3. Rc5) 3. Rd5 (Threats 4. Rd6) 3. ... Be7 4. Rd7 and 5.
Rc7 Win.
№ 101
Schachmaty, July - August 1923
Dedicated to V. and M. Patov
102.
1. Bd6 Kf5 2. f7 Qd2+ 3. Kh7 Q:d6 4. f8=Q Q:f8 Stalemate.
1. f7 Qg5+ 2. Kh7 Kf5 3. Bg7 Qg6+ 4. Kg8 Qe6 and Win.
№ 103
Krasnaya Gaseta, 27/8 1923
c
White to move and Draw.
103.
1. f7 Rf6 (1. ... Rh8 2. B:c5) 2. Bh2+ (2. Ka5? R:f7 3. Bh2 Rc7 Draw) 2.
... Ka8 3. Ka5
(Threats 4. Bc4 and 5. Bd6) 3. ... R:f7 4. Bc4 Rd7 5. Bb5 and Win.
4. ... Rf5 5. Bd3 and Win.
104.
1. R:h7+ Kg8 2. g:f7+ K:h7 (2. ... Kf8 3. Rg8+) 3. f8=N+ (3. f8=Q?
Nc4+) 3. ... Kh8 (3. ... Kh6 4. Rh2+ and 5. Ne6+) 4. Ng6+ Kg7 5. Ne5 Kh6
6. Rh2+ Kg5 7. Rg2+ Kh4 8. Ng6+ Kh5(h3) 9. Nf4+ Kh4 (9. ... Kh6 10.
Rh2+) 10. Ng6+ Perpetual check.
7. ... Kf4 8. Ng6+ Kf3 9. Nh4+ Nf4 10. Ng6+ Perpetual check.
№ 105
Isvestia V. Z. I. K., 21/10 1923
106.
1. Na7+ Kc4 (1. ... Ka4 2. Nb6#) 2. Nb6+ Kc5 3. Ba5 (Threats 4. b4#) 3.
... Q:a7 4. b4+ Kb5 4. c4+ R:c4 Stalemate.
1. N:e7? R:e1 followed by g2 and Win.
№ 107
Schachmaty, November - December 1923
108.
1. Nf3 g:f3 2. Nf6 e1=Q (2. ... Kg8 3. Bd2) 3. Kf7 (Threats 4. Bg7#) 3. ...
Qe5 4. g4 (Zugzwang) and Black loses the Queen or gets checkmate.
1. Kf6 e1=Q 2. Bg7+ Kg8 3. N:g4 h5 (3. ... h6? 4. Kg6) and Win.
№ 109
Schachmatny Listok, 31/12 1923
110.
1. Kf3 R:d4 2. Bd3+ f1=Q+ 3. R:f1+ K:f1 4. e3+ R:d3 Stalemate.
1. Bc2 R:a1 2. Kf3 Ba7 and Win.
№ 111
Cas. Ceskoslov. Sach., January 1924
112.
1. Ne2 K:e2 2. Bd1+ K:d1 3. b8=Q h1=Q 4. Qb1+ and Win.
2. ... Ke2(f2) 3. Bf3 K:f3 4. b8=Q h1=Q 5. Qb7+ and Win.
1. ... Kf2 2. b8=Q h1=Q 3. Qb6+ K:e2 4. Bb5+ Kd2(d1) (4. ... Ke1 5.
Qe3+) 5. Qd4+ Kc2 (5. ... Kc1 6. Qa1+) 6. Ba4 Kb1 7. Qd3+ Ka2(Kb2) 8.
Qb3+ Ka1 9. Qc3+ with mate.
№ 113
Schachmatny Listok, 14/2 1924
Dedicated to Dr. Emanuel Lasker
114.
1. Rg8+ Ka7 2. Ne3 R:d3+ 3. Kc2 R:e3 (3. ... e4 4. Nd1) 4. K:d2 Rb3 5.
Ra8+ Kb6 6. Rb8+ and Win.
1. Ne3 R:d3+ 2. Kc2 d1=Q+.
№ 115
28. Rijen, 30/3 1924
116.
1. d7 Re7+ 2. Kh6 R:d7 (2. ... Bg6? 3. e4+) 3. e4+ Kg4 4. Ne5+ f:g5
Stalemate.
3. ... K:e4 or Ke6 4. Nc5+ Draw.
1. ... Rg3+ 2. Kh8 B:e2 3. Nc5 Draw.
№ 117
Isvestia V. Z. I. K., 1/6 1924
118.
1. B:g4+ Q:g4 (1. ... Kg5(h6) 2. Ne6+ or 2. ... Nf5+) 2. f3 Q:g3 (2. ...
Qd4 (g5, g7) 3. g4+ etc.)
3. Nf7+ Qh2 4. g4+ Kh4 5. Nf5+ Kh3 6. Ng5#.
3. ... Qf4 4. g4+ and 5. Ng6+.
3. ... Qg7 4. g4+ and 5. Nf5+.
3. ... Qh4 4. g4#.
3. ... Kh4 4. Nf5+.
1. ... K:g4 2. f3+ K:g3 3. Nf5+.
2. ... Kh5 3. g4+.
№ 119
28. Rijen, 29/6 1924
120.
1. d5+ K:d5 (Otherwise 2. Nd7+ or Ne6+) 2. Nd7 Qa6 3. R:g5+ Ke4 4.
Re5+ d:e5 (4. ... Kf4 5. e3#) 5. Nc5+ and Win.
3. ... Ke6 4. Nc5+ d:c5 5. Rg6+ and Win.
3. ... Kc6 4. Nb8+ and Win.
2. ... Qa7 3. Ra8 Qe3 (2. ... Q:a8 3. Nb6+) 4. Nf6+ Kc5(c6) (4. ... Ke6 5.
Re8+) 5. Rc8+ Lb6 6. Nd5+ and Win.
2. ... Q:g8 3. Nf6+ and Win.
№ 121
Schachmatny Listok, 5/8 1924
122.
1. Qa2+ 2. Kb4 (1. ... Kb5 or 1. ... Kd3 follows 2. Nc3+ or 2. Nc1+) 2.
Qb2+ Kc4 (2.... Ka4 3. Nc3#) 3. Qc2+ Kb4 4. Kb2 (Threats 5. Qb3#, and
Qc5+) 4. ... Qd5 5. Qa4+ K:a4 6. Nc3+ Kb4 7. N:d5+ K[any square] 8.
Nb8+ or 8. Nc7+ and Win, because the White h5 passes into the Queen.
№ 123
IV prize at the competition „Ceske Slovo” 1924
124.
1. Bd1 Re3(e1, e5) 2. Bf3 Bh2(c5) 3. B:g2 B:d6 4. e8=Q R:e8+ 5. K:d7
Rg8 (5. ... Re2 6. Bf1)
6. Bd5+ K:d5 Stalemate.
2. ... R:f3 3. e8=Q Draw.
2. ... Kc5 3. K:d7 Draw.
№ 125
Third honorable mention at the same competition
126.
1. Bc5+ Ka5 (1. ... K:c5 or c7 2. N:e6+) 2. Nc6+ Ka4 3. Ka2 b4 4. b3+
Kb5 5. Nd4+ Ka5 (5. ... K:c5 6. N:e6+) 6. B:e7 Qh8 (6. ... Q:e7 7. Nc6+) 7.
Bd8+ Q:d8 8. Nc6+ and Win.
№ 127
Cas. Ceskoslov. Sach., October 1924
128.
1. Kb3 e1=Q 2. Bf4+ Kb1 (2. ... Kd1 Bh5+) 3. B:c2+ Ka1 4. Bd6 Qe2 5.
Bb4 Q:b5 6. Be4 e5 7. f3 and Win.
1. ... e5 2. B:c2 e1=Q 3. B:b6 (Threats 4. Be3+) 3. ... Kd2 4. Ba5+ and
Win.
(2. B:e5+ e1=Q 3. Bf4+ Kb1 4. B:c2+ Ka1 5. Be3 Q:e3+ 6. fe Stalemate)
1. Bf4+ Kb2 and Win.
№ 129
Schachmaty, December 1924
130.
1. Nc8+ Kb4 (1. ... Kb5 2. Nd6+) 2. Ke7 Bc6 (2. ... R:e7 3. Bf8) 3. Ra7
R:a7 (3. ... Bb7 4. Nd5+)
4. N:e6+ and Win.
1. Bf4 Rc4! 2. Nc8+ Kb4 3. Nb6 Re4.
1. Be3 Bd7.
№ 131
132.
1. Nc4+ K:a7 (1. ... Kb5 2. Kb8) 2. Bc5+ Ka6 (2. ... Ka8 3. Nb6+) 3.
Na3 (Zugzwang) Q:a3
4. b5+ K:b5 5. B:a3 Kc4 6. Bb2 and Win.
1. Nb5 Qa6+.
№ 133
134.
1. b7 Rh2 (Threats Nc3#) 2. K:d2 Nd4+ 3. Ke3 N:c6 4. b8=Q N:b8 5.
B:b8 Rb2 6. Be5 Rb4 7. Bd4 Draw.
5. ... Rh8 6. Be5 Rh4 7. Bf4 Draw. (7. ... Be4 8. Bg5+)
№ 135
Dedicated to P. Romanovsky
136.
1. Ba6+ Kb8 2. Nd7+ Ka8 3. Kc7 Qh1 4. Nf6 Qf3(2) (4. ... b5 5. Ne1 b4
6. b3) 5. Ne1 Qh1 6. b3 b5 7. b4 and Win.
3. ... Qg2 4. Nf6 Qh1 (or b5) 5. Ne1 b5 (or Qh1) 6. b4 and Win.
1. ... Kd8 2. Ne6+ Ke8 3. Ne5.
№ 137
138.
1. e7 B:e7 2. b7 e4+ 3. K:c3 Bf6+ 4. Kb4 Be5 5. g7 and Win.
(5. ... Be6 6. c4# )
№ 139
140.
1. Nc7+ Ke5 (1. ... Kd6 2. Nb5+ Kd5 3. Na3) 2. Nc5 (2. Bb8? Kd4) 2. ...
b1=Q 3. Bb8+ Ke6 (3. ... Kd5 or e4 4. Nc3+) 4. Bf4 (Thtreats 5. Nc7#) 4. ...
Kd5 or Qc2 5. Nc3+ or d4+ and Win.
2. ... b1=N 3. Nd4 Nc3 (3. ... Kd6 4. Kd8) 4. b5 Ne4 5. b6 Nc5 6. Kd8 f4
7. Kc8 Ne4 8. b7 N:b7
9. K:b7 f3 10. Nb5 and Win.
5. ... Nd6+ 6. Kd7 Kb7 (6. ... f4 7. Bb8 or Kd5 7. N:f5) 7. Kc7 and Win.
5. ... f4 6. Kd8 Nd6 (6. ... Nc5 7. Kc8) 7. Bb8 and Win.
№ 141
142.
1. c6 b:c6 (1. ... Qa1 2. Bf6+) 2. Bc7+ Kd4 3. Ba5 (Threats 4. Bc3+) 3. ...
Q:f2 4. Bb6+ c5
5. B:c5+ K:c5 6. Ke4+ and Win.
3. ... Qa1 or e5 4. Bc3+.
3. ... Qg1 4. Ne2+.
3. ... K[any square] 4. d4+ or d3+.
1. Bc7+ Kd4 2. c6 Qa1 3. Bb6+ K:c4 4. d3+ Kd5 5. c7 Qa8 etc.
№ 143
144.
1. Bc6+ Kf8 2. b4 c:b4 3. Bd2 Kg7 4. a:b4 Qe5 5. Bc3 and Win.
3. ... Qe5 4. B:b4+ Kg7 5. Bc3 and Win.
3. ... Qc5 4. B:b4.
№ 145
146.
1. Bb2 Qa2 (1. ... Q:b2 2. e3+ or 1. ... Q:b2 2. R:f2+) 2. Bc1+ Ke5 3.
Bf4+ K[any square] 4. e4+(e3+) or e:f3+ and Win.
2. ... Kg3 3. Bf4+ Kh3 and h4 4. Rh2+ Kg4 5. e:f3+ and Win.
№ 147
Dedicated to Alexey Troitsky
148.
1. d:e7 c1=Q (1. ... B:e7 2. Rc6) 2. e8=Q Q:d2+ (2. ... Qc5+ 3. Qb5) 3.
Kb5 Qb4+ 4. Kc6 Qa4+
5. K:c7 Q:e8 (5. ... Bd6+ 6. Kd8 Bc7+ 7. Ke7) 6. Ra6+ K:a6 Stalemate.
1. Rg1 cd or ed and Win.
№ 149
150.
1. Ne3+ Kg3 (1. ... Kh2 2. Qf2) 2. Qg4+ Kf2 3. Qf4+ Ke1(e2) 4. Qf1+
Kd2 (4. ... K:e3 5. Qe1+) 5. Qd1+ Kc3 6. Qc2+ Kb4 (6. ... Kd4 7. Nf5+) 7.
Qb2+ (7. Qd2+ Kb5 8. Qe2+ Kd3 Draw.) 7. ... Nb3 (7. ... Ka5 8. Nc4+ and 9.
Qb6#) 8. Qa3+ winning the Queen or checkmate.