Professional Documents
Culture Documents
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His largest single work is the Istana Nurul Iman, the palace of the Sultan of
Brunei. He designed the five buildings of the CCP Complex – the Cultural Center
of the Philippines, Folk Arts Theater, Philippine International Convention Center,
Philcite, and The Westin Hotel.
B. Visual Arts
1. National Capital Region
a. Fernando Amorsolo (1972)
Born in Paco, Manila, the “Grand Old Man of Philippine Art” was the first to be
awarded as National Artist in the country. The backlighting technique became his
trademark where the figures are seen aglow on canvas.
His major works include the following: Maiden in a Stream (1921), El Ciego
(1928), Dalagang Bukid (1936), The Meztiza (1943), Planting Rice (1946), and
Sunday Morning Going to Town (1958).
b. Cesar Legaspi (1990)
A pioneer “Neo-Realist” of the country, he is remembered for refining cubism in
the Philippine context. He made use of geometric fragmentation technique,
weaving social comment and juxtaposing the mythical and modern into his
overlapping, interacting forms with disturbing power and intensity.
Among his works are Gadgets I, Gadgets II, Diggers, Idols of the Third Eye,
Facade, Ovary, Flora and Fauna, Triptych, Flight, Bayanihan, Struggle,
Avenging Figure, Turning Point, Peace, The Survivor, and The Ritual.
c. Hernando Ocampo (1991)
A self-taught painter from Sta. Cruz, Manila, his canvases evoked the lush
Philippine landscape, its flora and fauna, under the sun and rain in fierce and bold
colors.
He also played a pivotal role in sustaining the Philippine Art Gallery, the
country’s first. His acknowledged masterpiece “Genesis” served as the basis of
CCP Main Theater’s curtain design. His other major works include Ina ng Balon,
Calvary, Slum Dwellers, Nude with Candle and Flower, Man and Carabao,
Angel’s Kiss, Palayok at Kalan, Ancestors, Isda at Mangga, The Resurrection,
Fifty-three “Q”, Backdrop, and Fiesta.
d. Arturo Luz (1997)
He established the Luz Gallery that professionalized the art gallery as an
institution. Among his other significant paintings are Bagong Taon, Vendador de
Flores, Skipping Rope, Candle Vendors, Procession, Self-Portrait, Night Glows,
Grand Finale, Cities of the Past, and Imaginary Landscapes. His mural painting
Black and White is displayed in the lobby of the CCP’s Bulwagang Carlos V.
Francisco (Little Theater). His sculpture of a stainless steel cube is located in front
of the Benguet Mining Corporation Building in Pasig.
e. Jose T. Joya (2003)
He pioneered abstract expressionism in the Philippines. He distinguished himself
by creating an authentic Filipino abstract idiom that transcended foreign
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influences.
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7. Region 11 – Davao
a. Ang Kiukok
Born Ang Hwa Shing, he was a painter from Davao City. He fused influences
from cubism, surrealism, and expressionism in his style. He favored subjects such
as fighting cocks, rabid dogs, and people enraptured by rage. He also painted
multiple depictions of the crucified Christ.
Some of his works include Geometric Landscape (1969); Pieta, which won for
him the bronze medal in the 1st International Art Exhibition held in Saigon
(1962); and the Seated Figure (1979), auctioned at Sotheby’s in Singapore.
8. Region 15 – Autonomous Region of Muslim Mindanao
a. Abdulmari Asia Imao (2006)
A native of Sulu, he is a sculptor, painter, photographer, ceramist, documentary
film maker, cultural researcher, writer, and articulator of Philippine Muslim art
and culture.
Through his works, the indigenous ukkil, sarimanok and naga motifs have been
popularized and instilled in the consciousness of the Filipino nation and other
peoples as original Filipino creations.
Some of his works include Industry Brass Mural, Mural Relief in Filmmaking,
Industrial Mural, and Sulu Warriors.
C. Fashion Design
1. Region 14 – Cordillera Administrative Region
a. Ramon Valera
He was a fashion designer from Abra. His contribution lies in the tradition of
excellence of his works, and his commitment to his profession, performing his
magical seminal innovations on the Philippine terno.
D. Literature
1. National Capital Region
a. Jose Garcia Villa (1973)
He is considered as one of the finest contemporary poets. He introduced reversed
consonance rhyme scheme, including the comma poems that made full use of the
punctuation mark in an innovative, poetic way.
Villa’s works have been collected into the following books: Footnote to Youth,
Many Voices, Poems by Doveglion, Poems 55, Poems in Praise of Love: The Best
Love Poems of Jose Garcia Villa as Chosen By Himself, Selected Stories, The
Portable Villa, The Essential Villa, Mir-i-nisa, Storymasters 3: Selected Stories
from Footnote to Youth, 55 Poems: Selected and Translated into Tagalog by
Hilario
S. Francia.
b. Nick Joaquin (1976)
He is considered as the most distinguished Filipino writer in English writing. Nick
Joaquin has also enriched the English language with critics coining
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“Joaquinesque” to describe his baroque Spanish-flavored English or his
reinventions of English
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based on Filipinisms.
Among his works are The Woman Who Had Two Navels, A Portrait of the Artist
as Filipino, Manila, My Manila: A History for the Young, The Ballad of the Five
Battles, Rizal in Saga, Almanac for Manileños, and Cave and Shadows.
c. Francisco Arcellana (1990)
He pioneered the development of the short story as a lyrical prose-poetic form.
For Arcellana, the pride of fiction is “that it is able to render truth that is able to
present reality”.
Arcellana’s published books are Selected Stories (1962), Poetry and Politics: The
State of Original Writing in English in the Philippines Today (1977), and The
Francisco Arcellana Sampler (1990).
Some of his short stories are Frankie, The Man Who Would Be Poe, Death in a
Factory, Lina, A Clown Remembers, Divided by Two, The Mats, and his poems
being The Other Woman, This Being the Third Poem This Poem is for Mathilda,
To Touch You and I Touched Her, among others.
d. Levi Celerio (1997)
National Artist for Literature and Music
Born in Tondo, Manila, Levi is a prolific lyricist and composer for decades. He
made it to the Guinness Book of World Records as the only person able to make
music using just a leaf. Levi effortlessly translated/wrote anew the lyrics to
traditional melodies: “O Maliwanag Na Buwan” (Iloko), “Ako ay May Singsing”
(Pampango), “Alibangbang” (Visaya) among others.
e. Rolando S. Tinio (1997)
National Artist for Theater and Literature
A playwright, thespian, poet, teacher, critic, and translator, marked his career with
prolific artistic productions.
In the mid-1960s he decided to try writing in Tagalog and the product of this was
the collection of poems now called “Bagay.” He is the sole inventor of “Taglish”
in Philippine poetry.
Aside from his collections of poetry (Sitsit sa Kuliglig, Dunung – Dunungan,
Kristal na Uniberso, A Trick of Mirrors) among his works were the following:
film scripts for Now and Forever, Gamitin Mo Ako, Bayad Puri and Milagros;
sarswelas Ang Mestisa, Ako, Ang Kiri, Ana Maria; the komedya Orosman at
Zafira; and Larawan, the musical.
f. Alejandro Roces (2003)
He is considered as the country’s best writer of comic short stories. He is the
champion of the Filipino culture and was instrumental in popularizing several
local fiestas specifically Moriones and Ati-atihan. He also led the campaign to
change the country’s Independence Day from July 4 to June 12, and the language
used in Philippine passports, currency, and diplomas to Filipino.
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E. Historical Literature
1. National Capital Region
a. Carlos Quirino (1997)
In 1997, President Ramos created historical literature as a new category in the
National Artist Awards and Quirino was its first, and so far, its only recipient. He
wrote “The Great Malayan” one of the earliest biographies of Jose Rizal. His
books and articles span the whole spectrum of Philippine History.
His book “Maps and Views of Old Manila” is considered as the best book on the
subject. His other books include “Quezon, Man of Destiny,” “Magsaysay of the
Philippines,” “Lives of the Philippine Presidents,” “Philippine Cartography,”
“The History of Philippine Sugar Industry,” “Filipino Heritage: The Making of a
Nation,” and “Filipinos at War: The Fight for Freedom from Mactan to EDSA.”
F. Dance
1. National Capital Region
a. Alice Reyes (2014)
She is a dancer, choreographer, teacher, and director from Manila. She made a
lasting impact on the development and promotion of contemporary dance in the
Philippines.
Her biggest contribution to Philippine dance is the development of a distinctly
Filipino modern dance idiom. Reyes utilized inherently Filipino materials and her
subject matters were expressed through a combination of movements and styles
From Philippine indigenous dance, modern dance, and classical ballet.
2. Region 3 – Central Luzon
a. Francisca Reyes Aquino (1973)
Born in Bocaue, Bulacan, Francisca was known as the “Mother of Philippine
Folk Dancing.” She made a research on the unrecorded forms of local
celebration, ritual, and sport, which later resulted into a 1926 thesis titled
“Philippine Folk Dances and Games.”
She served as supervisor of physical education at the Bureau of Education in
the 1940s. The Bureau distributed her work and adapted the teaching of folk
dancing to promote awareness of cultural heritage.
Her books include the following: Philippine National Dances (1946);
Gymnastics for Girls (1947); Fundamental Dance Steps and Music (1948);
Foreign Folk Dances (1949); Dances for all Occasion (1950); Playground
Demonstration (1951); and Philippine Folk Dances, Volumes I to VI.
3. Region 5 – Bicol Region
a. Ramon Obusan (2006)
He is a dancer, choreographer, stage designer, artistic director and an
acclaimed archivist, researcher, and documentary filmmaker from Legaspi,
Albay. Obusan’s work focused on promoting Philippine traditional dance and
cultural work.
Through the Ramon Obusan Folkloric Group (ROFG), he had effected
cultural and diplomatic exchanges using the multifarious aspects and
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dimensions of the
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art of dance.
Among the full-length he choreographed are the following: “Vamos a Belen!
Series,” “Noon Po sa Amin,” “Obra Maestra,” “Unpublished dances of the
Philippines,” “Water, Fire and Life, Philippine Dances and Music–A
Celebration of Life,” “Saludo sa Sentenyal,” “Glimpses of ASEAN, Dances
and Music of the ASEAN-Member Countries,” and “Saplot (Ramon Obusan
Folkloric Group): Philippines Costumes in Dance.”
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Madame Butterfly in Italy. Her performance was hailed as the “most sublime
interpretation of the part” and place the Philippines on the map in terms of
performing.
H. Film
1. National Capital Region
a. Gerardo De Leon (1982)
Born as Gerardo Ilagan, he is the most awarded film director in the history of
Filipino Academy of Movie Arts and Sciences (FAMAS) Awards. He
produced classics such as “Daigdig ng Mga Api,” “El Filibusterismo,”
“Dyesebel,” and “Sisa.”
b. Ishmael Bernal (2001)
Critics have hailed Bernal as “the genius of Philippine cinema.” He is
recognized through his films that serve as social commentaries and bold
reflections on the existing realities of the struggle of the Filipino.
Among his notable films are “Pahiram ng Isang Umaga” (1989), “Broken
Marriage” (1983), “Himala” (1982), “City After Dark” (1980), and “Nunal sa
Tubig” (1976).
c. Roland Allan K. Poe (2006)
Popularly known as Fernando Poe, Jr., he was a cultural icon of tremendous
audience impact and cinema artist and craftsman–as an actor, director, writer,
and producer.
The image of the underdog was projected in his films such as “Apollo Robles
(1961),” “Batang Maynila (1962),” “Mga Alabok sa Lupa (1967),” “Batang
Matador and Batang Estibador (1969),” “Ako ang Katarungan (1974),” “Tatak
ng Alipin (1975),” “Totoy Bato (1977)”, “Asedillo (1981),” “Partida (1985),”
and “Ang Probisyano (1996),” among many others. The mythical hero, on the
other hand, was highlighted in “Ang Alamat (1972),” Ang Pagbabalik ng
Lawin (1975)” including his “Panday” series (1980, 1981, 1982, 1984) and
the action adventure films adapted from komiks materials such as “Ang
Kampana sa Santa Quiteria(1971),” “Santo Domingo (1972),” and “Alupihang
Dagat (1975)” among others.
2. Region 5 – Bicol Region
a. Lino Brocka (1997)
He is widely regarded as one of the most influential and significant Filipino
filmmakers in Philippine cinema history. His films breathed life and hope for
the marginalized sectors of the society. He served in the organizations such as
Philippine Educational Theater Association (PETA) and the Concerned Artists
of the Philippines (CAP).
He has directed landmark films such as “Tinimbang Ka Ngunit Kulang
(1974),” “Maynila sa mga Kuko ng Liwanag (1975),” “Insiang (1976),”
“Bayan Ko: Kapit sa Patalim (1984), and “Ornoprobis (1989).”
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References:
National artist of the philippines guidelines (2015). Retrieved from http://ncca.gov.ph/sentro-
rizal- 3/programs/organizational-awards/national-artist/ on July 11, 2017
Order of national artists (2015). Retrieved from http://ncca.gov.ph/about-culture-and-arts/culture-
profile/national-artists-of-the-philippines/ on July 12, 2017
Panisan, W., Gazzingan, L., Samar, G., & Boongaling, C (2017). Contemporary philippine arts
from the regions. Malabon: Mutya Publishing House, Inc.
Perez, A. (2016). Philippine contemporary arts. Quezon City: Brilliant Creations Publishing Inc.
Ramirez, V. (2016). Contemporary philippine arts from the regions. Quezon City: Vibal Group
Inc.
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