Professional Documents
Culture Documents
•
THE FIELD MUSEUM MEMBER'S MAGAZINE
*;<•..
^>'
C-
i'^A^-:
ii?.v-:
''f-fiii
^*:;'
SUMMER 2011
MAY-AUGUST
VOL. 82, NO. 2 It's amazing to think that summer is just around the corner.
EDITOR
Whether you're from out of town and planning a Chicago
Emily J Waldren, The field Museum
visit or looking forward to being the "tour guide" while friends
PHOTO CONTENT SPECIALIST and family are in town, The Field Museum is the place to be
Nina Cummings, Ihe field Museum
this summer.
DESIGN
Georgia Bockos, Bocdos Design, Inc.
Whales: Giants of the Deep is splashing into the Museum
All Images © The Field Museum on May and an exhibition with something for everyone
20, is
unless otherwise specified.
IN THE FIELD (ISSN #1051-4546) in the family to enjoy. Hear the incredible songs of whales
is published three times a year
department.
If you are hosting family and friends this summer, be sure
POSTMASTER to read our article on page 6, highlighting a half-day visit at
Send address changes to:
to offer before they head out for baseball and deep-dish pizza.
ON THE COVER
Discover the majesty and mystery With spring and summer, comes the Museum's 60th Annual
of the whale in Whales: Giants of
the Deep^ opening May 20.
Members' Nights (May 26 and 27, 5-10pm). A favorite for
OR INGRID VISSER ORCA RESEARCH IHUST
;
all members, these nights give you the opportunity to not
only visit the Museum after hours, but also to tour our amazing
a state agency.
Where would we be without the horse?
By Rebeccajramk, Writer
HORSES DO MORE THAN take people on trail rides. In The Horse, visitors will discover
that the horse evolved from something no bigger than a dog, into the large animals humans have
used for farming, transportation, and even warfare. The exhibition explores the complex relationship
between man and horse and ponders the question, "Where would we be without the horse?"
Discover an entire suit of armor worn by horses in 16th century Germany (left).
In wars, horses wore armor so cavalrymen could charge into battle. An army
with a cavalry had a tremendous advantage over one without. The Horse also
features a horse-drawn fire engine from the early 20th century— once fire
engines were too heavy to be pulled by man, the trusty horse stepped
make strong, fast, and very unique creatures. Some horses, like the
with JheTield Museum, the Abu Dhabi Authority for Culture and Heritage, the Canadian
Museum of Civilization, Gatineau-Ottawa, and the San Diego Natural History Museum.
© AMNH/R MICKENS
be found in almost every exhibit. Cut this page out and take it with you the next time
you and your family visit, and uncover the variety of horses in The Field Museum!
transfers in less than two • Two horsewomen from the Honan Province in China
minutes. To speed the process up,
• A seahorse in What Is >ln>tnimal?
a mochila (obove) with special
the saddle. At the stations, the < Are Zebras a t)ipe of horse? Well, Zebras and horses both belong
mochila was removed and put on
to the family Equidae and the genus Equus. They are related closely
the saddle of a waiting horse.
enough to breed, but zebras and horses are different species
SUMMER 2011
Whales:
Giants of the Deep
May 20- January 16, 2012
By Nancy O'Shea, Public Relations Director
FOR CENTURIES, WHALES HAVE CAPTURED OUR IMAGINATIONS and ignited our emotions.
We have revered them, made them the subject of myth, hunted them to the brink of extinction, and passionately
protected them.
On May 20, The Field Museum will open Whales. Giants of the Deep, which explores these
The exhibition, organized by New Zealand's national museum, Te Papa, also highlights how
whales have influenced the culture of the indigenous peoples of the South Pacific. On display
of teamwork. See page n for photo. from places such as New Zealand and Fiji.
Above. Skeletons of whale ancestors show visitors how the whale evolved from land mammals to
the fully aquatic whales we see today. Opposite, clockwise from left. The sperm whales is the largest
living toothed animal; A koropepe pendant carved from whale bone, Children can climb through
the replica o/a blue whale heart-
IN THE FIELD
<
QI
<
z
^m^ ws^g^
o
The complex relationship between whales and the native peoples of the South Pacific is a
Q iTf -v||L^^HHH^^HH|
<
<
theme that runs throughout the exhibition. Through videos and text panels, Museum visitors
will meet people whose lives have been inextricably linked with whales, from legendary
o
whale riders to scientists and former whaling
Two
families.
Mind-boggling facts are sprinkled throughout Whales. and fascinating animals on earth.
Did you know that blue whales are the same size as Come see Whales: Giants of
a 737 airplane? A whale's tongue can weigh more than the Deep and discover why these
an elephant? And gray whales migrate 12,000 miles each astonishing creatures continue
year— the same as three round trips from Chicago to to intrigue and inspire, itf
Los Angeles?
This exhibition was developed and presented by
details how they swim, feed, and mate, and why they some-
times strand themselves on land. Visitors will learn about
their habitats.
SUMMER 2011
The Field Museum:
Your Destination for Summer Fun!
By Rita Bellouze, Public Relations Coordinator
you've been there before: Guests are visiting from out of town and you want to
entertain them for an afternoon. Once you walk into the IVIuseum though, your mind goes blank as to
what to show your visitors. There's so much to do, and so little time! In addition to the temporary
exhibitions The Horse and Whales: Giants of the Deep, your guests are sure to enjoy some of our illuminating
Evolving Planet
a journey through four billion years of life on Earth. From the three-
to ever walk the Earth— the dinosaur hall will impress the paleontology-
Lions of Tsavo
The Lions of Tsavo are two of the most vicious man-eaters of all time
and were the subject of the popular film The Ghost and the Darkness in
1996. See the actual lions who, for nine months in 1898, killed and ate
still embedded in ancient rock, along with polished gems, and finally
the journey to the underworld, and offer insights into the Egyptians'
religious practices and beliefs. And then there are the mummies.
Real ones. Need we say more? itf
L
CD
03
3
o
IN
ce
HI
1
1 r I I
CO
> g O)
C
"a « o
3 o
0) ? (/i
-> 0)
>
y)
o CD
C
o * c ^
CD
Ol o CO
da m
c o
> CM
O) m
-a 'en
CD
3
CO
c
m 0)
-a
t)3 o CD
01
tn 0) CD
o 0) c
to c 3 E 3
Q. CD
o O CO
3
i-n
3 O
E 1 c CO
-> w :^
QJ •
en CD
'oj
^ 5
TD (O •
O a. U5
-o CD O ^ 0) CO U5 0)
c n
o "a cb cb n
^
^o c
CD
O)
00
QJ
Q. a F
n
5 5 C 0)
CM
E 3 "a
o 91
u
^o 1 >• c c 9) 03 >^ 1W
ci
CD s 3 C CJ
q3
_o -> 3 it;, 15 «
>- en >
o -> 03 a
CD
O) 3 o •
CO • Q.
cs E
in ID CD CO
CO CO
QJ g en
CD
* O en
o u
m
1
VI TD CO -C s
2 O In o (I)
c 3
<D
Ol
o
T3 CO
'o
03
a
c *"
D
03
sz
tii
"o >
ra
a
3 CM •-^
(0
O O 0) r:
c o
A >- o -5 5)
c > CD IS
o
CO
E •
3 CD
o E D a
^ D c3 o CD
>—
3 o CM -^
in
a>
D
o*
o o o CD 0) • JZ
o CD CL 03
o
E
3 „
> CO
O
CB c
3 CD CD fe«>
CJ
a 1 C
to
O -> c
o o O C CD
E
n
c >. o t:
* Jb
O QJ
'*^
3
^ i
- 2
T3 CD
u O C o 03
u CO
c/:
o (D c QJ
CD
3
a .3 CD ij_
B C Q.
CO
CO
CD > E 03
E C CD (D
Q.
w O CD (0
3 CD a
<:>3
3 CD <;
2 o s -5 o. ;^ re c; 1- (D
0) —3 Q. CT3
u '^ i_ Oi
E a D 3
3
-n
w > - =5
O <
0) J
i^
o (/I
3 CM
C
£ >
in s o
I
in
t/i u
0)
0)
3
0)
/\
™ T3 o
-;:; !r "D
u
£ <- .5" D)
3
H C
u
1^
u
^
"
5 E
E "
Is
o
£ ^
?^
i
i/l
i £
0 a S
1
o
•t
^3 -o
J2
E
b k 3 j=
CD
03 "3 CJ
E
3 o in
T" S E T E
« 01 O a;
0.
i CJ
i2
E E
£ E w 00
3 3 ~a o 3 CN
(A (A "^ Q.
> c
E E - XI _a3
D) t: O
Ol
3
o
*-
o
D>
o
a.
o
o
I ^
CD C tn CO
0> !° ^ CD
Q.
O
c
CD
o
03 u £^ CT -I
— CD a> Ol
CD CD o X3 ™ *i -a o 03 5 0)
CD ji
^ u r
E O O c
^^ X
CD CD f.j
A c/5
CD CD ^
^ rm
> CO CO
E > O < >. L. CD
E CO
E S -5 _ro 2 £
g a 3 CD e 2 S CD ^ ^n ca u
0)
a.
CD
^
CD
CO
Q.
CO X
CD
O o
_2v E 3 T3 ^ n 03 S £
E Q c E
i o CO
o C
CD
03 „
Z
CD
I- E m
H, CD 3 ° -o <
d 5 03
t3
(3
a
.Q o t/i 03 s= 3 03 CD r
*M
CM O >- O E ^ C o n -i
O) O CJ) u> 3 O o "5
o i
c > -Q
3 C CO
CL c o CD * a CD
3
CO CJ
CD > '55 '5 % 5 CD CD
o 3 3 CO
03
E O ii Q)
s o **
'* o £
O) D3
r
O E
CD
T 03 O C/5 >
u O 3 a.
C) CJ
cs
O o o c a ? "
JZ
u E '^ ^ 3
3 ~ E ^ U -o
X
CO
CD CO CD
CD CD
"S :^ 3 E CD
3 E
O
CO
03
o3 ^ > »-
o
ii c £ O > C
O
3 M-,
< a
CD
03
to
03
E
a >- ,
u g
i E V)
s E E o
CO O o fc a > CD
to
3 CM
*^ ^ C3
cs
b CD c CD o E C I
ID
C E "O J3 o 0) 3 £ E
w
*•
-C
5 i - I S c/)
< E c-
CD »4- ^ 3
-n
to
CD C CD s S
C/l
o CD
> cs E
0) 0) JZ — o O CD O ,
oc u
'co </) II
hi > CD CD
*• 00 c
s
o 03
HI
£ r
0) >- Z 0)
CD
CO CD s k CM
c c r o ;
% "a CD -c
u 3
<
V) "cD CD I- K < D. H CO CD a. o in CD CD 1-
e
-D
D)
ro CO
n
0)
D
O CO -? -C
t o
c
n CD e ^ C cn o
M
I
-D ^ CD .h
3 -2 ^ 5- ?"
0)
C3
D
•a "g
.2
5
Z =
aQ
Ji
3 ^ cn cn c a U 3
•a Ml c
C7
3 C
D) t; Cl c
S- 2 :i
o 3
O o
'-'
.9
O
Q) o
C3
(0 (A
a ^ I- *-
ii ti
1^
o
T3
CD o
a.
-PI
CU
a o 2 ™ -Q C
oc "O
(a.
£ '- '*-
c
n
CD
.2
'o c (A Cl)
"s
1
c
CO CD
o >-
C V CD o CD
en
c
<n
c
CD
o o 3 Q. o a a ti s ^ r
a) <1J
'^_,
5 u o s "? s
^
CI)
1—
CI) CD
C o
In
u Q. n
i-
O cc -2- _
^
t\i
o
0)
O !_ CO r-
o c '5 IS
u E S -^ ™ = o ^ —^
^ b o-
Cl)
ffi t-J 3 CD
a 01
3 o -^ 5
*^ - 0)
E
t^
o •0 cn
a 5 >
g E ^ o IS CD
—
o "D
^
^- -5 *J
XI c
CD <D (S
^ 0) »- t a (O CD
> O
CD
io S u o
^
o •a "o D.
c/)
s < c 0) ™ O
Q.
01
-c
£ ^ T3 s <*"
"D CD cn E
c IS <r>
^ -2 "=:
o
U5
-ii
cn
CD
n>
cn
CU
^
a. QQ J= 0. m to -D CD "D CU ^
«.
o h c-
3
^ en £
o o n -a
en
'« CD > 0) ^ 5o
cn
^ 0)
o
0)
< (ti)
-a
0) CD ri -1 c
CD c ^ o 3 — cr o
O "a o
M i ^ a C
CP CD CD
CO
cn
o > a DlQ.
o
cn
= _ I- -a
C
£ (D o :=
CJ
1-
3 *«—
n i^
_ o
J5 O ;r
D. E >.
O fc CI) CD
X
a. u
e "S ° -^ ? ™
>-
X3
r
o CO
Q.
O H 3
CD *- i_
I I
s y. .€ K ^ ^ O
° 3 w £ S C
" t
i 7=; cn
o
(J ^ -a
Q.
r CO x:
^ O CD
® ^ CO !:; O) •D
CO
" S
•D
D) £ ^ a.
CD
2
13) CO
o -5 iS ^ o n
^ t3
^>
"D C
CD O ^ "aJ -S 3 ^
CJ t E
_u cn
f^
'lA m Cl)
-^ re
CD
®
g)
P
Z CJ
m
-, (0
4) < 1-
A
S' O
•o O- Q.
> u CD O) « = c fc
cn
a
IS
Q. m
0. < a. g 2:
> >• 1 c 3
tVOO 31ld3n9yOk)fMMM 3
CJ
CD C
Oh
-)
2 £
r (-
10 o CD O
CM
> o O E
C
IS '5 -a
c
Q CO "cD
e
^
^ (0
CO
O)
3
O
.n.
_0
o
E
O)
c
s
cn
> .9.
'0
cn
CO
a
cn
CO
c
CO
1
c
(S
a 3
^3 3
S) "co
CO
E
tJ
-a
> cn
cn
^
cn
s
SI
3
cn
T3 c c XI
O)
cn
3 CD
c
3
c i:
^ O)
c E > 1 c
o CD
a a 3a '5) C J3
CD
C cn
o Q.
cn
cn o s: > 15
i sz i **"
1:1
X Q. CO D) c
s ^ c 3 cn cn c "oj a CO
-C
-1
(6 Q. c CJ
g Hi CD
Q. T3
c 'c ui
^ S cn E
f 1 o
cn cn D "O c
0)
s ir n
CD "cn
f
a a
c ?
C3
a. SI
1-
CO cn
CD s A F
c SI 3 E (J
-0 a -c ,0
O
>
3 ? C c a.
13
CO
C/)
E
^ £ > cn
?
a.
CO
cn XI 5 s Q. CO c
T3 3 "cD c > E X!
IS A C 3 c
CD
O)
3
cn cn CD
CD 1 E D cn £ CD CO 1 CD _t
'Z E
Q.
CD o !5
o CO) E ,0
s m
CD n 3 lA IS
-C cn
3 a
CJl E _ cn
O "5
E 1) 1
SI
3 3 « CO
E CO CO
cn
e cn
E T3 * E e'
IS O Li_ CJ
i c
lA CO E
c a- in u § cn
c CO
(J Ul
c o CO
3 a u « g -a
< 1
cn 1 E 3 £
-a
_o
£ -u A "O 3 £ A c
£ o T3
cn IT c
E ? 3 F
CD
"o
J) 0)
3 > cn 4-'
3 £
CO
u
< a r
IS en
'c
o CO
a '0 3 s E -a
c < Tii a cn
U < >
cn
m
c
IS
M cn
3a 3 0 "51 CN
rt
CO
n l_ c-( ._ "0 1 CD
5
e 3 b C c
E 3 a cn IS C E % '0 > fc C
a 53
cr 0) IS Q. CD IS
2
o LU to
> IS IS CS
l<
CD
O "co
LU CJ
lA
3 a. w 3 a cn
0. (A
cn
£ >
"is CJ
4- /o CS
O c Q. cn a? lA cn
i 3
'5)
CM .0 > _0
SI CD IS
s x: 0) 1
.2
CM
CO
> o CO
c c m £ cn
Q (b cn E a SI
1 cn Q- IS S •i- < CO w .2 c li^ 0. < 00 C
e e e e
rjHLiBRAP. >FFCIAL COLLECTIOL
52
H
S ° u
^'4
ss. CO
C CL in
(D
3 Z
O
Q
M
3-
S I
1
ro y.
o c 3
c
^ O Q)
— 3 -n ?
c 2
Q. Q]
T3'
S g
•s, =
I o
? ?
a '_
a- 3
a o
3 a_
o
a o to
Q.
E I"
= S. Q.
3 5
Q.
^ror
TO
O a
v> g H
o 2.
< o Z
o o o
< c a)
c CD_ to O
rr.
o
3 C 3
-^mr 3
Q.
C/)
o o o
TO o' s S z (/)
S -n
3- to 1-1
to"
o 3
t1^ o_
o"
m
o'
a s
Vi
o
a.
c
3-
3
o
>
z
c
fi)
(fl
c
A
IT 3- 1
< to CD > (A
O CD
c o' (/)
O <
3 < CU
0)
O) S to
3 QJ
to
X 12. M 3
<
Q.
T3
to
D.
CU
o
w
a
O
3- CD O
to
M T
3 -. 3-
CD
(D n>
X-
o
CI
i
1
f ,
'^^ n
o
CD
O
3
Crt
3
tD
3
M
?'
3 q O
<
CO o
< 1I W
1
3- O
c
3
O
-J
tn
3
(A
T
/ 1 3
ts.
r T3 CD • ' J CD CU
V
3- n.
o
c
3
O O
.
k ^ ^Ai' CD
cn
3
tD
—
<
CD S
5"
CD
O 3 ii r+
3 3-
D 03
o 3
CU
3
C)
< a n
O u o
o
< O cr)
to
(Q
s
CD
3 (D
d CD
C o a
0)
CO
1 5' 3 cd' Q.
CD
z UBI
S:
i 3 C/1
ifl
H
3- a
3
1 C
3
3-
a
o oo c
0)
CD
C
3
(D
CO CU
3
c/j'
CD
"D
O
3
o
c:
o
c2
CD
o
en
E
Q o S W Cfl
a V)
cr 3 a -n CD
g (5
3 Q. O O 3 1
o a.
o
3
-< CD cd' Q. Q. < CJ1
o
? z
'S-
to
(fl
1
o a.
;«!-
^ m CD O o -i
o r < o 7"
<
CD o (D
3-
o CU
o CD ^ c M
3
o C=
< 5
C/l CD
X
D
g
to
3 r
r+
Q < CU
3
CD
CD
o (D cd'
CD to' CU
3 &)
SI
>
to
c 3 3
Co CU O 3 CD
3
Q.
a 3
Q.
CD n
O
01
5 01 5' CO 3 s O
< 00
3 3-
-1
o CU
a.
o
CU
CD
-J
to
V) CD CD
O ni
to
O 2
to
to
X
D
o < to
<
01
CO
CD
O
o o
CD
X
C/)
O
3
Cl>
CU X O
C2. q3
re o to
a.
3- O 3 o 5'
0) ID
to -n 3 o 3
Q CU
< 3-
o CD c: 3 o* t/J
3
C/)
Q.
-<
a o -1
c/)
CD
CD
— -i n CU O
(Kl ni ^^ >< CU NJ
1^
:J
d — *> 3 H o 3 O •<
3
H
3- 3 O 3 t/)
fO n c-
to
3-
q
3-
CD
-n m
o
o
o
to
CU
3
-n
IQ
3
?3
3
3
CU
to
^
to
> g
S"
g
o
ftt
-n
CO'
Q.
CU
3
to'
Q.
•<
O 3
CD
3
to
3 C/)
I*
T. rex Relatives
Preferred Vegetarian Fare
By Jon Van, Writer
TYRANNOSAURUS REX MAY HAVE BEEN A FLESH-EATING TERROR BUT MANY OF HIS CLOSEST
RELATIVES WERE MORE CONTENT WITH VEGETARIAN FARE, A NEW ANALYSIS BY FIELD MUSEUM
SCIENTISTS HAS FOUND.
Scientists Lindsay Zanno, PhD, and Peter Mal<ovicky, PhD, They found almost two dozen anatomical features statistically
used statistical analyses to determine the diet of 90 species linked to direct evidence of herbivory. "Once we linked
of theropod dinosaurs. Their results challenge the conven- certain adaptations with direct evidence of diet, we looked
tional view that nearly all theropods hunted prey, especially to see which other theropod species had the same traits,"
those closest to the ancestors of birds. Rather, Zanno and Zanno said, "then we could say who was likely a plant eater
Makovicky show that among the most bird-like dinosaurs- and who was not."
isn't always straightforward. In all but the the exception than the rule," Zanno says. "This new
rarest cases, paleontologists have nothing research firmly supports what we've
to study but fossilized bones and teeth. have been speculating about for
Lindsay Sometimes figuring out what a dinosaur ate is fairly some time," she says.
Zanno, PhD
obvious. No one doubts the bone-crunching teeth and
contributed to Using statistical analysis to find
this article.
jaws of Tyrannosaurui rex were the tools of a megapredator
correlations between physical
But, many coelurosaurian dinosaurs have more ambiguous
traits and diet could offer a new
adaptations such as peg-like teeth at the front of the
window as to how evolution works
mouth or no teeth at all, so determining their diet has
and these techniques could be used
been a challenge.
to provide new insight into the
Fossilized dinosaur dung, stomach contents, tooth marks, vertebrate history, itf
mill for digesting vegetation) all provide a direct window the National ScienceToiLndation.
Caldweli'MeelierJeliowship
species, Zanno and Makovicky used statistical analyses
and by a Bucksbaum Jeilow/ship
to test whether certain skeletal traits (such as the loss of jor young scientists.
SUMMER 2011
A Sneak Peek:
Abbott Conservation
Hall of
Restoring Earth
By Anna Huntley, Exhibition Project Manager
In a new permanent exhibition opening this fall The Field Museum will show
visitors how conservation is more than twisty-light bulbs, short showers,
and blue bins. Conservation often involves discovery and adventure; it's seeing
our world in a new way and understanding that the planet's needs are tightly
to the public. Here is a sneak peak at some of the amazing experiences and stories
8 IN THE FIELD
MUSEUM COLLECTIONS
You're walking down a long hallway in
This is conservation. The Field Museum's other scientists. and you drink lemonade in the sunshine
is shared with local governments and thousands of adult and youth volunteers.
non-profits that will work to protect these As the land is restored the people feel
All of these are examples of conservation, though maybe ones you've never
thought of before. At The Field Museum we turn science into action for
lasting conservation, and we invite you to join the adventure! Come and see
Above: The field Museum collects birds that collide
Restoring Earth this fall and expand your own definition of conservation, itf
with Chicago buildings. Top, left: Ornithologists scan
the skies/or birds during a rapid inventory in Peru. ,4bfaott Hall oj Conservation Restoring Earth is made possible through the generosity of Abbott.
SUMMER 2011
Discover Green Products in the New Exhibition
in Design for a Livmg World (May 12- Nov. 13), the inaugural exhibition in The Field Museum's new
Gary C. Comer Family Gallery. Created by The Nature Conservancy, Design/or a Living World
The maple used for humor, and an aesthetic response to the materials' origins," says Janet Hong, project manager for
Maya Lin's bench cartxejrom
The Field Museum. The artists used all kinds of materials from different locations around the world,
land in Maine managed by
Mizrahi's contribution is a dress and shoes made from the skin of salmon caught and harvested
in Alaska. The salmon skin, which would ordinarily be thrown away, was turned into leather
The grater allows hot chocolate lovers to grate just enough cocoa for one mug-
just like Costa Ricans do.
Meindertsma kept track of each sheep's wool — naming each animal and keeping
its wool separate. She made the wool into felted wool yarn and, using giant knitting
needles, made a rug tile from each sheep's wool. The rug tiles then fit together,
fashion designer Isaac Mizrahi used
10 IN THE FIELD
Field Museum Members are in for
conservation, and climate change. Exhibitions in this gallery complement the new
Getting to The Field Museum
permanent exhibition Abbott Hall of Conservation Restoring Earth which opens ,
The lead sponsor for Design for a Living World is Worthern Trust.
PHOTOS COURTESY OF THE NATURE CONSERVANCY TV Field What do you think about In The Field?
Museum
for questions about the magazine, call 372,665.7107,
museum _„„i„hh«
campusf'^'^"*'**
rs
address changes, call 866.312.2787.
adventure for kids and families. This exhibition lets future Jelliesl This limited-time exhibit showcases more than 10
space explorers enter a world where they can play and different species of pulsing, translucent sea jellies. Explore
learn what it takes to be part of a mission to outer space. an underwater world of rarely seen animals that survive— and
Planet Explorers is divided into three different play areas: thrive— without bones, blood, or brains. For more information,
^
Field
useum
1400 South Lake Shore Drive
60605-2496
US POSTAGE
PAID
CHICAGO,
PERMIT NO 2309
IL
Chicago, IL
Engaging a New
Generation of Supporters
THE FIELD ASSOCIATES IS AN ANNUAL FUND donor
and collections that all Annual Fund donors experience, along with
yield ylssociate officers and opportunities to interact with leading experts on topics as varied
at their Gold opening event.
as chocolate, venomous fishes, and ancient Chinese rubbings.
You'll find games, toys, books, and more for kids as well as jewelry, gifts, and stunning hand-crafted objects, like this
beautiful sculpture, inuit artist Isaac Ohotaq from Cape Dorset in Canada has used serpentine and antler
store.fieldmuseum.org.
two whales. As always, you can shop 24 hours
^
a day at
'y
Remember that all proceeds from the Stores directly support the Museum's public
and scientific programs, and that all Field Museunynamljfij3.receive 10 percent off