Professional Documents
Culture Documents
One can be rich and famous in Hollywood while having nothing to do with
The Women Songs
Shakespeare, but those actors who successfully appear in these great plays at
June 12: 9:30 a.m.-12:30 p.m.
Stratford or on Broadway are members of an admired élite within their profession:
they have mastered a style from which all other theatre derives. They are drawn
Selected Songs
into a world that at first seems arcane and difficult, but they soon begin to feel a
June 13: 9:30 a.m.-12:30 p.m.
reverence for these plays that is unequalled. This is as it should be: Shakespeare is
the fons et origo – the fountainhead and origin – of modern theatre. A Winter’s Journey
Schubert occupies an exactly parallel position in the history of art song and in June 14: 3-6 p.m.
the lives of singers and their pianists. The singer’s art, no matter how virtuosic
and entertaining, is neither complete nor entirely convincing if he or she fails The German Poets
to confront the depth and range of this life-changing music. In fact, bearing June 15: 10 a.m.-12:30 p.m.
in mind all the other music available to the song recitalist, it can seem very
tempting to avoid the confrontation altogether. The technical and emotional
challenges of grappling with Schubert are no less formidable than mastering
the intricacies of Shakespearian verse, but the rewards are enormous. Once the
key is found to Schubert’s style, his heart and his soul, the remainder of the art CONCERT
song repertoire falls into place precisely because it has all derived, in one way June 16 • 3 p.m.
or another, from his example. Singers when first approaching Schubert feel an
“A Journey through
initial diffidence and uncertainty - exactly like actors with Shakespeare. This
soon gives way to the kind of reverence and admiration that is reserved for only Schubert Lieder”
the very greatest of artists, the sense of wonder that a human being. Someone Devised and narrated by
just like us, and yet not at all like us, could have achieved so much in a single Graham Johnson
short lifetime. For the true Schubertian even the sound of the composer’s name Performed by 2019 SongFest
prompts overwhelming feelings of gratitude. singers and pianists
FRANZ SCHUBERT
Class Series
Ganymed, D544
Samuel Rosner, tenor
Jason Byer, piano
Franz Schubert
Freiwilliges Versinken, D700 (1797-1828)
Christopher Anderson, baritone
Linzi Li, piano
Johann Mayrhofer
(1787-1836)
Abendstern, D806
Mishael Eusebio, tenor
Bronwyn Schuman, piano
Erlafsee, D586
Caroline Stanczyk, soprano
Danielle Guina, piano
Nachtstück, D672
Laure-Catherine Beyers, mezzo-soprano
Micah Yui, piano
Memnon, D541
Thomas Valle-Hoag, baritone
Christian Poppell, piano
Nachtviolen, D752
Theodosia Roussos, soprano
Szu-Ying Huang, piano
Johann Mayrhofer
SCHUBERT’S AUSTRIAN FRIENDS
MASTER CLASS
Graham Johnson Im Freien (Seidl), D880
June 10: Caitlin Aloia, soprano
9:30 a.m.–Noon Gloria Engle, piano
Thayer Hall
Franz Schubert
3. Halt! (1797-1828)
Wayne Arthur Paul, baritone
Szu-Ying Huang, piano
Wilhelm Müller
(1794-1827)
4. Danksagung an den Bach
Cooper Kendall, tenor
Phillip Matsuura, piano
5. Am Feierabend
John Tibbetts, baritone
Danielle Guina, piano
6. Der Neugierige
Hugh Davis, baritone
Christian Poppell, piano
11. Mein!
Tyrese Byrd, tenor
Szu-Ying Huang, piano
Wilhelm Müller
Franz Schubert
Der Atlas (Heine)
(1797-1828)
Bruno Roy, Baritone
Sohyun Park, piano
Franz Schubert
A WINTER’S JOURNEY
MASTER CLASS Winterreise D911
Graham Johnson
June 14: 3–6 p.m. 1. Gute Nacht
Thayer Hall Bruno Roy, baritone
Bronwyn Schuman, piano
Franz Schubert
(1797-1828) 3. Gefrorne Tränen
John Tibbetts, baritone
Wilhelm Müller Sandy Lin, piano
(1794-1827)
4. Erstarrung
Christopher Anderson, baritone
Linzi Li, piano
11. Fruhlingstraum
Christopher Anderson, baritone
Bronwyn Schuman, piano
12. Einsamkeit
Carlos Arcos, baritone
Linzi Li, piano