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tinctions Husserl makes between matter and form and then look at how
Merleau-Ponty criticizes this distinction. Finally, I will briefly try to ex-
plicate some differences between Merleau-Ponty’s approach and another
attempt to embody intentionality that has been made within the framework
of cognitive science by the philosopher Daniel Dennett.
The human body is, strictly speaking, not in space (or time), according
to Merleau-Ponty, but we inhabit space and time (Merleau-Ponty 1945/62,
139). Bodily space and external space form a practical system, in which
bodily space is the background against which objects may stand out –
they become visible and function as goals for action. This means that
bodily being in space makes directed projects possible. This directed or
intentional spatiality is essentially motility, and from this it follows that an
understanding of space requires an analysis of movement.
Merleau-Ponty analyses motility by studying basic bodily movement,
such as grasping vs. pointing at one’s nose. He does this through an analy-
sis of deviant cases, described in psychological and neurophysiological
studies, showing how the study of impaired abilities manifests features of
bodily actions which are not recognizable in “normal” cases. This analysis
is a dialectical critique of empiricist as well as of intellectualist models
of explanation. Merleau-Ponty’s aim is to show that movement cannot be
understood by an analysis of stimuli and reaction.
Merleau-Ponty analysed the case of Schneider, a war veteran who was
wounded by a shell splinter in the back of his head and suffered from what
traditional psychiatry called “psychic blindness”. Schneider experienced
great problems when performing abstract movements at command, such
as pointing at his nose when the doctor asked him to, but “the patient
performs with extraordinary speed and precision the movements needed
in living his life, provided that he is in the habit of performing them:
he takes his handkerchief from his pocket and blows his nose, takes a
match out of a box and lights a lamp” (Merleau-Ponty 1945/62, 103).
The differences between abstract and concrete movement shown by these
examples cannot be given a neurophysiological explanation, because an
abstract and a concrete movement may physiologically be exactly the
same. According to Merleau-Ponty, the injury affected Schneider’s lived
world. Schneider experienced concrete situations as given and was able to
act in them, but he was unable to ‘project’ a situation for himself in the
way needed for smoothly performed abstract movement (Merleau-Ponty
1945/62, 110–112).
Merleau-Ponty shows that body movement cannot be understood either
as causal physiological reactions, as empiricist explanations claim, or as
directed by conscious intentions, as cognitivist psychology understands
it. Motility is not merely physiological and it is not the ‘handmaid’ of
consciousness. Neither is a combination of cognitivist and physiologi-
cal explanations sufficient. The distinction between concrete and abstract
movement cannot be understood by relating certain movements to physi-
ological mechanisms and others to consciousness; the distinction between
74 MARTINA REUTER
concrete and abstract should not be confused with the distinction between
body and consciousness. The difference between concrete and abstract
does not belong to the reflective dimension, which separates the conscious
from the bodily, “but finds its place only in the behavioural dimension”
(Merleau-Ponty 1945/62, 124). There is meaning involved here, accord-
ing to Merleau-Ponty, and motility can be understood only through its
intentionality.
Schneider’s inabilities cannot be explained by the ‘objective thought’
shared by empiricists and intellectualists; these inabilities can only be
given a phenomenological description and understood by the phenomeno-
logical concept of intentionality. Schneider’s inability to project a situation
for his actions makes visible what Merleau-Ponty calls the intentional arc.
This intentional arc is inseparably motion, vision and comprehension; it is
prior to the separation of different abilities. As an unitary ability, the in-
tentional arc situates human subjects in relation to their space, past, future,
human setting, physical, ideological and moral situation.5 The intentional
arc is a fundamental function which underlies other separate functions
such as movement, perception or intelligence. It brings about the unity
of the senses, of motility and intelligence. In the case of Schneider, as
in other cases of impaired abilities, it was this arc which “went limp”
(Merleau-Ponty 1945/62, 135–136; cf. Langer 1989, 46).
There is an ambiguity in Merleau-Ponty’s claim here. In one context he
concludes that “motility is basic intentionality” (Merleau-Ponty 1945/62,
137), while the intentional arc is described as a function underlying all
separate abilities, i.e., also motility. This could be understood so that
motility is the most basic experienced or observable form of intention-
ality. This form is more basic than, for example, observations about our
mental states. As a function underlying all separate functions, the inten-
tional arc is a hypothetical abstraction, abstracted from observable forms
of intentionality.6
Merleau-Ponty’s explicit discussions of intentionality mainly involve
basic levels of spatial motion and perception, but he also draws on some
examples involving habitual skills. His main example is drawn from an ex-
perienced organist who is able, after only one hour of practice, to perform
his program on an unfamiliar organ with more or fewer manuals than the
one he is used to. This ability can not be due to an intellectual study of
various manuals, nor to the training of new reflexes, as the intellectualist
and the empiricist, respectively, would claim. Instead, the organist com-
prehends the organ on a pre-reflective level and makes it part of his project
to perform the music (Merleau-Ponty 1945/62, 144–145).
PRE-REFLECTIVE INTENTIONALITY 75
the mind. The phenomenologist may not make judgements that rely on the
affirmation of a transcendent nature, but she or he may make judgements
to the effect that perception is the consciousness of a real world (Husserl
1913/62, 244).
According to Merleau-Ponty, consciousness should not be understood
as explicit positing of its objects, but as a more ambiguous reference to
a practical object; as being-in-the-world (Merleau-Ponty 1945/62, 139).
This does not mean that pre-reflective intentionality is unconscious. Dis-
cussing love, experienced before explicit awareness of its nature, Merleau-
Ponty concludes that, this love was not “a thing hidden in my unconscious-
ness;” it was not something I was unaware of. But this love was not “an
object before my consciousness” either. It was “the impulse carrying me
towards someone” (Merleau-Ponty 1945/62, 381). The love of this exam-
ple is a directed act of awareness, but it does not have a distinct intentional
object, or noema in Husserl’s terminology. It is a pre-reflective intentional
act in the sense that it is directed without allowing for a reflective under-
standing of either the manner in which it is directed or the object towards
which the unspecific awareness is directed.10
In his understanding of intentionality, Merleau-Ponty seems to separate
the aspects of being directed and being of or about. Being directed is a
necessary condition for an intentional act, while this act may or may not
have a distinguishable intentional object. The body as subject is directed
towards the world and can in this way get in touch with phenomena that
emerge through this act. This process is the basis for all more complex
mental acts.
So, Merleau-Ponty seems to claim that there can be intentional acts
which are not of or about anything specific, i.e., which do not have a
noesis-noema structure. This separates Merleau-Ponty from the contempo-
rary analytical (also analytical pro phenomenology) view on intentionality,
which sees being directed and being about or of as the same thing; i.e.,
intentional states are directed because they are about something. For ex-
ample, Dagfinn Føllesdal, in one interpretation of Husserl’s notion of
intentionality, writes that; “To be directed simply is to have a noema”
(Føllesdal 1984, 4).11
Merleau-Ponty can perhaps be seen to motivate his emphasis on di-
rect ‘directedness’ in the preface to Phenomenology of Perception, where
he writes, “ ‘All consciousness is consciousness of something’; there is
nothing new in that. Kant showed [. . .] that inner perception is impossible
without outer perception, that the world, as a collection of connected phe-
nomena, is anticipated in the consciousness of my unity, and is the means
whereby I come into being as a consciousness” (Merleau-Ponty 1945/62,
PRE-REFLECTIVE INTENTIONALITY 77
6. CONCLUSION
Merleau-Ponty and Dennett both try to show how embodied beings are
intentional, but their strategies for doing this are quite different. Merleau-
Ponty takes Husserl’s notion of operative intentionality as his starting
point and shows how this pre-reflective intentionality is embodied as a
posture vis-à-vis the world. He continues the strain in Husserl’s thinking
that attempts to study consciousness outside a strictly intellectualist frame-
work, shifting the emphasis away from the intentionality of beliefs and
judgings towards the intentionality of perception and emotions. Dennett’s
way of embodying intentionality does not challenge these intellectualist
presuppositions.
Merleau-Ponty’s project remains in a strict sense philosophical, even
though he uses many examples from the psychological and physiological
PRE-REFLECTIVE INTENTIONALITY 85
NOTES
∗ I am grateful to the members of the NOS-H Intentionality Project and Martin C. Dillon
for valuable comments on earlier versions of this article, and to Nordiska Samarbetsnämn-
den för Humanistisk Forskning (NOS-H) for financing my research during the years 1995–
1997.
1 By emphasizing that the direction and aboutness of intentional acts are metaphorical
descriptions, I do, of course, not imply that these descriptions are “mere metaphors”. It
is acknowledged and in several contexts argued that metaphors may have unreducable
theoretical significance for our understanding of phenomena as well as concepts. See e.g.,
Black (1962, 1979) and Lloyd (1993).
2 Husserl makes the distinction between the intentionality of act and operative intention-
ality in his Formal and Transcendental Logic, which, according to John Drummond, is the
most important of Husserl’s later works for an understanding of his view on the structure
of intentional acts (Drummond 1990, 176).
3 Merleau-Ponty connects the importance of this distinction to some comments on Kant
and indicates that intentionality of act is the only type of intentionality present in Kant’s
work.
4 Merleau-Ponty’s understanding of space is a descendant of Kant’s conception, but he
departs from the Kantian view in some important respects. As Dillon puts it, “[o]pposing
himself to the assumption of the primordiality of objective space, Merleau-Ponty argues in
favor of the primacy of lived space” (Dillon 1988, 135). According to Kant, our experience
of space is in necessary conformity to Euclidean geometry and therefore a priori. From
this it follows, that the senses are a priori united and experience the same single space.
Merleau-Ponty, as Husserl in Crisis, criticizes the objectivist claim that the experience of
Euclidian geometry is necessary, and from this it follows that he does not regard the unity
of the senses as an a priori truth (Merleau-Ponty 1945/62, 221). Instead, he regards the
diversity of the senses and the fact that we are in the world as necessary in this world,
and therefore a priori, while the unity of the senses is something we conclude by moving
in space. Merleau-Ponty criticizes the sharp Kantian distinction between a priori and a
posteriori; necessity is not a criterion for the a priori, which may be contingent. Things
discovered a posteriori, as the unity of the senses, may become a priori in the sense that we,
living in this world, always have access to one world. But this a priori remain contingent
(cf. Hammond et al. 1991, 266–267).
5 This can also be expressed so that the intentional arc projects space, future et al. round
about the subject (Merleau-Ponty 1945/62, 136).
6 The role of the intentional arc is difficult to understand also in relation to Merleau-
Ponty’s claim that the senses are not a priori united. The intentional arc, with its unity of
the senses, can not be understood as a priori; the human experience of moving around in
86 MARTINA REUTER
a given world is prior to this unity. The intentional arc should probably be understood in
accordance with Merleau-Ponty’s loosening of the a priori – a posteriori distinction, as an
a posteriori abstraction, which becomes a priori.
7 I follow an interpretation of Husserl’s notion of noema, argued by John Drummond,
according to which the noema is a technical term by which Husserl refers to the intentional
object, i.e., the intended object as intended, e.g., the perceived as perceived (Drummond
1990, 57).
8 Merleau-Ponty’s notion of representation is mainly adopted from the psychological and
neurophysiological texts he uses. He discusses mental representations e.g., in connection
to a case of apraxia, which is a disorder of voluntary movement, leading to a more or
less total inability to perform purposeful movements, in spite of intact muscular power and
conscious understanding of what the request means (Merleau-Ponty 1945/62, 126, 138–
139). Explanations of apraxia, utilizing the concept of representation to express awareness
of movement, are forced either to claim that the patient posits a representation, but lacks
physiological ability to move his limb, in which case the limb is paralyzed, or to claim that
the physical ability is present, but the representation is lacking and movement therefore
impossible. In this case apraxia is a form of agnosia; the patient has forgotten the repre-
sentation. Neither of these explanations capture what is specific for apraxia, according to
Merleau-Ponty. He states that, “[a]s long as consciousness is understood as representation,
the only possible operation for it is to form representations” (Merleau-Ponty 1945/62, 139).
This statement reflects Husserl’s conclusion about mental representations leading to an
endless regress.
9 Husserl’s criticism of explanations using the notion of representations is one reason why
he does not speak about ‘intentional objects’, which implies some kind of second-order
objects, but prefers the concept of noema (cf. Husserl 1913/62, 242).
10 Merleau-Ponty’s description of a pre-reflective intentional act resembles Descartes’
description of the passion wonder (admiration). In his Passions of the Soul Descartes
regards wonder as the first of all the passions, it is experienced before we may make
any judgements about the nature of the object, while other passions are evaluations of
objects as beneficial or harmful (Descartes 1649/1985, 350). Cartesian wonder as well
as the pre-reflective love described by Merleau-Ponty is a non-evaluative, but directed
attention towards something. For an illuminating comparison of Descartes’ wonder and
a phenomenological attitude, see Heinämaa (1999).
11 This interpretation is, of course, strongly backed up by many of Husserl’s own writings
(e.g., Husserl 1913/62, 223, 233), as well as by Brentano’s original statement, where he
defined mental phenomena as “those phenomena which contain an object intentionally
within themselves” (Brentano 1874/1973, 89). But, it is perhaps not the only possible
interpretation of Husserl.
12 By this I do not mean that Merleau-Ponty’s philosophical inferences does not have radi-
cal implications for Husserl’s phenomenology. Merleau-Ponty is much more explicit in his
criticism of Husserl as well as Sartre in his late uncompleted work The Visible and the In-
visible, and I quite agree with M.C. Dillon that Merleau-Ponty’s late, explicitly ontological
conclusions follow from his earlier phenomenology of perception (Dillon 1988).
13 Husserl introduces the term noetic phase, or noesis, because such terms as ‘phases of
consciousness’, ‘awareness’ and even ‘intentional phases’ have become unusable through
equivocations introduced mainly by naturalistic psychology. Husserl states that “noeses
constitute the specifications of ‘Nous’ (mind, spirit) in the widest sense of the term, which
in all the actual forms of life which belong to it brings us back to cogitationes, and then to
PRE-REFLECTIVE INTENTIONALITY 87
intentional experiences generally, and therewith includes all that (and essentially only that)
which is the eidetic presuppostition of the idea of a Norm” (Husserl 1913/62, 228–229).
14 As experiencing subjects, we are not able to distinguish between the form and the hyletic
material of our intentional experiences, but Husserl suggests that the phenomenologist
should make this conceptual distinction in order to analyze experience (Haaparanta 1996,
4).
15 In Phenomenology of Perception, Merleau-Ponty writes of “the symbolical ‘pregnancy’
of form in content” (Merleau-Ponty 1945/62, 291; cf. Dillon 1988, 67), referring to Ernst
Cassirer’s Philosophie der symbolischen Formen. Merleau-Ponty does not draw any onto-
logical conclusions from this ‘matter-pregnant-with-form’ before his late The Visible and
the Invisible, but there are good grounds to think that the foundation for this ontology was
made when he introduced his notion of the phenomenon in Phenomenology of Perception
(cf. Dillon 1988, 46, 52–55).
16 Merleau-Ponty outlines his criticism of naturalistic conclusions of Gestalt psychology
mainly in his early The Structure of Behavior, and later refers to this criticism (Merleau-
Ponty 1945/62, n50–55, n59; cf. Dillon 1988, 68–70).
17 It is interesting – but outside the scope of this paper – to compare Gurwitsch’s example
with John Searle’s well known argument about the so-called Chinese room. Searle (1984,
32–36) attempts to show that computers do not think by showing that the ability – of a
computer or person – to manipulate Chinese symbols does not in itself lead to an ability to
understand Chinese. A person locked into a room may with the help of a technical manual
learn to combine Chinese letters in a manner that gives the impression of fluent Chinese,
and he or she may master the syntax of Chinese without learning to understand Chinese.
Searle’s argument rests on a strict distinction between syntax and semantics, between
form and content of language, and it shows that computers do not think in the sense of
mastering semantics by referring to the definition of a computer as a system manipulating
mere syntax. Gurwitsch’s example implies that there is no such strict distinction between
syntax and semantics.
18 Immanuel Levinas’ modification of the phenomenological notion of intentionality
resembles at this point Merleau-Ponty’s notion. According to Levinas, consciousness en-
counters the world as opaque. The world can never be fixed in a subject’s knowledge of
an unchanging essence. Levinas understands intentionality as the relationship with alterity
(Levinas 1961/69, 121–26; Davis 1996, 21).
19 Husserl is not universalizing in any naive sense. He, on the contrary, is explicitly aware
of cultural differences when he writes that, “when we are thrown into an alien social sphere,
that of the Negroes in the Congo, Chinese peasants, etc., we discover that their truths, the
facts that for them are fixed, generally verified or verifiable, are by no means the same as
ours” (1954/70, 139).
20 The definition of intentionality as the intentionality of beliefs has also been criticized
from inside Dennett’s own theoretical tradition. See e.g., Amélie Rorty (1988, 109-13).
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Department of Philosophy
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e-mail: martina.reuter@helsinki.fi